Art since 1900: modernism, antimodernism, postmodernism, London: Thames & Hudson, 2004 (9780500285343)
Van Gogh: The Complete Paintings, Koln: Taschen GmbH, 2006 (9780681567979)
First Floor, Plans, William R. Heath House
Frank Lloyd Wright: Monograph 1902-1906, Tokyo: A.D.A. Edita, 1987 (4871405133)
Basement, First, and Second Floors, Plans for Gardener's House, Darwin D. Martin House
Stair railing and leaded-glass entry doors, David B. Gamble House
Greene & Greene, London: Phaidon, 2000 (0714839507)
A luminous land : artists discover Greece, Los Angeles: J. Paul Getty Museum, c1998 (089236467X)
Dining room, view to the east, Theodore Irwin, Jr. House
Louis Fauvel in His House Overlooking the Acropolis
Entry of King Otto of Greece into Nauplia, February 6th, 1833
View of atrium, looking upwards, Seattle Central Library
Process / Seattle Central Library, 1st, Seattle, Wash: Documentary Media, 2004 (097190846X)
Greeks Fetching Water from the Well at the Tower of the Winds in Athens
View of the Monument Walled into the Garden End of the Hospitum of the Capuchins
Early in Construction photo of Seattle Central Library
Exterior Elevation, Seattle Central Library
View of reading room area, Seattle Central Library
Main structural support (concrete), Seattle Central Library
Colored diagram of Seattle Central Library
Yellow escalators, Seattle Central Library
Upper floors under construction, Seattle Central Library
Early in Construction Photo of Seattle Central Library
Widener Collection (1942.9.57).In the distance on a hilltop, Raphael has painted a scene he knew well from his childhood, the domed church of San Bernardino, two miles outside Urbino. The church contains the tombs of dukes of Urbino, Federico and Guidobaldo da Montefeltro, and their wives. Donato Bramante, whose architecture was key in establishing the High Renaissance style, may have designed the church.
Art History, 3rd Ed., Upper Saddle River, N. J.: Pearson Education, 2008 (9780132368544)
Interior, Philips Exeter Academy Library, Philips Exeter Academy Library
Louis I. Kahn : beyond time and style : a life in architecture, New York: W. W. Norton, 2007 (9780393731651)
Trans World Airlines Terminal, John F. Kennedy International Airport
Picasso, Pablo, 1881-1973. Demoiselles d'Avignon
Breda (Netherlands)--History--Siege, 1624-1625
January: The Duke of Berry at the Table, Les Tres Riches Heures
Eglise abbatiale de Saint-Denis (Saint-Denis, France)
Quatrefoils, West facade, Amiens Cathedral
Above: Signs of The Zodiac (Leo, Virgo, and Libra)
Below: Labors of The Months (July, August, and September)
Aerial View from Southeast, Chartres Cathedral
Prophets and Ancestors of Christ, Royal Portal, Chartres Cathedral
crossing spire, 19th - Century replacement
A Roman Street with the Fontana dei Dioscuri in the Distance
Documenting the columns at the Temple of Zeus
The size of the columns is put in perspective in this photograph
Herakles and Cretan Bull, Bilingual Amphora
Silver Kylix, Shaft Grave IV, Citadel, Mycenae, Greece
Grave Circle at Mycenae During 1876 Excavations
The Good Shepherd, from the Catacombs of Saint Callistus
Detail of Block Six, North Frieze of Parthenon
Axonometric Restoration, Basilica of Constantine, Rome
Plan, Sanctuary of Athena Pollas, Pergamon
Diagram, Interior of Athena Temple Complex, Pergamum
Lapith versus centaur, South side of Parthenon
Royal Portal, West Facade, Chartres Cathedral
Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010 (9780205800377)
Bequest of Mrs. H. O. Havemeyer Collection, Gift of Horace Havemeyer, 1929 (29.160.26). In the right background of Degass picture sit two well-dressed, middle-aged men, who enjoy their intimacy with the dancers at informal rehearsal. Because ballerinas generally came from lower- class families and exhibited their scantily clad bodies in publicsomething prohibited for respectable bourgeois womenthey were widely assumed to be sexually available, and they often attracted the attentions of wealthy men willing to support them in exchange for sexual favors. Thus several of Degass ballet pictures also include one or more of the dancers mothers, who would accompany their daughters to rehearsals and performances in order to safeguard their virtue.