Charles Wuorinen rehearses It Happens Like This with the Slee Sinfonietta and tenor Steven Brennfleck at June in Buffalo 2013
A group of musicians sit and stand on a wooden stage with instruments including a harp, violins, and woodwinds. One person stands to the right gesturing toward the group with a baton. Sheet music is positioned on black stands in front of the performers.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Charles Wuorinen speaking with singers Laura Mercado Wright and Sharon Harms at June in Buffalo 2013
Mercado-Wright, Laura - Voice (Mezzo-soprano)
Three people sit in a row of red theater seats and face one another. The person on the left wears a dark cardigan and holds a coffee cup, while the person in the center wears a blue shawl and glasses. On the right, a person in a light green shirt and glasses gestures with their hands.
Daniel Bassin and trumpeter Tim Leopold at June in Buffalo 2013
One person wearing a grey sweater holds a piece of paper and looks toward a trumpet. Another person wearing a brown shirt holds the brass trumpet and looks down at the instrument. Both individuals are bald and stand against a wooden wall.
Raphael Cendo, composer, lecturing at June in Buffalo 2013
A person wearing a black shirt and light-colored pants sits at a black grand piano on a light-colored wooden stage. Behind the piano, a large screen displays a computer interface showing a music playlist. A tall microphone stand is positioned to the right of the piano, and sheet music on a stand is visible in the foreground.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person with a shaved head and glasses wears a black collared shirt and gestures with both hands. In the background, a screen displays a light blue interface with several icons. The person is centered in the lower portion of the frame against a dark background.
Yehudi Wyner, composer and pianist, at June in Buffalo 2013
A person with light skin stands indoors wearing a white pinstriped cap, a blue button-down shirt, and a black fleece jacket. Their mouth is open, showing their teeth, as they look toward the viewer. The background features a brick wall and glass doors.
Eric Huebner and the JACK Quartet rehearse with Charles Wuorinen in the audience at June in Buffalo 2013
Musicians play on a wooden floor using a grand piano, a cello, and string instruments while seated at music stands. A person sits in the background on tiered red benches reading. The room features wooden acoustic panels on the walls and a set of double doors.
Talujon Percussion Ensemble performing at June in Buffalo 2013
Five individuals perform on a stage using a variety of percussion instruments including a marimba, vibraphone, drums, and gongs. Music stands with sheet music are positioned among the performers who hold mallets and drumsticks. The setting features light-colored vertical wood panels in the background.
Tom Kolor, David Cossin, and Michael Lipsey, members of the Talujon Percussion Ensemble, taking a bow at June in Buffalo 2013
Three people stand on a wooden stage in front of a dark, vertically-paneled wall. Two individuals on the left wear black shirts and pants, while the person on the right wears a tan shirt and glasses. Various percussion instruments, including three djembe drums and two marimbas, are positioned around the group along with music stands and chairs.
David Cossin and Michael Lipsey, members of the Talujon Percussion Ensemble, performing at June in Buffalo 2013
Two people are seated on a stage playing djembe drums with sheet music positioned in front of them. Behind the percussionists is a large melodic instrument with vertical resonators. The person on the right wears glasses and a tan shirt while gesturing with one hand.
Tom Kolor, David Cossin, and Michael Lipsey, members of the Talujon Percussion Ensemble, performing at June in Buffalo 2013
Three people are seated on a wooden stage playing djembe drums positioned between their knees. Each person has a music stand with sheet music in front of them. A mallet percussion instrument stands in the background against a dark curtain.
Tom Kolor and David Cossin, members of the Talujon Percussion Ensemble, performing at June in Buffalo 2013
One person sits in the foreground with their hands positioned above a djembe. A second person sits behind a music stand, looking at sheet music while playing another drum. Both individuals wear black clothing and sit in front of a dark background.
Three performers are seated on a wooden stage, each with a hand drum and music stands containing sheet music. In the background, various percussion instruments, including a marimba and a large drum, are arranged against a wood-paneled wall. The individuals are positioned in a semi-circle, looking toward each other or their music.
Three people sit in a row, each playing a djembe drum behind a music stand. Behind the musicians, a marimba and a large bass drum are visible on the stage. The setting includes a light wood floor and a wood-paneled backdrop.
