Composer Charles Wuorinen gesturing during seminar
A person with thin-framed oval glasses and a gray beard wears a light-colored, vertically striped button-down shirt. One hand is raised in front of the chest while the person looks slightly to the side. A dark green board serves as the background.
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State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
A person with thinning hair, a white beard, and round glasses looks downward while wearing a striped button-down shirt. Their hands are positioned at the bottom of the frame with fingers curled, and a green chalkboard is visible in the background.
Composer Lee Weisert (center) with members of the Red Fish Blue Fish Percussion Ensemble, Matthew Jenkins, Justin DeHart, Johannes Fischer, and Fabio Oliveira, rehearsing Weisert's composition, Rockaby
Red Fish Blue Fish (Musical group) - Ensemble
Two individuals in the foreground hold mallets and drumsticks over a set of bongos and sheet music. Three other people stand in the background near more drums and percussion equipment. Bright lights illuminate the group from behind in a dark room.
State University of New York at Buffalo. Center for the Arts
June in Buffalo students Jeff Silva, Daniel Van Hassel, and Jacques Baldasari
Three people are gathered around a wooden table featuring notebooks and documents. One person stands in a blue t-shirt and jeans, while another sits in a white shirt reviewing the papers. The background consists of a brown brick wall with a framed sketch of a person's face.
June in Buffalo students and auditors 2007: Jenece Gerber, Dominique Schafer, Eric Roth, Eliza Brown, Lee Weisert, Michael McBride, James Ogburn, Ya-Ting Lee, and Patrick Castillo
Nine people are positioned in two rows in front of a brick wall and glass doorways. The group is wearing various casual outfits, including button-down shirts, sweaters, and denim pants. A copyright watermark is visible across the center of the scene.
June in Buffalo students and auditors, 2007: Jacques Baldasari, Matthew Barnson, Daniel Van Hassel, S. Anthony Amstutz, Jeff Silva, Daniel Blake, and Aubrey Byerly
Seven individuals are standing in a hallway in front of a brick pillar and a plain wall. They wear a variety of casual attire including jackets, button-down shirts, and sweaters. A semi-transparent watermark is layered across the center of the scene.
Stage setup for percussion used in Roger Reynolds's composition, Sanctuary
Several sets of percussion instruments and music stands are positioned across a darkened stage. Individual spotlights illuminate each setup, creating bright circles on the floor and leaving the rest of the area in shadow. A semi-transparent watermark is visible across the center of the frame.
Soprano Lucy Shelton taking a bow onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Four performers stand on a wooden stage accompanied by a violin, a cello, and a grand piano. One individual wears a long yellow garment over black clothing, while the other three are dressed in all black. Two music stands and two chairs are placed in the foreground.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
One person sits on the left playing a violin while another stands in the center singing behind a music stand. A third person sits on the right playing a cello, and a fourth person sits at a piano in the background. The musicians are on a wooden stage in a room with wood-paneled walls.
One person plays a violin and another plays a cello while seated on a wooden stage. In the center, a person stands behind a music stand with an open mouth and a raised hand. A person with grey hair is seated at a grand piano in the background.
Five individuals are positioned on a wooden stage around a black grand piano. A person on the left plays a violin, a person on the right plays a cello, and a person stands in the center behind a music stand. Another individual sits at the piano while a fifth person sits nearby.
Soprano Lucy Shelton and violinist Curtis Macomber
One person holds a violin and bow while positioned behind a music stand with sheet music. A second person stands to the right, looking toward the musician and holding up a hand with the thumb extended. The room features wood-paneled walls and a doorway visible in the background.
One individual on the left holds a violin and bow while looking toward a music stand containing sheet music. A second individual stands on the right with an open mouth. Both are in a room with vertical wood paneling on the walls and a translucent watermark across the center.
Percussionist Steven Schick with composer Lee Weisert, rehearsing Weisert's composition, Rockaby
A person in a black t-shirt and glasses holds three mallets with red heads above a snare drum that has clear glass bowls resting on its surface. Another person wearing a black hoodie stands behind them, looking toward the instruments. The background is dark and contains additional percussion equipment.
