This relief was found in Isola Sacra necropolis, from tomb 100.
A History of Roman Art, enhanced ed., Boston: Wadsworth, 2010 (9780495909873)
This relief was found in Isola Sacra necropolis (Ostia, Italy)
Ceiling and mural paintings, from Insula of the Painted Vaults, Room 4, Ostia
Head, Detail of Triumph of Marcus Aurelius
Marcus Aurelius, Emperor of Rome, 121-180
Decursio, Pedestal of the Column of Antoninus Pius
Column of Antoninus Pius (Vatican Palace, Vatican City)
Apotheosis of Antoninus Pius and Faustina the Elder
Funerary pyre of Antoninus Pius, reverse of an aureus of Marcus Aurelius
Rededicated in 161 as the Temple of Antoninus and Faustina.
Bust of Commodus in the guise of Hercules
Verus, Lucius Aurelius, Emperor of Rome, 130-169
Detail of the apotheosis of Antoninus Pius and Faustina the Elder
This architectural relief came from the Temple of Hadrian, Rome, Italy
In the forground is the 16th-century Fountain of the Pantheon, including an obelisk erected by Ramesses II.
Reused as Fundator Quietis panel in the central passageway of the Arch of Constantine 312 - 315.
Serapeum (Hadrian's Villa, Tivoli, Italy)
The Serapeum is not a temple but an artificail cave architecture(Grotto), which is another popular conceit of Roman villa design conctructed of concrete and featuring an unusual pumpkin shaped dome.
Canopus (Hadrian's Villa, Tivoli, Italy)
The most imaginative esign at the Tivoli villa is the Teatro Marittimo (Maritime Theater), a kind of villa within the villa next to the Poikile.
Boar hunt and sacrifice to Apollo, tondi from a lost monument in Rome
This roundel reliefs were reused in the Arch of Constantine.
This panel is a part of Arco di Portogallo.
Burning of debt records, Anaglypha Hadriani
Hadrian was the first emperor to cancel the debts of the Roman people.
This relief shows an emperor, accompanied by lictors, standing on the Rostra. The emperor addresses a crowd of togate senators and less elegantly garbed common people. The arches, temples, and basilicas of the Forum Romanum seve as a backdrop.
Antinous in the guise of an Egyptian pharaoh
This sculpture was found in Hadrian's Villa, Tivoli.
This sculpture was found in Hierapytna, Greece
Reused as a section of Liberator Urbis in the central passageway of the Arch of Constantine 312 - 315.
Trajan entering Rome, right attic relief, city facade, Arch of Trajan
Facade of the Colosseum (Flavian Amphitheater)
Aerial view of the Colosseum (Flavian Amphitheater)
Restored view of the Templum Pacis (Temple of Peace)
Jupiter extending his thunderbolt to Trajan, left attic relief, city facade, Arch of Trajan
Alimentary program of Trajan, passageway relief, Arch of Trajan
Axonometric view of the great hall, Markets of Trajan
Interior of the Great Hall, Markets of Trajan
Interior of the Basilica Ulpia, Forum of Trajan
Restored view by James E. Packer and Gilbert Gorski.
Gateway to the Forum of Trajan, represented on the reverse of an Aureus of Trajan
The old farmer of Corycus, folio 7 verso of the Vatican Vergil
The page reproduced here includes a section of text from the Georgics.
This is a generic portrait of a learned man, book in hand.
The man holds a scroll and the woman a stylus and a wax writing tablet, standard attributes in Roman marriage portrait.
To record the appearance of the objects faithfully, the artist paid scrupulous attention to shadows and highlights as well as to the fruit and the glass jar.
Fourth style mural paintings, Ixion Room
The Ixion room, a second triclinium facing the peristyle in the same house features a mythological panel at the center of each of its three walls. It is a prime example of the most complex fourth style design at Pompeii, characterized by more crowded and confused compositions.
Fourth style mural paintings, Pentheus Room
This mural painting is located in Pentheus Room (triclinium N).
This mural painting is a third style of Pompeian mural paintings.
A bearded man(philosopher) is thought by some to be Aristotle, although the identification cannot be confirmed.
This sculpture is a copy in the form of a herm of the head of Doryphoros (Spear-Bearer) of Polykleitos, ca. 450 - 440 BCE.
1) belvedere, 2) peristyle garden with fish pond, 3) tablinum, 4) atrium, 5) small peristyle
Canal in the garden, manmade version of natural streams and waterfalls.
In the nymphaeum of the House of Neptune and Apmhitrite.
Nymphaeum, House of Neptune and Amphitrite
Musei Capitolini - Centrale Montemartini
Atrium and Egyptian Oecus, House of the Mosaic Atrium
1) fauces, 2) atrium, 3) tablinum (Egyptian oecus), 4) peristyle garden, 5) cubiculum, 6) triclinium, 7) panoramic terrace, 8) sitting room
Detail of a Fourth Style mural painting, Ixion Room
Equestrian statue of Nerva (formely Domitian)
from the Sactuary of the Augustales, Miseno.
Profectio of Domitian, frieze from the Palazzo della Cancelleria
Adventus of Vespasian, frieze from the Palazzo della Cancelleria
Le Colonnacce, colonnade of the Forum Transitorium
Southern peristyle garden, Domus Augustana, Palace of Domitian
Nymphgaeum off the triclinium, Domus Flavia, Palace of Domitian, Palatine Hill
Passageway Vault, Detail of Arch of Titus, Rome
View into the vault of the passageway with the apotheosis of Titus, Arch of Titus, Via Sacra
Ghent Altarpiece (Open), Adoration of the Mystic Lamb
Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010 (9780205800377)