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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 44</text>
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                <text>Basinski, Michael</text>
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                <text>Champagne, Eve</text>
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                <text>1999-2000?</text>
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                <text> Wood (Plant material)</text>
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                <text>Two-dimensional piece submitted as part of the Millennium Mail Art Project. by creator Eve Champagne. Canvas is stretched over wood, decorated with tempera paints on back. Painted white on front, with black writing. Canadian postage stamps affixed.  Mail art recipient: Sticker Dude.</text>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                    <text>Irregular, fish-shaped mail-art collage made from food packaging and labels, layered with stamps, tape, handwritten address details, and notes, set against a black background.</text>
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                    <text>Fish-shaped mail-art collage made from a soda box and packaging scraps, layered with stamps, handwritten notes, labels, and cut-out text, including a large “CAFFEINE FREE” piece, on a black background.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 43</text>
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                <text>Basinski, Michael</text>
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                <text>Mail Art Baron Box #</text>
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            <name>Creator</name>
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                <text>Ficus Strangulensis</text>
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            <name>Date</name>
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                <text>Cases (containers)</text>
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                <text> Cardboard</text>
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                <text> Paper (Fiber product)</text>
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                <text> Tape</text>
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                <text> Wire</text>
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                <text>12.5 x 38 cm.</text>
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                <text>Mail art piece is a two-sided paper piece created by Ficus Strangulensis. Pieces of cardboard soft drink container affixed together with tape. Decorated on front and back with labels, stickers, papers, found paper objects, metal piece, and wire with U.S. postage stamps affixed.  Mail art recipient: Baron.</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Cardboard</text>
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                <text>Three-dimensional mail art piece by creator Doc Vinci.  Corrugated board card tied closed with yellow coated wire. Cutout shape in center. Decorated with paint and paper pieces on front; verso is decorated with black-and-white photocopy paper. Painted black on the inside and decorated with pieces of magazine page. A glassine envelope is attached which holds papers. U.S. postage stamps are affixed. Mail recipient: Baron.</text>
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                    <text>Ragged, irregular mail-art envelope densely covered with blue Canadian NATO stamps, torn edges and holes, and a handwritten address for the “Millennium art project” in New York, set against a black background.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Decary, Frederic</text>
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                <text>Three-dimensional particle board piece submitted as part of the Millenium Mail Art Project by creator Frederic Decary. The front is covered with burned brown paper and decorated with Canadian postage stamps and black marker. The back is decorated with black marker. Mail art recipient: Sticker Dude.</text>
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            <name>Rights</name>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 38</text>
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                <text>Basinski, Michael</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Basinski, Michael</text>
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                    <text>A rectangular sample card labeled “LIVING ROOM” with five fuzzy fabric swatches arranged left to right in bright pink, green, brown, gray, and black, mounted on a worn off-white backing with grommet holes, printed text, and a small skeleton illustration near the top.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art piece, created by Ficus Strangulensis, consisting of a booklet submitted as part of the Recycling Art Project. Text pages are printed on yellow paper and  decorated with rubber stamp ink. The cover is red with black printing and stapled. he reverse side of a small yellow booklet or card, printed with green stamps and graphics including a stylized portrait, serial number “16758,” the phrases “Add &amp; pass,” “100% recycled arte,” and “PET,” with the name “Lanci(l)otto Bellini.” A small handmade booklet shown partially open from the side, revealing layered yellow pages with collage elements, printed text, drawings, and inserted colored slips (green and pink), bound together unevenly. A red paper booklet cover shown flat against a black background, with handwritten and stamped text in black ink, a small green label reading “MADE IN CHINA,” and yellow page edges visible along the right side.  A red paper booklet cover photographed against a black background, with yellow page edges visible along the right side. The cover features printed black lettering reading “LOG” and “SMOG,” along with numerous handwritten words, phrases, circles, and underlines in black ink scattered across the surface.  Mail art recipient: Vittore Baroni.</text>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>State University of New York at Buffalo. Poetry Collection</text>
