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                    <text>Interview with Daniel Roblin, May 22, 1979
lVJ:inu te s/ counter
00/000

Childhood; parents; education; freshman year at UB;
transfer to Leheigh for metallurgy,

03/070

Wife's career: received doctorate at UB and has
taught psychology in the Medical School for eighteen
years.

05/105

Roblin's views about UB and its role in the community;
Chancellor Furnas,

08/160

UB Founda tl on.

12/240

New Campus.

15/280

Interaction between faculty and Buffalo community,

19/340

Cooperation of Foundation with alumni groups,

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                    <text>Interviewer's observations: Daniel Roblin, May 22, 1979
Mr. Roblin was courteous and gracious, but he is a
busy man and he clearly looked at the interview as an obligation to be taken care of as.quickly as possible, I
sensed that there was much more that he could have said had
he wanted, particularly about the new campus and the decision
to build it in Amherst; there was a definite suggestion of
amusement in his face and voice when we talked. about that
subject,
There was an interruption when some people came into
the room, and. then at the end when his secretary told him
about an important phone call, and he told me that he felt
we had covered the ground sufficiently,

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23918"&gt;Interviewer's Observations&lt;/a&gt;</text>
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                    <text>/
. '

Interview with Dr. Howard Post (retired Professor of'
Chemistry) by Jenny Peterzell (~tudent) on March 23, 1978.
SIDE l
003

General background on Dr. Post's childhood; admiration f'or
father. Born on Sept. 18,1896 in Syracuse, N.~. Attended
John Hopkins University , came to UB in 1923 as instructor.

051

Interest in Chemistry began when in high school, chemistry
exhibit at fair. Greatest interest; Silicon; today Dr.
Post has 45,000 abstracts and papers on that subject.
Discussion on u.s. and Soviet use of' Silicons.

094

History of' Department of' Chemistry; began in Department of'
Pharmacy, not research oriented. Later joined College of'
Arts and Sc:L.ences and became more research-oriented.

128

Facilities of Department of Chemistry adequate today, in
1969 size of' building doubled and staff expanded.

140

Reflections on Scientific thinking; the distinction between
evidence and proof.

2.16

Teaching and some particular experiences in counseling
students.

260

Dr. Post's father; professional experiences.

278

Depression years; pressure to fire taculy at UB, faculty
agreement to take cut in pay, Dr. Post's leave of' absence
to obtain doctoral degree.

322

Accomplishments and strengths of Robert Ketter, Dr. Samuel
Capen, Clifford Furnas.

354

Dr. Post's interest in meeting people of other disciplines.
Dr. Post's wife and the warm remembrances he received after
her death.

403

Extra-curricular activities of Dr. Post;. attended national
meetings of the American Chemical Society.

426

After 1940, Dr. Post narrowed interests in Chemistry to
study of' Silicon. Courees in Department of Chemistry
expanded substantially over the years; greater selection
for upper classmen.

447·:·

Change to mechanization of equipment used in making qualitative analysis; use today of spectoscopic equipment increases
costs but lowers time.

�SIDlE 1 ( cont 'd)
482

Professor Sy; former chairman of Department of Chemistry,
gave faculty members· much freedom, no interest in graduate
studies or research, prime objective to give the student
wide foundation.

505

Dr. Post's comments on the need for specialization.

539

Involvement in Methodist Home for Children; home for young
people with bad home life, not an orphanage.

586

Taught Sunday School at church in Williamsville, revised
curriculum by arranging the bible studies to include
secular history and sc~ence.

673

End of Side 1.

SIDE 2
007

Comparison between teaching high school and college
students; same approach in varying degrees. Comments on
naivete of lower-classmen.

050

Dr. Post's personal philosophy of teaching.

063

Work in Gas Defense; enrolled in army in 1918, Corps of
Enginee&gt;rs, worked on synthesizing Mustard Gas.

076

Research on Mustard Gas, studied gases used in warfare.
Not accepted in World War II so Dr. Post worked on Civil.
Defense in Erie County; trained 3000 Air Raid Wardens in
Gas defense.

111

Dangerous oversight during wartime; incident in which
two tank cars full of gas {Lucite} were left unguarded in
city of Buffalo for 36 hours.

127

Responsibilities as Gas·Defense officer; lectured, trained
on use of gas masks.

165

Dr. Post's duties as a soldier in World War I; no active
duty,stationed throughout· u.s., instructed in use of toxic
materials.

209

AttendedAml:,l.erst Civilian School in Mass. during WW II;
educated in protecting civilians against chemical warfare.

243

Appeared on tle'levision to educate public on ci viliah defense.
Wrote articles for local newspaper on same topic.

�/

SIDE 2 (cont'd)
280

Present activities include: research on Silicon for AirForce Research Center in Dayton Ohio, collect·s data and
acts as consultant. ::

314

Former work on translating staff for Chemical Abstracts,
remarks on reading Russian, Dutch and distinction between
technical language and knowing a language fluently.

343

Dutch origins of Dr. Post:t.s .family; city o.f Wageningen.

391

Current l.int$.17Etsts;. o.f Dr. Post include; music, collection
of recordings from all over the world, Would like to see
more enthusiasm for music in Buffalo area.

427

Active at present in three or four Senior Citizen groups;
Great Decisions study group is of special interest to
Dr. Post. Fond o.f history.

49'6

Past research .for government on impact of Silicon chemistry
on industrial, commercial and military life in the Soviet
Union; .five-year study.

5.46

Before retirement, Dr. Po·st advised University Christian
Fellowship.

564

Reflections on life at UB and career.

648

Comments on Soviets and their advances in teChnology,
mistrust o.f Russians~

740

End of interview.

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                    <text>Intervi~wer'

s observations:

Dr.

How~rd

Post,

3-2~-,78

Dr. Post lives with his daughter in an old 1 small wooden house in the
village of Williamsville. The community mirrors an almost rural
atmosphere and the Post's modest home would not be out-of-place in
such an area. Inside, the home has that comfortable~ lived-in look
but it is not without a unique charm. It is modestly decorgted, with
cloth covers over some of the large armchairs that fill the livingroom. A few Japanese trinkets dot the coffee table ~nd a large stereo
system~J. to which Dr. Post alludes at one point in the interview, guards
a corner of the room.
Dr. Post is of medium stature and dressed in a casual fashion, matching
his easy-going, relaxed personality. He was extremely open with the
interviewer from the moment we met; explaining the nature of his
daughter's illness and his present situation in general. Having been
retired for seventeen years he is well adjusted to retirement but
misses the companionship of his wife (who died four years ago). Dr.
Post is hard-of-hearing in one ear but otherwise expressed no complaints
about his health.
The two-hour interview brought about much pleasure for Dr •. Post. The
reminiscing elicited a sense of continuity and satisfaction for him.
In conversing after the recording Dr. Post mentioned more details
about his invalid daughter's illness, mentioned that he has penpalfi-:;
world-wide and spoke at length about the spread of Communism and the
need for the United States to take heed .. to Soviet attitudes and actions.

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                    <text>HOWARD W. POST
Howard Post carne to the University of Buffalo as
an instructor in chemistry in 1932 and remained
on the faculty until his retirement in 1968.
Dr. Post begins this interview with a brief discussion of his personal background and then goes on
to talk about the development of the chemistry
department at UB, his experiences in World War I
and his later civilian role in World War II, in
both cases stressing the subject of toxic gases
and their military application. Near the end of the
interview, Dr. Post talks about his retirement and
his more recent activities.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23921"&gt;Overview&lt;/a&gt;</text>
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                <text>University of Buffalo. Department of Chemistry--History</text>
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                <text>1978-03-22</text>
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                <text>Interview with Post conducted by Jenny Peterzell, March 23, 1978. Concerns his backgroung; chemistry department at UB; his experiences in WWII (stresses toxic gases); his retirement; and his post-retirement activities.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Howard Post carne to the University of Buffalo as an instructor in chemistry in 1932 and remained on the faculty until his retirement in 1968. Dr. Post begins this interview with a brief discussion of his personal background and then goes on to talk about the development of the chemistry department at UB, his experiences in World War I and his later civilian role in World War II, in both cases stressing the subject of toxic gases and their military application. Near the end of the interview, Dr. Post talks about his retirement and his more recent activities.</text>
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                    <text>Dr. Harriet Montague (Emeritus professor of Mathematics), interviewed by Jenny Peterzell (student)
on February 21, 1978.
SIDE 1
000

Family, background - fath~r, church organist, ancestors
immigrated to New England area in early 1600's.

027

Recollection of University of Buffalo when enrolled as
student •. Memories of Dr. Samuel P. Capen.

059

Inter.est in sports during undergraduate years; basketball, tennis, swimming,. skating. Won "Rumsey Cup."
Gymnasium, alongside Rotary Field, known as ttThe Barn."

080

Early interest in Engineering; experience as the only
girl in a sp.rveying.oourse···prank fellow student
played on her. Decision not to pursue Engineering at
end of second year; settled on Mathematics.

104

Heport card from Fall semester 1926 ;···Physics, Philosophy,
two courses inMatbmetics, German.

118

Student organizations Dr. Montague took part in when an
undergraduate; Theta Chi Sorority, · Muse and Mask ,
Cap and Gown.

133

Enrolled in .College·. off.:Arts· and Sciences - small school;
all women students knew each other. Classes held in
Hochstatter and Foster Hall. Residents of County Home
(building that is now Hayes Hall) were ignored by students.

162

Memori~s

176

Position as president of Phi Beta Kappa when faculty
member of University of Buffalo. Had Mary Capen (daughter
of.Dr. C~pen) address group.
'

185

Students attitude towards Capen differed from faculty's
admiration for Dr • .Capen. Faculty ,de~ision to:· take~ ~ut tin
salary du.ringDepression.

211

Refl:ections on being a.womari professor in a predominantly
male field. ·
·

229

Obtained Master's degree in 1929 a~d became faculty ·
Gehman (spelling?)~chairman of department
of Mathematics. Dro• Montague's absence from department
in 1935; obtained Ph.D. at Cornell University.

;of Dr.·· Samuel P. Capen.

1

member~nHarry

�I

/

7

r

SIDE 1 (cont'd)
~e·o

r\:Re:fleijt1Johs'.'on te·aching(;·~: tlime.l:t•::elasses;':tnr.early days,
more personal contact with students. Use of clo~ed
circuit television in teaching in early 1960's •. Use
of other._ audio•visual media in teaching.

280

Co-authored book with Mabel Montgomery, Pro.fessor of
Mathematics at State University College- at Buffalo;
Significance of Mathe.m:a_tics. T-aught course by same
name, for non":Matli students.
-

311

Authored book on Mathematics for Pharmacy students.
Dorothy Haas, Secretary. to Director ·of Norton Union
and person for whom Haas :n.ounge was named, typed
manuscript.·

:.::·.

320

Dr. Squire, Dean of Dental School. asked Dr.
to teach drawing course to' dental student.s.
course; short-lived. - -

341

Taught courses to dental, pharmacy, pre-medicine,
engineering,. education students and s-tudents of math._

Mont~gue

Taught

354

Summer 1957 - Summer 1970 directed Institute sponsored
_by National Sc.ience Foundation; Secondary school teachers
and students attended.

376

Promoted ISMS, Intersohool Mathematics Society; students
and teachers from Nicholf:i School, Buf'falo Seminary,
Jfenmore, Clarence and Amherst ~participated.

400

Summer Institute described.

432

Early interest in get&gt;metry. Summer job at Pierce Arrow
Motor Car; drafting experience.

463

Dr. Montague became a Presbyterian because father pl~yed
organ in predominantly Presbyterian churches; first
woman moderator of Western New York regional body of
Presbyterian churches, 1964.

504

Balance between academic and outside activities throughout her career: member of board of Christian Education.
School work and church work integrated; studied private
and public schools during sabbatical,

�}

/

/

SIDE l( cont 1 d)
566

Feelings towards Mathematics department today; .uses'
her emeritus courtesy office weekly. Other a~vity
includes Emeritus Center involvement •.

590

Work with Paul Mohn on Mechanical drawing course when
soldiers were on campus.

614

Present activities at Buffalo Zoo; enrolled in first
docent ·class, leads tours, Vice President of Docent
organization, member of Board of Directors of the
Buffalo Zoological society.

685

Recent interest in watercolor painting.

685

Comments on student agitation in the l960 1 s; not_ great
impact on department of.Mathematics.

742

Remarks on expansion ofUniversity of Buffalo after
joining the Stat~ University ~f New York system; new
research orientation, major changes.

764

Recollection of' ilJ.~.jor -change .in university after Capen
retii?ed as chancellor; entire administrative set-up
changed.

779

Erid of ftnterview.

.

.

"'.

'·.:

•

!

•

..

\

.,

•

•

. '·
J .

~

.

�Dr. Harriet Montague (Emeritus professor of Mathematics), interviewed by Jenny Peterzell (student)
on March 14, 1978.
SIDE ll?

002

Brief overview of last interview (Side 1).

008

Change in university at close of Capen era; Capen molded
University of Buffalo into a respectable school.

019

Chancellor McConnell- led University of Buffalo in an
"anxious" era; the McCarthy era.

035

Reflections on Chancellor and Mrs. Furnas~ Mr. Furnas
was energetic, had a gruff exterior which made it
difficult to get to know him. Mrs. Furnas holds office
at University of Buffalo today ~tam which she is publishing
memoirs of her late husband.

066

Mr. Robert Ketter; another Engineer who became a University
president.

083

Memories of Dr. Capen and his relationship with his family.

102

Some outstanding professors when Dr. Montague was an
undergraduate; Willard Bonner, professor of English with
an interest in pirates, Wilfred Sherk, chairman of
Mathematics department, Carlos Havrington, Engineer,
Dr. Vivian Pound, taught Mathematical Physics.

148

Following the death of Dr. Sherk, Harry Gehman served as
chairman of department, 1929-1962; much expansion.

166

Physical loca.tion of Mathematics department; faculty spread
out in many buildings for many years until landing in
P~rker engineering building.
Offices shared by faculty
of other disciplines; Dr. Montague shared office with
Olive Lester, professor of psychology.

200

Careers Dr. Montague's students. entered; mostly secondary
-school teaching in early years. Later, industry and
government and computer jobs available to M'ath majors.

218

During World War II Dr. Montague tll!ught mechanical drawing
and mathematics.

�/

'

SIDE 2 (cont'd)
224

Memories of life at University of Buffalo during World
War II when soldier (cadets) attended university; 1942
burllet·in from Alumni Board fund-raising committee.
Cadets trained in academics as well as military indoctrination, barricks and mess hall in old Norton Union
(now Harriman Library). Cadets very bright students.

290

Dr. Montague taught course in Business Arithmetic to class
at Y.w.c.A. secretarial school in 1930's; Claud Puffer,
Acting Chancellor of University of Buffalo, also taught a
course in economics at this school.

315

Another teaching challenge was a course Dr• Montague gave
on Ground-School Navigation; held in evening school in
old Townsend Hall on Niag~a Square. She had to pass examination given by Federal~viation Authority.

343

Current teaching endeavor involv,es a younger student-body;
first graders at the Buffalo zoo. Reflections on teaching
young children.

373

Mention of outstanding times in University of Buffalo
history; Capen era, War era, development of Main st.
campus, first dol'llnitory erected.

409

Impressions of Daniel Bell Leary; striking ~an, well
re'.spected in field, very striking in looks, sp~~ch and
action.

427

Memories of Nathanial Cantor; original ideas, authored
many books, interested in prison ref:oD?m.

449

Dr. Montague's teaching philosophy; rapport with students,
patience, knowledge of material.

484

Recollections of Pierce Arrow Motor Car Company; she
worked in drafting; tracing drawings in ink.

539

Mention of Walter Platt Cooke; from wealthy Buffalo family,
John Lord O'Brien, another influencial man.

568

.4-Adele Land and the Professional Unit System; comments on
advantages and disadvantages of system.

619

Cheating incident amoung Calculus students.

670

Concluding remarks on her career.

674

End of interview.

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                    <text>Interview,er' s observations:

Dr. Harriet Montae;ue.z 2-21-JS.

Dr. Montague was quite receptive to participation in the Oral History
project. Before recording she was quite concerned with establishing
a rapport with the interviewer and saw to it that we were comfortably
satiated with coffee and cake.
Dr. Montague is a short woman with dark-gray hair that sits neatlystyled atop her head. She appears to be in good health, keeps very
active and expressed no ailments. She shares her suburban home with
a long-time friend, Dr. Mabel Montgomery, a mathematics professor at
Buffalo State College. The home is spacious and though the furniture
is old and stiff-like there is an airy brightness about the house.
Perhaps this atmosphere is further created by the array of play-toys
scattered about the huge Oriental living room rug. They belong to
a tremendously fat cat by the name of Montey; whose name is derived
from Montague and Montgomery in combination. During the interview
Montey sipped from my coffee cup, crawled into a large paper bag or
chose to observe us from afar.
At one point in the interview Dr. Montague brought out a wooden box
filled with newspaper clippings, documents, pictures and other materials that she has accumulated over the years. She read from a few of
the articles during the interview.
Upon completion of side 1 of the tape the refrigerator man came with
a new refrigerator to be installed so we've decided to continue with
a second interview at a later date.

�</text>
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                    <text>HARRIET F. MONTAGUE
Harriet Montague was a professor mathematics at the

Uni~

versity of Buffalo and the State University of New York
at Buffalo from 1929-1973.

She is also an alumna of the

University, having graduated in 1927 with a bachelor's
degree, and in 1929 with a masters.
This interview was conducted in two sessions.

The first

session begins with an account of Dr. Montague's experiences as a student at the University, and of her early
years as a professor.

During this part of the interview

Dr. Montague discusses her decision to pursue mathematics
as a career and talks about several courses which she
developed as a member of the Faculty.

She also talks

about social activities at the University and her memories of Chancellor Capen.
The first session continues with a discussion of varlous
later activities, including Dr. Montague's directorship
of the National Science Foundation Summer Institute from
1957-1970, her association with the Presbyterian Church
in western New York, and her membership in the Buffalo
Zoological Society.
In the second session of this interview, Dr. Montague
discusses the administration of the University of Buffalo in greater detail, tracing the tenures of the various chancellors and commenting on the changes which
each effected in the University.

She also elaborates

on her own teaching career and discusses her memories of
several other University of Buffalo faculty members.

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                  <text>&lt;p&gt;The University Archives Oral History collection contains taped interviews with members of the University at Buffalo community, and the paper records associated with each interview. Those interviewed include administrators, alumni, faculty, staff, and UB Council members. Although covering some 25 years, the bulk of the collection consists of interviews conducted in 1978-1979. The interviews offer a wide range of topics and offers personal insight into University history by those that lived it. A majority of the interviews were conducted by part-time University Archives staff members Jenny Peterzell and Brenda Shelton. Other interviewers include then Head Archivist Shonnie Finnegan and Josephine Capuana. &lt;br /&gt;&lt;br /&gt;The Oral History Project was organized by the University Archives and University at Buffalo Emeritus Center, and was made possible through a grant from the University at Buffalo Foundation, Inc.&lt;/p&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23924"&gt;Overview&lt;/a&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23923"&gt;Interviewer's Observations&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Harriet Montague was a professor mathematics at the University of Buffalo and the State University of New York at Buffalo from 1929-1973. She is also an alumna of the University, having graduated in 1927 with a bachelor's degree, and in 1929 with a masters. This interview was conducted in two sessions. The first session begins with an account of Dr. Montague's experiences as a student at the University, and of her early years as a professor. During this part of the interview Dr. Montague discusses her decision to pursue mathematics as a career and talks about several courses which she developed as a member of the Faculty. She also talks about social activities at the University and her memories of Chancellor Capen. The first session continues with a discussion of varlous later activities, including Dr. Montague's directorship of the National Science Foundation Summer Institute from 1957-1970, her association with the Presbyterian Church in western New York, and her membership in the Buffalo Zoological Society. In the second session of this interview, Dr. Montague discusses the administration of the University of Buffalo in greater detail, tracing the tenures of the various chancellors and commenting on the changes which each effected in the University. She also elaborates on her own teaching career and discusses her memories of several other University of Buffalo faculty members.</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; Dr. Montague was quite receptive to participation in the Oral History project. Before recording she was quite concerned with establishing a rapport with the interviewer and saw to it that we were comfortably satiated with coffee and cake. Dr. Montague is a short woman with dark-gray hair that sits neatlystyled atop her head. She appears to be in good health, keeps very active and expressed no ailments. She shares her suburban home with a long-time friend, Dr. Mabel Montgomery, a mathematics professor at Buffalo State College. The home is spacious and though the furniture is old and stiff-like there is an airy brightness about the house. Perhaps this atmosphere is further created by the array of play-toys scattered about the huge Oriental living room rug. They belong to a tremendously fat cat by the name of Montey; whose name is derived from Montague and Montgomery in combination. During the interview Montey sipped from my coffee cup, crawled into a large paper bag or chose to observe us from afar. At one point in the interview Dr. Montague brought out a wooden box filled with newspaper clippings, documents, pictures and other materials that she has accumulated over the years. She read from a few of the articles during the interview. Upon completion of side 1 of the tape the refrigerator man came with a new refrigerator to be installed so we've decided to continue with a second interview at a later date.</text>
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                    <text>Dr. Paul Mohn (Emeritus Professor of Engineering),
interviewed by Jenny Peterzell (student) on 2-14-78.
SIDE

~

000

General background on Dr. Mohn; born, Sept. 21, 1901 in
Mohntown, Pa. Graduated high school in 1918. Came to
U.B. fromUniversity of Illinois in 1944.

Ql'5

Mohn family history - ancestors immigrated from Germany
in 1733; landed in Berks County, Pa. ~rea well known
for rifle building.

047

Development of Engineering Department at U.B. Early
1920's, courses in Engineering offered through Department
of Mathematics; Carlos Harrington taught.courses in twoyear pre-Engineering certificate program.

~66

Fund-rai~ing campaign which ended in the crash of 1929
described. Schoellkopf family donation to department of
Engineering discussed.

079

Mathematics Department changed to Department of Mathematics
and Engineering; headed by Dr. Gehman.

090

Early 1930's, licensing law for Engineers; four-year degree
program initia.ted with "Grandfather Clause;" allowing
persons without formal training but 15 ·years of apprentice
work to take examination and become certified.

130

1940's, courses for training people in industry for the
national defense given at U.B. Fullerton and Harrington
taught such courses.
·

160

Degree in Industrial Engineering; known as Engineering
Management.

174

Four-year degree program in Engineering graduated first class
in 1948. Harold Strauss, current advisor to alumni group.

196

Dr. Mohn 1 s childhood influences in the decision to pursue
engineering as a career; grandfather, three high school chums
and the minister's son.

233

History of Engineering department; lack of support from local
industry, lack of money.

258

Post-World War II heavy enrollment at UB; GI bill discussed.
Curriculum expanded; six-week sessions started.

�SIDE 1 (cont 1 d)
338

Faculty of Engineering Department in 1946; John Greenwood,
Herbert Fullerton, John Lean (spelling!).

389

Meeting with Architect Green and Edward Micheal, member of
University Council-and Chairman of building committee.

454

Discussion of university policy on retirement.

535

Dr. Mohn's decision to discontinue teaching.

590

Present activities of Dr. Mohn; church involvement, Mealson-Wheels.

612

Intimacy of facu~y in early days; inter-departmental
socialization.

643

Evening instruction highly developed at UB.
activity of a particular faculty member.

750

Student Engineering organization mentioned.

800

End of interview.

Scandalous

'

�</text>
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                    <text>,Interviewer's observations:

Dr. Pay.l Mohn, 2-14-_78..

Dr. Paul Mohn is a very precise, well-organized individual. His
attitude toward the interview was very sedous, yet pleasant.
Physically, he appeared in good condition with the exception of his
eyes. Large, brownish-colored rings encircled both eyes whinh were
visible when he periodically removed his glasses to wipe his eyes.
He explained that this condition was the result of a medication he's
taking.
Dr. Mohn was cordial to the interviewer but maintained a somewhat
formal distance; not initiating or wanting to converse about matters
not pertinent to the Engineering department, its growth and development. In other words, his attitude was very business-like.
Dr. Mohn is concerned with the project and wishes to schedule a
follow-up interview to dispell further information. Incidentally,
before recording Dr. Mohn htim.bly related to me that he is not a "Dr."
11 As Chancellor Capen used to say,"
he remarked, "I have an E.B,T.
degree; everything but thesis. tt He preferred to be call.ed 'mister.'

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                    <text>PAUL E. MORN
Paul Mohn came to the University of Buffalo in 1944
to assume a position in the newly-established School
of Engineering.

He retired from active teaching in

1972.
This interview focuses primarily on the development
of the engineering program at UB.

After commenting

on his own background and family history, Professor
Mohn talks about the establishment of early coursework in engineering at the

Un~versity

of Buffalo, and

its gradual extension into a full degree program.

He

goes on to talk about his own tenure at the University, discussing the makeup of the first faculty in
engineering and the pressures immediately put on the
program as a result of the influx of G.I.s returning
from World War II.

Professor Mohn also mentions his

more recent activities and his feelings about the
State University of New York at Buffalo as it is now.

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                  <text>&lt;p&gt;The University Archives Oral History collection contains taped interviews with members of the University at Buffalo community, and the paper records associated with each interview. Those interviewed include administrators, alumni, faculty, staff, and UB Council members. Although covering some 25 years, the bulk of the collection consists of interviews conducted in 1978-1979. The interviews offer a wide range of topics and offers personal insight into University history by those that lived it. A majority of the interviews were conducted by part-time University Archives staff members Jenny Peterzell and Brenda Shelton. Other interviewers include then Head Archivist Shonnie Finnegan and Josephine Capuana. &lt;br /&gt;&lt;br /&gt;The Oral History Project was organized by the University Archives and University at Buffalo Emeritus Center, and was made possible through a grant from the University at Buffalo Foundation, Inc.&lt;/p&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23927"&gt;Overview&lt;/a&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23926"&gt;Interviewer's Observations&lt;/a&gt;</text>
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              <text>Mohn, Paul E., 1901-</text>
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                <text>University of Buffalo. School of Engineering--History</text>
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                <text>University of Buffalo. Department of Mechanical Engineering--History</text>
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                <text> World War II--Effects of G.I. Bill on UB (history)</text>
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                <text>1978-02-14</text>
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                <text>Professor of engineering at UB and the State University of New York at Buffalo, 1944-1972; Chairman of the department of mechanical engineering, 1944-1967; Dean of the School of Engineering, 1946-1959. Interview with Mohn conducted by Jenny Peterzell, February 14, 1978. Concerns School of Engineering at UB.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Paul Mohn came to the University of Buffalo in 1944 to assume a position in the newly-established School of Engineering. He retired from active teaching in 1972. This interview focuses primarily on the development of the engineering program at UB. After commenting on his own background and family history, Professor Mohn talks about the establishment of early coursework in engineering at the Un~versity of Buffalo, and its gradual extension into a full degree program. He goes on to talk about his own tenure at the University, discussing the makeup of the first faculty in engineering and the pressures immediately put on the program as a result of the influx of G.I.s returning from World War II. Professor Mohn also mentions his more recent activities and his feelings about the State University of New York at Buffalo as it is now.</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; attitude toward the interview was very sedous, yet pleasant. Physically, he appeared in good condition with the exception of his eyes. Large, brownish-colored rings encircled both eyes whinh were visible when he periodically removed his glasses to wipe his eyes. He explained that this condition was the result of a medication he's taking. Dr. Mohn was cordial to the interviewer but maintained a somewhat formal distance; not initiating or wanting to converse about matters not pertinent to the Engineering department, its growth and development. In other words, his attitude was very business-like. Dr. Mohn is concerned with the project and wishes to schedule a follow-up interview to dispell further information. Incidentally, before recording Dr. Mohn humbly related to me that he is not a "Dr." "As Chancellor Capen used to say," he remarked, "I have an E.B.T. degree; everything but thesis." He preferred to be called 'mister.'</text>
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                    <text>Index; Interview with Dr, Edward F. Mimmack, December 5, 1978
I"linu tes/counter

00/000

Parents; father in first UB Dental School class of
1895; one sister a Dental school graduate, worked
with Red Cross dental unit on Indian reservation~

06/125

Education; Cap Mellon of tafayette Hi~h School;
entered UB Dental School class of 192!, first four
year class; brief period in Army,

10/206

Memories of Dental School; relation to new liberal
arts college; professors Eli Long, Dan Squire, Charles
Buell; Dental School trained Buffalo dentists; participation of dental students in athletics,

15/ 312

After graduation, joined Eighth District Dental
Society; taught at UB, mostly clinical work with UB
dental clinic; admiration for UB Medical School;
two schools worked closely together; development of
four ~uarter plan,

22/412

Gradual incr~ease in number of undergraduate years
required prior to Dental School; Mimmack's frien~ip
with Capen; his membership on the Athletic Council
resulted in disagreements with Capen.

I

Second side

00/000

~1immack'

08/160

Years as alumni representative on UB Council, 1952-62;
e.ppointed to new Council by .u.ockefeller in 1969;
comments about McConnell and Furnas; knew faculty
members, including Horton; participation of faculty
in cultural activities,

12/240

Community Advisory Council; friendship with Capen,
Furnas and now Ketter; opinions about l\'leyerson as
Chancellor; Mimmack went to one confrontation at
Hayes Hall with Meyerson,

16/315

First opposed merger but Furnas convinced him it
was inevitable; role of UB Council (which interviewer
incorrectly called alumni council); admiration for
Seymour Knox.

~tL/360

Development of Main Street campus; gift of field by
Rotarians; generosity of Cooke, Knox and Baird;
cheerleading,

s lifelong loyalty to UB; Capen Award; important role UB plays in Buffalo; Catholic hostility
to UB and reasons for it; 1920 episodes invmlving
UB-Canisius football and basketball games.

Effects of two World Wars; recent changes; move to
Amherst campus.

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                    <text>Interviewer's Observations• Dr, Edward F, Mimmack, December5, 1978
Dr. Mimmack is a friendly, relaxed person who clearly
remains interested and involved in the affairs of Buffalo
and of the University. His wife entered the living room
where we were sitting toward the end of the ~irst side of
the tape, .and I stopped it, I then asked him about the
humorous incident involving Capen to which he had referred
and he said that he thought it best not to talk about it.
He began voicing his concern over the lack of loyalty to UB
among some graduates and I started the second side in the
middle of his comments.

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                    <text>EDWARD F. MIMMACK
Edward Mimmack graduated from the University of Buffalo Dental School in 1921 and went on to establish
a dental practice in Buffalo.

From 1921-1970 Dr.

Mimmack was on the dental school faculty as well,
and from 1952-1970 he was a member of the University
of Buffalo Council.
The first half of this interview concerns Dr. Mimmack's
education at UB and his early years as a faculty
member in the dental school.

Included in this dis-

cussion are comments on how the dental school evolved
from a two year course of study directly following
high school into a four year post-graduate program,
and a description of the dental school as it was at
the time of Dr. Mimmack's graduation in 1921.

The

problem of Catholic hostility toward the University
and the University's attitude regarding athletics are
also considered.
In the second half of this interview, Dr. Mimmack concentrates on more recent University developments and
describes his position on the University Council.
The merger with the State University system and the
move to Amherst are two issues which are addressed at
length.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23930"&gt;Overview&lt;/a&gt;</text>
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                    <text>Interview with Robert Millonzi, February 20, 1979
minutes/counter
00/000

Parents, childhood; early interest in music;
education.

06/125

Started at UB as medical student; switched to liberal
arts; tutorial ~ystem; Ten Eyck Perry, Stanley Travis,
Oscar Silverman, Will Bonner.

10/210

Controversial professors: Daniel Bell Leary, Nathaniel
Cantor; comments about Capen; few facilities for
student activities.

17/312

Involvement in student government and National Student
Fede~ation of America; latter led to friendship with
Ed lVIorrow.

20/340

Few students took part in student activities: athletics
at UB; little contact between student government and
UB Councj.l; active in drama with Stanley Travis.

26/420

Entered Law School; early association with Charles
Diebold; part time professors; nature of law ~chool
and how it changed.
second side

00/000

Changes in the Law School; relationship between Law
School and Buffalo lawyers.

05/125

After graduation in 1935, Millonzi represented group
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for State Department of Agriculture until World War
II; appointed to SEC; later delegate to United Nations
Economic and Social Council; offered other posts by
Kennedy and J'ohnson; discussion of years with Kennedy
Center for the Performing Arts; served on New York
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Carey then appointed him to New York State Power
Authority,

15/300

First UB graduate to 'be Chairman of UB Council;
support for UB from Buffalo ,1 establishment;" importance of UB for Buffalo; merger.

22/400

President of Alumni Association after graduation, but
no further involvement with UB until much later;
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26/460

Memories of undergraduate days at UB; Stanley Travis,
Bonner, Silverman et al.

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                    <text>Interviewer• s observations, Hobert Millonzi, February 20, 1979

Mr. Millonzi's law firm occupies a large area in the
Western Building, and we talked in his offic~ there. In
addition to the usual law books and journals, there are many
mementos of his political career: pictures of him with Truman,
Carey etc. and framed letters from lee.dJ.ng public figures,
He told a few anecdotes about Truman and Acheson which he did
not wish to have on tape, A couple of times I deliberately
asked. a rather lengthy question to give him a chance to drink
the coffee his secretary had brought him,

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23932"&gt;Interviewer's Observations&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; Mr. Millonzi's law firm occupies a large area in the Western Building, and we talked in his office there. In addition to the usual law books and journals, there are many mementos of his political career: pictures of him with Truman, Carey etc. and framed letters from leading public figures. He told a few anecdotes about Truman and Acheson which he did not wish to have on tape, A couple of times I deliberately asked a rather lengthy question to give him a chance to drink the coffee his secretary had brought him.</text>
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                    <text>INTERVIEW WITH EARL J. McGRATH, MAY 9, 1979(Interviewer, Shonnie Finnegan)
TAPE I - side 1
007

Two faculty members, one was Julius Pratt, approached McGrath in
Iowa to see if he would be interested in the Chancellorship at
U.B ...• "I said no, I wouldn't. I had been here so many years •..
from '23 when I came as a student, to '45 when the war ended
I was in one way or another connected with the University ...
I thought I'd stayed too long" ... getting tagged as a "one-place
man"

022

"They were interviewing McConnell and me at the same time for
the presidency of the University of Louisville"

025

Felt socially immature prior to coming to the University as a
student ... Marvin Milch [Class of '28-Arts] and Floyd Hurst
[a sophomore in '28] "decided to run me for president of the
Junior class" ... they campaigned for him and did the same the
next year ... Walter Kraemer was the opponent ... Estelle Goldberg
and May Tabor Painton were opponents [all Class of '28-Arts] ..
Tabor and McGrath won

040

"There's something about a college under 2,000 students ...
there's something about the relationships that are different
from a big university ... we got to know Julius Pratt and~ r~
Perry [Henry T. E. Perry] and Marvin Farber as undergraduates

054

Many people did not know Capen well ... McGrath met him as a
student

059

Two big turning points: one day near the end of June '23 while
working for the General Electric Company, testing meters with
Fred Painton (who'd just entered the Medical School) .. "he [Fred]
kept saying to me ... 'Why don't you go to college?' ... one day ..
he said ... 'We've got this truck, let's drive out to the campus
and see Emma Deters, she's the registrar and she will tell you
whether you can get in.' ... she said, .. 'you don't have enough
foreign language, but if you go down to Townsend Hall this
summer and take German with Professor [Carl F.] Siekmann ... and
pass it, you can get in.'" .. got a B and scraped together $100 ...
washed dishes at Hyler's (?) Candy Store and Walter [Kraemer]
did too ... then, in McGrath's junior year, he got a job in the
University Library with Ruth Bartholomew

093

" ... the other turning point was when I met Mr. Capen." ... by this
time McGrath was manager of the Glee Club, Class President, on
the Student Council, president of his fraternity ... unlike his
previous life ... Capen had a chance to observe him ... Clarence
Thurber, Assistant to the Chancellor,left to accept the Deanship
at Colgate in April 1930 ... "I was out two years then ... first
I'd been in the Personnel Office with Edward Jones, advisor to
medical students, and the second year I was Assistant Dean of
the Evening Session, and then, in that year, I remember I was
walking down the corridor in Hayes Hall, right under the tower •.
somebody tapped me on the shoulder and it was Mr. Capen" •.. Capen
asked him to come into his office ... offered him the position

c..~

~

k

I4_C "

r·

�McGRATH

PAGE 2

TAPE I -side 1 (cont'd.)
093
as his assistant ..• "somebody who'll help around the office and
(cont'd.)do all kinds of odd jobs and make some studies of teaching
loads and so ori" ... accepted the job at $3,000 per year ...
worked through '33 .. .
125

Wanted to go to Harvard for a doctorate in German, but Capen
advised him to go to Chicago for courses in college and university administration ... came back to Buffalo in '35 and
worked for Capen again until '38, then went to the American
Council on Education as a Special Assistant in Higher Education
where Capen had been [the first] president, stayed there two
years ... Capen, by this time, "didn't have the strength he had
in the early days"

145

"On my birthday in '36 N.Y. U. had its 100th anniversary and
Capen was one of the principal speakers and I was with him.
That night in the middle of the night he had an ulcer and it
ruptured and he nearly bled to death ... he didn't come back to
the University until February 22 when he presided at the MidYear Commencement"

153

"By '40 I'd been at the Council two years and he very much
needed me" ... McGrath came back to U.B. as Dean of Administration,
a new position which was, in effect, Vice Chancellor ... "Whatever
I know about higher education, I think, I didn't learn so much
at Chicago as I did by working with Capen."

161

McGrath spent a lot of time talking things over with Capen,
especially in preparation of the budget ... started in January
for the next fall ... the Council approved it around April ... "I
did a lot of the information-gathering •.. from the deans •..
toward the end of the period before I went into the Navy, I
made the budget"

171

"I learned how to run a university and he was one of the few
men in America in that job who was a student of the job; there
were lots of good presidents, but he had made a professional
study of what a chancellor or president should be." He had
seen his father-in-law as President of Clark and his father as
President of Tufts ... "on the question of academic freedom he
was clearly the most ardent defender" ... much of his commitment
to academic freedom came from Charles W. Eliot, the President
of Harvard 'til 1909 ... Capen felt that people ought to have a
philosophy of their own, even if he disagreed

198

Capen was tested on his belief in academic freedom ... "We had on
our faculty some of the ablest men I have ever met ... but
unfortunately a couple of these men were very ... like the the
young teachers of the '60's ... Francis Bangs was the son of a
very distinguished author who wrote The Houseboat on the Styx ...
he was a Yale graduate ... very arrogant, highly intellectual
and one fall he opened his freshman English class by saying,

�McGRATH

PAGE 3

TAPE I -side 1 (cont'd.)
198
'Jesus Christ was the greatest bastard that ever lived' .•. it
(cont'd.)took about twenty-four hours before Capen began to get telephone
calls ... he told Bangs off ... but he defended him to the public"
228

"There was an anthropologist, Leslie White ... he was always
talking about the Hottentots and the Aborigines and how their
sex lives were" ... at that time there was a very severe Catholic
bishop in Buffalo ... criticized Capen in the weekly Catholic
newspaper "almost every week for ... a year" ... he felt that Capen
should fire these men ... "Capen took Eliot's view and the view
of Oliver Wendell Holmes," the justice •.. "Oliver Wendell Holmes
once used the phrase, 'freedom ought to prevail in the marketplace of ideas' and that was Capen's contention- the University
ought to be a place where different ideas were expressed, students
ought to be exposed to different points of view, no indoctrination" ...

261

"If he [Capen] had not had Walter Platt Cooke as Chairman of
the Board [Council] and a considerable number of supporters on
the Board, he would have lost his job as some other presidents
did."

266

Criticism from minister of Central Presbyterian Church who
preached a sermon on U.B. and Capen •.. Capen "was in ill favor
with most of the clergymen"

273

Daniel Bell Leary was outspoken and "lived in sin" with Adelle
Land ... Capen felt it was none of his business

290

Nathaniel Cantor ... "had been a rabbi and they fired him out of
the Church because he got enamoured of Jesus Christ and began
tb talk in the synagogue about Jesus Christ favorably" ... he then
went to Columbia for a Ph.D ...• was not a rabbi in Buffalo ... "he
was very much a Dewey-ite,.and he believed that students ought
to be active participants in the learning process, so he used
the Socratic dialogue a great deal ... one day he came in, it was
a class of about twenty students ... he said, 'well, I assigned
so-and-so, what do you have to say?'; nobody said anything, so
(he was a great smoker of cigarettes, Leary too) he sat there
and puffed away (it was quite uncommon in class in those days,
you know) ... for about five minutes, nobody said anything, he
didn't say anything -pretty soon he said, 'Well, I can see you
didn't do any reading; we'll meet Tuesday.' ... and got up and
walked out" ... he never believed in the lecture method of teaching.

331

McGrath "had the habit of going to classes, I guess I was the
only one who did it. I sat in on at least three of Julius
Pratt's classes after I had my Ph.D. and at Chicago I did the
same thing; I took sociology courses, mathematics courses,
psychology courses, outside of the School of Education .•. as
early as that 1 was convinced that the central element in the
liberal arts education was breadth.'!

�McGRATH

PAGE 4

TAPE I - side 1 (cont'd.)
347

There is a great interest now, howeve~ in general education ..•
"I wrote a book about eighteen months ago called General
Education and the Destiny of Modern Man ... the first printing
was 5,000 copies and they gave it away" ... there have been at
least two more printings and one is now at press ..• "since
three or four years ago the interest in this subject has
snowballed ... now I get three or four or five letters a week
saying, 'we'd like to have a copy of your book."

386

"The thing that Conant at Harvard and Hutchins at Chicago tried
to do in the 30's and 40's, which petered out when Sputnik went
up1 is now being revived."

END OF SIDE 1
TAPE I - side 2
015

Disciplines had not become specialized ... Change magazine article
by McGrath cited a philosophy professor who did not have a
Ph.D. but was equal to anyone ... it was Richard Boynton, the
minister of the Universalist Church at Elmwood and Ferry Street ...
Capen, "at least in theory" was a member ... when the College
"really got going" in the early 20's "they hired some people
around town like Siekmann" (or Philip Becker Goetz) ... came to
teach, but had other jobs ...

032

"Boynton was the philosopher ... "I came back after working for
three years into college with the idea that I wanted to make a
lot of money. I saw that the people who had an education in the
early 20's were the guys who got ahead, so I came back and I
said, 'I'll get myself a degree and I'll make myself a lot of
money.' Well, in one academic year Boynton turned me completely
around and showed me how exciting intellectual life could be,
money or no money it was still a great experience - and he did
that, in contrast to the way they teach philosophy today, in
semantics of logical positivism, by taking up human problems
and he talked about the things human beings had to face and be
interested in if they were going to lead any kind of an intelligent life ... he got me so excited in the academic life, I never
thought about money again" ... the entire class was excited about
philosophic problems

054

"Farber did the same thing in another way. Farber was a phenomenologist, he talked less about human problems, but he talked
a lot about Truth ... a lot about epistemology and empiricism and
so on" ... McGrath was always learning, reading

073

Capen "was a man who didn't go to sleep easily, that's why he
came to the office so late - he rarely got to the office before
10:00 or 10:30 unless there was some meeting ... he didn't sleep
easily and he would get in bed and read. And of course when he

�McGRATH

PAGE 5

TAPE I -side 2 (cont'd.)
073
was a student he was a great reader, when he was in Germany he
( cont 'd. )was a great reader" ... ';he was also fond of music ... "he was a
great Wagnerian speciaiJ.st, he knew all the operas"
082

"I was also musical, I played the piano in the high school
orchestra which was a good one in those days" and learned to
play the double bass ... "I used to carry a couple of sandwiches
with me, and between late classes in the morning I ate my lunch
so that I had nearly an hour ... when I was supposed to be eating
my lunch I went to the music room and played the double bass
every day." Continued piano, but there was no orchestra at
U.B., "so I lost the double bass"

096

Social contact with Capen after returning from Chicago, after
'36 ... "he invited my wife and me to Maine where he spent his
summers and I learned to sail a boat ... he [Capen] was a com~
pletely different man, everybody in the village called him Sam;
I never heard anybody here call him Sam ... when he got up there
he wore the most outrageous old clothes ... he had an old hat •..
that made him look like a stevedore and he smoked a lot of
cigarettes, you know, he never smoked in his office but he
always smoked, I suppose twenty or thirty a day and you'd see
him on the dock up there with a cigare~te and you would never,
never think that he was an educator - and he didntt mind that
either- he didn't want anybody to bother him" ..• he went all
summer, every summer ... "that shows you how the presidency has
changed" ... stayed in Maine from just after commencement until
Labor Day ... never had a phone ... to reach him in the summer you
had to call the store in the village

133

"He loved to sail ... he did it all day long ... he'd come in for
lunch and then go out again ... we'd go out about 9:30 and come
back about half-past 12 and have our lunch and at 2:00 we'd go
out again ... I think it was wonderful for him and Mrs. Capen did
too because, as I said, he had an ulcer most of the time I knew
him .•. you'd never know it because he was so placid on the surface,
but he was churning all the time on the inside ... he was a very
well-controlled man. I never heard him really lose his temper
but maybe three or four times ... that was only in the family ..•

154

"The only time he ever criticized me was in a boat. He had
taught me to sail and I had the rudder and it was pretty windy,
in fact, we were almost taking water, the water was just about
at the gunnel and there was a gust of 'wind and it came up and
then it flopped back - I think actually the sail hit the water
that time ... he said, 'For God's sake look at what you're doing'
... that's the worst criticism I ever got from him."

163

"He wasn't excessively generous with his compliments ... the nicest
experience I ever had with Mr. Capen was when I'd become Commissioner of Education ... they [U.B.] invited me to give the commencement address .•. as we were walking down the (Kleinhan's) aisle ...
he turned to me and he said, 'I couldn't be more proud if you
were a product of my own loins' ... that was a great day in my life

�McGRATH

PAGE 6

TAPE I -side 2 (cont'd.)
163
because I knew he wouldn't have said that if he didn't mean it."
( cont 'd.)
193

"I thought then and I think I can say today that in the 1920's
and 30's before he began to tire, I think that he was the top
man in higher education in America. He had a philosophy of
higher education, he did not operate the university on a dayto-day basis. He ran it, but he reflected everything against
his philosophy before taking actions."

203

Capen had had an offer from Brown University ... "I said to him ...
'why do you turn these jobs down?' Then he said what he very
rarely said to anybody, 'I've been offered seventeen presidencies
since I came here and I\e just decided that here I can do something - I can lay the foundation for a great university. If I
went to Harvard or Yale or Brown or Princeton I would just be
another person in a long string of presidents and would really
have no distinction on the national level' ... that was far-seeing
because, as I said ... when you went around the country people
would say, 'what's the University of Buffalo?' ... and it was heI don't depreciate what's been done since his time, but it was
he who laid the foundation."

226

" ... He drew great men here- we got fellows out of Harvard and
Yale and Princeton and Columbia and Chicago to come here because
of Capen ... many of them stayed six or eight or ten years ...
Pratt stayed his entire career and I think Perry retired here .•.
Willard Bonner ... was my teacher in my sophomore English classhe stayed here his whole life."

234

... "I've been very eulogistic about Capen and I feel that way,
but I have to say this one thing. He was not the kind of man
who could go to the Rotary Club or the Chamber of Commerce
luncheon and make a terrific impression ... his English was impeccable and his brain was always clear but he had somewhat of a
foreboding exterior ... I think if he had been more outgoing he
would have got more money out of the community and the foundations.
On the other hand, he knew what he was doing educationally" ...

255

"He had no trouble with the faculty for example" ... few people
ever attended AAUP meetings ... ''they [faculty] knew he was with
them, he was one of them, and there was no griping about academic
freedom - even about salaries. In '32 and '33 we took a 15% and
a 10% cut in salary." Capen's position was the opposite of
Hutchins' [of Chicago] : Hutchins said, "'We have great men here
and we ought to keep them and if we have to drop the instructors,
we have to drop them, too bad, but that's the way it is.' Capen
went to the faculty and said just the opposite, he said, 'I
think we have some very promising young people here ... we senior
members of the faculty ought to be willing to sacrifice something to keep these young men in the profession and that's the
way th~y did it- everybody stayed, nobody left on account of
the financial condition."

�McGRATH

PAGE. 7

TAPE I -side 2 (cont'd.)
275

There was a two year discussion of the Tutorial Plan "before it
really got going. I wasn't in the faculty then, I was a student,
in fact, I was in the Tutorial System; but again, to show my
interest in broad learning, I made a choice. If you had the
grades and were chosen to be in the Tutorial System you had to
drop two of your five courses ... you could only take three courses
because the other was made up by the tutorial conferences. I
refused to do that. I remember [Wilfred H.] Sherk, the mathematician who was head of the Tutorial System, I had a conversation
with him and I said, 'I don't want to do this if I have to drop
two courses; I'll do this and the five courses or none at all.'
'Well,' he said, 'they won"Ttlet you do that"'· .. the committee
had a conference and they finally let me do it and I took five
courses in my junior and senior years and the Tutorial in German."

302

"The faculty thought this was a great idea. It was limited to
the ablest students in the junior and senior classes, but then
they went all out for it and they wanted to have everybody in
the junior and senior classes. If you couldn't get in the
Tutorial, you couldn't go on .•. at that time it was both the
faculty and Capen's idea. He proposed it, I think, but they
were eager to do it. But then the teaching load became great ...
because you had all these weekly conferences. By this time I
was a faculty member and had these weekly conferences in addition
to a nine or twelve hour teaching load and they [the faculty]
began to lose interest in it when they had to carry that load
and I don't say that disparagingly because it was a heavy assignment. Then they began to double up: They had two ... at once,
and then they had three, pretty soon they turned it into seminars
... it evaporated."

325

Capen believed in the Tutorial because he believed "that the
best education was a teacher on one end of the log and a student
on the other - he believed that the personal relationship was
important."

332

There were many at the University who were influenced by Dewey
and were progressives ... "there was a split - some didn't [agree] ,
like [Edward G.] Schauroth in Greek and Latin -he didn't believe
in this, but he went along; he and Capen were very good friends,
they were both sailors, ardent sailors. But I would say Nat
Cantor, Leary, these people were all-out Dewey-ites .•. and I
think, on the whole, even a man like Pratt1 who lectured a lot,
believed that one of the best ways to develop the mind was to
put the student to work on intellectual things on their own."

356

"As you know, he [Pratt] turned out people like Richard Hofstadter at Columbia and people like that - first-class scholars and
that was because even in the undergraduate years he put these
fellows to work on some research projects. So in that sense he
was a Dewey-ite too, although he didn't conduct his classes in
the round."

�McGRATH

PAGE 8

TAPE I -side 2 (cont'd.)
364

This idea is still valid today ... "I think you do your best, most
effective, efficient learning on your own with guidance from a
scholar."

369

Where is the breadth in the 20's and 30's? "We got into this
specialization through the graduate school because you must
specialize to get a degree and the specialization's become
narrower and narrower. You used to be a biologist, then you
became a vertebrate biologist and then you developed a line
in that and finally you're a virologist and these fields are
so split up that you don't get a broad education now. I think
however, it's a fallacy to believe that you can't study broadly
and independently. You must have a mentor who is capable of
doing that with you."

390

"There's a little college in Portland . .;. Warner Pacific College.
It has a freshman and sophomore class I had something to do with
developing as a consultant. They have merged'philosophy, English
literature, German literature (Goethe, Schiller, Dante), some
history, all this is in one course called The History of Western
Civilization and these kids - they don't read whole works by~.
every author, but they read enough of Goethe to find out how
Faust sold his soul to the Devil and what that means in everyday
life - so I think the two ideas [breadth and specialization] are
not inconsistent. I think you can have the tutorial system that
leads the student into a great variety of intellectual activities
but you have to have a teacher who is willing to do it and can
do it" ... interaction between teacher and student is essential

418

"If you read a book you're getting a point of view, you're not
getting a debate ... "

END OF TAPE
TAPE II - side 1
001

... "If Toffler writes a book on future shock, you're getting a
point of view, if you study with Galbraith at Harvard in Economics
you get a point of view, if you study with Friedman at Chicago
you get exactly the opposite point of view ... but if you have a
teacher - this was Boynton's great strength, he had read everything -he didn't have a Ph.D. but he had read so widely, and
he could talk about ideas •.. in various fields ... "

008

"I think what has to happen today ... we have to, in the graduate
school, get back to the idea that it's possible todo a scholarly
piece of work without doing it in a specialized field. The Association of Graduate Deans, to my great delight, about five years
ago passed a resolution saying there should be two doctorate
degrees: one for teachers - college teachers, one for researchers.
I contended that twenty years ago and they wanted to hang me in
effigy." ..• a sort of the doctor of arts idea ... "Kemeny (?) at
Dartmouth had the same idea. He was a mathematician, but he said,
1

�PAGE 9

McGRATH

TAPE II -side 1 (cont'd.)
008
'Eighty-five per cent of those who take the Ph.D. in mathematics
(cont'd.)will never do another piece of research worthy of the name.'
And Jurnigen (?) at Chicago said the same thing about historians
- this is thirty years ago. They both advocated a different
degree for college teachers that would be broadly based ... they
are developing some, there are some degrees like this."
022

The personnel office under [Edward G.] Jones did many studies
and evaluations of the students in the Tutorial Program ... "They
had this how-to-study program in the summertime - if you didn't
stand in the upper 60% of your class, you had to go through the
how-to-study course. If you passed that, then you could be
admitted." Jones was an educational psychologist with a Ph.D.
from Chicago, wrote many articles based upon these student
records.

