484 100 60591 https://digital.lib.buffalo.edu/files/original/04884dd0ce3f1425b1a6a5186be9f98a.jpg 777c3d3a1b15190f91de551a96553916 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-100 YM04-100.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing with unidentified male Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 146.413 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e92c6ba17bfe7a36243b2e7b7bdc3cab.jpg b896a4d8e2a93a7350688dab6618a580 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-035 YM02-035.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and tie in front of blackboard in classroom Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 87.541 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/945182116b57db43a0bd54f749fc32ec.jpg 0bcd24a2e4f0007ec67717dc913231fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-137 YM03-137.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress dancing with unidentified woman in white turban and boa Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Dancers Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 77.598 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/62db1187ef0c217ffab60c2830a3cf7f.jpg 1a304f94e1907313677db03760dcea0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-136 YM03-136.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress dancing with unidentified woman in white turban and boa Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Dancers Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 62.573 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/01ad78ddb335699573d38758728554a2.jpg 42ebe341f0837e0dc96a1ed755c5dd06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-117 YM03-117.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Horses with cliff dwellings of Petra, Jordan in background Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Jordan -- Antiquities Cliff dwellings -- Jordan Petra (Extinct City) - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Jordan Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 157.424 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/31be6b9197bbe7459ea7587ba9106429.jpg 298aca536478587ca76d2811a999b6c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-065 YM03-065.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket taking bow with unidentified female vocalist Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 98.992 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d3caca68b64aba4a266614cca20108aa.jpg 96aa2fb68f61d365e15b0325c5b9859e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-090 YM03-090.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Paul Schmidt? and Joan Collopy Date A point or period of time associated with an event in the lifecycle of the resource 6/22/1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Subject The topic of the resource Actors Actresses Schmidt, Paul, 1934- - Actor Collopy, Joan - Actress Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 70.71 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/53521b8b2c37ec912c86b66a2dde580a.jpg 5edc7e0aac55a3316a19aa4f150f1c05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-021 YM03-021.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing at the piano onstage with the Albany Symphony Orchestra Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1971-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palace Theater (Albany, N.Y.) Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 80.16 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0d615f520d52ffd1ec350da4b72213d3.jpg e370600dd46d8e96da57db84444fd5f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-054 YM02-054.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with New York City skyline in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 129.946 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/03219c8bac7f72edb0bb97c4a7db14e9.jpg 03d93e3b82504c271e53c113ffdeb25c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-032 YM01-032.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black leather jacket, facing camera Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 107.859 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0e57448cad7f78e5654bea57f4e60eeb.jpg b1ff8991782cada9e2e225ca701de73b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-162 YM03-162.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket speaking into microphone while seated at piano Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1980-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.375 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1bfe85fc8c6fd6c8bd859054ed4478e4.jpg f4e8dc54555927e01a7ce2d96f53fcf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-105 YM04-105.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and John Cage sitting on stools Creator An entity primarily responsible for making the resource Gemerek, Keith Type The nature or genre of the resource Photographic prints Image Still image Description An account of the resource Promotional card for April 18, 1991 performance of Cage's Europera 5 at the North American New Music Festival in Buffalo, New York Black and White Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Cage, John - Composer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 101.874 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b4a18ce8c6c5776d43db31e2e3c95e78.jpg 10900aba3adca79bee7222896cec44ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-155 YM03-155.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff seated at piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 58.407 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bc58fd2410fa3466b593383e2788f6a9.jpg 73d52437725c65b8a3bab7de24c6c2a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-081 YM04-081.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Aki Takahashi performing at two pianos Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Takahashi, Aki, 1944- - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 143.262 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/4d63c9de138d91de336f6f50c99823c8.jpg 5082b39984649560e817d6a368b79d20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-107 YM03-107.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer, onstage with beanbag cushion Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano Bussotti Black and White Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 33.773 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/6ccdd89a2107cc2b4eaa3593ed8acb77.jpg 15f0b5e8a8b48b886ff34a1934ca3bbd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-095 YM04-095.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at dinner with unidentified Asian friends Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 142.7 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/4a43d5415793f65ed4d46da2f4ee5680.jpg 50f694c6a829a84df0aa1ead9140b0f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-104 YM04-104.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing on strings of piano and John Cage Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Image Still image Description An account of the resource Used for advertisement card for June 1990 performances of Cage's Europeras 3 and 4 at Hebbel Theater, Berlin, Germany Black and White Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Cage, John - Composer Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 132.385 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/023b217ff613361eab832e6a5976d008.jpg ff588e68eb1df618b89e382c07a6d37e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-066 YM02-066.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 139.159 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e9dfff516f7d6a14f6069a5a7d30b387.jpg dcb9cef4551397555d82ffbd3c1a315f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-097 YM03-097.