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                <text>Mail art no. 16</text>
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                <text>Basinski, Michael</text>
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                <text>Gay, Karl C.</text>
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                <text>MA0016</text>
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                <text>Mail Art Amelia Etlinger Box #</text>
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                <text>Etlinger, Amelia</text>
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                <text>1977</text>
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                <text> waxed paper</text>
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                <text> cloth</text>
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                <text> flowers (plant compounds)</text>
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          <element elementId="113">
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                <text>23 x 31 x 4 cm.</text>
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                <text>Three-dimensional rectangular cardboard clothing box mail art piece, created by Amelia Etlinger, decorated with cloth ribbon and real dried flowers and covered with translucent yellowed waxed paper and secured with multiple vertical and horizontal strips of clear tape.  A pale pink band runs horizontally across the center beneath the wrapping.  Faintly visible inside are dried plant fragments and small orange bead-like elements. A small white label with red handwriting appears near the top left corner with white ribbon running vertically in the middle and a pink ribbon running horizontally.  Mail art recipient: Karl C. Gay.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                    <text>An off-white, worn envelope arranged as a collage. At the center is a vertical black-and-white ad for “Dash Exterminating Co. Inc.” To the upper right is a red “Save $1.00 NOW!” coupon. On the right are a small purple illustration and a black profile silhouette in a white square. The lower left features a circular, full-color Wizard of Oz image labeled “The Wonders of Oz Await You.” Small scissor icons are scattered across the surface.</text>
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                    <text>A dense mail-art collage on a worn white envelope, filled with stamped illustrations (animals, moons, tools, ships, figures), bright ink accents, and scattered scissors icons. Postage stamps line the top. Handwritten blue text addresses the “Sticker Dude Archives, Univ. at Buffalo.” A central label reads “Mail Art Cocktail: 1/3 fantasy, 1/3 irony, 1/3 madness.”</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art piece, created by Ragged Edge Press, consisting of a decorated, off-white worn envelope arranged as a collage filled with stamped illustrations (animals, moons, tools, ships, figures), bright ink accents, and scattered scissors icons containing  five sheets of stamps and stickers and a few pieces of ephemera.  At the center is a vertical black-and-white ad for “Dash Exterminating Co. Inc.” To the upper right is a red “Save $1.00 NOW!” coupon. On the right are a small purple illustration and a black profile silhouette in a white square. The lower left features a circular, full-color Wizard of Oz image labeled “The Wonders of Oz Await You.” Small scissor icons are scattered across the surface. The second sheet of stamps and stickers are colored in a rainbow gradient from top to bottom with Illustrations of Jerry Garcia taking up most of the stamps and lyrics by Robert Hunter on the rest of the page. The third sheet is stamped with a grid of black-and-white illustrated portraits, each labeled with a name.  Headline reads: “buz blurr from Arkansas to Dallas, Seattle, Zurich, Paris, Columbus and New York City — Mountains of Mugshots from the Mail Art Network.” Footer notes: “International Curatorial Space, NYC, August 5th–29th, 2003,” and “Commemorative Sheet for buz by The Sticker Dude.” The fourth sheet is composed of a series of stamps, all with a logo reading "Global Mail Art Community Eternal Network" taking up most of the space on each stamp. The rest of the space on each stamp contains a quote or other text. The fifth sheet consists of a grid of twelve colorful collage images arranged in four rows on a white background. Repeated images include a woman in a red outfit and wide black hat beside a toy robot; a couple kissing with butterflies on their faces; classical figures combined with geometric shapes; a man presenting a floating sphere; a face overlaid with butterflies; a woman standing by a window with a small spacecraft outside; and two photographs of people viewing artworks in gallery spaces. The final element of the mail art piece is Three graphic panels: left, a vintage illustration of a sweating man pedaling a machine under the title “Herd Worship”; center, a stamp-style purple-and-blue image reading “I AM ART HISTORY!” with a jubilant figure; right, a narrow floral pattern above a small label titled “Mail Art Cocktail: 1/3 Fantasy, 1/3 Irony, 1/3 Madness.” Mail art recipient: Sticker Dude.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Ivory postcard mail art piece, created by DPH, printed in black ink with  U.S. postage affixed on right top corner dated 10/90.  On the front of the postcard, are rows of 28 red and white 1 cent U.S. postage stamps affixed featuring Margaret Mitchell. Mail art recipient: John M. Bennett.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Three-dimensional light brown cardboard clothing box piece, created by Amelia Etlinger, tied with a tan ribbon and black and silver glittery yarn or string and decorated with plant material tucked in between the ribbon and the box.  Views of the back of the box and a side view with a bit of ribbon visible complete the piece. Mail art recipient: Karl C. Gay.</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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ODE DU 25&#13;
&#13;
sitting in the&#13;
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squeezing&#13;
