Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Hannah Levinson, viola, Yumi Ito, clarinet, Kelley Barnett, flute, Maria Hadge, violoncello, Yumi Suehiro, piano, Josh Perry, percussion, and Mark Broschinsky, trombone pose with composers Louis Karchin, Roger Reynolds, and Hans Thomalla after a performance of their works at June in Buffalo 2018
The group stands on a light-colored wood floor in front of a neutral-colored wall and dark curtains. Several individuals hold instruments, including two violins, a flute, a clarinet, a cello, and a trombone. Most of the people wear black or dark blue attire.
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State University of New York at Buffalo. Music Library
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Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Eleven individuals are positioned in a line on a light-colored wooden stage in front of a white wall. Several people hold musical instruments such as a violin, clarinet, flute, cello, and trombone. Most of the group wears dark-colored clothing, and a grand piano is visible in the background.
Composer Louis Karchin acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Mark Broschinsky, trombone, Yumi Ito, clarinet, Josh Perry, percussion, and Kelley Barnett, flute after a performance of Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
A small ensemble of musicians stands on a lit stage holding instruments including a flute, clarinet, and violin, with a grand piano and cello positioned behind them. The performers are dressed in dark clothing and are situated among music stands and microphone equipment. An audience is visible as dark silhouettes in the foreground below the stage.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Hadge, violoncello, Maria Im, violin, Mark Broschinsky, trombone, Yumi Ito, clarinet, Josh Perry, percussion, and Kelley Barnett in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
A group of musicians dressed in dark clothing performs on a wooden stage featuring a grand piano and various other instruments. A person stands in the center of the group, and a percussionist is visible in the background. Microphones and music stands are positioned around the performers, while silhouettes of an audience appear in the foreground.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer Hilda Paredes acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute after a performance of Paredes' piece Siphonophorae at June in Buffalo 2018
Several individuals dressed in black stand on a wooden stage with a grand piano, violins, a cello, and a clarinet. A person in a grey tunic walks toward the center of the stage in front of the others. Silhouettes of an audience are visible in the foreground against the bright stage lights.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in a performance of Hilda Paredes' piece Siphonophorae at June in Buffalo 2018
Six people dressed in black perform on a wooden stage featuring a grand piano, a cello, a violin, a flute, and a clarinet. One person stands with their back to the audience while facing the other musicians. Tall microphone stands are placed around the ensemble, and the silhouettes of audience members appear in the foreground.
Seven musicians dressed in black are positioned on a wooden stage among music stands and various instruments. The group includes a person at a grand piano, string players, and woodwind players, with one individual standing in the center. Recording equipment and percussion instruments are situated in the background of the performance hall.
Composer Roger Reynolds acknowledges Moon Young Ha, conductor and Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, and Maria Hadge, violoncello after a performance of Reynolds' piece Shadowed Narrative at June in Buffalo 2018
Five people stand on a light-colored wooden stage in front of a grand piano. Two individuals hold string instruments, one claps, and another on the far left gestures toward the group. Music stands are positioned on the right side of the stage, and silhouettes of audience members are visible in the foreground.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, Maria Hadge, violoncello, and Yumi Ito, clarinet in a performance of Roger Reynolds' piece Shadowed Narrative at June in Buffalo 2018
An ensemble of five people dressed in black performs on a wooden stage. The group consists of a pianist at a grand piano, a violinist, a cellist, and a woodwind player, with a conductor standing with their back to the camera. Music stands and percussion instruments are positioned around the stage, and the silhouettes of audience members are visible in the foreground.
Moon Young Ha, conductor leads Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Yumi Suehiro, piano, Kelley Barnett, flute, Mark Broschinsky, trombone, Yumi Ito, clarinet, and Josh Perry, percussion in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
A conductor stands on the left side of a wooden stage, facing a group of musicians seated with their instruments. The ensemble includes people playing a cello, a clarinet, a piano, and various percussion instruments like a large gong and cymbals. Sheet music stands are positioned in front of the performers, and the background features white walls and wooden soundproofing panels.