Four people stand behind several percussion instruments in a room with vertical wood paneling. The individuals use mallets and sticks to strike gongs, cymbals, a vibraphone, and other percussion equipment. Three musicians wear black clothing while one wears a light-colored button-down shirt. Music stands and instrument cases are positioned around the performers.
Four musicians perform on a stage with vertical wood-paneled walls. One person in the foreground plays a mallet instrument near a large bass drum, while another person on the right plays a marimba. Two additional people in the background operate a set of hanging gongs and stacked cymbals.
Five performers stand among an array of instruments such as a large bass drum, gongs, and multiple mallet percussion stations. Several people hold mallets while looking at sheet music or their instruments. The background features light-colored vertical wood panels and a dark overhang.
Violoncellist Jonathan Golove speaking at a 2013 June in Buffalo Performance Institute class in room B-1 Baird, with violoncellist T. J. Borden and percussionist Ross Aftel in the background
A person in a patterned shirt stands in the center of a room and gestures toward a group of seated individuals. To the left, a person plays a cello next to a rack of circular metal percussion plates. In the background, other people stand near drums and a marimba, while two grand pianos are positioned against the wall.
Percussionist Ross Aftel and violoncellist Jonathan Golove rehearsing Mauricio Kagel's Match in room B-1 Baird at a master class at the 2013 June in Buffalo Performance Institute
A person wearing a blue polka-dot shirt plays a cello behind a music stand with sheet music. In the foreground, another person stands over a marimba with a white string held between their teeth. A small table between the two individuals holds a black cup and a metal tumbler.
Talujon Percussion Ensemble members David Cossin, Michael Lipsey, Tom Kolor, Matthew Ward, and Ian Antonio at June in Buffalo 2013
Five people stand in front of a wooden wall, holding various percussion mallets and sticks. A snare drum with cymbals sits in front of them, while several large gongs hang from a rack in the background. They are dressed in button-down shirts of various patterns and colors.
Jack Quartet with Charles Wuorinen and Eric Huebner at June in Buffalo 2013
Six people are gathered in a group inside a room featuring acoustic wall panels. Four of the individuals hold violins or violas along with their bows. The people are dressed in casual attire, ranging from t-shirts and a striped long-sleeved shirt to button-down shirts.
Charles Wuorinen watches Christopher Otto rehearse at June in Buffalo 2013
A person in a blue shirt sits in a theater holding a sheet of paper while looking toward the foreground. In the blurred foreground, an individual with facial hair stands beside a music stand where a hand holds a violin. Several rows of empty maroon-colored seating are visible in the background.
Jack Quartet with pianist Eric Huebner rehearsing David Felder's Stuck Stucke at June in Buffalo 2013, with David Felder in the audience
A musical ensemble featuring three people playing violins, one person playing a cello, and one person playing a piano performs on a stage. The musicians are seated around music stands and a black grand piano. In the foreground, a person sits with their back to the camera while looking at sheet music.
Four individuals are seated on a wooden stage, playing string instruments and a grand piano. Music stands are positioned in front of the performers, and a person in the foreground sits with their back to the camera holding sheet music. The room features high walls with acoustic paneling and wooden flooring.
Five people sit in chairs on a wooden stage with musical instruments, music stands, and sheet music. A grand piano stands behind the group, and individuals hold a violin, a cello, and a small electronic device. In the foreground, a person sits in an audience area and looks at an open book of musical notation.
Talujon Percussion Ensemble members Matt Ward, David Cossin, Michael Lipsey, and Tom Kolor speaking at a master class in room B-1 Baird at the 2013 June in Buffalo Performance Institute, with Jonathan Golove and Matthew Geiger in background
Six people are seated in a room with blue vertical curtains in the background. A person in a plaid shirt and glasses gestures with a raised hand while another person holds an open black folder. The individuals are dressed in casual button-down shirts and jeans.
Talujon Percussion Ensemble members Matt Ward, David Cossin, Michael Lipsey, and Tom Kolor speaking at a master class in room B-1 Baird at the 2013 June in Buffalo Performance Institute
A person in a grey shirt sits with an open book on their lap and gestures with their hand. Other people sit nearby, including one person in a black shirt and another in a plaid shirt who is also gesturing. Additional people are seated in the background of the room.
