483 100 60591 https://digital.lib.buffalo.edu/files/original/9cd2a2bba5696df6881c97d11402b2ab.jpg a2e5469f35fbf70a9bc607089a4b4f30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-025 YM04-025.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket, Nils Vigeland, Christian Eggen, and Erik Bye Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1984 Type The nature or genre of the resource Photographic prints -- 1980-1990 Group portraits -- 1980-1990 Image Still image Description An account of the resource The occasion was a concert with the World Premiere of Niels Vigeland's Piano Concerto, as well as a piece for speaker and orchestra by Norwegian composer Geirr Tveitt, about Cleng Peerson - one of the best known personalities of American-Norwegians in the late 1800's. Information courtesy of Geir Johnson. Black and White Subject The topic of the resource Musicians Composers Vigeland, Nils -- Performances Mikhashoff, Yvar - Piano Vigeland, Nils - Composer Eggen, Christian, 1957- - Conductor Bye, Erik - Voice Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Henie-Onstad kunstsenter Høvikodden (Norway) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 113.966 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 4/24/2012 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/dd2500d2eefd3e83d39a1ff26b7064cf.jpg 0e20e62dce31dc637653052aee0c37fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-083 YM03-083.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frances-Marie Uitti, violoncello Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 4/23/1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nichols School (Buffalo, N.Y.) Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 123.277 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/542694cf7ea3e649254dc921f3745730.jpg 90e61744bec57f4bdac1b0e4fd46ede7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-057 YM01-057.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket and white trousers, standing before road sign Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.314 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/58f4f58bd64b1790fadf3ee6c4fa685b.jpg b6329a4e4ef777f73e1c47dc2de0c213 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-027 YM04-027.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Contact sheet with images of Yvar Mikhashoff, Nils Vigeland, Christian Eggen, and Erik Bye Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1984 Type The nature or genre of the resource Photographic prints -- 1980-1990 Contact sheets -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Description An account of the resource The occasion was a concert with the World Premiere of Niels Vigeland's Piano Concerto, as well as a piece for speaker and orchestra by Norwegian composer Geirr Tveitt, about Cleng Peerson - one of the best known personalities of American-Norwegians in the late 1800's. Information courtesy of Geir Johnson. Black and White Subject The topic of the resource Pianists Composers Conductors Mikhashoff, Yvar - Piano Vigeland, Nils - Composer Eggen, Christian, 1957- - Conductor Bye, Erik - Voice Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Høvikodden (Norway) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 660.75 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 4/24/2012 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9e4de8e4804a4a6fb7141dfa7a885bd3.jpg 87d7ebe8f98ee919305ae2b03bebac29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-049 YM02-049.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket seated on stone bench next to flower pot in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 226.222 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f8596592a99f2aa53b9fdc90ccf94d3f.jpg af67d7e6da7643494252e6cc254c7171 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-142 YM03-142.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano, with Benjamin Hudson, violin and Wayne Crouse, viola Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979-04 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violinists Violists Mikhashoff, Yvar - Piano Hudson, Benjamin - Viola Crouse, Wayne - Viola Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 107.97 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0de863db57c9948d390ca0bb71dee275.jpg f35a542a413aa00d7b41acccf74e7f2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-156 YM03-156.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 53.271 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e35597df1f216198d7f5ee29bf890b8a.jpg 1665e9af30c32ab02eda3cf7ece20f71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-029 YM04-029.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket taking bow at Almeida Theatre Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1985 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 121.298 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/30a1ca01ca0adeb16636a4665e48a9e0.jpg 888adad5c35e4ab2839fc0d14a9bbc2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-131 YM03-131.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff sitting at Tulum archeological site, Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Temples -- Mexico Mikhashoff, Yvar - Piano Tulum Site (Mexico) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 136.607 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8effb20ce4c51cca426d28385dd169d4.jpg 718a11c04afb1e3e159d34de1df1a8be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-069 YM04-069.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with Halina Moretti leaning on piano Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource In performance of Sylvano Bussotti's Pianobar pour Phedré Black and White Subject The topic of the resource Pianists Actresses Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Moretti, Halina - Actress Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 115.528 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9bfe9a3c6a4c571950c3753fdfb8ed3d.jpg f90c993d60cf5285e6b227532065ef41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-003 YM01-003.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff portrait sketch Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Drawings -- 1980-1990 Portrait drawings -- 1980-1990 Image Still image Description An account of the resource On scrap of program from Almeida Festival program Color Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 138.656 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e1109a2ad6a725397911e45be338d756.jpg f490cd49b34846785d74a1d67bb5debd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-030 YM02-030.