Moon Young Ha, conductor leads Ensemble Mise-En members Maria Im, violin, Maria Hadge, violoncello, Yumi Suehiro, piano, Mark Broschinsky, trombone, Yumi Ito, clarinet, Kelley Barnett, flute, and Josh Perry, percussion in a performance of Louis Karchin's piece As the Circle Opens to Infinity... at June in Buffalo 2018
A group of musicians in black clothing performs on a light-colored wooden stage in front of a large white wall. The ensemble includes performers with a violin, cello, trombone, grand piano, and percussion instruments. Music stands and microphones on tall black stands are positioned around the group.
Composer Hans Thomalla and Moon Young Ha, conductor pose at June in Buffalo 2018
Two individuals are positioned in front of a white wall and wooden paneling. Both wear glasses and dark button-down shirts, with the person on the left looking downward and the person on the right looking toward the camera. A percussion instrument is partially visible on the right, and a copyright watermark spans the center.
Composer Roger Reynolds coaches Moon Young Ha, conductor and Ensemble Mise-En members Maria Im, violin and Yumi Ito, bass clarinet at June in Buffalo 2018
Four people are positioned around music stands and various musical instruments on a wooden stage. One person stands and looks at a digital tablet on a stand, while another person with white hair stands on the right. Two people are seated behind music stands, one with their back turned and one facing forward.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Seuhiro, piano, Maria Im, violin, Maria Hadge, violoncello, and Yumi Ito, bass clarinet in rehearsal of Roger Reynolds' piece Shadowed Narrative at June in Buffalo 2018
Five musicians dressed in black perform on a wooden stage under bright lights. The ensemble consists of individuals playing a grand piano, violin, cello, and clarinet. A conductor stands with their back to the camera, facing the group and gesturing while music stands and instruments are positioned around the performers.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Hannah Levinson, viola, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in rehearsal of Hans Thomalla's piece Momentsmusicaux at June in Buffalo 2018
Musicians are positioned on a wooden stage with various instruments and music stands. One person stands facing the group while another individual observes from the pews in the foreground. Recording equipment and percussion instruments are visible in the background.
Composer Roger Reynolds acknowledges Irvine Arditti, violin and Paul Hembree, computer after a performance of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Three individuals stand on a light-colored wooden stage in front of a white wall and several music stands. One person in the center holds a violin and bow, while a table with audio equipment and a laptop sits to the right. The silhouettes of audience members are visible in the foreground.
Three people stand on a wooden stage in front of a white wall, with one person on the left holding a violin and bow. To the right, a table holds a laptop, audio mixer, and electronic devices near several music stands. The silhouettes of audience members are visible in the foreground.
Three people are positioned on the left side of a wooden stage, with one person holding a violin near two music stands. A table with a laptop and audio mixer sits on the right side of the stage near a digital timer on the floor. The dark silhouettes of an audience appear in the lower foreground.
Three people stand on a light-colored wooden stage, one of whom holds a violin. To the right, a table holds a laptop and audio equipment, with a small monitor on the floor displaying the numbers 23 39. Silhouettes of audience members are visible in the lower portion of the frame.
Irvine Arditti, violin and Paul Hembree, computer acknowledge applause after a performance of Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
One person stands behind music stands holding a violin while another stands nearby with their hands behind their back. A table to the right holds a laptop and mixing console next to a small monitor on the floor displaying numbers. Silhouettes of an audience are visible in the foreground.
Composer Hans Thomalla acknowledges Irvine Arditti, violin after a performance of Thomalla's piece Air at June in Buffalo 2018
A person in a light shirt and dark pants stands on the left side of a stage with arms raised. On the right, a person with curly hair wearing black clothing holds a violin and a bow while standing behind music stands. The stage has light-colored wood flooring and a white wall with a dark horizontal panel in the background.
A person in a light-colored shirt and dark pants stands on a wooden floor facing another person dressed in black. The person in black holds a violin and bow in one hand and extends the other arm outward. Three music stands are placed in front of them against a wall with a dark horizontal panel.