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
A person wearing glasses and an orange shirt with a blue star is positioned behind a table holding papers and a large metal bowl filled with water. Their hands are raised over the items, and they wear small black thimbles on several fingertips. The setting features a black background and a faint watermark across the middle of the frame.
A person wearing an orange long-sleeved shirt and glasses stands behind a table covered with items like a large metal pan and a small red drum. To the right, a tall metallic cylinder topped with thin rods sits on a stand. The setting is a dark stage with a spotlight focused on the table and the person.
A person wearing glasses and an orange long-sleeved shirt sits at a table and interacts with several metal discs and bowls. The scene is set on a dark stage with various musical equipment, including a marimba and a large metal basin. A small red exit sign is visible in the distant background.
A person wearing glasses and an orange shirt with a star stands over a table featuring a metal hoop and a green glass bottle. Their hands, fitted with black finger picks, reach toward the items on the surface. A microphone is suspended above the table, and a metallic instrument with vertical rods sits on a stool to the left.
A person wearing an orange long-sleeved shirt with a blue star and glasses handles dark discs on a white surface. The table holds various items including metal bowls, papers, and small tools against a dark background. To the right, a metallic object with vertical rods stands on a tripod.
Conductor Harold Rosenbaum rehearsing John Harbison's composition, But Mary stood, with the New York Virtuoso Singers, Calvin Weirsma and Deborah Wong, violin, Lois Martin, viola, Chris Finckel, violoncello, and Jared Egen, bass
A group of musicians stands and sits on a wooden stage, holding sheet music and playing instruments like the violin and double bass. A person stands on a podium in the center, facing the ensemble with their back to the viewer. The background consists of light-colored wood paneling and a large pipe organ.
Composer Christian Baldini with conductor Harold Rosenbaum and members of the New York Virtuoso Singers rehearsing Baldini's composition, Two adoration motets
Four people are gathered in a room with wood-paneled walls and music stands. One person stands in the center holding sheet music with their mouth open while another person to the right gestures with an uplifted hand. A third person sits on the left behind a music stand wearing a blue shirt and glasses.
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, and Patrick Castillo
A person in a black turtleneck and a person in a black jacket stand near several people seated at a table. One seated person with curly dark hair looks down at a notebook. The background shows a light-colored wall and an open doorway.
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, Patrick Castillo, and S. Anthony Amstutz
Five people surround a seated individual who is looking at a sheet of paper. An older person with white hair stands with raised hands, while others lean in or stand nearby.
Six people are clustered in an indoor space, with some sitting and others standing. One person holds a pen over papers while the others look toward the same area. The individuals wear various casual clothing, and a large watermark is visible across the middle of the frame.
Composer Roger Reynolds at sound console with J.T. Rinker, David Felder, Nicholas Isherwood, and James Stephenson
Five people are positioned around a Behringer Eurodesk MX 3282A sound mixing console and a laptop. One person sits at the laptop while others stand or sit near the control board, which has many cables connected to it. In the background, rows of red auditorium seating extend toward the back of the room behind large white pillars.
Composer Roger Reynolds with bass Nicholas Isherwood
One person with light-colored hair and glasses wears a striped shirt and gestures with a raised hand. A second person with dark hair and a goatee stands nearby wearing a dark blazer. They are positioned in front of a projection screen with a watermark overlaying the center.
Composer Roger Reynolds examining score with bass Nicholas Isherwood, with J.T. Rinker visible at right
Two individuals stand behind a black surface while looking down at a stack of papers. One person on the left wears a striped shirt under a blue collared shirt and glasses, while the person in the center wears a black suit jacket. A third person is partially visible on the right side of the frame. A large white copyright watermark is superimposed across the middle of the scene.
Composer Roger Reynolds examining score with bass Nicholas Isherwood
A person with white hair and glasses wears a blue shirt over a horizontally striped top. To their right, another person in a dark jacket points toward a surface behind a black lectern. Both individuals are looking down against a plain, light-colored wall.
Composer Roger Reynolds onstage with the Arditti String Quartet after a performance of Reynolds's composition, Ariadne's thread
Five individuals are positioned on a light wood stage in front of a vertically paneled wooden wall. Four of the people hold string instruments, including violins and a cello, while one person stands near the center wearing a dark blazer. Music stands, microphones, and chairs are arranged across the foreground of the performance space.