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark suit and light trousers performing at piano, unidentified page turner Creator An entity primarily responsible for making the resource Melzer, Manfred Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Darmstadt (Germany) Germany Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 75.429 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3fbd2afa1052aa3af8551d13eb87e3e4.jpg cb4970227ed5f522cc75083846d2b7fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-130 YM03-130.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of temple at Teotihuacán, Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Temples -- Mexico Mikhashoff, Yvar - Piano Teotihuacán Site (San Juan Teotihuacán, Mexico) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 173.2 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ef0d719556375030bd9882e8904ac5e0.jpg d1ef8a6a6fdf1ce86a5008d72dc0d43d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-091 YM04-091.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Virgil Thomson Creator An entity primarily responsible for making the resource Gemerek, Keith Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Subject The topic of the resource Composers Thomson, Virgil, 1896- - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 96.498 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ebb13a6e53e7b2f3184f6c1989444eae.jpg 100dd1148e4f234531ea537944fd9272 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-053 YM03-053.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket at the piano with Amy Winn, flute Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Winn, Amy - Flute Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum of Fine Arts, Houston Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.113 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/11fc63a8c1a7898f6c256c09a6042f82.jpg 39adfa8f6b277eb4b28b8a47fb866609 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-042 YM04-042.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and two unidentified males, all with champagne glasses Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 119.237 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/de88394904f0893108b32bb8238d4c45.jpg e480e54cd6ef5390ca81c991bb9e2271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-017 YM03-017.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with friends in lobby of the Palace Theater, Albany, N.Y. Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 72.679 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/65a03e0e085d954fe49546eccf2c7586.jpg 835a24bced0a44d24b34b36611e6804f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-053 YM01-053.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress as Monsieur Fred in Bussotti's opera, Le Racine Creator An entity primarily responsible for making the resource Lelli & Masotti (Firm) Date A point or period of time associated with an event in the lifecycle of the resource 1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Actors Mikhashoff, Yvar - Actor Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Teatro alla scala Milan (Italy) Italy Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 63.192 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fd913583c90c0972f8622ba0fde8e072.jpg 0e012a2534c6b19c86aba0c11ba14cb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-129 YM03-129.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing before ruins at Uxmal, Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Temples -- Mexico Mikhashoff, Yvar - Piano Uxmal Site (Mexico) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 177.663 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2f4798d82feb30db51f5f5e2fdbd57bf.jpg f5558b82aa6022600010ee6900691895 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-024 YM02-024.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket, striped trousers, seated sideways at piano, in Mexico City Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 64.607 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/415e6d456e632fb0f36b926e60c94227.jpg 6aed242404f90e7a8c51a6f0d52b889b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-038 YM01-038.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, back to camera, leaning against piano Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 100.282 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/081c886033191287d28f29208adf51d4.jpg 56443e887267e51df047ac74b59e8227 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-069 YM03-069.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket (right) with Suze Leal Rehfuss and unidentified male Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Rehfuss, Suze Leal - Voice (Mezzo-soprano) Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 96.418 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/55ea44776bdc4de7626be7dab0267c75.jpg faf7eb50779fd2676e5a431470263ec4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-076 YM02-076.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt, holding ornate umbrella, sitting on stairs of temple in Bangkok, Thailand Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bangkok (Thailand) Thailand Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 393.786 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fcd93d4a2e8bd62802f48d044384cf34.jpg 1db3d1a453662295bcfea1fd2a24f7ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-128 YM03-128.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff on the stairs of the Temple of the Magician, Uxmal, Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Temples -- Mexico Pyramids -- Mexico Mikhashoff, Yvar - Piano Uxmal Site (Mexico) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 138.377 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/58ee45c6460c669b40f5ce3c51902d56.jpg 974fa25fcbe2a4083158ddf514660e6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-179 YM03-179.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff blowing out candles on birthday cake with unidentified male Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 79.318 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ce5552d99ccb6e15a0e8f7d5c110f91a.jpg 66ad3569f4bb36646a3f89f657e01164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-075 YM03-075.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with Isabelle Ganz in Israel Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 116.343 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2651949790f9d945f0e85cbadff9f43c.jpg 00339adcd283d44a844c793bb1ccaa0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-058 YM03-058.