033

END OF INTERVIEW

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                    <text>I
FIRST OF TWO TAPES
Interview with T. R. McConnell, May 3, 1979 (interviewer Brenda K. Shelton)
SIDE I
001

Reasons for coming to U.B .... invitation to come to discuss
possible appointment came "out of the blue" ... offered suggestions
for candidates ... letter from Seymour Knox asking him to return
to learn more about the campus •.. was offered the position

015

Knew very little about U.B .... did not know Capen, but as
Chancellor had a part in getting Capen's papers published

022

Decision to come ... had a feeling that experience at the University of Minnesota would be useful at that time in Buffalo ...
a good time to leave the University of Minnesota although
they made offers to try to keep hirn ... could not asswne a
"preferential" job

047

U.B. in need of moving on after a long and distinguished career
of Dr. Capen ... interest and experience in private higher education

056

Graduated from Cornell College in Iowa .•. was appointed as an
instructor in English ... took over the course in introductory
education ... later did the same thing with the introductory
psychology course ... led to becoming an educational psychologist

069

Was asked to become dean of the college ... went from this position
to the University of Minnesota, but still is a member of the
Board of Trustees

072

Contrast between Cornell College and U.B ....

0"15

Goals on coming to Buffalo ... first job was to "put the house in
financial order" ... balanced budget had been created by "riding
up student tuition and the students didn't appear in that
number" ... the year ended with a $12,000 deficit ... this immediate
problem was only symptomatic of the fundamental financial problems of the University

090

Established an organization to strengthen the ties of the
University to its city and its region ..• to use these ties for
financial and moral support

100

University had a relatively small nwnber of distinguished
scholars ... tried to lay the foundation for strengthening the
intellectual life of the institution and the faculty ...
development of research and scholarship

115

Appointed University professors, "not only to reward them, ...
but to use them as models for the faculty"

120

There was the rumor that he would not promote anyone who was
not doing research and scholarly writing ... not true ... at
Minnesota, made promotions of distinguished teachers ... let
rumor stand

�McConnell
SIDE I

page 2

(cont'd.)

129

Those in power in the faculty and administration had been
at the University a long time ... transition was somewhat
difficult ... no particular difficulties with the power
structure ... did all possible to support people like Pratt
and others who did scholarly work and at the same time
supported "people like John Horton, who lectured in Latin
but didn't write any books" ...

154

The administrative organization was one of dual responsibility
to the Council [Chancellor and Treasurer] ... accepted position
on the condition that this arrangement be changed so that
the financial officer would be responsible to the Chancellor
and only the Chancellor would be responsible to the Council

165

Crofts remained a year as Treasurer .•. was not "obstructive in
any particular way" ... on one occasion the Finance Committee
requested information, Crofts evaded, McConnell said,
"perhaps it'll take a little time to get the information you
want together and we 'll have it ready for the next meeting" ...
told Crofts to get it ready •.. few such incidents

182

Emily Webster very close to Mr. Crofts, who decided what, who
took the initiative is unknown ... she was friendly, cooperative,
"knew all that was expected from that office"

206

Discovered that someone in the Treasurer's Office was rebating
tuition of selected athletes ... "I think it was Miss Webster
and I don't think anybody had given her permission to do this.
Mr. Crofts might have known it and might have approved, I
can't say; but without ever asking him, I can guarantee that
Chancellor Capen didn't know it."

218

Only criticism of Chancellor Capen was that he "didn't want to
know anything about athletics" ... if he didn't know he wasn't
responsible ... may be attributing motivation unfairly ... same
criticism could be made of many university presidents .. .
attitude has since been that the president should be responsible

238

Not sure where pressure for athletic rebates carne from

243

Many influential alumni were in favor of an expanded sports
program ... in agreement with Dr. Capen, McConnell did not believe
in a professional football team

253

Council's power was not extensive ... the real authority was the
General Administrative Committee ... about one-third of the
voting members of the Council were elected by the Alumni, some
were very interested in football, but most of them were not
on the Administrative Committee

�McConnell

page 3

SIDE I (cont'd.)
270

[Feels that he, himself] did not effectively "educate the
Council, as a whole, with respect to the affairs of the
institution" •.. one of the most important functions of a
university president is to educate the governing body ... did
think and worry about this, but was busy and the Council
was large ... didn't take enough time .•.

287

Mr. Knox was kept closely informed ... was a remarkable Chairman
[of the Council] ... "understood university affairs almost
intuitively" ... supportive ... was frequently asked for his
point of view

303

Mr. Osborn, Vice Chairman of Council •.. during Parry case
Osborn and Knox were invited to a luncheon meeting ..• [McConnell]
had decided to accept the faculty recommendation to keep Parry;
Knox said, halfway through the discussion, "You want to keep
him, don't you?" ... Osborn was "on the Board of Trustees of
another university in which the faculty and president are at
odds, and I don't want any more of that" ... the question was
settled

335

Parry case to be discussed
END OF SIDE I

SIDE II
034

Comments on Parry case "subject to correction" ... has not had
a chance to go over the papers ... Chairman of UnAmerican
Activities Committee was very critical of university and
college faculty ...

041

Expected problems, "most universities of any consequence did
have a problem" ... appointed faculty committee to establish
policy in advance of a particular case ... tried to select well
respected, judicious members

056

Policy, in general, stated "that if a faculty member was called
before the UnAmerican Activities Committee he should not plead
the 5th Amendment, but if he had been a member of the C01mnunist
Party to say so, or if he was still a member of the Communist
Party he should say so." ... this was thought to be consistent
with the "integrity and openness" of the university faculty

064

Parry was called before the Committee ... pled the 5th in violation of the advice of the Committee (which had been approved
by the General Administrative Committee) ... called a faculty
meeting to make known the policy statement ... some faculty were
very critical of the policy's having been submitted to the
General Administrative Committee without informing the faculty ...

�McConnell

page 4

SIDE II (cont'd.)
064
Dean of Education made an "extremely critical" speech
(cont'd.)
077

"The document prevailed" ... there were two possible procedures:
one was to have the Chancellor appoint a special committee
to hear the case; the other was for the Execuitve Co~nittee
of the College faculty to hear the case •.. the Dean of the
College of Arts and Sciences, Executive Committee chose to
assert/maintain its responsibility in hearing the case

085

Parry admitted freely to this committee (although he refused
to do so to the Congressional Committee) that he had been,
but no longer was a Communist Party member ... Parry was asked
not to have counsel at the Executive Committee meetings, but
could decline comment on any question pending private
discussion with counsel .. the same right was extended to the
Committee

097

Very unpleasant ... digging into a man's soul

100

[McConnell].came to the conclusion that his home phone was
being tapped by the FBI ... asked members of the Committee not
to call, but to come in person to the office

106

The decision that was made concerning Parry was approved by
the General Administrative Committee ..• McConnell was in constant
touch with the Secretary of the Association of University
Professors in Washington (Ralph Himstead) in order to be sure
of "procedure" •.• solution was very similar to the "Fury Case"
at Harvard, for which Harvard received public commendation

120

Decision: "to revoke his tenure, but to leave him on the staff,
and to have him go through the same procedure- evaluation,
recommendation for tenure."

129

Expected public criticism ... contacted Kirchhofer of the Buffalo
Evening News to d{scuss reasons behind the decision •.• to say "I
realized that he would make whatever comments he chose, but
that support would be very helpful." ... he wrote an editorial
disagreeing with the decision, but saying that the only body
having the right to make the decision had made it

147

Erie County American Legion met a day or so later, denounced
the decision

152

Inter-relationship of the University and Buffalo: "The few
formal financial campaigns conducted by the University had been
conducted by members of the Council, Mr. Cooke for example ...
Dr. Capen had an agreement that he &gt;vould not be responsible for
financial promotion". , . there was a long period of time with
"no systematic community cultivation either of finance or
support"

�McConnell

page 5

SIDE II (cont'd.)
166

Tried to do things to strengthen ties between the University
and the community ... appointed liaison comrni ttee to work with
industry ... needed to establish a basic foundation for
Universi ty-Comrnuni ty relationship ·which did not at that
time exist

176

There was the same situation with other than financial
matters .•. failed to penetrate certain elements ... for example,
there were many Polish and Italian students, but those two
communities had no relationship with the University

190

One reason dormitories were established was to "bring life to
the campus, not only to give students a sense of community
and membership in the University, but to bring people in the
community to the University for lectures and concerts" ...

198

It seemed "reasonably normal" for those who support the
University [i.e. Council members] to send their children away
to other schools ... "but I'm afraid there was a kind of patronizing attitude tow·ard the University in influential members of
the cornrnunity." ... although there were many exceptions, "but
there was no sense of intimacy. I think you could find people
who are students of higher education who would say there
ought not to be very much intimacy between a community and
a university ... they fear control, they fear too much influence."

219

Was approached by amernber of the legal community who objected
to the Law School's patterning itself after Harvard, and its
lack of interest in the local bar... the Law School did eventually become interested in community legal affairs

232

"Relationships between the Medical School and local hospitals
were varied and complicated" ... pressure and a million dollar
offer to keep the Medical School near the General Hospital .•.
many faculty of the Medical School were practicing Buffalo
physicians ... one difficulty of the Medical School "was that
it had a pretty good clinical staff, but it was not adequate
in the medical sciences."

249

"Dr. Stockton Kimball was a cooperative, intelligent and able
person" ... but was in the middle of "the struggle for power
and position among the hospitals and medical. groups in the city"

255

Most faculty in the Dental School were practicing dentists ...
many graduates of U.B. were succeeded by their sons ... the
Dental Dean was told to bring in "people from other backgrounds"

268

"These are not things that are particularly true only of
Buffalo."

272

Part of the function of the Liaison Committee was to help bal-·
ance community input with needs of the University ... "wanted a
means of two-way communication without the danger of control"

�McConnell

page 6

SIDE II (cont'd.)
292

Buffalo was a "curious case" .•. many of the major industrial
firms in Buffalo had their central offices in other locations
and that made for a particularly difficult problem ... you
could get some contribution from a firm, but not as much as
if it had been located in Buffalo

303

Concluded, before leaving, that the future of U.B. as a
private institution was doubtful, though there had not at
that time been any discussions of a State merger

315

"The lack of financial promotion over a long period of time
was devastating to the institution and to make up the difference
would have been extremely difficult" ... Stanford Unive:csity,
however, is one case of miraculous financial and academic
development ... "but Buffalo lacked that foundation on which to
build"

330

" ••• a State University probably has more responsibility to a
much wider area than a private urban university would have;
I don't mean to say that you can ignore Buffalo and the
Niagara Frontier, but nonetheless this institution must have
a wider reference than that, certainly."

345

The University of California is now having considerable
argument about agricultural research at the University .•.
agricultural unions maintain that research was primarily done
to support agribusiness ... many aspects of a public institution's
relationship to the public it serves ... can no longer ignore
some and favor others

375

"While a university needs to be sensitive to the research needs,
to the developmental needs of industry and commerce in its
area, it has to be extremely careful to devise methods of
doing this without succumbing to undue control."

388

It is difficult "to maintain the integrity of the institution

and yet to serve its community in appropriate ways"} this
also applies to cultural activities
END OF TAPE

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                    <text>OF TWO TAPES
Interview with T. R. McConnell, May 3, 1979 (interviewer Brenda K. Shelton)

~EQOND

SIDE I
001

Various factions/groups want control of the University ... "perhaps
I shouldn't have used the word 'maneuver' [in previous tape]
because this suggests something that isn't entirely open to all
concerned"

015

Responsibility of university presidents to mobilize the efforts
of these constituencies to suit the University's purposes ...
need for cooperation ... "internal power of universities is being
re-distributed" ... authored a monograph, The Re-Distribution of
Power in American Higher Education, confined to internal university problems only ... president must lead ... this is easy to say,
but hard to do.

034

"The locus of decision-making is moving upward in the insti tu-tion" ... local decisions no longer are possible ... "re-distribution
of faculty according to fields of study and research ... the
clientele is now wanting more vocational and professional education ... which makes it extremely difficult to re-distribute the
resources to take advantage of this.;.this is one of the reasons
why the central administration and perhaps the appropriate
sections of the governing board will have to exercise more
authority and descretion" ... faculty will object ... "not only is
there more participation in governmental affairs, for example,
by students, and the faculty is demanding more participation ...
governing boards, under pressure from the community ... will be
demanding more participation ... yet somehow ... all these interests
and demands have to be .. reconciled in service of the institution"

059

Very little attempt by students at U.B. from 1950-1954 to participate ... tried to keep in touch with students, however

067

"Dorothy Haas was the best person I've ever known to provide
a link between the administration and the students; she was
an extremely skillful and able person."

073

"No pressure for decision-making on fundamental university or
academic affairs" ... group of students once came to ask for more
support for athletics

085

Just prior to inauguration, students wrote a very critical review
of a book and angered the Catholic community ... Claude Puffer
received "calls from certain Catholic clergymen who say that if
you don't get that retracted, the Bishop will not turn up at
your inauguration" •.. called in editor (of the student publication)
who offered to "write something that will take the sting away"
in the interest of harmony ... "the more I thought about that,
the more I thought that it was perfectly legitimate for students
to have written this criticism" ... called the editor and told
him not to bother ... the Bishop did attend, "made the invocation
and was friendly as could be"

�McConnell

page 2

SIDE I (cont'd.)
108

"On the other hand, student publications were a public relations
problem" ... some were irresponsible, but there was no way to
"move in on this without being accused of suppression or
censorship" ... after some particular case a Student-Faculty
Committee on Publications was appointed to deal with the
questions of freedom and responsibility

121

No student pressure during the Parry case "that I remember"

127

"I was tested out on academic freedom after I came in various
ways, the details of which I don't remember, but I think that
the faculty felt that nobody could be as responsible as
Chancellor Capen with respect to the matter ... A conference was
organized soon after I came having to do with civil liberties
and academic freedom and so on, and I'm pretty sure it was
organized for my benefit, so to speak ... I had agreed to lecture
at the University of Minnesota and I missed the conference"

136

Capen had a "clean-cut view of academic, intellectual freedom"
with no exception ... "and I'm not surprised that I was tested" •..
Capen had been a remarkable Chancellor, testing was understandable ... "I came at a time when there were all kinds of
threats to academic freedom"

155

There were a few instances of cownunity pressure ... Linus Pauling
was invited to lecture (on chemistry) at the University ... the
American Legion demanded that the invitation be withdrawn .. .
McConnell asked "Do you have to worry about chemists •.. being
made into Communists by a chemistry lecture?"

166

"The only time that Mrs. McConnell or I have ever asked for
social publicity was when ... we were having a dinner party in
honor of Linus Pauling"

172

Dr. Capen had firmly established the University's independence ...
the community was accustomed to it ... some of the Council members
also supported the academic freedom policy

180

Professor Pratt would sometimes write letters to the newspapers
which brought criticism ... relationship of U.B. and the Catholic
community ... ''the University was pinched now and then by the
competition" from religious groups

203

"Members of the religious groups had campus offices at which
their representatives could discuss matters with students; I
also discovered, however, that they had begun to offer (non-credit)
courses ... this was inconsistent with the University's nonsectarian policy and was discontinued ... often consulted with one
rabbi which offended another rabbi who was an Orthodox Jew

234

"These ... may sound like important issues ... but they really weren't .•
they're in the day by day business of the institution which has

�McConnell

page 3

SIDE I ( cont 'd. )
234
some relations with the community" ... it is important to keep
(cont'd.)in mind the "function and position" of the university
247

The University's relations with the press: the Courier was
more critical than the News, partly because of competition ...
here again, the University had to maintain its independence

264

"Mr. Kirchhofer [of the News] is a ... taciturn man", it was
difficult to develop a· close relationship, but he was open
to discussion ... "but my administrative assistant [Miss Martin]
would protect me from calls from the Courier .•. during the day" ...
they began to call at night, at home

285

Problems with buildings: "we had an extremely able and
aggressive Chairman of the Council's Committee on Buildings
and Grounds ... one Karr Parker; and it was extremely difficult
to get sufficient faculty input in the planning of the buildings •..
many problems with the School of Engineering due to undesirable
construction ... one of the difficulties with the Medical building
was to get more than one elevator •.. he [Parker] didn't like
elevators in academic buildings" ... it was finally insisted that
no plans be completed until the faculty had had a chance to go
over them

321

" ... not sure I ought to say this because I would find difficulty
in finding any records to support it, but one of the principal
difficulties we had during Mr. Parker's regieme was to get
contracts alloted to the lowest bidders, he was inclined to take
the bids and then negotiate the contract with one of the bidders"

331

... "he [Parker] went to Florida every winter, and while he was
in Florida one winter the Vice Chairman of the Committee ... was
serving as Chairman of the Committee and there was some
construction matter that had to be submitted to bids and we
gave the contract to the lowest bidder and we heard from Mr.
Pm"ker from Florida -· both of us" ... no "extremely serious
problems involved" ... few contractors protested ... "but it was
a matter of considerable significance" ... discussed the matter
directly with Parker, did not involve Knox

367

END OF SIDE I

SIDE II
001

Examples of University-Community interaction: was approached
by a member of the city government whose son had not been
accepted by the Medical School ... "he called my attention to
the fact that the City sewer came only to the corner of the
campus beyond the Medical School, that when the Medical was
built $75,000 would have to be expended to extend the sewer
and that if his son were not admitted to the Medical School
he would see to it that the City didn't provide the $75,000

�page 4

McConnell
SIDE II (cont•d.)

001
[McConnell] went to the Chairman of the Committee of Admissions
(cont'd.)to look into the matter, found that the decision had been fair·
and unbiased .•. reported back to the father •.• soon after, he
received a call or visit from a Council member who said that he
would speak himself to the Chairman of the Admissions Committee •..
in the end, the boy was not admitted and the City put in the
sewer
04 7

There really were very few dealings with the City of Buffalo

050

"A professor ... wanted to study the acculturation of the Polish
community in Buffalo" .•. luncheon was arranged so that he could
present his case to the mayor and other city officials: "he
thought it would be very helpful to them politically if he
made this study because they would find out a great deal about
the attitudes and backgrounds, the interests and the activities
of the Polish community and this might be very helpful in their
election campaign. The mayor spoke up and said, 'Sorry, we
don •t need any help on the political problems of dealing with
the Polish community' " ... but relations with the City were not
unusually difficult

073

No overt pressure or criticism of which students were admitted
and which were not ... some question about dormitories because
they would attract more students from New York City ... may have
also brought more women since the Dean of Women did not approve
"places where students might stay"

102

There was a student-faculty committee on the general planning
of the residences ... the architect was annoyed at the students•
involvement, but "the students had a good deal of influence on
the facilities"

110

When the Norton Union addition was built a student advisory
Co~nittee was established ... there was also a faculty committee

132

There was a largely local student body ... dormitories helped to
change this ..• "I wanted very much to expand the area served by
the University; this was, in part, because I believed in a
more cosmopolitan institution, but also, in part, ... to reduce
the possible power of the urban community and expand the
interests which were concerned with the University." ... worked
toward these ends too in recruiting faculty

145

In the later Capen years a select group was in control of the
University ... "Let me read from this memorandum about what I
found here: 'I found some strong academic elements in the
University which exemplified Capen's conception of the
institution ..• it possessed a limited number of distinguished
faculty members whose scholarship was widely recognized; it
also included a group of scholars whose academic reputation
was mainly local. I sensed the existence, on the campus, of a
kind of informal, scholarly gentlemen's club, comprising in
intellectual aristocracy with a strong local orientation, drawn
primarily from the faculty of the College of Letters [Arts]
and Sciences.' "

�McConnell

page 5

SIDE II (cont'd.)
172

A professor of Economics or Business Administration asked a
favor ... the answer had to be no ... discusses the matter with
Lester Anderson •.. answer still was no ..• "the day after my
resignation was announced, this professor got up a petition
to get rid of Lester Anderson" •.. Pratt offered to circulate
a counter-petition

203

"He [Pratt] was the best advisor in the whole institution"

206

Too many departments offered Ph.D's ... tried to establish interdisciplinary programs for doctoral degrees to alleviate pressure
on any one department ... Dr. Pratt, as Graduate Dean, would not
agree to the programs, and it was given up

222

Weaknesses: •. tried to strengthen library in weak areas ... doctorates offered in Pharmacy although the school was not sufficiently
staffed for that purpose ... "the doctoral program was supported
by stipends for doctoral students in the School's budget; I got
nowhere with Dean Lemon, so once I just cut all those student
stipends out of the budget ... he simply went downtown ... and ...
came back with enough money to restore the student stipends."

255

"Under Dean Lemon the faculty was strengthened somewhat"

259

The sciences needed strengthening ... "Chemistry was in fair
condition and had a pretty adequate library, Physics had some
good, young people but not enough, Engineering wasn't approved
by the accrediting agency"

275

" ... the situation in Engineering, I suspect, reflected the lack
of aggressive and systematic financial development ... they
should never have gone into engineering without enough money
to support it adequately" ... also ... "there were difficulties •..
with the leadership of the dean: which was "changed under my
successor [Furnas]; incidentally, changed mainly by Lester
Anderson."

296

[McConnell] has not systematically followed the University's
development ... heard things through Anderson or Claude [Puffer] ...
"had some connection with the appointment of Meyerson as Chancellor"[president]

306

Received a call asking why Meyerson had not been named Chancellor
at Berkeley, since he had been acting Chancellor ... "the man who
picks up the pieces usually doesn't get the job" ... when in
Buffalo had lunch with Knox and another committee member to discuss Meyerson ... came to the conclusion that the committee member
was extremely negative about the appointment because Meyerson
was Jewish" ... there was a long discussion of Meyerson's abilities
and accomplishments ... "

337

"I've often wondered what happened to my credibility afterward."

344

END OF TAPE

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                    <text>THOMAS RAYMOND McCONNELL
T. R. McConnell was Chancellor of the University of
Buffalo from 1950-1954.

In this interview he speaks

at length, and often philosophically, about his experiences while at the University.

As the interview

begins he identifies the particular problems he faced
as an incoming chancellor, includ:ing the strengths and
weaknesses of the University at that time and those
goals he perceived as most important to the future
development of the University.

Dr. McConnell then

discusses the general administrative structure of the
University of Buffalo and the relationship of the
University to the community.

Specific instances are

also mentioned during this interview but are scattered
within the broader discussion of the University's
functions and goals.

�Interviewer's observations, T. R. McConnell,

~ay

3, 1979

Dr. !1cConnell was in Buffalo for a short visit, and had
come to the Archives to look up some material. He had p:fepared a memorandum prior to the interview in response tctfthe
request of a graduate student, and he re~~rred to it a
number of times·and. once quoted directly from it, There were
certain matters, . however, such as the :Parry case, which he
was reluctant to discuss in detail because he had not yet had
the chance to review the facts; Because his eyesight is poor
and sensitive to bright lights, we sat out in the main reading
room where the lighting is fairly dim, and. occasionally
the telephone and voices can be heard in the background. Dr.
McConnell also shuffled papers often, I stopped the tape
recorder once so that he could finish his coffee,

�Il

I

/

Interview with T. R, McConnell, May 3, 1979
IVfinutes/counter
00/000

Events leading up to his becoming Chancellor of UB;
experiences while at Cornell College,

08/167

Najor goals as Chancellors reorganizing finances,
forging closer ties with the community, upgrading
the facu,lty,

13/255

Difficulties inherent in following Capen as Chancellor; relationship with Mr. Crofts; Emily Webster;
pressure for athletics,

23/390

Role of the University Council; General Administrative Committee; relationship with Seymour Knox;
Alex Osborne.

27/440

Parry case,
Second side

00/000

0)/075

Parry case; faculty committee hearings; phone tapped;
cotitact with Ralph Himstead of the Association of
University Professors; decision; lunch with Mr.
Kirchofer.

14/275

Relationship between UB and the community; appointment of liaison committee; hopw of involving more
community groups with the University,
Matter of degree of commun.ji.ty control over the
University; Lat&lt;J School; Iliedical School; Dr, Stockton
Kimball; desire for two-way communication with community without relinquishi-ng control,

25/420

Reasons for UB financial problems; state universities;
connection of agribusiness to University of CalifornL~.
at Berkeley; problem involved in maintaining the
integrity of the university and at the same time serving public needs,
Second. tape

00/000

Relationship of university president to other groups
within university,

07/140

Relationship with students; Dorothy Haas; student
pressure for football; problems of book review in
student newspaper that antagonized Catholic community; faculty-student committee on publications,

�-------------·---------

I

I

/

McConnell interview, continued

12/240

Issue of academic freedom; Chancellor Capen; incident involving Linus Pimli:ng; attitude of Seymour
Knox; Dr, Julius Pratt,

19/330

Probiems involving activities of religious groups on
campus; Jewish criticism,

22/380

Relationship of UB with the press,

24/420

uilding program; Committee on Buildings and Grounds;
arr. . .Parker,

~

Second. side

/

00/000

Problems of relationship with community; pressure
from city government official about medical school
applicant.

05/120

Incident involving professor who wished to study
the Polish community; ethnic composition of student
body; plan to build dormitories; student involvement,

12/245

Desire to expand geographical base of UB; read from
his memorandum about the small group who ran the
University; incident involving a professor who used
his office to run his consulting firm; role of Dr,
Pratt,

19/360

Weaknesses

25/425

UB today; role in selection of Meyerson; Seymour
Knox,

within~

UB; financial problems,

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                    <text>McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

TAPE 1 SIDE 1
BKS: This interview with Dr. T.R. McConnell is taking place on May
3, 1979 at the University at Buffalo Archives. Interviewer is
Brenda Shelton. Dr. McConnell, could we start out by talking
a little bit about how you came to the University? How did
that all start?
TRM: Well, I think I covered that in this memorandum which I turned
in. And maybe you could get it from that. But in general I
might say that to the invitation to come to the University for
a discussion of the matter of possible appointment came "out
of the blue." I didn't know anybody here and I have no idea
how my name was secured. I've never asked. And as I said in
this memorandum, I talked to various people.
I said if I
could be helpful in suggesting candidates for them, I'd be
glad to do it. And went on back to Minnesota and forget it.
Then I had a letter from Mr. Knox saying that I really hadn't
spent enough time to find out about the University while I was
here. Wouldn't I come back? And stay long enough to get some
notion of the nature of the institution. And so I did.
And
in due course I was offered the position.
BKS: So you really don't know what drew the attention of Mr. Knox
and others to you in the first place?
TRM: No.
BKS: What had you heard about the University of Buffalo before you
came here?
TRM: Very little.
I can't remember that I knew anything in
particular about it. I'm sure I knew about it as a university
in this part of the world, but .•. but certainly nothing in
any specific sort.
BKS: You hadn't known Chancellor Capen?
TRM: I've never known Chancellor Capen, no. But I'm glad to say in
this connection that I had some part in getting his papers
published. While I was Chancellor.
BKS: Let me approach it from the other side a little bit. Why did
you decide to come?
You didn't know much about the
university. What decided you?
TRM: Well,
um ... its a little hard to remember just why I
came.
I had been offered some presidencies.
But it was
generally uninteresting.
But I had the feeling that what I
had done as Dean of the College of Science, Literature and
Arts at the University of Minnesota was useful at that period,
but I have a strong feeling that different times call for
different people. In administrative positions. Its very hard
for people to learn new lines and to take new roles in a new
scenario. And I felt that it was perhaps a good time for me
to leave the University of Minnesota. I might say that when
1

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]

BKS:
TRM:

BKS:
TRM:
BKS:
TRM:
BKS:
TRM:

the issue arose to whether I would resign to come here, I was
offered a position of Professor in the Graduate School at
Minnesota. Which would have relieved me of all administrative
responsibilities. I was told I could do just what I wanted to
do.
I could teach, I could do research, I do consulting, I
could do anything that I chose.
I couldn't accept such a
position although its certainly the perfect on for an academic
man, I suppose, because I felt that I was not more qualified
for such an appointment than a good many of my colleagues at
Minnesota.
And therefore I simply couldn't assume this
preferential job as it was at that moment. And the University
of Buffalo it seemed to me might be a very interesting place.
It had been this long in the distinguished career of Dr.
Capen. But the University was badly in need of moving on. I
was in a public institution.
I had begun my teaching and
administrative work in a private college. I was interested in
private higher education. And I just thought this might be an
intensely interesting place.
You have anticipated a couple of my questions. I was curious
as to whether you had ever had prior experience with a private
university. Apparently ...
Well, as I've pointed out in that paper, a copy of which I
just gave to archivist.
When I was graduated from Cornell
College which is a small liberal arts college in Iowa. I was
appointed as instructor in English. Then after some period,
a small short period of time I was called in an told that the
Professor of Education had made a shambles of a course in
Introduction to Education.
And they wanted me to take it
over.
Incidentally, that gentleman is a distinguished
sociologist who has recently retired from UCLA. And I did and
I found it a fascinating book.
Later I was told the same
thing about the course in Introduction to Psychology. And I
had taken all the courses in the Psychology Department.
So
they asked me to reorganize the first course in Psychology.
Go ahead which I did. To make a long story short, that's the
reason I became and Educational Psychologist. But after that
time I was asked to Dean of the College.
And I was Dean of
the College when I left for Minnesota.
So you had been in the private sector?
And I'm ... (?] ... life member of the Board of Trustees for
the institution.
That's still far different of course from private urban
institution.
Yes.
Very different.
This was a college of 750 students.
The happiest period in my life I might say.
What did you see as your major ... your goals when you first
came? How did you envision your role?
Well, as pointed out in the memorandum, a copy of which I'll
2

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
give you if you'd like to have it.
I'm sure the archivist
won't object.
First job was to put the house in financial
order because I was ... although I was told I would have a
balanced budget. And by the way I didn't come in until the.
end of the summer. I discovered that they simply balanced the
budget by writing up student tuition. And the students didn't
appear in that number.
So that my first job was to do
something to manage the financial difficulties. And I think
we ended the year with a deficit of $12,000 or something like
that. My ... that was the immediate problem. Which was only
symptomatic of the fundamental financial problem of the
university.
And I had to devote a good deal of time not
actually soliciting funds for the university, but getting an
organization established that would strengthen the ties of the
institution to its city and its region.
And to use a more
intimate relationship of the two as a means of both financial
and moral support for the institution. And so I made various
adaptations and new developments in the organization with this
in mind.
BKS: Obviously, those ...
TRM: May I add ..• just add one more. Because I wasn't interested
just in the financial affairs of the institution. There were
here a few distinguished scholars.
Distinguished in the
academic world.
And you named one awhile ago.
Professor
Pratt was one of those.
The number was relatively small.
There were other scholars whose reputation was well founded
but it was largely a local reputation. And one of my primary
purposes was to lay the foundation and that's all one can do
in a short period of time for doing ..• for strengthening the
intellectual life of the institution and particularly of the
faculty.
The development of research and scholarship and
intellectual life of the institution.
To which Chancellor
Capen said was the primary purpose of the university.
But
that's ... that's what I really wanted to do.
And that was
one reason for example without my ever saying so that we
appointed university professors. Not only to reward them for
distinguished academic career but to use them as models for
the rest of the faculty.
This I pointed out in this
memorandum, too.
There was a rumor around that I wouldn't
promote anybody who wasn't doing research and scholarly
writing. Now that wasn't true. As Dean of Minnesota I made
some promotions against the wishes of departments of people
who were not distinguished research scholars, but who were
distinguished teachers. And I would have done the same thing
here. But I didn't say so. I decided to let the rumor stand
in the hope that that would be another prod to the kind of
intellectual development that I thought ought to take place
here. Sorry about that long tape.
3

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
BKS: The men and in a few cases women who had been in power here
before you came had been here for a long time.
TRM: In the faculty you mean?
BKS: Yes.
And in the administration also ... both.
So that it
must have been difficult in many ways. Things had been going
the same way for a long time. Perhaps people get set in their
ways when they're in one position for a long time. Was this
difficult?
TRM: Yes, it was difficult. Perhaps a little more difficult than
in many institutions. I think primarily because Dr. Capen was
not very well in the later years of his . administration.
Because his own points of view were to my mind were entirely
sound and appropriate for a great university. It wasn't ...
I didn't have any particular difficulties with the power
structure as a matter of fact.
Some of them didn't like me.
Didn't like my points of view. It was quite clear. But I did
everything I could to support people like Pratt and others who
were doing scholarly work. Who wanted to do scholarly work.
At the same time giving support to people like John Horton who
lectured in Latin but who didn't write any books. As far as
I remember.
BKS: A few.
Not ... not ... I think two.
TRM: But I think there wasn't any rigid power structure that I felt
was a serious obstacle. At least I can't remember now.
BKS: In the financial set up which you have already talked about,
was one of the problems there that there wasn't a rigid set
up? That Mr. Crofts had sort of an informal arrangement with
Chancellor Capen?
TRM: Well, the structure ... the administrative organization was
one of dual responsibility to the governing board. That is to
say both Chancellor Capen and Mr. Crofts were directly
responsible to the Council. And Mr. Crofts . . . in other words
they were coordinate officers.
And one of the conditions I
made before I took the position was that this would be
changed.
And that the principal financial officer would be
responsible to the Chancellor and only the Chancellor would be
directly responsible to the governing board.
BKS: Was this a problem with Mr. Crofts?
TRM: Well, he remained a year as Treasurer. And I ... I accepted
that without any particular concern and moved ahead.
He
wasn't obstructive in any particular way.
I remember some
occasions in which I did assert myself. The Finance Committee
of the Council meeting one time asked Mr. Crofts for some
financial administration. What it was I don't remember. It
was the kind of information which they had every reason to ask
for and which he had every reason to have at hand.
Or could
have secured without much difficulty.
But he evaded the
request for this information in a variety of ways.
And I
4

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

BKS:

TRM:

BKS:

TRM:

BKS:

could see he had no intention of giving it to them.
So I
simply spoke up and said, "Well, perhaps it will take a little
time to get the information you want together. And we' 11 have
it ready for the next meeting. "
And I told him to get it
ready. But there were very few such occasions.
I'm curious about something just because I have had people
allude to it. A number of times in interviews. What sort of
power did Emily Webster assert? Do you know? I've had people
say that she really ran the place.
I'd rather not discuss this really, but ..• first of all she
was very close to Mr. Crofts.
And who decided what or who
took the initiative on this or that; I don't know.
I really
didn't care. She was very friendly. She was cooperative. If
I asked her for something I could get it.
And so as I
remember there was no contention between us.
I guess as a woman and as an historian, I have become
interested in these women in positions like that who have no
great power as far as their title is concerned but who exert
a great deal of power. And there seemed to have been a lot of
them in the early part of the 20th century.
And perhaps
that's why I'm asking the question. Out of my own curiosity.
Well, I didn't have long discussions with Mr. Crofts and I
can't tell you how much he knew or what he knew about. But I
should think that Miss Webster knew all that was expected from
that office.
I think she was competent and reasonably
systematic. Now there's one thing I mentioned in memorandum
and without attaching that name to it.
I discovered that
somebody in the Treasurer's Office was rebating the tuition of
selected athletes. And I think I'm correct. I think it was
Miss Webster.
And I don't think anybody had given her
permission to do this.
Mr. Crofts might have known it and
might have approved it. I can't say. But without ever asking
him I can guarantee that Chancellor Capen didn't know it. Now
the only ... here I might say however, and this is ... I think
the only possible criticism I really ever made of Chancellor
Capen for whom I had great regard.
I think his attitude was
that he didn't want to know anything about athletics. And if
he didn't know anything about it then he wasn't responsible
for it. Now to some extent I'm attributing motivation to him
that maybe unfair. But at any rate, that was my conclusion.
Now there ... I said that one of my very few criticisms of Dr.
Capen and you could make the same criticism of many university
presidents.
My own attitude as long since been that if
athletics are to be cleaned up the best way to do is to make
the President of the institution responsible for
the
undesirable practices that are now and then revealed. And if
he lost his job over it the world would be different.
Would the pressure for this kind of athletic rebate system
5

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
have come from members of the Council do you think?
TRM: Oh, not very many at any rate. There might have been a few.
BKS: Or Alumni?
TRM: Alumni.
From the Athletic Department itself I suppose.
I
really don't know.
BKS: There certainly were a number of influential alumni who were
very much in favor of an expanded sports program.
TRM: That's right and they were not very sympathetic to my
administration because I didn't believe in a professional
university football team.
I made it quite clear.
BKS: Well, you shared Dr. Capen's views there . . . . [laugh] ... from
what I've read of his.
TRM:
[laugh]
I took my text on this matter in the
memorandum I've prepared from one of Dr. Capen's papers.
[laugh] ...
BKS: All of this brings up another question that you were saying
that Mr. Crofts and Chancellor Capen had been coordinately
responsible to the Council.
To what extent did the Council
run the place?
TRM: Oh, to a very little extent.
BKS: Was it more of an honorary kind of thing?
TRM: Well, to a considerable degree. The real authority lay in the
general administrative committee.
You may remember that
something like a third of the voting members of the Council
were elected by the Alumni directly.
And ... some of them
were very much interested in football for example. But most
of those didn't turn up on the administrative committee of the
Council.
They were really highly responsible and highly
influential people. And I think one of the things I did not
do very effectively was to educate the Council as a whole with
respect to the affairs of the institution. One of the ••. I
think one of the most important functions of the university
president is to educate the members of the governing board.
But you see it was a large council. And I was busy with all
kinds of things.
And although I use to think about it and
worry about, I didn't spend enough time with this. Again, the
general administrative committee was different. They met once
a week. Or once a month, excuse me. And were privy to most
things.
I tried to keep them reasonably well informed with
respect to what was going on at the University beyond whatever
formal action I wanted them to take. Or they wanted to take.
So I think they were reasonably well informed.
Mr. Knox I
kept informed very closely. And I've said in this memorandum
again, he was a remarkable Chairman of a governing board. He
understood university affairs almost intuitively.
I had
nothing but support from him. I asked him frequently for his
point of view for advice, for counsel which he never expected
me to take unless I chose to do so. I think that expresses it
6

��McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
reasonably well.
BKS: Of course there were some members who were in effect permanent
on the Council.
Mr. Knox among them.
Other came and went
particularly the Alumni representatives.
TRM: Yes.
BKS: Now Mr. Osborn was another was he not?
TRM: Mr. Osborn was Vice Chairman at least during a part of the
time I was Chancellor.
And whatever his private sentiments
were I really don't know, but at least he was very supportive.
Who is the man in Philosophy who got in trouble with the
American Activities Committee?
BKS: Dr. Parry? Dr. Parry.
TRM: Dr. Parry.
When the faculty made a recommendation with
respect to the Parry case.·
And· I decided to follow the
faculty recommendation. I asked Dr . . . . I asked Mr. Knox and
Mr. Osborn to have lunch with me. And I started to tell them
the history of the case.
And what the faculty proposed.
Halfway through that Mr. Knox interrupted and said, "Well, you
want to keep him, don't you?"
And Mr. Osborn I remember
saying, and I had ... incidentally, I had explained that if we
did not follow the faculty recommendation I was sure there
would be an extremely qifficult relationship between the
Chancellor and faculty and the Council in fact.
And Mr.
Osborn spoke up to say, "Well, I'm on the Board of Trustees of
another university in which the faculty and the president are
at odds and I don't want anymore of that." And that settled
the question. That short luncheon period of the Parry case.
BKS: How fortunate.
Because there must have been a good deal of
pressure from the community, Buffalo as a whole, to get rid of
that Communist.
TRM: Yes.
I didn't mention the Parry case in this memorandum
mainly because I didn't have any papers at hand.
And Dr.
Lester Anderson who read my memorandum, I asked him to check
it for accuracy, thinks I should have added something.
BKS: Well, its something I would like you to talk about a little
bit if you would be willing too?
TRM: You want to?
BKS: Yes.
TRM: Well ...
END OF TAPE 1 SIDE 1
BEGIN TAPE 1 SIDE 2
BKS: Alright.
TRM: What I say about the Parry case is subject to correction
because I have not had a chance today to look at the papers
and I expect to do so if I can get the time. But let me say
7

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
that the UnAmerican Activities Committee had ... or perhaps I
should say the Chairman of the UnAmerican Activities Committee
had been extremely critical of the university and college
faculty people as you well remember. And I thought it would
be extremely unusual if we didn't have some problem.
Most
universities of any consequence did have a problem.
And I
decided that it would be far better to have a policy
established in advanced of a particular case. So I appointed
a Faculty Committee to recommend a policy with respect to such
a matter if a faculty member were called before the UnAmerican
Activities Committee and admitted membership of the communist
party or something related to that that might cause a great
deal of criticism.
I tried to appoint to this committee
people who were not extremely conservative. Neither I suppose
extremely radical members of the faculty.
But a judicious
group of people, highly respected by their fellows and with
high integrity and commitment to academic freedom.
And I
don't remember the membership of the committee. Neither do I
remember the Chairman, I'm sorry to say. This committee did
outline a policy. The details of which I don't remember. But
in general I think the policy stated that if a member of the
faculty was called before the UnAmerican Activities Committee
he should not plead the Fifth Amendment, but if he had been a
member of the Communist party to say so. Or if he was still
a member of the Communist party he should say so.
And that
this we thought would be consistent with the integrity and
openness that might be expected of a member of the university
faculty.
Parry was called before the committee, plead the
Fifth Amendment, and so violated the advise of the faculty
committee. I said go back and minute and say ... the faculty
report was submitted to the General Administrative Committee
which approved it. Then I called the faculty ... a meeting.
And told
and read as I remember, either read or
distributed, the faculty statement.
And stated that it had
been submitted to the General Administrative Committee and
approved.
There were members of the faculty who were
extremely critical of my procedure in this matter. Because I
had gone to the General Administrative Committee without
bringing the report of the committee, the faculty committee,
to the faculty.
And I remember the Dean of the School of
Education making an extremely critical speech from the floor.
But at any rate, the document prevailed. Then there were two
possible procedures. One was to have the Chancellor appoint
a special committee to hear the case. The other was for the,
I think it was called the Executive Committee of the College
Faculty to hear the case. I asked the Dean of the College of
Arts and Sciences if that committee wished to hear the case.
And said that if it didn't, then I would appoint a committee
8

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

BKS:
TRM:

.

BKS:

to do so.
It chose to hear the case.
I think quite
appropriately because it wanted to assert its responsibility
I think, or to maintain its responsibility. This was a long
hearing at which Mr. Parry admitted he had been a member of
the Communist party. He admitted it freely to this committee.
Although he refused to do so to the Congressional Committee.
That he had left the party. This committee met day after day.
I remember that it met at time when I should have been writing
a commencement speech. I told Mr •••• Professor Parry that I
didn't like the idea of having counsel at the meetings because
that made it seem far more formal than I thought it might be
..• wise stand. But that if he wanted to decline to comment
on any question before seeing his own counsel privately, he
would have every right to do and we would reserve by the
committee the same right.
There were no difficulties
whatever. All I want to say is that I ••• and other members
of the committee felt it was a very unpleasant occasion
because we were digging into man's soul. And that's the kind
of thing most of us hate to do. Incidentally, I might say, I
came to the conclusion that my home telephone was tapped by
the FBI during this period. And members of the committee were
sometimes inclined to call me at home to comment on something
that had been taken place or might take place the next day or
something. And I finally asked the committee not to call me
by telephone but to come to the office to talk to me.
Those were unpleasant times.
And I •.• you can find the decision that was made which was
approved by the General Administrative Committee.
I was in
touch constantly with the Secretary of the Association of
University Professors in Washington. Who by the way had been
an old teacher of political science of mine. Himstead, Ralph
Himstead. Because I wanted to be absolutely sure that there
would be no question whatever about procedure.
And I think
there was never any question about procedure. The solution by
the way was very close to the one the, Fury, F-u-r-y, I think
the name was case at Harvard.
For which Harvard got public
commendation but we didn't get public commendation. I' 11 just
close by saying that there was a faculty reception for us when
we left Berkley and one of the first people through the line
was Professor Parry. The decision in his case was to revoke
his tenure, but to leave him on the staff. And to have him go
through the same procedure, evaluation and recommendation for
tenure.
It was my successor who underwent certain
circumstances or on whose recommendation are •.• just when I
don't remember, restored his tenure. That's all I remember.
I'm hoping to read the papers this afternoon • . . . [laugh] ••.
Well, your comments at the beginning about the role that Mr.
Knox played; that's very interesting. Because obviously, had
9

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
you not had anyone of authority on the Council supporting your
position and supporting your position in the community there
could have been a far more serious problem. I think. Between
the University and town ... [?] ...
TRM: That's right. And I realize that there would be a great deal
of public criticism of our decision.
Mr. Kirchhofer was a
member of the Council.
The Buffalo Evening News.
And I
decided, although I usually didn't do this sort of thing, to
go on telling him what the decision had been and telling him
a little more about what I thought the essential reasons were.
And simply saying that I realize that he would make whatever
comments he chose.
But that support would be very helpful.
He wrote an editorial about it in which he disagreed with the
decision, but went on to say at the end of the editorial that
the only body that had the right to make the decision, that is
to say the Council or General Administrative Committee hadn't
made it.
And that I appreciated at least.
But I regret to
say that I didn't realize that the ... is this Erie County?
Erie County American Legion was to meet the day or so after
the announcement of the decision was made.
And we were
denounced by the American Legion.
But that was all in the
course of a day anyhow.
BKS: You have been touching here on the community. Obviously, the
community has to play a certain role in a private, urban
university that is supported financially by that community.
Would you like to comment at all on that interrelationship
between the University and Buffalo as a whole?
TRM: Well, I think
the few financial, formal financial
campaigns conducted by the University have been conducted by
members of the Council. Mr. Cooke for example. You I'm sure
have this history. It is my understanding that Dr. Capen had
an agreement when he became Chancellor that he would not be
responsible for financial promotion. So there was a very long
period of time in·which there had been no systematic community
cultivation.
Either of finance or support.
And so some of
the
things
that
I
did
during my
relatively
short
administration were designed to strengthen the relationships
between the University and the community.
One of them for
example was to appoint a liaison committee. Which would work
with industry to development of conferences, · research
relationships, translation of research from faculty at the
university that might be of value and interest to industry and
commerce in this area.
In general to promote these
relationship because some kind of basic foundation had to be
established. It wasn't there. The same thing was very true
was true with other than financial matters in the
university. I don't think the university had ever penetrated
certain elements of the community to speak of. Although when
10

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

BKS:

TRM:

BKS:
TRM:

I came here having learned to pronounce Scandinavian names in
Minnesota, I had to learn to pronounce Polish and Italian
names in Buffalo. There were a great many Polish and Italian
students. But I don't think that the community ... those two
communities had much relationship with the university.
Interestingly enough, if I may comment on this.
These are
people who are likely to be interested in music for example.
I discovered when I went to the symphony concerts and there
were five symphony orchestras here that you couldn't find
these minority members of the community in the audience.
It
didn't touch them.
It didn't reach them.
And one of the
reasons I wanted to establish dormitories was to bring life to
the campus.
Not only to give students a sense of community
and membership in a university, but to bring people in the
community to the university for lectures and concerts. Now we
had to have many major things downtown because we didn't have
auditorium large enough, other facilities for it. But it was
just out here on the edge and very few people really knew very
much about it.
One of the things that I have found interesting is that the
men and women who supported the university through the years financially and in other ways, are not the people who go
there. or send their children there.
Well, I think that's often true.
This . . . first of all,
people like to send their children away from home.
And
children like to go away from home.
I wanted to send my
children away from home to college and did.
I shouldn't say
I sent them. They chose where to go. So that I think it was
reasonably normal.
But I'm afraid of a kind of patronizing
attitude toward the university in influential members of the
community. Now there were very many exceptions to the fact.
But there was no sense of intimacy.
I think you could find
people who are students of higher education, who would say
there ought not to be very much intimacy between a community
and a university. And I can understand their reasons. They
fear control. They fear too much influence. They fear even
an influence on the educational policy and programs.
Perhaps that influence and control did exist when it came to
some of the professional schools.
Well, it might, but then I think not too much. Let me mention
the law school.
When I came here I was visited by some
members of the legal community who objected strenuously that
the law school spent its time patterning itself after the
Harvard Law School and was utterly uninterested in the Bar in
Erie County. And they thought this was inappropriate. And as
a matter a fact I think as time went on the law school did
take an interest in the legal affairs of the profession and of
the community and so forth.
And did establish closer
11

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]

BKS:
TRM:

BKS:
TRM:

BKS:

TRM:

relationships professionally with them.
Whether I had any
influence in that I really don't know or don't remember.
It
doesn't make any difference because I think the fact
developed. The relationships between the medical school and
the local hospitals were varied and complicated and I don't
think I have the background at the moment to make much comment
on that.
There certainly was a lot of pressure to have the med schools
stay near the general hospitals.
That's right.
And if you look at my memorandum you'll see
what I said about that. I was offered a million dollars one
night in a Buffalo club toward the total sum we had to raise
to build a new medical school if I put it across from the
General Hospital. That's in the memorandum also.
Well, certainly many of the faculty at both the Dental School
and the Medical School were practicing Buffalo physicians.
That's right.
And one of the difficulties I had, this goes
back to what needed to be done academically and intellectually
in the University.
One of the difficulties of the Medical
School was it had a pretty good clinical staff but it was not
adequate in the medical sciences.
And this was one of the
jobs I had.
Stockton Kimball, Dr. Stockton Kimball was a
cooperative, intelligent and able person. But of course, he
was in the middle of all of the struggle for power and
position among the hospitals, medical groups, the city.
Did
remarkably well. In the memorandum again, I have said that I
discovered that in the Dental School most of the faculty
members who were practicing dentists in most cases, relatively
very small continuing full time staff in the Dental School
were graduates of the University of Buffalo. And the fathers
were succeeded by their sons. And I called the Dental Dean in
one time and discussed this with him and said, "This must
cease. You have to bring people with other backgrounds, from
other institutions." He said, "There aren't any to speak of
that we can call upon."
I said, "Oh, well look around
harder. " It scared him to death. But you know these are not
things that are particularly to only Buffalo.
This sort of
thing happens everywhere.
Some places more intensely than
others obviously.
There is a philosophical problem here perhaps. The University
of Buffalo, one of its purposes is to serve the Buffalo
community.
And that means in turn I think, that Buffalo
should have . . . the community of Buffalo should have some
input into what the University does.
And yet you have to
balance that with the need of the University to remain
independent. Its almost a balancing act.
Well, that's one reason I established the Liaison Committee.
Incidentally, the young man whose is its first director I
12

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

BKS:
TRM:

BKS:
TRM:
BKS:
TRM:
BKS:
TRM:

BKS:
TRM:
BKS:
TRM:
BKS:
TRM:

think is still here. From the Engineering School.
I wanted
a means of two way communication.
And interest and
cooperation without the danger of control. And I thought this
device might do that.
Now I haven't any history of it so I
don't know what materialized, but I think it was going along
reasonably well when I left. Buffalo is a curious case. Or
at least was in my time. The ... many of the major industrial
firms in Buffalo had their central offices, their main offices
in other locations.
And that made this a particularly
difficult problem. You could get some contribution let us say
from Westinghouse, but not as much as if Westinghouse had been
located in Buffalo.
Or Bethlehem Steel or ...
That's right. And this is one of the reasons that I concluded
before I left, although I don't remember even saying anything
much about it, that the future of Buffalo as a private
institution was doubtful.
That was something I was curious about. Had you even before
you left here had any thought of it
UB going state?
Merging with the State University?
No.
This had never been discussed or ... hinted at or anything?
No. And I don't remember whether I ever said this to people
of any consequence or not. But I ...
I'm curious as to how far back that idea goes.
I don't know.
But you see the lack of financial promotion
over a long period of time was devastating to the institution.
And to make up the difference would have been extremely
difficult. Now there are a few cases in the country where the
differences was made up. One of the was stanford University
which is a case of miraculous financial and academic
development in the fifteen years I've been ... er, more than
that now,
in the years I've been in Berkley.
I've seen
Stanford come up to one of the relatively small number of
extremely distinguished private institutions.
But Buffalo
lacked that foundation on which to build.
The urban, private university is sort of a unique beast.
That's right.
There aren't too many of them when you look around the
country.
And I suppose Harvard has practically no relationship with the
surrounding community.
No, I don't think of that somehow as .•.
But
I
think
a
state
university
probably
has
more
responsibility to ... and a much wider area than a private
urban university.
I don't mean to say that you could not
ignore Buffalo and the Niagara Frontier, but nonetheless this
institution must have wider reference than that, certainly.
13

