Composers Charles Dodge, Morton Subotnick, and Cort Lippe, with conductor James Avery
Four people are positioned side-by-side in a dimly lit room. The individuals wear a mix of attire including a plaid button-down, a dark jacket, a sweater over a collared shirt, and a tan polo shirt. Three of the individuals wear eyeglasses, and a window showing a brick structure is visible in the background.
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State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Composers Charles Dodge and Miller Puckette, with bass Nicholas Isherwood
Three individuals are positioned in front of a light-colored brick wall. The person on the left wears glasses and a dark plaid shirt, while the person in the center wears a blue and tan plaid shirt. The person on the right wears a red t-shirt featuring a black star and the letters EZLN.
Composer Charles Dodge with conductor James Avery
One person wearing a plaid short-sleeved shirt and glasses stands beside another person in a black v-neck sweater and glasses. A brick wall and a dark window frame are visible in the background.
Composer Ben Thigpen in masterclass with student composers
Four people are positioned around a black electronic equipment rack containing several stacked components. One person in a dark jacket writes in a handheld notebook while others observe the equipment or the writing. The indoor space features neutral-colored walls and a partial view of a blue chair in the background.
The person on the left wears a dark plaid button-down shirt and has a bald head. The person on the right has light brown hair and wears a black sweater over a light blue collared shirt. Both individuals wear thin-rimmed glasses and stand in front of a window showing green trees outside.
Composer Ben Thigpen at audio control console
A person wearing a dark shirt and glasses leans over a large professional audio mixing console with many sliders and knobs. Below the main console, a desk holds a smaller mixer, a laptop, and computer monitors. The background features vertical curtains and a speaker mounted on a wall.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Five people stand in a room, looking at an open book held by the person in the center. They are dressed in casual attire, including jackets, sweaters, and button-down shirts. A green chalkboard with white horizontal lines is visible in the background.
A person with blue eyes and a light beard is positioned in front of a brown brick wall. They wear a dark blue button-down shirt with white earphones around their neck and sunglasses on their head. Lighting from the right illuminates the person while leaving the left side of the frame in deep shadow.
A person wearing a black long-sleeved shirt leans over a complex audio mixing board filled with colorful buttons and sliders. Their hand is positioned on a group of green faders while they look towards the equipment. The background features light-colored curtains and professional audio equipment in a dimly lit room.
A person with light skin and thinning brown hair faces left in profile against a plain white wall. They wear a blue and white striped short-sleeved shirt with a red pen in the pocket and rest their chin on their hand. Text in the bottom right corner reads "photo: Irene Haupt".
The person is shown from the side against a light background with their hand supporting their chin. They have light skin, long brown hair that is thinning at the top, and a blue and white striped shirt. The text "photo: Irene Haupt" is positioned in the bottom right corner.
A person with long, thinning brown hair stands with one hand on their hip against a neutral-colored wall. They wear a light blue and white striped short-sleeved shirt with a red pen and a dark object in the chest pocket. Text in the bottom right corner of the frame reads "photo: Irene Haupt".
James Avery conducting rehearsal of Roberto Morales's work, Remembrance, with Eun Ju Kim, piano, Martina Roth, flute, Sven Kestel, double bass, Tom Kolor (center) and Pascal Pons (left), percussion
Musicians are arranged around a grand piano in a dark room with focused lights on their sheet music and instruments. A flutist and a percussionist are visible in the foreground, while a person conducts from the background. Microphones are positioned throughout the space to capture the session.
State University of New York at Buffalo. Center for the Arts
A person with shoulder-length brown hair and a receding hairline looks forward while wearing a blue and white striped shirt. The background is a plain white wall, and a watermark in the bottom right corner reads "photo: Irene Haupt".
A person with light skin and thinning brown hair that reaches the shoulders faces forward. They wear a short-sleeved, blue and white vertically striped button-down shirt with a red pen in the front pocket. The background is a plain, light-colored wall.
A person with light skin and thinning brown hair looks toward the right while wearing a blue and white striped shirt. Their hand is raised to their face with a finger resting against their chin. The background consists of a yellow section on the left and a dark area on the right, with text in the bottom corner reading "photo: Irene Haupt".
A person with light skin and dark hair that is long on the sides looks toward the viewer with their chin resting on a closed fist. They are wearing a collared shirt with blue and white vertical stripes against a neutral, light-colored background. Small text in the bottom right corner reads "photo: Irene Haupt".