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frances-Marie Uitti Creator An entity primarily responsible for making the resource Riemens, Wim Date A point or period of time associated with an event in the lifecycle of the resource 6/30/1978 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Middelburg (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 99.622 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/98cd46b96fc7e6528e12b7ecd458ea8f.jpg 6637b1ac9c5450c7b06040f9457ebc35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-132 YM03-132.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at table in Hotel Genève, Mexico City Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 170 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f98828662c482ce015690644a8c9a991.jpg cd1fd457ef25c6524363d798d25bfe26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-078 YM04-078.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Aki Takahashi performing at two pianos Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Takahashi, Aki, 1944- - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 111.01 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/550e72e014d7d8d8a5d5f18fb84d8ab0.jpg f9123404638765897497e03187cb6948 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-093 YM04-093.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing behind seated Virgil Thomson, with Lawrence Brose holding camera in foreground Creator An entity primarily responsible for making the resource Gemerek, Keith Type The nature or genre of the resource Photographic prints Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Thomson, Virgil, 1896- - Composer Brose, Lawrence F. - Filmmaker Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 113.572 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/886c66c064ead383e410eec06ce02d21.jpg d0042643963c92558be4bcbd4ae0fe07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-011 YM03-011.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of flower bed in Czechoslovakia Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1968-10 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Czechoslovakia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 174.926 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ed46f9ee68c90e2f5fd64599e48f520a.jpg e27535c074116a689ddbc1d9a8708864 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-048 YM02-048.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket seated on stone bench next to flower pot in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 162.642 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9f073f5892b190532e6559a484fd813d.jpg 135637a2de6a3ac3a608fe197aa213ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-037 YM03-037.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at the piano onstage with Isabelle Ganz and Joseph Rothstein Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Rothstein, Joseph - Narrator Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 74.562 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/9a12720fecc7e92355f8fd341629da88.jpg f2eb2bb17e0e0bcf66ea9adb875d9d31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-086 YM04-086.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and T?ru Takemitsu performing at piano, 4 hands Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Takemitsu, Toru - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 87.846 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/789b10ca093e8efca7d718c2a79cb134.jpg 33a9c4f5540db07831fcac60a26245cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-001 YM04-001.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Elliott Carter, Michael McCandless (barely visible), and Henry Brant Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1982 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Description An account of the resource Mikhashoff and McCandless playing through Conlon Nancarrow's Sonatina for piano, 4-hands for the first time Black and White Subject The topic of the resource Pianists Composers Nancarrow, Conlon, 1912- -- Performances Mikhashoff, Yvar - Piano Carter, Elliott, 1908- - Composer Brant, Henry, 1913- - Composer McCandless, Michael, 1957-1993 - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Queekhoven Breukelen (Utrecht, Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 76.975 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/900a786b9442188bbabd9f1e45ffbe31.jpg c8a78ff59b57bd8b3d5431a888dbf201 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-005 YM02-005.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white jacket in front of roughly textured wall Creator An entity primarily responsible for making the resource Faltin, Annette Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oslo (Denmark) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 94.979 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/53ceb0929d377e6175014e33a8322b16.jpg 617acf7efd6726ab1b43ed87dbb94c18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-055 YM03-055.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano onstage with Isabelle Ganz, vocalist Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 82.772 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/6a51f593a88290bc9e59f1948629d7a8.jpg 29cbc246b4dfe0ec7e8bf5a3c9566e37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-149 YM03-149.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff performing at piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 78.358 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0d8c2eb6d3a1b73b47e1659faa87574c.jpg 97a27ce255ab52f3ba48c37dd446e8c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-038 YM02-038.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket with carnation in lapel at Almeida Festival Creator An entity primarily responsible for making the resource Ainslie, Sarah Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 50.026 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1b63a8b447688cafe6a4be1bd13b2da5.jpg 42e76765b82dde4cf0447ad859306f0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-040 YM03-040.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Isabelle Ganz, Candice Channing, and Joseph Rothstein taking a bow Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Channing, Candice - Flute Rothstein, Joseph - Narrator Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.332 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/134555610e71227c20bf1b54aecc3adb.jpg 895d68d677681d91d7961e94b4644ed9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-085 YM04-085.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing behind T?ru Takemitsu Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Takemitsu, Toru - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 80.975 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/7ead40a81cb5b5c1d25e900ef5154913.jpg fe689c5b5832f9c484c7e6a944b80097 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-152 YM03-152.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 69.866 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/0286c701de9ab483cbfe46fc8731453b.jpg d92fe6edee3068015a15c53125e841bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-059 YM01-059.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket and dark trousers, sitting on bale of hay at corner of W. 95th St. New York Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 106.401 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/21e3c2e4eaceab629d5eff070d48445a.jpg bbc1dd3143e941e6103b56000597b9ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-143 YM03-143.