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she laughed&#13;
at the L.A.F.T.&#13;
in my lap&#13;
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Nation&#13;
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&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art postcard, created by the Cracker Jack Kid, displaying an abstract, high-contrast black-and-white image resembling a symmetrical, ghostly figure or inkblot, with blurred white forms emerging from a dark textured background.  The word 'REJECT' is printed on the front in dark maroon ink with a U.S. postage stamp affixed to the back of the card along with a note in black ink to the mail art recipient Daniel Mark Graham concerning an art show focused on rejection.</text>
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                    <text>Decorated envelope addressed to Daniel Mark Graham III in Buffalo, New York, featuring collage elements including repeated photo portraits, stamped illustrations, a red paintbrush graphic, and a colorful “Understanding the Sun” postage stamp.</text>
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                    <text>Handwritten letter dated October 1, 1981, on white paper with a business card clipped at the top, listing five numbered points about publishing, announcements, availability in Maine and New York, gallery lighting, and a question about a publication name.</text>
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
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                <text>Two-sided postcard piece, created by Bill Fornof, featuring an abstract illustration of a fried egg floating against a blue gradient background on the front with black ink handwriting and a U.S. postage stamp affixed to back. The back of a postcard has a handwritten message on the left and a mailing address on the right.  A purple circular postmark from San Diego, California dated September 2, 1982 appears near the top center, partially overlapping the dividing line.  A 15-cent U.S. postage stamp labeled “Architecture USA” featuring the Furness 1893–1912 Penn Academy, Philadelphia is affixed in the upper right corner. The sender’s handwritten name and location appear at the bottom left. Message reads: Our Generation&#13;
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Bill Ford&#13;
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                    <text>A folded sheet of paper filled with colorful rubber-stamp images and a handwritten letter. Red and blue stamps depict figures blowing horns, a painter’s brush logo labeled “Carlo Pittore,” a Vitruvian-style figure, and a cartoon figure with the phrases “Everyman his own Football” and “Jedermann sein eigener Fussball.” A red date stamp reads “SEP 28 1981.” The handwritten message addresses Daniel, encouraging the exchange of art letters, and ends with a phone number, kisses, a signature “Carlo P.,” and a postscript praising the envelope.</text>
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                    <text>A typed acceptance letter from the LIS’81 Lisbon International Show, printed on light paper and heavily decorated with repeated red stamped figures of a man in a suit and hat posed with arms outstretched. The letter thanks an artist for submitting drawings, lists jury members, and includes a table indicating which works were accepted or not accepted. Blue pen marks underline accepted works, and the letter is signed and dated July 27, 1981, in Lisbon, Portugal, with an address block for Carlo Pittore in New York.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 132</text>
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                <text>Two-sided paper envelope mail art piece created by Carlo Pittore, that consists of a white paper postal envelope decorated on front and back with artist stamps, stickers, rubber stamp ink, and U.S. postage stamps. The decorated mail art envelope features stamped illustrations of figures, brains in top hats, symbols, and a central green “POST ME” image, arranged in red and teal ink on the worn white envelope.  A folded sheet of paper filled with colorful rubber-stamp images and a handwritten letter. Red and blue stamps depict figures blowing horns, a painter’s brush logo labeled “Carlo Pittore,” a Vitruvian-style figure, and a cartoon figure with the phrases “Everyman his own Football” and “Jedermann sein eigener Fussball.” A red date stamp reads “SEP 28 1981.” The handwritten message addresses Daniel, encouraging the exchange of art letters, and ends with a phone number, kisses, a signature “Carlo P.,” and a postscript praising the envelope. The final portion of the mail art piece is a typed acceptance letter from the LIS’81 Lisbon International Show, printed on light paper and heavily decorated with repeated red stamped figures of a man in a suit and hat posed with arms outstretched. The letter thanks an artist for submitting drawings, lists jury members, and includes a table indicating which works were accepted or not accepted. Blue pen marks underline accepted works, and the letter is signed and dated July 27, 1981, in Lisbon, Portugal, with an address block for Carlo Pittore in New York. Mail art recipient: Daniel Mark Graham.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                    <text>A handwritten letter on pale yellow paper, written in blue ink and continuing from a previous page. The text explains that the gallery space is nonprofit, with no sales or insurance, and invites the recipient to set up a show with assistance as possible. The writer proposes exhibition dates in January 1982, mentions being in New York City starting October 1, and signs off informally. The paper shows creases, small tears along the top edge, and light wear.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>White paper mail art envelope piece, designed by Carlo Pittore, decorated on the front with artist stamps and U.S. postage stamps. Textual material contained within the envelope includes a handwritten letter on pale yellow paper, written in blue ink and dated July 21, 1981.  A small printed card with an illustration of a man blowing a horn and the name of the mail art creator “Carlo Pittore” is stapled to the top left corner, showing a New York address and phone number. The letter discusses enthusiasm for a response, encloses information about a gallery, describes its physical dimensions and street-viewing setup in New York’s East Village, and notes that it is an alternative, artist-run gallery. The text explains that the gallery space is nonprofit, with no sales or insurance, and invites the recipient to set up a show with assistance as possible. The writer proposes exhibition dates in January 1982, mentions being in New York City starting October 1, and signs off informally. The paper shows creases, small tears along the top edge, and light wear. Mail art recipient: Daniel Mark Graham.</text>