Two people stand together on a stage in front of several music stands. One person wears a light-colored shirt and dark trousers, while the other person wears all black and holds a violin and bow. A dark horizontal panel is visible on the white wall behind them, and a watermark is positioned across the center.
Two people stand on a light-colored wooden stage next to a row of four black music stands. One person wearing a light-colored long-sleeve shirt embraces another individual who is dressed in black clothing. The person in black holds a violin and bow in their left hand while looking toward the front. The background features a white wall with a large black rectangular section.
Composer Hilda Paredes acknowledges Irvine Arditti, violin after a performance of Paredes' piece In Memoriam Thomas Kakuska at June in Buffalo 2018
On the left, a person with long dark hair stands wearing a patterned tunic and dark leggings. To the right, another person with curly light hair holds a violin and bow while standing behind four music stands. The room features light-colored wooden flooring and a white wall with a dark rectangular horizontal panel.
Two people stand on a wooden stage in front of a white wall. One person wears a patterned tunic and black leggings, while the other wears black clothing and holds a violin and bow. The person with the violin extends a hand toward the other person while holding a pair of glasses. Several music stands are arranged in a row on the right side of the stage.
Two people stand on a wooden stage behind several music stands. One person has short, curly gray hair and holds a violin and bow, while the other person has long dark hair and wears a multi-colored tunic. Both people are positioned close together in front of a white wall with a black horizontal panel.
Irvine Arditti, violin performs Hans Thomalla's piece Air at June in Buffalo 2018
A person wearing a light-colored shirt and dark trousers stands on a light wooden floor and plays a violin. Four black music stands are arranged in a row in front of the individual, and a large black surface is mounted on the wall behind them. A copyright watermark is visible across the center of the frame.
This black and white photograph shows a person with curly hair playing a violin. They are positioned behind a series of dark music stands and hold a bow to the strings of the instrument. The person wears a light-colored shirt and glasses while looking down toward the violin.
Composer Hans Thomalla coaches Irvine Arditti violin, on Thomalla's piece Air at June in Buffalo 2018
Two individuals are in a room with light wood floors and several black music stands. The person on the right is playing a violin, while the person on the left stands facing them with one hand raised. Both wear light-colored shirts and glasses.
Two individuals stand behind several black music stands on a wooden floor. One person is holding a violin and bow while the other leans toward a music stand in front of them. Both are wearing long-sleeved shirts and dark pants against a plain background.
Irvine Arditti, violin and Paul Hembree, computer perform Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
A person with graying curly hair and glasses stands on a wooden floor, holding a violin and bow. They face three music stands that hold sheet music. A table in the background is equipped with an audio mixer and various cables, while a monitor on the floor displays the numbers zero and four.
A person with gray hair and glasses stands on a wooden stage playing a violin. Several music stands with sheet music are positioned in front of the musician, along with a table holding audio equipment. A floor monitor displaying the numbers zero and four sits amidst various power cords.
On a wooden stage, a person stands on the left playing a violin behind several black music stands. To the right, another person sits at a table with a laptop and various electronic audio devices connected by several cables. A small monitor sits on the floor in front of the table.
One individual stands on a wooden stage playing a violin behind several music stands. A second individual sits at a table behind them, operating a laptop and an audio mixer connected by numerous cables. A small digital display sits on the floor in front of the table.
Composers Roger Reynolds, Hilda Paredes, and Hans Thomalla posing at June in Buffalo 2018
Three individuals are positioned in a row in front of a neutral wall. The person on the left wears a dark jacket, the person in the middle wears a pink scarf over a dark top, and the person on the right wears a light-colored button-down shirt. All three individuals wear glasses and face forward.
Three individuals stand in a row in front of a plain background. The person on the left wears a dark cardigan and glasses, the middle person wears a long pink scarf over a patterned top, and the person on the right wears a light-colored shirt and glasses. A semi-transparent watermark is visible across the center of the group.
Irvine Arditti, violin performing Hilda Paredes' piece In Memoriam Thomas Kakuska at June in Buffalo 2018
A person with curly gray hair and glasses stands behind a row of black music stands while playing a violin. They are dressed in a black short-sleeved shirt and dark pants on a light wooden floor. Several music stands containing sheet music are positioned in the foreground.