The person has long, receding brown hair and stands in a side profile against a light gray wall. They are wearing a short-sleeve, blue and white pinstriped button-down shirt with a red pen and a dark object in the pocket. One hand is placed on their hip, and a ring is visible on their finger.
Composer Morton Subotnick during lecture
A person with white facial hair and glasses is positioned in the foreground next to a laptop. Behind them, a large screen projects an image of several people amidst piles of crumpled, light-colored material. The individual is wearing a dark button-down shirt over a red top.
A person with white hair and glasses wearing a black shirt stands on a stage with hands raised in front of a large projection screen showing crumpled green and brown material. A sound mixing board and audience members are visible in the foreground. A projector and table sit on the stage next to the person.
A person with white hair, a beard, and glasses sits at a table with a laptop and mouse. Behind them, a large projection screen displays an abstract image in shades of light blue and tan. Dark curtains hang on the left side of the room.
A person with white hair and a beard stands on a wooden stage between a speaker and a projector. Behind them, a screen displays a presentation titled "GESTURES Morton Subotnick". In the foreground, audience members sit behind a large audio mixing console.
Composer Morton Subotnick during masterclass with students Asha Srinivasan and Tsai-Yun Huang
A person with a white beard wearing a black blazer over a red shirt sits at a table and holds a book. A person with dark hair and glasses sits to their left, while another person in a light blue button-down shirt stands to their right. Whiteboards are mounted on the wall in the background.
A person with a white beard and white hair on the sides of their head wears a maroon shirt and black jacket. Their hands are raised in front of their chest with index fingers pointed up and touching. Large dark speakers and a wooden floor and wall are in the background.
Composer Roberto Morales with student composer, Tom Stoll
One person wearing a white button-down shirt sits on the left side of a dark wooden table. On the right, another person wearing a dark blazer over a patterned shirt and glasses looks toward the first person. A spiral-bound document and the corner of a cardboard box are on the table.
Two people are seated at a wooden desk with a spiral-bound document, a closed silver laptop, and a small cardboard box. One person wearing a white shirt gestures with their hands while the other person wearing a dark jacket and glasses looks at the document. A window with vertical blinds is visible in the background behind a plain wall.
James Avery conducting rehearsal of Roberto Morales's work, Remembrance, with Eun Ju Kim, piano, Martina Roth, flute, Sven Kestel, double bass, Tom Kolor (left) and Pascal Pons (right), percussion
Six individuals are positioned across a dark stage in a black and white composition. A person plays a flute next to an open grand piano, while others operate a double bass and percussion instruments. Overhead lighting highlights the performers and their music stands against the dark background.
Multiple people are positioned across a stage playing various instruments such as a double bass, vibraphone, grand piano, and flute. A person stands in the foreground with their back to the camera, looking at sheet music on a stand. Microphones and additional music stands are scattered around the performers in the dimly lit space.
Six people in dark clothing are positioned across a stage featuring a grand piano, a double bass, and several percussion instruments. One person plays a flute near the piano while others are situated at marimbas and a drum set. A person in the foreground stands with their back to the camera facing a music stand against a dark purple backdrop.
Several people are positioned on a dark stage playing instruments including drums, piano, flute, and double bass. Microphones and music stands are placed throughout the performing area. One person in the foreground uses mallets on a set of drums while another sits at a grand piano.
Composer Roberto Morales with conductor James Avery
Two individuals stand together looking at a white document held in their hands. One person has a mustache and wears a gray shirt, while the other wears a light blue striped shirt and glasses. Rows of blue seats are visible in the background.
Composer Roberto Morales performing his work, Historia de Culebras, in front of a projected film
A person sits at a black grand piano on a dimly lit stage with microphones positioned over the open lid. Above the performer, a large rectangular screen displays abstract digital art consisting of bright green, pink, and blue geometric shapes and wavy lines.
A person with a mustache and dark, thinning hair sits at a grand piano wearing a white patterned shirt. Multiple microphones on stands are positioned above the open piano to capture sound from the internal strings. The background is dark, and the person's head is tilted down toward the instrument.
Pianist Eun Ju Kim and percussionist Tom Kolor rehearse Roberto Morales's work, Remembrance
A person sits at a black grand piano with the lid open, looking towards the left. In the background, another person stands behind a vibraphone and a set of drums. The dark stage environment includes microphones, music stands, and cables running across the floor.