A person in a blue button-down shirt stands over a large drum, adjusting small objects on its head. Behind them, another person with glasses is partially visible behind a marimba holding several pages of sheet music. The room contains various musical instruments, equipment cases, and stands.
Percussionist Ross Aftel and violoncellist T.J. Borden perform Chinary Ung's Spirals at a master class in room B-1 Baird at the 2013 June in Buffalo Performance Institute
Three people perform in a music room using a grand piano, a cello, and a large collection of percussion instruments like tubular bells and a marimba. An audience sits in folding chairs in the foreground, facing toward the performers. Green chalkboards with musical staff lines are visible on the back wall of the room.
Percussionist Matthew Geiger listening to comments by percussionist Tom Kolor (far left) at a master class in room B-1 Baird at the 2013 June in Buffalo Performance Institute
Several people sit in rows of chairs in a room with grey walls and various musical equipment. A person at the front of the room stands behind a vibraphone with their arms crossed. Music stands, instrument cases, and a cello are positioned around the perimeter of the space.
Percussionist Matthew Geiger performs Milton Babbitt's Concerto piccolino at master class in room B-1 Baird at the 2013 June in Buffalo Performance Institute
A person stands with their back to the camera, holding mallets over a vibraphone. A group of people sit in various colored chairs on several levels, looking toward the performer. The room features grey walls, a large chalkboard, and a tall blue curtain.
Cover of the score for Milton Babbitt's Concerto piccolino for solo vibraphone
The silver bars of a vibraphone are arranged in two rows with a music score lying on top. The score is titled "BABBITT CONCERTO PICCOLINO for Solo Vibraphone" and is published by Edition Peters. A single mallet handle is visible on the right side of the instrument.
Guests talking at the reception for the JACK Quartet at the 2013 June in Buffalo Performance Institute
In a large hall, a group of people stands near a row of tall, narrow arched windows separated by thick vertical pillars. Some individuals hold glasses while facing others in the group. Beyond the windows, trees and various buildings, including one with a spire, are visible.
Violoncellist Jonathan Golove and pianist Eric Huebner performing Elliott Carter's Sonata for violoncello and piano at the 2013 June in Buffalo Performance Institute
A person in a suit plays a cello while another person sits at a black grand piano and a third person sits behind them. The musicians are on a wooden stage in a room with vertical wood paneling on the walls. A music stand is positioned near the cellist.
Violoncellist Jonathan Golove performing Kottos by Iannis Xenakis at the 2013 June in Buffalo Performance Institute
A person in a suit sits on a chair, holding a cello and looking toward sheet music on a stand. They wear glasses and a white collared shirt under a black jacket. The setting includes a wooden stage floor and a background of vertical wood panels.
Violoncellist Jonathan Golove and pianist Eric Huebner rehearse at the 2013 June in Buffalo Performance Institute
A person wearing a purple shirt and glasses sits on a chair while playing a cello. In the background, a second person wearing glasses and a striped shirt sits at a grand piano. The musicians are located in a room with light wood floors and vertical wood paneled walls.
Title page of Elliott Carter's Sonata for violoncello and piano
The off-white cover page of a musical score features the composer Elliott Carter and the title "SONATA for Violoncello and Piano (1948)". It includes text identifying it as a corrected edition from 1966 and lists Associated Music Publishers at the bottom. Faint musical notation is visible through the paper, and a small part of a pencil appears at the bottom edge.
Pianist Eric Huebner and composer Eric Wubbels rehearse at the 2013 June in Buffalo Performance Institute
Two people wearing glasses are positioned at a black grand piano on a stage in front of empty red theater seats. One person sits at the keyboard while the other stands and looks down toward the sheet music. The standing person wears a light striped shirt, and the seated person wears a dark long-sleeved shirt.
Percussionist Matthew Geiger rehearses in room B-1 Baird at the 2013 June in Buffalo Performance Institute
A person wearing a blue polo shirt holds mallets over a variety of musical instruments, including drums, cymbals, and woodblocks. A grand piano with open sheet music is positioned to the left, and a large bass drum stands directly behind the person. The setting is a brightly lit room with windows and several red chairs visible in the background.