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano onstage with Benjamin Hudson, violin Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Violinists Mikhashoff, Yvar - Piano Hudson, Benjamin - Violin Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 96.331 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/97383011888a48577a3711506e00a3b6.jpg 87591f5d2d0c1d05e586ccf8550ffc8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-025 YM03-025.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Topper Mackay (brother of Yvar Mikhashoff) playing guitar, seated next to his wife (white turtleneck) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1973-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Artists Mackay, Topper - Artist Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 115.821 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/590846b36d4bc75a19ade0bacf212b42.jpg 4de256710fa501c8fe48ceacf09e29c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-073 YM02-073.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 128.083 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/090c6110aabe16467c9711997daaed94.jpg a3e353e7b42bd751dd3c851e827d1d9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-051 YM01-051.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress as Monsieur Fred in Bussotti's opera, Le Racine Creator An entity primarily responsible for making the resource Lelli & Masotti (Firm) Date A point or period of time associated with an event in the lifecycle of the resource 1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Actors Mikhashoff, Yvar - Actor Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Teatro alla scala Milan (Italy) Italy Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 60.682 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/32b74bc133d4c9087dc07eb573e425f3.jpg 04d04158cba17c13cf563610a7816c26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-029 YM01-029.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white casual shirt facing towards camera Creator An entity primarily responsible for making the resource Riemens, Wim Date A point or period of time associated with an event in the lifecycle of the resource 1978 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Middelburg (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 110.52 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8cd1f05770ad10f383bf7f773f16ae6b.jpg 5f6c535a9551ca47fe1154f70c8336db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-127 YM03-127.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff on the stairs of the Temple of the Magician, Uxmal, Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Temples -- Mexico Pyramids -- Mexico Mikhashoff, Yvar - Piano Uxmal Site (Mexico) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 155.154 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/dcd134109ff5f0f31e77dde6443fb887.jpg 2e92caf90c82bc71822fa95463df49bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-003 YM04-003.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Elliott Carter, Michael McCandless, and Henry Brant Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1982 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Description An account of the resource Mikhashoff and McCandless playing through Conlon Nancarrow's Sonatina for piano, 4-hands for the first time Black and White Subject The topic of the resource Pianists Composers Nancarrow, Conlon, 1912- -- Performances Mikhashoff, Yvar - Piano Carter, Elliott, 1908- - Composer Brant, Henry, 1913- - Composer McCandless, Michael, 1957-1993 - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Queekhoven Breukelen (Utrecht, Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 86.848 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/605e327cd5bec8ceedae4f910f92c139.jpg e4cc79ec63e3ac03b6b9e8c520bd11cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-063 YM03-063.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket onstage with Heinz Rehfuss Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Male singers Mikhashoff, Yvar - Piano Rehfuss, Heinz - Voice (Bass) Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.821 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cdb91c37c9e0b0c7fa42a46fc720e368.jpg 39c4747c9fea19f7175eb7a542d30034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-099 YM04-099.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing at piano with unidentified string trio on stage Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Description An account of the resource Could this be members of the Arditti Quartet, Irvine Arditti, Levine Andrade, and Rohan de Saram? Black and White Subject The topic of the resource Pianists Musicians Mikhashoff, Yvar - Piano Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 103.231 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e0a0597c72b19ccb5e76b9db9bcd2e1c.jpg 3de4ef13b6ee235699a25983296193d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-044 YM01-044.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress, at side of piano facing camera Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 76.501 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1c44722d2a32c2a37bef972bfc3a9455.jpg d206a8aa2d16c3530974739b651c6c37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-041 YM02-041.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing behind upright piano, contact sheet Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1992 Type The nature or genre of the resource Contact sheets -- 1990-2000 Portrait photographs -- 1990-2000 Image Still image Description An account of the resource Accompanied by letter from The Independent newspaper, London, England, 2/7/92 Black and White Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 592.138 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c3bc499aa9fd298e36480855a1cc4a8f.jpg 569085bf094dcc56bf078274e577c91d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-066 YM03-066.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress at table with four unidentified people Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 114.319 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/dda07bf8852aede15e1c845dbcb4f4d4.jpg b316d818e56911d8f5fd5d4be1dd5f46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-044 YM03-044.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Isabelle Ganz, Joseph Rothstein, and Candice Channing Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints Group portraits Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Channing, Candice - Flute Rothstein, Joseph - Narrator Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 136.379 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3d7282923a66ff2d10a87bb97542da13.jpg 5bafac537cb192e23332aa45ecb2a9ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-057 YM04-057.