Pianist Stephen Gosling performing Karlheinz Stockhausen's work, Kontakte
Stockhausen, Karlheinz, 1928-2007 -- Performances
A person in a black shirt sits at a piano with their hands resting on the keys. Several percussion instruments, including cymbals, mallets, and wooden blocks, are arranged around the piano alongside open sheet music.
Percussionist Rin Ozaki performing Cort Lippe's work, Music for marimba and computer
A person wearing a patterned top stands behind a large marimba with dark wooden bars. They hold four white-tipped mallets over the instrument's surface. A microphone stand is visible in the foreground against a dark background.
Several people are positioned across a dark stage surrounded by musical instruments and microphones. One person in the foreground plays drums with red mallets while another sits at a grand piano with open sheet music. In the background, other musicians are visible playing a woodwind instrument and standing near a double bass.
Pianist Eun Ju Kim, with bassist Sven Kestel and percussionist Tom Kolor, performing Roberto Morales's work, Remembrance
A person wearing a blue and white floral-patterned shirt reaches toward the strings of a black grand piano on a performance stage. In the background, another person plays a double bass while a third person stands near a vibraphone and drum set holding maracas. Music stands, microphones, and stage lighting are positioned around the group in a dimly lit hall with wood paneling.
A person in a blue and white patterned shirt sits at a piano in the center of a dimly lit stage. To the left, another person plays a double bass behind the open lid of the piano. A third person stands to the right holding mallets over percussion equipment.
Conductor James Avery with composer Roberto Morales
One person wearing a light blue button-down shirt and glasses stands next to another person wearing a white shirt with patterned trim and holding a black notebook. Both individuals look down at a music stand in a dark room with rows of seating in the background.
A person with thin, curly hair and a mustache is shown wearing thin-rimmed glasses. They are wearing a white collared shirt with a patterned trim and looking downward. The background is a dark, solid color.
A person with shoulder-length hair and glasses is positioned behind a grand piano with its lid propped open. The foreground shows the interior strings and mechanisms of the piano with a microphone nearby. Background elements include dark stage space and various equipment containers.
A person wearing a white short-sleeved shirt and glasses is seated behind a black grand piano. The lid of the piano is open, showing the internal strings and a microphone mounted on a stand. The background is dark and out of focus.
A person with shoulder-length dark hair and glasses is positioned at a black grand piano. They wear a long-sleeved shirt with a blue and white pattern. In the background, a microphone stand is visible against a dark wall.
Pianist Eun-Ju Kim with composer Roberto Morales
A person with straight brown hair and glasses sits in the foreground, looking toward a black grand piano. Another person with dark hair and a mustache is positioned behind the first person, also looking toward the piano. Both individuals wear white shirts against a dark, blurred background.
Pianist Eun-Ju Kim performing Roberto Morales's work, Remembrance
A person wearing a white shirt and glasses is positioned at a black grand piano with the lid raised. Their gaze is directed downward, while a microphone on a stand is pointed toward the internal strings. The background is dark, with some equipment visible in a soft focus behind the instrument.
A person with dark hair stands behind a marimba, holding two mallets in each hand over the wooden keys. They wear a sleeveless, patterned high-neck garment and look toward the camera. Several microphones hang above the instrument, and an exit sign is visible in the dark background.
A person with dark hair and glasses sits at a black piano in a dimly lit setting. To the right, another person stands near a vibraphone and drums holding red-tipped mallets. Music stands and microphones are positioned in the background of the stage area.
A person sits at a grand piano on a stage in a darkened room. Above the piano, a large screen shows a vibrant abstract projection with swirls of blue, pink, and neon green. A microphone is positioned over the open piano, and a small stand with mallets is located to the right.
Composer Roberto Morales performing his work, Historia de Culebres, at the piano
A person in a white shirt is seated at a grand piano with the lid raised, exposing the internal strings and dampers. Microphones on adjustable stands are placed in front of the individual and over the piano's mechanisms. The background is dark and includes a vibraphone and another standing figure.
A person with short hair, a beard, and glasses wears a red shirt while leaning over a set of drums. Their hands rest on the drumheads of two small drums in the foreground. Behind them, a marimba, a snare drum, a music stand with sheet music, and other percussion instruments are visible against a dark background.