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of piano at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 62.92 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/95fc8610dd79e5e7116abd12f8c4489e.jpg a1b368b849ccaf84c0ff44f5fb032404 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-047 YM01-047.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt at piano, hands of keyboard, face in anguish Creator An entity primarily responsible for making the resource Veen, Gerda van der Date A point or period of time associated with an event in the lifecycle of the resource 1/30/1981 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Muziekcentrum Ijsbreker Amsterdam (Netherlands) Netherlands Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 67.54 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ebf7cfb532f1f7a4ec896f5050a4972a.jpg ba36f18d23c5cf8230e2bd56266c12da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-084 YM04-084.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, T?ru Takemitsu, and Oliver Knussen Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Conductors Mikhashoff, Yvar - Piano Takemitsu, Toru - Composer Knussen, Oliver - Conductor Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 110.202 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/11def5d60f674358d3a04ded0695ff13.jpg 1ae7d84831122d661758e900e52e6e28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-052 YM03-052.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket taking bow with Isabelle Ganz, vocalist and Wayne Crouse, viola Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1974-03 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Crouse, Wayne - Viola Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum of Fine Arts, Houston Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 84.068 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d33cc0e12953ce0d2097e15627b08e79.jpg 0abf9907f2be62d26b6e755eb70040ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-044 YM04-044.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in tan sweater with unidentified male Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1985-10 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 100.9 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/36696205654854c94f4eb2d7bc038019.jpg d9caaa194eac6166873cf8ce0f1e5827 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-146 YM03-146.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff seated at piano, addressing audience at Schiller College (location not specified) Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/8/1980 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 61.284 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/acf7aaec0d0eed621d9d243c7fc23c90.jpg 7f0cec1fb71a4b8811b48fc051179d00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-074 YM04-074.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and violoncellist Rohan de Saram shaking hands with composer Giacinto Scelsi Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Probably at Almeida Theatre, London, 1986 Black and White Subject The topic of the resource Pianists Composers Violoncellists Mikhashoff, Yvar - Piano Scelsi, Giacinto, 1905- - Composer Saram, Rohan de - Violoncello Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 82.626 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 4/3/2006 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/358acddd3010e2c34432bde702f59140.jpg 582ffd3371e1fd0da48f9592c2b08735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-173 YM03-173.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Aaron Copland, and Emil Mackay, Mikhashoff's father Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1981-03 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Copland, Aaron, 1900- - Composer Mackay, Emil - Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 109.866 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5a96726dfd0ea63dd0ecd1e252ba1de4.jpg 4eaceeae501ed62f7a9d1f21b9644f92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-072 YM04-072.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in conversation with Luis de Pablo at Almeida Theatre Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Pablo, Luis de - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 102.929 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5e84aa957110317efd79a6931e338ca6.jpg deb28f87872ed9e57bceb0179036247d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-043 YM01-043.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress, side view Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 75.348 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/268f8c9c3a1ccd0dfff7722b5f550af9.jpg 60e9ce987450f6ac296e21b5151daaed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-086 YM03-086.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit with Frances-Marie Uitti Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977-06 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Violoncellists Mikhashoff, Yvar - Piano Uitti, Frances-Marie - Violoncello Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 121.092 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/a0993cf2cdeee4d25fd3a58bbb358534.jpg 4c2404a067c2a8bec8b85760fd484c7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-057 YM02-057.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket aboard the Queen Elizabeth II with New York City skyline in background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 143.906 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/462fef09c4b3b2204e3a8ef37c7fd86f.jpg bbd99d0caf373e4c50c27d1f92e98ce1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-140 YM03-140.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket and red tie with unidentified friends Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 102.94 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bbb39c5125d5c26b906532845152c1cc.jpg 7b8bf47c22be9bd2b21ed1f82a7e6bf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-071 YM04-071.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with composer Luis De Pablo examining score, unidentified male at left Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Pablo, Luis de - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.495 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b906c9f46fb38118f2a0ce2141be1156.jpg 301cc4b832763708057400923443969d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-025 YM01-025.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at keyboard in home studio Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 117.669 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8c2c8e2421ee8d0b67d8d81adeef1ab3.jpg 924d7ef1a89956646cac126adcebe324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-023 YM02-023.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket, seated, holding piece of music, in Mexico City Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 66.747 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/73cf3ca33e7c6dc4b22b6d983b7715d0.jpg 6652cbd1eece3c26fb1d876b62e5c647 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-027 YM03-027.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at the piano at the Albany Institute of History and Art Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/11/1973 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 85.024 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/86883f5612f7107a5c6e96914be4c166.jpg f8348c202942a0a913f021cff2811b43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-071 YM03-071.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff playing piano in Israeli home Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.303 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/4cbd5083895f2470519880768639d6c3.jpg 0b86a8bc0ef88eab21874245af2599b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-024 YM03-024.