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource David Felder, composer, outside Albright-Knox Art Gallery Creator An entity primarily responsible for making the resource Loonan, Tom Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Composers Felder, David - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albright-Knox Art Gallery Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 99.048 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a545032ca3a5d6cacc7d1fdff5249241.jpg edb482eb8c87c9c087d50abcde4e35c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-055 YM02-055.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with New York City skyline in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 112.456 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e41e519f37ecf9143c565e217b0fc7b1.jpg c04f65d036692f4e79da1fcdc0b7ced6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-054 YM01-054.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing on staircase outside building Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lerchenberg (Denmark) Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.962 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/7ba4221edad5e0203b8174318a9a1573.jpg df9732c8db0e4aa5f0050c21e96b473a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-026 YM02-026.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie, seated at piano with eyeglasses propped on forehead, in Mexico City Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 57.472 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a78917a6c8006ee75fe85a4517e820b8.jpg 7d35262d2819a905cbee4f369213a8f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-097 YM04-097.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with five unidentified males on stage Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Subject The topic of the resource Pianists Musicians Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 103.164 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1636870b10929dfed916cb193b149d8b.jpg 547497c7e2c5da2eeffeacbf185d9d7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-027 YM02-027.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie, performing at piano in home studio Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1989 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 108.502 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5c56751180287d81e6aa6c427caa60c6.jpg 18bdf9182ea06383f0fa2b6948e5e209 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-066 YM04-066.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano (background) with Halina Moretti Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource In performance of Sylvano Bussotti's Pianobar pour Phedré Black and White Subject The topic of the resource Pianists Actresses Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Moretti, Halina - Actress Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 59.802 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3ac1412a0e09cef30640eaea1d8e1b5f.jpg 4939136e20ae1aede2aa27ab54a411ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-013 YM04-013.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket and white scarf, with Michael McCandless and two unidentified people outside Chi-Chi's restaurant Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1983 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Musicians Mikhashoff, Yvar - Piano McCandless, Michael, 1957-1993 - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 86.226 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9229e95c291823d49964d5d4a277038e.jpg f9fefcd8be0ba3611faa4e1e7f4a3817 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-009 YM03-009.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing on staircase with rotunda in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1968-10 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Czechoslovakia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 190.611 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d82a2e25d243282c84a7938ccf110251.jpg 4d801319e6653e4eb21eb5e48ea57763 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-060 YM02-060.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing before flower garden in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 167.876 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bb4855c0ba9a4868342a94cc3d8c2d62.jpg 7baadc808a3a905c5908779d34717083 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-009 YM04-009.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress with Frances-Marie Uitti and unidentified male Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Group portraits Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hellerup (Denmark) Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 113.631 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9f2c0625775f6e0c244aac22a4a3c2fd.jpg 76a9787542dcf63b0ef883fe44925110 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-111 YM03-111.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Camel in foreground with the Sphinx and Pyramid in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Jizah (Egypt) -- Buildings, structures, etc. Great Sphinx (Egypt) - Great Pyramid (Egypt) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jizah (Egypt) Egypt Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 112.408 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b6aa4761fe7ac663bd2e451812605889.jpg 80136f367bd8212b7f89347ff39d4e39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-041 YM04-041.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and two unidentified females Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.332 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ea56f27a1f0dc2f520fd896eacce76e1.jpg fea55e4efb427aebc5fa3ef2f611d3cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-007 YM04-007.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress with Richard Trythall Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Trythall, Richard - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hellerup (Denmark) Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 94.964 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/20/2009 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c791dc4e16e5082b55e9f787e4657cb8.jpg 0258ea2a1a0365061807ff961ebb5be5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-088 YM04-088.