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Composer Charles Wuorinen gesturing during seminar
Composer Charles Wuorinen gesturing during seminar
Composer Lee Weisert (center) with members of the Red Fish Blue Fish Percussion Ensemble, Matthew Jenkins, Justin DeHart, Johannes Fischer, and Fabio Oliveira, rehearsing Weisert's composition, Rockaby
June in Buffalo students Jeff Silva, Daniel Van Hassel, and Jacques Baldasari
June in Buffalo students and auditors 2007: Jenece Gerber, Dominique Schafer, Eric Roth, Eliza Brown, Lee Weisert, Michael McBride, James Ogburn, Ya-Ting Lee, and Patrick Castillo
June in Buffalo students and auditors, 2007: Jacques Baldasari, Matthew Barnson, Daniel Van Hassel, S. Anthony Amstutz, Jeff Silva, Daniel Blake, and Aubrey Byerly
Stage setup for percussion used in Roger Reynolds's composition, Sanctuary
Soprano Lucy Shelton taking a bow onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton onstage with Curtis Macomber, violin, Alan Feinberg, piano, and Nina Lee, violoncello
Soprano Lucy Shelton and violinist Curtis Macomber
Soprano Lucy Shelton and violinist Curtis Macomber
Percussionist Steven Schick with composer Lee Weisert, rehearsing Weisert's composition, Rockaby
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Percussionist Steven Schick rehearsing solo sections of Part I of Roger Reynolds's composition, Sanctuary
Conductor Harold Rosenbaum rehearsing John Harbison's composition, But Mary stood, with the New York Virtuoso Singers, Calvin Weirsma and Deborah Wong, violin, Lois Martin, viola, Chris Finckel, violoncello, and Jared Egen, bass
Composer Christian Baldini with conductor Harold Rosenbaum and members of the New York Virtuoso Singers rehearsing Baldini's composition, Two adoration motets
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, and Patrick Castillo
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, Patrick Castillo, and S. Anthony Amstutz
Composer Roger Reynolds with students, Jane Stanley, Carmel Raz, Jenece Gerber, Patrick Castillo, and S. Anthony Amstutz
Composer Roger Reynolds at sound console with J.T. Rinker, David Felder, Nicholas Isherwood, and James Stephenson
Composer Roger Reynolds with bass Nicholas Isherwood
Composer Roger Reynolds examining score with bass Nicholas Isherwood, with J.T. Rinker visible at right
Composer Roger Reynolds examining score with bass Nicholas Isherwood
Composer Roger Reynolds onstage with the Arditti String Quartet after a performance of Reynolds's composition, Ariadne's thread
Composer Roger Reynolds with members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Gustavo Aguilar, and Justin DeHart, with technical assistant, Ian Saxton, around the Waterphone instrument used in Reynolds's composition, Sanctuary
Composer Roger Reynolds with technical assistant Ian Saxton, and members of the Red Fish Blue Fish percussion ensemble, Greg Stuart, Robert Esler, Justin DeHart, and Gustavo Aguilar
Composer Roger Reynolds with percussionist Robert Esler and the Waterphone used in the Oracle section of his composition, Sanctuary
Composer Roger Reynolds and percussionist Gustavo Aguilar, member of Red Fish Blue Fish percussion ensemble
Composer Roger Reynolds adjusting microphone for percussionist Steven Schick during rehearsal of Reynolds's composition, Sanctuary
Roger Reynolds talks with Steven Schick, director of the Red Fish Blue Fish percussion ensemble
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
Composer Roger Reynolds with percussion instruments used in his composition, Sanctuary
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
Composer Roger Reynolds with the Waterphone used in the Oracle section of his composition, Sanctuary
Composers Steve Reich and David Felder at a lecture given by them
Composers Steve Reich and David Felder
Composers Steve Reich and David Felder
Steve Reich with composer Daniel Van Hassel
Steve Reich talking with conductor Brad Lubman, with soprano Jolle Greenleaf, Caleb Burhans, and Martha Cluver
Steve Reich talking with conductor Brad Lubman, with soprano Jolle Greenleaf, Caleb Burhans, and Martha Cluver
Conductor Brad Lubman and composer Steve Reich
Singers and clappers during rehearsal of Steve Reich's composition, Tehillim