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in formal dress in the Albany Institute of History and Art Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 3/11/1973 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.835 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b2252e2b277d590d886cc8ce64f289fb.jpg 6470bc8ee1e17cfbcf581a2cc196bfd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-016 YM02-016.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie, standing outside Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 109.854 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/56ad4d5a335d380a317ced07efb145ef.jpg be943c05f15c879792c0a6f7c401b6da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-013 YM02-013.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and light trousers performing at piano Creator An entity primarily responsible for making the resource Hauerbach, R. Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Copenhagen Denmark Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 97.321 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/851fe529399191931549a71a4de6aede.jpg 3bf81d8351cc650e9d4db68209328df2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-070 YM04-070.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at piano with composer Luis De Pablo examining score Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1986 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Pablo, Luis de - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 69.171 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/02a3ee6bbbaea6c8059f4011093c291a.jpg c079c29eef0232589d754b9c5e658f77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-040 YM01-040.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in black turtleneck, seated at piano, one hand raised Creator An entity primarily responsible for making the resource Miles, Joann Date A point or period of time associated with an event in the lifecycle of the resource 1979 Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 66.571 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/f0abec794d76e9fffa723ba5aeea7f8e.jpg 1f5244154f12a9f4dead06d022efe256 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-030 YM03-030.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff at the piano with Isabelle Ganz and Benjamin Hudson Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Group portraits -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Violinists Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Hudson, Benjamin - Violin Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Houston (Tex.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 103.527 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/812e3c7b0441d36c60993845f8d55f75.jpg b8674f04e986e391807e4e5b1cd27537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-019 YM02-019.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and tie, standing outside Albright-Knox Art Gallery, Buffalo, N.Y. Creator An entity primarily responsible for making the resource Loonan, Tom Type The nature or genre of the resource Photographic prints -- 1980-1990 Portrait photographs -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albright-Knox Art Gallery Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 74.116 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/bf62591c59db66363bf4f9cd4f512863.jpg 7c9e89408340d327720d7ef1f2643961 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-026 YM04-026.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Contact sheet with images of Yvar Mikhashoff, Nils Vigeland, Christian Eggen, and Erik Bye Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1984 Type The nature or genre of the resource Photographic prints -- 1980-1990 Contact sheets -- 1980-1990 Image Still image Description An account of the resource The occasion was a concert with the World Premiere of Niels Vigeland's Piano Concerto, as well as a piece for speaker and orchestra by Norwegian composer Geirr Tveitt, about Cleng Peerson - one of the best known personalities of American-Norwegians in the late 1800's. Information courtesy of Geir Johnson. Black and White Subject The topic of the resource Musicians Composers Vigeland, Nils -- Performances Mikhashoff, Yvar - Piano Vigeland, Nils - Composer Eggen, Christian, 1957- - Conductor Bye, Erik - Voice Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Henie-Onstad kunstsenter Høvikodden (Norway) Norway Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 741.931 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 4/24/2012 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c6acace0ec8fa30526c47acd00aa5935.jpg ad3f26a0c5824b8ffc464ff9cc493742 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-032 YM02-032.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket and light trousers standing in hotel room Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.883 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/33d8d3bbd8f72a024aa6d89d422ef3c6.jpg f99bfbeb5f8f8922f5fe7fbd40f6fa36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-010 YM02-010.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white shirt and tie performing at piano Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 82.81 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e393f7ec07222626cfd6d6c3100839b2.jpg a0d97303ace45ce1fc48bd8c98a67941 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-014 YM03-014.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff standing in front of flower bed and building in Czechoslovakia Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1968-10 Type The nature or genre of the resource Photographic prints -- 1960-1970 Snapshots -- 1960-1970 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Czechoslovakia Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 128.836 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5fa9f8776b339ce6445159dea64153c5.jpg 020bafc5ce872290f52c75e4a523f093 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-063 YM04-063.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Sylvano Bussotti in conversation at Almeida Theatre Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Bussotti, Sylvano - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.974 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ff2e9994b551080f1c50878d44b15286.jpg 9e14f1b5c60026592495d7cc17af3aac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-005 YM01-005.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff portrait, line drawing Creator An entity primarily responsible for making the resource Jacobs, Bud Date A point or period of time associated with an event in the lifecycle of the resource 4/8/1984 Type The nature or genre of the resource Drawings -- 1980-1990 Portrait drawings -- 1980-1990 Image Still image Description An account of the resource Signed: "to Yvar from Bud", presumably Bud Jacobs Black and White Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hallwalls (Museum) Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 105.373 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cbf53e3d11e196bbd009c366193d8bc4.jpg 69cdc04e12eac66a033fc4dc2a1605f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-074 YM03-074.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff with Isabelle Ganz in Israel Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 102.691 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/7a27958061748cd97374d1e1845fc30c.jpg cb1f112c9b3b1cc2ef759e3644a94bc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-016 YM01-016.