Bohemian air : no. 1 of the Bohemian airs andc.
For piano. Caption title. Holograph (Ink). Paper in poor condition, with holes and tears. Corrections on inserts pasted on p. [1]. "13 Bohemian airs &c. : Russian, Arabic, Hungarian &c."--Additional title card with printer name W. Straker, Printer, Ludgate Hill and Liverpool Street.
State University of New York at Buffalo. Music Library
Copyright Statement for Digitized Materials from the Music Library
NO COPYRIGHT – UNITED STATES. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.
For piano. Caption title. Holograph (Ink).
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on p. [1-3].
For piano. Caption title. Holograph (Ink). Corrections on inserts pasted on both pages.
For piano. Cover title. Holograph (Ink). Corrections on inserts pasted on p. 3-4.
For piano. Title from initial tempo marking. Holograph (Ink), with additional markings in pencil. Corrections on inserts pasted on p. [1].
For piano. Cover title. Holograph (Ink). End of Andante (p. [5]): Nov. 1, 1890. Final two measures of Allegro corrected on insert.
For piano. Title from initial tempo marking. Holograph (Ink). Corrections on inserts pasted throughout.
For piano. Title from initial tempo marking. Holograph (Ink). "Composed for and dedicated to H.P. Dickenson Esqr."--Caption : 17/6 .90.
For piano. Caption title. Holograph (Ink). Caption: 11/12 88.
For piano. Cover title. Holograph (Ink).
For piano. Title from initial tempo marking. Holograph (Ink).
For piano. Cover title. Holograph (Ink). Caption: 21/1 91.
For piano. Cover title. Cover: Juni 1888. Holograph (Ink) , 50 measures.
For piano. Caption title. Additional title in caption indecipherable. Holograph (Ink) , 51 measures. Caption: May 88. Corrections on inserts pasted on p. [1].
For piano. Caption title. Holograph (Ink). "Composed for Miss Maggie Oakey, April 1884"--Caption. Corrections on inserts pasted on both pages. Possibly incomplete.
For piano. Caption title. Holograph (Ink). Caption: 8/4 91.
For piano. Cover title. Adagio caption: "17th Aug 88", Allegro agitato caption: "Jan. 1891". Holograph (Ink). Sections are numbered separately. Corrections on insert pasted on p. 4 of Allegro agitato.
For piano. Caption title. Holograph (Ink). Bottom of p. 1-2 partially missing.
For piano. Caption title. Holograph (Ink). Caption: 9/5 90. Corrections on inserts pasted on p. [1, 3].
For piano. Caption title. Holograph (Ink). Dedication in German at bottom of p. [1]: "To Julius, 16 April 1891". Corrections on insert pasted on p. [1]. Paper torn, bottom right corner missing.
Dr. Rodgers was invited to speak and give workshops at many conferences including . These are cover pages, syllabi, notes and agendas for some of her workshops.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Estate of Suzanne Rodgers
Industrial Ergonomics Resource Materials Written or Edited by S.H. Rodgers, Ph.D
A bibliography of industrial ergonomics books and articles that Dr. Rodgers contributed to.
Expert Witness Testimony for Proposed Ergonomic Program Standard
Draft with comments of expert witness testimony for the Proposed Ergonomics Rulemaking Hearing at DOL, Washington, DC in February, 2000
Questions on the Development of a Proposed Ergonomics Program Standard for Stakeholder Meetings September 24 and 25, 1998
Comments on the Development of a Proposed Ergonomics Standard by OSHA/DOL
Comments on the Development of a Proposed Ergonomics Standard by OSHA/DOL, in connection with the Stakeholders Meetings, September 24th and 25th, 1998
Comments on the Draft Document 29 CFR Part 191 O - Ergonomic Safety and Health Management Program
Comments Regarding the Issuance of a General Industry OSHA Standard on Ergonomic Safety and Health Management
NIOSH Work Practices Guide to Manual Lifting - Future Evaluations Revisions, and Extensions - Proposed Contributions - SHR
Summary of April 18, 1986 Meeting Major Points, Areas of Possible Contributions to These Programs by SH Rodgers, Funding to Cover Work by S.H. Rodgers As Noted Above and Timelines
Proposal for Revisions to the Frequency Factor in the NIOSH Guide for Manual Lifting
A Practical Guide To Adjusting Your Computer Workstation
A guide about office workstation ergonomics by Dr. Inger Williams and Dr. Suzanne Rodgers.
Handwritten notes, graphs and typed draft about heat tolerance.
Handwritten Notes on Blood Pressure, Hypertension, Muscle Fatigue, Muscle Endurance and Energy
Handwritten notes about blood pressure, hypertension, muscle fatigue, muscle endurance, and energy.
Handwritten Notes on skin conductivity and fatigue
Handwritten notes about skin conductivity, muscle fatigue (static and dynamic), previous studies and additional thoughts.