A person with short dark hair and glasses stands next to a large, black speaker cabinet. They wear a red V-neck sweater over a light-colored patterned shirt. One hand is placed on the top corner of the speaker.
A person with a beard and glasses wearing an orange shirt leans over a set of percussion instruments. Their hands are positioned over two small drums in the foreground, with several larger drums and a xylophone visible behind them. Sheet music rests on a stand to the right, and other musical equipment is blurred in the background.
Student composers Kerith Livengood and Jeffrey Trevino
A person in a dark purple shirt and a person in an orange sweater and glasses stand next to a large black speaker. The speaker has a metal mesh grille and is positioned between the two people. One person rests their hand on the top edge of the speaker cabinet.
Percussionist Pascal Pons rehearsing, with student composer Jonathan Wilkes in background
A person in a grey shirt holds mallets over a wooden marimba next to a cymbal and a music stand with sheet music. In the background, another person in a green shirt reads from a paper score. The room includes red auditorium-style seating and light-colored walls with wooden accents.
Student composer Andrew Colella at computer
Two people wearing glasses are seated behind a laptop that is positioned on top of a silver rack-mounted electronic device. One person has their hand near the keyboard while both individuals look toward the screen. In the background, there are several rows of empty dark red tiered seats.
A musician with dark hair tied back wears a sleeveless patterned top while playing a large marimba. Four mallets are held in the musician's hands, captured in motion above the wooden bars. Two overhead microphones on silver boom stands are positioned to record the performance against a dark background.
A person wearing a patterned sleeveless top holds four mallets over a large marimba. Two microphones on stands are positioned above the wooden keys of the instrument. The background is dark, showing a red exit sign and another percussion instrument to the right.
A person in a patterned sleeveless top holds two mallets in each hand while playing a marimba. Several microphones are positioned on stands around the performer, and a black grand piano is visible in the background. The entire scene is set against a dark backdrop.
A person wearing a patterned top holds two mallets in each hand over a marimba. Several microphones on stands are positioned around the performer and the instrument. A grand piano is visible in the background against a dark setting.
A person stands behind a large percussion instrument, holding multiple mallets in their hands. Motion blur appears on the right arm and mallets as they strike the keys in the dark setting. Two microphones on boom stands hang above the instrument.
A person with glasses and a beard leans forward with their hands on several drums. A large wooden mallet instrument is positioned behind the drums alongside a music stand with sheet music. A large gong and other percussion equipment are visible in the dark background.
Nicholas Isherwood performing Karlheinz Stockhausen's, Capricorn
A person with silver makeup on their face and neck wears headphones while illuminated by a light source from below. They hold their hands in front of their chest with fingers spread apart. The high-contrast lighting creates bright highlights on the skin and deep shadows around the facial features.
Pianist Stephen Gosling with percussionist Tom Kolor in background rehearsing Karlheinz Stockhausen's work, Kontakte
A person in a black shirt sits at a grand piano with sheet music, reaching to play cowbells with mallets. Various percussion instruments, including gongs, wind chimes, and a marimba, are arranged around the stage. A second person stands behind a percussion setup in the background of the wood-paneled room.
Pianist James Avery with percussionist Pascal Pons rehearsing G. Douglas Barrett's work, Derivation X
One person in a red shirt stands behind a collection of percussion instruments, including drums and a large gong. In the foreground, another person wearing a dark sweater and glasses sits at a black grand piano. The background features dark curtains and a vertical metal sheet hanging from a stand.
Pianist James Avery with student Tsai-Yun Huang
One person wearing glasses and a light-colored striped shirt sits next to a person with long dark hair and a dark cardigan. Both individuals look at sheet music positioned on the stand of a grand piano with its lid open. A red fire alarm pull station is visible on the white wall in the background.
Pianist James Avery, with student composer G. Douglas Barrett and percussionist Pascal Pons
Three people wearing glasses stand around an open grand piano in a room with dark curtains. One person on the left leans in to look at the instrument's interior while two others stand next to it, including one with a red sweater tied around their neck. A wooden mallet instrument sits in the background.
Pianist Stephen Gosling, performing percussion in Karlheinz Stockhausen's work, Kontakte
A musician wearing a black shirt holds a mallet with a purple tip while positioned in front of several large metal bells. In the background, a grand piano holds sheet music, and a set of red-painted wind chimes hangs nearby. The scene is set in a performance space with dark wood paneling and focused lighting.