Composer Roger Reynolds with members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Gustavo Aguilar, and Justin DeHart, with technical assistant, Ian Saxton, around the Waterphone instrument used in Reynolds's composition, Sanctuary
Six individuals are arranged in a row behind a custom musical instrument consisting of a weathered metal cylinder and thin vertical rods. They wear casual attire and look forward in a dark room featuring vertical light fixtures. A semi-transparent watermark is visible across the middle of the scene.
Composer Roger Reynolds with technical assistant Ian Saxton, and members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Justin DeHart, and Gustavo Aguilar
Six people stand in a group behind percussion instruments like a large bass drum, congas, and bongos. A person in the middle holds a yellow folder with the text "REYNOLDS" displayed. The scene takes place in a dark interior with vertical lights in the background.
Composer Roger Reynolds with percussionist Robert Esler and the Waterphone used in the Oracle section of his composition, Sanctuary
One person with curly dark hair and another with grey hair and glasses are situated next to a perforated metal cylinder with protruding rods. The setting is a dimly lit theater with rows of seats and glowing overhead globe lights in the background.
Composer Roger Reynolds and percussionist Gustavo Aguilar, member of Red Fish Blue Fish percussion ensemble
One person wearing a black turtleneck and glasses stands beside another person in a plaid shirt and jeans. The person in the plaid shirt holds drumsticks over a metal stand containing a small drum, a woodblock, and a cowbell. Both individuals are looking toward the center and have upturned mouths.
Composer Roger Reynolds adjusting microphone for percussionist Steven Schick during rehearsal of Reynolds's composition, Sanctuary
One person wearing an orange shirt with a blue star stands behind a table holding items like a green bottle and small drums. Opposite them, another person in a blue shirt holds a microphone setup over the objects. In the dark background, a large percussion instrument with vertical rods is visible.
Roger Reynolds talks with Steven Schick, director of the Red Fish Blue Fish percussion ensemble
Two people wearing glasses stand indoors against a background featuring a light brown wooden panel and dark vertical bars. The person on the left wears a black leather jacket over a red checkered shirt and holds a grey baseball cap. The person on the right has short white hair and wears a black sweater with their arms crossed.
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
A person with light-colored hair and glasses stands with arms outstretched in a dark environment. Beside the person is a cylindrical object featuring vertical rods emerging from a perforated metal base. Three out-of-focus lights appear in the background, and a copyright watermark is visible across the center.
Composer Roger Reynolds with percussion instruments used in his composition, Sanctuary
A person dressed in black stands in a room with percussion instruments and music stands. Several drums occupy the lower foreground, while a larger instrument sits to the right. The person has light-colored hair and wears rectangular glasses while looking forward.
A person with short grey hair and glasses is positioned behind a large, cylindrical, perforated object with thin metal rods of varying heights extending upwards. One hand points towards the rods while the other is held near the base of the rods. The scene is set against a dark background.
A person with short hair and glasses is positioned behind a cylindrical metal drum with small holes. Thin metal rods of different lengths rise from the top of the drum in a curved arrangement. The individual's hands are held near the rods against a dark background.
Composers Steve Reich and David Felder at a lecture given by them
A person wearing a white shirt and cap sits on a platform and points toward people seated on tiered benches in a lecture hall. A second person in an orange shirt sits next to them, while another person kneels in the foreground holding equipment. A tall microphone stand stands between the speakers and the audience.
Two people are seated in front of a wall with a recessed shelf of electronic equipment and a microphone stand positioned between them. The person on the left wears a cap, glasses, and a light-colored shirt with their hands raised, while the person on the right wears an orange polo shirt and glasses. A translucent watermark is visible across the center of the scene.
Two people wearing glasses and button-up shirts stand indoors, positioned to face one another. One individual wears a brown baseball cap and a light-colored shirt, while the other is dressed in a dark patterned shirt. The background features rows of green upholstered chairs and a ceiling with circular light fixtures.