Handwritten notes on lifting tasks and job analysis flowcharts
Syllabus for IE 436/546 The Physiological Basis of Human Factors 1985
Feedback from Dr. Rodgers to her class at University at Buffalo (IE 436/536) on Grip Strength Laboratory Exercise
Exams and drafts of exams written during Dr. Rodgers' work at University at Buffalo.
Comments on Elements of Ergonomics Programs - A Primer Based on Workplace Evaluations of Musculoskeletal Disorders.
Letter from Dr. Rodgers with comments on the NIOSH document "Elements of Ergonomics Programs - A Primer Based on Workplace Evaluations of Musculoskeletal Disorders"
The Visual Access Simulator for Standing and Seated Work
Matching Worker and Work Site - Ergonomic Principles
Notes on the 7/14/87 Meeting at NIOSH Regarding the Manual Materials Handling Guidelines
The Forcing Strategy: An Integrated Ergonomics Program At The Goodyear Tire & Rubber Company
Spiraling workers' health care cost necessitated a systems approach to employee safety management at The Goodyear Tire & Rubber Company. Our mission was charted, "To eliminate loss and maximize our resources through the application of ergonomic principles, in support of the perfection strategy." The following reviews Goodyear's approach to establish a global ergonomics awareness program by utilizing a forcing strategy to create change.
A Proposed Revision of the Frequency Factor for the NIOSH Work Practices Guide for Manual Lifting
Comments on the June 4, 1993 ANSI 2365 Draft "Control of Cumulative Trauma Disorders"
Comments on Protocol for Cumulative Trauma Disorders Manual
A talk given by Dr. Suzanne Rodgers at the Symposium on "The Advancement of Women in Industry", sponsored by the Advisory Committee on the Economic Role of Women, Washington, D.C., on September 20, 1973.
Summary of the Major Points Made in a Talk on August 25, 1984 to the National Flute Association Convention, Chicago, IL
Curriculum Vita Suzanne H. Rodgers, Ph.D. Consultant in Ergonomics
Physiological Cost of High Frequency Lifting: A Review
This is a draft manuscript that Dr. Rodgers contributed to.
Draft Manuscript: The effect of wrist position on grip strength
Draft of a manuscript Dr. Rodgers co-authored
Ergonomic Training Course Evaluation Feedback
Ergonomics Training Course Evaluations (2-Day) Summarized
Written letter from Sue providing feedback.
Visual Concerns at the Computer Workstation
Postural Concerns at the Computer Workstation
Dr. Rodgers' created several drawings for use in her work. This is a collage of those drawings.
Dr. Rodgers’ Edits and Feedback on Several Pages from the Draft Chapter of a Book She Contributed To
Handwritten draft for section of book chapter regarding motor control
Kodak's Ergonomic Design for People at Work
Dr. Rodgers was a significant contributor of the Eastman Kodak series: Ergonomic Design for People at Work. This includes the table of contents, figures and tables in Volume 1 and 2 of the 1st Edition and the 2nd Edition.
A sample of pages in the layout process for Dr. Rodgers’ book, Working with Backache.
A book written by Dr. Rodgers that provides a practical approach to employee training, workplace design and job design to reduce low back pain.
A set of title pages and schedules for seminars given by Dr. Rodgers. A list of the seminars included is given at the beginning of the document.
Mivos Quartet members Olivia De Prato and Lauren Cauley Kalal, violin, Victor Lowrie Tafoya, and Mariel Roberts, violoncello in rehearsal of Mathew Arrellin's Cacodemonic at June in Buffalo 2018
Four people dressed in black sit in a semi-circle playing violins, a viola, and a cello. They face music stands in front of a beige paneled wall. In the foreground, a person sits in a red chair with their back to the camera, holding sheet music.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer John Harbison speaks with JoAnn Falletta, conductor during rehearsal of Harbison's pieces Darkbloom: Overture for an Imagined Opera and Remembering Gatsby (Foxtrot for Orchestra) at June in Buffalo 2018
Buffalo Philharmonic Orchestra - Ensemble
A group of people with cellos and double basses are positioned on a wooden stage in front of a wood-paneled wall. One person stands on a raised platform in the center while others stand or sit facing music stands. Microphones and sheet music are visible throughout the scene.
A person in a patterned shirt stands on a dark platform while another person stands in the foreground to the right. Seated musicians with cellos and double basses surround the central area on a wooden stage. Music stands and microphones are visible throughout the arrangement.
An orchestra is positioned on a stage with a person standing on a small platform in the center and another person standing at the edge of the stage. Musicians in the background hold cellos and double basses, while a person in the foreground sits facing them with sheet music nearby. Wooden panels line the wall behind the group, and a microphone stand is visible on the right.
Musicians sit with string instruments on a stage in front of a wood-paneled wall. One person stands on a central platform facing the ensemble, while another stands in the foreground looking towards the group. Sheet music and music stands are positioned among the seated players.