Composer David Felder with bass Nicholas Isherwood and composer Miller Puckette
Three people stand in front of a light-colored brick wall. The person on the left wears glasses and a blue striped polo shirt, while the person in the middle wears a red t-shirt with a black star and the letters EZLN. The person on the right wears a dark plaid button-down shirt and has shoulder-length hair.
Composer Cort Lippe at masterclass with June in Buffalo students
Four people are in a room with rows of chairs and attached desks. Three individuals are seated while one person stands, all looking toward a small black device held by the person on the right. Papers, a water bottle, and a spiral-bound notebook are positioned on the desks.
Composer Gerard Pape, guitarist Magnus Andersson, and bass Nicholas Isherwood
Three individuals stand in a row in front of a light-colored brick wall. The person on the left wears a dark jacket over a grey button-down shirt, while the middle person wears glasses and a tan polo with a red sweater draped over their shoulders. The person on the right wears a blue polo shirt under a black jacket and has short dark hair and a goatee.
Composers Cort Lippe and Roberto Morales with conductor James Avery
Three individuals stand in a dimly lit auditorium with rows of seats and a staircase in the background. Two tall microphone stands are positioned on either side of the group. One person holds a piece of paper while another has their hand near their chin.
A person with glasses and short dark hair writes on a piece of paper with a white pen. They sit behind an electronic device labeled MOTU and are illuminated by a desk lamp. The background shows rows of seating in the dark.
A person with short hair, glasses, and a beard wears a red shirt while touching several red bamboo-like tubes hanging from black cords. The cords are gathered at the top and decorated with small green beads. The person is positioned in the background with their hands reaching into the foreground to manipulate the suspended objects.
A person with grey face paint wears over-ear headphones while holding their hands together in front of their chest. They are dressed in a dark, form-fitting garment. The scene is set against a black background with dramatic lighting highlighting the individual's face and hands.
A person is visible from the waist up against a dark background, illuminated by a light source from above. Metallic silver-colored paint covers their head and face, and they wear large headphones. Their hands are positioned in front of their chest with palms and fingers pressed together.
A person with light skin and short brown hair wears a blue-and-white striped button-down shirt and a black cord necklace. They have a black earpiece in their right ear and a thin wire microphone positioned near their open mouth. The background consists of dark brown wooden panels.
A person wearing a tight grey bodysuit and silver facial paint stands against a black background. They have large headphones on their head and their mouth is held open, while their hands are raised in front of their chest with fingers spread. A strong light source from the front illuminates their face, hands, and the center of their torso.
A person is partially illuminated against a solid black background, wearing large headphones and a dark long-sleeved shirt. One hand is raised to the side with fingers spread, while the rest of the body fades into deep shadow. Harsh lighting from above highlights the person's face and upper torso.
A person stands against a black background wearing over-ear headphones that emit a green light. They are dressed in a grey bodysuit and have their hands positioned together in front of their chest. High-contrast lighting creates strong highlights on the person's face and torso while leaving other areas in shadow.
A person is shown from the waist up against a solid black background, illuminated by a bright light source from the front. They wear silver paint on their face and body, with large over-ear headphones over their head. Their hands are raised near their chest with fingers extended and palms facing inwards.
Nicholas Isherwood performing David Felder's work, Shemayin, in front of the projection of film by Elliot Caplan
A person with an open mouth is positioned next to a large rectangular screen in a dark room. The screen displays an abstract composition of blurred red, pink, and blue shapes surrounding a dark, textured center. The individual is lit from one side and wears dark clothing.
A person wearing dark clothing is seated on a chair in a dark room, illuminated by a small light on the floor. A large projection screen behind them displays out-of-focus light patterns in red, orange, white, and green. The background and surroundings are predominantly black.
A projection screen displays a landscape with layers of hills in shades of blue and orange. Four bright blue hexagonal shapes are superimposed across the middle of the screen's image. In the lower-right corner, a person is seated in a dark room, partially illuminated by a light source.
A projection screen shows a landscape of dark hills beneath a thick layer of grey and purple clouds. In the lower right corner, a person is lit by a red-toned light against a dark background with their mouth open. The rest of the scene is in deep shadow, focusing attention on the screen and the individual.