Percussionist Ross Aftel and violoncellist T.J. Borden rehearse in room B-1 Baird at the 2013 June in Buffalo Performance Institute
In the foreground, a person plays a cello while looking at sheet music spread across several stands. Another person stands in the background holding mallets toward three hanging gongs, near a drum set and a grand piano. Rows of empty red and brown chairs are arranged behind the musicians against a gray wall and blue curtain.
Percussionist Ross Aftel, pianist Nicholas Emmanuel, and violoncellist T.J. Borden rehearse in room B-1 Baird at the 2013 June in Buffalo Performance Institute
Three people practice various instruments in a room with music-lined chalkboards and a black grand piano. One person stands at a marimba, another sits behind a drum set, and a third person plays a cello while looking at sheet music. Other percussion instruments, such as tubular bells and gongs, are arranged around the room.
Percussionist Ross Aftel and pianist Nicholas Emmanuel rehearse in room B-1 Baird at the 2013 June in Buffalo Performance Institute
A person in a blue and white striped shirt sits at a grand piano while another person in a black shirt stands behind a drum set holding mallets. The room contains various instruments including cymbals, gongs, and tubular bells. Red and white chairs are arranged in the background.
Composer Colin Tucker at the 2013 June in Buffalo Performance Institute
A person with short light-colored hair and facial stubble wears a blue short-sleeved shirt with a grid pattern and a black strap across the torso. The background consists of light vertical wood paneling. One arm is resting on a dark surface.
JACK Quartet performing at the 2013 June in Buffalo Performance Institute
Four individuals in formal suits stand on a stage behind music stands while holding violins and a cello. They face a seated audience in the foreground that is clapping. Tall windows in the background reveal green trees and a building exterior.
Sunset through the windows of the M & T Bank building in Buffalo at the 2013 June in Buffalo Performance Institute
Buffalo (N.Y.) -- Buildings, structures, etc.
Tall, vertical glass panels are separated by textured tan stone columns. The glass surfaces show reflections of indoor recessed lighting and outdoor scenery, including arched windows and a darkening sky. Dark silhouettes of tree branches are also visible across the reflective surfaces.
A quartet of performers holding string instruments stands at the front of a room with floor-to-ceiling windows and stone pillars. An audience sits in rows of folding chairs facing the performers, with a white-clothed table and flower arrangement in the foreground. A tall microphone boom is positioned over the musicians.
J. T. Rinker, Carolyn Tennant, and pianist Hangyu Bai at the reception for the JACK Quartet at the 2013 June in Buffalo Performance Institute
Several people are gathered in a high-ceilinged room with tall windows. In the center, two people stand at a table with a blue cloth, which holds wine glasses and a small vase of flowers. To the right, another person holds a yellow pamphlet while facing a person off-camera.
JACK Quartet at the 2013 June in Buffalo Performance Institute
Four performers in formal suits stand behind music stands while holding various string instruments. A seated audience is positioned in the foreground facing the stage, which is backed by large windows showing green trees.
Pianist Eric Huebner speaking at the JACK Quartet concert at the 2013 June in Buffalo Performance Institute
A person in a dark suit and tie stands before an audience, holding papers and wearing a microphone headset. The audience is seated in rows of black chairs, facing the speaker. Large windows with vertical stone pillars are behind the speaker, revealing trees and a building outside.
Violoncellist Jonathan Golove, pianist Eric Huebner, and John Ganshaw talk at the 2013 June in Buffalo Performance Institute
Three people stand in a room with an off-white textured wall and a blue-covered table. The person on the left wears a black short-sleeved shirt and glasses while holding a yellow document. The person in the center wears a black suit with a light purple tie, and the person on the right wears a pinstriped suit.
Student performers Matthew Geiger, Nicholas Emmanuel, T.J. Borden, Ross Aftel, Hangyu Bai, Michiko Saiki, Manuel Laufer, and Jade Conlee, read the program at the 2013 June in Buffalo Performance Institute
Eight individuals are gathered indoors in front of a dark fabric backdrop. They hold and look at pamphlets that feature yellow and white designs. One person in the center holds their pamphlet open as the group stands in a loose circle.