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano with ensemble Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Musical groups Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 134.876 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a4bf06b892051157f78e941da4df4821.jpg 9a7054d7cfde9e8d8f2efb54a14420db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-046 YM02-046.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket seated on stone bench next to flower pot in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.559 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/85d2eeaa8433bbc742961b0359192c56.jpg 42cad8ff5e263c3489c6d5836070ed90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-020 YM02-020.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket, striped trousers, seated with hand beneath chin, in Mexico City Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 55.112 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ad6e09008c7d03ffec171a1058fb4df2.jpg cf7fa3b65bfbbfc5c12da76475e2ebab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-059 YM03-059.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit at piano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 99.336 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/abee17426abc0774141e668f2213a712.jpg ec270d39c13b56c56094f0f16c51b753 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-087 YM04-087.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at electric keyboard with ensemble Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Musical groups Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 88.297 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a49af89f7f4ed3ad27adba386d3a2e6f.jpg d8b9395615342778c64cb544d4b0485c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-078 YM03-078.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with camel in Israel Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 108.069 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f6119d62d61b832b5ac637d357edb650.jpg 22d7de945006653644c85a7681dd90c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-023 YM01-023.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at desk in home studio Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 101.196 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/97f5d79ae94ce58467fd9b87470e9c70.jpg 14549729cf3610632a3a00c194cbc309 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-063 YM02-063.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to bunting with water in background in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 94.283 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cf52451970ebc6a15429e35e8ecb0cb7.jpg 6111dc55997d7f524cbb609eed70445d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-012 YM01-012.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in striped shirt and tie, at piano with score of Richard Strauss's Sechs Lieder Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1973-05 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 73.831 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/4d83eddc21435b9ac769187609118333.jpg 9b4e08a3e54297a8b8aa5d59c2fb2cc4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-114 YM03-114.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff on horse with Great Pyramid in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Jizah (Egypt) -- Buildings, structures, etc. Mikhashoff, Yvar - Piano Great Pyramid (Egypt) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jizah (Egypt) Egypt Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 91.703 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bd23de0ce34d686bb485a792bbd7d4a4.jpg 6def7d983d60448109b6b6d67666e8e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-056 YM03-056.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano on darkened stage Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 76.632 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/51fea5e603c6f1bc88e31e205b0210ca.jpg dde13c84c229f3013186460b023b1bd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-135 YM03-135.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing on beach between two buildings in San Pedro (Belize?) Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Pedro (Belize) Belize Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 131.82 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/29a8087d7a203cfdf1b9c464d2f58ca2.jpg 5e69c096ee95ca8ae80aebd82d5f308a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-022 YM03-022.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress in green room at Palace Theater, Albany, N.Y. Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 110.53 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/00f500cfd61c2c4cee7608f6470661ed.jpg f3fbc480952c2bfa5193c923a5ed765d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-052 YM02-052.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with Statue of Liberty in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 87.17 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f4b1af053be014ffe6114c536a0e9f6d.jpg f9064c237fb87c81715afb1d2ea1b9f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-104 YM03-104.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, kneeling on piano strings, Yvar Mikhashoff at keyboard Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano Bussotti Black and White Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Pianists Kirkpatrick, William, dancer - Dancer Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 71.08 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1e714886f9a81f482b749c917fa4fdba.jpg f1c2f1a132f3b4f9faf5d584f18f40ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-113 YM03-113.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff on horse with Great Pyramid in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Jizah (Egypt) -- Buildings, structures, etc. Mikhashoff, Yvar - Piano Great Pyramid (Egypt) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jizah (Egypt) Egypt Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.438 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1466b6b2ddff61e1640b92a2835ef5cc.jpg 8f3b07d0693315160e7d8a1ecb8255ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-008 YM02-008.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket at piano during performance, contact sheet Creator An entity primarily responsible for making the resource Faltin, Annette Type The nature or genre of the resource Contact sheets -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oslo (Denmark) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 147.895 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fd3fee3b4008b751d108a486ff44f5d5.jpg fb22a3a099c7ae2b41de5c58d905c6bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-112 YM03-112.