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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                <text>Dylan, Bob, 1941- --Portraits</text>
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Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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            <name>Date</name>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text> postcards</text>
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                <text> stickers</text>
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                <text>Two-sided paper postcard mail art piece created by BoscoGraphix. The front of the postcard is covered with an abstract, layered collage with warm orange and green tones, featuring faint human silhouettes, circular diagrams, handwritten text fragments, and a small sun-headed figure amid textured paint splashes. The back of the postcard is yellow and layered with a “Hot Cocoa” label, bank receipt printouts, stickers, U.S. postage stamps, and a pasted address label directed to Baron in Cleveland, Ohio.</text>
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            <name>Rights</name>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                    <text>A flattened and laminated 4-piece Chicken McNugget box with an illustration of Ronald McDonald taking up most of the space.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 118</text>
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                <text>Basinski, Michael</text>
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                <text>Baron</text>
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            <name>Identifier</name>
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                <text>MA0118</text>
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                <text>Mail Art Baron Box #</text>
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                <text>Ficus Strangulensis</text>
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            <name>Date</name>
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                <text>1990-1999?</text>
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                <text> Text</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>paper (fiber product)</text>
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                <text> plastic (material)</text>
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                <text> packing material</text>
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            <description>The size or duration of the resource.</description>
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                <text>11 x 16 cm.</text>
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                <text>Two-sided plastic and paper postcard mail art piece created by Ficus Strangulensis. It is composed of a flattened and laminated plastic 4-piece Chicken McNugget box with an illustration of Ronald McDonald taking up most of the space. The bottom of the flattened Chicken McNuggets plastic box has a  mailing address and return address stickers and a stamp in red ink of the upper half of a face and the word "Ficus" on a "Hello my name is" sticker. U.S. postage stamps are also affixed. Mail art recipient: Baron.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1879491">
                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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            <description>Date on which the resource was changed.</description>
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                <text>Mail art. LIB-PC-001</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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              <element elementId="41">
                <name>Description</name>
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                    <text>An abstract collage of layered packaging strips, tape, and colorful fragments crisscrossed by looping red threads on a translucent background.</text>
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                <name>Description</name>
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                    <text>A collaged mail-art envelope covered in clear tape, colorful strips, and red looping lines, with multiple labels and handwritten notes. It is addressed to “The Baron” in Cleveland, Ohio, includes a handwritten message about duct tape and sound, a return label for “Ficus strangulensis” in West Virginia, and a 22-cent U.S. postage stamp.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
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&#13;
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
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&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
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&#13;
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&#13;
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                <text>9 x 13 cm.</text>
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                <text>Two-sided paper postcard piece created by the Cracker Jack Kid.  A high-contrast black-and-white image is on the front that shows a mirrored, abstract human-like form against a dark background, with the word “REJECT” stamped across the center. The back of the postcard bears black inked rubber stamps with a U.S. postage stamp affixed. This is a mailed postcard with a typed return address for “Cracker Jack Kid” in Omaha, a handwritten note to mail art recipient Daniel Mark Graham, a “Crazy Horse” U.S. stamp, and a 1982 Omaha postmark. Mail art recipient: Cracker Jack Kid.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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            <name>Format</name>
