State University of New York at Buffalo. Music Library
NO COPYRIGHT – UNITED STATES. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information. Copyright Statement for Digitized Materials from the Music Library
John T. Horton, Interview from October 3, 1978
University of Buffalo. Department of History--History
Professor of history at the University of Buffalo and the State University of New York at Buffalo, 1926-1973; Chairman of the department, 1948-1967; alumnus of the University of Buffalo. Concerns his family history, student years, career as historian, faculty members, chair of Department of History, vews on education, people connected with the University, particularly Julius William Pratt.
Interviewer's Observations: John T. Horton, October 3, 1978 Although Dr. Horton's sight and hearing are poor, his mind is alert and his memory is incredible. The interview took place in his home, and when I arrived he asked me to pour each of us a glass of sherry. During the course of the interview Dr. Horton drank four glasses, and while he remained as rational and articulate as ever, I feel that he may have become somewhat more open toward the end. Mrs. Horton arrived home during the interview, and I stopped the tape while we chatted. She then left the room until the session was over. I had known Dr. Horton while I was a graduate student at the University of Buffalo. He remembered that I had been Dr. Pratt's graduate assistant and that I had written my master's thesis under his direction, and he insisted, both before the taping began and during the intervals while I changed the tape, that I, too, was a "source" for information about Pratt and that my views should be expressed. Despite my objections, he therefore interviewed me at a number of points. There seemed no way to avoid this unfortunate development without annoying Dr. Horton.
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Oil painting portrait of Joseph Chouinard as a young man
A person with fair skin and short light brown hair is depicted from the chest up in a painterly style. They wear a light-colored, vertically striped shirt over a white crew-neck undershirt. The background is composed of muted tones with visible brushstrokes throughout the composition.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Copyright Statement for Digitized Materials from the Music Library
Performance of Joseph Haydn's The Creation by the National Music Camp Festival Choir at the Interlochen Arts Camp, with University of Michigan Orchestra, Maynard Klein, conductor
A large group of people is assembled on a tiered wooden stage under a peaked roof structure supported by rough-hewn posts. An orchestra sits in the foreground with a conductor facing them, while a choir fills several rows of seating behind the musicians. The backs of audience members are visible in the lower portion of the frame, facing toward the stage.
Possible unidentified production of Massenet's Don Quichotte
Note on slide carton: Feb. 1965 Don Quixotte
Several people wearing historical-style clothing are positioned on multi-level platforms on a dark stage. The background is illuminated with cool blue light, showing silhouettes of trees and a hazy forest atmosphere. The wooden stage floor is partially lit from above.
A theatrical performance takes place on a dimly lit stage with blue spotlights highlighting figures and jagged patterns on the backdrop. A person in silver armor sits on a central platform while other people in capes and hats stand in the surrounding shadows.
A person holds a large, patterned fan across their chest while wearing a dark garment with gold detailing. The scene is lit from below, casting a large scrollwork shadow on the wall behind them. A horizontal railing is visible in the lower foreground.
A person with a mustache and dark hair wears a brown hat and a maroon vest over a light-colored long-sleeved shirt. Their head is turned to the side with wide eyes and an open mouth while one hand rests on their chest. The background is dark and contains indistinct, blurred shapes.
Two tall, backlit panels flank a central platform with low steps and abstract scenery in a darkened theater. Each panel displays a stylized figure in a long robe holding a large sword that points toward the floor. The center background shows light reflecting off layered horizontal shapes.
An individual wears a suit of weathered metal armor with a black leather strap crossing their chest. They have gray hair, a thick beard, and a mustache with curled ends while looking toward an overhead light. Their hands are positioned on the strings and neck of a wooden, round-backed instrument.
A circular, tiered structure made of large blocks sits on a wooden floor in the center of a dark stage. Warm light illuminates the blocks, while the surrounding area remains in deep shadow. In the background, large silhouetted shapes resembling ladders and abstract structures are positioned against partially lit panels.