�McConnell, Thomas Raymond. oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
Its interesting that at the University of California they're
having a considerable argument now about agricultural research
at the University which the agricultural unions now declare
was ... primarily to support agribusiness. Which is nothing
new. I made a speech at Berkley about that a long time ago.
For example, they invented a machine to pick tomatoes. And in
order to that successfully they had to develope a new strain
of tomatoes with thick skins.
If you eat tomatoes in
California you've got to peel them. So there are many aspects
of a public institution's relationship to the public it
serves.
It has tended to ignore certain groups in the past
which it can no longer ignore and to favor certain groups
which it can no longer just favor.
So I would think that
while the University needs to be sensitive to the research
needs, to the developmental needs of industry and commerce in
its area; that it has to be extremely careful to devise
methods of doing this without succumbing to undue control.
Goodness knows that's an obvious statement. And its hard to
do.
But it has to be done. Its a very nice bit of maneuver
to maintain the integrity of the institution and yet to serve
its community in an appropriate way. And what I've said about
businesses and industry ought to be said about cultural
activities in the community as well.
The University when I
came here, I think was un-thought of as a cultural element in
the university ... of of the community. Maybe I'm wrong about
that. Remember its been 25 years since I've left here. So my
memory may be pretty faulty. But I can't remember many cases.
Can you?
BKS: No, no, I can't.
END OF TAPE 1 SIDE 2
BEGIN TAPE 2 SIDE 1
BKS: As I was about to say, the community puts all these pressures
on the college and obviously would like to have some control.
Within the University there are so many groups who want to
exert control also.
There's the faculty in the case of the
University of Buffalo, the Council, the Administration, the
Chancellor, the students.
These must also force the
Chancellor to manuever, to use your words.
At times the
faculty ... the interests of the faculty and the interests of
the Administration may not be identical.
TRM: I'm going to discuss that tomorrow noon, as a matter of fact,
to some degree.
Perhaps I shouldn't have used the word
manuever because this suggests something that isn't entirely
open to all concerned. And my last paragraph tomorrow has to
do with openness in administration.
But one of the
14

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]
President's responsibility is to mobilize the efforts of these
constituencies toward University purposes which are consistent
with the major functions of the institution.
He has to do
this of course with an enormous amount of assistance from all
the parties concerned, representatives of all the parties
concerned.
And incidentally, the internal power of the
University is being redistributed. I wrote a monograph five
years ago I guess called The Redistribution of Power in
American Higher Education. And I confined it to the internal
problems rather than to all the external influences that are
playing upon the institutions today from the state government,
from the federal government, from all kinds of agencies on the
outside.
But internally the power is being redistributed.
And here I think the President has to play a kind of pathetic
role, he has to play a leadership role, he has to play a role
of
education,
of
cooperation
and
consultation,
of
mobilization. Easy to say, extremely difficult to do.
[laugh] ... I don't think that's been a very good answer for
you.
For example, I should say tomorrow noon among other
things that the of decision-making is moving upward in the
institutions and in higher education generally.
That is to
say what was decided at some local point in an institution can
no longer be decided at that point.
But that the decisions
are moving upward. For example, you've got a redistribution
of faculty according to fields of study and research in
universities today.
Its extremely difficult to do.
The
clientele is now wanting more vocational and professional
education of certain kinds.
Which makes it extremely
difficult to redistribute the sources to take advantage of
this. And I think this is one of the reasons why the Central
Administration and perhaps appropriate sections of the
governing board will have to exercise more authority and
discretion than they have in the past.
And this will mean
objections from many faculty which really wouldn't make the
decisions anyhow because it doesn't possess all
the
information necessary and doesn't want to make the tough
decisions when they have to be made. But they will object now
as to the fact that the decisions are made above. So you will
find I think that to ... not only is there more participation
in governmental affairs for example by students, and the
faculty is demanding more participation, and you will find
that governing boards under pressure from community forces
will be demanding more participation.
Yet somehow or other
all these interests and demands have to be somehow reconciled
in the service of the institution.
I'm glad I'm not a
University President.
BKS: You were talking about the different groups that exert control
or try to.
One group we haven't talked about at all so far
15

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

TRM:

BKS:
TRM:

BKS:
TRM:

are the students.
Either your opinion of them, of the
students of the University when you were here or their
attempts to exert ... have some voice in matters ... [?can't
understand her here] ... ?
Well, I should say there was very little of that at the
University of Buffalo between 1950 and 1954. I tried to keep
in touch with students.
But incidentally, Dorothy Haas was
the best person I've ever known to provide a link between the
Administration and the students.
She was an extremely
skillful and able person at this. You know who she is?
Yes.
Yes. I don't mean that the Dean of Students whom I appointed
was ... was not able to, but Dorothy knew how to get to the
students. There wasn't any pressure for a decision-making on
fundamental, university or academic affairs. I remember that
some group of students came into see me one time, to press me
for more support for athletics. Football particularly. They
said, "You want to make this a greater university, don't you?"
And I said, "I certainly do."
"Well how can you do that
without a good football team?" And I remember saying, "Have
you heard of the University of Rochester over the way?"
"Yes."
"Well, it has a much more • . . important academic
distinction that the University of Buffalo at the moment and
it plays little colleges in football." So I'm not sure that
there's any great correlation between football prowess and
academic distinction. They took it all very well. During my
first year, just before the inauguration ... my inauguration,
the students wrote an extremely critical review of a book name
of which I've forgotten.
The review angered the Catholic
community in the city. And Claude Puffer called me up one day
and said, "You want to keep the good will of the religious
communities in the city, don't you?" And I said, "Yes." He
said, "Well, I have had calls from certain catholic clergyman
who say that if you don't get that retracted, the Bishop will
not turn up at your inauguration." So he said you better do
something.
This was in the student newspaper? The review?
Yeah.
So I got the editor in and maybe some others, I've
forgotten, and we talked this over.
And the editor said,
"Well, we don't think there ought to be any disharmony at this
occasion.
Why don't we write something that will take the
sting away?" I said, "Okay." Well, the more I began to think
about that ... the more I thought about that I should say, the
more I thought that it was perfectly legitimate for students
to have written this criticism.
So I called up the young
editor and said, "Forget it. You don't have to do anything."
Incidentally, the Bishop turned up and made the invocation and
was as friendly as could be.
On the other hand, student
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]

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publications were a public relations problem.
Arid I don't
remember the specific instances to support that position. And
I thought a good many of the publications were irresponsible.
But I didn't see any way to move in on this without being
accused of suppression or censorship or what not. But it was
after a particular case, which I've forgotten, that gave me an
opening to appoint a student faculty committee on publications
to review the whole question.
Both of freedom and
responsibility.
Now that's another case of
student
involvement, but the number of instances in those days was
relatively small.
Was there any student pressure during the Parry case?
During what?
The Parry case?
None whatever.
That I remember.
Now you have to remember
this is 25 years ago and I may have forgotten.
But I can't
remember any.
When you placed us against the background of the McCarthy era,
so-called McCarthy era, certainly there could have been
problems.
That's right.
But you ... and I
incidentally, I was
tested out on academic freedom after I came in various ways.
Details of which I don't remember. But I'm ... I think that
the faculty felt that nobody could be as responsible as
Chancellor Capen with respect to the matter. So a conference
was organized soon after I came having to do with civil
liberties and academic freedom and so on. And I'm pretty sure
that was organized for my benefit so to speak. Incidentally,
I had agreed to lecture at the University of Minnesota and I
missed the conference ... (laugh] ... simply left a paper to
read by somebody else for me. But I know of no exception on
Dr. Capen's part to a clean cut view of academic intellectual
freedom in the University. And I'm not surprised I was tested
in various ways. I think I came out alright.
I suppose whenever a person comes in to replace a man who has
been in an institution for so long and was so widely admired,
its a hard act to follow. And almost inevitably some of the
people are going to look for trouble with the successor.
Well, I didn't have any.
You mention here of their setting up this committee.
Isn't
that sort of expecting you not to be as perfect as was Capen?
Oh, sure.
That's the kind of thing I mean.
I think that's understandable.
I think that Dr. Capen is
remarkable in this regard.
And I can understand why they
thought nobody could be that good. Because this . . . I came in
a period when there were all kinds of threats to academic
freedom.
17

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]
BKS: And in a time of transition for the University of Buffalo,
too.
TRM: That's right.
Now there were a few occasions, but not very
many of pressure from the community.
Linus Pauling was
invited to • . . by the Chemical Association of the Niagara
Frontier, whatever its name was I don't remember, to come here
at the University and give a lecture. And I had letters from
officials of the American Legion demanding that his invitation
be withdrawn. And I said, "You know he's going to speak about
chemistry, don't you? Do you have to worry about the chemists
who are employed by the corporations of the Niagara Frontier
being made into Communists by a chemical lecture?" "Well, we
don't want him around under any circumstances. 11 The only time
that Mrs. McConnell or I have ever asked for social publicity
was when asked the ... when we told the newspaper • . . the
local newspaper that we were having a dinner in honor of Linus
Pauling while he was here. So we did. Well there were a few
occasions like that. But not very many.
I think the reason
was simply that Dr. Capen had so established the University's
independence with respect to these men, that they've given up.
BKS: The community was use to this sort of behavior.
TRM: They were use to it.
They tried me out in a few ways and
generally gave up.
BKS: And obviously, some of the people on the Council were in full
support of the academic freedom policy also.
TRM: That's right.
I'm sure a lot of things happened around here
that Mr. Knox didn't like.
But I've never heard him even
suggest it. Never once. And every now and then our great and
good friend Professor Pratt would write letters to the
newspapers here that got me in trouble. Well, that's hardly
the word. That brought criticism let's say. I don't think I
was in trouble.
Cause they knew he was a man of very great
integrity.
BKS: This ties in with something else you had mentioned earlier.
The problem with the Catholic bishop.
And apparently there
had been from way back in the 20's, some problems along these
lines between the Catholic community and UB. Accusations come
up over and over again that UB was anti-Catholic.
Was this
one of the problems with Dr. Pratt also?
He certainly got
into a long controversy with some people at Canisius over the
responsibility for Pearl Harbor, I remember.
TRM: No, I don't remember anything involving Professor Pratt.
Although I do remember kidding him about teaching at
what's the Catholic university in Indiana? Notre Dame
(laugh]
I asked him if he had been censored in his
teaching at Notre Dame.
He said no, had no trouble at all.
There was ... I think the University was pinched now and then
by the competition of religious groups in the community. For
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

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example, when I came here I found that members of the
religious
groups
had
campus
offices
at which
their
representatives could discuss matters with students.
I also
discovered however, that they had begun to offer courses on
the campus to students.
These were obviously non-credit
courses.
This it seemed to me was not consistent with the
non-sectarian private status of the University. And I was a
bit troubled by this.
So I got in touch with the modern
rabbi, whose name I've forgotten. And said, "I was a little
disturbed by this and I thought it might be too much
contention and competition. In the end might just irritate a
lot of people." He said, "Never mind, I think these people
ought to have the students meet in their own religious plans
and I' 11 take care of it. " And he did. And I found he was an
extremely valuable consultant.
But once I. remember a rabbi
came into see me and criticized the University strenuously for
lack of communication, cooperation with the Jewish community.
And I remember saying to him finally, "Well, you know, I
consult frequently with Rabbi so and so." He said, "That's
just the trouble." He was a member of the Orthodox group and
he didn't like the fact that I was consulting a modern rabbi.
You know, these ... when you hear me talk about it may sound
like important issues or events, but they really weren't.
They're in the day-by-day business of the institution which
has some relations with the community.
But they are examples of how the President of a university is
bound to antagonize one group by pleasing another.
That's right. You know move straight ahead always remembering
what the University's function and position is. And you don't
try to make enemies.
You try to make friends but you don't
compromise the position. And of course you do make enemies
now and again in the process.
You mentioned earlier Mr. Kirchhofer at the Buffalo Evening
News. Generally speaking what sort of relationship was there
between the University and the press? I can put it another
way.
Do you think the two major newspaper in Buffalo, the
Courier Express and the News, treated the University fairly in
such matters as the Parry case or other situations?
Well, I think the University was, and I can't give you very
many concrete examples if any at the moment, was now and then
pinched between the two.
And I should think that would be
inevitable.
The Courier partly because of this competition
with the News was tended ... was likely to be more critical of
the University than the News.
The News had always had a rather close relationship through
Mr. Butler and Mr. Kirchhofer.
Yes. And incidentally, that was the case in which without any
overt action the University had to maintain its independence.
19

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20)
Mr. Kirchhofer is sort of a taciturn man.
He was a little
difficult to develope a close relationship with, although he
was extremely courteous and pleasant and open to a discussion
with me. But the ..• my assistant, Administrative Assistant,
who was with Chancellor Capen for about 25 years, would
protect me from calls from the Courier let's say during the
day.
So what the Courier started to do was call me at night
at home.
Which was a little difficult.
So I had a country
place without any telephones.
. .. [laugh) ... And we had a
kind of family room in the basement where we couldn't hear the
telephone, so I could get away from it.
But many a night
after I'd gone to bed, I got a call from the Courier. Again,
BKS: This is part of ...
TRM: Just one of the annoyances in life.
BKS: I remember some problems over the building program while you
were at the University of Buffalo.
Some controversy over
where the buildings were going to be and how they were going
to be designed.
TRM: Well, I don't remember the problems of location except for the
Medical School which I've discussed with you. But we had an
extremely able and aggressive Chairman of the Council's
Committee on Buildings and Grounds.
I guess that was its
name. One Karr Parker. And it was extremely difficult to get
sufficient faculty input in the planning of the buildings.
For example, there were many problems with the School of
Engineering building.
That were due to undesirable
construction elements. And I remember one of the difficulties
with the Medical building was to get more than one elevator in
the building. He didn't like elevators in academic buildings.
But he discovered that if we had only one elevator not only
would people who were alive move up in the elevator, but they
might up with a corpse to the anatomy lab.
BKS: That was a good argument.
TRM: So we got two elevators in that building. But it is extremely
difficult to get adequate faculty input. And I finally just
insisted that he could not complete any plans until the
faculty had had a chance to go over the
and make
reasonable adjustments.
And this was true with the Medical
building. So ...
BKS: Once again you were sort of in the middle with the faculty.
TRM: N-a-yeah-ah. But not very badly. Now one of the ... I'm not
sure I ought to say this because I'll find difficulty in
finding any records to support it. But one of the principal
difficulties during Mr. Parker's regime was that ... to get a
contracts allotted to the lowest bidders. He was inclined to
take the bids and then negotiate the contract with one of the
bidders. Which I didn't like very well.
He had a yacht or
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
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some kind of a boat in which he went to Florida in winter and
... while he was in Florida one winter the Advice Chairman of
the Committee whose name I've forgotten.
One of the finest
people on the Council. Serving as Chairman of the committee.
And there was some construction matter that had to be
submitted to bids and we gave the contract to the lowest
bidder. And we heard from Mr. Parker from Florida, both of us
, about this.
Now I don't think there were any extremely
serious problems involved. At any rate, few contractors made
a protest over the matter.
But it was a matter of
considerable significance. Which I found very difficult. And
which if I remember correctly, I didn't even bother to discuss
with Mr. Knox.
I decided . . . might as well fuss with Mr.
Parker and not worry him.
And it all worked out alright?
Well, I don't think the Medical building was too well
constructed, but that's another story.
I've been asking a lot of questions.
Are there any areas
where you would like to say something that I haven't touched
on?
Well, I made some notes about things I hadn't discussed in
this memorandum, which was really a reply to the questions of
the doctoral student. Although I added some things which she
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END OF TAPE 2 SIDE 1
BEGIN TAPE 2 SIDE 2
TRM: No, I don't think so.
There might be some more examples of
some minor difficulties with elements in the community, but I
don't think they would add anything to what we've already
talked about.
BKS: Well, its up to you. Although its an interesting part of the
history of this university, I think, is its interaction with
the community.
TRM: Well, I could give you an example or two.
A member of the
city government when we were building the Medical School came
to see me to say that his son had not been admitted to the
Medical School. And he thought this had been unfair. And he
called my attention to the fact that the city sewer came only
to the corner of the campus beyond the Medical School.
That
when the Medical School was built $75,000 would have to be
expended to extend the sewer and that if his son were not
admitted to the Medical School, he would see to that the city
didn't provide the $75,000. All I said was that I would look
into the matter.
And so I went to the Chairman of the
Committee on Admissions at the Medical School and asked him
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
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about this particular student. I didn't tell him what I had
heard from his father, but said I had had a protest.
And I
wanted to know whether or not the investigation of his
qualifications had been thorough and unprejudiced.
He
reported that certainly had been fair. That he simply didn't
meet the necessary requirements in certain regards.
And I
reported that back to the boy's father and said I'm sorry, but
I accept and will support the action of the Committee on
Admissions in the Medical School. Not long after that I got
a telephone call or a visit, I've forgotten which, from a
member of the Council who told me that it was absurd for the
University to have to pay for the extension of the sewer and
that he was going to talk to the Dean of the Medical School.
I said, you can't talk to the Dean of the Medical School about
this I'm sorry to say.
It's not your prerogative.
Why he
said, "What do you mean? I can talk to anybody I please, this
is a free country." I said, "You can talk to him about the
weather, but you can't talk to him about admission to the
Medical School.
I simply will not tolerate that kind of
pressure on a member of the faculty. You can beat me about it
all you want, but you can't go to the Dean." Its my business
to see that, first of all, the Deans and his committee have
been careful about evaluation of the candidate and if he has
then its my business to protect him.
If he hadn't been, I
would have asked him to review it. Well he said I'm not going
to be told whom I can talk.to so I suppose he went to the
Medical Dean. At any rate, I called the Dean quickly and said
you're going to hear about this from so and so.
I told him
what I had said and so on. This is the day by day business.
And I never told anybody around the University about it.
I
just went off to Vancouver, I remember, to make a speech and
have a little vacation that summer expecting to have to find
$75,000. And when I got back I discovered the city was going
to put in the sewer.
BKS: Other than that, which can hardly be called direct political
pressure, what sort of relationship was there with the city of
Buffalo? Did you have to have many dealings with them?
TRM: No. Very few, I should say.
. .• [Our visit just this year]
. . . an interesting episode. A professor-- which department of
the University I don't remember- wanted to study the
acculturation of the Polish community of Buffalo. And he came
to see me and said he'd appreciate it if I would arrange an
opportunity for him to meet the Mayor who is from the Polish
community and certain other members of the City fathers, and
let him present his case.
So I arranged a luncheon and he
presented his case. And what he said to them was essentially
that he thought it would be very helpful to them politically
if he made this study because they would find out a great deal
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]

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about the attitude and backgrounds, the interests and
activities of the Polish community and this might be very
helpful in their election campaign ... [laughs] ... The Mayor
spoke up and said, 'sorry, we don't need any help on the
political problems of dealing with the Polish community,' ...
[laughs]
and that was the end of the luncheon.
(laughs] ... But I would say that the relationships were not
unusually difficult.
I think the sort of thing you might
expect. Any more than I would say relationships with respect
to athletics weren't anything more than one might expect if he
didn't believe in buying athletes. I spent far too much time
with athletic memorandums because the young woman wanted to
know about it.
Was there ever any pressure here talking about the Mayor
wanting his son in Medical School ...
Not .. it wasn't the Mayor. It was somebody else.
Somebody inside the administration, excuse me. Was there ever
any criticism of what students were and were not let into the
University on an ethnic basis or religious or color, or
anything of that sort when you were here?
No.
Not overtly, but during those days, the University was
often called "Jewbee", but that didn't worry me very much
either.
Well, there were very few blacks certainly at that time at the
University.
That's right. But there were lots of Polish students and lots
of Italian students if I remember correctly. At least when I
had a student reception, I had a heck of a time with the
names. As I said a while ago, no I don't remember any ...
And, of course, this was prior to the days of pressure about
getting blacks in.
Well, one of the reasons I think there was some question
about, and in certain quarters .. ! don't remember any of the
Council .. about residences on the campus was that it would open
us up to more students from New York city and so on.
Someone once mentioned to me that one of the reasons for
having dormitories was to encourage more women to go to the
University at Buffalo. Was there any truth in that?
I honestly don't remember to what extent ... (laughs] ... that
might have ...
... outside students coming here: women, families would rather
have them stay in a dormitory that have to go ... "
Well, I .. it could very well have been so, because there wasn't
any systematic organization with respect to student residences
in private homes and quarters.
The Dean of Women, for
example, didn't approve places where students might stay.
She did earlier, in the early history.
Well, she may have, but she wasn't doing it then.
And that
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1979. Interviewed by Brenda K. Shelton. (OH 20]

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was a little unusual in those days.
I suppose now nobody
would object; but it was different then.
And so, I think
probably I did have in mind providing adequate resources of
this sort. Incidentally, I had a student faculty committee on
the general planning of the residences.
You asked me about
student participation a while ago.
And this annoyed the
architect no end. He didn't want any students around telling
him what ought to be done. But we managed to get through that
alright too. And I think, as a matter of fact, the students
had a good deal of influence on the resource facilities that
were provided in the dormitories.
That would seem to be a place where student input would make
sense.
Well, I think so too.
Because I remembered from times past
that students were usually extremely critical of the food
services when we built the addition on North Union of a large
dining room.
I suggested to Claude ... (Puffer) ... that we
get a student committee to advise on food services.
So he
did; and he also had a faculty committee and it made it
possible for the faculty committee to eat there whenever it
wished without charge for this purpose.
Well, the students
made a long report one time and he came into to me and, in
great disgust, he said the student committee report goes on
and on about too many calories--is that the right word?--and
ended up by saying it wanted more potatoes, not--w.hat's the
right word?
Calories?--he said
[laughs]
, 'I'm
through.' ... [laughs) ... and I said, o.k. give them some
more calories for a change. But those were not very important
ways in which to involve students but at least they occurred.
Well, there was no pressure in your days for there to actually
to be part of the administration.
No.
That comes later.
That came later.
It's a very different kind of atmosphere than it was later in
the sixties. Do you have any overall view of the caliber of
the student body?
The caliber?
When you were here?
No, I don't remember enough about the .. the characteristics of
students to respond to that very well.
Most of them at that time were still coming from the Western
New York area.
Yes, and largely local area.
And of course that's something dormitories would help to
change.
I wanted very much to expand the area served by the University
and this is .. was in part, because I believed in a more
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1979. Interviewed by Brenda K. Shelton. (OH 20)

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cosmopolitan institution, but also in part, if you recall our
earlier conversation, to reduce the possible power of the
urban community and expand the interests which were concerned
with the University.
You were aiming in that direction, also in recruiting faculty
from outside the area.
Yes.
Making it a less parochial kind of institution.
I would
gather than you feel that one of the problems, at least in the
later years under Chancellor Capen, was that there was a small
group of faculty and maybe a few people of the community
who .. it was just sort of a comfortable place that they ran
and .. been here for a long time . . .
Well, let me read from this memorandum about what I found
here:
"I found some strong academic elements in the
University which exemplified Capen's conception of the
institution. "
I had previously quoted what his conception
was. "It possessed a limited number of distinguished faculty
members whose scholarship was widely recognized.
I also
included a group of scholars whose academic reputation was
mainly local. I sensed the existence on the campus of a kind
of
informal scholarly gentlemen's club comprising
an
intellectual aristocracy with a strong local orientation drawn
primarily from the faculty in the College of Letters and
Sciences." Is that what you meant?
And these particular faculty members had contacts in the
community as a whole?
That's right.
One of these people who was a professor of
English came to me and said now if you want to meet anybody in
the community, you just let me know. I thanked him.
Well, that sort of thing has its strengths and its weaknesses.
That's right.
I assume that many of them had been here for a long time.
That's right. Now again, you see, there were these people and
there were also the Will Pratt's.
Some very distinguished
people with reputation that goes beyond the community by far.
And who didn't belong to the gentlemen's club around here.
Let me give you another example.
There was a professor of
Economics or Business Administration whose name I have
forgotten, who essentially used his office as a place to
arrange his consulting business. And I don't reme~ber what he
wanted at one time, but the answer had to be 'no'.
And I
discussed it with Lester Anderson and he agreed it had to be
'no'.
And I said, now Lester, he is the sort of person who
will hold this against a man who conveys this decision and
since I'm the guy who takes the heat around here anyhow, you
let me tell him. He said, well it's my business to tell him.
I said, well yes, but let me take the heat.
"No," Lester
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�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. [OH 20]

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said, "I'm going to do it." And he did it. The day after my
resignation was announced, this professor got up a petition to
get rid of Lester Anderson because this was what I had felt,
you know, would happen. The sort of thing that would happen.
It was Will Pratt who came in to see me soon after that and
said there's a petition going around to get rid of
[laughs] ..• Lester Anderson. I said, yes, so I've heard. He
said would you like me to get a counter petition going to keep
Lester Anderson?
I said, I am not sure that it' 11 be
necessary. Why don't you keep your ear to the ground and I ' 11
keep my ear to the ground and if we think it's necessary we
can do it. Well it didn't turn out to be necessary. This was
the sort of thing Will Pratt would do when he thought a matter
of real importance and responsibility was involved.
He played quite a key role in the Perry case also I always
understood.
That's right.
He was the best advisor in the whole
institution.
Now he wouldn't always do things that I would
like to do.
I became convinced, for example, early in the
game that too many departments offered Ph.D.'s, really not yet
ready to do it. And I thought one of the things that might be
done was to do some interdepartmental interdisciplinary .• to
devise some interdepartmental and interdisciplinary programs
form doctoral degrees that wouldn't put so much pressure on
any one department that would provide, for example, good
background for some kinds of teaching positions.
Well,
Professor Pratt was Graduate Dean in those days and I couldn't
sell it to him.
So I gave that up, among other things
[laughs] ... that I gave up and I respected his judgement.
There was nothing to do. Because I couldn't have fought him
anyhow. You know, he could have .. could have beat me in that
game.
You mentioned various departments. What do you think was the
greatest weakness of the University as far as certain areas
are concerned?
Departments or general areas when you were
here?
I don't think I'd better try to do that. I knew some of the
weak departments and some of the stronger departments. And,
as I told you, I though we were offering doctoral degrees, in
some cases, where we should not.
And in this memorandum I
talked about the fact that I made a, what today would seem to
be a puny little special allocation of funds to the library to
strengthen departments which gave doctorates and in which the
library resources were insufficient.
I tried to do that.
There were doctorates being offered in the School of Pharmacy
and I suspected that the School was not sufficiently staffed
for that purpose.
The doctoral program was supported by
stipends for doctoral students in the departments', in the
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school's budget.
I got nowhere with Dean Lemon about the
matter so once I just cut all those students' stipends out of
the budget. I thought that might do it. He simply went down
town and through his nice relationships with people came back
with enough money to restore the student stipends ... [laughs]
... So that was another one of my failures on the academic
side of the University. Amused me no end. He really beat me
at the game.
Well, it illustrates once more the ties between the graduate
student schools--Pharmacy, Medical and so on--and the
community.
That's right.
And I think I might go on to say that under
Dean Lemon, the faculty was strengthened somewhat. Maybe that
was
[laughs] . . . an indirect result of my arbitrary
administrative act.
Apparently the sciences were an area which, partially because
the United States was changing, needed strength.
Certainly
they were strengthened, at any rate, in the years after ... ?
That's right.
Chemistry was in fair condition and had a
pretty adequate library. Physics had some good young people
but not enough.
Engineering wasn't approved by the
accrediting agency. There was a good deal of ...
It's interesting that in a city which is an industrial city,
that there wasn't more emphasis from the community on
developing that side of the University. I think it shows what
you were talking about earlier. There never had been strong
ties between industry and the University.
And you see, also, the situation in Engineering, I suspect,
reflected the lack of aggressive and systematic financial
development.
They should never have gone into Engineering
without enough money to support it adequately. The building
didn't provide the adequate academic resources.
Now I
don't .. ! don't feel unusually critical about that. I suppose
you can start something and hope that it will be accredited
and there were difficulties, as I've pointed out here, with
the leadership of the Dean and that was changed under my
successor.
Incidentally changed mainly by Lester Anderson.
But nonetheless, I think the adequate foundation financially
wasn't there.
So that it was •..
And it wasn't there in other cases too.
So much of what you're saying here points to the takeover by
the State.
That's right.
What do you think of it all now?
I don't know very much about the University. Nobody every ...
It certainly looks different, doesn't it?
Nobody ever sent me the Chancellor's annual reports, for
27

�McConnell, Thomas Raymond. Oral History Interview, May 3,
1979. Interviewed by Brenda K. Shelton. (OH 20]

BKS:
TRM:

BKS:
TRM:

example. So .. I would see Lester now and then at a meeting or
Claude or somebody and hear something.
But I never really
systematically followed the University's development. I had
some connection with the appointment of Meyerson
as
Chancellor.
Because you were in California.
I was in California.
I was called-- I don't remember by ...
whether it was by Mr . Knox or. . . whether by Mr. Knox or
someone else--asking why he wasn't made Chancellor at
Berkeley.
He was Acting Chancellor.
To which my response
was, well the man who picks up the pieces usually doesn't get
the job. He had given me wonderful support. I happened to be
in the hospital for eye surgery when the committee
representing the Federal Government came by to inspect us for
possible allocation of one of the research centers in higher
education-- a large amount of financial support. So I dealt
with the committee by telephone from the hospital about Mr.
Meyerson •.. Chancellor Meyerson just went all out for us. But
I was here in town for some reason. Maybe I was talking at a
conference. Anyhow, Mr. Knox asked me to come to lunch with
another member of the committee who I guess I'd better not
name, to talk about Meyerson. And I came to the conclusion
that the other member was extremely negative about the
appointment because Meyerson was Jewish. As a matter of fact,
it never occurred to me that he was Jewish. I hadn't thought
about it. This again is something to be said in Mr. Knox's
behalf.
So I said .. nothing was said about a Jewish person,
but there was a long discussion of Meyerson's abilities and
accomplishments and so forth.
And I've·often wondered what
happened to my credibility afterwards ... [laughs] •..
Perhaps that's a good not to close on unless there is
something else that you would like to talk about.
No.
I'm going to look up a few things this afternoon ...

End Tape 2, Side 2

28

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                    <text>Index to Interview with Joseph Manch, November 27, 1978
Minutes/count~r

00/000

Family background; early childhood in Niagara Falls;
father a rabbl; moved to Buffalo 1922; early knowledge of Polish, Yiddish, Hebrew and ~hen English.

05/118

Education at School 32 and Hutchinson; decision to
become a teacher; influence of russ Craig, Louise
May Hodges, 1VIiss Halloran; began early to write
poetry.

08/165

Majored in English; his Bar IH tzvah; encouraged to
speak in the synagogue.

10/200

Undergraduate years at UB; influence of Adelle Land,
Henry tenEyck Parry; interest in athletics; Biffy
Lee asked him to play fobtball; comments about
Chancellor Capen.···

17/320

Further remarks about Adelle Land.

18/334

Graduated 1932; worked at Sattler 0 s; Militello asked
him to write a radio script for program called
"Angelo and Pasquale and their New Deal Barbershop. tl

22/390

E. Philip Israel helped him to get job at Kohut
School for Boys in Westchester County; marriage,

26J450

Returned to Buffalo; taught at Seneca Vocational
where he pursued interest in photography and did
radio work; transferred to South Park, then to Kensington; became interested in guidance; appointed.
Director of Guidance for Buffalo Schools; belief in
the value of vocational education and its importance
in teaching academic subjects.
Second side

00/000

Began program with Marine Bank where students could.
work part time.

o2;d:;;s

UB :master's degree in 1940; wrote thesis on Jonathan
Swift and women.

07/170

~ublished

10/205

Worked as camp director; continued interest ln photography; pleasure of continued contact with former
stud.ents.

ll.!-/285

Early work in guidance; coordination of various
divisions into Department of Pupil Personnel Services
with Manch as Ass:lstant Superintendent; then 7 years
as Associate Superintendent for School Community

first book of poems in 1932.

�Relations; named Superintendent in 1957 and served
until 1975.

18/350

Interest in child abuse resulted in doctoral dissertation based on 105 suspension cases; l.'1anch now a member
of committee appointed by County Executj_ve to study
this problem,

22/408

Memories of UB and of Drs. Silverman, Parry, Land and
Bonner; taught English at UB but preferred younger
students; concern over how teachers are educated,
es·oecially those going into urban schools; Dr. Fisk
asked him to speak to education faculty few of whom
had any experience with Buffalo public schools.
Tape II, side I

00/000

Controversy oVeD extension of teacher lists led to
membership in Buffalo ~ree.chers' Federalion; role in
1947 teachers' strike; asked by Pisa to act as~
moderator to avoid strike while Superintendent.

10/200

Advocated introduction of foreign languages at grade
school level; disappointed that this :program recently
discontinued for fiscal reasons; important to have
public involved in educational matters; appointed by
Carey to Task Force to investigate problems of school
financing.

15/290

Early advocate of school integration; opposed by
certa1.n school board members and politicians; magnet
school program: effects of residential patterns.

20/390

Nembership in Council of Great City Schools; role of
Dr, ltlillis; fought for equal financing for city schools;
federal aid but local control; Carey remembered
_}1anch •s testimony to Congressional committee on thls
subject,
Side

IP~

08/155

Activities since "retirement;" director of Educational
Opportunity Center; serves on many committees, local
and national; moderates monthly TVprogram; member of
Joint Council on Economic Education and rrask Force
on financing public schools.

12/~lf0

6ontlnued interest in photography; writes column
for Buffalo Ii~!:!~·

14/255

Comments about new UB campus; interest in the Buffalo
waterfront.

17/320

Applauds downtown UB theatre ,and worlc of Harold Cohen;
worked as young man at Tecl{ J.:heatre and then at

-t~

First side of the tape ends with about 8 minutes to go, and
the second side was not rewound to the start and therefore
begins at about 8 minutes.

�Erlanger; relationship between teaching and acting,

20/360

Reflections on his career; prou:1.d of hts involvement
with students; creation of Inter-High School Student
Association; "dress r:tght 11 code; importance of involving sto.dents in decision making.

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                    <text>Interviewer's Observations: Dr, Manch, Nvvember 27, 1978
Dr, Manch had on the table next to him a number of things
he had written or Which had been written about him, including
a book of his poetry and his master's thesis, and during the
interview he read from the latter. Mrs, Manch was cleaning a
closet, and at one point the sound of her dumping things into
a paper bag comes through very clearly, She walked in and out
of the room a n}.mJ.ber of times, and While I was changing the
tape expressed some of her own opini.ons. Her comments about
the threatening phone calls and other forms of abuse she and
Dr. Manch were subjected to as a result of his stand on integration and her more explicit reference to the political figures
he referred to were very interesting but he refused to discuss
the subject further on tape, She is obviously very bitter about
the way ~anch has been treated since his retirement but, again,
he would say nothing,
There were a number of interruptions on the first side
of the second tape, Dr, and Mrs. Manch talked off the record
about his relationship with Dr. Reville, and toward the end
about the la6.k of recognition for his ee.rly efforts in behalf
of integration. I lost track of how much time was left on
that side of the tape and therefore reversed it, but neglected
to set it back to the start so that the second side does not
begin for about eight minutes.

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                    <text>JOSEPH MANCH
Joseph Manch attended the University of Buffalo both
as an undergraduate and as a graduate student.

He

pursued a career in education and was Superintendent
of Buffalo Public Schools from

1957~1975.

He also

served as a member of the University of Buffalo
Council from 1959-1962.
Mr. Manch begins this rather lengthy interview with
a discussion of his childhood in Niagara Falls and
Buffalo.

He then talks about his education at the

University.of Buffalo and his early career teaching
in several Buffalo area schools.

As the interview

proceeds, Mr. Manch examines various aspects of his
own philosophy of education, including his support
of school integration.

Several·specific topics rel-

ative to his tenure as Superintendent of Schools are
discussed as well, including the deteriorating fiscal
situation of the early 1970s.

Toward the end of the

interview, Mr. Manch comments on several of his current activities and makes some retrospective comments
regarding his experiences as an educator.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23940"&gt;Overview&lt;/a&gt;</text>
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                <text>1978-11-27</text>
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                <text>Superintendent of the Buffalo Public Schools, 1957-1975; member of the University of Buffalo council, 1959-1962; alumnus of the University of Buffalo. Tape of an interview with Manch conducted by Brenda K. Shelton, November 27, 1978. Concerns his childhood in Niagara Falls and Buffalo; education at UB; career teaching in Buffalo area schools; philosophy of education; school integration.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Joseph Manch attended the University of Buffalo both as an undergraduate and as a graduate student. He pursued a career in education and was Superintendent of Buffalo Public Schools from 1957-1975. He also served as a member of the University of Buffalo Council from 1959-1962. Mr. Manch begins this rather lengthy interview with a discussion of his childhood in Niagara Falls and Buffalo. He then talks about his education at the University of Buffalo and his early career teaching in several Buffalo area schools. As the interview proceeds, Mr. Manch examines various aspects of his own philosophy of education, including his support of school integration. Several specific topics relative to his tenure as Superintendent of Schools are discussed as well, including the deteriorating fiscal situation of the early 1970s. Toward the end of the interview, Mr. Manch comments on several of his current activities and makes some retrospective comments regarding his experiences as an educator.</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; Dr. Manch, November 27, 1978 &lt;br /&gt;&lt;br /&gt;Dr. Manch had on the table next to him a number of things he had written or which had been written about him, including a book of his poetry and his master's thesis, and during the interview he read from the latter. Mrs. Manch was cleaning a closet, and at one point the sound of her dumping things into a paper bag comes through very clearly. She walked in and out of the room a number of times, and while I was changing the tape expressed some of her own opinions. Her comments about the threatening phone calls and other forms of abuse she and Dr. Manch were subjected to as a result of his stand on integration and her more explicit reference to the political figures he referred to were very interesting but he refused to discuss the subject further on tape. She is obviously very bitter about the way Manch has been treated since his retirement but, again, he would say nothing. There were a number of interruptions on the first side of the second tape, Dr. and Mrs. Manch talked off the record about his relationship with Dr. Reville, and toward the end about the lack of recognition for his early efforts in behalf of integration. I lost track of how much time was left on that side of the tape and therefore reversed it, but neglected to set it back to the start so that the second side does not begin for about eight minutes.</text>
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/

I

I

Interview with Walter J, Mahoney, April 26, 1979
minutes/counter
00/000

Parents, childhood; education, people who influenced
him at Lafayette High School: Captain Mellon, Senor
Lopez, Miss Sage, Miss Beech,

05/115

Decision to go to Canisius College; attitude about
UB.

10/200

UB Law School; Dean Carlos Alden; little college
life; advantages of having Law School in downtown
area,

19/335

Genemal feelings about UB; graduated 1932; stant of
involvement in politics; reason for being a Republican; Young Republicans Club; elected to Senate in
1936.

25/420

Accomplishments during years in Senate: brought
about increased stature of Legislature; obtained
funding for'Roswell Park Institute with help of
E.H. Butler, Ed Jaeckle, Assemblyman Gugino; played
important role in State taking over UB, together
with Frank Ilioore, Ed J aeckle, Seymour Knox.
second side

00/000

Feelings about UB becoming a State university;
comments about the negotiations leading up to the
takeover,,

05/110

Chancellor Furnas; getting State support for nuclear
research center at UB,

08/185

Benefits of UB to community,

12/245

Comments about UB Law School.

15/270

Years in Senate; court reform; State Supreme Court
JRdge,

!

i

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                    <text>Interviewer's observations: Walter J. Mahoney, April 26, 1979,
Mr. Mahoney's office is on the 26th floor, far above
the city noises but' providing an excellent view of downtown
and the lake beyond, He sat behind his desk in a swivel
chair whose squeaking can occasionally be heard. He also
shuffled papers off and on during the interview. Although
he had asked his secretary to hold all calls, the phone did
ring once and I turned off the recorder while hespoke with
a client.

�</text>
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                    <text>WALTER J. MAHONEY
Walter Mahoney graduated from the University of Buffalo
Law School in 1932 and went on to become a state senator
and a state Supreme Court justice.

From 1960-1962 he

was a member of the University of Buffalo Council.
Judge Mahoney begins this interview by talking about
his early education at Lafayette High School and Canisius
College, and his later experiences as a student at the
University of Buffalo Law School.

He goes on to discuss

his career in state politics and his continued involvement with the University of Buffalo.

Judge Mahoney also

discusses, at length, the negotiations leading up to
the merger between the University of Buffalo and the
State University system.

I
I
I

�</text>
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                    <text>Walter J. Mahoney

Page

Tape 1, Side 1

Interviewed by Brenda K. Shelton
BS:

April 26, 1979

This
interview with Walter J.
Mahoney is taking place on
April 26th in his office in the Main Place Tower in downtown
Buffalo.
The interviewer
is Brenda Shelton.
Would
you
start out by telling me something about your parents?

WJM: Well, how does one know what to say about their parents
except they loved them.
I did not have an abused childhood.
I
think it was perfectly normal.
My father
was a fireman
and my mother was a schoolteacher.
She did not teach,
however,
after being married.
And,
I became
a firebug
because of my father's 6ccupation.
BS:

Had they both been born in the United States?

WJM: Yes, they were:
BS:

And you were born in Buffalo?

WJM:

I

BS:

was born in Buffalo.

Where did you live when you were a little boy?

WJM: Most of the time on Front Avenue, now known as Busti Avenue,
between
Jersey and
Pennsylvania.
At
that
time,
my
recollections of it now, at least, it was an average, middle
class,
working
man's home.
The
homes
were small,
comfortable and generally the kids in the street had a lot
of fun without getting into too much trouble.

BS:

You had the water nearby.

WJM:
BS:

[laughs]
That must have been fun.

Was it an ethnically mixed area?

WJM: Yes, although there was a predominance, if you insisted that
I
find a predominance,
it would be Irish American.
But,if
they predominated~ it was not to a very great degree.
I can
specifically recall
people of other ethnic backgrounds,
cultural
backgrounds,
and religious backgrounds!
Many of
the youngsters,
although I went to a parochial school, many
of my closest friends went to public schools at the time.
BS:

You did go to parochial schools?

WJM: Yes.

�Walter J. Mahoney

BS:

Tape 1, Side 1

Page

The elementary school level and then ...

WJM: At the elementary school level I went to Holy Angels.
That
was a parochial school;
then to a public school,
Lafayette
High School,
and on to Canisius College and eventually the
University of Buffalo Law School.
BS:

Were there any individuals,
teachers,
friends in the years
up until you went to college that had any special influence
on you other than your parents?

WJM: Up to the time of going to college, you say? Yes, I think
several people in high school,
at Lafayette, had a profound
influence on me, for better or for worse as they say.
If it
was for
worse,
it's my fault!
Captain Mellon was the
principal
of Lafayette High School and, of course,
he's
legendary in Buffalo.
Everybody loved him, particularly the
fellows.
As
I recall
it now,
it
was an era when it was
quite the popular thing for the guys in high school to take
other people's cars without permission, and go for joy rides
and get in trouble and big headlines,
and so forth.
Well,
this so shocked Cap Mellon that he had an assembly one day
and he shed tears about what these boys were doing to the
good,
old plant,
so that all
of us nearly wept with him!
And
that rash of car borrowing,
shall we call it,
didn't
last very
long
after
that assembly.
There was another
teacher,
Senor Lopez, who taught me Spanish.
By the way, I
can't speak a word of Spanish today, but I always remembered
him for his kindliness, and his toleration of wise,
young
guys that made fun of an attempt to learn another language
instead of being smart enough
to absorb what they could.
There was another one,
Miss Sage, and a Miss Beech, both of
whom were teachers of English.
And
I think
it's to them
that I owe my appreciation, not knowledge of, I stress that,
but appreciation of,
English literature.
There undoubtedly
are,
I can recall a couple of others,
but I can't specify
just how I feel they influenced me.
BS:

Did they and others encourage you and some of your friends
to go on to college? W~s there an emphasis there on going
on?

WJM: No. As I recall it now, there was no emphasis on it.
If
any emphasis came on college,
as far as
I was concerned
personally,
I think it came from my parents and my brother
and sister
who are older.
I
can particularly recall my
sister urging me to study harder
in high school so I could
get
into a reputable college.
But there was no stress or

�Walter J. Mahoney

Tape 1, Side 1

push,
schoo J..
BS:

to my

Page

recollection,

from

You mentioned earlier that your
Was she a college graduate?

the faculty

of the high

mother had been a teacher.

WJM: No, she was not.
She taught in the elementary school, but
however
that came about I don't know.
But she did not have
a college degree.
BS:

It wasn't required in those days.

WJM: No,

I know.

BS:

I

WJI'1:

No.

BS:

But your brother and sister did?

just
either?

wondered

if

she had.

And

your

father

had not,

WJM: Oh, yes.
Yes, my brother had a law degree and my sister had
several degrees and fellowships in the field of music.
BS:

Why did you decide to go to Canisius?

WJM: Two reasons, I think.
Number one, my parents couldn't
afford to send me out of town, which I would have preferred,
frankly.
And secondly,
when it came to being restricted to
the area,
most of my friends were going to Canisius and I
preferred
to have something of my religious background
embodied in my college career.
BS:

What was the attitude of you and your friends then, towards
the University of Buffalo, when you were at Canisius?

WJM: Well, roughly my recollection is, and I assure you it's a
rough one,
is just that it was that othe·,- Buffalo college;
[laughs]
despite the disparity in size.
I don't recall any
distinct idea of attitudes on our part toward the University
of Buffalo at all.
If they e&gt;&lt;isted, I don't recall.
BS:

I have come across hints that many Catholics saw UB as
anti-Catholic, and
that there was a good deal of hostility.

W.'TM:

I have since learned, whether authoritatively or not I don't
know,
that there was a basis for that feeling.
I happen to
know,
incidentally,
a lawyer, not too much younger than I,

�Walter J. Mahoney

Tape 1, Side 1

Page

who quoted to
me the name of a professor
in one of his
classes, asking certain questions of the students after a
lecture.
He said in a very derisive tone,
" well,
let's
hear
what the Irish Catholic thinks of it," and called on,
let's call him Mr.
McGillicutty.
And this fellow,
being a
hot
Irishman,
proceeded to tell
him.
Now that's the only
positive evidence, you might say, that I know of.
But since
getting out
of college and going
on,
I've been hearing
people talk.
I would think
that there was some basis for
the old UB being antipathetic to religion, at least if not,
to Catholicism per se.
BS:

Were
there any sports that the two colleges participated in
against one another?

WJM:

I believe there were, but I myself was not active in sports
in
college, so
I
don't recall
the extent
of
that
participation or competition between the schools.

C' •
B o.

So as far as you knew,
either?

there

was no rivalry in those ways

WJM: No, unless it were in basketball.
I seem to have a vague
recollection that they played each other in basketball a
couple of times.
BS:

Now, you went four years to Canisius?

WJM: No, two years.
BS:

Three, I'm sorry!

Any experiences there that stand out in your memory?

WJM: No, except that they ~ere most enjoyable.
of anything startling that happened then.
BS:

But I can't think

Why did you want to go on and be a lawyer?

WJM: Good question!
[laughs]
That's in retrospect, a lot of
of years.
I would guess that it was because my brother, who
was somewhat older than I,
was a
lawyer and I had a great
admiration and respect for
his judgment.
I
think that's
about
it as far
as why
I . . . of
course,
another
side on
that ... I
think my first love was medicine but during the
later days of high school I had been ill for some time,
off
and on,
and the doctor told my parents,
better forget
medicine for him, he'd never survive.
I went on to fool him
and evel-ybody e l ~.;e, I guess!
[laughs J
BS:

Tell

me a

little

bit about the

University of Buffalo

wh~n

cf

I

I

I

I

�Walter J. Mahoney

Tape 1, Side 1

Page

you were there.
WJM: Well, the finest memory I have of it is the Dean, who was
Dr.
Carlos Alden.
He was Dean during the three years I was
in law school.
He was a great teacher and
I think one of
the most ... well, one of the finest men,
in the humanitarian
sense of the word,
that I'd ever been associated with.
He
taught us a sense of values and ethics that went beyond the
mere written words to where,
I think, all of us came out of
his three-year tutelage having a greater appreciation ·for
what the practice of law not only ~as, but could be:~.
He impressed upon us the wisdom,
for
instance,
of such
things that are sometimes criticized today.
The right of
every person,
no matter who,
no matter what the crime, to
be defended.
And the fact that the person was charged with
a crime was no evidence that they were guilty.
All those
things,
while they're standardized in the statutes today or
in the case law, were not too standard then.
And he gave us
a rationale for some of the things that are criticized today
as being too liberal,
that,
I
think,
really stood us in
good stead as the years went by.
BS:

The philosophy of law.

WJM: Yes, yes it really was.
BS:

He was one of the ·few,
wasn't he?

if not the on 1 y, fu 11-t ime professor,

WJM: Now that I don't ... I know he was full time.
was the only one, I don't know.
BS:

Now whether he

Most of them were practicing local lawyers, were they not?

WJM: Many of them were.
I can offhand recall that there was at
least one other who was full time during my tenure in law
school .
BS:

Do you think that's a good practice,
to have teachers who
are practicing lawyers?
It's no longer true.

WJM:

I think a happy mix would be the ideal situation.
You
can't ... we all
understand
the necessity of the academic
approach
in any graduate school.
If you don't have good
teachers giving full time,
who are able to expound the
principles of that profession that
they're teaching in,
you're )ost!
And I don't care whether it's medicine,
law,
education,
or what have you.
But by the same token, law by
its very nature,
partakes of,
at
least in many phases of

�Walter J. Mahoney

Tape 1, Side 1

Page

it,
a give and take in the everyday woes of life, including
the appearance in court.
And I think it's essential to have
some men who will instruct the students on trial techniques.
Now, I'm not too close to UB Law School at the moment, but I
understand
that
they are doing some of that by several
proficient
trial
lawyers in Buffalo.
If that's so,
I'm
happy to hear!
BS:

Do you think it's a help to have professors who are local
lawyers if you are then going to be a lawyer in Buffalo?

WJM: No, not necessarily.
I think that's sort of a provincial
attitude.
No.
I
don't
think
that adds
or detracts
anything.
BS:

Vou didn't have the feeling that they were training lawyers
for Buffalo?

WJM: Oh, no.
Not at all.
feeling.
BS:
WJM:
BS:

I never got that.

Never had that

It certainly wouldn't be true any longer if it ever was.
[laughs]
Was there any college life at the Law School level?

WJM: No, there wasn't really.
In those days the Law School was
located on Eagle Street,
what we call
the old building,
where an adjunct to the Supreme Court now holds forth.
But
in overflow classes, in what they call Townsend Hall, it was
on McKinley Square.
The students would go from one building
to the other depending on the year that they were in and the
subjects they were taking.
Other than the social activities
that the students made for themselves,
there was nothing
that gave you any feeling or atmosphere of college life,
if
you will.
Anything we did on a
level of trying to learn
more about our future trade, namely going over and observing
different famous lawyers of the day try a case,
that was on
our own.
I can't recall anything, really, and that may have
been my fault too.
They may have been there and I didn't
participate in them.
But
I cannot recall
anything that
contributed to the feeling of college spirit.
BS:

Do you think it
there, downtown?

WJM: Definitely!

was an

advantage

having the

Law School

And showing you how much I am antediluvian,

I

�Walter J. Mahoney

Tape 1, Side 1

Page

think
it was a grave mistake to put the present Law School
out on the Amherst Campus.
It would have been much wiser,
in my [own?J humble opinion,
to have kept it clowntown.
If
not wiser,
at least allegedly wiser as the mind prevailed[
[laughs]
BS:

Did you ever know Chancellor Capen?

WJM: Whom?
BS:

Chancellor Capen.

WJM: No, I didn't.
I just met him formally on a couple of
occasions but I really didn't know him.
BS:

He's another legendary figure.