Composer John Harbison giving a seminar to student composers at June in Buffalo 2018
A person with short grey hair and a goatee wears a dark grey fleece jacket while sitting at a wooden table. They hold a yellow pencil in their clasped hands and look toward the right. A white sheet of paper rests on the table surface in front of them.
A person with short grey hair and a beard sits at a dark wooden table wearing a dark grey fleece jacket. They hold a yellow pencil in one hand and lean forward with their arms on the table near white papers. The background consists of a plain white wall and a black chair.
A person with gray hair and a short beard sits at a dark wooden table in front of a white wall. Their hands are clasped together near their chin, and they are holding a yellow pencil. Several white papers are placed on the table in front of them.
A person with gray hair and a short beard sits at a table wearing a dark fleece jacket. Their hands are clasped together holding a pencil while they look toward the upper left. Sheets of paper sit on the table in front of them, and a white board is visible in the background.
Three people sit on chairs on the left side of a room, facing another person seated behind a desk on the right. A black grand piano and a music stand are positioned in the center of the room between the two groups. Large whiteboards are mounted on the wall behind the desk, and one person on the left gestures while the individual at the desk holds a pencil.
A person wearing a dark jacket sits at a wooden table and looks down at a stack of white papers. To their left is a white plastic bottle, and in the foreground, the back of another person's head and a plaid shirt are visible. The background consists of a plain light-colored wall with a black rail running horizontally across it.
Composer Hilda Paredes at June in Buffalo 2018
A person with dark curly hair wears a black long-sleeved top and a long pink scarf. They carry a black crossbody bag and wear a necklace with a large pendant. The person stands with light coming from one side against a dark background.
A person with dark, shoulder-length wavy hair stands near a bright vertical surface against a black background. They wear a black ribbed top, a long light-pink scarf, and a black leather crossbody bag. Accessories include a heart-shaped pendant necklace and a ring on the hand resting on a dark surface.
Irvine Arditti, violin and Paul Hembree, computer rehearse Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
A person with short, curly hair stands and plays a violin in front of a music stand on a light-colored wood floor. In the background, another person sits at a table equipped with a laptop and a large audio mixing board. A digital display on the floor shows the numbers zero and fifty-four near several black cables.
A person in a light-colored shirt and dark pants stands on a wooden stage playing a violin. In the background, a second person sits behind a table with a laptop and a sound mixing board. A music stand is positioned in front of the violinist, and a small monitor on the floor displays numerical digits.
Composer Roger Reynolds speaks with Paul Hembree, computer during rehearsal of Reynolds' piece Shifting/Drifting at June in Buffalo 2018
Two people are seated at a long table in a room with wood flooring. One person with white hair and glasses gestures while facing another person with dark hair. On the table, there is a laptop, a small control panel, a large mixing console with numerous colorful cables, and a red interface box.
Two people are seated at a table covered in sound production equipment, including a laptop and several electronic interfaces. A variety of multicolored cables connect the different components across the workspace. The person on the left looks toward the equipment while resting a hand on their face, as the person on the right gestures with an open hand.
One person sits behind a silver laptop with their hand on their chin. A second person with white hair and glasses sits next to them, gesturing towards a large audio mixing board. Multiple colorful cables connect the laptop, a small red interface, and the mixer across the table's surface.
Two people are seated at a table featuring a laptop, a blue mixing console, and multiple audio interfaces. One person with dark hair and a gray shirt faces towards another person with white hair and glasses. Numerous colored cables connect the various electronic devices spread across the table surface.
Paul Hembree, computer rehearsing Roger Reynolds' piece Shifting/Drifting at June in Buffalo 2018
An individual sits at a table and interacts with a small controller while positioned between a large mixing board and an open laptop. Various cables and a red interface box are connected across the workspace. A music stand with sheet music is visible behind the laptop on a light wood floor.
A person sits at a table using several pieces of audio equipment, including a large mixing console and a smaller controller with faders. A laptop and a music stand with sheet music are also on the table. The scene is set in a performance space with a light-colored wooden floor.