Two individuals stand side-by-side wearing dark historical-style garments and large, circular white pleated neck ruffs. Both people have short dark hair in bowl cuts. The garment on the left features red trim and silver studs, while the background consists of dark, out-of-focus architectural shapes.
One person wears a dark green and gold patterned gown with a white lace collar and a small gold crown. The other person is clad in a suit of silver plate armor with chainmail gloves and a sword holstered at their waist. They stand together against a background of large, fringed tapestries.
Silhouetted tree and foliage set pieces frame the sides and background of a dark theater stage, backlit with deep blue light. Bright rectangular spotlights illuminate a series of steps in the center foreground. The top half of the background remains pitch black.
A theatrical stage set features three light-colored wall panels with arched openings and crenelated tops, separated by dark dividers with small rectangular windows. On the wooden floor, four dark high-backed chairs with pink seats and yellow tassels are positioned symmetrically around a central pink and yellow ottoman. Behind the ottoman, a small table draped in red sits in front of a gold-framed folding screen.
A person wearing a brown blazer, white shirt, and striped tie sits on a couch holding a violin. Behind them on the wall is an artwork depicting a feline creature, and a bookshelf is visible to the left. The scene takes place in a room with light-colored walls.
A person wearing a brown blazer, striped tie, and glasses sits indoors holding a violin and its bow. Behind the person hangs a framed painting of a large, stylized cat creature. To the left of the person, a green houseplant and a bookshelf are visible.
A person wearing glasses and a dark suit with a tie stands holding a violin and a bow. In the background, a piano is partially visible, and a table with a lamp sits to the left. A round dark object hangs on the wall behind the person.
A person dressed in a dark suit, white shirt, and patterned tie stands while holding a violin and bow in a playing position. They are positioned in front of a window with white horizontal blinds that show a cast shadow of the figure. A small potted plant is visible on a ledge at the bottom of the frame.
A person wearing a brown blazer, white shirt, and striped tie holds a violin vertically and a bow horizontally. A framed piece of art featuring a stylized animal hangs on the wall behind them. The person is captured from a side profile against a plain background.
A person wearing glasses and a formal suit sits indoors, holding a violin upright and a bow horizontally. Behind the individual is a large, framed painting featuring a stylized, orange-toned cat with whiskers and large eyes. The scene is set against a plain wall with a brown, upholstered sofa visible in the lower half of the frame.
A person in formal attire holds a violin while sitting in an indoor space. A stylized painting of a feline creature is displayed on the wall behind them. A bookshelf and a potted plant are positioned to the left of the scene.
A person wearing a brown blazer and a striped tie sits and holds a violin vertically. To their left is a bookshelf and a green plant, while a framed painting of a stylized animal hangs on the wall behind them.
Colored drawing of a female figure by P. Heck
This illustration features a person with fine-line facial details wearing a dotted garment against a bright yellow wash. Black ink lines form geometric and structural shapes behind the person, while blue and green textures appear on the skin and clothing. The artist's signature and the date '52 are visible at the bottom.
On verso: caricature of Joseph Chouinard
A line drawing depicts a person's profile facing left with dark, thick strokes highlighting a prominent nose and a wide smile. A secondary, faint reddish-brown outline follows the shape of the main sketch on the textured off-white paper. The name "Lennie Bernstein" is written in script in the bottom right corner.
On verso: caricature of Leonard Bernstein
A marker sketch on off-white paper shows a person in profile facing left. The person has short hair rendered with diagonal strokes and wears thick-framed glasses. Hand-written text including a signature, the year 1953, and the word "Me" are visible at the bottom of the page.
A side profile of a person is rendered in dark, thick lines on a piece of aged paper. The individual has a prominent nose, round glasses, and hair swept back. A signature and the date 1913 appear in the lower right corner, and the name "Dr. Munch" is written at the bottom left.
Inscription on verso: Carlos Chavez, Tanglewood 1953 by Wolf Adler.