Steve Reich with composer Daniel Van Hassel
A person wearing a cap, glasses, and a blazer stands on the left, facing another person in a dark shirt. Between them, a third person wearing headphones holds a microphone labeled "wbfo" toward the individual on the left. The scene takes place indoors and includes a large watermark across the middle of the frame.
Steve Reich talking with conductor Brad Lubman, with soprano Jolle Greenleaf, Caleb Burhans, and Martha Cluver
A group stands in a room featuring wood-paneled walls and rows of green seats. On the left, a person wears a light-colored shirt and a dark cap with their hands raised in a gesture. Three other individuals stand in front of the seating, facing the person in the cap.
A person on the left wears a cap and glasses while holding their hands out horizontally. Three other individuals stand nearby in an indoor space with wood-paneled walls and a light fixture. A watermark is visible across the middle of the frame.
Conductor Brad Lubman and composer Steve Reich
A person with a beard wearing a light blue button-down shirt stands next to another person in a cap and glasses. The person in the cap has their mouth open and faces the first person. Empty rows of seating and an exit sign fill the background.
Singers and clappers during rehearsal of Steve Reich's composition, Tehillim
Four people stand behind microphones and music stands in a row against a dark background. In the foreground, two people are shown in profile, one holding a hand drum and the other with hands raised. The performers wear casual attire.
Singers during rehearsal of Steve Reich's composition, Tehillim
Four people stand in a row facing right, positioned behind two music stands with microphones. They wear casual tops in pink, green, orange, and black. The person on the far right has dark curly hair and wears glasses.
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Two people stand on a stage in a darkened theater, facing toward the foreground where musicians and instruments are partially visible. One person wears a light blue button-down shirt and gestures with their hands while the other person stands beside them wearing a cap and light-colored shirt. A music stand is positioned between them, and a watermark spans the center of the frame.
A person in a blue shirt gestures with both hands while standing beside another person in a cap on a stage. Musicians sit in the foreground with string instruments and sheet music on stands. The background consists of a darkened auditorium with empty tiered seating.
Several people are positioned on a stage, with some seated and holding instruments such as a cello and a violin. Two people on the left stand near a music stand holding papers, while a larger group stands behind microphones in the background. A grand piano and music stands are distributed across the stage area under overhead lighting.
Two individuals on the left gesture toward a group of four people standing behind music stands. A person sits in the center facing the two individuals, while another person sits on the right holding a stringed instrument. The background features dark panels, stage equipment, and a wooden wall.
Three people are positioned on a stage facing an empty theater with tiered seating. One person on the left sits holding a string instrument, while two others stand behind a music stand. The person in the center gestures with their hands, and the person on the right stands wearing a baseball cap and khaki pants.
A person stands against a white background wearing a brown cap, glasses, and a light-colored button-down shirt. They have one hand raised vertically in front of their face and the other hand positioned lower down. The person's gaze is directed downwards.
A person stands with their arms raised and palms upward, wearing a light-colored button-down shirt and a dark flat cap. They wear glasses and are positioned against a split white and black background. A watermark appears across the middle of the frame.
A person in a button-down shirt and flat cap stands with their arms extended and palms facing upward. They wear wire-rimmed glasses and face forward against a plain wall in this black and white composition. A translucent watermark is visible across the middle of the frame.
Slee Sinfonietta members rehearsing Steve Reich's Daniel Variations
Multiple people stand behind percussion instruments featuring rows of metal bars. They hold four mallets simultaneously while performing on a stage with a dark background. One person wears a dark blue polo shirt while another wears a white button-down shirt.
Multiple people in dark clothing use green-tipped mallets to play keyboard percussion instruments. Music stands with sheet music are positioned in front of the musicians. The scene is set in a dark environment with focused lighting on the performers.
Red Fish Blue Fish Percussion Ensemble members Greg Stuart, Justin DeHart, Gustavo Aguilar, and Robert Esler rehearsing Roger Reynolds's composition, Sanctuary
Four people are positioned behind various percussion instruments, including drum sets and xylophones, on a large stage. The space is dimly lit by wall-mounted lights and contains additional equipment such as tables, music stands, and a ladder in the background. Each individual holds drumsticks or mallets over their instruments.