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            <name>Language</name>
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                <text>Mail art. LIB-PC-001</text>
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                <description>An account of the resource</description>
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                    <text>Front of a postcard advertising a mail art show called "Body building." A picture of a female figure wearing a bikini in a kneeling pose shown twice on the card.</text>
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                    <text>Postcard sent to Daniel Graham from Rachel Thompson with a call for entries for a mail art exhibit.</text>
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              <name>Title</name>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Basinski, Michael&#13;
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                  <text>State University of New York at Buffalo. University Libraries&#13;
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                  <text>State University of New York at Buffalo. Poetry Collection</text>
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                <text>Basinski, Michael</text>
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                <text>Graham, Daniel Mark</text>
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            <name>Publisher</name>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>MA0103</text>
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                <text>Mail Art The Poetry Collection Box #</text>
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            <name>Creator</name>
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                <text>Thompson, Rochelle</text>
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            <name>Date</name>
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            <name>Medium</name>
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                <text>cardboard</text>
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                <text>postage stamps</text>
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          </element>
          <element elementId="113">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>10 x 15 cm.</text>
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                <text>Two-sided mail art postcard piece, created by Rochelle Thompson, consisting of white cardboard decorated with printed paper and hand-colored images. The back of the postcard is decorated with stickers, a U.S. postage stamp and is addressed to Daniel Graham from Rachel Thompson with a call for entries for a mail art exhibit entitled "Body Building". The front of the postcard displays advertising for this mail art "Body building" show depicted here by a picture of a female figure wearing a bikini in a kneeling pose which is shown twice on the card. Mail art recipient: Daniel Mark Graham.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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            <name>Language</name>
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            <name>Date Modified</name>
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                <name>Description</name>
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                    <text>Front of a beige envelope addressed to John Bennett in Columbus, Ohio.</text>
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                    <text>Back of an envelope showing several stickers and stamped text.</text>
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                    <text>A graphic collage on a light blue background features scattered icons, textures, and dots, centered on a stamped image of an eagle above the words “MAY 8 NEW YORK.”</text>
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                    <text>Blue sheet of paper with "for John ALL my art" written in pencil.</text>
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                    <text>Blue paper stamped with the address of Arturo G. Fallico.</text>
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                    <text>A handwritten mail art letter titled “MAIL • ART,” dated January 27, 1991, with a note to John about exchanged art and international mail, signed by Arturo, and featuring a printed pointing hand graphic indicating a return address.</text>
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                    <text>A mostly blank white page with a small pasted newspaper clipping near the upper right, titled “Prisoner cleans toilet but destroys bathroom.”</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Kostic, Nicol A.</text>
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                <text>envelopes</text>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                    <text>An abstract expressionist painting on rough-edged paper features thick, layered brushstrokes in dark blues, greens, blacks, and rust reds. White and black paint drips vertically from the top like melting forms or stalactites, while the lower half is dense with swirling, gestural marks that suggest waves, roots, or tangled figures. The surface feels heavy and tactile, with a moody, turbulent atmosphere and no clearly defined subject.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                  <text>Mail art</text>
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                  <text>Basinski, Michael&#13;
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                  <text>State University of New York at Buffalo. Poetry Collection</text>
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                <text>Mail art no. 10</text>
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                <text>Basinski, Michael</text>
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                <text>Sticker Dude</text>