Thick, dark eyebrows and heavy-lidded eyes are rendered in bold ink strokes. The person has wavy hair and a prominent nose above a thin mouth. This drawing is centered on a textured, off-white background.
Inscribed: To Joe with best wishes, Wolf Adler. On verso: caricature of Charles Munch
A pencil sketch portrays a person's head from a side view, featuring a large nose, a mustache, and sparse hair. Below the profile, handwritten script reads "To Joe with best wishes" followed by a signature and the date "1933." The name "Hugh Ross" is printed in small letters at the very bottom.
A person with short hair and dark-framed glasses faces forward in a black and white portrait. They are wearing a light-colored button-up shirt with a collar. The background is a plain, solid light color.
This black and white portrait features a person with short hair wearing clear-framed glasses. The person is dressed in a light-colored, button-down shirt with a collar. They are positioned against a plain, light-colored background.
A person with short, side-parted hair wears thick-rimmed glasses and looks forward. They are dressed in a dark suit jacket over a white shirt and a necktie. This monochromatic view shows the individual from the chest up against a plain background.
A black and white portrait shows a person from the shoulders up against a light, neutral background. The person wears clear-framed glasses and a light-colored, button-down shirt. Their short hair is neatly styled and parted on the side. The lower portion of the person's figure fades softly into the white space at the bottom.
Joseph Chouinard holding a score or text while a woman plays the piano
A person in a gray suit and glasses stands on the left, looking down at a sheet of paper held in both hands. In the center, another person with short light-colored hair and glasses sits at a black grand piano. The background includes several small framed pictures on a light-colored wall and a window with light-colored, draped curtains. A white wicker stand sits near the piano, holding a small plant and a stack of papers.
Three friends of Joseph Chouinard standing in a living room
A person in a red suit stands with crossed arms in a living room next to a floral couch. Behind them, another person wearing a light blue sweater and glasses stands near an open doorway. In the foreground, a third person in a light-colored patterned shirt leans forward. Framed pictures and a decorative plate are visible on the walls and mantel in the background.
Joseph Chouinard (2nd from right) sitting at a dinner table with four friends
Six individuals are seated around a dining table covered in a white lace cloth and set with meals, glasses, and a large wooden bowl. The room features blue floral wallpaper, a large gold-framed mirror, and white curtains over a window. A person in the foreground wears a bright red blazer.
A person with glasses wears a white short-sleeved shirt and dark trousers while standing near a brown brick wall. A long cushion with a yellow floral pattern lies on the ground next to them. The setting is an outdoor space with an open door in the background.
Joseph Chouinard sitting with the children of Lionel Pike
An older person wearing a denim jacket and white turtleneck kneels next to a child in a green-striped shirt and another person in a red jumper and patterned shirt. All three are positioned in the foreground of a large, dimly lit room where other figures appear blurred in the background. The scene is captured with a warm, yellowish tint typical of vintage photography.
Joseph Chouinard holding a dog while sitting in San Bernardino
A person wearing a white t-shirt and plaid shorts sits outdoors on a wooden bench next to a medium-sized black and white dog. One arm is wrapped around the dog, which stands on the bench with its tongue visible. The background consists of green foliage and a distant utility pole under a bright sky.
Joseph Chouinard as the character Brighella in a production of Salieri's The little harlequinade at the Florida International Music Festival
Chouinard, Joseph Jerod, 1926-2014 - Voice (Bass-baritone)
A person wearing a white tabard over black clothing, a ruffled collar, and a gold medallion stands against a wood-paneled wall. They hold a sword across their torso with both hands. Their head is tilted back with their mouth open.
Joseph Chouinard as the character Amos Murphy in a Tri-Cities Opera Workshop production of Myron S. Fink's Jeremiah
This black and white portrait features an individual wearing a wide-brimmed hat, a dark pinstriped coat, and a ribbon tie. The person has long sideburns and holds a closed book in their hands. They are positioned against a wall made of light-colored rectangular tiles.