Red Fish Blue Fish Percussion Ensemble members Robert Esler and Fabio Oliveira rehearse Daniel Van Hassel's composition, Trudge Blasted Exotic
Two people are positioned behind several percussion instruments on a dark stage. The person on the left stands behind small drums and a cymbal, while the person on the right sits at a drum kit. A large gong hangs between them next to a music stand with sheet music.
Two people play various percussion instruments in a darkened space illuminated by circular spotlights. One individual stands on the left side playing a keyboard percussion instrument and drums, while the other sits on the right at a drum kit. A music stand with sheet music is positioned between them, and a copyright watermark is visible across the center.
Composer Daniel Van Hassel watches as Red Fish Blue Fish Percussion Ensemble members Fabio Oliveira and Robert Esler rehearse Van Hassel's composition, Trudge Blasted Exotic
Three individuals are positioned around various percussion instruments against a dark background. One person sits on the left with a drum set, while another stands in the center behind a gong and a music stand. A third person stands on the right holding drumsticks over additional drums on a stage lit from the front.
Red Fish Blue Fish Percussion Ensemble members Ross Karre, Robert Esler, Steve Schick, and Fabio Oliveira rehearsing Charles Wuorinen's Percussion Quartet
Four people are positioned around a setup of percussion instruments including marimbas, vibraphones, and drums. They use mallets and drumsticks to play while looking at sheet music on stands. The scene is lit by spotlights on a dark stage with soft circular lights in the background.
Red Fish Blue Fish Percussion Ensemble members Justin DeHart and Fabio Oliveira rehearsing Ya-Ting Lee's composition, Ritual
Two people stand behind several large, ornate drums and strike them with wooden sticks. The drums feature colorful designs on their sides and a red, yellow, and blue symbol in the center of the drumheads. Sheet music sits on a stand in the foreground against a dark background.
Red Fish Blue Fish Percussion Ensemble members Justin DeHart, Matthew Jenkins, Johannes Fischer, and Fabio Oliveira rehearsing Ya-Ting Lee's composition, Ritual
Four musicians stand behind various percussion instruments on a dark stage with sheet music stands. In the foreground, two large drums feature colorful traditional designs and are being played with wooden sticks. Other people in the background interact with smaller drums and metal percussion setups. A translucent watermark spans across the middle of the frame.
Red Fish Blue Fish Percussion Ensemble, with Johannes Fischer conducting, Matthew Jenkins, Robert Esler, Greg Stuart, and Fabio Oliveira rehearsing Aubrey Byerly's composition, …woven with a silent motto
Four individuals stand behind music stands and use mallets to strike percussion instruments, including woodblocks and drums. A fifth person stands with their back to the camera, gesturing with one hand and holding sheet music to direct the group. The stage is filled with musical equipment such as a vibraphone, timpani, and various drums.
Red Fish Blue Fish Percussion Ensemble, with director Steve Schick, composer Lee Weisert, Justin DeHart?, and Matthew Jenkins, rehearsing Weisert's composition Rockaby
Five people are arranged across a dark stage playing mallet percussion instruments, drums, and other objects. Most individuals wear dark clothing, while one person wears a red t-shirt. Music stands and various instrumental setups are positioned in front of the group as they hold mallets.
Red Fish Blue Fish Percussion Ensemble, with director Steve Schick (lower left), Ross Karre, Johannes Fischer, Justin DeHart, Robert Esler, Fabio Oliveira, Ian Saxton (technical assistant), and Matthew Jenkins, with the Waterphone used in Roger Reynolds's composition, Sanctuary
Six people stand in a row behind a large, perforated metal drum featuring several upright rods. Two individuals kneel on the floor in the foreground on either side of the object. All eight people look toward the camera with their hands positioned on or near the central drum.
A person with dark hair pulled back wears a black shirt while standing among several percussion instruments. They hold two bows against the edge of a large hanging gong. A vibraphone, sheet music on a stand, and a drum are also visible in the workspace.
A person wearing a blue shirt holds a wooden violin against their shoulder while pressing their fingers onto the fingerboard. A bow is positioned across the strings, and the individual's face is visible as they look toward the instrument. The background consists of dark brown vertical wooden panels.