WJM: Yes, he is, truly is.
BS:

sort of keep hoping someone will say something negative
about him.

I

WJM: About Chancellor Capen?

[laughs]

BS:

But no one doesl

WJI'1:

... [ J. aughs J

BS:

talked to a number of people who graduated from the UB Law
School and what you're saying supports their attitude about
no school spirit while they were there.
Many of them seem
to have developed that spirit after they graduated.
I

WJM: Well, frankly, I don't know how they did it.
It never
happened
to me or most of the fellows in my class except
through occasional reunions.
And the reunions we1-e usuall'i_,
and
I
underline that usually,
sponsored by one of the
fellows saying, "Gee,
I think we all ought to get together.
Let's send out a notice for a week from next Friday,
and
we'll
all have dinner and cocktails someplace." So that I
did
not find,
at
least
in our class,
anything
to
substantiate what you've just said.
BS:

Were you ever active in the Law School Alumni Association?

WJM: No, I was not.
BS:

And that's my fault, not theirs.

Were you ever involved
the Law School?

in any way

in financial drives for

�Walter J. Mahoney

WJM: No,
BS:

Page

Tape 1, Side 1

I was not.

This is something I found interesting.
The way the Medical
School people support their part of UB~ and the Law School
people support theirs, is so fragmented,
the loyalties.
If
they were out of the main University as a whole,
it seemed
to be their own particular little part of it.

WJM: Yes, now that you mention it, I've encountered that in
discussion, of course, since I've been out practicing.
What
you say is very true.
Why it's true,
I really don't know.
I've heard various explanations advanced and I suppose you'd
argue all day as to which is the right one.
BS:

If you have a sense of loyalty to a college,
Canisius than to UB?

is it more to

WJM: Yes, I think so.
Yes.
I think perhaps the chief reason
was the one
I
touched upon earlier, in answer
to your
question.
Namely,
that
the Law School being
in
two
different buildings, and the only common meeting ground was
the library where everybody was supposed to be quiet.
There
was no school spirit
in and of itself,
so that I suppose
that's logical.
And frankly,
I found
it fairly true of a
lot of graduate schools.
That's
not a criticism of UB alone.
BS:

Did you work at all while you were in graduate school?

WJM: Off and on.
Not of any sustained nature, usually during the
summer on what
they called summer
jobs.
Outside of that,
come to think of it,
no.
I
didn't work excegt during the
summer.
BS:

And you graduated,

I think,

in 1932?

WJM: Oh heavens, yes! [laughs]
BS:

Then what did you do?

WJM: Well, I don't know where I so-called clerked at that time,
but
I continued that until I passed the bar and got married
a year,
year and a half later.
Things just kept rolling on
since then.
In fact,
I think it was while I was still in
Law School
that someone got me
interested
in politics.
And,
of course,
later events in my life proved that that
became one of my major activities.

�Walter J. Mahoney
BS:

Tape 1, Side 1

Page

I'm sure other people have asked you this.
With a name like
Mahoney, one would expect you to be a Democrat.
Why
were you a Republican?

WJM: Yes.
The only reason I can give you, if it's a reason, I
think most of us,
perhaps not today but back when I was in
school,
I
think we all inherited,
and gladly so,
our
religion and our politics from our father.
My father, oddly
enough,
was a Republican and a Catholic.
So I naturally,
I told you, you can sense at least, that I was brought up in
Catholic schools.
As far as politics were concerned, when I
went
to affiliate the first time,
the fact that my father
was a Republican,
that was good enough for
me.
So I
affiliated accordingly.
As to becoming active in the party,
well that's another story.
BS:

Do you know why your father was a Republican?

WJM: Seems to me there's a vague story in the family somehow or
other,
passed on by word of mouth,
that his father or some
relative thought he had a raw deal by some Democrat,
not my
father, but some relative, that's all.
BS:

Was your father active in politics?

WJM: No, he wasn't.
BS:

And when did you first get actively involved?

WJM:

I've forgotten the year, but some young man in the
neighborhood came to me, at that time we were living over on
Fargo Avenue,
and asked me if
I'd
run for Republican
Committeeman.
I
said,"What for?"
He said,"
Well,
I know
that
if you team up with me both of us will get elected
because your mother's so well loved in the district.
And I
need to get elected,
frankly,
so that
I can get a job."
Apparently in those days,
the Republicans must have been in
control or something or other and he got the job alright.
And
that was my first elective office.
Then I remained not
terribly active,
but when the Young Republican Movement
started to flower,
I became quite active and became State
President of the Young Republican Clubs of the State.
And
from there on in, it just continued.

BS:

Were you
college?

active

with all

this

while you

were

WJM: Only to the extent of helping this young man in the
district that I told you.

still in

�Walter J. Mahoney

Tape 1, Side 1

Page

BS:

You first ran for the Senate in '36.

WJI"l:

'36.

BS:

And you had not run for Assembly before that?

That's right.

WJM: No, I did not.
That's really my first public office if we
disregard Party office.
BS:

And you were there for a long time.

WJM: Twenty=eight years.
BS:

Majority Leader for what, eleven of them?

WJM: Eleven.
BS:

What do you consider
the most
you've made during those years?

WJM:

would hope that the greatest contribution I made was
bringing about a greater respect for the legislative branch
of govel-nment.
I tried to do that and, , incidentally, I was
to a dinner
of past and
present Senators just a few days
ago,
and some of them reminded me of this ... [pointing out
to J •• ·•
I was
[their tr i --Pa·r t government J
and it
couldn't function correctly unless the
legislative body
retained
its independence even though there was a gentleman
in the governors office of the same political affiliation.
And
that we,
while we had to by the very nature of things,
be political in much that we did ....

important

contributions

I

[Tape is turned off and interview interrupted]
WJM:

... I think successful in convincing them, at least during my
term as leader, that
there,
of necessity,
had
to be an
independence in the legislative branch of government if they
were to remain responsible to our constitution.
And several
of the men at this dinner that
I told you I attended a few
days ago,
reminded me of that,
and said to me in effect,
that you gave us a new aspect which we should have known
anyway.
You acted almost like a
sad,
but kindly,
school
teacher
reminding us of our obligations ~hich
we tried to
fulfill.
We think we made the legislature a better place
for
the people during that period.
Locally,
of course,
I
could go on and on about the things that
I helped bring
state money for
in the Buffalo area,
but I
don't think
that's of much interest to you, is it?

�Walter J. Mahoney

BS:

Tape 1, Side 1

Page

Well, things that you think are particularly important.

WJM: Well, I think perhaps we can just leave it at two.
During
the eleven years I was leader, I was in a position to accede
to
the wishes and desires
of the Niagara Frontier,
particularly as regards State finances.
But I think the two
things that I like best in what I
was able to accomplish,
was
we
really
accomplished
an upgrading,
fiscally
speaking, on the Roswell Park Memorial Institute.
I needn't
tell
you that today it's famous world wide,
and I think it
really began,
the genesis of that fame, because of the work
done by men like E.H.
Butler and Ed Jaeckle and Assemblymen
Gugino and myself, insisting on bigger financing.
Each year
they got more and more from the state.
And,
of course,
you know the size of the plant today and the tremendous work
that
it does.
Every once in a while I still run into a few
people who are familiar
with my interest
in Roswell,
[sounds slightly amused] ...
who say thank you for what you
did for this area.
My mother still is living today because
of what happened over at Roswell and the treatment that she
was able to get.
That sort of makes you feel good.
And
then,
of course,
I had a bit to do with having UB become a
State University.
Now
I must admit for the record that
there are two schools of thought on that today,
good and
bad.
But generally speaking,
I have to say that I think it
was good for the community.
There were men then that were
pushing it,
like Frank Moore, I've forgotten whether he was
Lieutenant Governor or Comptroller at
the time,
and Ed
Jaeckle again,
that I mentioned.
Of course,
Seymour Knox
and
many others were really in the vanguard of it;
I might
just claim peripheral credit.
Because they .. the big fight
when it started,
was there was going to be an Upstate large
State University,
but there was competition as to where i t
would be.
So I think I helped the proponents decide on the
Buffalo area.
And I believe that the present and the future
will justify that judgment.
End Tape 1, Side 1

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                  <text>&lt;p&gt;The University Archives Oral History collection contains taped interviews with members of the University at Buffalo community, and the paper records associated with each interview. Those interviewed include administrators, alumni, faculty, staff, and UB Council members. Although covering some 25 years, the bulk of the collection consists of interviews conducted in 1978-1979. The interviews offer a wide range of topics and offers personal insight into University history by those that lived it. A majority of the interviews were conducted by part-time University Archives staff members Jenny Peterzell and Brenda Shelton. Other interviewers include then Head Archivist Shonnie Finnegan and Josephine Capuana. &lt;br /&gt;&lt;br /&gt;The Oral History Project was organized by the University Archives and University at Buffalo Emeritus Center, and was made possible through a grant from the University at Buffalo Foundation, Inc.&lt;/p&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23943"&gt;Overview&lt;/a&gt;</text>
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                <text> State University Systems, merger with</text>
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                <text>Former State Senator and State Supreme Court Justice; member of the University of Buffalo Council, 1960-1963; almnus of the University of Buffalo Law School. Interview with Mahoney conducted by Brenda K. Shelton, April 26, 1979. Concerns his education; his career in State politics and continued involvement with UB. Also discusses the merger between UB and the State system.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; WALTER J. MAHONEY &lt;br /&gt;&lt;br /&gt;Walter Mahoney graduated from the University of Buffalo Law School in 1932 and went on to become a state senator and a state Supreme Court justice. From 1960-1962 he was a member of the University of Buffalo Council. Judge Mahoney begins this interview by talking about his early education at Lafayette High School and Canisius College, and his later experiences as a student at the University of Buffalo Law School. He goes on to discuss his career in state politics and his continued involvement with the University of Buffalo. Judge Mahoney also discusses, at length, the negotiations leading up to the merger between the University of Buffalo and the State University system.</text>
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                <text>&lt;strong&gt;Interviewer's observations:&lt;/strong&gt; Walter J. Mahoney, April 26, 1979&lt;br /&gt;&lt;br /&gt;Mr. Mahoney's office is on the 26th floor, far above the city noises but providing an excellent view of downtown and the lake beyond. He sat behind his desk in a swivel chair whose squeaking can occasionally be heard. He also shuffled papers off and on during the interview. Although he had asked his secretary to hold all calls, the phone did ring once and I turned off the recorder while he spoke with a client.</text>
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                    <text>Dr. John T. Horton (Emeritus professor of History),
interviewed by Jenny Peterzel1 (student) on March 7,1978.
SIDE 1
000

Borntn·Bolivar,. N.Y. durlng AnthrG.site Coal Strike of
1902. Ancestors lived in New York state since 1790
census; Stueben, Yates, fficylaP ·:(·spelling?), Alleghe~y
and Erie counties.
SchY..,tle."Y"

030

"Folk of the Finger Lake Gount! During the Presidential
Campaign of 1868; 11 artic~le ed ted by Dr. Horton based
on diary of grandfather. Gran \~ther born in Pultney in
August 1845. Grandfather·' s grandfather born in Dutchess
County in 1763, was so1di~!r in American Revo1ution .. and
later moved to Finger Lak~~ region, purchasing farm from
Sir William Pultney.

064

Family history of farming; general farming of the "oldfashioned sort;'" fairly St!l.f-sufficient.

094

Dr. Horton's father raised on farm, worked as Accountant
for old Pierce Arrow Company.

104

Dr. Horton 1 s decision to :study history- interest since
boyhood, inspired by histc:&gt;ry teachers at Hutchinson
Central High School.

127

Enrollment as undergradua·t;e in autumn of 1922, same yee:}.r
Dr. Capen was ina~gurat~~.

134

Description of inauguration ceremony of Dr. Capeni held
at old Teck Theater on Main and Edward St. Persons
participating in ceremony include: Dr~ Charles H. Brent,
Bishop of Western New York; Father O'Hern, president of
Canisius College; Walter Platt Cooke, first citizen of
Buffalo; John Lord 0 1 Bri~:n; Dr. Livingston Ferrand (spelling?)
president of Cornell University; the pres&amp;dent of the
University of Toronto; and the Honorable Nathan Miller,
governor of New York State.

174

Memorable points from Cap,en 1 s inaugural address; need for
Arts and Sciences college, importance of "buying brains
rather than buildings."

197

Dr. Horton's reaction to Capen's speech.

\

�SIDE 1 (cont 1 d)
213

Opinions o.n John Lord 0 1 BI•ietn; great orator, wel~­
rounded lawyer interested in growth of College of
· Arts and Se:iences.

254

Department of History and Government headed by Dr.
Julian Park when Dr. Horton was undergraduate; emphasized
European history. Dr. Pa1~k conducted classes in a
conversational manner; brought in distinguished professors.

298

Dr. Augustus Hunt Shearer ~elling!), librarian at
Grosvenor Library on faculty of History and Government.

310

R~1nond Chambers, another faculty member and teacher of
Dr. Horton during undergrEtduate years ( 1922-26).
Mr. Chambers taught '!festei•n Civilization course.

321

Dr. Wilfred B. Kerr joined faculty of History and o.Government in 1924 ( aprox.); instructor and later colle~ue of
Dr. Horton's. ·

336

Dr. Helen Dwight Reid; in::1tructress in department of
History and Government whose career ended tragically in
an automobile accident.

358

Dr. Horton's decision to D:take a profession out of History;
influenced in part by professors listed above, also.· towards
end of his senior year Det:m Park asked him to substitute
for teacher on leave of absence. Stayed on faculty until
retirement in 1973.

381

Interest in Department of Classics; structured curriculum
at University of Buffalo 1ihat had strict language requirement.
Dr. Horton studied German and Latin.

411

Carl Sieckmann, Professor of German; intensified Dr. Horton's
interest in literature.

420

Miss Ortha Wilder; Latin t;eacher with whom Dr. Horton
studied Vi~gil. Mr. Phillip Becker Goetz, Chairman of
Department and instrumental in development of College of
Arts and Scltences. Edward G. Schauroth, another faculty
member of this department who descended from Prussian gentry.

457

Dr. Horto11).:·stud:led. Latin prose composition, Roman comedy.

�SIDE 1 ( cont 1 d)
4'78

Relationship between faculty and students during 1920 1 s
"right mix," distance but mutual good will.

493

Student activities between 1922 rP 1.926;-drama group,
debate team. Daniel Katzj, now Emeritus Professor of Psychology at University of Michigan, leading team member.
Justin Morgan, another leu.ding member later became
Federal Judge in Western New York district.

527

Popular topics for debate between 1922~26,-.listed. · Teamc
most frequently debated; Hobart. Debates held in auditorium of Hutchinson High School. Miss Wilder. coach.

590

lfuse and Mask; ld:terary society, published magilzine with
essays and short stories.

62~

Greek letter fraternities and sororities flourished ,
ministered to student soc:Lal lif'e.

654

Cap and Gown : &amp;: Bisonhead; two honorary societies;
recruited members at Junior Prom. Dr. Horton pinned in
1925.

710

Athletic organizations exlsted but Dr. Horton not involved.

720

Pl.easure in debating desCJribed.

'755

End of Side 1.

SIDE 2
002

Reflections on the joy of teaching.

039

Former students of Dr .. HoJ:&gt;ton now faculty members of
History Department; Dr. Selig Adler, Dr. Robert L._rfanyard.
Dr. Paul Pfretszchner, Chairman of Department o-f Pqa.tical
Science at Lafayette Coll«~ge in Pennsyl~t~) another former
student of Dr. Horton's.

093

Careers open to students of Histo~; law, journalism,
public service. Fields tt1;ightened over the years, not as
many jobs available.

121

~falo

150

Leave of absence from University of Buffalo; studied at
Harvard. Attachment to Western New York area.

newspapers of the 1920's listed.

, •••

~

l

r

":!

. ,,. .·

,

�SIDE 2 {cont 1 d)
170

Met Mrs.Horton in Muse and Mask society; she was enrolled
in Law School. Mrs. Horton practised Real Estate law with
mortage firm during New Dc~al era. Home Owners Loan Corp.~
sponsored by federal goveJrnrnent.

20'7

Dr. Julian Park described; convivial, dignified. Onetime
French consol in Buffalo. Brought e~inent French scholars
to university through Jonc!t's bequest. Political interests
of Dr. Park enumerated.

280

Dr. Horton and Dr. Park involved in Nias.ra Defense Co~ittee,
pre- World War I I I collaborated with William Allen White
Committee in promoting aid. to Great Britian and France and
prohibiting Nazi growth. Hamlin organized local co~ttee.

322

Citizens of Buffalo responded to above committeewith nastfy
letters and threats.

339

Nazi activity in Buffalo, pre-World War II; German theater
on Fillmore showed propag:anda :films, camp in Porterville,
outside Buffalo.

377

Faculty socialization

398

fY

de~H~ribed.

Comments on current trend:s in History; more specialization
teaching).

today~{in

460

Chaired History departmen·t from 1948 - 196'7; smooth transition
back to teaching position for Dr. Horton, expansion of facultyo

497

Final retirement in 1973.
that time.

522

Authored book on 17th Cerrbury Puritan migration; Dr. Horton
descended from Barnibus Horton, strict Puritan from
Leicestershire who came to America in 1639 on the ship
"Swallow," landed in Sou·thhold, Long Island.

568

John Williams, Lord Bishop of Lincoln- diocese to which
Leicestershire belonged (England). ~Bishop of Bath and Wells,
Bishop of Exeter and Bishop of' Narge; all subject of Dr.
Horton's study.

6G7

Present activities of. Dr·;; Horton's mentioned. Some especially
good friends include: Dr. Arther BrriieP, Dr. Robert Pope,
Sean Murray.
16ow J ~ r-,

Comments on student uproars of

�SIDE 2 (oon't)
703

786

CanneDts on the importance of a liberal arts education
and the necessity of a college of Arts and Sciences in
which all disciplines are brought together.
End of interview.

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                    <text>Interviewer's observations:

Dr. John T. Horton, 3-7-78

Dr. Horton and his wife reside in a large,rose-colored stucco house
in an old Buffalo neighborhood. Their home is reflective of its
surroundings as it stands with a well-preserved aura of dignity.
Entering the home the interviewer was greeted by a warm handshake and
a small grand piano, alone in an alcove nearby. Dr. Horton's chivalrous
reception and Mrs. Horton's hospitality were received in an atmosphere
of refined charm.
The rectangular living room was spotlessly polished, with furnishings
and Elizibethan-style paintings arranged with precision. Upstairs, the
study in which the interview took place was decorated in Early~American
Colonial wall-paper and furnished similarly. Photographs adorned the
walls, portraying famil~es in turn-of-the-century garb; obviously ancestors of the Hortons.
Dr. Horton's enthusiasm and tremendous enjoyment in participating in
the intervi~w is evidenced by the length and fine quality of the
recording itself. After each side of the tape was completed, Mrs. Horton
joi.ne.d us as we listened to the recording. She added these comments:
1. In mentioning student activities of the 1920's, Dr. Horton failed to
mention the glee club, of which she was a member. 2. That Dr. Horton
had many job offers after completion of his Master's and Doctorate
degTees. 3. That Dr. Horton used to get standing ovations from his
students during his last years of teaching; the years he described as
growing "sour" towards the students. 4. That Dr. Horton was a fine
swimmer and if UB had had a pool during his undergraduate years, he
would have taken advantage of it.
Dr. Horton is of med~um stature and wears glasses and a big white
moustache. His eyesight is poor and his hearing is somewhat weakened.
Mrs. Horton is very attentive to his needs. Both Dr. and r.~rs. Horton
were dressed in formal attire.

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                    <text>DR. JOHN T. HORTON (Tape 1, Side 1)
Emeritus professor of History
Interviewed by Jenny Peterzell (student} on March 7, 1978
JP:

JTH:

JP:
JTH:
JP:
JTH:

JP:

JTH:

JP:
JTH:

This is Jenny Peterzell.
I'm at the home of Dr. Horton on
Woodward Avenue. The date is March 7, 1978. Dr. Horton, to
begin the interview, I wonder if you could tell me a little
bit about your background. I understand that you're from this
area •. the Buffalo area.
Not exactly. I'm a native of Western New York, but I wasn't
born in the vicinity of Buffalo.
I was born in Allegheny
County, one of the New York Counties along what we call the
Southern Tier.
And I was born in Bolivar in that county of
.•. [Nicholas] ... 1902 when the great anthracite coal strike
was raging.
It didn't much affect us in Allegheny County,
however because we weren't dependent on coal.
Our fuel was
gas and there was plenty of it.
What was the name of that coal strike?
The anthracite coal strike--hard coal.
I think the coal
strike that's now going on is a strike among the miners of
soft coal or bituminous coal.
.. and it was different at that time.
Did your ancestors
migrate here earlier .. much earlier than that part of •.. ?
Well, I could say that most of them that lived in the state of
New York since the first census of the United States in 1790,
though my mother's fraternal grandfather was born in New
Hampshire but he migrated into New York and all of my
ancestors for about four generations have been residents of
Western New York in such counties as Steuben, Yates, Schuyler,
Allegheny and Erie County--some of my mother's people settled
in Erie County in what are now the towns of Marilla and Elma
but that was over a hundred years ago.
I was looking through a book .. it was actually an article that
you edited in 1951.
It was called "Folk of the Finger Lake
County During the Presidential campaign of 1868. 11 And in that
article were excerpts from a
diary written by your
grandfather.
Yes. "Folk of the Finger Lake Country" I think the title was.
Not "county".
"Folk of the Finger Lake Country During the
Presidential Campaign of 1868 11 •
Yes, that was based on a
diary written by my grandfather Horton who at that time was
living in Schuyler County I think--Schuyler County or a nearby
part of Steuben County.
And in the back of that article, you had very neatly listed
different persons in your family that you got from a family
Bible. You seem to have traced your lineage fairly well.
Oh yes. Well, this .. this is true. My grandfather Horton was
born in • . . a village in steuben County called Pultney in
August 1845. And his grandfather--his paternal grandfather-had been born in the southeastern part of New York state
1

�DR. JOHN T. HORTON (Tape 1, Side 1)

JP:
JTH:
JP:
JTH:
JTH:
JTH:

JP:
JTH:
JP:
JTH:

JP:
JTH:

JP:

in •. in Dutchess County in 1763 and had been a soldier in the
American Revolution. Then after the war and .. well, in fact,
in the nineties--1790s-- he moved out of that region and came
up with his wife and his oldest children across the Catskills
into the Finger Lake Region and bought a farm there in 1811 or
12 in Pultney from . . . from the heirs of ... [?] ..• of Sir
William Pultney who had been the great land owner in those
parts.
And this grandfather of my grandfather was named
Thomas and he lived on that farm until he died in 1841. And
he had a large family and his son, Thomas, had a large family,
and my grandfather was the youngest child of the second
Thomas.
And they had been farming ever since?
They were farmers.
What did they farm?
Pardon?
What did they farm?
And did they raise anything in
particular?
Well, they were farmers of the old fashioned sort.
They ...
their farms were .. oh they tended to be around a hundred and
fifty, a hundred and sixty acres and the farm was a way of
life. They ... they supported themselves, for the most part,
on what they produced. And they had cattle, and horses and a
cash crop of wheat for money to buy things at the store which
they couldn't really make at home.
But generally the farm
supported them. And it was general farming; they didn't go in
for one specialty, but it was general farming of an old
fashioned sort. And that was the way other ancestors of mine
did in Allegheny County.
So they were pretty self sufficient then on their little farm.
Yes, yes.
Did the women in the family do their own spinning and things
like making butter and milk?
Oh yes. Yes. I remember my maternal grandmother's spinning
wheel. It was stored away in the woodshed. I never saw her
spin, but I've often heard my mother say that she saw her
spin.
Yes, they span and ... the older women among them had
looms of wool too, but I don't think either of my grandmothers
wove. But, I know that one of them did spin. But that was a
long time ago.
Do you have anything of what they made?
My wife has one piece of what they call
[drawed?]
work. It .. the cloth is linen and the flax for it grew on the
farm in Allegheny County that my grandmother Horton inherited
from her people. And this .. this piece of linen was spun and
woven from flax grown on that farm. And then my grandmother
turned it into a piece of drawed work.
This is a mystery
which I can't quite explain but it makes a pretty ornamental
piece of cloth.
It must be beautiful. Now, did you say that your father also
2

�DR. JOHN T. HORTON (Tape 1, Side 1)
had a farm?
JTH: Well, no, not exactly. He wasn't himself a farmer though he
was brought up at a time when he learned a lot about farming
first hand from farms that were in the family. But he was not
primarily a farmer.
I know he could swing a scythe with the
best of them because I've seen him do it. And he was handy in
the care of cattle and horses, but his calling was not that of
a farmer. He was an accountant and when we came to Buffalo,
he was an accountant with the old Pierce Arrow company which
made the Pierce Arrow automobile.
JP: And I'm interested in knowing what made you decide to pursue
history.
JTH: Well, I had always liked history and I liked to look at •. as a
boy I liked to look at history books that had illustrations in
them of various history or particularly English and American
history. And in school I liked it and at Hutchinson Central
High School in Buffalo from which I was graduated before I
went to the University, there were some very good history
teachers. And they not only kept alive the interest which I
already had in history, but they managed to stimulate it. So
it was quite a natural thing that when I went to college I
should major in history.
JP: Did your parents .. were they agreeable to that idea that you
should pursue history or did they want you to go into
something else?
JTH: No... they were perfectly agreeable to it.
My father had
hopes, I think, that I become a lawyer.
His notion of the
great man and the successful man was the lawyer who swayed the
juries and then stepped from the courtroom onto the
[hustings?]
and became a successful politician or a
statesman.
That was the type that my father most admired.
But while I did at first intend to study law when I went to
the University, it didn't turn out that way.
JP: Would you like to talk a little about when you first came to
the University, what life was like at that time? It was in
the twenties?
JTH: Yes, I became a freshman at the University of Buffalo in the
autumn of 1922. That was the same autumn when Dr. Samuel P.
Capen was inaugurated Chancellor of the University.
That
inauguration began a whole new epoch in the history of the
University of Buffalo and I remember the inauguration very
well. I was a student sitting up in the third gallery at the
old Teck Theater at the corner of Main and Edward Streets-that's where the inauguration took place--and it was .. it was
a very colorful and impressive affair.
And on the platform
there was an array of very famous men: Dr. Charles H. Brent,
the Bishop of Western New York.
JP: Brent?
JTH: Brent ... b r e n t . He invoked the divine blessing. And the
President of Canisius College, Father O'Hern pronounced the
3

�DR. JOHN T. HORTON (Tape 1, Side 1}
benediction. And between those churchmen there were speakers
who were very distinguished men also.
One was Walter Platt
Cooke who was .. I would say he was at that time the .. perhaps.
the first citizen of Buffalo.
He was known throughout the
country. He later served, I think, on the
[Dawes]
Commission in reference to German reparations.
And he had
been in charge of the liberty loan campaigns in Buffalo which
had all gone over the top and then he had used his teams in
those campaigns to begin and finish a drive for endowment
funds for the University of Buffalo.
And that was a very
successful drive.
I think they raised something over five
million dollars which was a handsome sum in 1920. And then
having succeeded in this venture, they went out to find a
professional educator to be Chancellor and the man in charge
of that committee was the famous lawyer, John Lord O'Brien
after whom O'Brien Hall on the new campus is named. And he it
was who introduced the speakers at the inauguration of Dr.
Capen whom he had been directly instrumental in persuading to
take this job as Chancellor of the University of Buffalo.
And, let me see, among other famous persons present was Dr.
Livingston ... [Ferrand] ... the President of Cornell and Sir
Robert Falconer, the President of the University of Toronto,
and the Governor of the State of New York, the Honorable
Nathan Miller.
So you see there was really an array of
notables to grace the inauguration of Dr. Capen who, of
course, delivered the principle speech--his inaugural speech.
And it was all very impressive and got the University off to
quite a handsome start on this new phase of its history.
JP: Do you remember what he talked about in that speech or
particularly what impressed you as a freshman?
JTH: I beg pardon?
JTH: Do you remember what particularly impressed you in his speech
when you were a freshman listening to it--in Dr. Capen's
speech?
JTH: I remember the principle topic of his speech, the principle
theme of it. It was on the significance of a college of arts
and sciences as--I think I am very close to quoting Dr.
Capen's own words--as the core and nexus of a genuine
University.
You see, the University of Buffalo had had a
rather peculiar history. Most Universities in the country had
begun with the liberal arts, but the University of Buffalo
began in 1846 with a school of medicine and the college of
liberal arts in 1922 was a very recent growth--very recent.
And Dr. Capen stressed the importance of developing that and,
as he said, the importance of buying brains rather than
buildings.
He wasn't in favor of using the endowment fund
that had just been raised primarily for buildings.
But for
retaining or bringing together an able faculty for the
University as a whole, but particularly for the arts and
sciences which he stressed as the core of a proper University.
4

�DR. JOHN T. HORTON (Tape 1, Side 1)
Those were the points in his speech that I can best remember.
JP: How did you feel about that--those points that he brought out?
JTH: Well, I was just a young fellow and here was a great man. I
was prepared to take everything he said as gospel truth. And
I think on the score of what he did say, as I remember it, I
take it as gospel truth to this day. He was a very impressive
man.
One little human touch which might amuse you .. they .. the
faculty and the council of the University and the famous
visitors such as the Governor and the others whom I've made
mention of, they
[wrote?]
in the old Grosvenor
Library.
And one or two other young fellows and I were
roaming in and out watching. And I went by Dr. Capen just as
he was about to put on his gown and I stopped and I helped him
on with his gown. So I can properly claim that I had a share
in his inauguration •.• [laughs] ..• as he couldn't have been
inaugurated without his academic gown on, could he?
JP: No. Did you ever meet Lord John O'Brien?
JTH: He was more a personage to me than a person of acquaintance.
But I have met him and on one occasion I was a guest at a
dinner party at which he was also a guest. But I have heard
him speak several times and he was one of the most effective
public speakers whom I have ever heard.
And at my age I've
heard a considerable number including some Presidents of the
United States. And John Lord O'Brien was .. he was an orator in
the best sense of the word.
His words expressed his ideas
very aptly and felicitously and my recollection is that he had
his material so thoroughly in his head that when he uttered
it--he was quite independent of any notes and he held the
attention of people. He held it from start to finish in his
speech.
He was .. he was one of the-- I think we could say
without any hesitation--that though he was a lawyer by
profession, he was like so many old fashioned lawyers. He was
very liberally educated in literature and history and
philosophy. And his liberal interests, I think, explain, why
he devoted so much time to the development of the University
and particularly to the growth of the college of arts and
sciences.
Dr. Capen was exactly the sort of man whom John
Lord O'Brien would have found wonderfully compatible with his
own tastes and interests and predilections.
JP: Is there anything that stands out in your mind about the time
when you were a student at the University? Any major issues
of the day?
JTH: Do you mean public issues? Political issues in the country at
large?
Issues that .• affecting the particular department you were in,
JP:
the college of arts and sciences.
JTH: I beg pardon?
JP:
Issues affecting the college of arts and sciences.
JTH: I don't think I quite get the drift of your question.
JP: O.k. I think that's a little too vague. Let me re-phrase it.
5

�DR. JOHN T. HORTON {Tape 1, Side 1)
What was the Department of History and Government like when
you were a student?
JTH: Oh. It was one department. It was called the Department of
History and Government.
Now, of course, there are two
departments:
there's the Department of History and the
Department of Political Science.
But that division didn't
take place until about the year 19 ... the year 1962. Before
that, it was the Department of History and Government. When
I was an undergraduate, the Dean of the College, Julian Park,
was also the leading professor in the Department of History
and Government.
And he was particularly interested in
European history and more especially in the history of Europe
from the time of the French Revolution down through World War
I and the Treaty of Versailles and the following events in the
1920's when I was in college. And I took .•. I took a course
from him in the French Revolution and Napoleon.
And then I
took a course from him in European History-- General European
History in the 19th and 20th Centuries.
The classes were
small and Dr. Park conducted them in a sort of conversational
way.
He didn't try to lecture to such a small group, but
rather to draw the individual students out and engage them in
the discussion of the material for the day. And I found them
very interesting .. very interesting and instructive sessions.
And occasionally he would bring to the University, and invite
all his students to meet a very distinguished historian. For
example, on one occasion, he brought the Harvard professor,
..• [Sidney Bradshaw Faye] .•. who had, I believe, started the
whole business of revising the Verdict of the Peace of
Versailles in his famous book, The Origins of the First World
War. And Dr. Park brought his students all together to meet
Faye and hear him talk informally about that subject.
And
there were other scholars of that sort whom he brought so that
besides managing the College of Arts and Sciences, he also was
king pin in the Department of History at the time I was an
undergraduate. Now there were other persons in it. The head
of the Grosvenor Library at that time, and for years before
and years after, was Dr. Augustus Hunt Shearer.
He was a
famous librarian. I think he was ...
End Tape 1, Side 1

6

�DR. JOHN T. HORTON (Tape 1, Side 2)

Page "'N

Emeritus professor of History
Interviewed by Jenny Peterzell (student) on March 7, 1978
JTH: ... scholars of that sort whom he brought so that besides
managing the College of Arts and Sciences, he also was king
pin in the Department of History at the time I was an
undergraduate. Now there were other persons in it. The head
of the Grosvenor Library at that time, and for years before
and years after, was Dr. Augustus Hunt Shearer.
He was a
famous librarian. I think he was a Rutgers man. Dr. Park, I
should have said, was a Williams man but Dr. Shearer was a
Rutgers man, but he had got his doctorate in philosophy at
Harvard University. And Dr. Shearer taught one of the courses
in general European history-- the survey course which was
commonly called Western Civ.-- he taught that. He taught one
section of it.
I came to know Dr. Shearer very well but I
didn't as a freshman have his section of that course. But I
had an instructor who also had got, or was getting his
doctorate at Harvard, Raymond Chambers. And I took the course
of Western civ from Raymond Chambers who, I think, also taught
the general course in economics. And as I was a freshman the
same year that Dr. Capen was inaugurated Chancellor, so Dr.
Chambers became the instructor the same year.
Now in the
course of my years as an undergraduate, other persons joined
the Department of History and Government.
Dr. Wilfred B.
Kerr ... he was a Canadian of Scottish descent. He had served
in the Canadian artillery through World War I and then after
the war had stayed in England and had studied at Oxford
University and he had become an Oxford B.A. and M.A. Then he
returned to Canada and got his doctorate at the University of
Toronto.
And he joined the faculty of the Department of
History and Government, I should think, either in '24 or '25
or '25-6.
But I know he was in the department before I
graduated but I didn't take a course from him. He and I later
became good friends.
We shared the same office but I never
had a formal course from him.
Then, at this time also, an
engaging young woman joined the department on the Government
side. She was a Radcliffe woman who, a little later, got her
doctorate at Harvard Radcliffe.
And she taught a course in
comparative government which I took and she taught a course-this doesn't seem to be government--but she taught a course in
the History of the British Empire which I took. And I found
her very engaging.
JP: What was her name?
JTH: Her name was Helen Dwight Reid. She was a very engaging woman
and later she went to Bryn Mawr. She had an unfortunate end
to her career. She was about to go to South America with some
other persons in the State Department where she had her last
years. And the day before they departed, she was killed in an
7

�DR. JOHN T. HORTON (Tape 1, Side 2)

JP:
JTH:

JP:
JTH:
JP:
JTH:

JP:
JTH:

Page "'N

automobile accident in Washington. Well those are the people
I remember in the Department of History and Government when I
was an undergraduate.
Were they pretty influential in your decision to become a
teacher of history?
. Well they were indeed.
Not only because I .. I liked
them all and respected them and found their courses, when I
took them, if I took them, very interesting, but there was a
very direct relations between my becoming a member .. between my
choosing history as a career and the department.
I was
intending to go to the law school at the University but in the
spring of my senior year, Dean Park called me into his office
and he told me that the following year Ms. Reid was to be
absent on leave.
And he asked me if I would like to
substitute for her the following year.
And I thought in a
countrified way, a bird in the hand is better than two in the
bush. So I accepted this offer from Dean Park. As it turned
out, I remained
[laughs] ... in the University until I
retired in 1973. And I must say I've never regretted it.
No. What aspect of teaching did you most enjoy?
Before we come to that, could I make mention of another
department ...
Sure, by all means do.
... in the University which I greatly admired, and in which I
almost might be said to have minored in. I majored in history
and government.
But the Department of Classics was a
department that very much interested me.
In those days the
curriculum was a very structured one. One had to have a year
at least of English. He had to have a year of mathematics.
He had to have a year of a laboratory science. And he had to
have some of those subjects that are called social sciences
such as economics, psychology as well as history and political
science. He also had to-- I forget the exact requirement--but
it was something to the effect that he had to have .
perhaps three years of a modern language and two years of
classical language or three years of a classical language and
two years of modern language.
I forget the exact details.
But one had to have to get his B.A. degree in those times both
some competence in a modern language and a classical language.
And since I had done pretty well at Hutchinson Central in both
German and Latin, I elected to go on in college in those two
subjects and enjoyed them both.
The... the professor in
German when I was an undergraduate, was Carl Sieckmann.
Sieckmann?
s i e c k m a n n. He was a very vigorous teacher and threw
himself into the business of teaching German and German
literature.
And he greatly intensified my interest,
particularly in German literature.
But I think I was more
drawn to the Department of Classics at that time. At the time
that I was a freshman, there were two persons in that
8

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department, Ms. Ortha Wilder, with whom I continued the study
of Virgil which I had begun at Hutch, and the Chairman of the
Department, Philip Becker Goetz. He was a Harvard man and the
son of an old and wealthy Buffalo German family.
And along
with John Lord O'Brien and Julian Park, he could be described
as one of the makers of the College of Arts and Sciences. And
he brought--this was after my freshman year, I think it was
during my sophomore year--he brought into the department
another Harvard man, a younger man than himself, Edward G.
Schauroth.
JP: Could you spell that for me?
JTH: S c h a u r o t h.
Schauroth.
He was born in the United
States but he was purely German on both sides of his family
and the Schauroth's in Prussia were a really old family of the
gentry. They are actually to this day the .•. [German word.
Sounds like albedachstegupta] •.. Have you heard of the ..•
[albedachstegupta] ... ?
JP: No.
JTH: •.. before? Well that, we might describe as the Blue Book of
the European nobility and aristocracy. If you are in the ...
[albedachstegupta] .•. to paraphrase an expression or to quote
an expression from Oklahoma, 'you've gone about as fer as you
can go' . . • . [laughs] ..• Well Schauroth was a great .. he was
one of the greatest teachers I ever had. I took a course from
him in Latin prose composition. And I think I learned in that
course, more about what a sentence is than I ever learned in
any other course. And then I also took from him a course in
Roman comedy and we read some plays of
[Tarods and
Plautus?] ... and it was a ... [romp?]
It was a
[romp] ... We had to work at it because their .• their Latin
is .. it's a more colloquial and so it's tougher than the Latin
of cicero and Virgil but nevertheless it was a great delight.
Dr. Schauroth used to read these old Roman writers of comedies
because they could be, when taught by somebody like Schauroth,
as comical as you can imagine. It was a kind of .•. [romp]
... and Schauroth and I in due course became good friends.
But when I was an undergraduate there was a certain distance
between student and professor. That distance was always kept,
but at the same time the relation between faculty and the
students in my undergraduate days, was .. it was a happy one.
I think it was just right. There was distance but there was
mutual good will and a real feeling of cordiality. I think it
was just about the right mix.
JP: Did that mix continue when you were a teacher between you as
a faculty member and your students?
JTH: Well, it continued in the institution for years after--for
many years after.
And I hope it did in the courses that I
taught. But I can't testify as to that because that would be
making me a judge in my own case which is contrary to the best
law . . . [laughs] ...
9

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... [laughs] .•• O.k. Were you involved in any organizations
when you were a student, like drama groups, debate, such as
that?
JTH: There were several organizations that were flourishing in
those years between ' 2 2 and ' 2 6 . And there was a drama group.
I remember I once tried out for a play but I was rejected, so
I didn't get into the drama group.
But there was a
flourishing debating society.
And one of the leading
[men?] ..• in that in my undergraduate days was a chap named
Daniel Katz who later went on to become a distinguished
psychology. Now, like myself, he's an Emeritus Professor but
for .•• he was at Princeton for some time, and then settled
permanently in Ann Arbor where he was a member, for many
years, of the psychology faculty at the University of
Michigan. He was one of the leading members of the debating
team. And another was a man in the law school. It was .• the
debating team consisted almost entirely of men and women from
the Colleges of Arts and Sciences and men from the Law School.
There weren't very many women in the Law School at that time.
And one of the leading men in debating was a chap named Justin
Morgan who later became the Federal Judge for the Western
district of New York and held court down here where Judge
Curtin now holds court and Judge Elfvin. And I got interested
in debating and in this I was much more successful than I was
in the drama group and I thoroughly enjoyed debating. Let me
see if I can recall what some of the subjects were that then
were debated by college teams.
One was whether the United
States should adhere to an international court of justice at
the Hague.
That was a lively debating subject in the early
1920s.
And another one that I remember was whether the
Congress of the United States should have the power by a
certain vote to override a decision of the Supreme Court
declaring an act of Congress unconstitutional. That was quite
a popular topic for college debating teams at that time. And
a third one I remember, whether the Child Labor Amendment
should be ratified. Those are the three debating topics that,
so far as my recollection is concerned, were the most agitated
in the years between '22 and '26. And one of the colleges we
debated most frequently was Hobart.
They had a very good
team. And they came to Buffalo and we went to Geneva. Once
a team from the University of Wyoming visited this part of the
country and we had a debate with them in the auditorium of
Hutchinson Central High School.
I think that's where our
debates usually took place with other teams. And I remember
we sent a team once to Queens University in Ontario-Kingston. But I think that was the year after I graduated and
I had become coach of the debating team. I don't think that
was when I was an undergraduate.
The coach of the team at
that time was Ms. Wilder of whom I've already spoken. She was
an instructress in Latin in the Department of Classics. But
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she was also the coach of debating. And then during, I think,
in the latter part of my undergraduate years, she went to a
college somewhere to the westward-- I don't know, perhaps she
was going to the University of Chicago to complete her
doctoral studies-- but she departed from Buffalo and I
succeeded her as coach of debating when I became an instructor
in the Department of History and Government the year after I
graduated B.A.
That was one society that I was very much
interested int.
Then there was another which had a rather
short lived history.
This was a group called the Muse and
Mask. It sounds as if it might have been a dramatic society
but it wasn't. It was a literary society. And this Muse and
Mask Society published a magazine, I think, for two years in
'25 and '26; and it consisted of essays and short stories
written by members of the club.
It was a very flourishing
organization for only two or three years and I don't think it
lasted much beyond the year 1927. But while it lasted, it was
very active and students were coopted into it from the various
divisions of the University:
Law-- mainly Law and Arts and
Sciences. Again, I think there was a very intimate relation
for years between Arts and Sciences and Law. And there were
some persons from some of the other schools in Muse and Mask,
I'm sure, but I'm sorry I can't remember who they were. This
was also an age when Greek letter fraternities were
flourishing and there were quite a good many of these
fraternities and sororities on the campus.
And they
administered very pleasantly to the social life of the
students. I think they fulfilled a very useful purpose. From
what I hear today, on the new campus, students feel somewhat
isolated and there isn't a great deal of social intercourse.
Is that true?
JP: That's true. They're just trying to start up sororities and
fraternities ~gain.
JTH: Well, I hope they succeed.
Now in the old days on the Main
Street campus to which, by the way, we moved the same fall
that Dr. Capen was inaugurated.
We moved out to the Main
Street Campus from downtown that same fall.
On that Main
Street campus there was a lively social life and a good deal
of it was carried on through the fraternities and the
sororities. And I'm all in favor of such groups.
Though I
was not myself a fraternity man, I still very much favor the
old Greek letter fraternities and sororities.
I think they
really filled a place in college life that needs to be filled.
There were two societies that were honorary, that is they
existed with a personnel recruited from students--both male
and female--who had more or less distinguished themselves in
their undergraduate career in various things,
whether
athletics or dramatics or debating.
For the women this
society was known as the Cap and Gown. Have you heard of that
society?
11

�DR. JOHN T. HORTON (Tape 1, Side 2)
JP:
JTH:
JP:
JTH:

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I believe I have.
I don't know whether it exists any more. Does it?
I don't think it does. I don't think so.
Then for the men there was the Bison Head Society.
Now the
greatest social affair of the academic year was the Junior
Prom.
And it was at the Junior Prom that junior men were
tapped for Bison Head to which then they would belong the rest
of their junior year and throughout their senior year.
And
they had a very neat, handsome insignia consisting of the head
of a buffalo, or a bison.
And I was, I must say, I was
thrilled when I was tapped at the junior prom in the 1925
Bison Head.
And they carried on an active sort of life for
many years.
But I've heard nothing of them since we went
State.
And I'd be interested to know if you have heard
anything of them.
JP: I hadn't heard of them until I began this oral history and in
talking to some of the teachers that have been here for a
while. As far as I know it doesn't exist any more.
It was purely local.
But it was
JTH: Well, that's too bad.
prestigious and it was a great honor for a girl to be tapped
for Cap and Gown or a boy for Bison Head.
So I lament the
demise of those old fraternities.
I think they mark a real
loss to the student life of the University of Buffalo. There
were, of course, the athletic organizations.
Football was
important.
JP: Were you involved in any athletics?
JTH: No, no. I was not athletically inclined. I .• I preferred my
books or I preferred debating. I preferred debating to ball
playing.
JP: What did you enjoy most about debating?
JTH: . . • Well I think the debater's greatest pleasure was when he
was on the platform and knew--and you do know .. you do know
when you're doing this--to know that he was refuting, very
logically and unanswerably, the argument of an opponent. You
knew when you were doing it. You could tell by what ...
End Tape 1, Side 2

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Emeritus professor of History
Interviewed by Jenny Peterzell (student} on March 7, 1978
JP:

This is side two of the recording with Dr. Horton. Now on the
other side of the tape, I had asked you what you found most
enjoyable about teaching. And we never got the answer to that
question so I think that's a good place to begin.
JTH:
• . . What did I find most enjoyable about teaching? . . .
I'm a little hard put to it to answer that.
I suppose that
one of the elements in that situation is the same as that that
I was describing about the pleasure of debating though, to be
sure, there isn't quite the same give and take between the
teacher and the class that there is between opposing debating
teams.
But in teaching a class, when one gets a sense that
he's going over--if I may use that expression--that what he's
saying is .. is being received, and being received with
interest, that gives one much the same kind of pleasure, I
suppose, that a lawyer gets when he's pretty convinced that
he's swaying the jury or a debater, when he's pretty well
convinced that he's getting the judges on his side through the
power of logic.
Or that an actor or an actress experiences
when this mystical play of spirits go over the footlights
between the stage and the audience.
That, I think, is
something that has a good deal to do with the pleasure of
teaching. And another element is the sense, when he's really
doing his job, that he has got thorough mastery of a certain
amount of material and is expounding it in a consequential and
interesting way and has got it so thoroughly in his head that
when he utters it he's a little bit like John Lord O'Brien,
he's not much dependent on notes. I think that's the best way
I could answer that question which is a tough one.
JP: I know.
I'm sorry that that was such a tough one at the
beginning ... [laughs] ... of the second side. In relation
to teaching, I'd like to ask you about the students. And I'm
wondering if you had any students that you were especially
proud of, that you've done some followup with and have gone on
to some interesting and prestigious careers.
JTH: Yes, yes I have had such students.
There are two current
members of the Department of History at the University of
Buffalo.
You'll excuse me if I keep referring to the
University of Buffalo instead of the State University of New
York at Buffalo.
JP: That's alright. I do that too.
JTH: There are two. . . two members of the Department of History
there who were students of mine. I can't claim to have shaped
their minds or to be the prime mover in their going on for
careers as historians. But I think I could say that I didn't
do anything to hinder that impulse in them. One of these is
Dr. Selig Adler, who is Distinguished Service Professor in the
13

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Department and has been in the Department now for many years.
He was a student of mine in a course that I taught in Medieval
History.
Oh I can't remember the year but I think it would
have been around .. around 1927, '28 or 1930, '31.
Another
member of the Department whom I had as a student in a course
of American Government, and then later in an advanced course
in American .•. the American Colonies in Revolution, Dr. Robert
L. Ganyard. He is a member of the Department of History and
has been for some years.
And it wasn't only that he took
these courses from me as an undergraduate, but I was his guide
and mentor in his ... in his Master's work .. in the work that
did for his M.A. degree which he got quite a good many years
ago now before he went to Duke to get his doctorate.
Now
those are two students ... two students of mine who have gone
on for academic careers. I can think of some others. There
is a man at ... at Lafayette College in Eastern Pennsylvania
who has been Chairman of the Department of Political Science
there.
His field is American Government and Constitutional
Law and he has an enviable career as teacher and scholar in
that field. Dr. Paul Pfretszchner.
JP: Could you spell that one for me.
It's like
JTH: Yes, that name is rather tricky to spell.
Schauroth, it's an old German name. It's a Prussian name. P
f r e t s z c h n e r. Pfretszchner. Well, I think that Dr.
Pfretszchner was .. became interested enough in American
Government and Constitutional Law in this course that he took
from me to think seriously of making the academic calling his
own. I couldn't say that that was the sole factor and doubt
it was, but I think it may well have been one of his .. may have
well been one factor and these other two cases that I
mentioned, and I can think of several others but perhaps those
are enough ...
JP: I'm just wondering if people that study history, and some of
your students, went into other fields in history--using their
background in history--besides teaching.
JTH: Oh yes. Yes.
JP: What were some of the types of fields open to people majoring
in history?
JTH: Most importantly, law. Many, many times in the course of past
years, I have met downtown, just casually, lawyers, young
lawyers, middle aged lawyers, lawyers who are now as ... [?]
... as I am, who tell me that in their course in American
Constitutional Government that I taught, and which they took,
they learned things that stood them in good stead when they
undertook the study of law and expressed their appreciation of
it in perhaps too generous terms.
Some .• some majors in
history have gone into journalism. That is a good career for
history majors. And others I can think of who have gone into
the public service as archivists, as directors of historical
museums.
Those are some of the most natural avenues to
14

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careers open to persons who have majored in history.
And I
did mention newspapers, didn't I?
JP: Right. Journalism.
JTH: Yes.
JP: Were these fields open to persons open to persons majoring in
history when you graduated in 1926 as well as today? Or are
these relatively new fields for a history major?
JTH: No, I think they were open to history majors when I was
graduating and . . . so they were for many years after. Now
they are not, may not perhaps, be so many other professional
opportunities as there were then.
Newspapers, for example,
are much less numerous.
You heard just the other day about
the Chicago Daily News is folding.
And take Buffalo alone.
When we moved to Buffalo in 1920 from Allegheny County, there
was a Buffalo Evening News, the Buffalo Evening Times, the
Buffalo Morning Express, the Buffalo Morning Courier--they
were separate papers--the Buffalo Inquirer, the Buffalo
Commercial. There was a very active Polish paper, the Polish
Everybody's Daily, published in Polish at that time.
There
was .. there was an Italian paper and there was a German
newspaper, the
[Volksfreud] ... which was a religious
cast. It was a Roman Catholic paper but it was published in
German.
There were all of those newspapers in this city
alone. And a person who had had a good major in history and
government was a good bet for a job on a newspaper.
But in
Buffalo now, we have just two papers of any consequence, the
Courier Express and the Buffalo Evening News. So that is .. and
through the country, newspapers are becoming less. So there
is one avenue that seems to be closing up rather than
remaining
open.
There
are
still .. there
are
still
opportunities in the public service. But as far as teaching
jobs are concerned which were always important considerations
for majors in history and government, they are now, as they
say, 'as scarce as hens' teeth', so that I fear it's
altogether too painfully true that there is not the same
opportunity for majors in history or in political science--but
particularly history. As there aren't so many opportunities
as there were in my ... [?]
days. Perhaps in political
science there are as many, but I'm sure there are not in
history.
JP: When you graduated the University of Buffalo, you had taught
for a year or so and then you went on to get your doctorate ..
your masters and then your doctorate, at Harvard University.
Now, you then decided to come back to the University of
Buffalo. Had you had other offers from different schools at
that time? What made you decide to come back to UB?
JTH: I went to Harvard on leave of absence.
I didn't cut loose.
I didn't resign and go. I went on a leave of absence with the
understanding that I return and I was bent upon returning
because I never had any strong desire to live long out of
15