Hopkins Center at Dartmouth College, Hanover, New Hampshire postcard
A large brick building features a unique scalloped roofline and a facade of tall, arched windows overlooking a stone plaza. Manicured lawns and paved walkways wrap around the structure, which is partially shaded by several large deciduous trees. The architecture combines light brown brickwork with expansive glass and white structural elements.
Joseph Chouinard holding a dog in his lap while sitting outside a house
A person sits in a chair wearing a white button-down shirt and a patterned necktie while holding a small black and white dog. They are positioned in front of a house with visible windows and siding. The black and white photograph captures the person looking off to the side.
A person stands in a gym setting wearing a white shirt, a dark necktie, and light trousers. They hold a basketball above their head with one arm fully extended. A brick wall and a set of double doors are visible in the background.
Joseph Chouinard (center) in costume in the role of Bonze in Puccini's Madame Butterfly, presented by the Tri-Cities Opera Company
A large group of people dressed in traditional Japanese garments stands on a stage during a performance. The background includes a painted mountain, a torii gate, and hanging lanterns. In the foreground, the silhouettes of an audience are visible at the bottom of the frame.
Joseph Chouinard (center) as Frank Butler in the Arundel Opera production of Annie get your gun
One performer in a cowboy hat and fringed jacket stands at the center of a stage with hands on their hips. A second person to the left gestures toward the central figure, while a third person on the right stands watching. The background includes a porch with a wicker chair and a hanging sign for a hotel.
Arundel Opera Theatre (Kennebunkport, Me.)
This white building with a gabled roof and white columns is situated under a clear blue sky next to green trees. A group of people wearing colorful formal attire stands at the entrance and on the steps. Four vintage cars are parked in a dirt lot in front of the building.
People in Western costumes, possibly cast members for a performance of Annie get your gun
A group of people wearing cowboy hats and neckerchiefs stands together in a room. One person wears a green dress with decorative trim while another holds a small handgun. Behind the group, a large golden frame surrounds a shelf containing several bottles.
Close-up of a person with short dark hair wearing round glasses and a dotted tie. They wear a dark suit jacket and white shirt. The background appears textured. The image is black-and-white.
Joseph Chouinard in costume for the character of the Imperial commissioner and unidentified woman in costume for performance of Puccini's Madame Butterfly by the Chattanooga Opera Association
They wear ornate, floral-patterned garments. The left figure holds a rectangular document while the right figure holds a folding fan. A brick wall forms the backdrop; the left figure wears sandals and the right figure is barefoot.
Chattanooga High School (Chattanooga, Tenn.)
Elizabeth Bradley, adoptive mother of Joseph Chouinard, outside a restaurant in Fort Lauderdale
On verso: This was taken after we had dinner in this lovely place in Fort Lauderdale the day we went on The Cruise beautiful.
A person with short, light-colored hair stands on a grassy area outside a building with large windows. They wear a knee-length, quilted dress with buttons and short sleeves, and carry a handbag. The setting includes trees and trimmed shrubs.
Members of the choral program at Tanglewood in 1953
A black-and-white photograph shows a large group of adults standing and sitting on a grassy area in front of canvas tents. People wear mid-20th-century clothing, including dresses, skirts, suits, and blazers. The scene takes place outdoors with trees in the background and a tented area behind the group.
Black-and-white photograph of a large group of adults outdoors in front of a wooden structure. People are arranged in rows, with some standing in back and others seated or kneeling in front on a grassy area. They wear mid-20th-century attire, including dresses, skirts, suits, and jackets. The setting includes trees and a shelter behind the group.
Members of the choral program at Tanglewood in 1953, with conductor Hugh Ross seated in front center
A large group of people pose on a grassy lawn outdoors. They wear mid-20th-century clothing, with some standing in a line and others seated on the grass. A tent and trees are visible in the background.
Choral conductor Lorna Cooke deVaron with one of her daughters at Tanglewood Music Center
An adult and a child stand on a grassy area outdoors beside a large tree with tangled branches in the background. The adult wears a patterned knee-length dress with short sleeves and sandals, while the child wears overalls and a short-sleeve shirt. The image is black and white, giving it a vintage appearance.