A person viewed from behind sits at a table equipped with a mixing console, a MIDI controller, and an open laptop. To the right of the table, a music stand holds several pages of sheet music. The setup is positioned on a light-colored wooden floor against a dark background.
Close up of a double bass microphone with Signal Ensemble members Olivia De Prato, violin, Kelli Kathman, flute, and Victor Lowrie Tafoya, viola in the background during rehearsal at June in Buffalo 2018
Signal (Musical group : 2008- ) - Ensemble
A silver condenser microphone in a shock mount is positioned in front of a group of musicians. To the right, a person holds the neck of a double bass with a bow resting on its strings. Musicians with music stands are visible in the blurred background against a wood-paneled wall.
Aaron Holloway-Nahum, sound engineer adjusts a microphone above Irvine Arditti, violin during rehearsal at June in Buffalo 2018
One person stands and adjusts a microphone on a tall boom stand. A second person is seated nearby with a stringed instrument, positioned behind a music stand. The room features vertical wood paneling and contains a harp and other musical equipment.
A person sits on a chair playing a violin in front of a music stand in a room with wood-paneled walls. Beside them, a standing person reaches upward to position a microphone. Other musical equipment, including a harp and speakers, is visible in the background of the performance space.
Composer David Felder speaks with Signal Ensemble member Greg Chudzik, double bass as Brad Lubman, conductor and other Signal Ensemble members and guests Irvine Arditti, violin and Lauren Radnofsky, violoncello look on after a rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
Several musicians are positioned on a wooden stage in front of a tall wood-paneled wall. One person plays a double bass on the right, another plays a cello in the center, and a third sits with a stringed instrument on the left. Music stands, microphones, and a harp are placed throughout the scene among the performers.
Two people are on a wooden stage with white walls in the background. One person stands on the left playing a violin behind a music stand. The other person sits on the right at a table covered with a laptop and audio mixing equipment.
A person with grey curly hair stands on a wooden stage, playing a violin while looking toward a music stand. Behind them, another person sits at a table equipped with a laptop and a sound mixer connected by various cables. A monitor on the floor displays digital numbers in a room with dark curtains and acoustic wall treatments.
Brad Lubman, conductor speaks with composer David Felder after a rehearsal of Felder's piece Jeu de Tarot at June in Buffalo 2018
One person wearing all black stands on a wooden stage near a harp and a double bass, gesturing with their hands. A second person stands on the floor level looking up toward the stage. Microphones, music stands, and chairs are scattered across the platform in front of a wall of vertical wooden panels.
Brad Lubman, conductor speaks with Greg Chudzik, double bass and unidentified musician speaks with composer David Felder after rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
Two people stand over a music stand with papers on a wooden stage where a double bass rests on the floor. A third person stands behind them holding a small book, while a fourth person is seated in the red theater seats looking up toward the stage. The room features vertical wooden wall panels and a microphone.
Brad Lubman, conductor leads Signal Ensemble members and guests Olivia De Prato and Irvine Arditti, violin, Oliver Hagen, piano, Victor Lowrie Tafoya, viola, and Lauren Radnofsky, violoncello in rehearsal of David Felder's Jeu de Tarot at June in Buffalo 2018
A person in black clothing stands on a platform and points toward several seated musicians playing string instruments. A grand piano is positioned behind the performers on a stage with wood-paneled walls and overhead microphones. Sheet music is displayed on several stands in front of the musicians.
Signal Ensemble members and guests Irvine Arditti, violin, Kelli Kathman, flute, Olivia De Prato, violin, Vasko Dukovski, clarinet, and Victor Lowrie Tafoya, viola in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
Five musicians sit in a rehearsal space with wood-paneled walls, playing instruments like violins and a flute. Music stands and several microphones on tall stands are positioned around the performers. Instrument cases and various pieces of equipment are visible on the floor.
Signal Ensemble members and guests Rosanna Moore, harp, Bill Solomon, percussion, and Irvine Arditti and Olivia De Prato, violin in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
A seated person in a white shirt and gray pants plays a viola in a room with wood-paneled walls. To the left, another person sits behind a large harp, and a third person stands in the background near percussion equipment. Music stands, microphones, and other musical gear are positioned around the performers.