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            <name>Publisher</name>
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                <text>State University of New York at Buffalo. University Libraries</text>
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            <name>Creator</name>
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                <text>Forcier, David</text>
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            <name>Date</name>
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            <name>Type</name>
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                <text> Text</text>
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          <element elementId="114">
            <name>Medium</name>
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                <text>cardboard</text>
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                <text>paint (coating)</text>
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          <element elementId="113">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>23 x 15 cm.</text>
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                <text>Two-sided mail art piece submitted as a part of the Millenium Mail Art Project by  creator David Forcier. Corrugated board decorated with paint on front, black writing and Canadian postage on back. An abstract expressionist painting on rough-edged paper features thick, layered brushstrokes in dark blues, greens, blacks, and rust reds. White and black paint drips vertically from the top like melting forms or stalactites, while the lower half is dense with swirling, gestural marks that suggest waves, roots, or tangled figures. The surface feels heavy and tactile, with a moody, turbulent atmosphere and no clearly defined subject. Mail art recipient: Sticker Dude. </text>
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            <name>Rights</name>
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                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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            <name>Language</name>
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                    <text>A rubber glove painted in mottled greens, blues, and earthy browns lies against a black background. The surface has a scaly, reptile-like texture with visible stitching and staples. On the right side, a small, hand-painted tiger crouches in green grass. Above it, a handwritten return address in white paint reads “From: Genevieve Garneau, 1107 Du Perche, Boucherville, QC, J4B 6E7, Canada.” The piece feels tactile and hybrid—part artifact, part painted relief, blending animal imagery with the form of a worn glove.</text>
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                    <text>A rubber glove painted in dark grays, blues, and blacks is shown against a black background. The glove’s surface is textured and brushy, depicting an industrial cityscape with tall, jagged smokestacks emitting pale smoke into a cloudy sky. Four Canadian postage stamps are affixed to the fingers, each showing a red maple leaf motif. On the right side of the glove, handwritten white text reads: “To: Millennium Mail Art Project, Ragged Edge Press, 102 Fulton Street, New York NY 10038 USA.” The piece combines mail art, painting, and object sculpture, evoking themes of industry, pollution, and correspondence.</text>
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                  <text>Participatory, democratic, personal and expressive, as a form of artwork, Mail Art is sent, given or exchanged via the postal service. A work of artwork becomes Mail Art once it is dispatched, disappearing forever from the artist's hands. Mail Artists form networks and faithfully participate in them by pouring a steady stream of unique art objects into the quotidian postal system. Mail Artists also regularly call for topical or thematic Mail Art for exhibition. Mail Art forms a community of like minded artists. Each piece of Mail Art is unique and often a collage that might aggressively engage social, artistic, and hot topic political issues or might harvest images from pop culture. All forms of material and artistic techniques come into play. Mail Art explores the material nature of language. Rubber stamps, stickers, paint and other material are frequently combined in Mail Art collage. After artistic treatment, items such as common post cards to plastic bottles enter into the Mail Art network.&#13;
&#13;
Ray Johnson is credited as the founder of contemporary Mail Art. In the late 1950s, he founded the New York Correspondence School, and the New York Correspondence School bunny is an image frequently collaged into works of Mail Art.&#13;
&#13;
The Poetry Collection's Mail Art Archive includes collections donated by The Sticker Dude, Baron and Luc Fierens. It also draws from The Poetry Collection's John M Bennett Collection, The Hallwalls Collection and the general holdings of The Poetry Collection.&#13;
&#13;
Readers may also be interested in the Mail Art @ UB page on the Poetry Collection web site.</text>
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                <text>Mail art no. 1</text>
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                <text>Basinski, Michael</text>
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                <text>Sticker Dude</text>
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                <text>Garneau, Genevieve</text>
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                <text> staples</text>
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          <element elementId="113">
            <name>Extent</name>
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                <text>Three-dimensional piece submitted as part of the Millenium Mail Art Project by creator Genevieve Garneau.  It is composed of a rubber kitchen glove painted in mottled greens, blues, and earth browns that lies against a black background. The surface has a scaly, reptile-like texture with visible stitching and staples. On the right side, a small, hand-painted tiger crouches in green grass. Above it, a handwritten return address in white paint reads “From: Genevieve Garneau, 1107 Du Perche, Boucherville, QC, J4B 6E7, Canada.” The piece feels tactile and hybrid—part artifact, part painted relief, blending animal imagery with the form of a worn glove. The piece combines mail art, painting, and object sculpture, evoking themes of industry, pollution, and correspondence.  Mail art recipient: Sticker Dude.</text>