�DR. JOHN T. HORTON (Tape 2, Side 1}

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Western New York.
That's sounds hopelessly provincial, I
suppose. But, I had expected to return to Buffalo and return
I did. And though I have had offers to go elsewhere, I have
stuck to Buffalo and Western New York.
I like to be in
visiting distance of old friends and old relatives and of
[in a hushed voice] . . . moss grown tomb stones. How does that
sound for the sepulchral ... ? ... [laughs] .••
JP: Very good .•. [laughs] ... O.k. Let's see. O.k., this is an
area that we haven't discussed yet.
It's a little bit more
personal than what we've been talking about. How did you meet
your wife?
JTH: Well, that is very easy to answer.
I met her in Muse and
Mask. She was in the law school and she was coopted into Muse
and Mask and that's where we met. She got her law degree in
'2 7 and I got my arts degree in '2 6 . And Muse and Mask was ...
JP: The literary group.
JTH: ... the literary group which I was describing before. That was
where we met.
JP: And then you were married soon after?
JTH: Well, we weren't married for some years. She had other beaus
and . . . I would have to say I wasn't bereft of other belles.
JP:
. . . [laughs]
JTH: ... but . ..
JP: It worked out for the best.
JTH: It worked out for the best. With persistence and patience, I
won out over my competitors for her hand. But I had to work
at it a bit.
JP: I'm sure . . . . [laughs] ... Did she practice law at all?
JTH: Pardon?
JP: Did she practice law?
JTH: She practiced Real Estate Law, yes. Yes, she was with an old
firm of ... a mortgage firm. And then, during the days of the
New Deal, she was... she left that private firm and was
associated with H.O.L.C., the Home Owners' Loan Corporation,
which was a New Deal agency in the Federal government to ease
the plight of homeowners.
And that was a time when it was
very hard for them to borrow from the banks. Money was tight.
And the homeowners often were short on income and the H.O.L.C.
was an agency to help them in this pinch in making their
payments on mortgages and generally keeping their equity in
their house and home.
And it was a very successful agency.
And eventually, when it had done its work, it ended and never
a breath of scandal of malfeasance or misfeasance.
JP: That's good to hear.
So your careers were very compatible
then?
JTH: Oh yes. But she didn't .. my wife didn't go on with her career
very long after we were married.
JP: Was that when your daughter was born?
JTH: Yes.
JP: I see.
Julian Park you mentioned before.
He was the
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University historian?
JTH: Yes, he was the official historian of the University.
JP: What type of person was he? What was he like?
JTH: Well, physically he was a rather large man-- he was tall and
portly. He had •.. a man of very dignified carriage. But he
had a keen sense of humor and was a very convivial person. I
always liked him a great deal. He was good company. He was
a good man to have a drink with. And he often gave cocktail
parties at his house and his martinis were among the best that
I have ever drunk. So he was an all round person .•.
JP: Nice person to have ...
JTH: He was a good scholar. And he was a clever raconteur and he
was a man of the world too. He was a great Francophile. He
had a marvelous affection for France and he spoke French like
a native ... [and any] ... American can speak French like a
Frenchman, he could. He was once the French Consul in Buffalo
and • . . he received .. well before I go into that, there was
a bequest left to the University.
It was known as the
[Jones?] ... bequest. And the purpose of it was to bring an
eminent French scholar over to this side to the University of
Buffalo at regular intervals.
I'm not sure whether it was
every year or perhaps at a ..• [lighter] ... interval. But
Julian Park managed this bequest and he took a great deal of
care about it and I'm sure he got a great deal of pleasure
from it because he did succeed in bringing one eminent French
savant to the University of Buffalo after another, year after
year.
And, of course, this got around in France and in due
course Julian Park was invited to the University of Dijon
where he received the degree, Doctor Honorus
[Cosa] •..
That is an honorary degree of Doctor amidst all the ceremonies
and festivities of
[?] ... University.
And I've heard
him describe that event and he obviously, and justifiably,
took a great deal of pride and pleasure in it. He was also-on the personal side--he was . . • he was interested in public
affairs, in politics. He was a Wilsonian Democrat. He was a
great admirer of Wilson, and a great advocate of the League of
Nations in the 1920's.
Oddly enough, and it doesn't seem
quite consistent with this, he was also an avid admirer of
Napoleon Bonaparte
[laughs]
And I don't think he
taught any subject with more zest than he did French History
and European History at the time of the Great Napoleon. And
in my own mind, I've long since given up trying to reconcile
his interest in world peace under the auspices of the League
of Nations and his interest in one of the greatest military
[laughs] •.. captains of all time.
But the fact that
there does seem to be that contradiction in his interests and
temperament, I think, makes him all the more interesting.
JP: Did you ever have occasion to work with Dr. Park?
JTH: To work with him?
JP: Uh hm. On a particular paper or some research?
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JTH: No.
No, I never did. He did work with some members of the
department on the political science side in that sort of
enterprise, in producing a body of European government, but I
was not involved in that enterprise. No, I never carried on
as collaborator in any research with him.
In the days just
before we entered World War II in ... well '39, '40, about
there, he and I were both involved in a committee in the city
which had been organized by the late
[Chauncey J.] ...
Hamlin who was one of the magnificoes of Buffalo.
JP: Was that Hamlin?
JTH: Hamlin, Chauncey J. Hamlin. This committee was known as the
Niagara Frontier Defense Committee.
JP: Right. I wanted to ask you about that.
JTH: And that name is somewhat misleading. It's real purpose was
to collaborate with the William Allen White Committee. That
was a committee formed on a national basis by William Allen
White ...
End Tape 2, Side 1

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Emeritus professor of History
Interviewed by Jenny Peterzell (student) on March 7, 1978
JTH:
JP:
JTH:
JP:
JTH:

JP:
JTH:

JP:
JTH:
JP:

•.• committee in the city which had been organized by the ...
[Chauncey J.] ... Hamlin who was one of the magnificoes of
Buffalo.
Was that Hamlin?
Hamlin, Chauncey J. Hamlin. This committee was known as the
Niagara Frontier Defense Committee.
Right. I wanted to ask you about that.
And that name is somewhat misleading. It's real purpose was
to collaborate with the William Allen White Committee. That
was a committee formed on a national basis by William Allen
White, the Kansas journalist and politic ian who was very
prominent in progressive Republican circles, in TR's time and
later, and was in the thirties terribly anxious about the
growth of Nazi power and the threat of Nazi Germany. And he
organized this committee called by the country at large, the
William Allen White Committee but the name he gave to it was
the Committee to Defend America by Aiding the Allies. That's
Great Britain and France, after the fall of France and then
substantially just Great Britain. And Mr. Hamlin organized
the local .• the local ... [?] ... had to do with the William
Allen White Committee.
And in this committee, Julian Park
was active and I was active, so in that sense we collaborated
in a
rather ambitious propaganda effort to convince
Buffalonians that the United States had better be prepared
for the War which we were quite sure was coming before most
people in Buffalo, I think, thought it was. And that was a
pleasant experience that I think we both enjoyed. There were
many other collaborators. It was a big civic committed. But
Julian and I, I think, were the persons from the faculty of
the University who were most active in it.
Do you think that you were successful in conveying some of
the ideals of that committee to people in the city of
Buffalo?
Yes, I'm sure we were.
And I am sure about it in a rather
untoward sort of way. That is, one of the things that makes
me sure that we were hitting home and striking the right
nerve was a series of rather ugly letters that we got. They
could not be called fan letters at all! But they were rather
nasty letters and I remember one of them wound up thus, "If
war comes, there will not be enough lampposts in Buffalo for
the likes of you and Julian Park." ... [laughs] •..
How did you feel when you received that letter?
Well, I took it as flattery. I took it as real evidence that
we were hitting home.
Do you think some of these letters came from the German
population of Buffalo?
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I don't think so. My impression, at the time, was that most
of the people in Buffalo who were of German descent, were
completely antagonized by Hitler and the Nazis.
Now there
were probably some who weren't.
I remember there was a
German movie theater over on Fillmore Avenue to which I used
to go to help keep up my German.
And well, pretty late, I
think, almost up to the time of Pearl Harbor, they exhibited
to movies that were Nazi propaganda. And people went to that
movie.
But when Pearl Harbor came, they don't seem to have
caused any trouble. There were some .. there were some Nazis
in Buffalo and Erie County and out in Porterville in the
countryside, they had a camp. But I don't think that they .. I
don't think that they had in their numbers many old Buffalo
Germans who were generally turned off by Hitler and all of
his works.
Who were these people that made up the following?
Well, I think they were recent comers from Germany who had
already been indoctrinated.
Some of them were citizens of
the United States.
I know this because .
. some of them
were proceeded against by the United States here through the
Attorney .. the United States Attorney.
And there were
denaturalization proceedings that were launched, and carried
to conclusion. And several of these persons were officially
deprived of their American citizenship.
You' 11 find the
records of those proceedings in the Federal Court House down
on Court street.
I read some of those.
And at this camp
in .• it was near Porterville, they flew the swastika and they
goose stepped and 'heil Hitler' ... [laughs] ... but ...
I hadn't heard about that. Did that camp have a certain name
or was it ... ?
It may have, but if so, I've forgotten.
You mentioned that Dr. Park made quite good martinis and he
socialized ...
Very good!
[laughs]
O.k.
Very good.
Did you socialize
predominantly with people in the History Department, or with
persons from other departments?
Oh, with both. My .. my friends and acquaintances were some of
them in the History Department, some in other departments.
One of my best friends was this chap I mentioned, Dan Katz,
who was .. I think he was a major in psychology.
And that
would be fairly typical.
They were in the Department of
History and Government and they were in other departments.
You have to keep it in mind that the College of Arts and
Sciences at that time was a small affair.
In my class--the
class of '2 6--how many do you think there were graduated
B.A.?
Do you want me to just guess?
Yes.
Ten maybe?
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Twenty-seven.
O.k. Bigger than I thought.
Twenty-seven.
But that's pitifully small compared with a
class today of students. So one was pretty well acquainted
with almost everybody in the class. With some you struck up
a
friendship.
With others it was
just a
passing
acquaintance. But it wasn't limited solely to majors.
There seems to be a trend in history, today at least, to be
more specialized. Professors specialize in a particular era
and it seems to be going away from general knowledge of a
broad overview of history. Do you find that to be the case?
I think that's a just observation.
One of the reasons I
think so is that in our own department, for example,
the same man might teach quite unrelated eras or fields of
history.
I'll give you one illustration, Dr. Kerr of whom
I've made mention before. He taught a course in the history
of Ancient Greece; he taught a course in Russian History.
The field in which he had specialized and in which he was
known outside the University, was the French Revolution. He
wrote a book on the Reign of Terror which was a standard
book. Now, if he were living and a member of the department,
he would teach one field of history, I suppose it would be
the French Revolution, and not much else.
If I may use
myself as an example, I .. I taught a variety of courses.
I
taught a general course in American Government; I taught
another one they had, American Constitutional Development; I
once taught a course in the history of the State of New York.
When Dr. Kerr died very suddenly in the winter of 1950, I
took his course-- his survey course in English History-- and
I taught that. Then in my later years, I concentrated pretty
much in the Renaissance and the Reformation and the Middle
Ages.
I became a sort of jack of all trades.
And that is
frowned on today.
And there are reasons why it should be.
One makes a much more distinguished career for himself if he
sticks to one field of historical learning and gets a wide
reputation in that rather than if he covers widely several
fields and knows them all well enough to teach but not well
enough to get a wide reputation as a scholar in them.
So I
have sympathy for the tendency today to specialize. But, at
the same time, I think that as far as teaching is concerned,
teaching may lose something as that ... [?] ... goes from ...
[?] ... to specialization.
Do you think it loses something in the continuity of bringing
different points in history together and relating them?
I think it might well do so.
But if I were to answer that
question thoroughly, I think I would have to think more .. a
longer time than you would have a tape for .
... [laughs] ... O.k. You were the Chairman of the History
and Government Department, and later it became just the
History Department when it split.
Until 1967 was it? And
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then you took a sabbatical?
Well, let me see.
I was Chairman of the Department of
History and Government from 1948 to 1962 when the Department
of History and Government was divided and the Government
people became an independent and separate department of
political science. I remained as Chairman of the Department
of History until 1967 when I had to retire because by that
time I was seventy and over.
How did you find the transition from being the Chairman of a
Department to going back to teaching?
No problem. In fact, I was very happy ... [laughs] ... about
this.
You were?
Yes. I had been Chairman nineteen years and I had had enough
of it.
I had enjoyed that time and had been, I think,
reasonably successful as a Chairman.
As a result of our
becoming a part of the State University, we had much more
money to do things with so that I was able to augment the
Department.
When I became Chairman in '48 I think we had
nine fulltime, full fledged members of the Department of
History and Government.
And when I retired as Chairman of
the Department of History in 1967, in History alone we had
twenty-seven.
Quite an expansion.
So there was a considerable expansion which had been made
possible by our merger with the State and hence more funds.
Let me go on about the transition.
The transition from
teaching to your final retirement, how was that?
Well, when I finally retire--that was in '73 when I retired
from the University--! was quite ready to retire.
I didn't
regret retirement at all.
I would have regretted it at 65
and I think I probably would have resented it. But between
'65--1965--and 1973 came that dreadful period of hubbub and
upheaval and I must say, I didn't enjoy that and I didn't
care much about the students who were ring leaders of it.
And I didn't care much about faculty colleagues who were
parties to it.
And I think, in honesty, I must say that I
grew a bit sour. So that when '73 came and I was over 70 and
had to retire from the job, I was quite happy to.
What type of activities are you engaged in now?
I notice
particularly you have some plans to write a book on 17th
Century Puritanism.
Yes ... It was on the ... on the Puritan migration of the years
from 1629 to 1640.
And I had got interested in this
migration originally because I am descended from one of those
Puritans who migrated.
He came in 1639.
He was a
Leicestershire man who came over in the ship, "Swallow" to
Hampton, Massachusetts, as it then was. I think the place is
now in New Hampshire.
But in those days it belonged to
Massachusetts jurisdiction. And then the next year he went
22

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to Long Island to Southold, a plantation that was within the
jurisdiction of New Haven. His name was Barnabas Horton and
he was a very strict Puritan who had no love for Quakers or
Episcopalians or any others who dissented from the Puritan
way. And he represented Southold in the general . . . [court]
... of New Haven. And then after New Haven and Connecticut
were merged, the general court of Connecticut. Incidentally,
he also had a license to sell wine and spirits ... [laughs]
... don't you think his being a Puritan would bother him in
that respect at all.
Well, it was through him that I got
interested in this subject--the general subject--of the
Puritan migration.
And I began to read the history of
Leicestershire.
That's a county right in the middle of
England. And as I read, I came again and again upon the name
of Dr. John Williams, who was the Lord Bishop of Lincoln.
That was the Diocese to which Leicestershire belonged. And
from the context, I got the impression that this Anglican
Bishop, though he was an Anglican and a Bishop, was rather
easy going on Puritans.
And I
noticed that from
Leicestershire there wasn't a very heavy immigration of
Puritans. And then I looked up one or two other Bishops and
then began seriously to study four Bishops and their records.
I went to England to do this in '68.
And I studied the
records of four Bishops:
the Bishop of Lincoln, Dr.
Williams, the Bishop of Bath and Wells, the Bishop of Exeter
and the Bishop of Norwich--all four Bishops.
And I found
that where the Bishop was wholly in accordance with the king
and the Primate--the Archbishop of Canterbury--and enforced
the laws of the church, the migration was heavy. Where the
Bishop was like Williams--the Bishop of Lincoln--rather lax
in enforcing the laws of the church, the immigration of
Puritans was relatively light. And so I had a thesis at .. I
finished that. I did write the book; I have the manuscript.
But the manuscript is somewhat like the bride who was left on
the porch of the church by the bridegroom who doesn't appear
to lead her to the altar, I had no publisher.
I see. O.k. What else are you doing these days?
Well, I have .. I am very fortunate in that I have some good
friends who read to me.
I am afflicted with very bad
eyesight, so I can't read myself.
But I'm also very
fortunate in that my wife reads to me endlessly.
And a
colleague in the Department of History, Dr. Bohler--Arthur
Bohler--reads to me every week a wide variety of history and
literature; and Dr. Robert Pope has read to me what I should
be ashamed to confess I had never read before. And that is
the Pickwick Papers.
He hadn't read it and he offered to
read the Pickwick Papers to me. And so he read them.
Both
Bohler and Pope are expert readers. They read almost as if
they were actors on the stage. It's a great pleasure to hear
them. And then there's a young man who got his doctorate at
23

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UB under Professor •.. [Ganyard?]
, Sean Murray, who now
teaches at •. at D'Youville College.
And he also is an
excellent reader. And he comes in ...
You have some wonderful friends.
So I have some very good friends.
And between them and my
wife, I'm reading about as much as I could read then ...
[laughs] •.. when I was blessed with better eyesight. So my
days pass uneventfully but pleasantly.
Are you involved in the Emeritus Center?
Not very much. Occasionally I go, but not very much. Their
next program is .. sounds interesting.
I think it's an
exhibition of the slides of some European travels, but I
can't see them well enough to bother to go.
Dr. Horton, we're coming close to the end of the tape and I
would like to get some comments from you, or anything you'd
like to say in terms of advice that you would like to bestow
upon the University •
.•. I think I must beg you to excuse me from doing that. An
old man giving advice is very likely to appear in a somewhat
bizarre and comic light and I think I would just •.. [leave
or] ... not do that ••. [laughs] ... if you don't object.
I'm kind of taken aback by that.
I know you've been at the
University for a while--for a long while--and you have quite
a bit of experience that would enable you to be in a position
to give such comments, just in terms of student teacher
interaction,
University
policy
in
general,
the
new
expansion ... Is there anything you want to say along those
lines?
Well, if one is not actually on the scene and involved, I
wonder how valid his counsel would be.
You can perhaps, if
your withdrawn, you can perhaps see things in perspective as
you can't if you are involved; but if you are withdrawn and
not involved, you may not include in your perspective some
very vital elements which have to be included by those who
are involved who are on the scene and doing the day's work.
O.k. Then I withdraw the question.
I could .. I could give you some of my own very strong beliefs.
That's what I mean. O.k.
.•• and in that respect, I would end about as I began, with an
expression of my very lively ...

End Tape 2, Side 2

24

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                <text>&lt;strong&gt;Interviewer's observations:&lt;/strong&gt; Dr. John T. Horton, 3-7-78 &lt;br /&gt;&lt;br /&gt;Dr. Horton and his wife reside in a large, rose-colored stucco house in an old Buffalo neighborhood. Their home is reflective of its surroundings as it stands with a well-preserved aura of dignity. Entering the home the interviewer was greeted by a warm handshake and a small grand piano, alone in an alcove nearby. Dr. Horton's chivalrous reception and Mrs. Horton's hospitality were received in an atmosphere of refined charm. The rectangular living room was spotlessly polished, with furnishings and Elizabethan-style paintings arranged with precision. Upstairs, the study in which the interview took place was decorated in Early American Colonial wall-paper and furnished similarly. Photographs adorned the walls, portraying families in turn-of-the-century garb; obviously ancestors of the Hortons. Dr. Horton's enthusiasm and tremendous enjoyment in participating in the interview is evidenced by the length and fine quality of the recording itself. After each side of the tape was completed, Mrs. Horton joined us as we listened to the recording. She added these comments: &lt;br /&gt;&lt;br /&gt;1. In mentioning student activities of the 1920's, Dr. Horton failed to mention the glee club, of which she was a member. 2. That Dr. Horton had many job offers after completion of his Master's and Doctorate degrees. &lt;br /&gt;3. That Dr. Horton used to get standing ovations from his students during his last years of teaching; the years he described as growing "sour" towards the students. &lt;br /&gt;4. That Dr. Horton was a fine swimmer and if UB had had a pool during his undergraduate years, he would have taken advantage of it. &lt;br /&gt;&lt;br /&gt;Dr. Horton is of medium stature and wears glasses and a big white moustache. His eyesight is poor and his hearing is somewhat weakened. Mrs. Horton is very attentive to his needs. Both Dr. and Mrs. Horton were dressed in formal attire.</text>
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                    <text>Index to an interview with Maxwell Lockie, November 14, 1978.

minutes/counter
00/000

Dr. Lockie's family and childhood; his early educationr his memories of Lafayette High School and of
Miss Cora Freeman and Captain Mellon.

05/145

Working with Harold Russlander at his Uncle Peter's
pharmacy; memories of the flu epidemic.

10/200

His decision to go to Pharmacy School; friendship with
Harry LaForge; memories of the liberal arts college,
the School of Pharmacy, and the I•ledical School, from
which he graduated in 1929; the jobs he held to pay
his expenses.

15/300

Worked with George ThDrn under Dr. Frank Hartman to
develop what later became known as cortisone; influence
of UB professors: Rufus Humphrey, Griffeth, Wayne
Atwell, Nelson Russell, Sr., Clayton Greene, Byron
Bowen, Irving Lyon.

20/370

Internship at General Hospital; influence of
Benjamin Roman; fellow interns Ram u-urney, Frank
Meyers, Norman Heilbrun.

23/425

Assistant resident at Johns Hopkins along with
Dr. Ralph Hils; choice of arthritis as a specialty
that would allow him time for basic research;
started clinic at Johns Hopkins.
second side

00/000

Unaware of connection between cortisone and arthritis;
startEd private practice in 1932 with help of Dr.
Aaron; became associated with Dr. Harold Robin;
organized arthritis clinics at area hospitals.

04/090

One of first to specialize in arthritis; development
of national and international organizations; resulted
in trips abroad; patient in Acapulco, Carlos Bernard.

08/180

Association with Dr. Talbot; Asked to head UB Department of Therapeutics; interest in gout; growing
knowledge about arthritis.·

15/300

Discoveries of Drs. Philip Hench and Van Zant; advances in diagnosis and treatment of arthritis.

18/370

Connection with UB Medical School Alumni Association;
comments about Capen; friendship with Furnas and
Ralph Peo.

�22/300

Lockie's high opinion of UB Med School; start of
post graduate program; relationship of private
physicians to Med School; Dr. Russell Cecil of New
York; relationship between General Hospital doctors
and the Med School; Dr. LeWin and Dr. Edgar Beck,
second tape, first side

00/000

Distinguished UB Alumni Award; origins of special
study of arthritis; role of Dr. Philip Hench, Dr.
Cecil, Dr. Pemberton; Dr, Bauer; Hench's development
of cortisone; new treatments; arthritis in children;
Buffalo as arthritis center.

09/200

Move of the Medical School to the Main Street campus;
Lockie advocated building of university hospital;
changes in relation between ful~time IVIed School
professors and those in privat ractice; changes in
teaching method,

22/330

Furnas's views on the merger; Lockie's general
views on the state of the medical profession in
Buffalo; need for one or two outstanding professors
at the Med School; improvement of Pharmacy School;
Dr, Levy; comments on future developments,

�</text>
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                    <text>Interviewer's Observationsa IVJ:axwell Lockie, November 14, 1978
The interview took place in Dr, Lockie's small study at
the top of the apartment building where he lives, He keeps
all the records of his personal and medical career there: the
many articles he has written, the speeches he has given,
newspaper articles about him, the numerous awards he has
received, photographs, scrapbooks full of miscellaneous
mementos, etc,, and he showed most of them to me before the
interview began. I suspect that his comments in the interview
were a potpourri of speeches he has delivered in the past,
When I asked him unanticipated questions, he was thrown off
stride, and a couplm of times asked that I turn off the ~ape
while he gathered his thoughts,

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                    <text>L. MAXWELL LOCKIE
L. Maxwell Lockie studied pharmacy and medicine at the
University of Buffalo, subsequently establishing a
practice
ritis.

in the Buffalo area with a specialty in arthFrom 1939-1965 Dr. Lockie also headed the

University of Buffalo's department of therapeutics.
He remained on the faculty of the University until
1969.
In this interview Dr. Lockie talks about his education at the University of Buffalo and his lengthy
medical career.

Much of the interview focuses on the

study of arthritis and Dr. Lockie's research in that
area.

The University of Buffalo Medical School is

also discussed, particularly with regard to its relationship to the medical community in Buffalo.

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                    <text>Index to interview with Thurber LeWin, October 30, 1978
Minutes/Counter
first side, first tape
00/000

LeWin's family; father a graduate of Niagara
University medical school; his education; influence
of Fosdick and Mellon.

05/100

One year at UB as undergraduate, then UB medical
school; early years of liberal arts colleget Philip
Becker Goetz and Julian Park.

08/170

LeWin's role in 1920 fund raising drive; gets support of
presidential candidate Cox.
\

10/200

His decision to become an ophtha~ogist; influence of
Marshall Clinton and Lee Masten Francis; application
to the University of Pennsylvania for post graduate
study; interview there with Dean Meeker; latter's
high regard for UB and for Dr. Potter and Dr. Wende.

14/290

UB faculty were unpaid; Edward Maguire and Allen
Jones.

16/315

LeWin's views on Capen; reaction of medical school
to Capen's administration.

20/370

Background of UB medical students; most Buffalo
physicians UB graduates.

21/395

Comments on the decision to move the medical school
to the Main Street campus; role of Ward Plummer.

25/450

Comments about McConnell and Furnas; Capen's refusal
to take over what became Cornell Aeronautical Lab;
Furnas arranges to share its facilities with Cornell.

~~

second side
00/000

LeWin joins UB medical school faculty 1927; Dr. Eli
Long suggests that he develop a course on the relationship of diseases of the mouth and of the eye.

04/080

Developments in ophth~ology; students study with
him and Dr. Koenig; Dr. Falls one of his students;
Dr. Clara Marsh an ophthdmologist and faculty member.
~

10/190

Received Distinguished Alumni Award and Samuel P.
Capen Award; active in alumni activities; attended
football games; in favor-of football and other sports
at UB; state of athletics since merger.

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                    <text>Interviewer's Observations• Thurber LeWin, October 30, 1978.
Dr. LeWin had ovviously prepared for this interview, and
had written some notes Which he referred to. He was very
relaxed, and eager to talk about his memories of UB. The
telephone rang twice; once it was a former patient seeking
advice. When the interview was over, Dr. LeWin continued to
reminisce. He laughed a bit about the saint-like statue
accorded ~r. Capen, and made clear that he thought Capen
had made some mistakes. He also commented on two "wonderful
women," Emma Deters and Emil~ Webster, both of whom exercised
considerable power but received little recognition.
,··}

,. I

-

j)~.t!J~·

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                <text>Tape of an interview with Lewin, conducted by Brenda K. Shelton, October 31, 1978. Concerns his background; his views on Capen; comments on McConnell; Years on faculty of UB; alumni activities</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; Dr. Lewin had obviously prepared for this interview, and had written some notes which he referred to. He was very relaxed, and eager to talk about his memories of UB. The telephone rang twice; once it was a former patient seeking advice. When the interview was over, Dr. Lewin continued to reminisce. He laughed a bit about the saint-like statue accorded Dr. Capen, and made clear that he thought Capen had made some mistakes. He also commented on two "wonderful women," Emma Deters and Emily Webster, both of whom exercised considerable power but received little recognition.</text>
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                    <text>Dr. Olive Lester {Emeritus professor of Psychology),
interviewed by Jenny Peterzell (student) on April 12,1978.
SIDE 1

e:_. ~ .

012

Background:sketch: Dr. Lester was born in Lancaster, N.Y.
in 1~03 in.house across street .from where she now lives.
Graduated high school and entered U.B. in 1920. Spent
sophomore year at Cornell University.

026

Enrolled in Introducto~y Psychology course taught by Dr.
.father of Structuralism, while at Cornell. Returned
and graduated from U.B. in 1924 with B.S. degree.

036

Participation in honors system at U.B.; Dr. Phillip Becker
Goetz served as advisor to 12 honors students.
·

063

Influences in Dr. Lester's decis-ion to pursue Psychology-her .father, a lawyer with a spectrum of other interests
including social sciences; Dr. Daniel Bell Leary, chairman
of Psychology department; Dr. Boynton, Philosophy professor.

076

Dr. Tichner's Introductory Psychology class described interest in introspection, analytical.

092

Dr. Leary, behavioral approach to Psychology and Watsonian
influence at U.B.

100

Dr. Lester's interests .in Psychology include: socialization
of children, personality and attitudes.

115

Dr. Tichner described: his academic splendrous procession at
start of each class, students fear of him, Sunday night
music gatherings.with students. Dr. Tichner studied under
Wundt in Germany.

139

Dr. Leary,'s controversial beliefs and reputation; attracted
"liberal' faculty, made great contribution to Psychology
department. Dr. Bugelski, Dr. Scofield mentioned.

188

Reflec·cions on Dr. Edward Jones; founder of Bureau of Personnel
Research, developed counseling and testing services, scholar
who stimulated students to further their education, PhD~ .from
University of Chicago, studied with Jung and Angel.

207

Description of Dr. Lester's graduate work under Dr. Jone's
guidan,ce; studied performance of Polish children on intelligenc~e
tests, influence of environment on behavior.

227

Popula:r:-J.ty of Sigmund Freud at U.B. discussed.

\1 :-rc.\-\a-le~

�SIDE l (cont 1 d)
233

Reflections on most enjoyable aspects of teaching: preferred
teaching to research, contact with students and informal
discussions.

265

Acheiv,ements o£ significance in Dr. Lester's career first woman to serve as departmental chairman in College of
Arts and Sciences, first woman president o£ American Association o£ University Professors.

281

Reflections on being a woman academian: lower earnings,
slower promotions than men.

292

Dr. Lester's socialization and related activity: Dr. and
Mrs. Jones very good friends, constrictions o£ being single
in a couples-oriented society.

317

Remarks on statement made by Dr. Lester Anderson, assistant
to Dr. McConnel,about the tine quality of U.B.

338

Comments on change in teacher-student relations in the
university, dehumanization brought•·,upon by expansion.

404

Current activities o£ Dr. Lester include: member o£ Board o£
Lancaster library, Corp IV Erie County Mental Health agency
board member, prolific reading.

433

Mention o£ Dr. Leslie Fiedler's new book on freaks; a charitable treatment of persons with abnormalities.

441

Other current activit~es o£ Dr. Lester include membership in
several organizations such as the Historical Society~ Not
much involvement with university today.

455

Comments on

480

Dr. ScD£ield 1 s experience with Dr. Barnetain Far East and
India during World War II under u.s. Army O££ice o£ Strategic
Servic,es, studied psychological warfare under Mt. Batton ; , :.

Psycho~ogy

(spelling?~.

and Social Sciences dismal future.

mou.l"ltb~:ten

505

Reflections on career: inspired throughout lite by £ather
and influencial professors at U.B., University o£ Chicago
and Cornell University.

550

Dr. Lester's feelings on being a teacher and final remarks
on her career.

•

579

End o£ interview.

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                    <text>OLIVE P. LESTER
Olive Lester attended the University of Buffalo in
the early 1920's and graduated with a major in
psychology.

She returned to the University in 1925

to accept a faculty position in the department of
psychology and remained on the faculty until her
retirement in 1974.
ment from

She was chairman of the

depart~

1954~1964.

In the first part of this interview, Dr. Lester
discusses her early education and her experiences
as an undergraudate, first at Cornell University,
and then at the University of Buffalo.

She talks

at length about her growing interest in psychology
and the influence of various faculty members on the
development of her own philosophy.

She then goes

on to discuss her own career and the changes which
have occurred both in the field of psychology and
within the University.

Dr. Lester also comments on

her experiences as a woman academician.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23957"&gt;Overview&lt;/a&gt;</text>
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              <text>Lester, Olive P., 1903-</text>
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                <text>Olive P. Lester</text>
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                <text>Professor of psychology</text>
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                <text>Leary, Daniel Bell, 1886-1946</text>
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              <elementText elementTextId="64577">
                <text> University of Buffalo. Department of Psychology--History</text>
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              <elementText elementTextId="64578">
                <text> Women as professionals</text>
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              <elementText elementTextId="64579">
                <text> Titchener, E.B.</text>
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              <elementText elementTextId="64570">
                <text>1978-04-12</text>
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                <text>Alumna of University of Buffalo, Professor of psychology at UB; chairman of the department from 1954-1964. Tape of an interview conducted by Jenny Peterzell, April 12, 1978. Concerns her education ;her career; and the department of psychology at the University of Buffalo.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Olive Lester attended the University of Buffalo in the early 1920's and graduated with a major in psychology. She returned to the University in 1925 to accept a faculty position in the department of psychology and remained on the faculty until her retirement in 1974. She was chairman of the department from 1954-1964. In the first part of this interview, Dr. Lester discusses her early education and her experiences as an undergraduate, first at Cornell University, and then at the University of Buffalo. She talks at length about her growing interest in psychology and the influence of various faculty members on the development of her own philosophy. She then goes on to discuss her own career and the changes which have occurred both in the field of psychology and within the University. Dr. Lester also comments on her experiences as a woman academician.</text>
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                    <text>Index: Dr. Oliver P. Jones, January 10, 1979
minutes/counter
00/000
Dr. Jones' parents; the start of his interest in science as
a child; his early experience analyzing urine for local
physicians.
06/140

Various fields of science studied at Temple University; choice
of research rather than practice of medicine; two years in
zoology at Indiana University where he worked with Kinsey;
switched to anatomy at Minnesota where he met his wife who
was in medical school there; Buffalo woman pathologist,
Margaret Warwick Schley, came from University of Minnesota.

14/280

Events leading to his move to Buffalo; Wayne J. Atwill.

20/370

Relationship between full time medical professors and voluntary
faculty.

22/400

Lack of hospital at UB Medical School; relationship of the
General Hospital and Sisters Hospital to Medical School; Jones
chairman of committee that recommended move to Main Street
campus; role of Buffalo physicians in Medical School.

28/480

Little contact between Medical School professors and other
faculty members.
SIDE II

00/000

Contacts among faculty; Jones served as liaison between Karr
Parker and Claude Puffer and architects involved in construction
of new medical buildings; conflicts among faculty.

02/065

Friendship with Capen; 12 years as chairman of Medical School
admissions committee; chairman of committee in charge of moving
the Medical School; supported Capen concerning academic freedom,
assistant dean for eight years and held various other positions.

07/155

Comments about working with Karr Parker; role in construction
of Capen and Sherman Halls.

10/215

Problems involved in procuring bodies; began system whereby
individuals donate bodies.

14/285

Further comments about Capen.

16/330

Admissions policy under Jones.

19/370

Retirement as head of Department in 1971; work o~ a study of
an 1848 medical student's diary; wrote offigia~of International
Society of Hematologists; preparing lecture based on Roswell
Park's slides and notes, which are in Jones' possession

28/500

Early interest in hematology; publications; earned MD in 1956.

�Index: Jones
minutes/counter
TAPE II
00/000

Resumed medical study after resignation as assistant dean;
Dr. Mitchell Fl:etteaft~ u b; n
I

05/092

Wife worked for Red Cross Blood Bank.

08/155

Recent developments at UB Medical School; differences in
opinion over location of Capen Hall.

�</text>
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                    <text>Interviewer's Observations: Dr. Oliver P. Jones, January 10, 1979
Dr. Jones, a widower, lives alone in a house on Berkeley Place. He is
currently involved in a number of projects, some of which he alludes to
in the interview. During the interview, he kept hitting his hand on a
wooden stand next to his chair and frequently ruffled papers lying there.
At one point he walked away to get a box of slides and then placed the
box on the stool next to the microphone while he opened it. A number of
times he stood up and walked around while he was talking.
After I had put the tape recorder away, Dr. Jones talked at length about
various topics. He never liked the Buffalo orientation of the Medical
School and felt that too many of its students and faculty were from
Buffalo, had attended school and college in Buffalo and then went on to
practice in Buffalo. He worked to attract students from outside western
New York, and resisted alumni pressure to admit Buffalo students. He
strongly criticized the General Hospital which he called "parochial" and
which he claims has been detrimental to the practice and teaching of
medicine in Buffalo. He has a low opinion of physicians who served as
voluntary professors, calling them poorly educated and not qualified for
anything but clinical teaching. It seems clear that there was conflict
between him and those professors who were practising physicians.

�</text>
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                    <text>OLIVER P. JONES
Dr. Oliver P. Jones was a member of the faculty of
the Medical School at the University of Buffalo
(and the State University of New York at Buffalo)
from

1937~1976.

He served as chairman of the

department of anatomy from

1943~1971.

Dr. Jones begins this interview by talking about
his childhood and the development of his interest
in medicine.

He then discusses the medical school

at UB, emphasizing various topics, including the
relationship of the medical school to downtown
hospitals, the comparative roles of the
and

full~time

part~time

faculty members, and the 1953 move

to the Main Street campus.

Dr. Jones also talks

about his relationship with Chancellor Capen and
about his membership on various committees over the
years, including the Medical School Admissions
mittee.

Com~

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                <text>Professor in the Department of Anatomy of the Medical School of the University of Buffalo and the State University of New York at Buffalo, 1937-1976; Chairman, 1943-1971. Tape of an interview with Jones conducted by Brenda K. Shelton, January 10, 1979. Concerns his childhood, Medical School at UB, part-time and full-time faculty, his relationship with Chancellor Capen, and his membership in various committees.</text>
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                <text>&lt;strong&gt;Interviewer's Observations:&lt;/strong&gt; Dr. Oliver P. Jones, January 10, 1979 &lt;br /&gt;&lt;br /&gt;Dr. Jones, a widower, lives alone in a house on Berkeley Place. He is currently involved in a number of projects, some of which he alludes to in the interview. During the interview, he kept hitting his hand on a wooden stand next to his chair and frequently ruffled papers lying there. At one point he walked away to get a box of slides and then placed the box on the stool next to the microphone while he opened it. A number of times he stood up and walked around while he was talking. After I had put the tape recorder away, Dr. Jones talked at length about various topics. He never liked the Buffalo orientation of the Medical School and felt that too many of its students and faculty were from Buffalo, had attended school and college in Buffalo and then went on to practice in Buffalo. He worked to attract students from outside western New York, and resisted alumni pressure to admit Buffalo students. He strongly criticized the General Hospital which he called "parochial" and which he claims has been detrimental to the practice and teaching of medicine in Buffalo. He has a low opinion of physicians who served as voluntary professors, calling them poorly educated and not qualified for anything but clinical teaching. It seems clear that there was conflict between him and those professors who were practising physicians.</text>
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                    <text>Interview with Judge l\'Iatthew Jasen, February 1, 1979
minutes/counter
00/000

Parents came from Kalisz, Poland; father a tailor;
born in Buffalo 1915; two brothers; Lived in East
Buffalo,

05/115

Early education; East High School, along with William
Ronan (?) and Jerry Solterelli; memories of Filmore
Avenue and the many professional peop~e with offices
there; ethnic composition of the area; early jobs,

10/225

Went to Canisius College for two years, then UB law
School; few Poles went to college; influence of
p'arents,

13/265

Memories of Law School; changes brought about by
Dean Francis Shea and recent Harvard graduates: Louis
Jaffe, Brown, Mark deWolfe Howe; graduated 1939; Howe
and Philip Halpern eEpecially influenced Jasen,

20/365

Little "school spirit" at Law School; relationship
between UB and Canisius; worked at Post Office nights
throughout Law School; discrimination against immitrants,

23/422

World War II; served as Civil Affairs officer, then
Military Government officer; trained at Harvard; assigned to Heidenheim; appointed by General Clay as
one of nine Military Governors of Germa~at recommendation of Col, Dawson; presided in Heidelberg for
two years,
Second side

00/000

Further comments about years as judge in Heidelberg;
responsible for all non-military cases,

03/075

Almost stayed in Switzerland after war but returned
to Buffalo in 1949; established own law firm, later
joined by Victor Manz, Rudolph Johnson, Frank Bager(?);
appointed Supxeme Court Judge by Gov. Harriman in
1957; first Democrat elected in Eighth Judicial District; first New York Saate judge of Polish descent,

08/172

Interest in Polish community and culture; frequent
lectures, etc,; UB Round Table,

11/235

Interest in UB; elected to UB Council in 1963; comments
about merger; changes in Law School, especially in
admissions and attrition; Bar examinations.

�Jasen, continued
20/380

Law School Alumni Association President; cost of
Canisius and UB tuttion in 1930s; activities at UB:
lectures, Moot Court, consultation; helped Dean
Schwartz by going to Albany,

25/440

Changes in relationship between Law School and Buffalo
lawyers; sons Peter and Mark not accepted at UB Law
School; efforts to gain admission for minority students;
increase in women at Law School,

29/500

Charges that UB radical, atheist; Jasen has changed
his views about UB,

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                    <text>MATTHEW J. JASEN
Matthew Jasen is a Buffalo lawyer and former State
Supreme Court justice.

He graduated from the

Uni~

versity of Buffalo Law School and for a brief time
in 1963 was a member of the University of Buffalo
Council.
In the first half of this interview, Mr. Jasen talks
about his childhood in Buffalo and his memories of
the UB Law School, emphasizing the composition of
the faculty at that time and the social atmosphere
of the University.

He then discusses his experiences

as a Civil Affairs Officer in Germany during World
War II, and his

post~war

experiences as a justice of

the military government in Heidelberg.
The latter part of the interview concentrates on
Jasen's activities after his return to Buffalo,

in~

eluding the establishment of his law firm, his tenure
as a State Supreme Court justice, and his continuing
interest in the University and the Law School.

At

various times throughout the interview, Jasen also
comments on his Polish background and the Polish
munity in Buffalo.

com~

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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64462">
                <text>Matthew J. Jasen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64463">
                <text>Attorney</text>
              </elementText>
              <elementText elementTextId="64464">
                <text> State Supreme Court Justice</text>
              </elementText>
              <elementText elementTextId="64471">
                <text>University of Buffalo. School of Law and Jurisprudence--History</text>
              </elementText>
              <elementText elementTextId="64472">
                <text>Polish Community in Buffalo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64466">
                <text>1979-02-01</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64468">
                <text>Lawyer in Buffalo and former State Supreme Court justice; member of the University of Buffalo Council, 1963; alumnus of the UB Law School. Tape of an interview with Jasen, conducted by Brenda K. Shelton, February 1, 1979. Concerns his childhood, UB Law School, his experiences in and after WWII, his law firm, and the Polish community in Buffalo.</text>
              </elementText>
              <elementText elementTextId="64469">
                <text>&lt;strong&gt;Overview:&lt;/strong&gt; Matthew Jasen is a Buffalo lawyer and former State Supreme Court justice. He graduated from the University of Buffalo Law School and for a brief time in 1963 was a member of the University of Buffalo Council. In the first half of this interview, Mr. Jasen talks about his childhood in Buffalo and his memories of the UB Law School, emphasizing the composition of the faculty at that time and the social atmosphere of the University. He then discusses his experiences as a Civil Affairs Officer in Germany during World War II, and his post-war experiences as a justice of the military government in Heidelberg. The latter part of the interview concentrates on Jasen's activities after his return to Buffalo, including the establishment of his law firm, his tenure as a State Supreme Court justice, and his continuing interest in the University and the Law School. At various times throughout the interview, Jasen also comments on his Polish background and the Polish community in Buffalo.</text>
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                <text>2/27/2013</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                    <text>Interview with Edwin Jaeckle, February 13, 1979
minutes/counter
00/000

Parents born in Buffalo in the 1850s; Mr. Jaeckle
born in 1894; childhood.

04/090

Educationa School 32, Masten Park High School, US
Law School; mother's influence on his decision to
become a lawyer; Robert Schelling,

07/150

Memories of Law School.

12/240

Serving as Erie County Supervisor when UB bought the
County Almshouse; 1920 fundraising drivea Sam Harris,
Barthcilemew, Cooke, Butler.-

15/300

Served on UB Council 1956-62; after Law School joined
Schelling's law firm with Garone; later joined firm
of Palmer, Houck and Wickser.

18/340

Entrance into politics when young man; Erie County
Republican Chairman; career in politics; little relationship between city and county governments and UB.

23/400

Community support for UB; few went to college years
ago; among exceptions were Dr. Oberkircher and Albert
Butzer; views on college education.
Second side

00/000

Role in merger; relationship with Frank Moore; his
role in starting communication between UB and New
York State; served on ad hoc committee with Seymour
Knox, Louis Harriman, Furnas, Puffer, and Ralph Peo;
Jaeckle helped persuade State to choose Buffalo as
site for University,

07/160

Worked to persuade Furnas et al to support merger;
saw merger as beneficial to Buffalo; University of
Rochester wanted to become part of SUNY; opposition
to merger from within UB; problems involving the
Foundation; Davidson came from Albany to investigate
the merger; importance of Jaeckle•s relationship with
Moore; appointed SUNY trustee,

14/258

Favored merger from start; role of Walter Mahoney;
choice of Amherst campus.

16/309

Changes in Law School; ties between Law School and
Buffalo lawyers; role of UB in Buffalo community,

22/400

Jaeckle•s conception of politics; summary of his
political achievements; his role in development of
Roswell Park.

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                    <text>I
Interviewer's observationsa Edwin Jaeckle, February 1J, 1979
This interview with Mr. Jaeckle lasted about twice as
long as the tape indicates. He frequently asked that I turn
the thing off so that he could elaborate off the record. Early
in the interview, he searched through his desk for the program
from his High School graduation. On it the seniors are listed
by academic rank, and he delighted in showing me that at the
very bottom of the list was Rexford Tugwell, who graduated
with him in 1911. Towards the end of the first side, he again
gestured me to turn it off, so that he could dDEcuss in greater
detail his belief that not everyone should attend college.
After his comment that he was made a trustee of SUNY, he
had me turn the tape recorder off once more while he told me
that Seymour Knox wanted to be appointed a trustee but the
"people in Albany" didn't want him and insisted that Jaeckle
be appointed. He went on to tell how the controversy over
faculty pensions almost scuttled the merger, andhow he went to
Furnas and told him he had to settle the issue or elses a few
greedy professors were not going to stop the merger. It is very
clear that In Jaeckle's opinion, he played a key role in persuading both Albany and UB that the merger was desirable.

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                    <text>I /(_
r
'

Tnterviewed by Brenda K. Shelton February 13,

1979

BKS: This interview with Edwin Jaeckle is taking place ~n his
c· ·f ·r i c: !?. i r, t h !=:~ L_ :i. h r::.··~··· t ··/ E~ .:::·tl-\ k [-{t.t i 1 d i r: q :"t r·: E! Lt ·f f ,:.) 1 f.) :'
t\! c-.:: !,.-·J "'l c! r· !.:· f) ·n
Feb r· UE: ·!"- y
13 ,
1979 .
Th f.' i r: ter v :':. '::'·~·-IP·:"- i ~:; Pr· E··r-·:c! e ~;l"·r ~::.· 1 t e: r:.
t·''":""·
how far back your
I'm
They were here a long time.
goes in Buffalo history.
EJ:

My father, Jacob Jaeckle, was born in 81ffalo in 1852 and mv
mother
was
born in Buffalo in
1857;
and
! was
born in

BKS: Had +hey come to Buffalo ...

were born here and their parents migrated fre:m Germany
T\"":!'.':f":"F:!
in the late forties and eE::··1.y ·fiftiF·~;; .......... 1H'50'c",..
went to Albany and the other
rarts of the family t~at
aprarently.
=arne to Buffalo
to the canal

They
2\1

•:.•"l"":lJ

BKS~

What was your father?

EJ:

My

fathe~

was a

p 1 -':"\ ·:··: i ··H;;

l-H'::·

building

contractor and
~;, u

.. • •

into a
in 1904.

b

::;,-!~

.:::: n

operated a

t i. .:_;:, :L !::n.•. ·:. 1 r::l

furni~~re

I was only

·!. :· ..:c.;:

• • • :·:, ·:·,c.!

~snuf~cturer.

ten years nf age

d :i. E-d ..

J. ':.IT: it t=·c.l
t-our

Tt···: ::::.•'"/
h -:"::~d \/E·!Y"" 'i
h ::'1 ;j 0::) \/ t"!"!""" t f"": "("" f~ F•

B t&lt; ~3 ;:

What was his occupation?

m i 1 1 '"•:r·: d c! i .:l

then later developed
The~
he passed away
~-J!···: t:~n

7

!... t:"! t :• r.,; i·. 2: 1 ! . :::: b D !...!. t

r··E:i. the:::·:··

: .·:•. t.

C•T·

y D U. .,...

C )···:

i 1 d h C• C• d .

+: h .::~. t

Where did you live?

I ;.,_!.;;:. !'"' b C.• r· n '"' · t 1:'6 Lerr:c:. r1 ~-3 t r· r=.::c:t ;:_:,nd 1 i v t?.c! t h r::::r· :;·?. u. c1 t i 1
moved
to
the
Par~lane
Apartments at
33 Gates
B:.J_f·f.e~

BKS: Not
~~.

1\l~·=-·l. --J

1o

k ..

people stay that long

ma~y

We}.]~

'toY~

I

did have

in one place ... any

a home in

Poe: c! 1;.1h i c: h I b L ~ 1 1 t i ·n 1. 9c~5
lt:':&lt;:,::-, ............!,.,tell -F·:-o:n ripr j_l t i 1,

~·Jh

Williamsville an South Cayug
i. c:: !···:

~=:.:::ty

,,

I o ·.:: c u.p :\. r::::d rno r·· •:'? c:o ;-CJ\:t;:.L•t:::·,- d ":""": d t. !···: E! ·: -, C ·'"• mE

1:"1 i'.': •·.::

k

to thD old homestead at 26 Lemon Street until the war came
on and I couldn't get back and forth.
And so we disposed o·F
+; h t:O:·
!""": !:• l. '· c·:. E~ i n
1,. _1 'i l 1 i E~ in ~:; \ i 1 J. :;-:;: .::&lt;. ·n cJ
!,J .;: ·/ F:
moved into the Parklene.
1

�·- ..:;

in town by the nsme of Robert

r··

r·· "

t t· ..: r:.~ ]. G~· E:'t. j i n lJ 1 E:l ~...J·~.,.: ~; 'C' ~:; :i. f"1 [i U ·f ·f.::~. :L D . ~:·. t t; ~·..: ~:::!. '!:: ·!-. :i. f'\'1 (:_;:· "
(·~if': d
she visited him with me and
-~ggested I start going to L2w
~3c !··~ :"~:· ].
;:'' :-·:d l:":r::' "?.&lt;:::.'3D r.:: i ,:,t t s·d t··j i t !···~ J-·~ i rn -::t t t !···: e&lt;.:· t j_ fTH?. I c·,lf;;:·r·· t 1: u !.... -:: ••
2..,;

~:::. ~~;

D Y": (·?!.•

~~..! ·f

went
to his of~ice and was there all d~ring the ti~e that I
went tu L3w School.
And after I graduated we had to serv2 a
bF'~·] \..,....
:.·,.
year
of clerkship
and he certified that
year's cler~ship
there,
which
I
did.
I '-"'' · ,.
!R•,:•:,·,,.:, .,...,,. ..
finished
with the year,
I was admitted to
.•... · ., •. '··::!
passed ~y s~aminatio11 in Ja~uary and J had to wait until tha
~th of Julv to be admitted,
1916.
!

BKS: T0ll me about the University of Buffalo 1n those days
E:.J ::

L~.! '-:-:.·

1 1 ,.

Ellicott Square.

BKS: One classroom?
EJ::

paid instructor and
Crofts who

George

I

assume that was so becauss
t,".U\J!··:

t

tt:::;

.:::•. t·:d

I

sLtppc·~";;:_:.

thr:::!

i'1

c::,•,ROf ;,•;•,•,"' :::.

ther0

were a few.

I

thin~

·:./DU.

~0~

did

~ou
1~

c 1...1.-:f'f'f E·

:1.

o !...!. s.:, ..

!?:.~ \/ ~7.· '(' ···/

I) i d
c! -:·: ·, ·y: ~AJ :i.

atmosphere a+ tha+
graduated ~rom the

there were .. my recollectio

PKS: Well, we were talking about what UB was
t ~-~ t~~· r.. c· ,
T =· rn
t: f'·: t:·~·
. . . . :·::-!: (f: E· t.: j_

1

"! .... ' '·......... ·•·

i ·f
and the thinking was that
Law School why yo~ practiced here.

t. :i.::·:e"

li~e

when you w2rc

+: ::·'!. k {:: :. +l..., r:~
t h D ·nJ. \' D '(': !;.:;,• r· D D f!t t C•
(·~~ \/ F· ·!'"· ·:. /

do that?

was a fr=shman class

o r~ r·:.

~:; -:?

rn ~.~...

l· ..! .:::: \/ t:~:_,

!·~::

1 .:·~··. ~:~ ~~::.

c: 1. ~~·:·! ;:::.

'· t·

::., i:··:·· :;;~?

