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    <dcterms:title><![CDATA[Plans for the Palace of Minos]]></dcterms:title>
    <dcterms:subject><![CDATA[Palace of Knossos (Knossos)]]></dcterms:subject>
    <dcterms:creator><![CDATA[Evans, Arthur John]]></dcterms:creator>
    <dcterms:source><![CDATA[Pierre Demargne]]></dcterms:source>
    <dcterms:source><![CDATA[ The birth of Greek art, New York: Golden Press, [1964]]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1921 - 1935]]></dcterms:date>
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    <dcterms:title><![CDATA[Model of St. Gall]]></dcterms:title>
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    <dcterms:date><![CDATA[816]]></dcterms:date>
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    <dcterms:spatial><![CDATA[St. Gall, Switzerland]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Restoration, Center Hall of the Baths of Caracalla]]></dcterms:title>
    <dcterms:subject><![CDATA[Baths of Caracalla (Rome, Italy)]]></dcterms:subject>
    <dcterms:creator><![CDATA[Unknown artist]]></dcterms:creator>
    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[212 - 213]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:type><![CDATA[public baths]]></dcterms:type>
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    <dcterms:title><![CDATA[Boy, Detail, Fortune Teller]]></dcterms:title>
    <dcterms:creator><![CDATA[Caravaggio, Michelangelo Merisi da]]></dcterms:creator>
    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1593]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:type><![CDATA[oil paintings (visual works)]]></dcterms:type>
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    <dcterms:identifier><![CDATA[VS3332640]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[cc-20070222-1]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[ cr-20090901-2]]></dcterms:identifier>
    <dcterms:temporal><![CDATA[Baroque]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Italian]]></dcterms:temporal>
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    <dcterms:title><![CDATA[Venus Kallipygos and Venus aux Belles Vesses]]></dcterms:title>
    <dcterms:subject><![CDATA[Aphrodite (Greek deity)]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Goddesses, Greek]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Mythology, Greek]]></dcterms:subject>
    <dcterms:subject><![CDATA[ Praxiteles, 4th cent. B.C.]]></dcterms:subject>
    <dcterms:description><![CDATA[Venus Kallypigos dates to the 3rd Century BCE, and Venus aux Belles Vesses dates to the 18th Century]]></dcterms:description>
    <dcterms:creator><![CDATA[Sergel, Johan Tobias]]></dcterms:creator>
    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
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    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Map, Crete]]></dcterms:title>
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    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
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    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[Entrance, Prayer recess, Great Mosque of Cordoba]]></dcterms:title>
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    <dcterms:subject><![CDATA[ Architecture]]></dcterms:subject>
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    <dcterms:creator><![CDATA[Unknown artist]]></dcterms:creator>
    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[784 - 786]]></dcterms:date>
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    <dcterms:title><![CDATA[Isometric Drawing, Villa Savoie]]></dcterms:title>
    <dcterms:creator><![CDATA[Le Corbusier]]></dcterms:creator>
    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1929 - 1931]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[Plan, Baths of Caracalla]]></dcterms:title>
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    <dcterms:source><![CDATA[MRC Visual Resources Collection]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[212 - 216]]></dcterms:date>
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    <dcterms:title><![CDATA[The Pastoral Concert or Allegory On the Invention of Pastoral Poetry]]></dcterms:title>
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    <dcterms:title><![CDATA[Pesaro Madonna]]></dcterms:title>
    <dcterms:creator><![CDATA[Titian]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:title><![CDATA[Isabella DEste]]></dcterms:title>
    <dcterms:creator><![CDATA[Titian]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
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    <dcterms:title><![CDATA[Venus of Urbino]]></dcterms:title>
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    <dcterms:title><![CDATA[Noli Me Tangere]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:title><![CDATA[Citadel at Mycenae]]></dcterms:title>
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    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1250]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
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    <dcterms:temporal><![CDATA[ Late Bronze Age]]></dcterms:temporal>
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    <dcterms:temporal><![CDATA[Mycenaean]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[ Ancient Greek]]></dcterms:temporal>
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    <dcterms:title><![CDATA[Feast in the House of Levi]]></dcterms:title>
    <dcterms:creator><![CDATA[Veronese]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Department of Visual Studies]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
    <dcterms:date><![CDATA[1573]]></dcterms:date>
    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
    <dcterms:modified><![CDATA[2011-09-02]]></dcterms:modified>
    <dcterms:contributor><![CDATA[Joe Easterly]]></dcterms:contributor>
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    <dcterms:title><![CDATA[The Last Supper]]></dcterms:title>
    <dcterms:description><![CDATA[Tintoretto, who had a large workshop, often developed a composition by creating a small-scale model like a miniature stage set, which he populated with wax figures. He then adjusted the positions of the figures and the lighting until he was satisfied with the entire scene. Using a grid of horizontal and vertical threads placed in front of this model, he could easily sketch the composition onto squared paper for his assistants to copy onto a large canvas. His assistants also primed the canvas, blocking in the areas of dark and light, before the artist himself, free to concentrate on the most difficult passages, finished the painting. This efficient working method allowed Tintoretto to produce a large number of paintings in all sizes.]]></dcterms:description>
    <dcterms:creator><![CDATA[Tintoretto]]></dcterms:creator>
    <dcterms:source><![CDATA[Stokstad, Marilyn]]></dcterms:source>
    <dcterms:source><![CDATA[ Art History, 4th ed., Upper Saddle River, N. J.: Pearson Education, 2010  (9780205800377)]]></dcterms:source>
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    <dcterms:publisher><![CDATA[University at Buffalo]]></dcterms:publisher>
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    <dcterms:date><![CDATA[CE]]></dcterms:date>
    <dcterms:created><![CDATA[2011-09-02]]></dcterms:created>
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    <dcterms:title><![CDATA[Burial of Count Orgaz]]></dcterms:title>
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    <dcterms:title><![CDATA[The Calling of St. Matthew]]></dcterms:title>
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    <dcterms:title><![CDATA[The Conversion of St. Paul]]></dcterms:title>
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    <dcterms:title><![CDATA[Landscape with the Flight Into Egypt]]></dcterms:title>
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