Joseph Chouinard in suit and tie standing in front of a tree
A person stands outdoors in a light-colored suit and tie, with hands in their pockets. They wear glasses and have short hair. Dense pine branches fill the background, with a sunlit sky above. The image is in black and white.
A brick campus building features a tall central tower with a cupola and a row of columns at the entrance. The structure has large arched windows and several smaller windows along the sides. Trees frame the building while a few people stand near the entrance on a paved path.
An individual wearing a light-colored suit, white shirt, and striped tie stands among trees in an outdoor setting. The person wears glasses and has short hair. The scene has a sepia tone, suggesting a vintage appearance.
In this black-and-white image, a person wearing a light blazer, white shirt, and striped tie faces the camera. Glasses are worn, and the individual stands in a grassy area with dense trees and shrubs in the background. A building is visible on the left edge of the frame.
Joseph Chouinard in cap and gown for graduation from University of Connecticut standing with unidentified woman and man
Three people pose on a grassy lawn with trees in the background. The center figure wears a graduation cap and gown with a striped tie. Flanking figures wear a satin dress on the left and a light suit on the right. The image is in black and white.
Joseph Chouinard in cap and gown for graduation from University of Connecticut
A person stands on a grassy lawn wearing a cap and gown with a hood. They hold a rectangular diploma case at their side. Trees and shrubs are visible in the background under a bright sky.
A person wearing a graduation gown and mortarboard stands outdoors on a grassy area. They wear glasses and hold a rolled diploma in one hand. The background features trees and a path.
A person stands on a grassy lawn wearing a traditional graduation gown and mortarboard, shown from the back. A white-accented hood drapes over the shoulders. Evergreen trees fill the background.
A person is seen from behind, wearing a graduation gown and cap with a hood. The gown reaches near the ankles and the hood has a light trim along the back. They stand on a grassy lawn with trees and a building in the background, and the scene is in black and white.
Two graduates in cap and gown stand outdoors, facing each other. They wear academic hoods as part of their regalia. People and trees are visible in the background, suggesting a commencement ceremony.
A person in a long academic gown and mortarboard stands on a grassy field with trees in the background. The gown has a cape-like outer layer and a front panel with decorative trim, and the person wears glasses. The scene is outdoors on a clear day.
Joseph Chouinard and adoptive mother Elizabeth Bradley in a cemetery
A person in a suit and tie kneels on the grass, while another person stands beside them wearing a long coat and scarf. The standing person has an arm around the kneeling person’s shoulder and carries a handbag. In the background is a grave marker, bare trees, and a rural fence line.
Lieutenant General Torasirou Kawabe (center), Vice Chief of the Japanese Army General Staff, and other members of the Japanese surrender delegation on the island of Iejima before flying to Manila, August 19, 1945
A grayscale scene shows several individuals standing on a broad, paved surface. In the center, a person wearing a light suit faces a person in a dark uniform, with others visible in the background. The setting appears to be an outdoor gathering or arrival area.
Lieutenant General Torasirou Kawabe (center), Vice Chief of the Japanese Army General Staff, and other members of the Japanese surrender delegation on the island of Iejima with United States military personnel before flying to Manila, August 19, 1945
Several uniformed personnel stand in a loose formation on a wide tarmac. A central figure in a dark dress uniform with medals faces left, while others in lighter military attire stand nearby. Some carry bags or equipment, and a few appear to be gathered behind them, suggesting a lineup or waiting area at an airbase.
Members of the Japanese surrender delegation waiting to board the United States C-54 plane at the Iejima base before flying to Manila August 19, 1945
A crowd of individuals, mostly wearing helmets and uniforms, stands in a circle near the nose of a large military plane on an airstrip. A ladder rests against the aircraft, with other ground equipment and a few vehicles visible in the background. The scene is in black and white, suggesting a historical moment at a desert airfield.