Student performers Matthew Geiger, Nicholas Emmanuel, T.J. Borden, Ross Aftel, Hangyu Bai, Michiko Saiki, and Jade Conlee, at the 2013 June in Buffalo Performance Institute
Seven individuals are gathered against a backdrop of dark vertical drapes. Several people hold yellow and white pamphlets, while others hold loose sheets of paper. The group wears various styles of clothing, including button-down shirts, a polo shirt, and sweaters.
Violoncellist Jonathan Golove and other guests at the reception for the JACK Quartet at the 2013 June in Buffalo Performance Institute
A group of people stands in a hall with a row of tall, narrow, arched windows. Through the windows, trees and urban architecture including a pointed spire are visible. The ceiling is composed of a grid of square, recessed light panels.
A person in a dark suit and tie holds papers while speaking to a group of seated people. Behind the speaker, tall windows reflect trees and a parking structure. To the right are two black music stands equipped with microphones, and a table with white flowers is in the foreground.
Violinists Christopher Otto and Ari Streisfeld rehearse at the 2013 June in Buffalo Performance Institute
Two individuals wearing suits and ties sit indoors while playing violins. One person in the foreground has light hair and a beard, while the other sits in the background behind a music stand. A large window behind them shows a view of green trees and city buildings.
Guests at the reception for the JACK Quartet at the 2013 June in Buffalo Performance Institute
Several people are gathered in a large interior space, with some holding glassware. Large arched windows reveal a view of multi-story buildings and a flagpole in an urban environment. The interior lighting is low, creating silhouettes of the individuals against the bright exterior light.
Violinists Christopher Otto and Ari Streisfeld talk with pianist Eric Huebner at the 2013 June in Buffalo Performance Institute
A person in a black suit and purple tie stands in the center of the room with their mouth open. Two people sit nearby holding violins and bows behind music stands with sheet music. The background features a high-ceilinged room with tall windows, elevator entrances, and a long wooden counter.
Four musicians in formal attire play string instruments while facing a seated audience. The audience fills the foreground, viewed from behind, in an indoor space with large windows in the background. Music stands with sheet music are positioned in front of the performers.
Four individuals in suits stand on a stage behind music stands, holding string instruments including a violin and a viola. Large windows in the background show a view of green trees and building exteriors. The back of a seated audience is visible in the foreground facing the performers.
Pianist Eric Huebner speaking before a concert by the JACK Quartet at the 2013 June in Buffalo Performance Institute
A person stands at the front of a room, holding papers and facing a seated audience. Large floor-to-ceiling windows line one wall, revealing green trees outside. A boom microphone is suspended over the crowd, and a small potted plant sits on a wooden ledge in the background.
JACK Quartet rehearses at the 2013 June in Buffalo Performance Institute
A quartet of musicians plays violins, a viola, and a cello while seated in front of several large window panes. Each musician has a black music stand with sheet music in front of them. The background through the glass reveals green trees and a building under a bright sky.
Pianist Eric Huebner and John Ganshaw, Vice President Manager Brand Integration at M & T Bank, at the 2013 June in Buffalo Performance Institute
The person on the left wears a black suit, white shirt, and light purple tie. The person on the right wears a pinstriped navy suit, a light blue striped shirt, a polka-dot tie, and an orange pocket square. They are positioned indoors in front of a textured wall and several dark archways.
Student performers Matthew Geiger, Nicholas Emmanuel,T.J. Borden, Ross Aftel, Hangyu Bai, Michiko Saiki, and Jade Conlee, talk at the 2013 June in Buffalo Performance Institute
A group of individuals is gathered in front of a black curtain, many holding flyers or booklets. They are dressed in various casual attire including button-down shirts, a sweater, and a patterned skirt. To the far left, a stack of white plates sits on a table.
Pianist Eric Huebner talks with violist John Pickford Richards at the 2013 June in Buffalo Performance Institute
Two individuals in suits and ties stand in the foreground, with one person holding a violin and bow. Seated musicians with a cello and sheet music on stands are visible behind them. Large windows in the background reveal green trees outside.
Esin Gündüz, student composer and singer, at the 2013 June in Buffalo Performance Institute
A person with long dark hair and bangs stands against a dark, vertically textured background. They wear a blue patterned top with lace sleeves and a mustard-yellow scarf tied around the neck. A small silver butterfly brooch is pinned to the center of the scarf.