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing with Great Pyramid in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Jizah (Egypt) -- Buildings, structures, etc. Mikhashoff, Yvar - Piano Great Pyramid (Egypt) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jizah (Egypt) Egypt Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 84.168 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/6aca629d0d8385407ac2bd8489393934.jpg bee32f16767356dfcfd6fd6706b2daa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-176 YM03-176.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and unidentified male Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1981-03 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.626 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/df3f53c1607555d101cdd8662f481f8a.jpg 89a903d563f3eeb10da4e9211c1f80fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-002 YM03-002.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource John Cage Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1950-1960 Portrait photographs -- 1950-1960 Image Still image Description An account of the resource John Cage circa 1960 Black and White Subject The topic of the resource Composers Cage, John - Composer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 26.095 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bc2ee24147ca128d31e617c3fe5eb26b.jpg 108bb3010a0607bb0b1a1ce474dd2356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-062 YM04-062.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Pierre-Yves Artaud, flute Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Possibly at Almeida Theatre, London, England, June 1986 Black and White Subject The topic of the resource Pianists Flutists Mikhashoff, Yvar - Piano Artaud, Pierre-Yves - Flute Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 75.013 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/075fc17808399dae8a437a725d976205.jpg fccee90e05f163e8d56e8889e025345d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-015 YM04-015.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff (left) at table with three unidentified people Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 110.571 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/38cfe4bfdb978bfeb3c2707af56ce694.jpg 467e13f2a87aa8d247fbe5932fc83d9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-002 YM02-002.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie, seated at piano, turned to his right to face camera Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 109.957 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cb99b7a87216155727b643da48df6bbe.jpg 35b28a5b2195d4d3aa07b9c6fea46a59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-101 YM03-101.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, onstage in front of projected image of a page from Sylvano Bussotti score Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano Bussotti Black and White Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 86.003 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d654cf416e46e3471cf71e2ded293982.jpg 707509cfd4bf254b417562886105fe73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-061 YM04-061.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Pierre-Yves Artaud, flute Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Possibly at Almeida Theatre, London, England, June 1986 Black and White Subject The topic of the resource Pianists Flutists Mikhashoff, Yvar - Piano Artaud, Pierre-Yves - Flute Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 65.015 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5d7b9910866d6909588ac30d80cfb962.jpg 30c6669bc8958da0e81e8387ead7eae9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-002 YM04-002.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Elliott Carter, Michael McCandless, and Henry Brant Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1982 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Description An account of the resource Mikhashoff and McCandless playing through Conlon Nancarrow's Sonatina for piano, 4-hands for the first time Black and White Subject The topic of the resource Pianists Composers Nancarrow, Conlon, 1912- -- Performances Mikhashoff, Yvar - Piano Carter, Elliott, 1908- - Composer Brant, Henry, 1913- - Composer McCandless, Michael, 1957-1993 - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Queekhoven Breukelen (Utrecht, Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 86.239 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b46bb439b25f1fa2f9dde28f9fbbd502.jpg 0150b17b44930cb3cf12e2824175f0fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-060 YM04-060.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Pierre-Yves Artaud, flute Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Possibly at Almeida Theatre, London, England, June 1986 Black and White Subject The topic of the resource Pianists Flutists Mikhashoff, Yvar - Piano Artaud, Pierre-Yves - Flute Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 74.132 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b1cb50655c793c15e894513a9bc61ef8.jpg 40b9106126cf0ce55c9e89756ea0e26e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-059 YM04-059.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Pierre-Yves Artuad, flute Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Possibly at Almeida Theatre, London, England, June 1986 Black and White Subject The topic of the resource Pianists Flutists Mikhashoff, Yvar - Piano Artaud, Pierre-Yves - Flute Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 68.113 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/be6eb8d73d0929093b28ef05db9eb800.jpg 9c24789b9f59cc0aa977f6dd84208cf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-018 YM04-018.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with Conlon Nancarrow and unidentified male in Nancarrow's studio in Mexico Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 118.771 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cce7c838fef2f28dde6c6fec412fb7fe.jpg 38990740e062cb33f27559c48efb25a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-159 YM03-159.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket performing at piano Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1980-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 81.304 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3762b31e393c359936879d2b37a6e869.jpg 12867a2b023cdd20e3031ce99d6f1f3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-043 YM02-043.