Japanese flight crew of one of the two Mitsubishi G4M Betty bombers that flew the Japanese surrender delegation to Iejima, an island off Okinawa, August 19, 1945
A snow-covered tarmac shows a big, wheeled aircraft in the background, with several individuals sitting in a row and others visible farther away.
A person in a hospital gown sits in a chair under a rough wooden shelter while a clinician, wearing a mask and cap, attends and touches the patient's head. In the foreground, a blurred figure passes by. The space contains shelves with boxes and medical supplies, giving the impression of an improvised medical station.
Grave sites on Okinawa, including D. E. Smith, R. I. Dunn, and Simon Bolivar Buckner, Jr.
Simon Bolivar Buckner, Jr. (July 18, 1886-June 18, 1945), Lieutenant General, U.S. Army, killed by enemy fire at the Battle of Okinawa during World War II
A rectangular grave plot filled with tall grass is enclosed by a border of stones. A cross bearing a nameplate stands at the center, with two crosses at the front corners. Rows of white crosses extend into the background, while a block with three stars sits at the border's edge.
Japanese Mitsubishi G4M “Betty” bomber with special markings used to fly the Japanese surrender delegation to the base on Iejima, an island off Okinawa, August 19, 1945
A twin-engine bomber with a tall, rounded vertical stabilizer rests on a dusty airstrip. The aircraft bears a large cross insignia on the fuselage and tail; a second similar plane is visible in the background. The scene is black-and-white, indicating a historical setting.
United States C-54 plane used to transport Japanese surrender delegation from the base on Iejima, an island off Okinawa, to Manila on August 19, 1945
Black-and-white photograph of a large aircraft parked on a tarmac. A ladder leans against the open door on the right side of the fuselage. A person in a uniform stands near the aircraft’s landing gear. In the background, several figures and ground equipment are visible.
Joseph Chouinard on Okinawa towards the end of World War II
A person with short hair sits in tall grass, turned toward the camera. They wear a light long-sleeve shirt with sleeves rolled up and a wristwatch on one wrist. Behind them is a dense, dark-leaved shrub filling the background. The photograph has a sepia tone and an aged appearance.
A person sits on the ground among tall grasses. They wear a long-sleeve shirt with rolled-up sleeves and are facing the camera. A large plant with broad leaves forms a dense background behind them. The scene appears outdoors with natural light and a sepia tone.
Unidentified serviceman in pith helmet on Okinawa towards the end of World War II
A person wearing a light long-sleeve shirt and a wide-brim hat sits on grassy ground. They hold a mug in one hand and rest the other arm on a knee, with boots visible. The background features open fields and distant hills.
Remains of the railroad station at Naha, Okinawa towards the end of World War II
On verso: What is left of the railroad station and trains at Naha. It was a narrow guage rail line that ran from Naha south to Itoman and north to Kadena. Information courtesy of Mr. Donn Cuson.
A railway yard scene shows a small steam locomotive on tracks to the right, with a partially destroyed shelter in the center and burned-out structures to the left. The ground is strewn with wooden planks, logs, and coiled ropes. Power lines and utility poles stretch across the background as a barren, dusty landscape surrounds the site.
United States Naval Supply Depot on Okinawa sometime after Typhoon Louise hit the island October 9 1945
Information supplied by Mr. Donn Cuson: "Navy Supply Depot, most likely the installation at Tengan. Major damage on Okinawa, 80% of military installations damage or destroyed. Over 200 ships and aircraft damaged or destroyed. 36 killed and 47 missing."
Wide, dusty outdoor yard with several trucks parked along a dirt road on the left. Piles of lumber, pallets, and wooden frames lie scattered across the ground in the foreground. In the background are curved-roof structures and other industrial buildings, suggesting a construction or salvage site. The scene is faded and shows some patchy discoloration.