Composer Robert Beaser and Guitarist Elliot Fisk after a performance of Beaser's Guitar Concerto with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
Buffalo Philharmonic Orchestra - Ensemble
Two people stand in the center of a stage with a wooden paneled background, one wearing a tan blazer and the other in a dark suit holding a guitar. Behind them, an orchestra is seated with violins and music stands. The foreground contains the dark silhouettes of an audience viewed from behind.
Two individuals stand at the center of a stage while a seated orchestra is positioned behind them. One person wears a grey blazer, while the other wears a dark suit and holds an acoustic guitar. Members of the orchestra sit with instruments and music stands, and an audience is visible in the foreground from the back.
Composers Robert Beaser and David Felder introducing a performance of Beaser's Guitar Concerto by guitarist Elliot Fisk and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person in a suit and glasses stands on a wooden stage and holds a microphone while another person in a brown jacket stands nearby. Behind them, an orchestra sits with string instruments including violins and a guitar in a concert hall with wood-paneled walls. Red auditorium seats and audience members are visible in the foreground.
Conductor Brad Lubman with Signal, vocalist Jamie Jordan, and violinist Courtney Orlando after a performance of Louis Andriessen's work La Passione at June in Buffalo 2012
Signal (Musical group : 2008-) - Ensemble
A group of musicians stands on a wooden stage holding various instruments as a person on a podium raises their arms. The background features a large pipe organ and wood-paneled walls, while an audience sits in red chairs in the foreground. Microphones on tall stands and music stands are distributed across the performance area.
Conductor Brad Lubman directs Signal in a performance of Louis Andriessen's work La Passione with vocalist Jamie Jordan and violinist Courtney Orlando at June in Buffalo 2012
A conductor stands on a podium with arms raised while directing a group of seated and standing musicians. A grand piano and various instruments, including violins and wind instruments, are positioned across the wooden stage. Music stands and microphones are placed throughout the performance space in front of wood-paneled walls.
A conductor stands on a platform in the center of a wooden stage, leading an ensemble of musicians and soloists. To the left, a person plays the violin near a grand piano, while another person stands on the right side of the stage. The orchestra consists of string and wind instrumentalists seated behind music stands.
A group of musicians plays various instruments, including violins and brass, on a stage with wood-paneled walls and a large organ. A conductor stands on a central podium facing the ensemble, while several tall microphone stands are placed around the performers. Red theater seats are visible in the foreground of the performance space.
Student composer Eun Young Lee with pianist Steven Beck in a rehearsal of Lee's work Mool at June in Buffalo 2012
A person with red hair sits at a grand piano while a person with dark curly hair stands and holds a piece of sheet music. Both individuals look down at the musical score positioned on the piano's music stand. The background features wood-paneled walls and the inner mechanism of the piano is visible beneath the open lid.
Student composer Andres Carrizo with guitarist Zane Merritt and percussionist Tom Kolor in a rehearsal of Carrizo's work We Guide the Birth of Waves at June in Buffalo 2012
A person on the left uses mallets to play a vibraphone near several cymbals and a hanging gong. On the right, a person with long hair plays a red electric guitar while reading from sheet music. A third person sits in the background behind the vibraphone with arms crossed.
Trombonist Jonathan Lombardo, violinist Lazara Nelson, percussionist Tom Kolor, and trumpet player Jon Nelson of the Genkin Philharmonic performing at June in Buffalo 2012
Four people are positioned on a stage with various musical instruments and black music stands. On the left, one person plays a trombone while another person in the center plays a violin. To the right, a person plays a trumpet with an arm raised, and a fourth person stands by percussion instruments in the background.
Saxophonist Steve Baczkowski, guitarist Jeff McLeod, trombonist Jonathan Lombardo, and drummer Matthew Felski of the Genkin Philharmonic performing at June in Buffalo 2012
Four people perform on a stage with a black background using a variety of instruments. One person holds a long, black tube-like instrument upwards, while others play a trombone, a six-string bass guitar, and a drum set. Music stands and a saxophone on a stand are also visible on the stage.
