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                <text>This temple in Udaipur is one of the finest in Rajasthan, a state in northwest India. Once one of the so-called 'princely states,' which maintained limited degrees of autonomy under British rule, Udaipur is noted now for its Rajput-era palaces. [See other examples in this collection.]</text>
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                <text>Welch, Claude Emerson</text>
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                <text>2000-12</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2007-06-11</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="1468829">
                <text>Welch-Ludwig Collection</text>
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                <text>PSC001</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1945916">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;IN COPYRIGHT - EDUCATIONAL USE PERMITTED&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). </text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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              <description>An unambiguous reference to the resource within a given context</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>Music Library</text>
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                <text>State University of New York at Buffalo</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Yvar Mikhashoff silhouette</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="429507">
                <text>Eidem, Inger</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="429508">
                <text>1983</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Silhouettes</text>
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                <text> Still image</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Pianists</text>
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                <text>Mikhashoff, Yvar - Piano</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="429512">
                <text>Black and White</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mikhashoff, Yvar</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="429517">
                <text>12/7/2005</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
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                <text>12/7/2005</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1731939">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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                  <text>&lt;div&gt;
&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
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&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
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&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
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&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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              <elementText elementTextId="1731950">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Yvar Mikhashoff in white shirt with composer Giacinto Scelsi and unidentified male</text>
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                <text>1986</text>
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                <text>Pianists</text>
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                <text> Composers</text>
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                <text>Almeida Theatre</text>
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                <text>Mikhashoff, Yvar</text>
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              <elementText elementTextId="429245">
                <text>7/7/2005</text>
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            <description>Date on which the resource was changed.</description>
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                <text>7/7/2005</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1731951">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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              <elementText elementTextId="1939669">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>Pianists</text>
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                <text>Takahashi, Aki, 1944- - Piano</text>
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                <text>Almeida Theatre</text>
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                <text>Mikhashoff, Yvar</text>
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                <text>10/15/2013</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1731976">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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&lt;p&gt;The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli &amp;amp; Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends.&lt;/p&gt;
&lt;p&gt;The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders.&lt;/p&gt;
&lt;p&gt;Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965.&lt;/p&gt;
&lt;p&gt;In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff.&lt;/p&gt;
&lt;p&gt;Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world.&lt;/p&gt;
&lt;p&gt;In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;
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                <text>State University of New York at Buffalo</text>
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            <description>A name given to the resource</description>
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                <text>Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background</text>
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                <text>Gemerek, Keith</text>
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                <text>1993-08</text>
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                <text>Photographic prints -- 1990-2000</text>
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                <text> Portrait photographs -- 1990-2000</text>
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                <text> Snapshots -- 1990-2000</text>
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                <text>Mikhashoff, Yvar - Piano</text>
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                <text>Color</text>
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                <text>New York (N.Y.)</text>
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                <text>Mikhashoff, Yvar</text>
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            <description>The size or duration of the resource.</description>
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                <text>1/28/2010</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1731977">
                <text>&lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt; </text>
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