Brad Lubman, conductor leads Signal Ensemble members and guests Kelli Kathman, flute, Victor Lowrie Tafoya, viola, Vasko Dukovski, clarinet, Lauren Radnofsky, violoncello, and Greg Chudzik, double bass in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
A conductor stands on a platform with arms extended toward musicians playing a violin, cello, and double bass. The performers are positioned in a room with wood-paneled walls and a massive pipe organ in the background. Music stands and microphones are placed throughout the stage area.
Composer David Felder coaches Brad Lubman, conductor, and Signal Ensemble members and guests Irvine Arditti and Olivia De Prato, violin, Kelli Kathman, flute, and Victor Lowrie Tafoya, viola on Felder's piece Jeu de Tarot at June in Buffalo 2018
A person stands in the foreground with arms raised toward a small ensemble of musicians seated on a wooden stage. The musicians hold various instruments, including violins and a harp, while music stands are positioned in front of them. One individual stands on a raised platform behind a high stool in the center of the stage. The setting is an indoor performance space with tall vertical wood paneling and large organ pipes visible on the right.
Brad Lubman, conductor leads the Signal Ensemble members and guests Irvine Arditti and Olivia De Prato, violin, Kelli Kathman, flute, Victor Lowrie Tafoya, viola, Vasko Dukovski, clarinet, Lauren Radnofsky, violoncello, and Greg Chudzik, double bass in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
A conductor stands on a podium facing an ensemble of musicians playing instruments including the double bass, cello, and violin. The stage is set against a tall wood-paneled wall housing a large pipe organ with numerous silver pipes. Several music stands, microphones, and a wooden stool are positioned across the performance area.
Signal Ensemble guest Irvine Arditti, violin marking his music as Signal Ensemble member Olivia De Prato, violin looks on in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
A person in a white shirt leans over a music stand to mark a sheet of paper with a red pen. Behind them, a second person sits holding a violin and bow. The room has wooden walls and organ pipes visible in the background.
Brad Lubman, conductor leads Signal Ensemble members and guests Irvine Arditti, violin, Kelli Kathman, flute, Olivia De Prato, violin, Vasko Dukovski, clarinet, Oliver Hagen, piano, Victor Lowrie Tafoya, viola, and Lauren Radnofsky, violoncello in rehearsal of David Felder's piece Jeu de Tarot at June in Buffalo 2018
A group of people plays instruments including violins and a cello in a concert hall. A massive pipe organ with silver pipes is installed on the wood-paneled wall behind the performers. Various music stands, microphones, and recording equipment are positioned around the ensemble on the stage.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, Maria Hadge, violoncello, Vasko Dukovski, clarinet, Josh Perry, percussion, and Kelley Barnett, flute in rehearsal of Ioannis Mitsialis' piece Saturn, the Son of Uranus at June in Buffalo 2018
Seven people in black attire are arranged on a wooden stage playing various musical instruments. A pianist sits at a grand piano on the left while other performers play a violin, a cello, a trombone, and a flute. One person stands in the center with their back to the camera near several music stands.
Six performers are positioned across a wooden stage wearing black clothing. A person plays a grand piano on the left, while others play instruments including a cello, trombone, and flute. One person stands with their back to the viewer, gesturing toward the group from the center of the stage.
Moon Young Ha, conductor leads Ensemble Mise-En members Yumi Suehiro, piano, Maria Im, violin, Maria Hadge, violoncello, Yumi Ito, clarinet, and Kelley Barnett, flute in rehearsal of Kai-Young Chan's piece Shimmers in the Shivery Moon at June in Buffalo 2018
Five musicians are arranged on a wooden stage with a grand piano, a cello, and a flute. One person stands with their back to the camera gesturing toward the group, while two others sit and play their instruments. Music stands and chairs are positioned around the performers.