Saxophonist Steve Baczkowski, trombonist Jonathan Lombardo, and drummer Matthew Felski of the Genkin Philharmonic performing at June in Buffalo 2012
Several musicians perform on a stage against a black background. One person holds and plays a long, dark wind instrument while another person plays a brass trombone. Musical equipment, including stands, a saxophone, and a drum set, are arranged around the performers.
Guitarist Jeff McLeod, saxophonist Steve Baczkowski, and trombonist Jonathan Lombardo of the Genkin Philharmonic performing at June in Buffalo 2012
Three performers are on a stage with music stands and a drum set in the background. One individual plays a wide-necked bass instrument, another plays a saxophone, and the third plays a trombone. The scene is lit with stage lights against a dark backdrop.
Conductor James Baker directing a performance by the New York New Music Ensemble at June in Buffalo 2012. Performers left to right: pianist Stephen Gosling, violinist Curtis Macomber, violoncellist Chris Finckel, clarinetist Jean Kopperud, and flutist Jayn Rosenfeld
Musicians play instruments including a grand piano, violin, cello, and flute on a wooden stage in front of a wood-paneled wall. A person in a grey suit stands with their back to the camera, positioned between the musicians and the audience. Audience members are seated in rows of red chairs in the foreground.
Conductor Scott Voyles with Ensemble Interface after a performance of student composer Onur Yildirim's work Mus-I zaman at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, percussionist Michael Compitello, flutist Bettina Danielle Berger, and harpist Kristen Moss Theriault.
A group of musicians stands on a stage in a concert hall, holding instruments such as a cello, flute, and harp. A grand piano is positioned on the left, and a large pipe organ is built into the wood-paneled wall behind the performers. Several individuals on stage are clapping toward an audience seated in red chairs in the foreground.
Ten people stand in a line on a wooden stage in front of a large pipe organ. The group is positioned with instruments including a violin, cello, clarinet, and flute, while a grand piano and harp are also on stage. Several people on stage and in the audience seats in the foreground are clapping.
Conductor Scott Voyles directing Ensemble Interface in a performance of student composer Onur Yildirim's work Mus-I zaman at June in Buffalo 2012. Performers left to right: violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, percussionist Michael Compitello, flutist Bettina Danielle Berger, and harpist Kristen Moss Theriault.
A small ensemble is arranged on a light-colored wooden stage in a concert hall. Several musicians sit while playing instruments such as the violin, cello, flute, and harp, while a conductor stands in front of them with their back to the audience. In the background, a grand piano and percussion instruments are visible, while rows of red seats occupy the foreground.
Violoncellist Christophe Mathias of Ensemble Interface with student composer Onur Yildirim in a rehearsal for Yildirim's work Mus-I zaman at June in Buffalo 2012
A person in a black shirt and glasses leans over a music stand to look at sheet music. Beside them, another person in a white shirt sits holding a cello. A grand piano with its lid propped open is positioned behind the two people in a room with wood-paneled walls.
Guitarist Elliot Fisk with conductor JoAnn Falletta after a performance of Robert Beaser's Guitar Concerto with the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person wearing a suit and a bright floral tie stands on a stage holding an acoustic guitar and gesturing with one arm toward another person in a black suit. In the background, an orchestra is seated with string instruments and music stands. The silhouettes of audience members are visible in the foreground facing the stage.
Guitarist Elliot Fisk performing Robert Beaser's Guitar Concerto with JoAnn Falletta conducting the Buffalo Philharmonic Orchestra at June in Buffalo 2012
An orchestra sits on a stage with various string instruments while a conductor on a podium directs them with a baton. A solo guitarist sits in the center of the ensemble playing an acoustic guitar. The background features wood-paneled walls and the top of an organ.
Guitarist Elliot Fisk performing Robert Beaser's Guitar Concerto with the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person wearing a suit and glasses plays a light-wood acoustic guitar in the foreground. Several other musicians sit behind music stands, holding violins and bows while wearing dark clothing. The background features vertical wooden panels and clear acoustic shields.
Conductor Brad Lubman directing Signal in a performance of composer Julia Wolfe's work Impatience at June in Buffalo 2012
A large screen displays a blue-tinted close-up of a person's eyes and forehead with the text "Nederlands Filmmuseum" at the bottom. Below the screen, an orchestra is positioned on a stage, with a conductor standing on a podium facing away from the viewer. Several musicians are visible playing instruments, including stringed instruments and percussion, under spotlights in a darkened hall.
