602 100 60592 https://digital.lib.buffalo.edu/files/original/8c39df85a61dab6bfb78bf1bdb94c0df.jpg 86fe847c0d2c184a68ed67440291663b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Miscellaneous Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 01EX BMS001 Title A name given to the resource Popliteal aneurysm Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1936 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 17.5x18.2cm Description An account of the resource Falc. Lig. Liver Hepatic Duct Cystic Duct Duodenum Common Duct Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/17/2011 Date Modified Date on which the resource was changed. 8/17/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/53fafd971a58d8ccf1480e67a1d29d5a.jpg 73705dfea52366f7b3b4cc1ece9a6b14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ileostomy Various Abdominal Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 44VA BMS001 Title A name given to the resource Mobilizing descending colon Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Watercolor on Illustration Board 27.8x38.5cm Description An account of the resource Mobilizing descending colon peritoneum is incised along lateral paracolic gutter from pelvis to splenic flexure. Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 9/8/2011 Date Modified Date on which the resource was changed. 9/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/fd57d7c8bed3b0351109cf43c4b53cda.jpg 8dcfab0582dfe21f6fa4ed42ac56f52e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ileostomy Various Abdominal Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 41VA BMS001 Title A name given to the resource Incision - for permanent ileostomy Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Watercolor on Illustration Board 28x38.5cm Description An account of the resource Rib margin Ant. sup. spine 4cm Symph. Incision - for permanent ileostomy Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 9/8/2011 Date Modified Date on which the resource was changed. 9/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/eb6ae146b1846b05bc1a31c804f6c40e.jpg 21aa15873b7bdbe93cd6921f7bbcefb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Ileostomy Various Abdominal Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 40VA BMS001 Title A name given to the resource Incision: left paramedian Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Watercolor on Illustration Board 27.8x38.5cm Description An account of the resource Incision: left paramedian Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 9/8/2011 Date Modified Date on which the resource was changed. 9/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/f1dd6283f54245ea7b5a7f0d80555c61.jpg 2ce435bbaca9f20ba33b1adc4cf9a0e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 18HP BMS001 Title A name given to the resource Various communications Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 30.7x25.2cm Description An account of the resource Pul. Vv. & Atrium opened showing various communications Rt. Pul. Vv. Lt. :ul. Vv. Rt. Atrium Pul. Aa. Vena Cava Coronary A. Common Arterial Trunk Pul. A. Common Ventricle Viewed from in front and slightly from right side Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/a15fd4cafb1efcafdb374fbf0f796973.jpg 0722a464af2ee14197bd3d21d6c760e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 17HP BMS001 Title A name given to the resource Hypertrophy of left ventricle Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 24x17.7cm Description An account of the resource Coarctation Aorta 1 2 3 4 5 Pulmonary Trunk Hypertorphy of Left Ventricle Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/a46f606cbc5f7553e6dab97cff71c301.jpg e5ccd8c99cabccd04cfcf58e09f46e1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 16HP BMS001 Title A name given to the resource Common arterial trunk Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 26.6x21.5cm Description An account of the resource Anterior View Aorta Trachea Apex Sup. Vena Cava Direct Front View Posterior View Anomalous Pulmonary Aa. (enlarged bronchial Aa.) Common Arterial Trunk Lt. Vent. Rt. Vent. Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/382d993759d6b75cf90bb53bfaf44cb8.jpg e0e399cb00c645282a3b845da301bb3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 15HP BMS001 Title A name given to the resource Dilated left ventricle Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 18.5x18.7cm Description An account of the resource Dilated Left Ventricle Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/ef2a2cf567a9a98f33a73b73b8201749.jpg e1d66e54f712f6a545debce793a9c6f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 14HP BMS001 Title A name given to the resource Heart and lungs Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 27.8x24.1cm Description An account of the resource Heart a b c d e Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/5a7ae280a93436d5c51bff26c151f84e.jpg 8a2bc7763ba79ab3731a8225a8c3d704 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 13HP BMS001 Title A name given to the resource Heart pathology Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 11.7x18.1cm Description An account of the resource Trunk from "Left Ventricle" Trunk from "Right Ventricle" Rt. Pul. A. Lt. Pul. A. Sup. Vena Cava Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/5848f9d91c0ed32d341e88d002657a7d.jpg 42b7807e1084065845975df806267347 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 12HP BMS001 Title A name given to the resource Heart anatomy Creator An entity primarily responsible for making the resource Diedrick, Melford D. Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Pen and ink on scratchboard 16x13.3cm Description An account of the resource PVv CS LPA T Aorta Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 8/1/2011 Date Modified Date on which the resource was changed. 8/1/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/03855bdb4c3c8a595e6829e8704fcf49.jpg 015a0d85f36f9fe404bc3b1404f5e065 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 11HP BMS001 Title A name given to the resource Aneurysm and thrombi Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1935 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 29.1x22.8cm Description An account of the resource Pulmonary Artery Thoracic Aorta Scars in Myocardium Aneurysm of Left Ventricle (Rokitansky) Recent Thrombus in Portal Vein Mesenteric Vein Splenic Vein Splenic Artery Infarcts Diaphragm Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/4a4b59fc9e67a41f73bd9e345b3a433e.jpg 954074cdca4bcfd8d58d2875b7b33a30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 10HP BMS001 Title A name given to the resource Rigid fibrous calcific ring encircling the heart Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1943 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 28.3x16.5cm (top) 10.1x7cm (bottom) Description An account of the resource Rigid fibrous calcific ring encircling the heart Pul. Art. Anterior View Left Atrium Rt. Atrium Vena Cava Pericarditic Adhesions Inferior View Looking into the left atrium at the stenosed mitral valve. Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/6956bdc5d9e99044f26ea8c3eeaee0ce.jpg 7af0197001ca5aafe3184ddadf3c81c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 09HP BMS001 Title A name given to the resource Pulmonary Artery (cut) Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1940 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 21x28cm Description An account of the resource Pulmonary Artery (cut) Left Ventricle Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/d891ef64830b31e1efdee4f1e6927f9a.jpg 8fef95c65685d456b71aeb5346d93504 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 08HP BMS001 Title A name given to the resource Thrombus Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1943 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 14.8x28cm Description An account of the resource Renal Art. Occluding thrombus Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/e73010340d1154f0df61c780e3205abc.jpg 9ae326446cdb9ac85678c8b17833f472 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 07HP BMS001 Title A name given to the resource Thrombus Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1943 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 13.1x23.3cm Description An account of the resource Aorta V. Cava Sup. Foramen Ovale (open) Liver Thrombus Thrombembolus Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/e53c2f01062ea48125e16b91e2fe4921.jpg 04ee2187971b75f11c2106262432f70c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 06HP BMS001 Title A name given to the resource Transposition of great vessels Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1939 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 21.4x13cm Description An account of the resource Transposition of great vessels Vena Cava Sup. For. Ovale Cor. Sinus Vena Cava Inf. Ductus Arteriosus Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/ee34daf6b994f1a3110403d37980ff39.jpg 2169f86a7c70794679b43dd9634d2204 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 05HP BMS001 Title A name given to the resource Unkown Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1937 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 15.5x15.4cm Description An account of the resource Ant. View Rt. V. Opened V. Cava Rt. A. Opened Lt. V. Opened Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/c6ee28a785af3be0368ae0b1838d525f.jpg 870621c7500d2b52e4ede8d8ae53e719 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 04HP BMS001 Title A name given to the resource Myocardial degeneration Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1943 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 18.3x14.1cm Description An account of the resource Myocardial Degeneration Aorta arising from right ventricle Coronary Aa. Pulmonary A. arising from left ventricle Foramen Ovale markedly fenestrated Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/72178dd3e45b266b04bb1f5a0a21e817.jpg 7e56c58553b920aaacef8d301084c052 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 03HP BMS001 Title A name given to the resource Venticle x-section Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1938 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 17x12cm Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/8209e11efe13db62ec6b1f0bf64282ca.jpg 9c60e2f08934e94a89be184b6ab18c6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 02HP BMS001 Title A name given to the resource Chronic mitral vulvulitis Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1938 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 17.1x17cm Description An account of the resource Pulmonary A. Aorta Parietal Pericardium Adhesions Vena Cava Inferior Diaphragm Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/761f981233ad5a3577fa67cc2e6c8014.jpg d7fef4aaf0f6c9eb6476ab93494be564 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medical Illustrations Description An account of the resource Consisting of 90 items, the Medical Illustrations Collection showcases work created between 1935 and 1945 for the School of Medicine at the University at Buffalo by former medical illustrator Melford Diedrick. The media used include carbon dust on Ross board, pen and ink on scratch board, and watercolor on illustration board. Creator An entity primarily responsible for making the resource Diedrick, Melford D. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences, University at Buffalo Publisher An entity responsible for making the resource available University at Buffalo. University Libraries. Date A point or period of time associated with an event in the lifecycle of the resource 1930s Contributor An entity responsible for making contributions to the resource Diedrick, Melford D.; Nyquist, John Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context BMS001 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Heart Pathology Contributor An entity responsible for making contributions to the resource Nyquist, John Office of the VP for Health Sciences Diedrick, Melford D. Nyquist, John Publisher An entity responsible for making the resource available State University of New York at Buffalo Identifier An unambiguous reference to the resource within a given context 01HP BMS001 Title A name given to the resource Normal - Ricketic [heart] Creator An entity primarily responsible for making the resource Diedrick, Melford D. Date A point or period of time associated with an event in the lifecycle of the resource 1936 Type The nature or genre of the resource Medical illustrations Drawings Format The file format, physical medium, or dimensions of the resource Carbon dust on Ross board 12x8.5cm Description An account of the resource Normal Ricketic Aorta Pul. Artery Right Ventricle Rights Holder A person or organization owning or managing rights over the resource. University at Buffalo. University Archives. Source A related resource from which the described resource is derived John Nyquist, Office of the VP for Health Sciences Date Created Date of creation of the resource. 7/8/2011 Date Modified Date on which the resource was changed. 7/8/2011 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).  https://digital.lib.buffalo.edu/files/original/4990ae43769de5ca049ee30bdec18489.pdf 7d273452a4795bea06c22ae030cfc8b3 PDF Text Text ���������� https://digital.lib.buffalo.edu/files/original/fd6515d35880523d844705acda070423.pdf ccf7c82833e2cb240c18e7ba96024b8a PDF Text Text ����������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Document regarding ranking of the arrows in a local Arrow Festival Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This document was issued in general to the people of Kyrong (sKyid grong) and also specifically to the local district officer, the monk who leads the prayers in the local monastery (dBu mDzad), the housekeeper of the monastery, two local leaders and four persons in charge of the production of barley beer (Chang). A dispute arose during the Arrow Festival of the locality (known as sTob Le'i mDa' rGyag) concerning the ranking of the arrows. It was decided that the ranking of the arrow competition should be handled by two people who are physically present, the representative of people (lDing 'Thus) and the monk who leads the prayers in the monastery (the sKyid Grong bSam gTan Gling monastery?). As the last page of the document is missing, it is unclear who issued this document and there is no date. It is likely that this is a local decision and issued by a higher level district officer. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book10 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/f73f3a2585ba063f22d88f008429339d.pdf 57810f11d5fe36bfc517508ce3f219f6 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decision from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This decision is from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government). A petition was filed by the people of the Kyrong (sKyid grong) to the Kashag regarding the imposition of tax on the newly born Dzo (an animal which is a cross between an ox and a yak) and the heavy interest rate levied by the district officer and some individuals. The Kashag rescinded the tax on the Dzo and made the people free to engage in business of Dzo and butter. The district officer took no role in the above business. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book9 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/2580a82cb5855608b3b3a41043232d00.pdf 9d0104852f03615ee1eb66f8f39a68d3 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An order (bKa’ Shog) issued by the Regent (rTa Tshag) in 1869 (Earth-snake year) Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This is a copy of an order (bKa’ Shog) issued by the previous Regent (rTa Tshag) in 1869 (Earth-snake year). In this newly copied document, the wording has been made more concise and stamped with a new seal. This was issued to the officer in charge of temple renovations stationed at rDzong dGa’ and Kyrong (sKyid grong) districts, to traders and to people who give loans of barley grain, money and other commodities. It is an order to not charge high interest rates, to not make selling the officer’s goods compulsory, to not take advantage of transportation without proper passports, and to not create unnecessary trouble and hardship for the public with the intention of making money, etc. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource 1869 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book8 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/bb9b5f50f8123e5116312267678e68d1.pdf 6b09eec295175202e46ea061681a4b2f PDF Text Text ������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A decree giving the rules and regulations regarding the transportation, food compensation payments, and taxes to be collected for a new district officer Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource Issued by the 13th Dalai Lama, this is a decree giving the rules and regulations regarding the transportation, food compensation payments, and taxes to be collected for a new district officer. Written on the 21st day of the 11th month of the Earth Dragon year (1868?) it is called a (dPyad mTsham rTsa Tshig) decree. It is addressed to the district officer of rDzon dGa’, to government tax payers, private estates and monasteries of the same area, to the representatives of the nine localities of Kyrong (sKyid grong) and to the representative of the La Phug area of bKras Khang. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource approximately 1868 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book7 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/6a87426914db9a456c61a0194c1c308d.pdf 40d225e18401c3f889c0063287d9b597 PDF Text Text �������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A decree issued to the government taxpayers, private estates and monasteries in the (lHun rTse) district from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This decree was issued to the government taxpayers, private estates and monasteries in the (lHun rTse) district. It is from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) in the year 1872 (14th day of the 11th month of the Water Monkey year) and is called a (rTsha Tshig) decree . A dispute occurred over the tax payments in the area during the transportation of barley flour (Rtsam pa) for the army. The decree set out the rules for the transportation and the tax payment system. This manuscript is written in Kug (Khyug) script. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource 1872 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book6 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/0e81f544a1d8b60355bae4ffc3bc6550.pdf 32ab13eb112a6cf624b53497408dfb9b PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) to the King of Nepal Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This is a letter from the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) to the King of Nepal dated approximately 1857 in the Fire Snake year. The Cabinet agreed to the request of the King to send an investigation team to settle a dispute concerning grazing land between two areas near the border with Nepal, the (lCang Pa) area of Kyrong (sKyid grong) and the (mThong sMon area). The district officer of Kyrong (sKyid grong) was requested to assist to the settlement of the issue. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource approximately 1857 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book5 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/488bfd64ae71470ae5e85989ee7aa9df.pdf 81dbd03f88ed65eee7fca060ce1c1e34 PDF Text Text ����� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petition to and a reply from the Regent (Ji bran shan si yongs ‘dzin ho thog thu) and the council of ministers Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This document is a petition to and a reply from the then Regent (Ji bran shan si yongs ‘dzin ho thog thu) and the council of ministers. It was issued on the 20th day of the 5th month in the Water-Snake year (1870?). The petition was submitted by the Kyrong (sKyid grong) people with a support letter from the district officer. They pleaded for the relaxation of military compensation (tax) and government barley loan. The reply from the government is written on top of the petition letter which is known as Mgo chan – a note on top. After looking into the content of the letter, owing to the heavy devastation of farming land by insects in the previous year, plus a wool loan and interest to pay to Nepal, the government decided to relax the military compensation (tax) and the barley loan. This manuscript is written in Kug (Khyug) script. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource [1870?] Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book4 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/45cecf2db9487512c54a52e0dd8ce482.pdf c32f9e5fa6ab8c33fdfa70e9fe0c6f0c PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A petition submitted by the people of nine different localities in the Kyrong (sKyid grong) area to a member of the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) and to His Holiness the Dalai Lama. Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource A petition submitted by the people of nine different localities in the Kyrong (sKyid grong) area to a member of the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) and to His Holiness the Dalai Lama. The local people complained about the harsh treatment and heavy taxes of the district official appointed by the government. They requested the transfer of this officer and the appointment of a new officer. Although this document does not have a discernible date, the probable year of the document is during the reign of the 13th or 14th Dalai Lama. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book3 Date A point or period of time associated with an event in the lifecycle of the resource [approximately 1879-approximately 1995] Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/d25346b4fc516b43b18b3a0e403537cb.pdf 606d6858a722171aea5df6503dbf80fa PDF Text Text ������� https://digital.lib.buffalo.edu/files/original/9681d492fb90b24998e2c65a46bf4eb2.pdf 3181fe67ac29a2ee736a6b5039ad7bf2 PDF Text Text ������� https://digital.lib.buffalo.edu/files/original/c98e1ef02dd6b0865b9dbaae52b6c07f.pdf 131a226df64a6670154981a2d5835f87 PDF Text Text �������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interim Decree (Khra Ma) by the Kashag Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This document is an interim decree (Khra Ma) by the Kashag (Bka’ shag, the Cabinet of the Tibetan Government) in the year 1894 (the 4th day of the 4th month of the Wood-Horse year?). The dispute concerned a large contract to renovate temples in Nepal in the years 1887 and 1891 by two individuals, Tsering Dorjee and a monk official (rTse Drung Bstan ‘dzin chos ’phel). Evidently, the two contractors were attempting to travel to Nepal and needed lodging and transport for several workers and supplies. The local residents of the nine areas of Kyrong (sKyid grong) and also, the area of (Ye Shes lHun Grub), did not agree to their demands and sent this petition to the government objecting to the provision of aid. In this decree, the Cabinet stated that they needed more information and sent a three person investigation team comprised of the son of one of the judges of the Supreme Court (Tsha Rong), a regent of the dalai Lama (Yong ‘Dzin Ho Thog Thu) and another well-known person (bLa Phyag mKhen Chung Gyu Thog Pa). Signature stamps demonstrate consensus and agreement to the decision. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource 1894 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Type The nature or genre of the resource Manuscript Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book2 Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/acb9fac756dfad1b52f3cd7672e80789.pdf 0933c1c336b5999894af0a8dc1352404 PDF Text Text 1.1 �1. �1.3 ��• �• �• ���������• ����������• �����• ����------- ���• ���• ���� https://digital.lib.buffalo.edu/files/original/8c80065d987cc2120c5bd13bc05c0bbb.pdf 2e1bf9a87a4174e2c88f548089548d8e PDF Text Text �������������������������������������������������������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tibetan Legal Manuscripts Creator An entity primarily responsible for making the resource French, Rebecca Redwood. University at Buffalo. Law Library. Source A related resource from which the described resource is derived Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the University at Buffalo Law Library. Rights Information about rights held in and over the resource Available for use. Source material in the public domain. Identifier An unambiguous reference to the resource within a given context LIB-LAW004 Description An account of the resource Law professor Rebecca R. French wrote the seminal book, The Golden Yoke: The Legal Cosmology of Buddhist Tibet (Cornell University Press, 1995). While in Tibet researching Buddhist law, she collected several manuscripts which illustrate a variety of documentary functions and Tibetan scripts. In 2004 she donated these manuscripts to the Law Library. This is the digital representation of that collection. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data manuscript Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganden Podrang Code of Thirteen Sections (dGa’ lDan Pho Phrang) Subject The topic of the resource Law > China > Tibet Autonomous Region.; Customary law > China > Tibet Autonomous Region.; Ethnological jurisprudence.; Tibet Autonomous Region (China) > Social life and customs. Description An account of the resource This is a law code used by government officials when they traveled. Written during the reign of the Fifth Dalai Lama from 1617 to 1682 by one of his regents, this text is called the Ganden Podrang Code of Thirteen Sections (dGa’ lDan Pho Phrang). This law code was used until 1960 in Tibet. Publisher An entity responsible for making the resource available University at Buffalo. Law Library. Date A point or period of time associated with an event in the lifecycle of the resource 1617-1682 Relation A related resource The golden yoke : the legal cosmology of Buddhist Tibet / Rebecca Redwood French. Language A language of the resource Tibetan Identifier An unambiguous reference to the resource within a given context LIB-LAW004-Book1 Contributor An entity responsible for making contributions to the resource French, Rebecca Redwood. Type The nature or genre of the resource Manuscript Is Part Of A related resource in which the described resource is physically or logically included. LIB-LAW004 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0/">NO COPYRIGHT – UNITED STATES</a>. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. https://digital.lib.buffalo.edu/files/original/314dfd5455aa7b079ed9f8a393a43c28.jpg 8767ccf32d95bfcca3080aa6b3f51bc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Elderly man holding a small dog indoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource |Boredom with Nikos,| Harry Jacobus with dog, Berkeley Description An account of the resource Color, 4 x 6 in. A color scene of an elderly man sitting indoors while holding a small dog in his arms. The man wears a light-colored checkered shirt and looks slightly to the side. The dog, with light-colored fur, faces forward. The background includes a window and interior furnishings. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2004 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480f Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/15e14d8f930f0260c283f37270814c6c.jpg 013e07cff246458e3d170ea1fdb2d500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Older man with a beard wearing a dark polo shirt seated indoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus, San Miguel Description An account of the resource Color, 6 x 4 in. A color portrait of an older man seated indoors against a patterned background. He has a bald head with a short gray beard and mustache and is wearing a dark short-sleeved polo shirt. He faces the camera with a neutral expression. A chair and part of a wall or artwork are visible behind him. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1991 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480c Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/b9a0bb41669465aa62569684cdc202d1.jpg 715ea5d44fab7adaa365513ae4220495 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Older man with white beard in a patterned shirt seated in front of abstract artwork. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus, San Miguel Description An account of the resource Color, 6 x 4 in. A color portrait of an older man seated indoors in front of a large framed artwork. He has a bald head with white hair at the sides and a full white beard and mustache. He wears a long-sleeved patterned shirt with a floral design. The artwork behind him features abstract, multicolored lines and shapes. Part of a chair and additional furnishings are visible in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1991 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480b Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/77630eff7092853f1d60926bbd3bf85f.jpg 079f68afe0c531f690c9a6043ed2d981 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Older man with a white beard wearing a checkered shirt seated indoors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus, San Miguel Description An account of the resource Color, 6 x 4 in. A color portrait of an older man seated indoors with a neutral expression. He has a bald head with white hair on the sides and a white beard and mustache. He is wearing a light-colored checkered button-up shirt. In the background, a couch with cushions and a wooden lamp or carved post are visible. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1991 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480a Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/7bc65ab67abf47773c1babf67abcf33d.pdf 0267a66da150d9fb09b6df8c8f110e8d PDF Text Text Harry Jacobus, Untitled, CA. 1985, collage and oil crayon, 23" X 29" Mythos Fine Art & Artifacts Presents: "Looking Past Seeing Through" Painters Of The San Francisco And Berkeley Renaissance Curated by Christopher Wagstaff Featuring: Paul Alexander,David Young Allen, Ariel Diane di Prima, Robert Duncan, Lilly Fenichel, Madeline Gleason, Fran Herndon, Harry Jacobus, Jess, and Lawrence Jordan Upcoming Events: Sunday June 12,3:00-5:00 PM 'Poet Be Like God' Featured speakers: Kevin Killian, Lewis Eilingham, and Tara McDowell Friday June 17,7:00 PM Featured speakers: Richard O. Moore and Ariel Documentary Film on Robert Duncan by Richard Moore All events hosted by David Reid 1747 Solano Ave., Berkeley, CA 94707 www.mythosfineart.com 510.528.4291 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Looking Past Seeing Through: Painters of the San Francisco & Berkeley Renaissance, curated by Chrispher Wagstaff, at Mythos Fine Art & Artifacts Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011 May 6-June 19 Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F489e Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ad4572785cbcd8113ece03caeba7373b.pdf ee27364170780c16725cd1bfb8193bc8 PDF Text Text “New Work ‘88” August 12 through October 1 Price Amerson Robert Arneson Squeak Carnwath Roy DeForest Mike Henderson Harvey Himelfarb David Hollowell Mel Ramos William T. Wiley Sandra Shannonhouse Clayton Bailey David Gilhooly Dan Snyder Michael Tompkins Anthony Natsoulas Stephen Kaltenbach Lisa Reinertson Mark Abildgaard Don Asbill Matt Bult Brookes Byrd Frank Damiano Jerry DeCamp Scott Donahue Gerald Heffernon Cynthia Hipkiss Richard Knight Ralph Johnson George Longfish Manuel Neri Roland Petersen Lucy Puls Cornelia Schulz Wayne Thiebaud Richard Montgomery Barbara Millman Grace Munakata William Scholer Jean Sillman Hills Snyder Terry Turner Richard Whitten L.G. Williams Tom Witt Arthur Gonzalez Harry Jacobus Kay Knight Marcia Cary William Maul Alan Jones Mitchell Wofchuck Tom Manning Barbara Sullivan Karla Holland-Scholer A reception for the artists will be held August 12, 7-9 P.M. Natsoulas Novelozo 132 E Street Suite 2A Davis, CA. 95616 Ph. 916 756-3938 Gallery Gallery hours: T-F 11 AM.-5PM. TH,F Eves. Sat. 12-5PM. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Work 88 featuring Harry Jacobus, et al., at Natsoulas Novelozo Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1988 August 12-October 1 Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F489d Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f135cb714944d021bc01dd867a179759.pdf ae5cfc68963b2257294516d473eec48d PDF Text Text Harry Jacobus Selected Works: 1968-1983 Memorial Union Art Gallery University Of California, Davis September 30 Through November 4, 1983 �On The Surface, the beauty of Harry Jacobus’s work is striking: the range and mastery of color in itself, the elegance of delineations, the sense of edgy equilibrations. And, as we reflect upon the color, the linear movement in “arrest”, and the compositional field that he creates, our minds come into visionary Mind. Where all had been a vivid impression, and a haunting expression, we find a new threshold in looking: here a “world” is created, arising in transformational phases (where work and spirit are one), answering the creational World in which we live. Our looking is, as the painter’s speculations in working are, a rite of participation, a Way of In-Dwelling in the Beauty that informs the picture. His Art is to find here, as he does, a transcendental Reality. He addresses a Mystery in his work and follows through toward the picture, not as a product of craft but as an emergent state of revelation. In the deepest passages of his work I sense a trance, a rapture in the elements of the painting or drawing. Yet it is part of his work too to keep alive in its radiance a physical sensuality and the delights of a personal play of humors. The key is complete. Robert Duncan Harry Jacobus Was Part of the rare flowering of painting and poetry in the 1950’s which has been called the San Francisco renaissance. That period’s lively devotion to an art which was largely free of careerism and gallery affiliation is hard to imagine today. Like his friend, the visionary collagist Jess, whom he met in Clifford Still’s class at the California School of Fine Arts in 1950, Jacobus has long sought independence from trends in the arts. In 1953, he, Jess, and the poet Robert Duncan opened the King Ubu Gallery on Fillmore Street to show local experimental painting which no other gallery in San Francisco would then display. From 1955 to 1957, he traveled to Mallorca, and then on to Spain, France, and Greece, responding at this time to Art Nouveau architecture and glass. In 1957, he and Jess lettered movie posters for Pauline Kael’s Cinema/Guild in Berkeley, and in 1959, he moved to Stinson Beach where an active poetry scene was developing. From 1966 to 1972, Jacobus lived in an eight room house on the Greek island of Hydra, where the bright colorful dresses of the Greek women, the eighteenth century buildings outlined in white, and the warm brilliant light and bleached rock stimulated him to produce about fifty large oil pastel paintings: “My own color became so strident because the landscape seemed to demand it.”* Shortly after returning to Stinson Beach in 1972, he stopped painting for eight years, and when he resumed, the oil pastels were smaller and their lines softer and more delicate and subtle. This lyrical, sinuous line in Jacobus’s work, particularly in the recent paintings, showing the early influence of Art Nouveau and Post-Impressionism, combines with shapes reminiscent of Abstract Expressionism to attest to the artist’s origins and originality. In the paintings included in this exhibit are felt the presences of Redon, Bonnard, and Matisse, as well as of the Abstract Expressionist master, Arshile Gorky. Breaking with strongly masculine gestural strokes, Jacobus’s pictures illustrate a cooperation of diverse elements rather than a subordination of forms to one another or to the artist’s own statement. The lines are never completely still, but connect and lead to luminous color areas beyond themselves. A light not counterpoised with darkness is at play. New meanings emerge even after the pastels are finished, for no one form dominates the picture field, which the multiple shifting images invite a viewer to enter again and again. Meltemi, 1970, oil pastel on paper mounted on canvas Photo: Pam Maddock Christopher Wagstaff *From an interview, July 8,1983 �Harry Jacobus Born: Pana, Illinois, 1927 Studied: California School of Fine Arts (now San Francisco Art Institute), 1950-1951 Resides in Sausalito, California Selected exhibitions include the King Ubu Gallery, San Francisco (1954); “Annual”, San Francisco Museum of Art (1959, 1961); Borregaard’s Museum, San Fran cisco (1961); “Annual”, San Francisco Art Institute (1961); Peacock Gallery, San Francisco (1963); Gallery Paule Anglim, San Francisco, one-person exhibition (1982). Exhibition Checklist Dimensions indicate image sizes; height pre cedes width. All works included in the exhibition are oil pastel on paper mounted on canvas. 