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing on a veranda in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 267.012 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/7e521c1f23ffc43d42bbed5280d433d4.jpg 0aa7289448b09dc9f4e4cf4be8094172 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-065 YM04-065.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with Halina Moretti Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource In performance of Sylvano Bussotti's Pianobar pour Phedré Black and White Subject The topic of the resource Pianists Actresses Bussotti, Sylvano -- Performances Mikhashoff, Yvar - Piano Moretti, Halina - Actress Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.671 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d6207e0367f3a6f1ea8d03f06f7086e9.jpg 3feddff67604924a6c78533e43b27c50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-126 YM03-126.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket standing on beach in Israel Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 142.818 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/440d808a694ddbd6fb30214276e55bd4.jpg 96f5a195c6694d61ed892b33ab860565 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-014 YM01-014.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress, outside, full figure Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1973-05 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 158.799 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/525d473f21ccd38b47bf9abebd57db18.jpg 76c1320a21b9185013c30a3f75bdd026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-123 YM03-123.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red sweater in Israel or Jordan Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 155.39 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f51798824709a843b76f56eebbfb8a75.jpg 5bbde7b0a2f5833222e7eced8f1014b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-021 YM04-021.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Conlon Nancarrow in Nancarrow's Mexico City apartment Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 55.46 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0f6bdffa23e5476d76aef2228d3afad8.jpg 85e9c95c520a5a46c2c53e847bbb4173 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-069 YM02-069.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 135.186 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/149e238aff24509611587cce6b643471.jpg cc9957b4623d2da57b5aea9302911bf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-031 YM03-031.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with Barbara Bond, soprano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Bond, Barbara, soprano - Voice (Soprano) Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.381 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2b3a5adc3debdd642ca200b028fa0f83.jpg ae79ae396ec72736d641a94d9acb7cf2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-034 YM03-034.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff (right) with two unidentified males Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.691 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d679a360a64ecce256c212c86d7728fa.jpg 56df06bef06b146d038845e027a168c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-049 YM03-049.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red shirt taking bow, onstage with Amy Winn, flute, Isabelle Ganz, vocalist, Wayne Crouse, viola, Richard Brown (partial), and Ira Black, at far left Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Winn, Amy - Flute Ganz, Isabelle - Voice (Mezzo-soprano) Crouse, Wayne - Viola Black, Ira - Narrator Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum of Fine Arts, Houston Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 115.114 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/893b489cbf6a35258b478ef42ebd7639.jpg 6d2ab0d07fccb7857bf962073fc04118 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-020 YM01-020.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at keyboard in home studio Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 114.625 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fe63087435401e189733539cbd316e5b.jpg 03152987326e3b0b38ac331e738ed472 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-018 YM03-018.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with friends in lobby of the Palace Theater, Albany, N.Y. Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 68.96 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/18cacfce9fc0db50cf30181f8d1fc02c.jpg beaa450d7cdfc237bd1f98caa87af046 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-120 YM03-120.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with two unidentified friends in Czechoslovakia Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 183.892 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fd2bb71874c3f01f7749a09e893f23ed.jpg 3fdee37c1ffdd1c0e0faf2fb33d39e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-138 YM03-138.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Leo Smit and unidentified woman in white turban and boa Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Dancers Composers Smit, Leo, 1921- - Composer Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 71.04 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b7e8682b2636df1dc0cb6d2a95ee5515.jpg 58e310da6a830ed3ec3e90995ef76cde Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-009 YM01-009.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in late teens Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1960-1970 Portrait photographs -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 88.661 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e0083eba25f31ee1e40e07c6fd1808bc.jpg ee8a45f4cd53dfcc64bfdf6cff79e535 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-047 YM04-047.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and his cousin Davia Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 154.856 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ab0c811c47afd51b42259e6250a3b955.jpg 51acff63e568d6949228d6bfb1f741cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-005 YM03-005.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie, seated at table with unidentified man, doublebass in background Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 93.629 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. 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