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in profile at piano against black background Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints -- 1970-1980 Portrait photographs -- 1970-1980 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 49.203 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/cdd683f7958625b9873c212ab0a91a0b.jpg efefebf34b0435bcabdb6f137e0ddd05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-080 YM03-080.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1977 Type The nature or genre of the resource Photographic prints -- 1970-1980 Snapshots -- 1970-1980 Image Still image Subject The topic of the resource Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Israel Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 104.8 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Title A name given to the resource Yvar Mikhashoff in headdress in Israel Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b3bfad4df26f67648c9f322617abe20f.jpg b250d2037a640288757280f70ff16b7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-056 YM04-056.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frederic Rzewski in performance at two pianos at Almeida Theatre, with page-turners Francoise Walot and Bob Briggs (next to Mikhashoff) Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Description An account of the resource Performing or rehearsing Rzewski's Winnsboro Cotton Mill Blues Black and White Subject The topic of the resource Pianists Composers Rzewski, Frederic -- Performances Mikhashoff, Yvar - Piano Rzewski, Frederic - Composer Briggs, Bob - Walot, Francoise - Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 83.215 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/71b0892323d103dc7bb125ba56f5ce71.jpg 986879de75576594805562b9815f198e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM01-056 YM01-056.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in red jacket Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 89.071 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/64cbaa8ed63adc201701723d4583b03b.jpg b9cd8d64dfb8cd0f19c20e24c8fc3f50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-062 YM03-062.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in white suit taking bow with vocalist Isabelle Ganz Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Women singers Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Soprano) Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 98.898 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/20/2009 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/afdfd9103ca048f120a6d6a1c83f3dd8.jpg 5fec7db10e2f771765d8e855aeb47b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-024 YM04-024.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Conlon Nancarrow examining a piano roll at the Universidad Nacional de México Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Universidad Nacional de México Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 80.816 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/20bd90811c397db737b1bde95522dafc.jpg 3bd08a865b7664a3d2ce294c0e9b181e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-072 YM02-072.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing next to a wall with the ship Queen Elizabeth 2 in the background Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 122.353 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1b9c9f5b6a2e51af910489c07c5d8d13.jpg 6b16046ce64760472f7f2f83ae68ba08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-100 YM03-100.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource William Kirkpatrick, dancer Creator An entity primarily responsible for making the resource Haupt, Irene Date A point or period of time associated with an event in the lifecycle of the resource 1978-11 Type The nature or genre of the resource Photographic prints -- 1970-1980 Image Still image Description An account of the resource Rehearsal or performance of dance portion of work by Sylvano Bussotti Black and White Subject The topic of the resource Dancers Bussotti, Sylvano -- Performances Kirkpatrick, William, dancer - Dancer Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Buffalo (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 95.925 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/5e9ffe3d12290fc25c9d87b4a2e3976b.jpg 4d7b3be08d86859140dad07368dbae55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-050 YM04-050.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, John Cage, and Isabelle Ganz Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Group portraits Image Still image Subject The topic of the resource Pianists Composers Women singers Mikhashoff, Yvar - Piano Cage, John - Composer Ganz, Isabelle - Voice (Mezzo-soprano) Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 147.233 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/674504fd617a41bd3f2e23b5500399ba.jpg 667e81d4fb540def5299648c464dcdbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-055 YM04-055.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frederic Rzewski in conversation at Almeida Theatre Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Rzewski, Frederic - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.109 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/3aa9b1c93d93b13455421ff8d12b1567.jpg 03677fda10fe3112582ef44c9ac804d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM02-045 YM02-045.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff in dark jacket standing on a veranda beside large stone flower pot in Newport, Rhode Island Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1993-08 Type The nature or genre of the resource Photographic prints -- 1990-2000 Portrait photographs -- 1990-2000 Snapshots -- 1990-2000 Image Still image Subject The topic of the resource Pianists Mikhashoff, Yvar - Piano Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newport (R.I.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 141.347 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/6b99cae7487c6ae6ebb1c2e44135277f.jpg e17550d52439caca93912ec4e10643d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-092 YM04-092.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Virgil Thomson seated in his apartment Creator An entity primarily responsible for making the resource Gemerek, Keith Type The nature or genre of the resource Photographic prints Portrait photographs Image Still image Subject The topic of the resource Composers Thomson, Virgil, 1896- - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant New York (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 116.77 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/834b8c1d78599563961c2c24df388dd7.jpg 8d0864312d5cc8b39e1cebf57720aa49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-102 YM04-102.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Contact sheet with images of Yvar Mikhashoff, John Boudler, Martha Herr, Thomas Halpin, and David Kuehn Creator An entity primarily responsible for making the resource Blue Photo (Firm) Type The nature or genre of the resource Photographic prints Contact sheets Group portraits Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Boudler, John - Percussion Herr, Martha - Voice (Soprano) Halpin, Thomas - Violin Kuehn, David - Trumpet Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 494.221 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/ea2666bda95efa81319e3d93de3ed475.jpg 751b531b6d05bcf03d4ba7f3a5affc57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-046 YM03-046.