Several people are positioned on a stage with wood-paneled walls, holding or playing instruments such as cellos and violins. In the center, a person in a black and white patterned shirt stands near a small platform, while others are seated in chairs with music stands in front of them. Microphone stands are placed around the performers, and one person is seated in the foreground with their back to the camera, looking at sheet music.
Several individuals sit and stand on a wooden stage with music stands and instruments such as cellos and a double bass. One person in a patterned shirt stands at the center of the stage while others sit behind music stands or hold their instruments. Microphone stands are positioned across the stage, and one person sits in the foreground with their back to the viewer.
An orchestra rehearsal takes place on a wooden stage with musicians seated behind music stands. One person stands in a patterned shirt with hands raised, while another person stands with their back to the viewer. The room features dark wood-paneled walls and tiered seating in the background.
Composer David Felder speaks with JoAnn Falletta, conductor during rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Multiple musicians sit with string and wind instruments on a stage featuring music stands and sheet music. A person in the foreground stands with their back to the camera facing the ensemble, while a second individual stands on a small podium in the center. Percussion instruments and a clock are visible against the wood-paneled background.
JoAnn Falletta, conductor leads the Buffalo Philharmonic Orchestra in rehearsal at June in Buffalo 2018
A large group of musicians plays various string and wind instruments on a stage while a conductor stands on a podium in front of them. The stage is situated in an auditorium with wood-paneled walls and a pipe organ built into the back wall. In the foreground, rows of empty dark seats face the stage under dim lighting.
Musicians sit in rows on a light-colored wooden stage, playing various string, brass, and woodwind instruments. A person stands on a central podium facing the ensemble with a baton raised. The stage is set within a wood-paneled hall featuring large organ pipes in the background.
An orchestra sits on a large wooden stage in a hall with wood-paneled walls. A conductor stands on a central podium while musicians play instruments including violins, cellos, double basses, and a grand piano on the left. Darkened rows of empty audience seating occupy the foreground.
Musicians sit on a wooden stage playing instruments including a piano, violins, and cellos with sheet music on stands. A conductor stands on a podium in the center facing the ensemble with a baton. The background features wood-paneled walls and a large pipe organ, with rows of empty seats in the foreground.
Dozens of musicians sit on a stage with various instruments, including a piano, harps, and stringed instruments. A person stands on a podium in the center of the stage, facing the orchestra with their back to the empty seating area. The concert hall features wood-paneled walls and a pipe organ in the background.
Musicians sit on a wooden stage with instruments including violins, cellos, and clarinets. A person in a black shirt stands with their back to the viewer and arms raised toward the group. Another person wearing a patterned top stands near a music stand while others look in their direction.
Seated musicians with instruments including violins, a cello, and woodwinds are positioned behind music stands on a wooden stage. One person stands on a podium in the foreground with their back to the camera, and another person stands facing the ensemble. The background features wood-paneled walls and additional individuals in tiered seating.
Musicians are seated on a wooden stage with instruments including cellos, violins, and woodwinds. One person stands on a central riser facing the group, while another person in the foreground stands with their back to the camera. Music stands with sheet music are positioned throughout the ensemble in a hall with wood-paneled walls.
An orchestra of musicians sits on a wooden stage with various instruments, including cellos, violins, and woodwinds. A person stands on a small podium in the center, facing the group with music stands and sheet music arranged throughout. Red theater seats are in the foreground, and a wood-paneled wall serves as the background.
A person in dark clothing stands on a raised platform facing a group of seated musicians on a wooden stage. The musicians hold string and woodwind instruments while looking at sheet music on stands. In the foreground, the back of a person's head is visible from the audience seating area, which features rows of red chairs.
Musicians sit on a stage holding cellos and violins behind music stands. A person in a patterned shirt sits on a platform and holds their hands up while facing the musicians. In the foreground, a person stands with their back to the camera.
Multiple people sit with various string and wind instruments on a stage with music stands. In the foreground, one person sits on the edge of a low platform while a second person stands and touches the first person's hand. Musicians in the background hold cellos and violins while looking toward the front.
Multiple musicians occupy a wooden stage, with several individuals in the foreground seated while playing cellos and violins. One person leans over a music stand in the center, and others stand in the background near brass instruments and sheet music. A low black platform sits on the stage near the edge, and the tops of red audience seats are visible at the bottom.
Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Hannah Levinson, viola, Yumi Ito, clarinet, Kelley Barnett, flute, Maria Hadge, violoncello, Yumi Suehiro, piano, Josh Perry, percussion, and Mark Broschinsky, trombone pose with composers Louis Karchin and Roger Reynolds after a performance of their works at June in Buffalo 2018
Eleven people dressed in dark formal clothing stand on a wooden stage in front of a white wall and a grand piano. Several individuals hold musical instruments, including a cello, violins, a flute, a clarinet, and a trombone. A copyright watermark is superimposed across the center of the group.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)