Conductor Brad Lubman examining score of Charles Wuorinen's Percussion Quartet with percussionists Jason Treuting, Jon Hepfer, and Fabio Oliveira
Four people stand together looking at a spiral-bound musical score titled "Wuorinen Percussion Quartet." Two people hold the score open while another person holds a cup and a fourth person holds musical mallets. A music stand with sheet music is visible in the lower left corner against a dark background.
Brad Lubman conducting the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
A person in a pink shirt stands at a music stand and holds a baton, directing a group of musicians seated on a stage. The musicians hold string instruments and have music stands with sheet music in front of them. The stage is dimly lit with several overhead lights visible against a background of empty auditorium seats.
Brad Lubman conducting vocalists and the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
A conductor stands on a platform facing a large group of musicians and singers. The ensemble includes vocalists with microphones, string players, pianists at grand pianos, and percussionists in the back. The stage is dark with bright lighting focused on the performers and their instruments.
A conductor stands on a platform facing a group of musicians and singers performing in front of a black background. String players sit in a semi-circle, while four vocalists stand at microphones behind them and percussionists occupy the far left and right. Audio equipment, including monitors and speakers, is positioned around the performing space.
A conductor with their back to the viewer directs an ensemble on a dark stage. Four individuals stand in a row behind microphones while others are seated in front with instruments such as a cello and a keyboard. One person in the middle holds a pair of maracas aloft. Music stands are placed in front of several performers.
Conductor Brad Lubman with composer Steve Reich
Two people stand in the foreground of a theater, facing one another. One individual wears a light blue button-up shirt, and the person on the right wears a baseball cap and glasses. Other people stand in the background among rows of theater chairs.
A person with long, dark hair sits on a dark surface wearing a shiny silver top and blue jeans. They hold a book of music notation open across their lap in front of rows of empty theater seats. The background consists of multiple tiers of auditorium seating.
Composer Fusun Koksal with violist Ralf Ehlers
A person wearing glasses and a blue shirt holds a black binder while facing another person with dark curly hair who holds a white paper and a pencil. Both individuals are in a room with red tiered seating and wooden panels on the wall. The person on the right has a cream-colored sweater draped over their shoulders.
Composer Fusun Koksal with violinist Irvine Arditti and violoncellist Lucas Fels
A person in a white shirt holds a stack of papers while two others stand beside them, all three looking down at the pages. The documents are positioned over a black bag on a table in an indoor space with acoustic wall panels.
Nicholas Isherwood performing David Felder's Chasmal
A person wearing a dark garment is positioned in the bottom right corner against a black background. Above and to the left of the person, a hazy purple projection shows vertical columns of bright, out-of-focus lights. A watermark is visible across the middle of the projected light.
A bright, rectangular projection of intertwined tree branches fills the upper center of a black space. In the bottom right, a person is partially lit, facing forward with an open mouth. A semi-transparent watermark is overlaid across the central projection.
A large rectangular screen is centered in a dark space, displaying a layered view of dense pine trees and branches. To the lower right, a person in dark clothing is lit from the front, looking forward. A faint watermark text is overlaid across the middle of the screen's image.
A large projection screen displays a dark red field filled with blurred hexagonal lights in shades of pink, orange, green, and white. In the bottom right foreground, a person in a black jacket is spotlit while looking toward the screen. A large text watermark is overlaid across the central portion of the projected image.
A rectangular screen shows out-of-focus hexagonal shapes in shades of red, white, and green against a dark background. Below the screen on the right, a person is visible from the waist up with their mouth open. A faint watermark text reading "Copyright by Irene Haupt" is layered across the center.
A large screen displays a black-and-white video of water ripples in a darkened room. In the foreground, a person wearing a dark jacket sits with their face lit and mouth open. Semi-transparent text reading "Copyright by Irene Haupt" is layered over the middle of the frame.
Nicholas Isherwood performing Roger Reynolds's The Palace
A person with short, spiky hair stands behind a dark horizontal surface. Cyan light shines on the individual's face and suit jacket, while the surrounding area remains in deep shadow. A translucent watermark reading "Copyright by Irene Haupt" is positioned across the center.