�clas~

and the Senior class had different hours.
And t~en following that
they used the same facilities.
~,;•4 ~::r. ~:::.

t h : : :.• 'f" E·:•

.:; ·,_

\/ .::t C:. E:. r-t t

b i...i. i J d i

-~ ··1 q

t: !-·! t.":f: c·. Cl ·:-- ·,-, €-::• ·:···

C! T':

[!

~} ~---~ ~::( r;

"f

.:0. r·l r·t

t:1 ~:-:!

.·l. f':

Strset on the southeast corner that hod been oc~upied by the
T h ', ,- cl
!\! ;::, t i c• n .:::. 1
P "''· .,-·, k t C:•
!T: v
Y" •=:: c r::r 1 1 F? c t i C)., .., ..
P: ·r·: :.1 +;!"·:f.':: '7'
!"·: .::&gt;. d ·''''
vacant
loft upstairs
and that's
where the
school finally
moved J.nto..
And I finished the second and third year there .
BVS: Were there any professors that stand out in your mind
particularly good or particularly influential?

25

BKS: Professors at the Law School?

\/ C::'!·~·· ·.,/

o·f
the Metropolitan
toLght .
There was David
·''''· .,..., &lt;.:• t h ' c:· r·
1 ::'•. VJ 'i t": ·,.. h ··,;
taught; and there
I've forgotten his
there
were several p~ominent lawyers that gave u~ some t~me
···-~ D
t : .: .· -:::~ c: J···:
;::r ·n t?::·
c: D L~ r· ~::.- E·:· ..
F:- C) r
}. r·: ~i t .::~. -r·: c F.:~
(: q E:··· -t·~= ·y
c.. r·
F' r.. E' s i c:l f:'r: t.:

BKS: Was there much college life ..

5 c h c· e: 1 :s p i :-.. i t

?

c. c• 1 1 1::7.· t.=.: ·:=: 1 :i. -r ·:=· •

:&gt;

c: c· 1 1 e :.:.: r::. ].

·j ..;:· ,.-·

went to schoe:l and
I ~as in the law
~:;c
t;c, spF·&lt;:·k
;:~·,-·d het.:;.. ;cc·:·-, ~:;c::!··,c·c·J
.:::nc!
.;:~ i:J
·I; :·:. t .
"=· +

! ... :!. \/F.-:·c!

1)

:.)

,"1
·-.~-;

ci Cr 1 J. i:"'· '('

EJ~

None whatsoever

BKS~

So there wasn't a sense

o~

near

Main Street and then Jater
-~~

t h t:.::·

r·:-} c

I·&lt; i ·n l

t-.::• ':/

c:: :··~

'! .•

c: J.

···/ C:: l!

C: D Lt

J. d

~...

~-

~: -:::!. / t. ·•

there being a U11iversi+y.

h !:~~· r· t·::.

t·

S ,..,.

E~· "

[{ i...l.

t

they had t~eir school dow0
:"!. t
t·•J .:::; ~=: T': _., t
l...t '('! t i 1 f'; i '(': F::• t: ~::~, (-::-:· r·.

h~.. ;.·r·:c!·.-··.:-::•d E."tt":d ;;
C!h ;l
.;~··.lD·ng Ei!.!JD;_..!,i_·;
-!:;J.,~J,:=:'2C:t·~/ ;&lt;
~-.;hr:;~·Y ..~ ·l_·:hi·'·?•'/ bc:ttl;j!··:·l::
th~·-:·:·
p·:·· ·~::p ,,,,.,.- t: '/ D ...\ t •::':'": ~'i.::1 j, ':"': (::J·l.: ':'" F-:·c:::t ·fr C: IT: t f"·: t~: [Cur: t ·./ liJh r=:r F• -f:: h •,:.:• [':;·, i...!.':"'; t ,•
!-i c rn E~ !,\1 :7:~ ~~:
!v! .::~; i r·, C: i t ·y.- L.. i !'"; r:.~
(~~ ·:-·: c:I
T -~··· f:;::• rn ~7.: rr: b ·:-:.:.· r· ~:.: f·..! E·!. t~ \/ r:.-~· ·:- -;, .

�distinctly
because I was either supervis0r ~r clerk at that
time
of the Board of Supervisors
when they bo~ght it,
~~d
i. t '' "::.
m·/ ·,- •'.·'.·c: c:. 11 F::·r.: t i c•r: ·reo·:·· .=.::b ou. t ·ror t y .....:fc• u....-· t :·· : c·u~::•..:::•.·:··:c! c! c:• 1 1. .:::• r· "=- ..
in that they didn't
P:·c·:•.::!
there was a
great objection to it
t.h;c, t
the University ought
} t "
culminated
~n
the Univers}ty
buying
it and
the ~ld
Alms Heouse as 1t was calJ.ed at the time, became the
University's
headquarters.
And,
as a matter of fact,
was
t: !···: f':· C Co i"i"lj::) 1 C!tP U·n :i. './e·:·· &lt;;;it y .
BVS: Do you have any memories o~ the beginnings of the Liberal
That must have stay·ted just as you were

I

been the Business Scheool down at the McKinle}··
BKS: Townsend Hall was the beginning eof the Liberal

A~ts

....

That
was right
here
at the
McKinley
monument site .
But that came later .
Law Schc:.ol and the Medical Schc:.ol and the Dental Schc:.ol, ?nd
Pharmacy--Schoc:.l eof
Pharmacy .
schools at the University .
BKS: After the Liberal Arts Schoc:ol was formed, then did most
Liberal Arts College first and
When did that change take place?

.
I
r· c?c: &lt;'·"&lt; 1 1 t;h.:··,.t
., ' C:• u h ,,,., c! to h0v0 at least one
J. ,;·:•. t F.:'.,.-· ,
cr two years of College experience before you were accepted .
you had to have a degree .
th;::.t .. thE•.t:

Clh ,,

t:··J E:t ~;

J. . :::~ t (·~·:· r

8 C. h D C:• 1

is .. they
&lt;.::•

f

.Jt:. r· i

college

8~8:

gave everyone that had
E{t..tt: D',.. .Ji. rt!J tc!
befeore,
T
r: ~::" \·' t:.~ r·

~,.pr· U j f:.,~·~···:c: F! •

a degree before the Doctor
cJ :·:. d r·: '' t .:_:]c..~ t :··,
I)c:·cter-:-·

o·f"

Did you h3ve anything to do with the campaign of 1920 to
Y" ::!. :! "'; !!·'.· ·f !.J. ("\ c:i ~:', f C• r··
t h C' !....! ·:·: :i. V C• r &lt;;;; i t "y' ':'
but J

I

wa~

3Ctive

o~

thE County to the

the

Universitj .
Walter P . Cooke headed a campaign to ra~se m~ney and
:i.·f
I'm not mistaken,
he raised something like ~ive ~illior
r. ·dollars at that time .
.':_ ..;·!.!
!.,: : · ' '

fr~m

time

.1.1

1

�Edwin Jaeckle !Tane 1

c; 1 ('':~ f': ::~{ i:':•. f t h C• ], !!':~ :Tt ;:,~ i·\) .;;) r: d b i"•. :Ti H .;:1 '(' '(" :i. ~:,; :• ~: h :?. j u d q E· :• i:':\ r·: c1 .::~ 1. D i: c:· ·f t h ('''
people at that time participated in raising these funds.
Tt
was really the first drive, I think, the University had.

EJ:

He mL.st have come in about that time.

BKS: Did you ever know him 7
;::- 'T "

Yes, I knew Dr. Capen.
I knew him quite well.
a
close association with the
Unive-sity and later,
as
kr·:c-·~·J .
I !:::.;;:;~cE:'TiP D.
nH·?.mbE·r c:.·f thr:::- PCo&lt;':rd
C•"f Gu\/F!':"":'H)r·~:; c:.f thf:::•
ti···rF:
!__ Jn j_ ··Jr::::·!··· ~i :1. t ·:./
.;,::t·ncJ
t:'J.:::t ~=D ·:· ..,
t t··, t::.· g e~·nt-::·-c· e..l
r~: t) nHr: it:. t·. ~-:·:·E·------r~ r·
f.~ &gt;~ f:?.· C: U. t ·!. \/ E~ f:: D rn IT: :·t t "!,: t-:·:• t?-:• .... "....:f £::! r· ~==~ (-:~: \/ {~::• (- E1. 1 '·/ E· Et "C ~.:, d Ll y- }. r; ~J t h t:.·:· t; i fTt c:•
"
oh, the:- late President

EJ:

No,

of the University.

BKS: Well,

let's back up for a minute.
after you got yc:.ur .. after you were old enouJh
tc:. be admitted to the ... ?

~~·

Well, I stayed in the office c:.f Robert F. Schelling.
But he
died in late 1916 and he had a brother by the name of Albert
Schelling.
And
there was
another attorney by
the name o~
Edward J. Garono who had been in Mr. Schelling's office as a
practicing
lawyer before I was admitted.
And I joined with
them and remained there unti1 1921.

E: J ::

I ~·-.' '=" ~::; i ·,··: \/ c 1. \1 t::· d i. f': t-J o·:·· 1 c:! L,J .;:;•. r I ..
I lt-l-:'• ~.:; t:.:· r: 1. i ·:·s t "., d :i. r·1 l 9 1. Fl ,,
h !.t t·
after
I
was
elected
Supervisor
down
here:---Erie
Ccunty
:=) :...&gt;. p ~:::· r· ·,/ 'i. ~::. r.:• -~-r y- c:• iT: t. h t::• :1. :3 t ,...: ~·J ;~. '(" c:! .......... I ~·1 ;,;~ ~s r::~ 1 (''' c: t: F:.· d ,,
I t h :1. n k .,
when ... in
1917 and enlisted in 1918
and I was dischargej 1n
:1. q :!. C? •
I ~·.) .;::, :;:, i .,.., t r·: ;:_: . ~-.! .':~ \ 'y' •
T t h E.• '(": 'f' t:." t u '(' r: E·' d t C:• t :--~ F· C:• ·t" ·f i ::::: F! i) (": d
we
dissolved
the
partnership
between
Albert
Schelling~
Edward J. Garono and myself; and Mr. Garono and I jo~ned th0
~irm of Palmer, Houck and W~ckser in 1921.
1

BKS: Whatever got you involved in pc:.litics ... so young ....

�I got active because I
was very active in politics and
my mother
had an
"'' •...\ t c. :r:c:• t: i 1 E'!
::;, r:d
T u s:E·d t u
d :-· i ·-/ , _::! t !···, t::·rr:
.:;:, r· c '.\ ·,·-,c! t: ;::1f ;:., r !:."?
I ;_,-.:i:'· '":
twenty-one years of age in
the campaigns.
It intrig~erl me
apparently, and before I knew it I was actively engaged as a
candidate because I ran in 1917 and had a primary fight and
~-·J .::·~. ~~ :~; 1...t c c E~· ~:~ ~::·; f u. 1 ~·:t -r·: d t,~J :~~- s e J. r:,::: c:: t: e c!
:1. r: :1. c:.i :1. /' ~=~- r··~ d ~-\!a ~s -r· t::· ..... t. ~ 1 E· c t c::.:· d :i. n
! ;:,; 'l
..
the same year that Alonzo Hinckley who had been c l ~·'!:-!.
r:::r:.u:-·t
of Supervisors was elected
.J&lt;.•.dqr::~.
became Clerk of
the
Board~
Hinckley's place.
father

C~i

,·

•I•

I

:•

the Board of Supervisors for s1x years.
Because I disaJreed
with
the political
leader,
he saw ~it to
rem0ve me from
c:r ·f·f i c-~ t:::·;
b i...l. t: I h -=~ d
-: .. E·:·p -r· E·~=-e·r·~ t F~d .::t c: u t.\p 1 t-.~
o ..r c: ~::·!_-r·,c; . ~.d.:.:: t !~·::· ~:::. i....J!-~ c~
~~\~ !=:! i"' f:::.·
~:.. t c: c {~ s ~::; ·f u. l
~:·:,_ ·n d
I
b i2 c .:-:tiT! e " " I V\! .:::,_ ~:;;
.::':'t p r) f.) i. ·n t; F::· d
b \/
D ('r F:: C! ·f
these gentlemen t~ a position over
office where I c0ntinued til 1938 and they abolished the job
,.
;yn t i l
'' ·-::l "'
t ·J 1·· , r:'· -,-,
I h F', ·· c.:ur: f:::·
J.
actively
practiced
Chairman of the Republican County C:on:mj ttr::.:•c! .
1•

BKS: And you remained in that past until after World War II.
:!. 9i+8..
;::, -f·

t: h f?

I

c o rd~ 1. r-n.H:::· c.1 1. :--: :i. t
t e F&gt;:. ec:u t i \/E:
f.::pr i 1.

fit-=~

til '48 and then J became c h a i ;·· r~·, '?. ·,-·~
'' ::l8 ,-:,r•d
Committee in December of
I
remained the~e until
-· J..-

t.. )

November of 1944.
BKS: Buffalo was not so strongly Democratic in those days.
r:i.qht .

E: .T ::

t-J,:.::· hacl c::c..ntr-o 1

maJority of the legislators of the State.
dominant
party alcng at
that time.
Both
and electing of public officials.
As someone involved in politics, T•. ,, iT: c:: L.i T' i D i.) ~;
if any~ between the University of Buffalo and
the City and County government.
·t; 1-·: E~ t !...~J D ?
there wasn't a g~eat deal of relationship ther·e ex~ept
from the standpoint of the transfer of the property from the
i:: C:• u .,.-, t ./ ·!:: C&gt; t h t"? u·n ·i. v c:·-:·· ~.:: :i. t: \·' Cl f Pt.t -Ff .::". 1 C• "
T i···: .:;:( ~- '.•J.:i "' -l~ i· IE'! " " '"(} t ,..., () u LJ h
~:.: !· ..: t:7.· r .. s:·
.;·: ·,_ r· r::::
rn .:::t. r-: ···/
c.! ·f
t t-·~ !::-:-:·
c j_ t i ::-~ e:~ ·n ~::;
J·--: t? ·r· E-:·
i;-.._, ,_._7! r 1-:-:-:·
··./ E· r ")-··
rr' L 1. c: l· ..,
intere~ted
in the City who were active politic3ll;.
But the

hi'::· 1}

�Edwin Jaeckle (Tape

1~

Side 1

the time was the transfer
only connection that I recall at
of
the property.
The County and the City didn't contribute
anything, it is my recollection, to the University.
BKS: They never tried to get involved in any way?

EJ:

Not to my recollection.

BKS:

I come across criticism in the newspapers of various things
that
were going
on at the University in
the twenties and
thirties.
Comments about how it was a nest of radicals and
this
kind of thing.
Was any of this ever of concern to the
political leaders of Buffalo?

!:::.. .T:

O!··:,,

BKS:

It amazE-s me the amount of support the University did get
from Buffalo citizens though.

E.J?.

ThE!Y d J. d •
Th er.. "'-~ HE~r.. e c:e·:.. t Et :i. r·: ,, ::=t·:.o T ,,.., ~~, '•'. c e :'.. t ,::., j_ n i r·,r~ ·!. \-' ·i. l·l ttc-· 1 ~:'
who
were dE-dicated;
and
they created an
interest in it-particularly at the time when Mr. Cooke took a position
on raising these funds.
I think
that was
the real .. real
movement
at that time that attracted a lot of people to the
University.

Bl&lt;S

EJ~

I dc··,-,•t tt·,ir·,k it proi::'Jabl·'/ ltJ&lt;:ts &lt;:tr:y sPric•us cc•r,c::ern.
It
probably might
have been criticism from
the press or
something
of
that
kind.
But
the University had pretty
general support of those who desired higher education and to
better
the community.
But there were all groups that were
not
too interested or were critical of what was being done.
I
think it was a period
there where the public didn't just
feel
inclined to use public funds or to do anything for the
University.
That seemed to be something as a side issue.

~

What do you think those people saw as thF! rc:. 1 f:: of· t!-·1e
University in the Buffalo community?
ThE:y d i dn '' t ':;~::nd
children there and they weren't ...
Well,
I think at that time people didn't think a great deal
of sending people to the University.
I know the people in
my neighborhood .. ! only recall as a young man~ I only rec2ll
one
young
man
in my
neighborhood
that
went
to
the
University,
to
Cornell.
And
that
was
a
very urusual
I
think at
people expected their
jDur·:q pE':Dp le to ~~JC• tD •·Jork &lt;:~~::; soc•n as tht=.'··y' got out o·f pt;.!::-11 :i.e
school.
It
was quite an ordeal for
a time to get .. to have
them go
to
high school.
And
if you had
a
high school
education, why that was about all you needed.
And if you go
back
in the history,
it will show how few people from high

�Page

Edwin Jaeckle (Tape 1, Side 1)

don•t
just gc
another.
And
think
everybody should
I
Master's Degree or a
Doctor of Philosophy or
to .. have a
everything else just because he ought to
have a Doctor of
Philosophy.
End

of

dictation

(cut

short&gt;

on

Side

1

�Edwin

Jaeck~e

(Tape 1

BKS: You said earlie~ that you kept an interest in t~e Univers~ty
1:; J-·1 ·,- D Lt ~) h
t J-··, F2 ·y• f!:~ C.t ·:- ~'3 ..
f; T': d
':/ Cr }_ .!. :T1 E• T'1 t: i D ·n E• CJ
t t·: -::t t
';/ Cr 1..
.;:':'t T'r
t t··t F2
Cc. u·r ..,c: i }. ............ t h r::: L.!B Cou·nc i 1 ..
I think '/D u ~·Jt=.·r E· ~·
.:?-c. c: D-r· d :i. r:q t C• m/
records,
on the Council frDm 1956 tD 1962.
Does that sDund
1

:::tbC•!..! t

BKS:

,- i qh t

-;-·

'?

The merger was in "63.

[sic:.,

shc.uld be 1962]

I ~as
a member of
the Board of
active
in
urg1ng the
GDvernors
and
then
I
became very
If I :r: ::·· ·/
Universit/ to become part Df the State U·!""·: i ·v'f:'2r· sit y.
say
it this way,
that I saw the need fDr it because I knew
th;;,,t;
we didn"t have the finances here and couldn't maintain
t.!'n 1. VC':!T' ~;it ·y· t r·: f!2 ~·;a ·y it s:.h 0 u 1 cl b f0 rna i rl t &lt;':•. i rv::::•cl •
BE·C: ,::, u ~:; C: ~·JC·
the
hac:! j u.s; t \]D nr2 t hr Dt.\qh a d ·,- i vr.·:· t•j j. t h Ch .:;:,-,- 1 e~s D i r::2·f r;:::r·:d c_,y .. -(" ~·:,·:~ ~::;
the
chairman Df the fund
raisinq.
And we were supposed to

think
after a struqgle of
a year or two
or three,
we got
about
nine million
dollars.
And I
happened tD
be a verv
good friend Df Frank C.
Mc.ore~
who was the chairman of the
State Universit/ Board and who was really one of the initial
creators
of the
State University,
which dic:ln"t
get into
r::.:,;:i~:;tr:.:::·:·:cr.:::
ul..:t:i.l J.C?48.
h!f:~ t·Jt.~r··e thE· J.:;.~::.t
to St.:=.te i:.c:. hi'~\/E? i.,.,
State University.
And i t took about ten years before there
:l.T':
tht:::
C)i:;:::ttF:·
any
culmination
-!:; :-· .:::, r·: ~:; f ;:;:: ·:···
+; h f::·
!...!r1 i \/i:f·T· ~~·it·~./"
,~·nd
thr:~
first
moves
were
to
·r r:.~· .~. c:: h r::. -r· ::~ ,
5. T·: t c~
.~:{ c e. d ··~:.· :r: j c:
Ceo:!.leqes
throughDut
the
State
h u t I ~'J a:::; rn c· : .. F·~
And I"m sure Dthers recognized it,
;:;; C.: h C.&lt; C.• 1 S "
forceful because of my close association with Mr. Moore who,
because eof the fact that I"c:l been State Chairman and I had
a
great
deal
to do
with
gettinq him
running
for State
ComptrDller
and
become Lieutenant
Governor.
And I
ha~ a
·••· E·-r· y
t--•::~..,- rn ·c· E~ 1 i:~. t 'i. c•.,..,~::.h 1. p ~~·J i t h
a'!. 1 t !·.., E· g r C• ur::•
c! C:• i,·,·n i y.., t1l 1::! '=',.,...,./ .
So I kept urginq the idea of at least talkinq with the State
Tr·uc.:;tF:f2S
to ~&gt;eE· ~·Jhethf.'::Y ..
there ~·Jasr:"t .:=:tr:y poss·i.hi}'!.t\'·
r~:r:c:!
there
was
great
opposition
to
it
on
the
part
of the
Governors,
so I finally got them
to write a letter to t~e
St2~e
Trustees Chairman and find
out what their plans were
like
tc. confer
with them.
this time I was ~
member of the GA committee of
,j ·r· c:• Uj.::. ..
P:ncl I
c:.f Governors
which

�Edwin Jaeckle &lt;Tape

1~

Side 2l

recall
we
invited
the President of
the
then StatP
I..J-n 'l \'er·· ~:; :i. t y ........... I '\/f:'! fc:.·~- qc• t t t."!n hi''-'· ·name.
I u··: 'l. nk it 's Simp c.=,c:•n.
He
became President of the
State University or
the
Ur·:i\/er&lt;::,::. t·'/ er-F H&lt;:t\¥2r.i i; ht::.· lii:~-f't hr:::.··c·e..
But hF· CE•rliE• up hF!·t-e .:;:.r·rd
we met w:ith
the full
Board of Governors and
had quite a
frank
discussion abc:.ut
State University and what their
objectives were with no resulting
action by the Board of
Governors..
But they did appoint an ad hoc committee to keep
i r..1 t C&lt;\ !.c:l·-~ lrJ i th thE~ ':3 t.::1 t F: 'Jr·t 'l. \iF::r '5 it·/ Tr- 1..1~:; tee~:,;,,
CC• ns=. :i. '".it i rrq o ·f
Seymour Knox, Lewis Harriman and Dr. Furnas and Dr. Puff0r
and Ralph Peo and myself.
During
this time I particularly
kept
in touch with Mr.
Moore who was Chairman of the State
University and urged consideration of
the University to be
considered in becoming a part of the State University..
Most
of the Trustees came from the New York City area and I could
see all
the difficulties that were arising
because they
weren't
too inclined to take over an old institution.
They
had
visions of buildinq
section of
the State
University up in Western New Yerr-k.
But I think through my
perseverance and activity on the ad hoc committee, why I got
the committee excited enough
to
really
see whether we
cC)i...t1d·r-·:,t
c:io
-f:i.r-:;;&gt;..11·/ qc't

s;c~:r:s·tl-rirtg

-=~.boLtt

i.t ..

-rr-:e

-:-·e':::~t.t1t:

r~l:-=·

:!+.

~,._,,::,-::-,

1.-..JF··

sc:rm&lt;=.! rE·c:~ctic::r; ·fr-om the :~'3ti:=tte Uni\iE·r·&lt;::;}.t·)/ T·r·tt&lt;::itF2F'!'::&gt;
and over a long perierd of time negotiations went on which
cur small committee was a party to.
And finally co~summat~d
(,•J h

:i. c: h

h·,,

.....

tr-tE•
c:: c:· r·:~; 'l. d f":2r· .::::tr 1 t..::
i:;;::..k i '( ..:g p J. &lt;':!CI::?!.

i:.

E~ut

:i. fT:e--···--SE'•Vt?.T' i:~ 1

:i. '('!

~--

th:i.~;,
!,',!

!·.., :i. c: h

t h :i. ' "·

BKS: Did you have to work hard to convert some of these people?
EJ~

Oh no.
The general feeling was that they did
-c·l t t Cr c! D "i t "

J.:\i .;?..

BKS: How did Dr .. Furnas feel atrout th'l.s7
EJ::

He was not inclined to merge with the State University.
E3u t:
some of us
knew that
the financing
of the University of
P:..lf'f.=.:,.ler
~·\!;:;,.s
just a·n
impers~:;ih'l.l:i.t·i·
l·!e: ju~:;t
Huu.J.cl.,-·t't: gF::i:.
anywhere and we ceruldn"t grow.
And it was just a matter of
shc·uld i·J!e jc•in !i·J:i.tr·: tl·-~e· StatE: Unive:r-s:i.ty &lt;:•rtd ce&lt;t..rlc1 \'Je?
f:'t': ..rd
certainly
if we did,
it would be a wonderful
thing for
B~ffalo,
not only the University but the City itsel-f..
We
probably needed this influence and all the things that come
with a great University.
question~

whether

�Edwin Jaeckle (Tape 1, Side 2)

as
!...Jr-·: i \/ r:.·r ~: i.

good

for

d o tl b t

BKS: for

Buffalo as

well

as

good

for

the

t ·/ "

its economy and

a t:: o tJ. t

:i. t .

There

was no doubt about

...

And
strange as it may seem,
that nobody ever realized the
University of Rochester, after we had really progressed to a
great
extent,
became interested in
becoming a part of the
State University.
But they didn't follow
it up because we
had
proceeded so far that they just didn't want to ge~ into
a
direct conflict,
I think,
because one of the men that I
knew
down there told me about it personally.
That they had
very
great
designs
about
becoming a
part
of
the State
LJr: :i. \/er· s; it·/ ..

BKS: Were there any sort of breakdown of certain groups being
more
against it and more
for the merger than others.
Were
LJ-c·: i vr.'·,- ~,, i t ·1' p t::.·D p 1 FE! ... did the-y· t t:=:-r·:c:l t c:' b f.?. me: r-· 0:: ,:H.F"- i r-:s:, t mr::·r g :i. ·n~J 7
I
think :i.t was mDre
the internal group that was .. everybDdy
knew where they were at but they didn't know where they were
&lt;JDlr:&lt;J ..
t--Jhich
J.~:;
r:ct
C.'tn
ttnusui:"'&lt;l
thinq
·frc:rn
C:t
:::-,ttblic::
situatiDn
like the City
Df Buffalo and
the CDunty of Erie
,::,r·:d
tht:::· Tc!_,n-·:,
.,;:,:::; to t··.Jhr:.·thf~··c· tht::.·y ~",1·-:ou 1 d rrr~?.r&lt;;_:E: ;:·,-nd hE':.V(:?. c:rrH?.
I dt:or·: • t
government and everybody said, no I'm part of this.
want that .
What was the best interest was sec::ondary tD what
t J·-·, E~ i r·
D ~...J"!": p t::·! r· s Cl ·:Mr.:-). J.
i rr t t::: .f .. e s:, t ~"'J ,·::t ~-:. ..
Ar·r c! t t···, i ~::~ ;\! E:'t ~=~ d t::· fT1 Cr T't E~ t: Y.. Et t !:?:: c.i
in
a lot of ways when we really got into getting c::loser and
clDser
tc merging.
There were retirement thinqs and there
were
where
does
this
person fit,
and
how
much lccal
are we
going to have?
What
are we
going to do
t !···: e
t !_,•JE::r: t ·'/ ...... E· i g h t
;r: :·:. J. 1 i. c:: r·:
Foundation
that
had
dollars?
And the State Trustees said,
no you've gotta turn
that
Dver to us
if we're taking ..... Well~
they didn't like
that..
And that tDok a great deal of time to work Dut .
1

BKS: Were you invDlved in that'?
EJ:

Dh,
I was invclved in all these things..
We finally agreed
that
the University could ~ave a
millicn and a half,
that
the State
Trustees would
permit them
to have~
and they
loaned them ancther million and a half that they were to pay
back
1n five years and
set up a separate fDundatiDn.
This
was
all very much involved in the negotiatiDns.
And 0ne Df
the
great questicns was that people were ~etting more mDney
than
the State officials were
getting in
the University.

�For
instance,
Mr.
F~rnas was
getting more money than the
President
of
the State
University.
And there
were other
people
involved.
And they
had a lot
of retirement angles
~hat
the State didn't
have.
Things were very complicated.
Finally
the State
University had
a
man by
the
name of
Davids~n
who'd
been formerly
a
Solicitor General
of the
State,
come
up here
and
analyze the
whole
picture and
complete
a report
on it.
I used
to see him
from time to
time
and
he
got to
the
point
where he
was
willing to
recommend that there would be no merger.
[{}:::~3 ~

F't::. r- h.~~~::~::~ -t~ h J. s:~ is a ·n.0.·,_ ':::; t ..,/ q u t.~~:~ t.: i Dr·: :o bu. t d i cj ·:'C 1...1. ·:- p -:-· r::·~:, t.: i ~~ t:::· er ·c·
standing in State politics help get the UnivPrsity here?

t::: J ;

but I think it was more
think that had some background,
of my r·r::!l&lt;=:ttio·nsh:i.p \·Jith thF2 ;_-:_h.:::ti·c·rn;;,-..·~··, c:.·f ths'· B;:..,;:,_y·d ;:,·f
Trustees, Mr. Moore, who was a very close friend of mine and
who
had worked with me
over the years.
He came originally
from Kenmore and he was a Village Clerk and Attorney for the
Town
and the Village and became the organizer of the county
and
municipal authorities
in the
state and
passed on all
had anything to do with
legislation for the Governors that
... J.. J. "("I
:, ,c;l f, &gt;.7!
local
government.
And
he
became
University.
And
then I was promoted him to be Comptroller,
and he was elected.
And he was elected Lieutenant Governor.
And
this long association .. and while
he was in accord with
~·Jh i::: t
:1"1\-' t !···:ink i -:·,g t·Ji':t ~:; ........ -C•Y"· eo u r think i -r·,r;J up h E·r·· E~ ........J·: E"! ,,,,c.~~:. r·:" t
'i. ·n
quite
a position to push it as
hard as he would be if he'd
hEt\!e
bt:~t:~·n c:outside,
not .:::: r'E:&lt;:~idr'!·nt t.tp hE;·r·e.
But eVE.'r:tL!ally
this
whole thing worked together and,
as a matter of fact,
after
the merger .. through Mr.
Moore I was appointed by the
Governor
as
a
Trustee of
the
State Un :i. vr::::r· '" i ty ..
you'll t~rn that off a minute ...
I

bF~Cc:tu•::;e

~·-·.).,

.:::~

[Gap in the dictation]

very
active role in the mergPr.
it from the beginning.
DE·Ci''l.USE·''

t-:.· &gt;: c: ej::-: t

I

That

CC•U

you were in favor of

J. dr·, '' t

do \•Jr-:.

BKS: Did Governor Rockefeller play an; part 1n all
EJ~

No.

all came before he was in.
This
waE all during
c::clminist·:-·.;:ttj.c.n.
t·Jalter
r'li:.i!-H::•nE~Y
t:cq:.ok
.:.:.
--.;e·,·v
important part in this when he was the leader of the Senate.
But
that
was subsequent
really to
the merger.
He
did a
thE:=:

This

this?

D.::::~-~ey

�Edwin Jaeckle &lt;Tape 1
deal
to br·ir:g
th':.~; .:-:1bout
.::1r:d '.·Ji:\&lt;:'"; \/f.?.ry !···:E::J.p·f,_,;.]. in
bringing about
the purchase and
providing funds
for the
;;;:.·;.;tt:-:·n~::.ic·r·: tc: tl· ..:e ur·:i\;ers:i.t·y'
into t!···:e TOI.·H··, o·f (:unhE.~·,··~:;t .

grE·::~t

P!&lt;~::;~

D:i.d ·iu'.. \ e·v·e:·r thi·:"·ik :i.t vJould be:
University on the waterfront?

E:.T::

It
\•.Jc.,.sn' t
to
determine.
This was a
strictly
And I think therse
that were in charge
p r erf i::=.·ss:. i c•n.::1l
cf
the educational
setup
were not
interested
in
the
waterfrernt
idea at all.
And I think prerbably in many ways,
because of the climate here and everything~
might have had
something
ter do with
the waterfrcnt during
the winter tere:
and so en.
I don't know.
But they preferred staying out in

2.

gce:c:l ide:;:.. tc:, bu.j lr.] t!···:E·

BYS: Do you think it might have been more benefici0l to Buffalo's
economy had the University been built in the City itself?
EJ=

Well, p1 obably it might have been somewhat beneficial to the
City..
I
don't know.
I don't exactly
what a University in
tha City,
what
it
helps.
I
don't
think
it's helped
f.-Jyr·.:;:,.cu.s&lt;::::,
c.~s; ~.:;u.ch,,
:i.n tht::: Cit/.
I think thi!c; .... !,•..'h~:::·r·: thic,:.
complex
is ccmpleted and the community grows,
i t probably
wculd have been and is the best lercation you possibly could
get
because,
first of all,
they had ample property.
They
could develop
the way they wanted..
And
the residential
se=tion
is going
to be all
surrounding
this University
rather than the business end of it .

BKS: You obviously expected the University to do great things for
Western New Vork..
Have you been pleased with the result?
F.:J::

t--.!el].,,
I hi:-:..-../E• i-:·: i:'( t·Ji':"t"i·
It'~'-" ji...t~;t tr.:·o b.;:1d t!·. ,c=•. t
,,.,F· !···1-=.:\d thE:·s:.e
controversies of stopping the building and everything for a
time, because I think if that hadn't happened, we'd have had
the University substantially completed by this time.

EKS: Let's go back to the Law School for a minute.
t r- r::.&gt;:T:E~nd o :...t &lt;~.1 ·y· ~;inc &lt;'2 '/D !.. •.r class of thirty some students ....
[ L..at..tgh s :J
Do you have any feelings about
the direction it's gone in the years since you were there?
FJ:

t--!ell,
I thi-c·:k
:tt''~:. in
thf? ·:-i~Jht
c:!:i..,-·ectic,·n.
CJ·f cu,. •. r.. ~::•:".· C:'t
public school,
I think,
is a lot different than a private
schoerl.
But I think generally speaking,
the Law School has
done very well.
As
a matter of fact,
it's
the only law
school
in
the State University setup..
See they have
different medical schools,
but this is the only Law School .

�Edwin Jaeckle !Tape 1

r::r.-:.·,;;r.:;,

'

'·····::)"····

And, in a way, it's a good thing because it's brought people
from New York City and
Albany and Syracuse and Buffalo
together rather than being a provincial school.
And I think
the
people
who graduate
from
here got
a
greater
understanding of human relationship to
people all over the
~tate
than .. New York State itself was really a nation of
nations where you meet all types of people and I think it's
been a
very effective school
from
that standpoint.
certainly they employ fine professors and pay substantial
professor's salary to attract people here.
BVS: Perhaps it also is beneficial for Buffalo that lawyers from
all
over the State are trained here and then go back to
t!-:E·i·:- CV·J:"..: CD:11fr:U.nitiE·~5 ..
EJ:

I think that•s true and I think a lot of the fellows here go
It's not a provincial school.
e&lt;ther places too.

BKS: Great changes apparently took place in the Law School in th0
late twenties and early thirties when the Harvard gro~p
moved in and changed the curriculum?
F.OT ::

I think as soon as they got
whe~e they were hiring
fulltime professors,
that started people being selective in
who
they were getting here and
they had
some pretty
competent people here in this small school that we had.
And
while there always were a lot of volunteers,
as a matter of
fact,
there's three,
of my partners
that teach out
there now part
time.
they're employed.
They teach
Bt.'.t
th i ~:; also
has attract2d
tht 2 J. C".!C::Et J.
specific courses.
And
lawyers here to participate
in the law School.
And a law
School
should be tied in with the Par Associations because
it makes for a better Law School
and it makes for a better
community from the standpoint of the legal profession.
7

P!··::H :;

the Buffalo legal community had ~ great deal of
tht=.· !.....:=&lt;.\\! SchDc• 1 .
Now has that control lessened

r.:ontrc• I
·n D ~·'-l t !·.., &lt;.~•. t

,.J.
I don't
think it's quite lessened .
think
different manner..
I
think
it's a
cooperative spirit more now than a dictatorial position.

f...•JE:·J. J. ,

I

i~h

:i. ·nk

thEtt ...

BKS: You mean Buffalo lawyers used to dictate to ...

Tc a certain groups,
I th J. ·:-rk '
planning and operating of the school
And of course it was
always in trouble financially.
They never had any mo~ey.

�Edwin Jaeckle

&lt;Tape 1, Side 2l

BKS: Do Buffalo lawyers who are UB graduates--and I think that's
::t ver·/ s.izi::tb1t::: prc:rport:i.o·n of B•...tf·falD l.;::,~·J·icr~•......... dc:. they ,,:tct ,::,!:'.;
2
group at all?
Is there a sort of a pc:.wer base here among
la~-.;yer&lt;:;;7

EJ~

I
dc:··n't tr·,ink
sc•.
I c.iDr:'t
think sc:..
Lai·J•/r:::·s
·'-"'·re pY.. ,:.,~tty
much
individuals.
I might say that I think the graduate of
the
Law School in Buffalo is just
as good as a graduate of
any
other
schoc:.l.
And
I
think
yc:.u"ll
find
that
the
examinations
they try at the State Bar were really up th0re
as the percentage that passed here as against Harvard~ Vale,
Columbia or anywhere else.

BKS:

I"m not sure that this is an easy questiDn tD answer, but
J-,o•,-J ~·Jf)U 1 d Buff.=~ 1 o be::: d i ·f-FE·rE·rd:; as &lt;::t Ci ty ......... .:::t~:, ,:::, cc:.mrnur::i. ty._..... :i. ·f
we
hadn't had the University of Buffalo?
What has its rDle
bE::·e·n7
1 D!.-'i gr· .;;:,dE·
Well,
I think
Buffalo wDuld
have been
a very
community.
I think this University's had a lot to c:l 0 ~·J i t h ·"''·
lot of local people having an opportunity to go he1·e without
having to pay the expenses of going out of town, of going to
the
University.
And I think there's a lot of people here ..
received
educations here
where they WDuldn't
have gone to
college.
And
I think
i t ' s helped
the family
and I think
i t ' s helped the
community and
I think
i t ' s done
a great
deal.
And
when this University's completed,
I'm sure i t ' s
going
to have a tremendous effect on people that come here,
because
there's a lot of engineers and a lot of people that
come
here that should take courses up here--special courses
and
so forth.
And
it attracts people,
a University like
There's no doubt about it.

BKS: For instance, would yDu have gone to college, do you think,
had there not been a Law School here?
I

dr.:.ut:.t it.

I

doubt it.

I

doubt it at the time.

BVS: When you think of, for instance, young people whose parents
had been br.:.rn in other countries ... Poland, Italy . ,
and
educational heritage at all,
I keep having the feeling
that
the University of Buffalo has made it easier for those
gr·D•..tps; tc• ....
n~

EJ:

Well,
Buffalo's been a great melting
pot here and I think
it's
helped a lot of people of foreign birth that came here
with their children.
We've got some good schools here,
but
I
think the University had a
lot tD do .. Canisius had a lot
to do ..
I think it was 2 very effective school .

�Edwin Jaeckle &lt;Tape 1
no one's done anything to
bring about a further
of these
things which would have eliminated a
lot of duplications and so forth.
EKS: And obviously one o~ the palces you could use that political
power
was with the University of Buffalo.
a great help t0 Buffalo then.
E J:

I -r· I rno,t·y· dig·:-- r::::s-,~,;,
I h ;.:;,_cl .::\ qr •,:=.·.'"' t d t.=.·.::•.l t c:: do ............ T c:! Dr·,' t rT:F':'•'•.·(-, t. ;::.
rs:·ft:c.··,.to rnys-,f.'::l·f Et~~ suc:h.,
l':':ut
c.:;1nc::e I'rn r::.::,.king it b·r·i,.:.;f ......... I
had
a great deal to do
with the development of the Roswell
Park~
not knowing that I was doing it.
But I did certain
th:i.nqs:.
th::i!.t l::':rDLti;;Jht 'Lt ::=:.!:::•D'.. ;i:;,.
Yc:t.!. ,,.Jc:t·nt
te&gt; ~::.hut th.:::.t c::·f·f :",
m i ·:'-:U t ;:::·?

[Interruption in the dictation]
BKS:

Is there anything that ye&gt;u can think of that I have
~·.:ouJ.d J.'l.kr::=.· to to:tlk .:::l::lt:•!...l.t?

:":E:'CJl•::-::c::t:E.·d t:c• rT:E•·ntiorr the.t ·/c'u

EJ:

No,
I think generally yc.u got a pretty gc.od picture c.f what
the situation is here.
T'm personally very happy that this
&lt;··-Jholr:::· th':.r·:q !·-,;:::.s c)t:!\ielc::ped t!-·:e !r-l•''tY it die! ·for- the· cc::mmt.:·:-·:it·;i'&lt;;,
sake and I think when this institution is finally completed,
'y'C::U :• 11
a wonderful thing for
find that that's going to be
Western New York, for our area.

End ot

Interview.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23969"&gt;Interviewer's Observations&lt;/a&gt;</text>
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              </elementText>
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                <text>&lt;strong&gt;Interviewer's observations:&lt;/strong&gt; Edwin Jaeckle, February 13, 1979 &lt;br /&gt;&lt;br /&gt;This interview with Mr. Jaeckle lasted about twice as long as the tape indicates. He frequently asked that I turn the thing off so that he could elaborate off the record. Early in the interview, he searched through his desk for the program from his High School graduation. On it the seniors are listed by academic rank, and he delighted in showing me that at the very bottom of the list was Rexford Tugwell, who graduated with him in 1911. Towards the end of the first side, he again gestured me to turn it off, so that he could discuss in greater detail his belief that not everyone should attend college. After his comment that he was made a trustee of SUNY, he had me turn the tape recorder off once more while he told me that Seymour Knox wanted to be appointed a trustee but the "people in Albany" didn't want him and insisted that Jaeckle be appointed. He went on to tell how the controversy over faculty pensions almost scuttled the merger, and how he went to Furnas and told him he had to settle the issue or else a few greedy professors were not going to stop the merger. It is very clear that In Jaeckle's opinion, he played a key role in persuading both Albany and UB that the merger was desirable.</text>
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                    <text>Interview with George Goodyear, May 9, 1979
Minutes/counter
00/000

History of Goodyear family in Buffalo goes back to
1849; parents; father became president of New York
Museum of Modern Art; childhood; educationa Yale
undergraduate, Harvard Law.

05/100

No connection with UB as young man; father awarded
Chancellor's Medal; appointed to Council; persuaded
father to give money toward Goodyear Hall.

07/150

Studied chemistry, then worked at duPont; practiced
patent law in Buffalo, then pursued various business
activities; met Clifford Furnas while at Curtiss
Wright; involved in the start of WGR TV; politics.

10/209

Appointment to Council; UB•s importance to community;
served on committee to choose new Chancellor and,
together with Jim Evans, played role in selection of
Furnas.

14/275

Council's role; decision to become a state university; Seymour Knox; new campus.

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                    <text>Interviewer's observations, George Goodyear, May 9, 1979.
Mr. Goodyear made quite clear before the interview
began that he did not feel that he had anything of importance
to contribute. His wife was ill upstatrs, but when I suggested that I come back another time he said that he wanted
to get it ovr with. The phone on the desk we were sitting
next to ran
umber of times; once it was the doctor, and he
went upstair to talk with the doctor and his wife for some
time; another time it was a friend asking him to play tennis,
Each time Mr. Goodyear again expressed his reluctance to
continue, Finally a man started a vacuum cleaner right
behind me, and when I turned the machine back on, Mr. Goodyear
shook his head and said that he had no more to say,

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                    <text>GEORGE F. GOODYEAR
George Goodyear was a member of the University of
Buffalo Council from

1953~1963.

His father, A.

Conger Goodyear, was an important supporter of the
University in

the eaPly f3a:;r;rt

cw+uqr and servilfi

81'1

tB:s UH

of

;the twe1~~~

~e!:l

wr ~HHi

;,

ca± s.

During this rather brief interview, Mr. Goodyear
discusses his personal background and education,
and his

long~time

of Buffalo.

involvement with the University

Specifically, he talks about his

participation in the decision to choose Clifford
Furnas to succeed T. R. McConnell as chancellor,
ahd his involvement with the University at the time
of the incorporation of UB into the state University
system.

Mr. Goodyear also spends some time

discus~

sing his father's contributions to the University.

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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; GEORGE F. GOODYEAR &lt;br /&gt;&lt;br /&gt;George Goodyear was a member of the University of Buffalo Council from 1953-1963. His father, A. Conger Goodyear, was an important supporter of the University .During this rather brief interview, Mr. Goodyear discusses his personal background and education, and his longtime involvement with the University of Buffalo. Specifically, he talks about his participation in the decision to choose Clifford Furnas to succeed T. R. McConnell as chancellor, and his involvement with the University at the time of the incorporation of UB into the state University system. Mr. Goodyear also spends some time discussing his father's contributions to the University.</text>
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                    <text>Index: Interview with Dorothy Haas, May 17, 1978.
minutes/counter
00/000

Blank

00/008

Born in Buffalo, attended Lafayette High School; enrolled in the
first four year course in business administration at UB in 1928;
work experience after graduation.

02/025

Opening of Norton Hall in 1934; hired by Robert Parke on the recommendation of Dean Lillias MacDonald; Norton Hall dedication; construction on campus.

05/045

Student life as an undergraduate; no residence halls; problems establishing Norton Hall as a student center; effects of the Depression.

08/075

Student attitudes towards coursework; more serious, attendance high;
College of Business Administration; few women; decision to go into business as a career; Robert Parke, Dr. Boynton.

12/120

Effects of World War II on the student union; Experiences working in
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16/160

Duties in the Office of War Training; mixture of military and civilian
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20/195

Changes in UB students over the years; expansion into new Norton Hall
[Squire Hall]; problems in the late 1960's.

23/225

Changes in career; became acting director of Norton Union after Robert
Parke left; overcrowding due to returning G.I. 's; student union activities after the war.

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Contrast between old Norton [Harriman Library] and new Norton [Squire
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31/315

Traditional student activities--dances, Moving Up Day; de-emphasis on
activities as time went on; changes in the dress code.

36/360

Feelings about what makes a good student union; importance of good
facilities, student involvement, focus as a learning center.

40/410

Reasons for retirement; current relationship with the University.

42/440

Outstanding moment in career was the dedication of Haas Lounge; positive feelings toward UB.

43/470

Involvement with Zontas International, a service organization for women
employed in business; short tenure as Acting Dean of Women; didn't
really like the position.

46/510

Feelings about the University now; too scattered, hard for students to
get a real feeling of college life; thinks fraternities and sororities
never should have left campus.

48/552

End of interview.

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                    <text>DOROTHY M. HAAS
Dorothy Haas graduated from the University of Buffalo
in 1928 with a major in business administration.

From

1934-1970 she worked at UB as an administrator of Norton
Hall, first as Secretary to the Director, Robert Parke
(1934-1941), then as Assistant Director (1941-1943),
Acting Director (1943-1946) and Director (1946-1970).
In 1956 she was named Coordinator of Student Activities
and from 1970 until her retirement in 1973 she was
Associate Director of Placement.

During World War II,

while Norton Hall was being used for military housing,
Miss Haas also served as Assistant Director for War
Training.
In this interview Miss Haas discusses both her experiences as a student at UB and her later involvement with
student activities as Director of Norton Union.

In

the first part of the interview she talks about the
dedication of Norton Hall and the character of student
life at UB at a time when most students lived at home
and commuted to the University.

She also discusses the

effects of World War·II on the University, including her
role in the Office of War Training and the changes
brought about shortly after the War by the influx of returning G.I.s.
Later in the interview Miss Haas talks about her involvement in planning the new Norton Union [Squire Hall] and
identifies the elements which she feels contribute to a
good student center.

She also discusses her retirement

and her feelings regarding the current status of student
activities at UB.

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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23973"&gt;Overview&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; DOROTHY M. HAAS &lt;br /&gt;&lt;br /&gt;Dorothy Haas graduated from the University of Buffalo in 1928 with a major in business administration. From 1934-1970 she worked at UB as an administrator of Norton Hall, first as Secretary to the Director, Robert Parke (1934-1941), then as Assistant Director (1941-1943), Acting Director (1943-1946) and Director (1946-1970). In 1956 she was named Coordinator of Student Activities and from 1970 until her retirement in 1973 she was Associate Director of Placement. During World War II, while Norton Hall was being used for military housing, Miss Haas also served as Assistant Director for War Training. In this interview Miss Haas discusses both her experiences as a student at UB and her later involvement with student activities as Director of Norton Union. In the first part of the interview she talks about the dedication of Norton Hall and the character of student life at UB at a time when most students lived at home and commuted to the University. She also discusses the effects of World War II on the University, including her role in the Office of War Training and the changes brought about shortly after the War by the influx of returning G.I.s. Later in the interview Miss Haas talks about her involvement in planning the new Norton Union [Squire Hall] and identifies the elements which she feels contribute to a good student center. She also discusses her retirement and her feelings regarding the current status of student activities at UB.</text>
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                <text>2/27/2013</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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                    <text>Interview with Eugenia Fronczak Bukowska, March 13, 1979
minutes/counter

00/000

Parents• background; father; influence of Father
Pitass, priest at St. Stanislaus; father went to
Canisius, as did other Poles; more about Pitass,

10/200

Father received medical and law degrees from UB,

15/315

Father became interested in preventive medicine;
took her with him on house calls; comments about
medical theory and practice around the turn of the
century,

20/370

Early interest in medicine; mother opposed to her
becoming a doctor; early education; comments about
Polish parochial schools; received degree from
D'Youville; Holy Angels 4cademy; applied to UB
Medical School and was rejected; received MA from
Canisius; went to UB Medical School, Class of 1928,

26/455

Marriage after Medical School; memories of Medical
School; women in her class and the attitude toward
them; anecdote about cadavers and male students,
second side

00/000

Further comments about women medical students; their
problem getting internships,

04/090

Went to Women's Medical College Hospital in Philadelphia, followed by appointment at Philadelphia
General Hospital; decided to take National Boards,
and took third part at Harvard, where one professor
tried to dissuade her from practice of medicine,

09/200

Comments about the standing of the UB Medical School.

13/280

Experienced little anti-woman or anti-Polish discrimination; friendship with Dr, Thelma (Tess) Brock;
anecdote about reprimand resulting from studying
with boys in women's loungeJ engagement while still
in Philadelphia,

23/350

Father's activities in connection with PolishAmerican groups and his participation at f'aris
Peace Conference; relationship with Mme. Curie,
who encouraged Bukowska to study medicine and later
invited her to enter research department at the
Sorbonne; reasons for Bukowska's refusal.

25/440

Influence of Dr, Nelson Russel; brief mention of
Dr, Hartman and Dr, Helen Walker; importance of Dr,
Potter; reasons for specializing in obstetrics and
gynecology; Dr. Potter; little clinical experience
at Medical School.

�Bukowska Interview

30/500

Changes in medicine,
second tape

00/000

Start of private practicer took over father's
office after he became Health Commissioner; more
about Dr. Potter; Bukowska criticized for taking
over her father's praetice and for being woman
doctor; Dr. Mary Kazmierczak; advantage for Polish
women to have woman doctor who spoke Polish; early
interest in psphiatry; eventually accepted only
women patients,

08/175

Husband's interest in preventive medicine, public and
industrial health; relation of women to the Erie
County Medical Secretary; woman served as secretary.

13/250

Women's Physician League of Buffalo, its origins
and development; American Medical Women's Association;
decline of the Physician's League; changes in attitude of young doctors.

27/480

Few Womon faculty members at UB Medical School; more
at Philadelphia Women's Medical College; Bukowska
not involved in UB Medical School Alumni Association.
second side

00/000

Evaluation of UB Medical School and of her own
medical career; changes in medicine and doctors,

03/075

Her children,

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                    <text>Interviewer's Observationsr Dr. Eugenia Fronczak Bukowska,
March 13, 1979.

Dr. Bukowska•s home is located on the shore of Lake
Erie in Hamburg, When I arrived she had just returned
home from her position as medical director of a nursing
home in Buffalo. She retired from the practice of medicine
in 1975 after a serious automobile accident. A parakeet,
whose cage hangs in the next room, can frequently be heard
in the background.
Because of her accident, she has trouble with her
throat, and I had to stop the tape a few times while she
had a drink, But she would continue to talk while the
machine was turned off, and some of my later questions
were an attempt to get her to repeat what she had said.
There is the sound of a man's voice on the second side
of the second tape; I have no idea how it got there.

�</text>
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                    <text>EUGENIA FRONCZAK BUKOWSKI
Eugenia Fronczak Bukowski grew up in Buffalo and was
educated in various Buffalo schools.

In 1928, having

already received a master s degree from Canisius
1

College, she graduated from the University of Buffalo
Medical School.
In the first part of this interview, Dr. Bukowski
talks at length about her father, himself a doctor
and a graduate of the UB medical school.