Moon Young Ha, conductor leads Ensemble Mise-En members Hannah Levinson, viola, Maria Hadge, violoncello, Josh Perry, percussion, and Kelley Barnett, flute in rehearsal at June in Buffalo 2018
Four people in dark clothing perform music on a wooden stage. A seated person plays a cello, another seated person plays a flute, and a third person stands behind a marimba. A fourth person stands in the foreground with their back to the camera, facing the group and conducting.
Five musicians are positioned on a stage in front of a white screen. On the left, two people sit with string instruments, and on the right, another person plays a flute. A person stands behind a marimba in the background, while a person in the foreground stands with their back to the viewer, gesturing with their hands.
Five people play instruments on a wooden stage, including a violin, a cello, a flute, and a mallet percussion instrument. One person stands with their back to the camera while others are seated or standing behind their instruments. Music stands holding digital tablets and sheet music are arranged in front of the performers.
Composer Angel Jochi Hernandez-Camen coaches Eric Huebner, piano on Camen's piece Apanahuiayan at June in Buffalo 2018
One person with short hair sits at a black grand piano while another person with curly hair and glasses stands behind it. They are both looking toward the music stand and keyboard. The background features a neutral wall with a fire alarm pull station and vertical brown curtains to the side.
One person with short reddish hair sits at a black grand piano while another person with curly hair and glasses stands behind them. Both individuals are looking toward the music stand on the piano. The background consists of a plain wall with wooden trim.
Eric Huebner, piano rehearses Angel Jochi Hernandez-Camen's piece Apanahuiayan at June in Buffalo 2018
A person with short brown hair wearing a light-colored button-up shirt is seated at a black grand piano. The piano's lid is propped open, and sheet music rests on the music stand. The background features vertical wood paneling.
Composer Seong Ae Kim coaches Ensemble Mise-En members Yumi Ito, bass clarinet and Josh Perry, percussion on her piece #metoo at June in Buffalo 2018
A person on the left holds a bass clarinet while a person in the center gestures toward sheet music on a stand. To the right, a third person stands behind a marimba. The background consists of a light-colored wall and dark horizontal paneling.
Ensemble Mise-En members Yumi Ito, bass clarinet, and Josh Perry, percussion rehearse Dylan Findley's piece In the Mind of Energy at June in Buffalo 2018
A person with long dark hair stands on the left playing a bass clarinet while facing a music stand. On the right, a person in a striped shirt plays a large marimba using four mallets. The performance area includes light wood floors, microphones, and additional percussion instruments positioned between the players.
On the left, a person plays a large woodwind instrument while facing two music stands. To the right, another person stands at a marimba with several microphones and a bell. Both individuals are dressed in dark clothing and perform in a room with a light wooden floor.
Composer Dylan Findley coaches Ensemble Mise-En members unidentified musician and Josh Perry, percussion on his piece In the Mind of Energy at June in Buffalo 2018
A person on the left holds a bass clarinet near a music stand, while a person on the right stands behind a marimba holding mallets. A third person stands in the center between them. The setting features white walls, dark horizontal panels, and music stands.
Composer Reilly Spitzfaden coaches Hannah Levinson, viola on his piece Touch at June in Buffalo 2018
One person wearing a grey cardigan stands facing another person who holds a violin and a bow. The person with the violin wears glasses and stands behind a black music stand. A wooden mallet instrument and other music stands are positioned in the background.
On the left, a person wearing a grey cardigan gestures with their hands while facing another person. The person on the right wears glasses and holds a violin and bow next to a music stand. A marimba is positioned in the background against a plain wall.
Composer Roger Reynolds leading a seminar with composers Fernando Munizaga, Flannery Cunningham, Yi-Hsien Chan, and Igor Coelho A. S. Marques at June in Buffalo 2018
An individual with white hair stands before a whiteboard with handwritten notes regarding musical lines and rhythmic focus. Three people are seated at desks in the foreground, using musical scores and electronic devices. A wall clock, music stands, and a table with a water bottle and cups are also visible in the room.
A person with white hair stands before a whiteboard covered in writing and musical notation, gesturing with one hand while holding papers. Four individuals sit at desks, some using laptops while others look toward the front of the room. A clock hangs on the wall, and a desk with a water bottle and coffee cups sits near the whiteboard.