A large screen displays a view of red rocks submerged in water or obscured by thick mist. A person stands to the right of the screen in a dark room, illuminated by a red light. The person's face is visible with their mouth open.
A large rectangular screen displays a low-angle view of two thick tree trunks amidst a forest with sunlight filtering through branches. In the bottom right corner, a person stands in a dimly lit space, looking toward the projection. The backdrop around the screen and the person is entirely black.
A person stands in a dark room next to a large projection screen showing white and dark blue clouds. The light from the screen illuminates the profile of the person positioned in the bottom right corner. The surrounding area is dark.
Composer Charles Wuorinen with June in Buffalo students: Jane Stanley, Bert Van Herck, and Matthew Barnson
Four people are positioned around a desk in a room with a computer and a framed poster on the wall. A person with a beard and glasses sits at the desk holding a document while looking toward another person on the right. Two other people stand behind and to the left of the desk, looking toward the same area.
Composer Charles Wuorinen with June in Buffalo students: Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, Eliza Brown, and Lee Weisert
An older person with glasses and a white beard holds a large open book for several other people to see. The group is indoors with overhead lighting and a simple wall in the background. Most of the people are looking toward the book or the person holding it.
Composer Charles Wuorinen with June in Buffalo students: Jacques Baldasari, Paolo Cavallone, John Aylward, Michael McBride, Daniel Van Hassel, Jeff Silva, and Eliza Brown
An individual in a striped shirt and glasses holds an open notebook while others stand nearby to look at the pages. The group is positioned in an indoor space with overhead lighting and a wall featuring coat hooks in the background.
A person in a striped shirt holds an open spiral-bound notebook. Behind them, six other individuals stand in a group, looking at the notebook or toward the camera. The setting is an indoor room with neutral walls and a watermark across the center.
Composers Charles Wuorinen and Roger Reynolds with soprano Lucy Shelton
Three people are standing together in front of a plain wall. The person on the left wears a gray blazer and glasses, the person in the center wears a yellow cardigan over a black top, and the person on the right wears a black blazer over a green shirt. A large watermark is visible across the middle of the frame.
Composer Charles Wuorinen with violoncellist Nina Lee, soprano Lucy Shelton, pianist Alan Feinberg, and violinist Curtis Macomber, after a performance of Wuorinen's composition, Fenton Songs II
Five people pose for a group portrait in front of a neutral-colored wall. The person on the far left wears a dark top with beadwork, while the person next to them wears a gray blazer and glasses. In the center, a person wears a yellow garment over a black outfit, flanked by two others in black button-down shirts.
Composer Charles Wuorinen with violinist Curtis Macomber, soprano Lucy Shelton, pianist Alan Feinberg, and violoncellist Nina Lee
Five people are gathered together in an indoor setting in front of a large white screen. The individuals are dressed in casual clothing, including button-down shirts, trousers, and a white t-shirt. Two people hold folders, and the group stands in a semi-circle looking toward one another.
Composer Charles Wuorinen with violinist Curtis Macomber, pianist Alan Feinberg, soprano Lucy Shelton, and violoncellist Nina Lee
Five people are positioned in front of a wood-paneled wall on a stage with music stands. On the left, a person holds a violin and a bow, while on the right, another person holds a cello and a bow. The other three individuals stand between them, with one positioned behind a music stand.
Five individuals are arranged in a line on a wooden stage against a background of vertical wooden panels. The person on the far left holds a violin, while the person on the far right holds a cello and bow. A black music stand is positioned in front of the two people on the right.
Composer Charles Wuorinen with Alan Feinberg, piano, Lucy Shelton, soprano, and Nina Lee, violoncello
Four people are gathered in an indoor space with wood-paneled walls and a large screen in the background. Two individuals on the left wear button-down shirts, while two on the right lean toward each other near a music stand and a musical bow. A watermark is visible across the center of the scene.
Composer Charles Wuorinen with Lucy Shelton, soprano, Alan Feinberg, piano, and Nina Lee, violoncello
Four individuals stand in a room in front of a large projection screen. One person on the left wears a striped shirt and holds papers, while another person near the center wears a brown scarf and also holds documents. Two other people stand on the right, and a watermark is visible across the middle.
Composer Charles Wuorinen gesturing during seminar
A person with a grey beard and mustache wears oval-framed glasses and a pinstriped collared shirt. Their mouth is slightly open, and one hand is held up in the foreground. A watermark is visible across the center.