She goes

on to discuss her early exposure to medicine and
subsequent medical education at UB, focusing on the
special problems experienced by women entering the
profession.

Dr. Bukowski also discusses her later

medical career, and her involvement with the Polish
community in Buffalo.

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                  <text>&lt;p&gt;The University Archives Oral History collection contains taped interviews with members of the University at Buffalo community, and the paper records associated with each interview. Those interviewed include administrators, alumni, faculty, staff, and UB Council members. Although covering some 25 years, the bulk of the collection consists of interviews conducted in 1978-1979. The interviews offer a wide range of topics and offers personal insight into University history by those that lived it. A majority of the interviews were conducted by part-time University Archives staff members Jenny Peterzell and Brenda Shelton. Other interviewers include then Head Archivist Shonnie Finnegan and Josephine Capuana. &lt;br /&gt;&lt;br /&gt;The Oral History Project was organized by the University Archives and University at Buffalo Emeritus Center, and was made possible through a grant from the University at Buffalo Foundation, Inc.&lt;/p&gt;</text>
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                  <text>University at Buffalo. University Archives.</text>
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              <text>Shelton, Brenda K.</text>
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              <text>Bukowska, Eugenia Fronczak</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23987"&gt;Overview&lt;/a&gt;</text>
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                <text>Eugenia Fronczak Bukowska</text>
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                <text>Physician</text>
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                <text> Women's Physicians League of Buffalo</text>
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                <text>Medical doctor in Buffalo;  graduate of the University of Buffalo Medical School. Tape of an interview with Bukowska, conducted by Brenda K. Shelton, March 13, 1979, concerning problems women encounter in the medical profession. Discusses her background and career, and her involvement with the Polish community of Buffalo.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; EUGENIA FRONCZAK BUKOWSKI [sic] &lt;br /&gt;&lt;br /&gt;Eugenia Fronczak Bukowski grew up in Buffalo and was educated in various Buffalo schools. In 1928, having already received a master's degree from Canisius College, she graduated from the University of Buffalo Medical School. In the first part of this interview, Dr. Bukowski talks at length about her father, himself a doctor and a graduate of the UB medical school. She goes on to discuss her early exposure to medicine and subsequent medical education at UB, focusing on the special problems experienced by women entering the profession. Dr. Bukowski also discusses her later medical career, and her involvement with the Polish community in Buffalo.</text>
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                <text>UA014-bukowska-eugenia.mp3</text>
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                    <text>Interview with Willie r.vans, March 26, 1979
minutes/counter

00/000

Parents moved to Buffalo before they were married;
grandfather organized Lincoln Memorial Methodist
Church; one of ten children; rather a chef for the
New York Central Railroad, and later for Buffalo
restaurants.

08/175

School 17; Emerson Vocational High 5chool; athletic
scholarship to UB in 1956 after working one year as
a tailor; discouraged from attending an academic
high school or going to college; four other black
Emerson graduates who have done well; attitude of
his parents about college,

15/295

Few blacks at UB; influence of black music teacher,
Reynold Scott, while in elementary school; while at
Emerson went with Howard Lewis to Career Day; poor
counseling at high school level.

21/390

Decision to major in physical education; racism in
Buffalo public schools; was second black physical
ed.ucation teacher in Buffalo schools; Ike Reed was
the first; Dr. Manch; racism in hiring of teachers.
Attitude toward blacks at UB; Dr. Servicini(?); few
blacks in his classes.
second side

00/000

Experiences as a black at UB; Dr, Milton Plesur;
Dr. Warful (?); problems of being a black student:
Dr, Fitzable (?): social life as black student;
football star.

10/214

Own feelings about being black student; support from
black community,

14/275

Problems finding teaching position after graduation
in 1960; Mr. Lord.

19/370

Practice baching assignments; received regular
coaching position in 1963.

23/415

Chancellor ,urnas; incident involving invitation to
UB football team to play in Tangerine Bowl only if two
black players did not go; Evans one of the two.

27/470

Start of involvement with UB Alumni Association;
elected to Board of uirectors; his growing awareness
of the significance of UB for the community and
vice versa.

�Evans interview; second tape
00/000

Trophy for winning school in Buffalo athletics,

03/060

His interest in young people; the need to encourage
young athletes to attend college; former students
whose careers h~ has 1ollowed, including one black
woman tennis player; Bob Lanier.

10/210

Responsibility of position as coach and role model;
frustrations of his job; satisfactions of his job,

15/300

His over-all attitude about UB; Howard Lewis; value
of UB education; changes he would like to help bring
about at UB,

22/390

General comments about racial problems; incident
involving mass arrests of blacks in Buffalo in 1950s.

2?/440

Importance of being involved with UB alumni and of
supporting the University; would like to see a
School of Education Alumni Association,

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                    <text>Interviewer's observations: Willie Evans, March 26, 1979

This interview with Mr. Evans took place at his home
in the early evening, His four children, aged four and under,
were all up, and the oldeP three were very interested in the
proceedings, Their mother shooed them all out at the
beginning, but their voices, as well as the sound of the
baby crying, are frequently audible, At one point Mr. Evans
got up and closed the door, but the older children kept
peeking in, Mr. Evans did not seem bothered about all
this, but once the interview was over, they all rushed in
and wanted him to play with them before they went to bed,
and it was impossible for me to verify the spelling of
various names he had mentioned,

�</text>
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                    <text>WILLIE R. EVANS
Willie Evans graduated from the University of Buffalo
in 1960 with a major in physical education.

Since

that time he has been employed as a teacher and
coach in various area high schools.

Recently, he

has become active in the University of Buffalo Alumni
Association and is currently a member of its Board of
Directors.
Mr. Evans begins this interview with a brief discussion of his family background, including an account
of his father's experiences working for the New York
Central Railroad.

He goes on to discuss his decision

to attend the University of Buffalo and his undergraduate experiences there, particularly his participation in athletics.

He also examines the special

problems associated with being a Black student in
the late 1950's and the difficulties he subsequently
encountered trying to find a teaching position in
area schools.
Mr. Evans also discusses his teaching career and his
recent involvement with the UB Alumni Association.

�</text>
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                  <text>&lt;p&gt;The University Archives Oral History collection contains taped interviews with members of the University at Buffalo community, and the paper records associated with each interview. Those interviewed include administrators, alumni, faculty, staff, and UB Council members. Although covering some 25 years, the bulk of the collection consists of interviews conducted in 1978-1979. The interviews offer a wide range of topics and offers personal insight into University history by those that lived it. A majority of the interviews were conducted by part-time University Archives staff members Jenny Peterzell and Brenda Shelton. Other interviewers include then Head Archivist Shonnie Finnegan and Josephine Capuana. &lt;br /&gt;&lt;br /&gt;The Oral History Project was organized by the University Archives and University at Buffalo Emeritus Center, and was made possible through a grant from the University at Buffalo Foundation, Inc.&lt;/p&gt;</text>
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              <text>2 sound cassettes</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23990"&gt;Overview&lt;/a&gt;</text>
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              <text>&lt;a href="http://digital.lib.buffalo.edu/files/show/23989"&gt;Interviewer's Observation&lt;/a&gt;</text>
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              <text>Shelton, Brenda K.</text>
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              <text>Evans, Willie R.</text>
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                <text>Willie R. Evans</text>
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                <text>Physical education teacher</text>
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                <text> athletics coach</text>
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                <text>University of Buffalo--Minorities</text>
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                <text> University of Buffalo--Athletics</text>
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                <text>University of Buffalo--Alumni Association</text>
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                <text>1979-03-26</text>
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                <text>President of the UB Alumni Association. Tape of an interview with Evans conducted by Brenda K. Shelton, March 26, 1979, concerning undergrad experiences at UB; difficulties for blacks at the university and in workforce during the late 1950s; teaching career; involvement in the University Alumni Association.</text>
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                <text>&lt;strong&gt;Overview:&lt;/strong&gt; WILLIE R. EVANS &lt;br /&gt;&lt;br /&gt;Willie Evans graduated from the University of Buffalo in 1960 with a major in physical education. Since that time he has been employed as a teacher and coach in various area high schools. Recently, he has become active in the University of Buffalo Alumni Association and is currently a member of its Board of Directors. Mr. Evans begins this interview with a brief discussion of his family background, including an account of his father's experiences working for the New York Central Railroad. He goes on to discuss his decision to attend the University of Buffalo and his undergraduate experiences there, particularly his participation in athletics. He also examines the special problems associated with being a Black student in the late 1950's and the difficulties he subsequently encountered trying to find a teaching position in area schools. Mr. Evans also discusses his teaching career and his recent involvement with the UB Alumni Association.</text>
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                <text>&lt;strong&gt;Interviewer's observations:&lt;/strong&gt; Willie Evans, March 26, 1979 This interview with Mr. Evans took place at his home in the early evening. His four children, aged four and under, were all up, and the older three were very interested in the Proceedings. Their mother shooed them all out at the beginning, but their voices, as well as the sound of the baby crying, are frequently audible. At one point Mr. Evans got up and closed the door, but the older children kept peeking in. Mr. Evans did not seem bothered about all this, but once the interview was over, they all rushed in and wanted him to play with them before they went to bed, and it was impossible for me to verify the spelling of various names he had mentioned.</text>
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              <elementText elementTextId="1926306">
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  <item itemId="4280" public="1" featured="0">
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                    <text>JAMES J. AlLINGER
James Ailinger is a Buffalo dentist who graduated
from the University of Buffalo Dental School in
1925 and was later affiliated with the school for
many years as a part-time faculty member.

In this

interview, Dr. Ailinger discusses his experiences
as a student at UB, including his involvement in
athletics.

He also talks about the changes in the

character of the UB Dental School over time and
the importance he feels the school has had in the
development of the profession within Western New
York.

The attitude of the UB administration toward

athletics,both during Dr. Ailinger's days as a
student
length.

and more recently, is also discussed at

�Index: Interview with Dr. James Ailinger, January 9, 1979
minutes/counter

00/000

Ailinger's family; his work in parents' grocery business.

07/145

necision to enter dental school; role of football coach
Art Powell and Dean Dan Squire.

10/200

Memories of playing football at UB, including comments
about why UB only played Canisius once; lack of University support fnr ~thletics,

14/275

Independence of various UB schools; development of UB
athletics and Athletic Council; early days at Rotary
Field.

20/370

Memories of Capen and, briefly, of L'.urnas.

25/4JJ

Comments about student days at UB; incident with Dr.
Squire; received Ellicott Club scholarship and later
became Club's president.
Side II

00/000

Relationship between Dental School and Western New York
dentists; non-resident student housing.

04/085

Continued contact with UB after graduation; coached
football and basketball; part time member of Dental
School faculty for 30 years; alumni advisor of Athletic
program; football official.

07/150

I-IcConnell' s attitude toward football; admiration for
Furnas.

12/225

Remarks about mergerwith SUNY; conversation with Seymour
Knox about merger,

15/285

Autonomy of Dental School; Capen's role in improving
professional schools; part time and full time professors;
Dental Participating Fund; Dr, Gauchet,

18/347

Loyalty to Dental School; active in Alumni Associations.
little contact of Dental School faculty with other UB
faculty; opposed SUNY alumni association.

23/420

in Dental School; changes since merger; early
days at Main Street camuus; Dr, Lemon and Dr. Sy;
memories of student days in Goodell and Goodrich classrooms; founding of Bison Head •
Chan~es

..

VNIVI;"~':'
·1~!~1 ~-,

:".:-:. / ,- '· '.
f

·~t.·J

£TATE UNl'lti;.·:·. , l1i:" NEW YO!i:C
~

atLUL·~i'/V"'O

..

,BUFFALO, N.Y. 14260 _/·

�.

Interviewer's Observatlon.s 1 Dr. James Allinger, January 9, 1979
Dr. Allinger's dental office is full of momentos of his
long association with the University of Buffalo and especially
with its athletic program and the Dental School. Various
athletic awards, the Samuel P. Capen Award, pictures of the UB
Council and a Bison Head citation han@ on the walls, and in a
back room there are piles of old copies of the ~. pictures,
athletic programs, etc. As he showed them to me before the
interview, he related various stories and memories.
When the second tape ended, a patient walked 1n, and Dr.
Allinger did not complete the story he was telling. I do not
feel, however, that he had left out anything of importance.

�Mrs. Cornelia Allen (retired professor of Social Work),
interviewed by Jenny Peterzell {student) on Feblt' ·28j 1978.
SIDE 1
&lt;

000

Family background - mother, short story writer whose
works were publishe~ in Atlantic, Centurx and Harpers
magazines. Father, professor.
.·.·

018

Early days of career; atte.nded Smith College,. went on
to Boston Psychopathic Hospit:a~. E.E. Southard, head of
Boston Psychopathic Hospital.

043

Job with Institute ·:Cor Juvenile Research. Worked with
Jane Addams at Hull House during that time. Opinions
on Jane Addams.

084

Hull House described; Immigrant Protective Society,
"45 Gang" held headquarters. Mrs. Allen served in
advisoz::y
capacity tatt ,Hull~
Ho.use..•~
.
.

105

Decision to cqme -;to-. Un4.ve..~stty of Buffa.lo; a small
struggling .. school. Huaban,~. went, .along with decision.

125

Work a;t

149

Abuse i!l,PI'isons minor; long-time incarceration, enforced
silence..
. · ,.
.
, .

160

Cradle Beach Camp described - founded in 1888 by Benevolent Women, a place t.o .. bpuse children convelescent
from Cholera Infantum. Early years of camp; children
given "rudimentary" good life, success measured by
weight gain.

196

Cradle Beacl}. in dire straights - given condemnation by
New York survey agency. Spencer Crookes (spelling!)
came to directorship on two weeks notice. Later, Mrs.
Allen became director.

220

Comments on being working mother; brought eons to camp
during summers.

230

Present act.ivities Qf sons; one is a professor of
Medieval French at University of Manitoba, other son
works for government surveying nursing homes in five
Midwestern states.

L

fgr ~~ve;nil.~ Re.search; .dealt with
Dwight T;nstituti:on {womens prison),
Jollett· (.spell+ng?} (mens prison}.
I:qs~itut&lt;e,

or;~no:J_ogy,

'

I

�SIDE 1 (cont 1 d)
of growth of Amherst campus; oppo•ed·to
"brick and stone" development of buildings.

560

Comment~

578

Mention. ot. persons •ffiliated with 8cnool ot Social
Work who she keeps in touch with at present; Mrs.
Grace Russo, M.r., Ton7 K'ay (formerly lCrynskowski).

623

Locus of School of Social Work in e.,.n Hall and
later moved to Foster Hall. Ms. Agnew, librarian
and "grandmother' to stUdent~&amp; had office in building.

6:50

End of

rc.-&gt;A~*

in~erview.

..

�.........

SIDE 1 ( cont 1 d)

I

I

:

I

I

u-

I

240

Changes and developments during her directorship wooden troughs and straw mattresses replaced with
ru~ng water anq. new. be.ds, built up morale.
New staf':f
qualifications. {Cradle Beach).
·

260

Wide range o:f cam:Qers at,Qradle Beach- emotionally
disturbed, physically :'disabled, And~~tllaa• unap]tJ to
pay. Evening programs; from ··Vfrestling matches to
production of plays, child-centered activities.

286

Camp p;t"aised by· Margaret Mead. Mention of' one camper
with multiple handicaps and his success in later life.

308

MI!s... ·k&gt;Allten1 S4ep~h'W'iain. for camping,;: served as chairman

o:f Western New York section of the American Camping
Association.

360

Reflections of being a

365

Decision to retire at age 70; enjoying retirement.
Not interested in keeping in touch with University.

398

Growth in School of Social Work; T.E.R.A., Temporary
Emergency Relief Administration funds to students
:for education.

407

Mention of various persons involved in School of Social
Work; Mr. Paul Benjamin, Mr. Archie Swanson, Dr. Eleanor
L. Lattimore.

429

Mrs. Allen's accomplishments in department; improved
course content, pursued interest in Psychiatric Social
Work.

454

Opinions on students ; interested and dedicated but not
brilliant.

475

Department of Social Work dean Lyndon, "brilliant

498

Sabbatical work in Europe; studied Social Work agencies.
noted differences between European and American agencies.

545

Advice to university; should teach; dn·!h6re of an indiviElual.
bas!ls 1: .l:ess theoretical.

wo~n

professional.

man~

�Interviewer's observations:

llrs•• Cornelia Allen 1 • .K-28-78

Mrs. Allen retired from her position as professor in the school of
Social Work with a plethora of academic, community and benevolent
accomplishments and contributions. As a result of a stroke suffered
a few yea~back her health and mobility have been affected; making
participation in on-campus University events nearly impossible.
Mrs. Allen remains apart from ·university affairs today and reflects
upon her former participation with little sentimentality, a degree
of separateness but with unspoken satisfaction.
Mrs. Allen lives in a large, decaying house in need of outside repair
and painting. Barely shovelled, the path leading to the front door
proved to be an obstacle. Inside, the potentially spacious home was
congested with books, couches, chairs, piano and a large wooden bed
that stood boldly in what must have been a dining room oft the kitchen.
Atop the bed lay Julia, an old white poodle, surrounded by books~
piano music and papers. Mrs. Allen sat a few feet away from the overstuffed bed in a large arm chair with her feet supported by a footstool and her legs covered with a blanket.
During the interview she clearly recalled events and in a sequence
congrnas with written information this interviewer had examined in
her biograpnical file. Yet her orientation for time was somewhat
vague. Mrs. Allen was not able to pinpoint years of important ·
events in her life.
The noises in the background in one segment of the tape recording
are those of Cathy preparing food in the kitchen. Cathy is a young
woman whose husband and she rent the third floor apartment of Mrs.
Allen's home. After the interview she informed me that Mrs. Allen
has a nurse, two maida and a handyman who regularly assisp Mrs. Allen.