J. T. Rinker at the sound board at June in Buffalo 2018
A person wearing glasses operates a large sound mixing board in a darkened auditorium filled with red seats. To their left, a lamp illuminates sheet music, while a laptop to their right shows music editing software. A stage with musical equipment is visible in the background.
A person wearing glasses is seated at a large sound mixing console. A laptop displaying a music interface and a brightly lit binder of sheet music are positioned in front of them. The background shows rows of empty theater seats and a stage with wooden walls.
A person is positioned behind a large audio mixing board and a laptop displaying music software in a dimmed auditorium. A lamp brightly illuminates a musical score on a stand, and another individual stands on the stage in the background. Rows of red seats fill the space between the audio station and the stage.
Composer David Felder coaches Brad Lubman, conductor and Ensemble Mise-En guest Irvine Arditti, violin in rehearsal at June in Buffalo 2018
A person in dark clothing stands on a wooden stage holding equipment near a double bass and music stands. In the front rows of the theater, two people sit in red chairs looking toward the stage. A large maroon instrument case rests in the foreground on the stage floor.
Composer David Felder coaches Brad Lubman, conductor in rehearsal at June in Buffalo 2018
A person in a dark shirt stands on a wooden stage on the right, facing an individual in a green sweater standing among rows of red theater seats. The individual in the green sweater wears glasses and has their hands raised while looking towards the person on stage. A wooden stool sits on the stage near the edge, and a music stand is partially visible in the left foreground. Rows of empty red seats fill the background of the dimly lit space.
In an auditorium with rows of red chairs, two people stand near a wooden stool. A person wearing a green pullover and glasses gestures with their hands while facing a person in a black long-sleeved shirt. A music stand with papers is partially visible in the left foreground.
Composer David Felder coaches Brad Lubman, conductor and Ensemble Mise-En guest Irvine Arditti, violin at June in Buffalo 2018
A person in a dark long-sleeved shirt stands at a music stand facing a seated person who is playing a violin. A large harp and a table with a mandolin and another violin are positioned on the wooden stage. Music stands holding sheet music are arranged in front of the performers, with red theater seating visible in the background.
Composer David Felder coaches Brad Lubman, conductor and Ensemble Mise-En guests Lauren Radnofsky, violoncello and Irvine Arditti, violin at June in Buffalo 2018
A person in a pink shirt sits on a wooden stage playing a violin behind several music stands. An individual in a black long-sleeved shirt stands in the foreground with their back to the camera and arms raised. A large black harp stands on the right side of the stage next to a violin resting on a bench.
Composer David Felder coaching Ensemble Mise-En at June in Buffalo 2018
A person wearing glasses and a grey sweater stands on a wooden stage. Music stands holding sheet music are positioned nearby, with a blurred saxophone in the foreground. Rows of empty red seats fill the background of the dimly lit auditorium.
Composer David Felder and unidentified musician coaching Ensemble Mise-En at June in Buffalo 2018
Two people stand on a wooden stage in a theater with rows of empty red seats in the background. One person reads from a paper in their hands while the other looks down at sheet music near a music stand. A blurred brass instrument is positioned in the immediate foreground, framing the scene.
Composer David Felder and unidentified musician coaching Ensemble Mise-En with Ensemble Mise-En guest Lauren Radnofsky, violoncello in view at June in Buffalo 2018
Three people are positioned around a light-colored wooden table on a stage. One person leans over sheet music while another person stands behind the table looking toward a person in the foreground who is holding a cello. A tall music stand and additional sheets of music are scattered across the stage area.
Brad Lubman, conductor rehearses with Ensemble Mise-En members Kelley Barnett, flute, Maria Hadge, violoncello, Victor Lowrie Tafoya, viola, Tristan Kasten-Krause, double bass, Hajnal Pivnick, violin, and Josh Perry, percussion at June in Buffalo 2018
A group of musicians performs on a stage with music stands and various instruments. A conductor stands in the center with arms raised while other people play a double bass, flute, and mallet percussion. Empty red theater seating is visible in the background.