Composers Fred Lerdahl, Steven Stucky, and Robert Beaser at June in Buffalo 2012
Three individuals stand side-by-side against a background of dark wood panels. Each person wears glasses and has facial hair. They are dressed in jackets, including tweed, black, and brown blazers worn over button-down or polo shirts.
Conductor Brad Lubman with Signal after a performance of composer Julia Wolfe's work Impatience at June in Buffalo 2012
Musicians dressed in black stand on a wooden stage with various instruments, including a harp, double bass, cello, and accordion. A person in a black suit stands on a small platform at the front-center of the group. A large white screen hangs behind the performers and red seating is visible in the foreground.
A musical group dressed in black stands on a stage playing instruments such as a harp, double bass, and cello. A conductor stands on a podium in the center with arms raised towards the performers. A large projection screen hangs above the ensemble, and rows of empty auditorium seating are in the foreground.
A conductor leads a group of musicians playing string, brass, and percussion instruments on a dimly lit stage. Behind the performers, a large screen displays a monochromatic close-up of a person's face wearing goggles with the words "Nederlands Filmmuseum" at the bottom. Individual spotlights illuminate the music stands and some of the performers against the dark background.
Members of Signal in a rehearsal at June in Buffalo 2012
A group of musicians plays various instruments including violins and a clarinet while seated in a rehearsal space. Multiple microphones on stands are positioned throughout the ensemble near sheet music stands. Two large gongs hang in the background against a wooden wall.
Brad Lubman, conductor of Signal, at June in Buffalo 2012
A person with short hair and a beard stands on a wooden stage wearing a grey long-sleeved shirt and a watch. Their face is turned to the side with an open mouth while they stand over a spiral-bound music score. The background features musical equipment, including music stands and instruments.
Composer Yeung-Ping Chen with violinist Yuki Numata in a rehearsal of Chen's work Light and Tear at June in Buffalo 2012
An individual wearing a black t-shirt and glasses stands next to another individual who holds a violin in a playing position. Both people look toward a music stand containing multiple pages of sheet music. The setting is an indoor space with dark, wood-paneled walls.
Clarinetist Jean Kopperud performing composer David Felder's work Rare Air at June in Buffalo 2012
A musician wearing an orange shirt, black trousers, and glasses performs on a bass clarinet. They sit on a chair behind a music stand, and a microphone is positioned in front of the instrument. The performance takes place on a wooden floor with dark chairs in the background.
Clarinetist Jean Kopperud playing a tube instrument built for the performance of composer David Felder's work Rare Air: Blews at June in Buffalo 2012
A person with long, light-colored hair and glasses holds a long, snake-like musical instrument that coils around their torso. The instrument features a head with an open mouth and teeth, while its body has a scaly pattern. The person holds a mouthpiece to their lips with one hand and supports the head of the instrument with the other.
Conductor Scott Voyles with percussionist Michael Compitello, flutist Bettina Danielle Berger, and violoncellist Christophe Mathias in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in a suit stands center stage with raised hands, facing several performers. In the foreground, one individual strikes a percussion instrument with mallets while another sits with a cello. Sheet music rests on multiple stands across the stage under focused lighting and overhead microphones.
Conductor Scott Voyles with percussionist Michael Compitello in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in the foreground plays a percussion instrument with mallets, positioned near music stands and a collection of small cymbals. In the center, a person wearing a suit and glasses stands behind a music stand, gesturing toward the group. To the right, another person sits and plays a cello while looking at sheet music.
Percussionist Michael Compitello of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person wearing black stands behind a Yamaha vibraphone, using a bow on one of the metal bars. The surrounding area is filled with percussion equipment including cymbals, gongs, and mallets, with a large harp positioned in the background.
Conductor Scott Voyles with student composer Jonghee Kang in a rehearsal of Kang's work Drawing at June in Buffalo 2012
Two individuals stand in a dimly lit room, looking at pages of music on a stand. The person on the left wears a dark suit jacket and glasses, using their hands to turn the pages. The person on the right wears a light blazer and holds a folder of sheet music.