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              <elementText elementTextId="1879511">
                <text>&lt;a&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                <text>Mail art. LIB-PC001</text>
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            <name>Date Modified</name>
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                <text>Mail Art Sticker Dude Box #</text>
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                    <text>Minimalist blue poster featuring a stylized bird and olive branch inside a circular geometric design, with Polish text below referencing a peace-related student conference in Warsaw, April 1978.</text>
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</text>
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                  <text>&#13;
This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
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                <text>Students on peace policies, Warsaw 1978</text>
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                <text>World Peace Council </text>
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                <text>Waszewski, Zbigniew</text>
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                <text>LIB-009-23</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                <text>A graphic poster with a limited color palette of blue and off-white. The central design is a large circle divided horizontally. In the lower half, a simplified white silhouette of a bird’s head faces left against a blue background. In the upper half, curved white lines form an arch-like structure, with a small branch containing three leaves hanging down in the center. The shapes are clean and geometric, with a modernist style. Below the circle, bold blue text is arranged in multiple lines. Additional smaller text appears beneath, also in blue. A thin horizontal line separates sections of text. The background is a light, slightly textured off-white.&#13;
&#13;
Transcription:&#13;
STUDENCI O POLITYCE POKOJU&#13;
ogólnopolska sesja naukowa | SZSP&#13;
WARSZAWA · kwiecień · 1978 | OKP</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>Polski Plakat = Polʹskiĭ Plakat = Polish Poster = Lʹaffiche Polonaise. Warszawa: Krajowa Agencja Wydawnicza, 1978. Print.&#13;
 Rare Oversize NC1807 .P6 P5 1978</text>
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            <elementTextContainer>
              <elementText elementTextId="1987537">
                <text>State University of New York at Buffalo. Polish Collection</text>
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              <element elementId="41">
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                    <text>Colorful geometric poster with a blue bird and abstract symbols of industry, agriculture, and progress, with text about a 1978 conference in Tripoli.</text>
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                  <text>&#13;
This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
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&#13;
Transcription:&#13;
WORLD CONFERENCE ON THE PATH TO DEVELOPMENT&#13;
AND INTERNATIONAL COOPERATION&#13;
&#13;
TRIPOLI 8-13 APRIL 1978</text>
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                <text>Polski Plakat = Polʹskiĭ Plakat = Polish Poster = Lʹaffiche Polonaise. Warszawa: Krajowa Agencja Wydawnicza, 1978. Print.&#13;
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This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
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                <text>Polski Plakat = Polʹskiĭ Plakat = Polish Poster = Lʹaffiche Polonaise. Warszawa: Krajowa Agencja Wydawnicza, 1978. Print.&#13;
 Rare Oversize NC1807 .P6 P5 1978</text>
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This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
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                <description>An account of the resource</description>
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                    <text>Poster with a white dove made of brick-like shapes holding a branch, with Polish text about a 1977 peace builders’ assembly in Warsaw.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Polish Peace Posters</text>
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                  <text>World Peace Council ; Posters, Polish &#13;
</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&#13;
This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5991">
                <text>World Assembley of Builders of Peace Warsaw 1977</text>
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              <elementText elementTextId="5992">
                <text>Światowe Zgromadzenie Budowniczych Pokoju, Warszawa 1977 r.&#13;
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>World Peace Council </text>
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                <text> Posters, Polish</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>2nd prize in Polish Peace Committee contest for poster: "World Assembley of Builders of Peace in 1976" KAW award, Warsaw, at 7th Polish Poster Biennale in Katowice in 1977.</text>
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              <elementText elementTextId="5996">
                <text>II nagroda w konkursie Ogólnopolskiego Komitetu Pokoju.  Nagroda fundowana KAW-Warszawa na VII Biennale Plakatu Polskiego w Katoicach w 1977 r.</text>
              </elementText>
              <elementText elementTextId="1973627">
                <text>A graphic poster on a blue background features a stylized white dove facing left, holding a green branch with leaves and a red-and-white accent in its beak. The dove’s body is formed from a series of rectangular, brick-like shapes arranged in a cross-like structure, suggesting construction or building. At the bottom, bold text reads: “ŚWIATOWE ZGROMADZENIE BUDOWNICZYCH POKOJU WARSZAWA–1977.” Along the right edge, small vertical text reads “KOTKOWSKI 76.”</text>