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                <text>Five photographs of various stages of the dissection of a sea cucumber, each with specific features labeled. For those showing the internal structures of the sea cucumber, T-pins are used to hold the sea cucumber open. &lt;br /&gt;&lt;br /&gt;Image 1: Ventral External Features &lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;crown of tentacles&lt;/li&gt;
&lt;li&gt;podia of ventral ambulacra (tube feet)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;Image 2: Anterior (close up) &lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;crown of tentacles&lt;/li&gt;
&lt;li&gt;tube feet ventral podia (tube feet)&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;Image 3: Internal Features &lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;tentacles&lt;/li&gt;
&lt;li&gt;wall of pharynx&lt;/li&gt;
&lt;li&gt;esophagus&lt;/li&gt;
&lt;li&gt;respiratory tree&lt;/li&gt;
&lt;li&gt;stomach&lt;/li&gt;
&lt;li&gt;intestine&lt;/li&gt;
&lt;li&gt;retractor muscles&lt;/li&gt;
&lt;li&gt;gonad&lt;/li&gt;
&lt;li&gt;longitude muscle band&lt;/li&gt;
&lt;li&gt;radiating cloacal muscles&lt;/li&gt;
&lt;li&gt;cloaca (cut)&lt;/li&gt;
&lt;/ul&gt;
Image 4: Internal Features (Anterior Close Up)&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;wall of pharynx&lt;/li&gt;
&lt;li&gt;retractor muscles&lt;/li&gt;
&lt;li&gt;intestine&lt;/li&gt;
&lt;li&gt;tentacles&lt;/li&gt;
&lt;li&gt;esophagus&lt;/li&gt;
&lt;li&gt;longitudinal muscle bands&lt;/li&gt;
&lt;/ul&gt;
Image 5: Gonads Removed&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;tentacle&lt;/li&gt;
&lt;li&gt;wall of pharynx&lt;/li&gt;
&lt;li&gt;retractor muscle&lt;/li&gt;
&lt;li&gt;radiating cloaca muscles&lt;/li&gt;
&lt;li&gt;esophagus&lt;/li&gt;
&lt;li&gt;stomach&lt;/li&gt;
&lt;li&gt;intestine&lt;/li&gt;
&lt;li&gt;cloaca&lt;/li&gt;
&lt;li&gt;anus&lt;/li&gt;
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Image 6: Mudpuppy - Heart&#13;
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Image 8: Mudpuppy - Reproductive Organs (Female)&#13;
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&#13;
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&#13;
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- compound eye&#13;
- antenna&#13;
- prothorax&#13;
- mesothorax&#13;
- metathorax&#13;
- fore wing&#13;
- hind wing&#13;
- ovipositor&#13;
- tibia&#13;
- pulvillus&#13;
- claw&#13;
- tarsus&#13;
- femur&#13;
- tympanum&#13;
- trochanter&#13;
- coxa&#13;
- palp&#13;
- labrum&#13;
- head&#13;
- thorax&#13;
- abdomen&#13;
&#13;
Image 2: Grasshopper - External Features (Female and Male) [two specimens in the photograph]&#13;
Top specimen:&#13;
- palp&#13;
- labrum&#13;
- clypeus&#13;
- frons&#13;
- gena&#13;
- fore wing&#13;
- ovipositor&#13;
Bottom specimen:&#13;
- antenna&#13;
- compound eye&#13;
- prothorax&#13;
- femur&#13;
- tibia&#13;
- tarsus&#13;
- trochanter&#13;
- claw&#13;
- head&#13;
- thorax&#13;
- abdomen&#13;
&#13;
Image 3: Grasshopper - Female Abdomen&#13;
- epiproct&#13;
- cercus&#13;
- ovipositor&#13;
&#13;
Image 4 - Grasshopper - Abdomen (Male)&#13;
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- subgenital plate&#13;
- spiracles&#13;
&#13;
Image 5: Grasshopper - Front View of Head&#13;
- vertex&#13;
- ocelli&#13;
- gena&#13;
- antenna&#13;
- mandible&#13;
- maxilla&#13;
- labial palps&#13;
- labium&#13;
- maxillary palps&#13;
- labrum&#13;
- clypeus&#13;
- frons&#13;
- compound eye&#13;
&#13;
Image 6: Grasshopper - Mouthparts&#13;
- clypens&#13;
- labrum&#13;
- mandible&#13;
- maxilla&#13;
- mentum&#13;
- ligula&#13;
- labium&#13;
- palps&#13;
- galea&#13;
- lacina&#13;
- stipes&#13;
- hypopharynx&#13;
&#13;
Image 7: Grasshopper - Tympanum (Close Up)&#13;
&#13;
Image 8: Grasshopper - Internal Features [specimen is held open with T-pins]&#13;
- crop&#13;
- gastric ceca&#13;
- eggs&#13;
- malpighian tubules&#13;
- large intestine&#13;
- muscle&#13;
- small intestine&#13;
- stomach&#13;
&#13;
Image 9: Grasshopper - Internal Features (Close Up)&#13;
- gastric ceca&#13;
- malpighian tubules</text>
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&#13;
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&#13;
Image 3: Side View&#13;
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&#13;
Image 4: Crayfish - Cheliped (1st 'eg', Claw = Chela)&#13;
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&#13;
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&#13;
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&#13;
Image 7: Crayfish - Ventral Abdomen (Female)&#13;
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&#13;
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Image 9: Crayfish - Internal Features (Dorsal View)&#13;
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Image 10: Crayfish - Mouth Appendages&#13;
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&#13;
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&#13;
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&#13;
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Image 5: Earthworm - Internal Features (Seminal Vesicles Removed) [pins are used to hold the specimen open]&#13;
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                    <text>Close-up of a sea urchin's oral surface showing Aristotle's lantern with five white tooth structures.</text>
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                    <text>Aristotle's lantern from a sea urchin showing teeth and internal support structures.</text>
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                  <text>&lt;p&gt;The BIO200 digital dissection project serves the illustrative and narrative needs of the students in the University at Buffalo Evolutionary Biology course. The materials were created to supplement the peer-learning system in place, and to offer opportunities for unlimited interactive engagement with the laboratory content. The Project team planned and produced a digital image "narrative" for each of the sixteen animals illustrated in this digital collection. The collection includes multiple, fully labeled external and internal views and details of each animal. &lt;/p&gt;
&lt;p&gt;The BIO200 course site was developed collaboratively by Clyde F. Herreid, SUNY Distinguished Teaching Professor at the University at Buffalo, University librarians, graduate student assistants and IT staff.&lt;/p&gt;</text>
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                  <text>Herreid, Clyde F.</text>
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                  <text>University at Buffalo. University Libraries.</text>
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                  <text>&lt;p&gt;&lt;span&gt;IN COPYRIGHT - EDUCATIONAL USE PERMITTED&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
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                  <text>BIO001</text>
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                <text>Sea Urchin (Arbacia punctulata)</text>
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                <text>Echinodermata -- Physiology</text>
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                <text> Sea urchins</text>
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                <text> Arbacia punctulata</text>
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                <text> Dissection</text>
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                <text>2005-01-06</text>
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            <description>An account of the resource</description>
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                <text>Five photos of a sea urchin in various stages of dissection.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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              <elementText elementTextId="1864668">
                <text>State University of New York at Buffalo. Department of Biological Sciences</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Evolutionary Biology Digital Dissection Collections. BIO-001</text>
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            <name>Rights</name>
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              <elementText elementTextId="1879145">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;IN COPYRIGHT - EDUCATIONAL USE PERMITTED&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                    <text>Polish newspaper page with illustrations and text under the title</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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              <name>Creator</name>
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                  <text>Archacki, Henry, 1907-1998</text>
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              <description>An entity responsible for making the resource available</description>
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13560">
                  <text>State University of New York at Buffalo. University Libraries. Polish Room</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1931-1934</text>
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                  <text>Pol</text>
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                  <text>Image</text>
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              <name>Identifier</name>
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                  <text>LIB-ASL003</text>
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      <name>Still Image</name>
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                <text>Gold mine and monument</text>
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>Piłsudska, Aleksandra, 1882-</text>
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                <text> Międzyrzecz (Poland)</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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                <text>pol</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906177">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Działalność pani Oli [Nie podpisuje deklaracji wyrzeczenia się polskości. Illustrations by Henry Archacki.</text>
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                <text> Tworzy oddziały kurjerek. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916455">
                <text> Uwięziona w Pawiaku. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916456">
                <text> Opiekuje się dziatwą. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916457">
                <text> Przechodzi smutne chwile przy zgonie Marszałka]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916458">
                <text> Polak odkrył jedną z najbogatszych kopalń złota w świecie. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916460">
                <text>Mrs. Ola's activity [Doesn't sign the declaration of the renunciation of the Polish citizenship. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916461">
                <text> Creates the divisions of female couriers. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916462">
                <text> Imprisoned in the Pawiak. Illustrations by Henry Archacki.</text>
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                <text> Takes care of the children. Illustrations by Henry Archacki.</text>
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                <text> Goes through sad moments at the Marshal's funeral]. Illustrations by Henry Archacki.</text>
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                <text> A Pole discovered one of the richest gold mines in the world. Illustrations by Henry Archacki.</text>
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                <text>This is a scanned page from a Polish newspaper dated Saturday, June 29, 1930. The title at the top reads  with the subtitle "Kronika Henryk Archacki." The page contains several black-and-white illustrations accompanied by short captions. At the top are drawings of people engaged in different activities, including a person addressing a group and another standing with an outstretched arm. The center features a large portrait drawing framed by other smaller illustrations. Toward the bottom are images of a tropical scene with palm trees, a depiction of a lighthouse-like structure, and a group gathered in a room. The page is filled with Polish text describing these illustrations. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918371">
                <text> Dziwny pomnik z Międzyrzeczu. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918372">
                <text> A strange monument in Międzyrzecze. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918900">
                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918901">
                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                    <text>Polish newspaper illustration from 1936 showing Chopin’s funeral march, a map of East Asia, a Polish school in America from 1835, and a ship to Shanghai</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Archacki, Henry, 1907-1998</text>
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Polish kayak in Shanghai</text>
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            <name>Identifier</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Archacki, Henry, 1907-1998</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61263">
                <text>1933</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61270">
                <text>Chopin, Frédéric, 1810-1849</text>
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              <elementText elementTextId="61271">
                <text> Poland</text>
              </elementText>
              <elementText elementTextId="61272">
                <text> Black Sea</text>
              </elementText>
              <elementText elementTextId="61273">
                <text> Istanbul (Turkey)</text>
              </elementText>
              <elementText elementTextId="61274">
                <text> Baghdad (Iraq)</text>
              </elementText>
              <elementText elementTextId="61275">
                <text> Asia</text>
              </elementText>
              <elementText elementTextId="61276">
                <text> Red Sea</text>
              </elementText>
              <elementText elementTextId="61277">
                <text> Karachi (Pakistan)</text>
              </elementText>
              <elementText elementTextId="61278">
                <text> India</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61282">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="1867116">
                <text> </text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866313">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866314">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866714">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866915">
                <text>image/jpeg</text>
              </elementText>
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            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1867317">
                <text>Archacki Cartoons. LIB-ASL003</text>
              </elementText>
              <elementText elementTextId="1867518">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1867719">
                <text>pol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906178">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916470">
                <text>Jak powstał marsz żałobny Chopina. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916471">
                <text> Kajakiem z Polski do Szanghaju [Polska, Morze Czarne, Konstantynopol, Bagdad, Azyja, Morze Czerwone, Karachi (początek Indji)]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916473">
                <text>How Chopin's Funeral March came into being. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916474">
                <text> In a kayak from Poland to Shanghai [Poland, Black Sea, Constantinople, Bagdad, Asia, Red Sea, Karachi (beginning of India)]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918373">
                <text> 100-lecie pierwszej polskiej szkoły i książki w Ameryce. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918374">
                <text> 100th anniversary of the first Polish school and book in America. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918375">
                <text>A Polish newspaper page from March 1936 containing a collection of illustrated panels. The top left illustration shows people in a room around a piano, labeled as related to Chopin’s funeral march. To the right, there is a map of East Asia showing locations such as Japan, Shanghai, and surrounding regions. The bottom left panel depicts a classroom scene with a teacher and students, marked with the year 1835, referencing the anniversary of the first Polish school and bookstore in America. The bottom right illustration shows a ship with a banner about travel from Poland to Shanghai. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982207">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="4194" public="1" featured="0">
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              <element elementId="41">
                <name>Description</name>
                <description>An account of the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="1862471">
                    <text>Polish illustrated publication page from 1935 showing Wawel Cathedral, a mountain landscape, and two portraits with captions</text>
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              </element>
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          </elementSet>
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    <collection collectionId="22">
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            <element elementId="50">
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Archacki, Henry, 1907-1998</text>
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              <elementTextContainer>
                <elementText elementTextId="13559">
                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13560">
                  <text>State University of New York at Buffalo. University Libraries. Polish Room</text>
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              <name>Date</name>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61231">
                <text>Wawel and its secrets</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="61235">
                <text>bk03_pg0200</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61236">
                <text>Archacki, Henry, 1907-1998</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61237">
                <text>1934</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61248">
                <text>Wawel (Kraków, Poland)</text>
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              <elementText elementTextId="61249">
                <text> Columbus, Christopher</text>
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              <elementText elementTextId="61250">
                <text> Zakopane (Poland)</text>
              </elementText>
              <elementText elementTextId="61251">
                <text> Jędrzejowska, Jadwiga, 1912-1980</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61255">
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              </elementText>
              <elementText elementTextId="1867117">
                <text> </text>
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            </elementTextContainer>
          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866315">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866316">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866715">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866916">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1867318">
                <text>Archacki Cartoons. LIB-ASL003</text>
              </elementText>
              <elementText elementTextId="1867519">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906179">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916477">
                <text>Wawel-tajemnicą Polski. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916478">
                <text> List Kolumbusa w bibljotece polskiej. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916479">
                <text> Jak powstała nazwa "Zakopane". Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916481">
                <text>Wawel-Poland's secret. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916482">
                <text> The letter of Columbus in the Polish library. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916483">
                <text> How the name "Zakopane" came into being. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918376">
                <text> Jadwiga Jędrzejowska, mistrzyni Polski w tenisie. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918377">
                <text> Jadwiga Jędrzejowska, Poland's champion in tennis. Illustrations by Henry Archacki.</text>
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                <text>The page is from a Polish illustrated publication titled Czy Wiecie, Ze— by Henryk Archacki, dated July 17–20, 1935. The layout includes a large heading at the top with illustrations and text below. On the left side, there is a detailed drawing of Wawel Cathedral in Kraków, Poland. Beneath it, another illustration depicts a mountainous landscape labeled as the site of the Battle of Zakopane. On the right side, there are two portraits: one of Christopher Columbus with a note about his connection to Poland, and another showing a traditional Polish figure holding a pipe. Captions in Polish provide additional explanations for each illustration. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Polak, który pierwszy przepłynął Kanał Panamski. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Jan Tarnowski ur. r. 1488, um. r. 1561. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916490">
                <text> Ulica która nosi nazwę trzech wodzów [Aleja J. Piłsudskiego. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916491">
                <text> Adolf Hitler Strasse. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916492">
                <text> Hindenburg Allee]. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: Jan Tarnowski born 1488, died 1561. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916496">
                <text> A street that bears names of three chiefs [J. Piłsudski Avenue. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916497">
                <text> Adolf Hitler Strasse. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916498">
                <text> Hindenburg Allee]. Illustrations by Henry Archacki.</text>
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                <text>Page from a Polish illustrated publication with sketches of landscapes, sailing routes, and portraits of Jan Tarnowski and Józef Hebda. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918379">
                <text> Jozef Hebda polską sensacją w tenisa. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918380">
                <text> Jozef Hebda, a Polish tennis sensation. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918904">
                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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          <element elementId="49">
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              <elementText elementTextId="61192">
                <text> Maczuga Herkulesa (Pieskowa Skała, Poland)</text>
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          <element elementId="48">
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            <elementTextContainer>
              <elementText elementTextId="1866319">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
              <elementText elementTextId="1906181">
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                <text>Niezwykłe ocalenie Bramy Florjańskiej. Illustrations by Henry Archacki.</text>
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                <text> "Maczuga Herkulesa". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916505">
                <text> Uprzywilejowana karczma. Illustrations by Henry Archacki.</text>
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                <text>An unusual rescue of the Florjańska Gate. Illustrations by Henry Archacki.</text>
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                <text> "Hercules' club". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916509">
                <text> A privileged inn. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918381">
                <text> Gdy król pisał list. Illustrations by Henry Archacki.</text>
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                <text> When a king wrote a letter. Illustrations by Henry Archacki.</text>
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                <text>A vintage Polish newspaper page titled "Czy Wiecie, Ze–" features several black-and-white illustrations accompanied by captions. At the top left is a drawing of a medieval-style tower with arched openings at its base. To the right is an illustration of a tall rock formation surrounded by trees. Below, smaller drawings include a tavern scene with people at a table, a rustic interior with a fireplace, and a figure seated at a desk writing. Text in Polish appears beneath and around the illustrations. Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text> Conrad, Joseph, 1857-1924</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Historja krypty Św. Leonarda na Wawelu. Illustrations by Henry Archacki.</text>
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                <text> Plan krypty [Ołtarz]. Illustrations by Henry Archacki.</text>
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                <text> Baba kamienna w Zubkach. Illustrations by Henry Archacki.</text>
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                <text>The history of St. Leonard's crypt at the Wawel. Illustrations by Henry Archacki.</text>
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                <text> Crypt's blueprints [Altar]. Illustrations by Henry Archacki.</text>
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                <text> A stone woman in Zubki. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918384">
                <text> Ubranie Józefa Conrada zapaliło się 3 razy w jednem dniu. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918385">
                <text> Joseph Conrad's clothes caught on fire 3 times in one day. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918386">
                <text>A Polish newspaper page featuring illustrations and text under the heading "Czy Wiecie, Ze–" by Henryk Archacki. The upper half contains a detailed drawing of a vaulted crypt interior with stone columns and arches, labeled as "Historia Krypty Sw. Leonarda na Wawelu." To the right is a floor plan labeled "Plan Krypty." The lower section has two additional illustrations: one of a stone statue labeled "Baba Kamienna w Zubkach," and another showing a person in historical dress near a garden with the caption "Zabudowania Zakladu sw. Anny w Ladku Zdroju." Columns of printed text run beneath and alongside the illustrations. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918909">
                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Sunken city and Polish Parliament</text>
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                <text>Poland. Sejm</text>
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                <text> Grottger, Artur, 1837-1867</text>
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                <text> Podolak, Zygmunt</text>
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              <elementText elementTextId="1866323">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
              <elementText elementTextId="1906183">
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                <text>Sejm polski który obradował przy świetle jednej świeczki. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916526">
                <text> Sławni w narodzie polskim: Artur Grottger ur. r. 1837, um. r. 1867. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916527">
                <text> Stare miasto polskie na dnie morskim. Illustrations by Henry Archacki.</text>
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                <text>The Polish Parliament that debated with the light of one candle. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916530">
                <text> Famous in the Polish nation: Artur Grottger born 1837, died 1867. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916531">
                <text> An old Polish city on the bottom of the sea. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916533">
                <text>A Polish newspaper page from June 11, 1935, featuring illustrations and short historical notes. At the top left, there is a large drawing showing a hall filled with people attending a ceremony. On the right side, two portrait-style illustrations depict individuals, each accompanied by captions. The lower section contains an illustration of a coastal city view with ships in the water. The page includes Polish text and is titled "Czy Wiecie Ze," meaning "Did You Know That.". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918387">
                <text> Zygmunt Podolak zdobywa mistrzostwo stanu New York w dźwiganiu ciężarów. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918388">
                <text> Zygmunt Podolak wins the weight lifting championship in the state of New York. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text> Piłsudski, Józef, 1867-1935</text>
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                <text> Hausner, Stanisław</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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              <elementText elementTextId="1906184">
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          <element elementId="41">
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                <text>Dwa takie same pomniki Kościuszki, w Milwaukee i Florencji [Pomnik w Milwaukee. Illustrations by Henry Archacki.</text>
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                <text> Pomnik w Florencji]. Illustrations by Henry Archacki.</text>
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                <text> "Blondynka" i "brunetka" w życiu Marszałka Piłsudskiego. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916537">
                <text> ś. p. Stanisławowi Hausherowi [Polonia amerykanska]. Illustrations by Henry Archacki.</text>
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                <text>Two identical Kościuszko monuments, in Milwaukee and Florence [The monument in Milwaukee. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916540">
                <text> The monument in Florence]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916541">
                <text> A "blonde" and a "brunette" in the life of Marshal Piłsudski. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916542">
                <text> the late Stanisław Hausher [American Polonia]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918389">
                <text> Polak świętym tybetańskim. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918390">
                <text> A Pole Tibetan saint. Illustrations by Henry Archacki.</text>
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                <text>The page is from a Polish illustrated publication dated Wednesday, June 5, 1935. It is titled "Czy Wiecie, Ze-" ("Did you know that–") and contains multiple black-and-white illustrations accompanied by text. The illustrations include: a statue of a person on horseback shown in two versions (with and without a sword), a classroom scene with a teacher pointing at a blackboard while students sit at desks, a figure pulling a cart filled with barrels, and a person walking while carrying a bundle on their back. Text is printed below and around the illustrations, describing each scene. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918910">
                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918911">
                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982213">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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          <element elementId="43">
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          <element elementId="40">
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              <elementText elementTextId="61073">
                <text>1934</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61084">
                <text>Ratusz Krakowski (Kraków, Poland)</text>
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              <elementText elementTextId="61085">
                <text> Katedra w Gnieźnie</text>
              </elementText>
              <elementText elementTextId="61086">
                <text> Hofmann, Josef, 1876-1957</text>
              </elementText>
              <elementText elementTextId="61087">
                <text> Boleslavsky, Richard, 1889-1937</text>
              </elementText>
              <elementText elementTextId="61088">
                <text> Fronczak, Francis E., 1874-1955</text>
              </elementText>
              <elementText elementTextId="61089">
                <text> Buffalo (N.Y.)</text>
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="61093">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="1867123">
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          </element>
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            <elementTextContainer>
              <elementText elementTextId="1866327">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906185">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>[Zegar na wierzy ratuszowej miasta Krakowa] Zegary staropolskie [Zegar na kościele katedralnym w Gnieźnie]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916548">
                <text> Józef Hoffman, wynalazcą automatycznego czyściciela szyby samochodowej. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916549">
                <text> Ryszard Bolesławski staje się jednym z najsławniejszych dyrektorów w Hollywood. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916551">
                <text>[A clock on the City Hall's tower in the city of Krakow] Old Polish clocks [A clock on the Cathedral in Gniezno]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916552">
                <text> Józef Hoffman, the inventor of the automatic windshield cleaner. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916553">
                <text> Ryszard Bolesławski is becoming one of the most famous Hollywood directors. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918392">
                <text> [Uznanie, 1910-1935] Franciszek E. Fronczak jest od 25 lat komisarzem zdrowia miasta Buffalo. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918393">
                <text> [Recognition, 1910-1935] Franciszek E. Fronczak has been the commissioner of health for the city of Buffalo for 25 years. Illustrations by Henry Archacki.</text>
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                <text>The page is a Polish illustrated publication titled "Czy wiecie, ze–" by Henryk Archacki. It features a large central drawing of a clock flanked by two towers, with a winged figure above. Surrounding the central image are several portraits of individuals, along with text and decorative elements. At the bottom are additional illustrations, including faces framed by circles and ornamental designs, accompanied by descriptive captions. The layout combines artwork, portraits, and written sections in a stylized format. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Kasprzycki, Tadeusz, 1891-1978</text>
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                <text> British Museum</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
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                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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                <text>Polak wytwarza złoto ze zwyczajnego piasku. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Generał Tadeusz Kasprzycki nowy minister spraw wojskowych. Illustrations by Henry Archacki.</text>
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                <text> Nadzwyczajny miraż na Helu. Illustrations by Henry Archacki.</text>
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                <text>A Pole makes gold out of ordinary sand. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: General Tadeusz Kasprzycki the new minister of the army. Illustrations by Henry Archacki.</text>
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                <text> An extraordinary mirage at the Hel. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918395">
                <text> Książka pisana przez Polaka w XII wieku znajduje się w British Museum. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918396">
                <text> A book written by a Pole in the 12th century is at the British Museum. Illustrations by Henry Archacki.</text>
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                <text>A vintage Polish newspaper page features the heading "Czy wiecie, ze" ("Did you know that") by Henryk Archacki. The page includes several black-and-white illustrations: a portrait of a person on the left engaged in an activity involving a funnel or sand, a small drawing of a gold-processing setup, a portrait of another individual on the right, and a panoramic illustration of a seaside scene with piers and water activity. Text surrounds and captions the illustrations, providing explanations for each highlighted fact. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Marshal Józef Piłsudski</text>
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          <element elementId="43">
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          <element elementId="39">
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          <element elementId="49">
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                <text>Piłsudski, Józef, 1867-1935</text>
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                <text> Siberia (Russia)</text>
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                <text> Wawel (Kraków, Poland)</text>
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            <elementTextContainer>
              <elementText elementTextId="1866331">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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              <elementText elementTextId="1866723">
                <text>State University of New York at Buffalo. University Libraries</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906187">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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                <text>Marszałek Józef Piłsudski, 1867-1935 [Matka uczy synów historji Polski. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916570">
                <text> Piłsudski skazany na Sybir. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916571">
                <text> Twórca strzelców i legjonów. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916572">
                <text> Obrona Polski przed wrogiem. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916573">
                <text> W więzieniu Magdeburskim. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916574">
                <text> Pisudski przyjmuje marszałkostwo. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916575">
                <text> Piłsudski buduje potężną Polskę. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916577">
                <text>Marshal Józef Piłsudski, 1867-1935 [Mother teaches the sons the history of Poland. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916578">
                <text> Piłsudski sentenced to Siberia. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916579">
                <text> The founder of the sharp shooters and legions. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916580">
                <text> The defense of Poland from the enemy. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916581">
                <text> In the Magdeburg's prison. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916582">
                <text> Piłsudski accepts the marshalship. Illustrations by Henry Archacki.</text>
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                <text> Piłsudski builds a powerful Poland. Illustrations by Henry Archacki.</text>
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                <text> Na wieczny spoczynek w Wawelu]. Illustrations by Henry Archacki.</text>
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                <text> in eternal rest at the Wawel]. Illustrations by Henry Archacki.</text>
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                <text>The image is a black-and-white illustrated page from a Polish publication. At the center is a large portrait of a uniformed figure surrounded by smaller illustrations depicting various scenes, including people working in fields, a church, a village, military figures, and groups of people in conversation. The page contains Polish text at the top, including the bold heading "CZY WIECIE, ZE–" and mentions of "Henryk Archacki." Beneath the central portrait is the name "Marszalek Józef Pilsudski," along with years "1867–1935." Additional Polish text is present at the bottom in paragraph form, likely providing historical or biographical details. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Verne, Jules, 1828-1905</text>
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                <text> Marcinkowski, Karol, 1800-1846</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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          <element elementId="47">
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            <elementTextContainer>
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                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Juljusz Verne, był pochodzenia polskiego. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Karol Marcinkowski ur. r. 1800, um. r. 1846. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916590">
                <text> Pierwszą drukarnię w Hiszpanji założył Polak. Illustrations by Henry Archacki.</text>
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                <text>Jules Verne, was of Polish descent. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916593">
                <text> Famous in the Polish nation: Karol Marcinkowski born 1800, died 1846. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916594">
                <text> A Pole founded the first press in Spain. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918401">
                <text> Ks. Janusz Ostrowski przebijał księgi strzałą z łuku. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918402">
                <text> Duke Janusz Ostrowski pierced books with a bow and arrow. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918403">
                <text>A Polish illustrated publication page featuring portraits, drawings, and text. At the top, the heading reads "Czy wiecie, ze–" with the name Henryk Archacki beneath it. The central illustration shows a portrait of Jules Verne surrounded by depictions of ships, rockets, and other inventions. To the right is another portrait labeled "Rafal Archacki (c.1800–c.1860)." Additional smaller illustrations appear below, including a person seated outdoors reading, a printing machine, and a person walking through a landscape. Captions in Polish accompany the illustrations. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918919">
                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
              </elementText>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Horse carriage and strongman</text>
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          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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          <element elementId="40">
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          <element elementId="49">
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            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Uhlans</text>
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              <elementText elementTextId="60975">
                <text> Napoleon I, Emperor of the French, 1769-1821</text>
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                <text> Stanisławski, Jan, 1860-1907</text>
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                <text> Sieniawski, Prokop</text>
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            <elementTextContainer>
              <elementText elementTextId="1866335">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
              <elementText elementTextId="1906189">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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                <text>Poświęcenie ułanów polskich dla Napoleona. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916600">
                <text> Jan Stanisławski, artysta olbrzym, malował małe obrazy. Illustrations by Henry Archacki.</text>
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                <text>Devotion of the Polish uhlans for Napoleon. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916603">
                <text> Jan Stanisławski, a giant artist, painted small paintings. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918404">
                <text> Siła Prokopa Sieniawskiego. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918405">
                <text> The strength of Prokop Sieniawski. Illustrations by Henry Archacki.</text>
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                <text>The page is from a Polish publication titled Czy Wiecie, Ze. It features multiple black-and-white illustrations and text. At the top, a large drawing shows a group of soldiers on horseback engaged in battle. Below, smaller illustrations include a person standing with a palette and brush near an easel, and another scene showing a group of figures in action, some holding weapons or instruments. The bottom portion of the page contains columns of printed text in Polish. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918920">
                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918921">
                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
              </elementText>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Archacki, Henry, 1907-1998</text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="60938">
                <text>1933</text>
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          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="60947">
                <text>Jarosz, Stefan, 1903-1958</text>
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                <text> Alaska</text>
              </elementText>
              <elementText elementTextId="60949">
                <text> Zarembo Island (Alaska)</text>
              </elementText>
              <elementText elementTextId="60950">
                <text> Woodsky Island (Alaska)</text>
              </elementText>
              <elementText elementTextId="60951">
                <text> Kosciuszko Island (Alaska)</text>
              </elementText>
              <elementText elementTextId="60952">
                <text> Kraków (Poland)</text>
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              <elementText elementTextId="60953">
                <text> Twain, Mark, 1835-1910</text>
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            <elementTextContainer>
              <elementText elementTextId="1866337">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867530">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906190">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916608">
                <text>Dr. Jarosz podczas pierwszego pobytu na Alasce. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916609">
                <text> Wyspy o nazwach polskich przy brzegach Alaski [Wyspa Kościuszki, Wyspa Wojewodzkiego (Woodsky), Wyspa Zaremby (Zarembo)]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916610">
                <text> Ile się płaciło w Krakowie przed 300 laty [Panowie! Wino dzisiaj 33 gr. w gotówce! Co za drożyżna!]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916612">
                <text>Dr. Jarosz during the first stay in Alaska. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916613">
                <text> Islands with Polish names along the Alaska shores [Kościuszko Island, Wojewodzki Island (Woodsky), Zaremba Island (Zarembo)]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916614">
                <text> How much one paid in Kraków 300 years ago [Gentlemen! Wine today is 33 gr. in cash! What a rip off!]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918407">
                <text> Dowcip Mark Twain'a o polskich nazwiskach. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918408">
                <text> Mark Twain's joke about Polish last names. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918409">
                <text>The illustration is a historical Polish newspaper page from March 1930. It contains multiple drawings and text in Polish. The upper part shows a group of people in winter clothing standing on snowy ground, a map of Alaska with marked routes, and a caption about Polish explorers traveling there. The middle section highlights islands near Alaska with Polish names. The bottom part includes a drawing of two people sitting at a table with one behind bars, accompanied by a caption about Kraków in earlier times. To the right is a portrait labeled with information about Henryk Sienkiewicz and Polish surnames. Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                    <text>A vintage illustrated Polish newspaper page with portraits, scientific drawings, and a log structure with alphabet letters</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <elementText elementTextId="13559">
                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                  <text>LIB-ASL003</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60903">
                <text>Learning alphabet on wall</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60907">
                <text>bk03_pg0188</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Archacki, Henry, 1907-1998</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60909">
                <text>1934</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60924">
                <text>Mościcki, Ignacy, 1867-1946</text>
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              <elementText elementTextId="60925">
                <text> Konarski, Szymon, 1808-1839</text>
              </elementText>
              <elementText elementTextId="60926">
                <text> Conrad, Joseph, 1857-1924</text>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="60930">
                <text>Image</text>
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              <elementText elementTextId="1867129">
                <text> </text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866339">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866340">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866727">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866928">
                <text>image/jpeg</text>
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          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1867330">
                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867531">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1867732">
                <text>pol</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906191">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Prez. Ignacy Mościcki, twórcą 500 wynalazków. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916618">
                <text> Sławni w narodzie polskim: Szymon Konarski um. r. 1838. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916619">
                <text> Dom, który się stał tablicą szkolną. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916620">
                <text> Najcenniejszy skarb Joseph'a Conrad'a [Joseph Conrad (Korzeniowski). Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916621">
                <text> Ojciec Conrad'a. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916623">
                <text>Pres. Ignacy Mościcki, the creator of 500 inventions. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916624">
                <text> Famous in the Polish nation: Szymon Konarski died 1838. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916625">
                <text> A house that became a school blackboard. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916626">
                <text> Joseph Conrad's most precious treasure [Joseph Conrad (Korzeniowski). Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916627">
                <text> Conrad's father. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918410">
                <text> Matka Conrad'a]. Illustrations by Henry Archacki.</text>
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                <text> Conrad's mother]. Illustrations by Henry Archacki.</text>
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                <text>A vintage illustrated Polish publication page with the headline "Czy wiecie, ze–" at the top. The layout includes multiple hand-drawn portraits and scenes. At the center is a portrait of a person in a suit with laboratory equipment in the background. To the right are portraits of historical figures, including one labeled "Szymon Klokarski 1638." At the bottom left, there is an illustration of a wooden log structure with alphabet letters inscribed on it. Several smaller portraits of individuals are also placed throughout the page, along with accompanying text in Polish. Illustrations by Henry Archacki.</text>
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                <text>Obce rzeczy dobrze wiedzieć jest,-swoje, obowiązek! Illustrations by Henry Archacki.</text>
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                <text>It's good to know foreign facts,-own, a duty! Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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              <elementText elementTextId="1866341">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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            <elementTextContainer>
              <elementText elementTextId="1906192">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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                <text>Koń polski w historji. Illustrations by Henry Archacki.</text>
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                <text> Polka najstarszą osobą w Buffalo. Illustrations by Henry Archacki.</text>
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                <text> Niezwykłe odkrycie skarbu w starej wierzbie. Illustrations by Henry Archacki.</text>
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                <text>A Polish horse in history. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916637">
                <text> A Polish woman the oldest person in Buffalo. Illustrations by Henry Archacki.</text>
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                <text> An incredible discovery of a treasure in an old willow. Illustrations by Henry Archacki.</text>
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                <text> 40 lat temu Polka zdobyła rekordy świata w kolarstwie. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918414">
                <text> 40 years ago a Polish woman won world records in cycling. Illustrations by Henry Archacki.</text>
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                <text>The page is from a Polish publication titled "Czy Wiecie Ze" with a series of illustrations accompanied by captions. The top left shows a horse standing on grass with the caption "Kon polski w historji." To the right, there is a portrait of an older person in winter clothing with a caption noting them as the oldest person in Buffalo. Below the horse, an illustration depicts a person discovering treasure near a tree. At the bottom right, an individual rides a bicycle with the caption mentioning Poland winning the world championship in cycling 40 years earlier. The layout is in a four-panel style, with each section highlighting a different fact. Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                    <text>Illustrated 1935 newspaper page featuring Faustin Wirkus, a map of Haiti, and cultural references including a crown and a Copernicus book</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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          <element elementId="39">
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              <elementText elementTextId="60862">
                <text>1933</text>
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          <element elementId="49">
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                <text>Gonave Island (Haiti)</text>
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                <text> Haiti</text>
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                <text> Wirkus, Faustin, 1896-1945</text>
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                <text> Copernicus, Nicolaus, 1473-1543</text>
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              <elementText elementTextId="1866343">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
              <elementText elementTextId="1906193">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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                <text>[Wyspa La Gonave, Wyspa Haiti. Illustrations by Henry Archacki.</text>
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                <text> Faustyn Wirkus, sierżant marynarki wojennej i Król Faustyn II. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916643">
                <text> Korona Faustyna I] Faustyn Wirkus, Polak, królem Murzynów. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916644">
                <text> Polacy zmieniali ubiór swój trzy razy dziennie. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916646">
                <text>[La Gonave Island, The island of Haiti. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916647">
                <text> Faustyn Wirkus, a navy sergeant and King Faustyn II. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916648">
                <text> The crown of Faustyn I] Faustyn Wirkus, a Pole, the king of the Blacks. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916649">
                <text> Poles changed their clothes three times a day. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918416">
                <text> Kopia książki Kopernika sprzedana za $760. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918417">
                <text> A copy of Copernicus' book sold for $760. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918418">
                <text>The page is a black-and-white illustrated newspaper feature from April 1935 with the heading "Czy Wiecie Ze" (Did You Know That). The central illustration shows a portrait of Faustin Wirkus in uniform, identified with text below as a Polish-born U.S. Marine who became a ruler in Haiti. Surrounding images include a map of Haiti, a crown with the inscription "Królowa i Faustin," scenes of daily life, and depictions of historical or cultural references such as a book by Copernicus. Captions and blocks of text accompany the illustrations, offering facts and anecdotes. Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                    <text>A 1935 illustrated page with drawings of a person fighting an octopus, portraits with captions, and smaller illustrations including someone at a desk and bowling pins being knocked down</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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              <name>Creator</name>
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                  <text>Archacki, Henry, 1907-1998</text>
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              <elementTextContainer>
                <elementText elementTextId="13559">
                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13560">
                  <text>State University of New York at Buffalo. University Libraries. Polish Room</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="13562">
                  <text>1931-1934</text>
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              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13564">
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                <elementText elementTextId="13565">
                  <text>Image</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="13566">
                  <text>LIB-ASL003</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pole and octopus</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="60838">
                <text>bk03_pg0185</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60839">
                <text>Archacki, Henry, 1907-1998</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60840">
                <text>1933</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60849">
                <text>Sczaniecka, Emilia, 1804-1896</text>
              </elementText>
              <elementText elementTextId="60850">
                <text> Obuszkiewicz, Józef</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60854">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="1867132">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866345">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866346">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866730">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866931">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1867333">
                <text>Archacki Cartoons. LIB-ASL003</text>
              </elementText>
              <elementText elementTextId="1867534">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1867735">
                <text>pol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906194">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916652">
                <text>Polak zwyciężył w walce z ośmiornicą (polypem). Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916653">
                <text> Sławni w narodzie polskim: Emilia Sczaniecka. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916654">
                <text> Profesjonalistki w Polsce. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916656">
                <text>A Pole won the battle with a octopus (polyp). Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916657">
                <text> Famous in the Polish nation: Emilia Sczaniecka. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916658">
                <text> Professionals in Poland. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918419">
                <text> Józef Obuszkiewicz zdobywa rekord kręglowy. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918420">
                <text> Józef Obuszkiewicz wins the bowling record. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918421">
                <text>The page appears to be from a 1935 illustrated publication. It includes multiple drawings and short texts under the title “Czy Wiecie Ze(Do You Know That). The main illustration on the left shows a person fighting an octopus. To the right are portraits labeled with names, including Emilia Sczaniecka and Józef Gluszkiewicz. At the bottom are two smaller drawings: one of a person working at a desk, and another showing bowling pins being knocked down by a ball. The layout combines images with captions, presenting a variety of facts and anecdotes. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982223">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="4178" public="1" featured="0">
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        <authentication>9c604fb2640c6e9c981b768bf1673175</authentication>
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              <element elementId="41">
                <name>Description</name>
                <description>An account of the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="1862550">
                    <text>Polish illustrated newspaper page from 1935 featuring portraits of Polish leaders, a note on the first licensed female driver, and a sketch of athlete Frank Lamanski</text>
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                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
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    <collection collectionId="22">
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="13556">
                  <text>Archacki Cartoons</text>
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            <element elementId="41">
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                <elementText elementTextId="13557">
                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="13558">
                  <text>Archacki, Henry, 1907-1998</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="13559">
                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13560">
                  <text>State University of New York at Buffalo. University Libraries. Polish Room</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="13562">
                  <text>1931-1934</text>
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            <element elementId="44">
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              <description>A language of the resource</description>
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            <element elementId="51">
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              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="13565">
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            <element elementId="43">
              <name>Identifier</name>
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              <elementTextContainer>
                <elementText elementTextId="13566">
                  <text>LIB-ASL003</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60808">
                <text>Autographs of Polish chiefs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60812">
                <text>bk03_pg0184</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60813">
                <text>Archacki, Henry, 1907-1998</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60814">
                <text>1933</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60823">
                <text>Stefan Batory, King of Poland, 1533-1586</text>
              </elementText>
              <elementText elementTextId="60824">
                <text> Żółkiewski, Stanisław, 1547?-1620</text>
              </elementText>
              <elementText elementTextId="60825">
                <text> Koniecpolski, Stanisław, ca. 1592-1646</text>
              </elementText>
              <elementText elementTextId="60826">
                <text> Kościuszko, Tadeusz, 1746-1817</text>
              </elementText>
              <elementText elementTextId="60827">
                <text> Dąbrowski, Jan Henryk, 1755-1818</text>
              </elementText>
              <elementText elementTextId="60828">
                <text> Lamanske, Frank, 1906-1971</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60832">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="1867133">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866347">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866348">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866731">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866932">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1867334">
                <text>Archacki Cartoons. LIB-ASL003</text>
              </elementText>
              <elementText elementTextId="1867535">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1867736">
                <text>pol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906195">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916661">
                <text>[Stefan Batory, Stanisław Żółkiewski, Stanisław Koniecpolski, Tadeusz Kościuszko, Generał Dąbrowski] Autografy wodzów polskich. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916662">
                <text> Najstarsza kobieta w Polsce liczy lat 116. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916663">
                <text> Wielki sukces kina amerykańskiego o charakterach polskich. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916665">
                <text>[Stefan Batory, Stanisław Żółkiewski, Stanisław Koniecpolski, Tadeusz Kościuszko, General Dąbrowski] The autographs of Polish chiefs. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916666">
                <text> The oldest woman in Poland is 116 years old. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916667">
                <text> A big success of the American cinema about Polish characters. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918422">
                <text> Frank Lamański, nowa gwiazda w piłce metowej. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918423">
                <text> Frank Lamański, a new star in baseball. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918424">
                <text>The page is from a Polish illustrated publication dated March 29, 1935. It contains several sketches and short texts under the title "Czy Wiecie Ze" (“Did You Know That. The upper section shows portraits and names of historical Polish figures, including Stefan Batory, Tadeusz Kosciuszko, and others, along with their signatures. To the right, there is a sketch of a person near a house with text about the first woman in Poland to obtain a driver’s license. The lower section includes illustrations of a man and woman reading, and another drawing of an athlete in a cap and sports jersey labeled “BROOKLYN, with accompanying text mentioning Frank Lamanski, a baseball player. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Początek kolei w Polsce w r. 1844. Illustrations by Henry Archacki.</text>
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                <text> [Prawda. Illustrations by Henry Archacki.</text>
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                <text> Czy to jest Prawda?. Illustrations by Henry Archacki.</text>
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                <text> Tak to jest Prawda] Miasto w Kanadzie pod nazwą-Prawda. Illustrations by Henry Archacki.</text>
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                <text>The beginning of railroad in Poland in 1844. Illustrations by Henry Archacki.</text>
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                <text> [Truth. Illustrations by Henry Archacki.</text>
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                <text> Yes this is the Truth] A town in Canada named-Truth. Illustrations by Henry Archacki.</text>
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                <text> Janek Wąsicki, młody Polak szampionem nurkowania. Illustrations by Henry Archacki.</text>
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                <text> Janek Wąsicki, a young Pole the diving champion. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text> Płoński, Michał, 1778-1812</text>
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                <text> Stadnitski, Pieter</text>
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                <text> Taberski, Frank</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <elementTextContainer>
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                <text>3,000 Polaków na straży Kanału Panamskiego. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Michał Płoński "Rembrandt polski" ur. r. 1782-um. r. 1812. Illustrations by Henry Archacki.</text>
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                <text> Piotr Stadnicki, pionierem dobrobytu amerykańskiego. Illustrations by Henry Archacki.</text>
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                <text>3,000 Poles on guard at the Panama Canal. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: Michał Płoński "Polish Rembrandt" born 1782-died 1812. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916687">
                <text> Piotr Stadnicki, the pioneer of the American prosperity. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918428">
                <text> Taberski był szamjonem bilardowym 7 razy. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918429">
                <text> Taberski was the 7 time pool champion. Illustrations by Henry Archacki.</text>
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                <text>The image is a page from a Polish publication featuring a series of illustrated panels. At the top left, there is a drawing of a ship passing through a waterway surrounded by high cliffs. On the top right, there is a portrait of a bearded individual with accompanying text. Below, in the center, text highlights the presence of Polish workers at the Panama Canal. To the left, there is a depiction of a library or study with bookshelves and writing on a wall, and to the right, a portrait of another individual, shown from the shoulders up. The panels are bordered with captions and Polish text. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
              <elementText elementTextId="1906198">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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                <text>Leszek Biały przekładał przyjaźń nad koronę polską. Illustrations by Henry Archacki.</text>
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                <text> Co Józef Piasecki zjadł w godzinie. Illustrations by Henry Archacki.</text>
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                <text> [Mamo! Czy ja mogę zjeść kilka liter?] Alfabet przysmakiem dzieci polskich. Illustrations by Henry Archacki.</text>
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                <text>Leszek Biały preferred friendship to the Polish crown. Illustrations by Henry Archacki.</text>
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                <text> What Józef Piasecki ate in an hour. Illustrations by Henry Archacki.</text>
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                <text> [Mom! Can I eat a few letters?] Alphabet, a treat for Polish children. Illustrations by Henry Archacki.</text>
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                <text> Kazimierz Kucharski, szampion polskich biegaczy średniodystansowych w karykaturze. Illustrations by Henry Archacki.</text>
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                <text> Kazimierz Kucharski, the champion of the Polish middle-distance runners in caricature. Illustrations by Henry Archacki.</text>
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                <text>A vintage illustrated newspaper page with multiple drawings and short captions. The top left illustration shows people entering a building where food is being served. The top right illustration depicts a person at a table with food. The bottom left shows children interacting with letters of the alphabet. The bottom right has a portrait of a person with accompanying text. Additional decorative text and captions are included throughout the page. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Chopin and his forecast</text>
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          <element elementId="43">
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          <element elementId="39">
            <name>Creator</name>
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                <text>Archacki, Henry, 1907-1998</text>
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              <elementText elementTextId="60720">
                <text>1933</text>
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          <element elementId="49">
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                <text>Chopin, Frédéric, 1810-1849</text>
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              <elementText elementTextId="60730">
                <text> Castel Gandolfo (Italy)</text>
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              <elementText elementTextId="60731">
                <text> Klick, Frankie, 1907-1982</text>
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              <elementText elementTextId="1867137">
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            <elementTextContainer>
              <elementText elementTextId="1866355">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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              <elementText elementTextId="1866356">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866735">
                <text>State University of New York at Buffalo. University Libraries</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866936">
                <text>image/jpeg</text>
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          </element>
          <element elementId="105">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="1867338">
                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867539">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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            <elementTextContainer>
              <elementText elementTextId="1906199">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Chopin przeczuł swoją śmierć na obcej ziemi. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916700">
                <text> Ciekawe szczegóły z wystawy dwóch polskich artystów. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916701">
                <text> Freski polskie w kaplicy papieskiej. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916703">
                <text>Chopin foresaw his death on a foreign land. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916704">
                <text> Interesting details from the exhibit of two Polish artists. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916705">
                <text> Polish frescos in the papal chapel. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916707">
                <text>The page is from a Polish illustrated publication dated 15–20 February 1930. It features three illustrated sections with captions. The top illustration shows a group of people gathered around a central figure inside a decorated room with bookshelves, windows, and paintings. The middle illustration depicts an ornate chapel interior with an urn or reliquary displayed in a glass case. The bottom right illustration shows a boxer in fighting stance with a caption identifying him as Przemyslaw Salicki, a Polish featherweight boxing champion. The title at the top reads "Czy Wiecie Ze," which translates to "Did You Know That.". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918434">
                <text> Frankie Klick poważnym pretendentem do mistrzostwa lekkiej wagi. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918435">
                <text> Frankie Klick, a serious contender in the featherweight boxing championship. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982228">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
              <elementText elementTextId="1906200">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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                <text>[Monsieur Le Baron Bieda] Tadeusz Kościuszko był znany jako Monsieur Le Baron Bieda. Illustrations by Henry Archacki.</text>
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                <text> Njawyższe drzewo w Polsce. Illustrations by Henry Archacki.</text>
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                <text> [1834-1935] Bolesław Limanowski, najstarszy senator w historji polskiej. Illustrations by Henry Archacki.</text>
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                <text>[Monsieur Le Baron Poverty] Tadeusz Kościuszko was known as Monsieur Le Baron Poverty. Illustrations by Henry Archacki.</text>
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                <text> The tallest tree in Poland. Illustrations by Henry Archacki.</text>
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                <text> [1834-1935] Bolesław Limanowski, the oldest senator in the Polish history. Illustrations by Henry Archacki.</text>
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                <text> Clarence Kraszewski, młody szachista gra przeciw 100 oponentom jednocześnie. Illustrations by Henry Archacki.</text>
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                <text> Clarence Kraszewski, a young chess player plays against 100 opponents at the same time. Illustrations by Henry Archacki.</text>
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                <text>The page appears to be from a Polish illustrated publication dated 1935, containing a series of drawings with captions. The top illustration shows several people in formal attire conversing in a decorated interior, with a caption identifying one of them as “Le Baron Biede. To the right, there is a drawing of a very tall tree, labeled as the tallest tree in Poland. The lower left illustration depicts an elderly person with a long beard, accompanied by the years 1834 and 1935 and identified as Boleslaw Limanowski, a long-serving senator in Polish history. The bottom right shows a younger person seated at a desk with text about a student who won a mathematics competition. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Polish legions in Haiti</text>
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          <element elementId="43">
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          <element elementId="39">
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          <element elementId="40">
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                <text>1933</text>
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          <element elementId="49">
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                <text>Haiti</text>
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              <elementText elementTextId="60681">
                <text> Poland. Legiony Polskie</text>
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              <elementText elementTextId="60682">
                <text> Napoleon I, Emperor of the French, 1769-1821</text>
              </elementText>
              <elementText elementTextId="60683">
                <text> Copernicus, Nicolaus, 1473-1543</text>
              </elementText>
              <elementText elementTextId="60684">
                <text> Żeromski, Stefan, 1864-1925</text>
              </elementText>
              <elementText elementTextId="60685">
                <text> Bialas, Valentine, 1903-1965</text>
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              <elementText elementTextId="1867139">
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="1866359">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866360">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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              <elementText elementTextId="1866737">
                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
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          <element elementId="47">
            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="1906201">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Potomkowie legjonów polskich z czasów Napoleona na wyspie Haiti. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916718">
                <text> [Trygonometrja] Kopernik wynalazcą-trygonometrji. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916719">
                <text> O nazwie parku narodowego im. Stefana Żeromskiego. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916721">
                <text>The descendants of the Polish Legions from the time of Napoleon on the island of Haiti. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916722">
                <text> [Trigonometry] Copernicus the inventor of Trigonometry. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916723">
                <text> About the name of Stefan Żeromski National Park. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918439">
                <text> Walenty Białas, mistrz sportu łyżwiarskiego, stracił nogę. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918440">
                <text> Walenty Białas, the champion in skating, lost his leg. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918441">
                <text>The page is from a Polish illustrated publication dated February 20, 1935, under the title Czy Wiecie Ze ("Did You Know"). It features three separate illustrations accompanied by text. The top left shows a coastal landscape with palm trees, mountains, and a small figure walking along the shore, with an inset map of Haiti above it. The top right illustration depicts a historical figure at a desk, labeled with the word "Trygonometrja" (Trigonometry). The bottom right illustration shows a person in athletic clothing in a crouched stance, appearing ready for a sprint. Captions provide additional context for each illustration. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1982230">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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  <item itemId="4171" public="1" featured="0">
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                    <text>Illustrated Polish newspaper page with drawings of a battle scene, students at a school, a scientific diagram, and a portrait of Stanislaw Sieja</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867542">
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              <elementText elementTextId="1867743">
                <text>pol</text>
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          <element elementId="47">
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            <elementTextContainer>
              <elementText elementTextId="1906202">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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                <text>Potomek króla Jana III walczył pod Gettysburgiem. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916727">
                <text> Siedem par bliźniąt w jednej polskiej szkole. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916728">
                <text> Król Stanisław August naprowadził Francuzów do jedzenia zupy cebulowej. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916730">
                <text>King Jan III's descendant fought at Gettysburg. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916731">
                <text> Seven pairs of twins in one Polish school. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916732">
                <text> King Stanisław August led the French to eat onion soup. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918442">
                <text> [Stanisław Sieja] Polak, mistrzem Ameryki w fechtunku. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918443">
                <text> [Stanisław Sieja] A Pole, America's champion in fencing. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918444">
                <text>Uwaga-Specjalna gwiazdkowa pamiątka dla czytelników działu "Czy wiecie, że"- tylko nadeślijcie adres i markie 3 centową na przesyłkę do-Henryk Archacki-361 Fourth St., Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
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                <text>Attention-A special Christmas token for the readers of the "Do you know that" section-send only your address and a 3 cent stamp to-Henryk Archacki-361 Fourth St., Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918446">
                <text>A vintage illustrated newspaper page in Polish containing several black-and-white drawings and captions. The upper left section depicts a battle scene with soldiers, cannons, and fallen figures, referencing the Battle of Gettysburg. The upper right shows a group of students lined up outside a building, with a caption mentioning Polish schools. The lower left illustrates a detailed scientific or anatomical diagram involving human figures and labeled parts. The lower right features a portrait sketch of a person identified as Stanislaw Sieja, with accompanying text. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1982231">
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
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                <text>Polish opera singer</text>
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                <text>bk03_pg0175</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="60613">
                <text>Archacki, Henry, 1907-1998</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60614">
                <text>1933</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60631">
                <text>Sembrich, Marcella, 1858-1935</text>
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              <elementText elementTextId="60632">
                <text> London (England)</text>
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              <elementText elementTextId="60633">
                <text> New York (N.Y.)</text>
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            </elementTextContainer>
          </element>
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              <elementText elementTextId="1867141">
                <text> </text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866363">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866364">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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          <element elementId="45">
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            <elementTextContainer>
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                <text>State University of New York at Buffalo. University Libraries</text>
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              <elementText elementTextId="1867342">
                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867543">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          </element>
          <element elementId="44">
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            <description>A language of the resource</description>
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                <text>pol</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906203">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Marcella Sembrich Kochańska [15 lutego 1858, rozpoczyna studja w 4-tym roku życia. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916738">
                <text> daje pierwszy koncert mając lat 10. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916739">
                <text> otrzymuje wskazówki od Liszta. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916740">
                <text> występuje poraz pierwszy w Londynie i New Yorku w r. 1880-1883. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916741">
                <text> żegna scenę operową w roku 1909. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916743">
                <text> Dusolina Giannini, Alma Gluck, Quenna Mario, Ethyl Hayden, Karolina Urbanek: uczennice jej zdobywją sławę. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916745">
                <text>Marcella Sembrich Kochańska [15th of February 1858, begins studies at the age of 4. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916746">
                <text> gives the first concert at the age of 10. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916747">
                <text> gets advice from Liszt. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916748">
                <text> performs for the first time in London and New York in 1880-1883. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916749">
                <text> says goodbye to the opera stage in 1909. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916751">
                <text> Dusolina Giannini, Alma Gluck, Quenna Mario, Ethyl Hayden, Karolina Urbanek: her students make a name for themselves. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916753">
                <text>"A vintage illustrated newspaper page in Polish, titled ""Czy Wiecie Ze,"" dated January 19, 1935. The central figure is a portrait of Marcella Sembrich Kochanska. Surrounding the portrait are several smaller drawings arranged in panels, depicting various scenes such as people reading, walking, playing instruments, and engaging in daily activities. The page also contains text blocks, decorative elements, and captions associated with each illustration.&#13;
  ". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918447">
                <text> przwodnicząca Amer. Pol. Kom. Ratunk. w N.Y. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918448">
                <text> 11 stycznia 1935]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918449">
                <text> the president of the Am. Pol. Rescue Com. in N.Y. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918450">
                <text> 11th of January 1935]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1982232">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
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          </element>
        </elementContainer>
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  </item>
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              <element elementId="41">
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                  <elementText elementTextId="1862568">
                    <text>Illustrated newspaper page with drawings of a meteor shower over a city, a large tree in a street, sailing ships, and a portrait of a person</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>100,000 meteorów padło na polskie miasto w ciągu kilku minut. Illustrations by Henry Archacki.</text>
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                <text> Stary dąb spogląda na młode miasto. Illustrations by Henry Archacki.</text>
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                <text> Okręt pod nazwą "Joseph Conrad" kroczy śladami Kolumbusa. Illustrations by Henry Archacki.</text>
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                <text> An old oak looks at a young city. Illustrations by Henry Archacki.</text>
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                <text> Henryk Pyłkowski, polski pięściarz zdobywa sławę przez zwycięstwo nad Jaroszem. Illustrations by Henry Archacki.</text>
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                <text> Henryk Pyłkowski, a Polish boxer makes a name for himself through the victory over Jarosz. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text> Kiepura, Jan, 1902-1966</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
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          <element elementId="41">
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                <text>Żołnierze polscy w mundurach rosyjskich. Illustrations by Henry Archacki.</text>
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                <text> Pochodzenie słów polskich: "wywłoka". Illustrations by Henry Archacki.</text>
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                <text> Jan Kiepura śpiewa operę na ulicy. Illustrations by Henry Archacki.</text>
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                <text>Polish soldiers in Russian uniforms. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916768">
                <text> The origin of Polish words: "wywłoka". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916769">
                <text> Jan Kiepura sings opera on the street. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918454">
                <text> Gra w "baseball" znana w Polsce przeszło 100 lat. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918455">
                <text> The game of baseball known in Poland for over 100 years. Illustrations by Henry Archacki.</text>
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                <text>The page is a black-and-white illustrated newspaper or magazine print titled "Czy Wiecie Ze" at the top. The layout contains multiple panels with captions. The top left panel shows soldiers in uniform with cannons, smoke, and a walled city in the background. The top right panel has two small sections: one labeled "POCHODZENIE SÅÓW POLSKICH" showing a person pointing to a building, and below it "WYWOÅKA" with a figure carrying a sack. The bottom left panel depicts a large group of people gathered and moving along a street with a banner. The bottom right panel shows several figures playing baseball on an open field. Text captions are placed under each panel, explaining the scenes. Illustrations by Henry Archacki.</text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Pool table and talking globe</text>
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>1933</text>
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          <element elementId="49">
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                <text>Ratusz Krakowski (Kraków, Poland)</text>
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                <text> Stoss, Veit, d. 1533</text>
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                <text> Paderewski, Ignace Jan, 1860-1941</text>
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              <elementText elementTextId="60553">
                <text> Nagurski, Bronko, 1908-1990</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867546">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          <element elementId="44">
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              <elementText elementTextId="1867747">
                <text>pol</text>
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          <element elementId="47">
            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="1906206">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916772">
                <text>[Stary zegar na wieży ratuszowej w Krakowie] W dawnej Polsce nowy rok przypadał w dzien 25 grudnia. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916773">
                <text> Sławni w narodzie polskim: Wit Stwosz ur. r. 1438, um. r 1533. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916774">
                <text> Mistrz Paderewski znakomitym graczem w bilard. Illustrations by Henry Archacki.</text>
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                <text>[The old clock on the city hall tower in Krakow] In the old Poland the new year happened to fall on the 25th of December. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: Wit Stwosz born in 1438, died in 1533. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916778">
                <text> Master Paderewski a superb pool player. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918457">
                <text> [Nieznam lepszego] "Bronko" Nagurski, Polak, najlepszym graczem w Football na świecie. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918458">
                <text> [I don't know better] "Bronko" Nagurski, a Pole, the best football player in the world. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918459">
                <text>The image is a page from a Polish illustrated publication dated Saturday, December 29, 1934. It features a series of drawings accompanied by short texts under the title "Czy Wiecie Ze" (Did You Know). The top left drawing shows St. Mary’s Basilica in Kraków with figures walking nearby. The top right drawing depicts a sculptor with tools, identified as Wit Stwosz (Veit Stoss), active in the 15th century. The bottom left drawing shows a person playing billiards at a table, labeled as a billiard master. The bottom right drawing illustrates a chess player at a board, described as a Polish chess champion. Illustrations by Henry Archacki.</text>
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                    <text>Illustrated 1934 Polish newspaper page with drawings of people, a bell, a swimmer, and captions</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13566">
                  <text>LIB-ASL003</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60509">
                <text>Royal bell</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60513">
                <text>bk03_pg0171</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60514">
                <text>Archacki, Henry, 1907-1998</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="60515">
                <text>1933</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Czepiec, Błażej, d. 1934</text>
              </elementText>
              <elementText elementTextId="60527">
                <text> Wyspiański, Stanisław, 1869-1907</text>
              </elementText>
              <elementText elementTextId="60528">
                <text> Dzwon Zygmunta (Bell)</text>
              </elementText>
              <elementText elementTextId="60529">
                <text> Fick, Peter Joseph, 1913-1980</text>
              </elementText>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60533">
                <text>Image</text>
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              <elementText elementTextId="1867145">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866371">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866372">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866743">
                <text>State University of New York at Buffalo. University Libraries</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866944">
                <text>image/jpeg</text>
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          <element elementId="105">
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            <elementTextContainer>
              <elementText elementTextId="1867346">
                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867547">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1867748">
                <text>pol</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906207">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916781">
                <text>[Błażej Czepiec, Stanisław Wyspiański] Zgon Błażeja Czepca, którego Wyspiański uwiecznił w "Weselu". Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916782">
                <text> Do poruszania Dzwonu Zygmunta potrzeba było 8 ludzi. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916783">
                <text> Peter Fick, Polak pobił rekord światowy w pływaniu. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916785">
                <text>[Błażej Czepiec, Stanisław Wyspiański] The death of Błażej Czepiec, who was immortalized in "Wedding". Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916786">
                <text> 8 people were needed to move Zygmunt's Bell. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916787">
                <text> Peter Fick, A Pole won a world record in swimming. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918460">
                <text> Życzymy czytelnikom wesołych świąt-Bożego Narodzenia i pomyślnego Nowego Roku. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918461">
                <text> We wish the readers Merry Christmas and a Happy New Year. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918462">
                <text>Ostatna uwaga-do zdobycia 3cio rocznej gwiazdkowej pamiątki dla czytelników działu "Czy wiecie, że"-nadeślijcie tylko adres i 3c markę na przesyłkę do-Henryk Archacki-361 Fourth St. Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918463">
                <text>Last attention-to get the 3rd annual Christmas token for the readers of the "Do you know that" section-send only the address and 3c package stamp to-Henryk Archacki-361 Fourth St. Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918464">
                <text>The image is a black-and-white illustrated newspaper page titled Czy Wiecie Ze from December 1934. It contains several drawings accompanied by text. In the top left is a figure in traditional attire, labeled as Blazej Czepiec. To the right is a village scene with people gathering in front of a building. Below this is a portrait of Stanislaw Wyspianski. On the top right is a large church bell labeled with text. Near the bottom center is a swimmer, Jerzy Kulej, with a note about breaking a world swimming record. In the lower right corner, there is a cartoon-style drawing of a person holding a sign. The page contains multiple captions and handwritten annotations. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982236">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
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                    <text>Vintage Polish newspaper page with illustrations of a naval battle, a portrait of Maurycy Beniowski, a painter on stage, and a cartoon face labeled Mickey Rooney</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Niezwykłe zwycięstwo Polaków na morzu. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Maurycy Hr. Beniowski. Illustrations by Henry Archacki.</text>
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                <text> Król Zygmunt III Waza był artysta-malarzem. Illustrations by Henry Archacki.</text>
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                <text>An incredible victory of Poles at sea. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: Maurycy Count Beniowski. Illustrations by Henry Archacki.</text>
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                <text> King Zygmunt III Waza was a painter. Illustrations by Henry Archacki.</text>
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                <text>The image is a page from a vintage Polish illustrated newspaper. It features several black-and-white drawings with short captions. In the upper left, there is a scene of ships in battle, with smoke and small boats in the water. To the upper right, there is a circular portrait of a person identified as Maurycy Beniowski. Below, in the center left, a drawing shows a person standing with a paintbrush on stage beside a large canvas. In the bottom right, there is a smiling cartoon face labeled as Mickey Rooney. The page includes Polish text throughout, with the header reading “Czy Wiecie Ze.â€. Illustrations by Henry Archacki.</text>
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                <text> Mickey Rodak, polski cyklista, który jeździ 6-dni i 6-nocy z rzędu. Illustrations by Henry Archacki.</text>
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                <text> Mickey Rodak, a Polish cyclist who rides 6 days and 6 nights in a row. Illustrations by Henry Archacki.</text>
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                <text>Uwaga-Śliczna gwiazdkowa pamiątka dla czytelników działu "Czy wiecie, że"- tylko nadeślijcie adres i markę 3c. Na przesyłkę do-Henryk Archacki-361 Fourth St. Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
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                <text>Attention-A beautiful Christmas token for the readers of the "Do you know that" section-send only your address and a 3c. Stamp to-Henryk Archacki-361 Fourth St., Brooklyn, N.Y. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>1933</text>
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                <text>Potocki, Jan, hrabia, 1761-1815</text>
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                <text> Brodzki, Wiktor</text>
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                <text> Kapustka, Stanley Bernard, 1906-</text>
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                <text> Kapustka, Bruce, 1908-</text>
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                <text> Kostka, Stan, 1913-1997</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>[Jan Hr. Potocki] Pierwsze początki balonów w Polsce [Wiktor Brodzki]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916804">
                <text> [Bruce Kapustka, Stan Lee Kapustka] Trzech braci zkomponowało piosenkę na cześć pres. Roosvelta. Illustrations by Henry Archacki.</text>
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                <text>[Jan Ct. Potocki] The first beginnings of hot air balloons in Poland [Wiktor Brodzki]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916807">
                <text> [Bruce Kapustka, Stan Lee Kapustka] Three brothers composed a song in the memory of Pres. Roosevelt. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918469">
                <text> Stanley Kostka, najświetniejszy gracz polski tego sezonu. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918470">
                <text> Stanley Kostka, the greatest Polish player of this season. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918471">
                <text>The page is from an old newspaper showing a collection of illustrated portraits and drawings with Polish text. At the top are illustrations of an early hot air balloon with people holding ropes, a large balloon structure, and portraits of individuals. Additional portraits appear below, including faces accompanied by musical notes and text, suggesting figures related to aviation and music. The layout is divided into panels with both illustrations and captions. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>Bolesław II, King of Poland, 1043-1081</text>
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                <text> Lincoln, Abraham, 1809-1865</text>
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                <text> Washington Monument (Washington, D.C.)</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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            <elementTextContainer>
              <elementText elementTextId="1906210">
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          <element elementId="41">
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                <text>Bolesław II. miał zapłacone za każdy krok jego konia. Illustrations by Henry Archacki.</text>
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                <text> Władysław Jagiełło był jeden z 13-stu synów. Illustrations by Henry Archacki.</text>
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                <text> Abraham Lincoln o Polakach. Illustrations by Henry Archacki.</text>
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                <text>Bolesław II. was paid for each of his horse's steps. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916815">
                <text> Władysław Jagiełło was one of 13 sons. Illustrations by Henry Archacki.</text>
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                <text> Abraham Lincoln about Poles. Illustrations by Henry Archacki.</text>
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                <text> Polak gra w 'golfa' na Obelisku Waszyngtona. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918473">
                <text> A Pole plays golf on the Washington Monument. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918474">
                <text>The page is from a Polish newspaper dated November 24, 1934, under the heading "Czy Wiecie Ze" (Did you know that). It features four illustrated panels with short captions. The top left illustration shows a group of riders on horses, with one rider being carried. The top right panel depicts a crowned figure in regal attire, identified as Wladyslaw Jagiello. The bottom left shows two standing figures near a statue of Abraham Lincoln. The bottom right depicts an oil derrick structure with a worker climbing it. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>bk03_pg0166</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60417">
                <text>Archacki, Henry, 1907-1998</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="60418">
                <text>1933</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60425">
                <text>Adams, John, 1735-1826</text>
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              <elementText elementTextId="60426">
                <text> Skiba, Jan</text>
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              <elementText elementTextId="60427">
                <text> Pulaski Skyway (N.J.)</text>
              </elementText>
              <elementText elementTextId="60428">
                <text> Fort Mifflin (Philadelphia, Pa.)</text>
              </elementText>
              <elementText elementTextId="60429">
                <text> Kościuszko, Tadeusz, 1746-1817</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="60433">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="1867149">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866379">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
              </elementText>
              <elementText elementTextId="1866380">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1866747">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1866948">
                <text>image/jpeg</text>
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          <element elementId="105">
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                <text>Archacki Cartoons. LIB-ASL003</text>
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                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906211">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1916819">
                <text>Prezydent St. Zjed. napisał historję Polski. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916820">
                <text> 'Fort Mifflin' zbudowany przez Kościuszkę. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916822">
                <text>The president of the United States wrote the history of Poland. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916823">
                <text> 'Fort Mifflin' built by Kościuszko. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916825">
                <text>A newspaper page from Dziennik dla Wszystkich dated Saturday, November 17, 1934. The page features multiple illustrated panels. In the upper left, a seated figure is depicted indoors with a clock, bookshelf, and window in the background. In the upper right, there is a fort-like structure on elevated ground with steep sides. In the lower left, a portrait of a person in a suit is shown above text, with an industrial scene in the background. In the lower center, a commemorative plaque with a portrait medallion and inscriptions is illustrated. Text in Polish accompanies each panel, including headings such as “Prezydent St. Zjed. Napisal Historie Polski,â€ “Jan Skiba,â€ and “Fort Mifflin.â€. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918475">
                <text> Jan Skiba, twórca tablicy pamiątkowej na wiadukcie im. gen. K. Pułaskiego. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918476">
                <text> Jan Skiba, the creator of the plaque on the Gen. K. Pułaski Bridge. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1982240">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>[Dień 11 listopada 1918] Originalny 13-ty punkt prez. Woodrow Wilson'a. Illustrations by Henry Archacki.</text>
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                <text> Trzy najpiękniejsze drzewa w Polsce. Illustrations by Henry Archacki.</text>
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                <text>[11th day of November 1918] Original 13th point of Pres. Woodrow Wilson. Illustrations by Henry Archacki.</text>
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                <text> Three most beautiful trees in Poland. Illustrations by Henry Archacki.</text>
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                <text> Pierwszy kongresman polski wybrany w r. 1849. Illustrations by Henry Archacki.</text>
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                <text> The first Polish congressman chosen in 1849. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Funk, Casimir, 1884-1967</text>
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                <text> Jankowski, Bob</text>
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              <elementText elementTextId="1866383">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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              <elementText elementTextId="1867352">
                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1867553">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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                <text>Pierwszy samolot w świecie zbudowany w Polsce w r. 1615. Illustrations by Henry Archacki.</text>
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                <text> "Witaminy" nazwane przez Polaka. Illustrations by Henry Archacki.</text>
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                <text> Gra w kubki znana w dawnej Polsce. Illustrations by Henry Archacki.</text>
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                <text>The first plane in the world built in Poland in 1615. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916838">
                <text> "Vitamins" named by a Pole. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916839">
                <text> The game of cups known in the old Poland. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918480">
                <text> Bob Jankowski mistrz Polski w fechtunku. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918481">
                <text> Bob Jankowski, Poland's champion in fencing. Illustrations by Henry Archacki.</text>
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                <text>The page is from a 1934 Polish newspaper section titled "Czy Wiecie Ze." It contains multiple black-and-white illustrations with captions. The largest drawing shows a flying machine with wings resembling a bird or bat, labeled as the first airplane built in Poland in 1615. Other smaller sketches include a battle scene, people standing in conversation in historical attire, a portrait labeled "Boz Jankowski," and a table with food and drink items. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>Vienna (Austria)</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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              <elementText elementTextId="1906214">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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            <description>An account of the resource</description>
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                <text>Zaćmienie słońca podczas odsieczy Wiednia. Illustrations by Henry Archacki.</text>
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                <text> Sławni w narodzie polskim: Marja Konopnicka ur. r. 1846 um. r. 1911. Illustrations by Henry Archacki.</text>
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                <text> [Jeszcze Polska nie zgineła, Józef Woźny] Polski kamień na dziedzińcu domu w Washingtonie. Illustrations by Henry Archacki.</text>
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                <text>Sun eclipse during the Siege of Vienna. Illustrations by Henry Archacki.</text>
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                <text> Famous in the Polish nation: Marja Konopnicka born 1846 died 1911. Illustrations by Henry Archacki.</text>
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                <text> [Poland isn't gone yet, Józef Woźny] A Polish rock in the yard of a house in Washington. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918483">
                <text> Stanisław Zbyszko wygrał 1093 walk z rzędu. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918484">
                <text> Stanisław Zbyszko won 1093 fights in a row. Illustrations by Henry Archacki.</text>
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                <text>A black-and-white illustrated newspaper page from 1931 with the heading "Czy Wiecie Ze" (Do You Know That). The page features multiple sketches, including a scene with soldiers and tents, a portrait of a person identified as "Pelagia Bignowicka," a drawing of a stone with text inscribed, and a depiction of two figures carrying a third figure on their shoulders. There is Polish text interspersed throughout the illustrations, including references to historical figures and events. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Fman on a camel</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Archacki, Henry, 1907-1998</text>
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                <text>1933</text>
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                <text>Hindenburg, Paul von, 1847-1934</text>
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              <elementText elementTextId="60338">
                <text> Augustus II, King of Poland, 1670-1733</text>
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                <text> Algiers (Algeria)</text>
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                <text> Dubliński, Harry, 1910-1977</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1866387">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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              <elementText elementTextId="1866388">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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          <element elementId="45">
            <name>Publisher</name>
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              <elementText elementTextId="1866751">
                <text>State University of New York at Buffalo. University Libraries</text>
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            <name>Format</name>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906215">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>[Paweł Von Hindenburg. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916852">
                <text> Księgarnia, Spółka Pedagogiczna, Księgarnia. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916853">
                <text> Tablica] Von Hindenburg urodził się w polskim domu, na polskiej ziemi. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916854">
                <text> Nazwy polskie w Algierze. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916855">
                <text> August II. zamienił pułk swego wojska za serwis porcelanowy. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916857">
                <text>[Paweł Von Hindenburg. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916858">
                <text> Bookstore, Pedagogics partnership, Bookstore. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916859">
                <text> Plaque] Von Hindenburg was born in a Polish house, on Polish soil. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916860">
                <text> Polish names in Algiers. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916861">
                <text> August II exchanged a regiment from his army for a china set. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918486">
                <text> Harry Dublinski staje w pierwszych szeregach pretendentów do mistrzostwa poł-sredniej wagi [Mistrz świata wstęp wzbroniony]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918487">
                <text> Harry Dublinski is a contender for the mid-weight championship [World champion, no entry]. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918488">
                <text>A Polish newspaper illustration from 1941 shows several drawings with captions. At the top left is a portrait of Paul von Hindenburg. To the right is a building with signs labeled "Apteka," "Izba Polskiego," and "Ksiegarnia." Below are additional scenes, including a person walking near palm trees, a man in a military uniform with others behind him, and a boxer-like figure posing with fists raised. Illustrations by Henry Archacki.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                  <text>Henryk Archacki, 1907-1988, a Polish immigrant, journalist and well-known graphic artist, drew weekly cartoons for Polish-language newspapers for over 20 years. With his wife, he researched current events, sports, literature, and historical curiosities, and presented them in these factoid cartoons, with a strong flavor of pride in being Polish. This syndicated series was entitled “Czy wiecie, że…” (“Do you know that…”).&#13;
&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Archacki, Henry, 1907-1998</text>
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                <text> Władysław I, King of Poland, ca. 1260-1333</text>
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>Armja szwedzka która zamarzła w rzece polskiej. Illustrations by Henry Archacki.</text>
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                <text> Władysław Łokietek był najmniejszem królem polskim. Illustrations by Henry Archacki.</text>
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                <text>The Swedish Army that froze in a Polish river. Illustrations by Henry Archacki.</text>
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                <text> Władysław Łokietek was the smallest Polish king. Illustrations by Henry Archacki.</text>
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                <text> Polka zdobywa tytuł "Miss America" [Helena Machaczek]. Illustrations by Henry Archacki.</text>
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                <text> A Polish woman wins the title of "Miss America" [Helena Machaczek]. Illustrations by Henry Archacki.</text>
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                <text>A Polish newspaper page from 1934 featuring illustrated historical and cultural trivia. The top illustration shows a chaotic battle scene with soldiers and horses falling into a frozen river. Below, smaller panels include depictions of historical figures in medieval attire, a contestant in a beauty pageant labeled “Miss America,and a portrait of an individual in a fur coat. Text in Polish accompanies each image, providing explanations. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>1933</text>
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                <text>Hynek, Franciszek, 1897-1958</text>
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                <text> Kościuszko, Tadeusz, 1746-1817</text>
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              <elementText elementTextId="60290">
                <text> Conrad, Joseph, 1857-1924</text>
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                <text> Mieszko I, Duke of Poland, ca. 922-992</text>
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            <elementTextContainer>
              <elementText elementTextId="1866391">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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          <element elementId="44">
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906217">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>[Kapt. F. Hynek] Balon "Kościuszko" poraz drugi zdobywa nagrodę 'Bennett'a'. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916872">
                <text> Joseph Conrad-Korzeniowski, pisał 19 lat bez korzyści. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916873">
                <text> Mieczysław I, pierwszy król Polski, urodził się niewidomym. Illustrations by Henry Archacki.</text>
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                <text>[Cpt. F. Hynek] Hot air balloon "Kościuszko" wins for the second time the 'Bennett' trophy. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916876">
                <text> Joseph Conrad-Korzeniowski, wrote for 19 years without financial success. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916877">
                <text> Mieczysław I, the first king of Poland, was born blind. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918492">
                <text> Szlachta polska przynosiła stołowiznę ze sobą na bankiety. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918493">
                <text> The Polish nobility brought their own utensils to parties. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918494">
                <text>The page is from a Polish newspaper dated Saturday, October 6, 1934, titled Czy Wiecie Ze (“Did You Know That). It contains multiple illustrated sections with captions. The top left shows a map of northern Europe with labeled locations and small drawings, accompanied by a circular portrait. To the right is a portrait sketch of an individual with a caption. Below, on the left, is a drawing of a balloon and another of a person standing by a stone archway. To the lower right are illustrations of people in historical attire. Each section is accompanied by short Polish text captions providing explanations or facts. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <text>[Kpt. Jerzy Bajan lat 35, znakomity lotnik akrobatyczny -zdobył pierwsze miejsce w tegorocznym "challenge"] Polskie samoloty zwyciężyły w międzynarodowych wyścigach [Pilot St. Płonczyński-przeleciał na polskich linjach 500,000 metrów bez wypadku-zdobył drugie miejsce dla Polski]. Illustrations by Henry Archacki.</text>
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                <text> Polacy jadali pieczoną słomę zwaną "gęs czarną". Illustrations by Henry Archacki.</text>
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                <text>[Cpt. Jerzy Bajan age 35, a superb acrobatic pilot-won the first place in this year's "challenge"] Polish planes won in the international races [Pilot St. Płonczyński-flew 500,000 meters on the Polish airlines without an accident-won second place for Poland]. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916884">
                <text> Poles ate baked hay called "black goose". Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918495">
                <text> Walerjan Łukasiński, męczennik polski który odsiedział 46 lat swego życia w więzieniu. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918496">
                <text> Walerjan Łukasiński, a Polish martyr who spent 46 years of his life in prison. Illustrations by Henry Archacki.</text>
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                <text>A Polish illustrated newspaper page from 1932 titled Czy Wiecie Ze features portraits, drawings, and short informational notes. At the top left is a portrait labeled "Kpt. Jerzy BajA¡n," next to an airplane flying over a map of Europe. On the right is another portrait labeled "Pilot St. Pronaszko." The center shows the caption "Polskie Samoloty Zwyciezyly w Miedzynarodowych Wyscigach" (Polish planes won in international competitions). The lower section includes two illustrations: one of a person preparing food near a stove, and another of a seated figure at a desk with papers, identified as "Walerjan  Åzukasinski." Additional handwritten notes and drawings accompany the main illustrations. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Woman knight with a spear</text>
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                <text> Yarosz, Teddy, 1910-1974</text>
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              <elementText elementTextId="1866395">
                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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              <elementText elementTextId="1866396">
                <text>State University of New York at Buffalo. University Libraries. Polish Room. </text>
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              <elementText elementTextId="1866755">
                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Archacki Cartoons. LIB-ASL003</text>
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          <element elementId="47">
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            <elementTextContainer>
              <elementText elementTextId="1906219">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Polka, która pokonała rycerzy w wielkim turnieju. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916888">
                <text> Znaczenie rudych włosów w starej polszczyźnie. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916889">
                <text> Jak powstały peruki w Polsce. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916891">
                <text>A Polish woman who defeated knights in a big tournament. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916892">
                <text> The meaning of red hair in old Polish. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916893">
                <text> How wigs came into being in Poland. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918498">
                <text> Teddy Jarosz, polski pięściarz zdobywa szampjonat średniej-wagi. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1918499">
                <text> Teddy Jarosz, a Polish boxer wins the mid-weight championship. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918500">
                <text>The page is from a Polish newspaper dated September 29, 1934. It contains a section titled Czy Wiecie Ze with several black-and-white illustrations and short texts. The top-left drawing shows a medieval-style scene with knights on horseback in front of a cathedral, while a crowd and a figure on a platform are visible in the background. To the right, there is a drawing of a person blowing into a horn. Below, another illustration depicts two robed figures walking, and next to it is a drawing of a face wearing a theatrical mask. The page is divided into multiple cartoon-like panels accompanied by short Polish captions. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1982248">
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <elementText elementTextId="13559">
                  <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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                <elementText elementTextId="13560">
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
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              <elementText elementTextId="60211">
                <text>1933</text>
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            <elementTextContainer>
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                <text> Globus Kopernika w Uniwersytecie w Pittsburghu. Illustrations by Henry Archacki.</text>
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                <text> Polak zbadał Alaskę. Illustrations by Henry Archacki.</text>
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                <text> Dr. Damazy J. Tilgner, szampjonem wioślarstwa polskiego przez 10 lat. Illustrations by Henry Archacki.</text>
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                <text> Dr. Damazy J. Tilgner, the Polish rowing champion for 10 years. Illustrations by Henry Archacki.</text>
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                <text>A black-and-white illustrated newspaper page with four drawings and accompanying Polish text. The upper left shows a sailing ship at sea. The upper right depicts a building faÃade with a statue and inscription referencing Copernicus. The lower left features a snowy landscape with mountains, trees, and figures exploring on sleds. The lower right contains a portrait of a person alongside text about their scientific work. Illustrations by Henry Archacki.</text>
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In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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                <text>Dziennik dia Wszystkich = Everybody's Daily</text>
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            <elementTextContainer>
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          <element elementId="41">
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              <elementText elementTextId="1916906">
                <text> Wynalazek Polaka używany przy wzlotach w startosferę. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916907">
                <text> Ubiór króla Jana III Sobieskiego oszacowano na $200,000. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916909">
                <text>A Pole, who broke the German military line. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916910">
                <text> An invention of a Pole used during the flights to the stratosphere. Illustrations by Henry Archacki.</text>
              </elementText>
              <elementText elementTextId="1916911">
                <text> Clothing of King Jan III Sobieski valued at $200,000. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918504">
                <text> Aniela Gorczyca zdobywa laury w golfa. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918505">
                <text> Aniela Gorczyca wins laurels in golf. Illustrations by Henry Archacki.</text>
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                <text>The image is a black-and-white illustrated page with the header “Czy Wiecie Ze.It contains multiple sketches arranged in sections. The top left drawing shows a battle scene with soldiers in trenches, barbed wire, explosions, and a figure running. To the right, there is an illustration of a parachute device. The bottom left sketch depicts a rider on horseback. The bottom right shows a portrait of a person with text nearby. The page includes Polish captions accompanying each drawing. Illustrations by Henry Archacki.</text>
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&#13;
In the mid-20th century, Polish Americans were simultaneously assimilating and realizing a new pride in their heritage, as Poland arose after World War I from over a century of partition. An unknown Buffalo subscriber clipped the cartoons in this collection from Buffalo’s Dziennik dla Wszystkich (Everybody’s Daily) from 1931 to 1952 and saved them in scrapbooks; the scrapbooks were recently acquired by Steven Piwowar and donated to UB’s Polish Collection. Mixing serious and light content, Archacki both enlightened and entertained his beloved Polonia.&#13;
&#13;
The first 200 cartoons of the total 1007 are presented here. All of the cartoons have been digitized, and we hope to obtain enough funds to complete the online collection soon. Visit Giving to UB for information on how to donate to the Polish Room Collection fund.&#13;
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          <element elementId="39">
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            <description>An entity responsible for making the resource available</description>
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                <text>State University of New York at Buffalo. University Libraries</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="1866959">
                <text>image/jpeg</text>
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          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="1867361">
                <text>Archacki Cartoons. LIB-ASL003</text>
              </elementText>
              <elementText elementTextId="1867562">
                <text>Archacki cartoon collection scrapbooks. MS-0180</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="1867763">
                <text>pol</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1906222">
                <text>&lt;a href=""&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1916914">
                <text>[B. Adamowicz, J. Adamowicz. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916915">
                <text> Ocean Atlantyk] Adamowicze, jedyni bracia, którzy przelecieli przez Atlantyk. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916916">
                <text> Sławni w narodzie polskim: Joachim Lelewel, ur. R 1786 um. R 1861. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916917">
                <text> Tablica złota, która ważyła 300 funtów. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916919">
                <text>[B. Adamowicz, J. Adamowicz. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916920">
                <text> The Atlantic Ocean] The Adamowiczes, the only brothers who flew over the Atlantic. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916921">
                <text> Famous in the Polish nation: Joachim Lelewel, born 1786 died 1861. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1916922">
                <text> The golden plaque that weighed 300 pounds. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918507">
                <text> Sportowcy polsko-amerykańscy w drodze do Polski. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918508">
                <text> Polish American athletes on the way to Poland. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1918509">
                <text>The page is a Polish illustrated newspaper feature combining portraits, drawings, and captions. At the top are portraits of B. Adamowicz and J. Adamowicz with a drawing of their transatlantic flight route shown on a map from New York to Warsaw. To the right is a detailed sketch of Joachim Lelewel with accompanying text. Below are three illustrations: a commemorative golden plaque with text, a stylized torch with radiant light, and a bird in flight. The page includes decorative headings and explanatory Polish captions. Illustrations by Henry Archacki.</text>
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              <elementText elementTextId="1982251">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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