1. Meltemi, 1970, 55 x 80 Lent by the artist; courtesy Gallery Paule Anglim, San Francisco 2. Kranidian Frieze, 1969, 28 x 80 Lent by the artist; courtesy Gallery Paule Anglim, San Franciso Acknowledgements 3. Cous-Cous at Topkapi, 1968, 55 x 40 Lent by the artist; courtesy Gallery Paule Anglim, San Francisco 4. Hellenic Blemishes, 1971, 40 x 55 Lent by the University Art Museum, Uni versity of California, Berkeley 5. Fruhlingwelt, 1971-1981, 80 x 28 Lent Anonymously 6. Stalker, 1969, 40 x 55 Lent by Robert Duncan and Jess, San Francisco 7. Stillife, 1968, 40x28 Lent by Robert Duncan and Jess, San Francisco 8. Hermione Hop-Scotch, 1968, 40 x 55 Lent by Fran Herndon, San Francisco 9. Nursery—Rhyme, 1981,32 x 48 Lent by Grace Munakata, Davis 10. Unveilings, 1983, 40 x 57 Lent Anonymously 11. Summer Pranks, 1981,32 x 48 Lent by Christopher and Barbara Wagstaff, Davis 12. Gnawed Rhomboids, 1983, 32 x 48 Lent by the artist; courtesy Gallery Paule Anglim, San Francisco 13. Metathesis, 1983, 32 x 48 Lent by the artist; courtesy Gallery Paule Anglim, San Francisco 14. Florlateral, 1983, 32 x 48 Lent by the artist; courtesy Gallery Paule Anglim, San Francisco I am grateful to Christopher Wagstaff for his assistance and enthusiasm in the development of this exhibition and bro chure. Marilyn Grover, Dorothy Hinton and the gallery installation staff deserve thanks for their help on numerous details. The Clerical Staff of the Memorial Union and Campus Recreation for valuable cler ical assistance. Robert Maddock, Office of Publications at UC Davis offered guidance in the publication of this brochure. Special thanks are expressed to Harry Jacobus for his curatorial assistance and good nature throughout the organization of the exhi bition. Finally, this brochure would not have been possible without the interest and generous funding provided by Jane Garritson, Stephen Gottschalk, Jonathan and Jeanette Lewis, Grace Munakata, Ben and Margaret Rogers, Barbara Wagstaff, and James and Sally Wright. Roger Hankins, Director �Harry Jacobus Selected Works: 1968-1983 September 30 through November 4,1983 Memorial Union Art Gallery 2nd Floor Memorial Union Building, University of California, Davis (916) 752-2885 Preview reception: Tuesday, October 4, 5-8 PM Hours: Monday through Friday, 9-5, Sunday 2-5 Lobby exhibition/Artists Catalogues: Selected from the Memorial Union Art Gallery, and Richard L. Nelson Gallery Archives � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus: Selected Works 1968-1983, Memorial Union Art Gallery Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1983 September 30-November 4 Type The nature or genre of the resource Exhibition catalogs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F489c Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/afd44097af6afd20153e31dfdc6fc5f6.pdf 9a2fc6df54e5168d4b7b3aac02d87d87 PDF Text Text Harry Jacobus Bouzoukia 1968-71 Oil pastel on paper 39 x 56 in. Photo: Joe Schopplein -Harry Jacobus is for me a master as but few are of this deep seeing into the creative ground of color, light, linear rhythm and tonal [?voolies?] (radiant areas) in an art ever mysterious and thrilling in its evocation of a visual dancing music. The architectonic mind is there so that even as we are aware of the [illegible] magic we are quickend to sense the presence of a boundless reincention of the pictureRobert Dunean June '82 7 July- 31 July 1982 Reception for the artist Wednesday 7 July 5:30- 7:30 Gallery Paule Anglim 710 Montgomery St. San Francisco CA. 94111 (415) 433-2710 Tues.-Fri. 10:30-5:30 Sat. 12-4 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus at Gallery Paule Anglim Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1982 July 7-31 Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F489b Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/a25e5cf390ef6e1d7b1dc70dc0ef17c9.pdf 557f6798dd0236f4c941cd3b8c495650 PDF Text Text Monday, April 17 - thru May 13 a retrospective exhibition Preview Sunday • April 16 • 4-7 PM • informal Harry Jacobus Borregaard’s Museum 1713 Buchanan S.F. 1 to 7 PM, closed Sunday . JO 7-0530 evening programs, 8:30. Japantown, between Sutter & Post. Paintings of those represented by this Museum may be seen at The 80th Annual Painting Exhibition, San Francisco Museum Of Art, Civic Center: Jorge Fick, Ralph T. Field, Harry Jacobus, Keith Sanzenbach. A painting by Jess may be seen at The James D. Phelan Art Awards Exhibition, California Palace Of The Legion Of Honor, Lincoln Park. Work of these artists can be inspected at 1713 Buchanan S.F., and are purchasable. 32 canvases, a 10 year retrospective, of Ralph T. Field make the current hanging; until Friday, April 14. �April calendar for Poetry readings: Sonnabend monday april 10 8:30 PM, $.75 reading ‘Rituals, Dreams, Voices’ selections from his poetry & prose poems. ‘Born December 2 ’33, New York. Past 8 yrs lived in China, Spain & Italy. Working on poems, greatly in fluenced by the people & loves that float around me. Returning this year to Spain? Ron Loewinsohn friday april 21 8:30 PM, $.75 reading a new book of poems ‘Born 15 December, 1937, in the Philippines. First came to U.S. in 1945 & lived in Los Angeles & the Bronx be fore settling with parents in San Francisco. Graduated from high school there in 1955 & spent the following 2 years travelling around the country. Married in 1957; first son born January, 1958. Now employed as a lithographer & have settled permanently in the S.F. Bay Area? Publisht: Watermelons, (Totem Press); J; The New American Poetry, (Grove Press); Yugen; and others. Paul Blackburn friday, april 28 8:30 PM, $.75 reading selections from his work. ‘Born in St. Albans, Vermont, November 24, 1926. Attended NYU and the University of Wisconsin. BA from Wisconsin, June 1950. Fulbright scholar, University of Toulouse 1954-5. Lecteur americain, University of Toulouse; followed courses in Provencal at both Wisconsin and Toulouse. Lived in Spain various periods 1954-7. Poet, translator, editor? Publisht: Black Mountain Review; The Dissolving Fabric, Divers Press; Totem Press, Grove Press, Chicago Review, Evergreen Review. Anthology of Troubadors, Macmillan. The New American Poetry, Grove Press. & others, Borregaard’s Museum 1713 Buchanan S.F. 1 to 7 PM, closed Sunday . JO 7-0530 evening programs, 8:30. Japanto wn, between Sutter & Post. �paul alexander jorge tick ralph T. field nemi frost harry jacobus jess keith sanzenbach Out of the seven painters shown at this Museum four are currently to be seen at the San Francisco Museum of Art, Civic Center, as winners in the recent competition among hundreds of painters the country over. Out of seven painters shown at this Museum six have been prize and award winners at one time or another. Their paintings can be seen and bought here, the largest private gallery in San Francisco. They re present a fine investment, and a real adventure! This is a painter’s gallery —in a bright, cheerful, old house in Japanto wn. 1713 Buchanan Street. This Museum presents many evenings great yng poets. They arc, almost without exception, inter nationally publisht and respected. Audiences have participated in the controversial New Poetry movement, in the birth of plays, in lectures given by a prize winning poet and play wright. And enjoyed such divers performances as those of a fine Baroque concert quartet. This is an Art Center, invaluable to San Francisco. robert duncan gilbert sorrentino paul blackburn michael mcclure helen adam ron loewinsohn jack spicer james keilty ebbe borregaard richard brautigan sonnabend listing of poets according to geographical location, 1945-60; and year of birth. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three fliers: Harry Jacobus Retrospective, poetry readings by Sonnabend, Ron Loewinsohn, and Paul Blackburn, and Exhibitions by Paul Alexander, Harry Jacobus, Jess, et al., at Borregaard's Museum Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1961-04-01 Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F489a Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/afa2fa8d01bacf875ebad7f7ed0cb778.jpg efcb54f85b50a317b314617ef21c8bb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Exhibition poster listing artists and dates with a simple plant-like drawing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalog, Exhibition: Paul Alexander, Lyn Brockway, Ralph T. Field, Fran Herndon, Harry Jacobus, Jess, at Peacock Gallery Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1963 October 12-November 23 Type The nature or genre of the resource Exhibition catalogs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F486a Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A printed exhibition poster with a minimalist design on a light background. The top features the word “Exhibition” followed by a list of names including Paul Alexander, Lyn Brockway, Ralph T. Field, Fran Herndon, Harry Jacobus, and Jess. Below, text provides location details for Peacock Gallery at 1906 Union, San Francisco, and dates listed as October 12 to November 23, 1963. A simple line drawing resembling a plant or feather runs diagonally across the page with a small colored accent in green and red. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e420da6ff1822cee70703c0aa9ab1d47.jpg 7b2e31bb210d789708e5c746fa95138f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Interior room with patterned artworks on the walls and an open doorway leading to another space. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Pauline Kael's upstairs bedroom, walls painted by Jess] Description An account of the resource Black-and-white, 8 x 10 in. A black-and-white interior scene showing a room with walls covered in numerous small, patterned artworks arranged in a grid-like manner. An open doorway leads into another room where a large painting or mural is visible. A multi-panel door is partially open, and a second closed door stands to the right. A large ceiling light fixture hangs overhead, illuminating the space. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480j Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/a03ed69e84abc08e90ec7f713ded2f5a.jpg 0f81881462beb917d7ce16a30b6b206c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Upright piano with sheet music and lamps in a dimly lit room. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated piano by Jess Description An account of the resource Black-and-white, 8 x 10 in. A black-and-white interior scene centered on an upright piano in a dimly lit room. The piano has sheet music displayed on its stand, including a visible book labeled “BACH.” Decorative items, including framed artwork and a patterned panel, sit on top of the piano. Two lamps—one with a rounded shade and another with a mosaic-style shade—provide light. Wood-paneled walls, a framed picture, and a plant in the background complete the setting. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480i Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/e139d4afbcd8f8724e609c265110b0f8.jpg 3001574bcee6afd1954723f13ee0c633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Man presenting artwork to a seated audience in a gallery space. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christopher Wagstaff displaying Harry Jacobus's work to an audience Description An account of the resource Color, 4 x 6 in. A color scene of a group of people seated indoors facing a man who is standing at the front of the room. The man gestures toward a large board displaying an artwork while addressing the audience. The attendees sit on chairs arranged in rows. The room has white walls with several framed artworks hanging, and a brick section is visible near the front. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2007 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480h Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/6f781752ddc0ede3b46037e2a010077b.jpg c1969adaf3b45af572674a6ac2c98093 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Man replacing a large abstract artwork on an easel with another abstract artwork while a person watches. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christopher Wagstaff displaying Harry Jacobus's work to an audience Description An account of the resource Color, 4 x 6 in. A color scene of a man standing indoors and replacing a piece of artwork that rests on an easel with another artwork he carries in his hand. The artwork consists of dense, abstract lines and shapes in multiple colors. Framed artworks hang on the wall behind him, and a seated person is visible in the foreground facing the activity. A table with materials is positioned to the left. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2007 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480g Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/e1438df16381e182acdd58fcce4f6cce.jpg 12f5178499786d7f0438be12b1b81159 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Framed abstract artwork with colorful lines and shapes hanging on a wall. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus's painting |Meltemi| in Karin McPhail's house Description An account of the resource Color, 5 x 7 in. A color scene showing a framed abstract artwork hanging on a wall. The artwork contains a mix of lines, shapes, and colors including blue, red, yellow, and green, arranged in a dense, layered composition. The piece is set within a white mat and frame. Part of a doorway is visible to the left, and a stack of books or papers appears at the lower right edge. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2004 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480e Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/9a434f43c7344fbeb49cf02635495efc.jpg cc0631c93055b0c4fb7b32e86cc76c05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Large room with a bed, table, artwork, and an American flag on the wall. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus's studio, Brooks, CA Description An account of the resource Color, 4 x 6 in. A color interior scene of a spacious room with high ceilings and large windows letting in natural light. The room contains a bed on the right side, a table with a framed artwork or drawing on the left, and additional furniture including a chair and lamp. An American flag hangs on the wall to the left. The space appears open and minimally furnished, with a visible floor and structural beams. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1995 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F480d Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/b686b2e39c4eab562b235f8639b4ccd9.jpg 64bfe54ade1b45a88b13ed0f9159b851 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black-and-white portrait of a bald man wearing a coat and tie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus, Hydra, Greece Description An account of the resource Black-and-white, 2 1/2 x 2 in. A black-and-white portrait of a man facing forward against a plain background. He has a bald head and a neutral expression. He is dressed in a collared shirt with a tie, layered under a sweater and a light-colored coat. The framing is close, focusing on his head and upper torso. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1967 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F479c Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/ecd1fbf08a00f776909b08c1217752af.jpg cdff9ec94c2dfbf2a5cdd505a62c29ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Man seated in a room surrounded by furniture and artwork. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus at Peacock Gallery Description An account of the resource Black-and-white, 10 x 8 in. A black-and-white interior scene showing a man seated on a chair in a room filled with furniture and artwork. He faces the camera with a relaxed posture. Around him are cabinets, a decorative vase on a small table, and multiple framed artworks on the walls. The room appears densely arranged with objects and furnishings. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1963 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F479b Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/c18a7f29be79824dedf494ca24cd728a.jpg b53512f4f181e7e8226dd81ab62ec7ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people in a dim room, one seated at a table with papers under a hanging lamp. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus and Pauline Kael Description An account of the resource Black-and-white, 8 x 10 in. A black-and-white interior scene showing two people in a dimly lit room. One person sits at a table covered with papers and objects, leaning forward, while another stands or sits nearby with a hand raised near their face. A large hanging lamp with a patterned shade illuminates the table area. The room contains shelves, framed items, and various objects in the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1960 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F479a Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/e10e927d28752bed3ea4b737c3041835.jpg 1b09871ffe2f6a08ab264f01f9224e4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black-and-white portrait of a man with a receding hairline wearing a collared shirt. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Description An account of the resource Black-and-white, 10 x 8 in. A black-and-white portrait of a man shown from the shoulders up against a plain background. He has a high forehead with closely cropped or receding hair and looks slightly toward the camera with a neutral expression. He wears a collared shirt with a subtle pattern. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1959 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478f Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/56bf359cb61e98cf2a8ab3b17deaab44.jpg 95c947616d6dfb9c851da5a90fad0075 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two people smiling, one holding flowers and wearing a hat. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joan Hamer and Harry Jacobus, Ibiza Description An account of the resource Black-and-white, 4 1/4 x 3 in. A black-and-white scene of people seated closely together indoors, both smiling. The person on the left leans back slightly, while the person on the right wears a hat and holds a bouquet of flowers. Their hands are near each other, suggesting they may be holding hands. The background is dark and indistinct. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1956 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478e Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/4101bf3f7229034f85e177126b176a12.jpg bfccbe65ee607e34a8a354b8e6d41b92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Three adults standing together on a balcony with a railing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joan Hamer, Harry Jacobus and Cuban [girl], Ibiza Description An account of the resource Black-and-white, 2 3/4 x 3 1/2 in. A black-and-white scene of three adults standing together on a balcony or walkway with a railing. They face the camera and appear relaxed, with one person in the center and two others on either side. The individuals wear mid-length coats or dresses. The background shows part of a building exterior with a doorway and wall. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1955 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478d Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/91815f7d6e375297ccb446c07e3bd9fa.jpg ed610b723677852f9a474cd46291c10d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorative doorway or window with plant design and patterned panels above. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ghost House Description An account of the resource Black-and-white, 4 1/2 x 3 1/2 in. A black-and-white architectural detail showing a doorway or window with decorative elements. The lower section features a panel with a plant or branch design, while the upper section includes a series of small square panels arranged in a grid. Above the opening is an arched decorative frame with ornamental patterns. The surrounding wall appears dark, emphasizing the lighter decorative features. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1951 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478c Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/84228c7a232115ce9be3e32eb1324a71.jpg 3001c9ec0703c477a5b716864a60b865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group of adults and children posing outdoors near a small wooden structure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus with American soldiers and Japanese women, Yamagata, Japan Description An account of the resource Black-and-white, 3 x 4 1/4 in. A black-and-white group portrait of several people gathered outdoors in front of a small wooden structure. Some individuals are seated on a bench while others stand behind them. The individuals seated on the bench are in soldiers' uniforms, while those behind them are in traditional Japanese garb. The group includes adults and children, all facing the camera. Trees and foliage are visible in the background, and the small structure has a pitched roof. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1946 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478b Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/48c596b219f273efb2510d1272c58b5e.jpg 3dd2d8e24f95d42a48cc3d9bd87d1006 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Group of American soldiers and Asian women standing in a loose line. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus with American soldiers and Japanese women, Yamagata, Japan Description An account of the resource Black-and-white, 3 x 4 1/4 in. A black-and-white outdoor scene showing a group of people standing and crouching together on a raised surface. The group includes men in American military uniforms and Asian women in a loose line, all facing the camera. They are surrounded by tall trees, with a wooded area filling the background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1945 Type The nature or genre of the resource Photographs Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB11F478a Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/page/InC-RUU/1.0/">IN COPYRIGHT - RIGHTS-HOLDER(S) UNLOCATABLE OR UNIDENTIFIABLE.</a> This Item is protected by copyright and/or related rights. However, for this Item, either (a) no rights-holder(s) have been identified or (b) one or more rights-holder(s) have been identified but none have been located. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. https://digital.lib.buffalo.edu/files/original/cbd86a83e55d8e620dc311766a563076.jpg 1f91dcfda41847d999cc9db754304911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black-and-white drawing with cartoon figures and scattered handwritten text including “UBU,” “KINGU,” "The Vanguard of Uncivilization," and "KingBu 3119 Fillmore San Francisco." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flier for King Ubu Gallery, text |The vanguard of uncivilization| Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F425 Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white drawing featuring stylized, cartoon-like figures and handwritten text. The composition includes abstract shapes and outlined characters, including a simplified face and torso on the right and a loosely sketched figure on the left. Text appears in different sizes and orientations across the page, with larger words near the center and smaller handwritten phrases around them. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f0e4e79b385ab13ac9868f0d82e15297.jpg 42135142cb93cabf14bceea406a2d879 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black-and-white drawing with abstract figures and text including “UBU” and “KINGUBU 3119 Fillmore San Francisco.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flier for King Ubu Gallery, featuring illustrations by Robert Duncan Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Rights Information about rights held in and over the resource Image © Robert Duncan. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F424 Description An account of the resource A black-and-white drawing composed of two adjacent panels featuring stylized, cartoon-like figures and text. On the right side, a simplified human-like figure with exaggerated facial features and spiky hair is shown with decorative shapes on its torso, alongside the letters “UBU” arranged vertically. On the left side, abstract shapes and a creature-like form appear beneath a cracked egg shape with a small sun above it. Additional text appears upside down in the center area, including “KINGUBU” and a San Francisco address. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/15d32b49676ad247d6f38a2b1bebc283.jpg 39b8400a151e5eb84c5abf77bfda96d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract black-and-white sketch with overlapping figures and handwritten text including “KINGUBU,” "Hours: Sat-Sun 2-5, 8-10 PM, Mon-Wed 8-10 PM," "Preview October 2nd, 8 PM." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition flier, |Landscapes| at King Ubu Gallery, preview October 2 [1953] Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource [1953] Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F420 Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white sketch filled with dense, overlapping lines and handwritten text. The drawing includes abstract figures and shapes layered across the page, with multiple words written in different sizes and directions. The central area features large, bold text, while smaller notes and phrases are scattered throughout the composition. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/38af86f68bb5b8eeedcf505305548d2d.jpg 4e64803760763e5ac89a0d5d4fade083 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Line drawing of a person resting their head near a small TV with handwritten event text. "A show of portraits by various artists September 12-30 at KinguBu 3119 Fillmore, preview party Friday Sept. 11 at 8 PM," and "Hours Sat-Sun 2 to 5, 8 to 10, Mon-Wed 8-10." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition flier, |A Show of Portraits by Various Artists| at King Ubu Gallery, September 12-30 [1953], featuring illustration by Jess Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource [1953] Rights Information about rights held in and over the resource Image © Jess. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F419 Description An account of the resource A black-and-white line drawing featuring a stylized figure seated with their head resting on one hand. The figure appears beside a small television set placed on a surface. Handwritten text fills the right side of the page, including event details and dates, with additional small notes and scribbles scattered around the composition. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/04b372544bec84b928440dc0e4a8496a.jpg 9dd73a549530dbb4fcca23005dde3be2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Hand-drawn poster listing artists Lynne Brown, Harry Jacobs, and Jess Collins. "Objects D'Arte of Lynne Brown Harry Jacobs Jess Collins opening May 29- June 17." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition flier, |Objects d'Arte of Lynne Brown, Harry Jacobs, Jess Collins|, May 29-June 17 [1953] Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource [1953] Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F415 Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource A black-and-white poster with large, hand-drawn text filling most of the page. The top line reads “Objects D’Arte Of,” followed by larger names arranged across the center: “Lynne Brown,” “Harry Jacobs,” and “Jess Collins.” The lettering is bold and outlined, with a shaded background behind parts of the text. Smaller text appears along the bottom indicating an opening date. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8cf8f30b9c1fcdae06003a83823e1d50.pdf d933bc7046b04462a6614c2b6ecda069 PDF Text Text UBU Dec 52 Jan 53 TIMETABLE WEEKS SNOWDEN LargeScale Drawings : MOORE ROEBER MAHL JACOBS PARK COLLINS SMI'l1 H BROWN BISCHOFF Sculpture Jan : MIRIAM HOFFMAN PHILIP ROEBER Feb Feb ED'NIN DURHA1~ 'A:ar ••• Apr closed for installation of lighting CLAIRE Y.AHL ~l!ay ~t!e.y EDWARD CORBETT MEL ~lEITSMAN May LYNN BR CJNN June HARRY JACOBS JESS C OLLI~S June July JULIUS WASSERS'l'EIN HASSEL S1~IT.ti ADELIE LANDIS JAMES KELLY ROY DE FOREST RELF CASE ' July LESLIE SHERN_AN SEYMOUR LOCKS SONIA GECHTOFF LILLY FENICHEL ~~DELEINE RICF~RD Aug DAVID PARK Aug Sept EL1vrER BISCHOFF Sent Portraits Oct Lands canes •• Oct Nov DEBORAH RErliNGTON JJRGE GOYA Nov Dec Dec DA \TID 1!00RE •• DIYOND BRODNEY � https://digital.lib.buffalo.edu/files/original/14f4f608b265b8f07c8702f6d046196e.pdf e0f22d82a4b00f86eae58175c2843a4f PDF Text Text UBU Dec Jan 52 53 Timetable LargeScale Drawings Sculpture : Jan Feb Philip Roeber Feb Mar Edwin Durham ... Weeks Snowden Smith Roeber Park Moore Marl Jacobs Collins Brown Bischoff Miriam Hoffman closed for installation of lighting Apr May Claire Mahl May Edward Corbett Mel Weitsman May June Lynn Brown Harry Jacobs Jess Collins June July Julius Wasserstein Hassel Smith Adelie Landis July Leslie Sherman Seymour Locks Sonia Gechtoff Aug David Park Aug Sept Elmer Bischoff Sent Portraits: Oct : Landscapes: Oct Nov Deborah Remington Jorge Goya Nov Dec Hassell Smith Dec David Moore James Kelly Roy De Forest Relf Case Lilly Fenichel Madeleine Dimond Richard Brodney � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource |Ubu Timetable,| Exhibition schedule, 1952 December-1953 December Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1952-1953 Type The nature or genre of the resource Exhibition posters Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB10F405 Rights Information about rights held in and over the resource Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5ab5afeaf74fb7751a04eb3022046e0f.jpg c2283c50bf5e8c95c6f330c4b35921ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract painting with light blue and white brushstrokes and subtle red accents on a white background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Manipulated Crayons| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2002 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB2F58 Description An account of the resource An abstract painting centered on a white background, showing a rectangular composition filled with layered brushstrokes. The painting uses predominantly light blue and white tones, with touches of red and green. The brushstrokes form overlapping geometric and irregular shapes. A faint handwritten signature appears below the painting on the white margin. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f56a0172a98132f5b70ec75434df8c3a.jpg 9a35a3dfe3e1534184bf422fabb431c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork of two overlapping face profiles in pastel colors facing opposite directions. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Description An account of the resource |Faust Foutou| A stylized artwork featuring two overlapping human profiles facing opposite directions. The faces are outlined with simple lines, and the interior is filled with a soft gradient of pastel colors, including purple, pink, and blue. The background is light and minimal, with faint shading around the figures. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F394 https://digital.lib.buffalo.edu/files/original/57b687626840727d44da1e167d40cd9d.jpg e5568f7c6964dd6274839eee7dce7a01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Colorful artwork of a blue and green typewriter with surrounding text and numbers. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F389 Description An account of the resource A colorful graphic artwork featuring a stylized typewriter in the center. The typewriter is rendered in bold blue and green tones, with surrounding text and numbers arranged around it in orange. The background is light, and a sequence of numbers appears along the bottom edge. A faint signature is visible near the lower right corner. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/955f9a29d0fe6938c08076695d0dbe3d.jpg 1c4b3d0f7b1b0563615f1cbe36c42669 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork of a Satyr-like figure facing a green creature on a muted background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F388 Description An account of the resource A stylized artwork showing two figures against a muted background. On the left, a Satyr-like figure with a crown stands with a bare torso and red-colored lower body. On the right, a green-toned creature with an elongated form faces the figure. The composition is minimal, with textured color fields and simplified outlines. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/fa76adfc6c6b3143e7631cc1b297c80f.jpg 786f19627087961482d5f5c9850a02fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract artwork with bright red background and overlapping yellow and orange shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F387 Description An account of the resource A colorful abstract artwork featuring loosely defined shapes and figures against a bright red background. The composition includes overlapping forms in yellow, orange, and blue tones, with sketch-like outlines suggesting objects or figures. The background contains repeated vertical and curved marks, creating a layered, textured effect. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f33c9d083d930f484ef85b353495eb73.jpg 12a0ab943ecc8f0173751b9143469171 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork with a faint golden human figure above a blue shape containing red forms. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F378 Description An account of the resource A stylized artwork composed of two main sections on a light background. The upper portion shows a loosely drawn human figure outlined in pale tones with scattered yellow marks around it. The lower portion features a blue, textured shape containing several small red forms. The composition uses soft colors and visible brushstrokes with a simple, open layout. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/7fc62bb97e7d7e41aaba9b0fb1515726.jpg cd92aaadd6c27a54b8ed3bb9aa3d3078 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork with a red abstract pizza slice and a blue-green rat-like figure on a light background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F367 Description An account of the resource A stylized artwork featuring two distinct forms on a light background. On the left, a red, loosely outlined pizza slice contains swirling patterns and abstract details. On the right, a simplified figure stands upright, rendered in blue and green tones with a patterned upper section and a white head shape. A faint signature appears near the lower edge. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/e630576b06d045eafad6737210b1fd00.jpg 5858bfedc1531c1b29bae62e5227d029 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork of an Anubis-like figure hold a sword and shield while a large red drum rests next to him. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F359 Description An account of the resource A stylized artwork showing a simplified Anubis figure with a sword and shield and a large drum against a muted background. The figure stands on the left. The drum is rendered in bright red and orange tones, while the figure is outlined in lighter colors with minimal detail. Small marks around the drum suggest motion or sound. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/c71c4d27ac31fb94569f53a67a8ef930.jpg d2f38133de523b20d7b8d36a33243dbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Artwork with two blue-toned figures beside a red grid-like pattern. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB8F358 Description An account of the resource A stylized artwork featuring two simplified human/alien-like figures standing side by side on the left and a rectangular patterned form on the right. The figures are rendered in light blue and white tones with minimal detail and elongated proportions. The right side contains a red and pink grid-like structure with vertical and horizontal lines. The background is divided into muted color areas. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/be9142ff63b5dafab9a9a186a0945bd8.jpg c7a98343ef9d1397a726837e03efa661 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Illustration of a marble statue surrounded by several tigers in an architectural setting. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F342 Description An account of the resource A detailed illustration showing a marble statue with multiple tigers in a confined architectural setting. The central figure reclines or leans backward while several tigers surround them on platforms and steps. Additional figures are visible in the background near a structure with arches. The scene includes patterned flooring, railings, and a building with curved and straight architectural elements. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b1d4869c26996ac0f115f419646398a2.jpg 6511516fbab29c31d0612f7511425283 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Surreal painting with two figures and a floating abstract structure above a landscape. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F322 Description An account of the resource A surreal-style painting featuring two human-like figures in the foreground and an abstract, organic form above them. One figure appears pale and statue-like, while the other is more detailed and wears a headband and patterned clothing. Above them, a large, irregular structure with openings hovers in the sky. The background includes a landscape with water and distant landforms. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/fbfe68c524f25740df4123dd6c42ea6b.jpg c90a721ee80b223c1fa7f9f9bb961e6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Surreal artwork with a saw blade in a heart below and a person leaning from a window above holding fabric. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F318 Description An account of the resource A surreal-style artwork combining multiple scenes in a single composition. In the lower portion, a dark, saw blade is scene stuck inside of a overly large heart. Above, a person leans out of a window holding or interacting with hanging fabric or drapery. The background features reddish architectural structures and layered elements, creating a collage-like effect. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/273d9e88b29b4f08c6dca9f735864a2a.jpg a10715f784c27c560b9e43b823157a77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Painting of a winged figure facing a standing skeleton on a small patch of land. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F311 Description An account of the resource A painted scene showing two contrasting figures standing with their backs to a blue wall. On the left, a winged human figure with outstretched arms is depicted in a naturalistic style. On the right, a human skeleton stands upright, facing the winged figure. The background includes a blue wall with broken holes depicting a desolate outdoors. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/f04642c81d640f0bbf3be105cab17292.jpg 480445c5498a3877d2237ab4a09a42f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Black-and-white photo of a person cleaning the floor with circular ornate-button head. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F302 Description An account of the resource A black-and-white photograph of a person bending forward while holding a long-handled tool against the floor. The person is dressed in a skirt, stockings, and shoes, and appears to be engaged in a cleaning activity. The head area has been replaced with a circular pin, addition featuring a patterned design. The setting appears to be indoors, with part of a doorway and floor visible. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/7f17a3542c5caa8111c280f505a4d187.jpg b97212c1860f81d9405a3e6231e6acf3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open book with a face sketch on one page and a portrait photograph on the other, surrounded by art supplies. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |NYU Collage| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB7F301 Description An account of the resource A composition showing an open book placed among art materials. The left page contains a detailed sketch of a face with textured lines, while the right page displays a formal portrait photograph of a man in a suit. Surrounding the book are objects such as paint tubes and brushes, suggesting an artist’s workspace. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3ec68baa8575346b162509d768fab80e.jpg a1d9112c3fc614e4708f2e03978db284 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed-media artwork with a blue lightbulb figure over a black-and-white image of a young women acting sensually and a disapproving older woman. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F300 Description An account of the resource A mixed-media artwork combining a black-and-white photograph with a colorful illustrated element. In the background, a seated figure appears in a grayscale scene. In the foreground, a large blue lightbulb-like form with elongated legs is superimposed over a women leaning backwards in a sensual position, as an old woman looks disapproving, rendered in black and white. The composition contrasts the monochrome background with the vivid central figure. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/0d6f54489a0d7fe01440ddd34f54be87.jpg 1a5fc97e5431f6105948c1631cd57c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Card with an elephant image and the name “Jacobus” in large text. "Notes and Memos for strings Jacobus Westsac Chamber Players." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Description An account of the resource |Notes and Memos for Strings| A printed exhibition or promotional card featuring a photograph of an elephant standing outdoors. The image is tinted in blue and yellow tones. Overlaid text appears centered across the image, including the name “Jacobus” in large letters, with smaller text above and below providing additional details. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F298 https://digital.lib.buffalo.edu/files/original/4de9de8e111a1210358e1006e4be728e.jpg 040f381f734790415e5e75bce10ae8d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Poster with the word “Metamorphosis,” a man climbing through a large O, and a grid-patterned background. "Metamorphosis Robin Blaser." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Description An account of the resource |Robin Blaser, Metamorphosis| A graphic poster featuring a grid of repeated small images forming the background. Over this pattern, large stylized text at the top reads “Metamorphosis.” In the foreground, a human figure is placed diagonally across the composition, climbing into a circular shape. Additional text appears at the bottom in a decorative font. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F297 https://digital.lib.buffalo.edu/files/original/7e59bd62ba68088660fd15667c746c9b.jpg 62f16340c25b235f98e0a8573009464f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Book cover reading “Pauline Kael For Keeps” with a stylized figure and film reel motif. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Description An account of the resource |Pauline Kael, For Keeps| A book cover design featuring a central stylized figure beneath a film reel motif. The background is composed of flowing, layered color bands in shades of blue, pink, and purple, framed by a decorative border. At the top, large text reads “Pauline Kael For Keeps,” with smaller text at the bottom indicating publication details. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F295 https://digital.lib.buffalo.edu/files/original/607b91fde19ab4683513f1346028669c.jpg 0eab12fe9525f6cd1fc63aae8796d51d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Colorful graphic with a stylized car and text reading “Lust Laundry Soap,” "Prostrate & Grumble," and “Get the Devil out of Your Wash.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Description An account of the resource |Lust Laundry Soap| A colorful graphic design featuring a stylized image of a car-like shape, and singular breast combined with abstract shapes and patterns. The background includes swirling lines and gradients in blue, yellow, and purple tones. Overlaid text reads “Get the Devil out of Your Wash” and “Lust Laundry Soap,” with smaller text appearing below. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F293 https://digital.lib.buffalo.edu/files/original/ab528aa75f808d01f0089f9163c76fe8.jpg 03ac5e1ba3bf02731522edd1f65918b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract pattern of blue and teal shapes with dark outlines and small oval forms. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F277 Description An account of the resource An abstract artwork composed of irregular, interlocking shapes filled with shades of blue and teal. The shapes are outlined with darker lines and contain smaller oval and circular forms within them. The background is a lighter bluish tone, creating contrast with the layered, organic pattern. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/5210a8e6878385ae60538aeb84028ca9.jpg b8a0daf5f1f4155f15f4dd1e4fa9d0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Symmetrical abstract artwork with Elephant-like figures and the text “King Ubu.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Description An account of the resource |King Ubu Gallery| A stylized graphic artwork featuring symmetrical, abstract figures and shapes arranged around a central vertical form. The composition includes patterned areas in green, blue, and gray tones, with two mirrored elephant-like figures on either side. A central column-like shape contains a gradient of color. Text at the bottom reads “King Ubu” The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F269 https://digital.lib.buffalo.edu/files/original/03b6aa4b8fdaebc685d2fc85053c543d.jpg cc87f33ebe32a31323a96b15eca17205 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract artwork with tall boots, a dollar with a portrait above, and geometric patterned background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Oil Crayons, Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB6F260 Description An account of the resource An abstract artwork combining illustrated and photographic elements. In the center, a pair of tall boots is prominently displayed. Above them, a rectangular dollar-like section contains a portrait of a person rendered in a different style. The background includes geometric line patterns and areas of muted color, including orange and light blue. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b973095e52d291536cf604f86585ae3b.jpg d32f8cf24f6f38e86bc7b6aae83e8460 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Small sparsely furnished room with a bed, table, scattered books, and a window. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Description An account of the resource |Hydra 1967| A black-and-white interior scene showing a small room with simple furnishings. A narrow bed or cot is positioned along one wall, with a chair nearby. A small table holds various items, including dishes or containers. Books and objects are scattered on the floor, and a window at the back lets in light. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB5F251 https://digital.lib.buffalo.edu/files/original/fc91607447e2baf1721a4440fc6c1a5b.jpg 19aae40b08cf1255978e389dea19e2f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract painting with layered blue tones and textured brushstrokes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB5F241 Description An account of the resource An abstract painting featuring layered textures and blended colors across the surface. The composition is dominated by shades of blue, with areas of white, black, and hints of red. The paint appears applied in overlapping strokes and patches, creating a dense, irregular arrangement of forms without clear outlines. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8459659bd057bedb542e690b68f4f7d2.jpg ea0b4f2af07926fcc04f6c37fa0d6985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract multicolored drawing with layered sketch-like lines and shapes on a white background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB5F221 Description An account of the resource An abstract drawing centered on a white background, featuring a vertical rectangular composition filled with layered lines and shapes. The drawing uses multiple colors, including red, blue, green, and yellow, applied in sketch-like strokes. The forms overlap and intersect, creating a dense arrangement of geometric and irregular shapes. A faint mark or signature appears near the lower right edge of the composition. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/8bb52a5b885b7423d1d2322737541642.jpg 55fd654e9787b30089a890e4c17e9343 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract vertical drawing with multicolored sketch-like lines and layered shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB5F220 Description An account of the resource An abstract drawing centered on a white background, consisting of a tall rectangular composition filled with layered, sketch-like marks. The drawing uses a variety of colors, including red, yellow, blue, and green. The marks form overlapping lines and irregular shapes, creating a dense and textured surface. The composition is vertically oriented with a humanoid-like green figure in the lower center. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/ff2bf712779bfb33fc3d5c6d91425070.jpg a147b9a26c6c0b534abad91a7f80e0f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract vertical drawing with bright multicolored lines and overlapping shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB4F213 Description An account of the resource An abstract drawing centered on a white background, featuring a vertical rectangular composition filled with layered lines and shapes. The drawing uses bright colors including blue, yellow, green, and pink. The marks form overlapping geometric and irregular shapes, with areas of denser color and lighter sketch-like lines throughout the composition. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/9356702e90090327183c8accbfd142b3.jpg 854a541a0def7e88e6e7589f229732f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract vertical drawing with soft multicolored lines and layered shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu.</a> Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB4F205 Description An account of the resource An abstract drawing centered on a white background, showing a vertical rectangular composition filled with layered, sketch-like lines and shapes. The drawing uses soft and bright colors including green, yellow, blue, and red. The marks overlap to form irregular, loosely structured shapes, with areas of lighter and denser color distributed throughout. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/3e2e6ad30c4cad50fb91f4553c56109c.jpg 2efb793f2f865b49f61f66ccca193f73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract two-panel drawing with multicolored lines and shapes, darker on the left and lighter on the right. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB4F181 Description An account of the resource An abstract drawing centered on a white background, composed of two side-by-side panels forming a horizontal rectangle. The surface is filled with layered, sketch-like lines and shapes in multiple colors, including blue, pink, yellow, green, and black. The left panel features darker, more concentrated linework, while the right panel contains lighter, more diffuse color areas with geometric and irregular forms. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/08d5c88363d72a689b5b1891d119d633.jpg 826f824936e1c204337e19c30fdfaa72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract vertical drawing with multicolored lines and a darker central cluster of shapes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB4F180 Description An account of the resource An abstract drawing centered on a white background, featuring a vertical rectangular composition filled with layered, sketch-like lines and marks. The drawing includes a variety of colors such as blue, red, black, yellow, and green. The marks overlap to form irregular shapes, with a darker vertical cluster of forms near the center-right area. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d39fcd76e20e34c8801c4066754c3aa2.jpg d374b64b8309c3c54d46856a837c42e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract drawing with dense multicolored marks and a faint geometric shape in the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Misc. Prints| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB4F175 Description An account of the resource An abstract drawing centered on a white background, featuring a vertical rectangular composition filled with dense, multicolored marks. The surface includes layered lines and small shapes in colors such as yellow, blue, red, and green. A simple, lightly outlined geometric form resembling intersecting triangular shapes in the patter of a star appears near the center, standing out against the more textured background. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/7229d6599de9216249fa91016b0e156c.jpg f532055a0bd9076ffe5f4d0f55794737 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract blue-toned painting with layered rectangular shapes and small patches of color. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Nostalgia, misc.| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-2004 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB3F164 Description An account of the resource An abstract painting centered on a white background, featuring a vertical rectangular composition dominated by blue tones. The surface is built from layered rectangular and irregular shapes in varying shades of blue, with smaller areas of contrasting colors such as pink, green, and tan. The brushstrokes and blocks of color create a patchwork-like arrangement. A faint signature appears below the painting on the white margin. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/b97cd108ad9d433de13455b00ebf361e.jpg bd01d407a984e834a3c559639cf65f95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract blue digital print with flowing shapes and a pink band at the bottom. "Harry Jacobus digital prints." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Nostalgia, misc.| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-2004 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB3F162 Description An account of the resource An abstract digital print centered on a white background, featuring a rectangular composition filled with flowing, organic shapes in shades of blue. The forms overlap and curve across the surface, with small dotted and patterned accents in lighter tones. A pink band runs along the bottom edge with small printed text. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/92e03d7fc0d046dde1b6fee528697874.jpg 307438576697570aab7ef09426d445b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract painting with pastel colors and layered shapes on a white background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Nostalgia, misc.| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-2004 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB3F159 Description An account of the resource An abstract painting centered on a white background, featuring a vertical rectangular composition filled with soft, layered colors. The surface includes a mix of pastel tones such as pink, blue, yellow, and green, applied in loose, overlapping strokes and shapes. Various small forms and marks are scattered throughout, creating a dense and varied arrangement. A faint signature appears below the painting on the white margin. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/cdefde4d269bf26efb749e7cfcf7cbb0.jpg 974ddde8c287dc74014fa77ea255d6e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract pink-toned painting with layered multicolored shapes and textures. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Nostalgia, misc.| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-2004 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB3F148 Description An account of the resource An abstract painting centered on a white background, showing a vertical rectangular composition dominated by pink and magenta tones. The surface is filled with layered shapes and marks in additional colors such as blue, green, yellow, and white. The forms overlap and vary in size, creating a dense arrangement of irregular shapes and textures. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. https://digital.lib.buffalo.edu/files/original/d703ab16acc4980ed79afe01d9e081a6.jpg 6855f10006ce5c7941077d0a0eafdd1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Abstract grid-like painting with blue and pink shapes and small human figures. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harry Jacobus Collection Description An account of the resource Harry Jacobus was deeply involved in the San Francisco Abstract Expressionism movement of the early 1950s. After serving in World War II, he moved to California, enrolling first at the Oakland School of Arts and Crafts and later The California School of Fine Arts, where he studied with Clyfford Still and David Park. He also met fellow student Jess, and in turn Robert Duncan. Together, they opened the King Ubu Gallery in December 1952, which quickly—though briefly—became the center of the avant garde art, music, and poetry scene in San Francisco. The King Ubu Gallery hosted exhibitions by artists such as Elmer Bischoff, David Park, Hassel Smith, Jess, Lyn Brockway, Roy De Forest, and Deborah Remington, as well as poetry readings and performances. During the 50s and 60s, Jacobus traveled through Europe, particularly Hydra, Greece, as well as Mexico. Back in California, he lived at the "Ghost House" on Franklin Street and later in Stinson Beach, always remaining close to Duncan and Jess, physically as well as artistically. Jacobus was profoundly influenced by Duncan and Jess’s ideas about imagination, as well as by French Modern painters, particularly les Fauves. Artists and critics often focus on the romanticism, color, and light of Jacobus’s paintings. Duncan called him “a painter in a mixed light,” noting that his work "is an intimation of the beauty around us as it is within us." Publisher An entity responsible for making the resource available University at Buffalo. University Archives Identifier An unambiguous reference to the resource within a given context LIB-PC007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled digital print from |Nostalgia, misc.| series Creator An entity primarily responsible for making the resource Jacobus, Harry, 1927- Publisher An entity responsible for making the resource available State University of New York at Buffalo University Libraries. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 2003-2004 Rights Information about rights held in and over the resource Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context LIB-PC007-JacobusB3F145 Description An account of the resource An abstract painting centered on a white background, featuring a vertical rectangular composition arranged in a grid-like structure. The surface is divided into sections containing repeated geometric shapes and small human-like figures. The color palette includes blue, pink, tan, and green, with patterns and shapes distributed across the compartments. The forms are layered and vary in density across the composition. The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.