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              <elementText elementTextId="1982741">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="5997">
                <text>Sliwka, Karol</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="5998">
                <text>LIB-009-19</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6001">
                <text>1976</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1919319">
                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1987380">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>pol</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="1987426">
                <text>Image</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1987449">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1987495">
                <text>Polski Plakat = Polʹskiĭ Plakat = Polish Poster = Lʹaffiche Polonaise. Warszawa: Krajowa Agencja Wydawnicza, 1978. Print.&#13;
 Rare Oversize NC1807 .P6 P5 1978</text>
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              <elementText elementTextId="1987518">
                <text>Polish Peace Posters. LIB-009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1987541">
                <text>State University of New York at Buffalo. Polish Collection</text>
              </elementText>
            </elementTextContainer>
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              <element elementId="41">
                <name>Description</name>
                <description>An account of the resource</description>
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                  <elementText elementTextId="1973628">
                    <text>Typographic poster reading “To be wor not to be?” with “war” in a faded font under the darker "or".</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="5766">
                  <text>Polish Peace Posters</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>World Peace Council ; Posters, Polish &#13;
</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5768">
                  <text>&#13;
This collection of Polish posters were originally printed for the World Peace Council, an international organization that advocates universal disarmament. Our collection came from a set of reproductions selected by Karol Małcużyński published by Krajowa Agencja Wydawnicza around 1978.&#13;
&#13;
The World Peace Council emerged after a congress held by the World Congress of Intellectuals in Wroclaw, Poland in 1948. This conference attracted prominent artists, scientists and intellectuals such as Pablo Neruda, Julian Huxley, Tadeusz Kotarbiński, Pablo Picasso, Ivo Andrić and Mikhail Sholokhov. The poster for this conference in 1948 is the first in the collection. The World Peace Council was officially founded in 1950 at the Polish Peace Congress in Warsaw. The ideas behind the group originated from the policy of the Communist Party of the Soviet Union. The idea was to promote peace campaigns around the world as a response to the perceived "warmongering" by the USA during the Cold War. The poster advertising the 1950 conference in Warsaw is the second image in our collection. The World Peace Council exists today and is a registered NGO at the United Nations.&#13;
&#13;
Our collection, consisting of 23 posters, highlights Polish artists advocating peace and disarmament.&#13;
</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5978">
                <text>To be (war or) not to be? </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5980">
                <text>World Peace Council </text>
              </elementText>
              <elementText elementTextId="5981">
                <text> Posters, Polish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5982">
                <text>Gold Medal at 6th International Poster Biennale, Warsaw 1976. Mention at international poster contest organized to mark the 30th anniversary of victory over fascism, Warsaw 1975.</text>
              </elementText>
              <elementText elementTextId="5983">
                <text>Złoty medal na VI Międzynarodwym Biennale Plakatu, Warszawa 1976 f. Wyróżnienie w Międzynarodwym Konkursie na plakat y okazji 30-tej rocznicy zwycięstqa nad faszyzmem, Warszawa 1975 r.&#13;
</text>
              </elementText>
              <elementText elementTextId="1973629">
                <text>A typographic poster on a light background displays large black text arranged in four lines reading: “To be / wor / not / to be?” The word “war” appears partially sprayed or faded in the background, with "or" in solid black over the "ar". The final line ends with a question mark. </text>
              </elementText>
              <elementText elementTextId="1982742">
                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5984">
                <text>Wasilewski, Mieczyslaw, 1930-</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="5985">
                <text>LIB-009-18</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5988">
                <text>1975</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1919320">
                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1987381">
                <text>State University of New York at Buffalo. University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1987404">
                <text>pol</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1987427">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1987450">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="1987496">
                <text>Polski Plakat = Polʹskiĭ Plakat = Polish Poster = Lʹaffiche Polonaise. Warszawa: Krajowa Agencja Wydawnicza, 1978. Print.&#13;
 Rare Oversize NC1807 .P6 P5 1978</text>
              </elementText>
              <elementText elementTextId="1987519">
                <text>Polish Peace Posters. LIB-009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1987542">
                <text>State University of New York at Buffalo. Polish Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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