Singers during rehearsal of Steve Reich's composition, Tehillim
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Steve Reich and Brad Lubman during rehearsal of Reich's Tehillim with Slee Sinfonietta
Steve Reich gesturing during lecture
Steve Reich gesturing during lecture
Steve Reich gesturing during lecture
Slee Sinfonietta members rehearsing Steve Reich's Daniel Variations
Slee Sinfonietta members rehearsing Steve Reich's Daniel Variations
Red Fish Blue Fish Percussion Ensemble members Greg Stuart, Justin DeHart, Gustavo Aguilar, and Robert Esler rehearsing Roger Reynolds's composition, Sanctuary
Red Fish Blue Fish Percussion Ensemble members Robert Esler and Fabio Oliveira rehearse Daniel Van Hassel's composition, Trudge Blasted Exotic
Red Fish Blue Fish Percussion Ensemble members Robert Esler and Fabio Oliveira rehearse Daniel Van Hassel's composition, Trudge Blasted Exotic
Composer Daniel Van Hassel watches as Red Fish Blue Fish Percussion Ensemble members Fabio Oliveira and Robert Esler rehearse Van Hassel's composition, Trudge Blasted Exotic
Red Fish Blue Fish Percussion Ensemble members Ross Karre, Robert Esler, Steve Schick, and Fabio Oliveira rehearsing Charles Wuorinen's Percussion Quartet
Red Fish Blue Fish Percussion Ensemble members Justin DeHart and Fabio Oliveira rehearsing Ya-Ting Lee's composition, Ritual
Red Fish Blue Fish Percussion Ensemble members Justin DeHart, Matthew Jenkins, Johannes Fischer, and Fabio Oliveira rehearsing Ya-Ting Lee's composition, Ritual
Red Fish Blue Fish Percussion Ensemble, with Johannes Fischer conducting, Matthew Jenkins, Robert Esler, Greg Stuart, and Fabio Oliveira rehearsing Aubrey Byerly's composition, …woven with a silent motto
Red Fish Blue Fish Percussion Ensemble, with director Steve Schick, composer Lee Weisert, Justin DeHart?, and Matthew Jenkins, rehearsing Weisert's composition Rockaby
Red Fish Blue Fish Percussion Ensemble, with director Steve Schick (lower left), Ross Karre, Johannes Fischer, Justin DeHart, Robert Esler, Fabio Oliveira, Ian Saxton (technical assistant), and Matthew Jenkins, with the Waterphone used in Roger Reynolds's composition, Sanctuary
Rin Ozaki bowing a tam-tam
Curtis Macomber playing violin
Conductor Brad Lubman examining score of Charles Wuorinen's Percussion Quartet with percussionists Jason Treuting, Jon Hepfer, and Fabio Oliveira
Brad Lubman conducting the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
Brad Lubman conducting vocalists and the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
Brad Lubman conducting vocalists and the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
Brad Lubman conducting vocalists and the Slee Sinfonietta in rehearsal of Steve Reich's Tehillim
Conductor Brad Lubman with composer Steve Reich
Composer Ya-Ting Lee
Composer Fusun Koksal with violist Ralf Ehlers
Composer Fusun Koksal with violinist Irvine Arditti and violoncellist Lucas Fels
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing David Felder's Chasmal
Nicholas Isherwood performing Roger Reynolds's The Palace
Nicholas Isherwood performing Roger Reynolds's The Palace
Nicholas Isherwood performing Roger Reynolds's The Palace
Nicholas Isherwood performing Roger Reynolds's The Palace
Charles Haupt, Tony Arnold, and Rin Ozaki rehearsing John Aylward's End of winter
Charles Haupt, Tony Arnold, John Aylward, and Rin Ozaki
Charles Haupt, Rin Ozaki, and Tony Arnold
John Harbison examining score with students Aubrey Byerly, Bert Van Herck, Fusun Koksal, J.T. Rinker, and Lee Weisert
John Harbison and conductor Harold Rosenbaum during rehearsal of Harbison's But Mary Stood, with Deborah Wong, violin, Lois Martin, viola, and Chris Finckel, violoncello
John Harbison with conductor Harold Rosenbaum rehearsing Harbison's But Mary Stood, with Calvin Weirsma and Deborah Wong, violins, and Lois Martin, viola
John Harbison with conductor Robert Franz and the Buffalo Philharmonic Orchestra
John Harbison in Music Library Seminar Room
Students David Hanner (right), John Aylward, and Fusun Koksal examining a score during a lecture by David Felder
Jonathan Golove performing on violoncello while composer Jane Stanley watches (rehearsal of her work, Deep turn)
Johannes Fischer performing with bass drum
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