A person with spiky hair and a dark jacket is lit by a green spotlight from the side. They are positioned behind a dark horizontal surface and looking downward. A copyright watermark is visible across the middle of the frame.
A person with short hair and a goatee looks downward, with their face centered in a dark frame. One side of the face is lit with warm orange light, while the other side is lit with green light. The words "Copyright by Irene Haupt" are superimposed across the middle of the person's face.
A person's face is centered against a black background, lit with orange-red light on one side and green light on the other. The individual has short dark hair and a goatee, with a thin microphone wire visible near their jawline. A semi-transparent text watermark across the middle reads "Copyright by Irene Haupt".
Charles Haupt, Tony Arnold, and Rin Ozaki rehearsing John Aylward's End of winter
One person in an orange shirt sits on a red chair, while a second person stands behind a vibraphone holding mallets. A third person sits on a bench and plays a violin. The room features green chalkboards with musical staff lines and two gongs hanging from a red frame.
Charles Haupt, Tony Arnold, John Aylward, and Rin Ozaki
A group of four people stands together while looking at a document. The person on the left holds a violin and bow, and multiple individuals point toward various parts of the paper. An orange curtain hangs in the background to the right.
Charles Haupt, Rin Ozaki, and Tony Arnold
On the left, a person with gray hair and glasses holds a violin and bow next to a vibraphone. In the center, a person with long dark hair holds sheet music, while a third person in an orange shirt stands to the right. A green chalkboard and a wooden cabinet are visible in the background.
John Harbison examining score with students Aubrey Byerly, Bert Van Herck, Fusun Koksal, J.T. Rinker, and Lee Weisert
Six people are positioned around a table containing three sheets of paper, with three individuals seated and three standing behind them. Everyone in the group looks down toward the documents. A white board with horizontal lines is mounted on the wall in the background.
John Harbison and conductor Harold Rosenbaum during rehearsal of Harbison's But Mary Stood, with Deborah Wong, violin, Lois Martin, viola, and Chris Finckel, violoncello
Three people are seated and playing string instruments while two others stand nearby in conversation. Multiple music stands with sheet music are positioned across the wooden stage area. Rows of empty red seats and large architectural columns fill the background.
John Harbison with conductor Harold Rosenbaum rehearsing Harbison's But Mary Stood, with Calvin Weirsma and Deborah Wong, violins, and Lois Martin, viola
Two people stand near the center of a stage, with one positioned on a small riser behind a music stand. Three other people are seated with stringed instruments, including cellos and violins. In the background, rows of red seats fill an auditorium hall with tall wooden pillars.
John Harbison with conductor Robert Franz and the Buffalo Philharmonic Orchestra
Buffalo Philharmonic Orchestra - Orchestra
An orchestra of musicians with string instruments is seated in front of a person standing on a black podium. Another individual stands on the stage floor beside the podium, gesturing toward the group. The background features a large wall composed of vertical wooden slats.
John Harbison in Music Library Seminar Room
A person with a mustache rests their hand against their chin while sitting in front of a large whiteboard with musical staff lines. To the left is a television on a metal stand. They wear a dark jacket over a collared shirt.
Students David Hanner (right), John Aylward, and Fusun Koksal examining a score during a lecture by David Felder
Three people are seated in an auditorium with rows of red chairs. The person on the right wears a white shirt and looks at papers, while the person on the left wears a black shirt and holds a hand near their chin. A third person sits in the row behind them, wearing a green vest and a dark scarf.
Jonathan Golove performing on violoncello while composer Jane Stanley watches (rehearsal of her work, Deep turn)
A person with glasses and a beard sits while playing a cello and wearing a checkered button-down shirt. A second person with shoulder-length dark hair stands behind them wearing a black garment and a white shawl with embroidered patterns. A music stand is positioned to the left, and percussion instruments are visible in the background.
Johannes Fischer performing with bass drum
A person wearing a dark shirt and light pants is captured mid-jump with drumsticks raised above their head. They are surrounded by various instruments, including a large bass drum tilted on its side and a set of timpani. Another person sits to the far left behind music stands in the dimly lit performance space.