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Isabelle Ganz, Candice Channing, and Joseph Rothstein Creator An entity primarily responsible for making the resource Not identified Type The nature or genre of the resource Photographic prints Group portraits Image Still image Subject The topic of the resource Musicians Mikhashoff, Yvar - Piano Ganz, Isabelle - Voice (Mezzo-soprano) Channing, Candice - Flute Rothstein, Joseph - Narrator Description An account of the resource Black and White Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 139.032 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/1d55a06bb36c47cc42d2d7d7c318f900.jpg 486dc03e58e7fea7482231cc0e005416 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-054 YM04-054.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Frederic Rzewski in conversation at Almeida Theatre Creator An entity primarily responsible for making the resource Ainslie, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 1986-06 Type The nature or genre of the resource Photographic prints -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Rzewski, Frederic - Composer Description An account of the resource Black and White Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Almeida Theatre London (England) United Kingdom Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 92.031 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 10/15/2013 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c11b9b04ac36496aa67632dea65513f8.jpg dd5c60538d77bc675c7dcefb07b4f55f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM03-174 YM03-174.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff, Aaron Copland, and unidentified male Creator An entity primarily responsible for making the resource Not identified Date A point or period of time associated with an event in the lifecycle of the resource 1981-03 Type The nature or genre of the resource Photographic prints -- 1980-1990 Snapshots -- 1980-1990 Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Copland, Aaron, 1900- - Composer Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Albany Institute of History and Art Albany (N.Y.) United States Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 112.514 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 5/12/2005 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c5400240c8cb93e64df281fa54a9f7d6.jpg 1ce30de95e663aa26205033c196e1a79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yvar Mikhashoff Photograph Collection Description An account of the resource <div> The Yvar Mikhashoff Photograph Collection contains 423 indexed images that chiefly document the professional life of pianist and composer Yvar Mikhashoff. The collection includes photographs by professional photographers such as Sarah Ainslie, Irene Haupt, Joann Miles, Annette Faltin, Lelli & Masotti, Wim Riemens, Gerda van der Veen, and Keith Gemerek. These photographs include publicity shots and images of Mikhashoff in performance or rehearsal. The snapshots in the collection provide a more casual look at Mikhashoff during his travels, performances, and with friends. The list of composers included in the collection is indicative of Mikhashoff's involvement in contemporary music in America and internationally. The composers include Aaron Copland, Virgil Thomson, Sylvano Bussotti, Henri Dutilleux, Giacinto Scelsi, Toru Takemitsu, Frederic Rzewski, Luis de Pablo, Henry Brant, John Cage, Milton Babbitt, Conlon Nancarrow, Nils Vigeland, and Poul Ruders. Yvar-Emilian Mikhashoff was born Ronald McKay in Troy near Albany, New York in 1941. He began piano studies with Betty Weir and Stanley Hummel in Albany. At the Eastman School of Music in 1959, he first took a major in composition and cello, then changed to piano studies with Armand Basile. In the 1961 academic year, he studied piano at the Juilliard School in New York City. He also had a career as a ballroom dancer from 1962-1965. In 1964 Mikhashoff entered the University of Houston for studies in piano with Albert Hirsh. He earned a B.M. in 1967 and continued with graduate study in composition with Elmer Schoettle and obtained his M.M in 1968. It was during this period that McKay adopted his grandfather's name, Mikhashoff. Receiving a Fulbright scholarship, he studied the music of the French Impressionists with Nadia Boulanger. After his return to the United States, McKay entered the University of Texas at Austin as a doctoral candidate in composition and studied with Hunter Johnson, Kent Kennan, Janet McGaughey and Karl Korte. He earned a Doctor of Musical Arts degree with a major in composition and a minor in literature in August 1973 and founded the Cambiata Soloists ensemble. In the Fall of 1973 Mikhashoff was appointed Assistant Professor at the State University of New York at Buffalo. Based in Buffalo until his death in 1993, Mikhashoff had an international performing career which led him to promote new music and American music around the world. In addition to organizing many festivals and broadcasts of new music throughout the world, Mikhashoff was one of the founders of the North American New Music Festival and its director for 11 years. He commissioned works from such notable composers as John Cage, Lukas Foss, Otto Luening, Poul Ruders, James Sellars, Christian Wolff, and many others; he edited some works of Henry Cowell, Lejaren Hiller, Conlon Nancarrow, and Virgil Thomson. He recorded on the New Albion, Mode, RCA Victor, CRI, and Spectrum record labels. Yvar Mikhashoff's support of contemporary music continues today through the Yvar Mikhashoff Trust for New Music which was created by his estate to support composers and performers of new music. Complete details about the collection can be found in the <a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0001_5.xml">finding aid</a> for the collection. </div> Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-MUS005 Mus. Arc. 1.5 YM04-020 YM04-020.jpg Publisher An entity responsible for making the resource available Music Library State University of New York at Buffalo Title A name given to the resource Yvar Mikhashoff and Conlon Nancarrow at the Universidad Nacional de México Creator An entity primarily responsible for making the resource Gemerek, Keith Date A point or period of time associated with an event in the lifecycle of the resource 1990 Type The nature or genre of the resource Photographic prints Snapshots Image Still image Subject The topic of the resource Pianists Composers Mikhashoff, Yvar - Piano Nancarrow, Conlon, 1912- - Composer Description An account of the resource Color Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Universidad Nacional de México Mexico City (Mexico) Mexico Contributor An entity responsible for making contributions to the resource Mikhashoff, Yvar Extent The size or duration of the resource. 90.044 kb Date Created Date of creation of the resource. 5/12/2005 Date Modified Date on which the resource was changed. 1/28/2010 Rights Information about rights held in and over the resource <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/b06e528564f7ca5c85a8f0bf43464d9b.jpg f49179ef3d00b5d0e7388ffe34ee3edc https://digital.lib.buffalo.edu/files/original/e030412635ebb7dcbb09c48d392a24e9.txt 8fa3accd1beb393fb0d7c5a5f24680ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Sound A resource whose content is primarily intended to be rendered as audio. Video URL This is the Streaming Video URL http://libweb1.lib.buffalo.edu/video/omeka?id=121 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2014 Victor E. Reichert Robert Frost Event: A Lecture by Robert Daly Identifier An unambiguous reference to the resource within a given context lib-pc006-Robert-Daly-Frost-lecture-04-01-14 Description An account of the resource These remarks were recorded by Poetry Collection Associate Curator James Maynard during the inaugural Victor E. Reichert Robert Frost event on April 1, 2014 in the Poetry Collection, 420 Capen Hall. Poetry Collection Curator Michael Basinski introduces Jonathan Reichert, UB Professor Emeritus, Physics, who introduces Robert Daly, SUNY Distinguished Teaching Professor of English. Daly then presents a lecture titled “Our ‘Need of Being Versed’: Frost, Virgil, and the Uses of Poetry,” followed by a brief question and answer period. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2014-04-02 Type The nature or genre of the resource Sound Date A point or period of time associated with an event in the lifecycle of the resource 2014-04-01 Creator An entity primarily responsible for making the resource Daly, Robert Format The file format, physical medium, or dimensions of the resource audio/mp3 Language A language of the resource eng Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc006-Robert-Daly-Frost-lecture-04-01-14.mp3 https://digital.lib.buffalo.edu/files/original/76788215c468d45f4cd8f156c721b7af.jpg f49179ef3d00b5d0e7388ffe34ee3edc https://digital.lib.buffalo.edu/files/original/e6bd0465779dbb5126f199efcfa41e5c.txt 730ab45b234d76c95c71a07b121ae8a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Sound A resource whose content is primarily intended to be rendered as audio. Video URL This is the Streaming Video URL http://libweb1.lib.buffalo.edu/video/omeka?id=120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Remarks During the Opening Reception for the Victor E. Reichert Robert Frost Exhibition Identifier An unambiguous reference to the resource within a given context lib-pc006-reichert-frost-reception-01-31-13 Description An account of the resource These remarks were recorded by Poetry Collection Associate Curator James Maynard during the opening reception for the Victor E. Reichert Robert Frost Exhibition on January 31, 2013, in the UB Kaveeshwar Gallery, 501 Capen Hall. Poetry Collection Curator Michael Basinski thanks and introduces Jonathan Reichert, who discusses his father Victor E. Reichert’s relationship with Frost as well as his own memories of Robert Frost and why he chose to donate the Reichert Frost Collection to the Poetry Collection. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-03-22 Type The nature or genre of the resource Sound Date A point or period of time associated with an event in the lifecycle of the resource 2013-01-31 Creator An entity primarily responsible for making the resource Reichert, Robert Contributor An entity responsible for making contributions to the resource Basinski, Michael Format The file format, physical medium, or dimensions of the resource audio/mp3 Language A language of the resource eng Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc006-reichert-frost-reception-01-31-13.mp3 https://digital.lib.buffalo.edu/files/original/96049d01f6b20482009a3a6d0eca3c54.jpg 0a5bc97ff912635fd01b0ca234f968ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people in academic gowns during a ceremony, two shaking hands while another looks on smiling. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Receiving Honorary Degree with Dr. Walters and Dr. Barbour Identifier An unambiguous reference to the resource within a given context LIB-PC006-009 Type The nature or genre of the resource Image Description An account of the resource Robert Frost, Dr. Walters and Dr. Barbour are all dressed in academic regalia, including caps and gowns. Robert Frost, at right, shakes hands, while the other two men smile and looking toward him. A curtain or draped backdrop is visible in the background, suggesting an indoor ceremonial setting. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/e1e31aeaf493a7ebfe7760dd7678ffbc.jpg 23cabea1fc1cba9317c2b5b1bc9a1308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three people standing outdoors near chairs, one holding a notebook while talking to another. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost and Victor E. Reichert Identifier An unambiguous reference to the resource within a given context LIB-PC006-008 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost, Victor Reichert, and another individual stand outdoors on a sunny day, engaged in conversation near a few upright wooden chairs. Robert Frost, in a light-colored suit, faces Victor Reichert, who is holding an open notebook or document. A third individual stands nearby, slightly turned away. A small building and trees are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Reichert, Victor Emanuel, 1897-1990 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/c18cf62e34fcfc0ca7c36a042359af1d.jpg 7cf35b42ed3f90d150db7bc6974552de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person standing on a porch in a suit, looking into the distance while holding a folded paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-007 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost stands outdoors on a porch or veranda, dressed in a light-colored suit. He is facing to the left, looking into the distance, with one hand resting at their side and the other holding a folded paper. In the background, a grassy field, trees, and a small building are visible, with soft natural lighting suggesting daylight conditions near Middlebury College, Vermont. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/8db17c0136383709093ec0339945139c.jpg 8aa63ce9611b0974f908b60667b33da4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person standing by a staircase indoors, holding a cane or umbrella and facing slightly to the side. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-006 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940s Type The nature or genre of the resource Image Description An account of the resource Robert Frost stands indoors near the bottom of a staircase, dressed in a dark jacket, light trousers, and light-colored shoes. He is holding an object, possibly a cane or umbrella, and looking slightly to the side. A small table with a decorative plant is positioned to the left, and a framed picture or clock hangs on the wall behind them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/7ddd80f9ec5b6d8fde28a5b0d4c40ab5.jpg 507dc5e2d3fece88bc733f54b3b4f14e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Four people standing in front of a porch, dressed in jackets and engaged in conversation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost and Reginald Cook Identifier An unambiguous reference to the resource within a given context LIB-PC006-005 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Contributor An entity responsible for making contributions to the resource Reichert, Victor Emanuel 1897- Type The nature or genre of the resource Image Description An account of the resource Robert Frost, Reginald Cook, and some other individuals stand outdoors in front of a building with white siding and a covered porch supported by columns near Middlebury College, Vermont. All are dressed in formal or semi-formal attire, including jackets and ties. One person on the right holds a paper or booklet. The group appears to be conversing or posing together, with hands either in pockets or at their sides. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/fbf4668934aff6a262d1543668489d1f.jpg c666fe5b0a62dc6c9d1d5d71c832eab9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person in a plaid shirt standing by a river, pointing toward the distance. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Victor E. Reichert Identifier An unambiguous reference to the resource within a given context LIB-PC006-004 Creator An entity primarily responsible for making the resource Marks, Andrew R. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1980s Type The nature or genre of the resource Image Description An account of the resource Victor E. Reichert is wearing a plaid shirt stands outdoors beside a body of water in Ripton, VT, pointing toward something in the distance. Trees and vegetation fill the background, and the water reflects part of the surrounding landscape. He is positioned in profile, facing left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Reichert, Victor Emanuel, 1897-1990 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/819c71343de25e99278fa62958efeadd.jpg 92f9aa5ae62f3667dd76e010b722e12c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person in a plaid shirt standing outdoors near a river with trees in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Victor E. Reichert Identifier An unambiguous reference to the resource within a given context LIB-PC006-003 Creator An entity primarily responsible for making the resource Marks, Andrew R. Date A point or period of time associated with an event in the lifecycle of the resource ca. 1980s Type The nature or genre of the resource Image Description An account of the resource Victor E. Reichert wearing a plaid shirt stands outdoors near a body of water in Ripton, VT. Trees and vegetation line the background, and part of a vehicle is visible at the edge of the frame. The person is positioned slightly off-center, facing forward. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Reichert, Victor Emanuel, 1897-1990 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/d42227b41b3e5e2771231e88a495474a.jpg ffb45d748c428aa62a6aac8bca124694 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in suits talking closely, one listening while the other speaks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost and Dr. Nelson Glueck, President of Hebrew Union College Identifier An unambiguous reference to the resource within a given context LIB-PC006-025 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1960 Type The nature or genre of the resource Image Description An account of the resource Robert Frost and Dr. Nelson Glueckare are positioned closely together, engaged in conversation. Robert Frost is wearing a suit and patterned tie, while Nelson Glueck has shorter dark hair and is turned slightly toward Frost, speaking. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Glueck, Nelson, 1900-1972 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/0117eeac825503acc3410026589dcf60.jpg 2a4d06b67258f155f92d7cea20a55f30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person standing outdoors in a suit with trees and a bench in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-024 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost stands outdoors on a grassy area surrounded by trees and foliage in Ripton, VT. Frost is wearing a light-colored shirt and trousers with a darker jacket. A wooden bench or garden structure is visible in the background under natural daylight. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/a1d27b528468a6d39b1ce109680e7e7b.jpg 9cb65fe682f320ee6a279da9d6442fe4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person in a suit standing outdoors beside bushes and facing to the left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-023 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost stands outdoors in a grassy area beside a dense bush in Ripton, VT. He is dressed in a suit and facing to the left, with a landscape of open fields and trees visible in the background. The lighting suggests a clear day. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/a4ff4440851dedf1a18309e367b8aa90.jpg 516ba49ce575473ea3515d15ded5a99d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person in a suit sitting on a large wooden bench outdoors with trees in the background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-022 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost is dressed in a suit sits on a large wooden bench outdoors with one leg crossed over the other in Ripton, VT. Trees and a walkway are visible in the background, suggesting a park or shaded area. He faces slightly toward the camera, with hands resting on the bench. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/990a922d82ca06f97556d4f2bf27e905.jpg 30f6f2765173285afb3ef25d6a32c63d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people standing on a porch, one in a suit and the other in light clothing, talking together. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost and an unidentified man Identifier An unambiguous reference to the resource within a given context LIB-PC006-021 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost and another individual stand on a porch or veranda, facing each other in conversation in Ripton, VT. One is dressed in a suit, while the other wears light-colored clothing. Chairs and a few other figures are visible in the background, along with plants and parts of the porch structure. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/d7b1ff0a2a1f9e06977818479e8f6db1.jpg 6ed4ccacd097870ebfe366cebcb28947 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Person in a suit sitting outdoors in a chair surrounded by trees and vegetation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-020 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource Robert Frost sits outdoors in a chair with legs crossed, wearing a suit and facing the camera in Ripton, VT. The setting includes dense vegetation and trees in the background, with a wicker chair and another object nearby. The scene is well lit, suggesting it is taken during the daytime. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg https://digital.lib.buffalo.edu/files/original/ed35f98607d0f8b11643fc3f4f898b80.jpg e8af81e439b1c3d3ad29c4fbd50364d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of a person in a suit facing slightly to the left. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Victor E. Reichert Robert Frost Collection Description An account of the resource Victor E. Reichert (1897-1990) was rabbi of the Rockdale Avenue Temple in Cincinnati, Ohio, from 1938 to 1962 and shared a long friendship with the American poet Robert Frost (1874-1963). In 1946 Reichert invited Frost to present a sermon, and in 1960 he was instrumental in awarding Frost an honorary Doctorate at Hebrew Union College-Jewish Institute of Religion. Victor Reichert was an avid Frost collector, and his collection passed to his son Dr. Jonathan Reichert, Professor Emeritus from the UB Department of Physics, who donated it to the Poetry Collection. The Reichert Frost Collection features many signed and inscribed publications by Frost, a Frost manuscript, letters, photographs, audio recordings and ephemera, as well as many Frost-related items from other critics. Identifier An unambiguous reference to the resource within a given context LIB-PC006 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frost Identifier An unambiguous reference to the resource within a given context LIB-PC006-002 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1950s Type The nature or genre of the resource Image Description An account of the resource A close-up view of Robert Frost wearing a suit and light-colored shirt. He has light hair and is facing slightly to the left, with a neutral expression. The background appears to be outdoors, showing part of a building structure in soft focus. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Subject The topic of the resource Frost, Robert, 1874-1963 Source A related resource from which the described resource is derived State University of New York at Buffalo. Poetry Collection Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Libraries Is Part Of A related resource in which the described resource is physically or logically included. The Victor E. Reichert Robert Frost Collection. LIB-PC006 Victor E. Reichert Robert Frost Collection. PCMS-0051 Date Created Date of creation of the resource. 2013-01-25 Format The file format, physical medium, or dimensions of the resource image/jpeg