Remains of a building at a Naval Supply Depot on Okinawa the day that Typhoon Louise hit the island
A black-and-white scene shows a long, skeletal, collapsed structure across a flat landscape. The frame of the building is exposed with bent ribs and torn walls, and debris is scattered around. In the left foreground, several vehicles are parked near the wreckage as the barren ground extends to the horizon.
Two United States servicemen examining remains of a Japanese pilot and his plane on Okinawa towards the end of World War II
Information supplied by Mr. Donn Cuson: "During the war there was an attempted suicide attack by airplane at one of the airfields on Okinawa, several Japanese planes with troops tried to land and attack the airfield, this is one of the Japanese soldiers after the attack failed. "
Two individuals wearing jackets and caps crouch on a dusty surface beside a wrecked aircraft component. A person lies on the ground near the debris, with dark stains nearby. The scene shows an aviation crash site with scattered metal and rubble.
Okinawan people aboard a horse-drawn wagon on Okinawa towards the end of World War II
A horse-drawn wooden wagon with large spoked wheels carries bundles of sticks. Several people wearing hats are on and around the wagon, handling the load. The scene is set on a dusty road with trees and bushes in the background.
Exterior of the Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
Ishikawa-shi (Japan)--Buildings, structures, etc.
A single-story building features a large tile roof that extends over a covered porch supported by wooden posts. The porch runs along the front and is lined with potted plants. The yard nearby has trees and shrubs, contributing to a garden-like setting.
Small shrine inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A central Buddha statue sits on an ornate altar, flanked by two smaller statues against decorative backs. The table holds bowls, vases, and floral offerings. A beaded crystal chandelier hangs from the ceiling above the altar. Wooden walls and beams frame the room with a windowed area on the right.
Buddhist shrine inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A seated statue of a Buddhist figure wearing a ceremonial crown sits cross-legged on a lotus throne. The hands are pressed together in a prayer gesture. A circular halo with decorative detailing surrounds the head. The sculpture is displayed in a wooden alcove.
Shelf holding vases inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A wooden wall supports a central vase filled with tall dried grasses on a small pedestal. Surrounding are several ceramic jars and bowls of varying sizes arranged on the surface. On the left, a lattice-windowed opening is visible, and on the right a potted plant sits among more containers.
A dirt road runs alongside a high stone wall with a low gate on the left. Behind the wall, a long single-story building with a tiled roof is visible, partially obscured by trees. A rough stone barrier forms a large pile on the right, and electrical wires stretch overhead. The scene is in black and white.
Decorative table inside Higaonna Museum in Ishikawa, Okinawa shortly after its opening in September 1945
A low, elaborately carved altar table sits on a tatami mat. On its top are ceramic vessels including a central lidded jar, a teapot, cups, and two candle holders. Behind it, a grid of wooden lattice panels forms a paneled wall. The scene is in black and white.
Three Okinawan children on Okinawa towards the end of World War II
Three children are seated on the ground outdoors with dense foliage behind them. The middle child wears a dark short-sleeved outfit, while the two on either side wear light-colored shirts with buttons and pockets. The scene is in black and white, and the children are positioned close together amid trees and leaves.
Okinawan woman with four children behind her on Okinawa towards the end of World War II
A black-and-white image shows a person seated in the left foreground wearing a striped garment. A child in white stands to the right, and several other people are visible in the background, with outdoor vegetation and a dirt ground.
Okinawan woman with two children on Okinawa towards the end of World War II
In a black-and-white image, an adult sits on a rocky dirt path with a baby in their arms and a small child nearby, against a background of trees and foliage. The scene shows casual clothing and a natural outdoor setting.
Okinawan child standing next to a rock wall on Okinawa towards the end of World War II
A barefoot child stands next to a textured stone wall, wearing light knee-length shorts with a tied belt. They are shirtless and hold a small object with both hands, facing the camera. The outdoor setting shows aged, uneven stones.
Exterior of the Higaonna Museum in Ishikawa, Okinawa shortly after the museum's opening in September 1945
A single-story structure with a broad, tiled roof and a covered veranda supported by wooden posts. Windows and doors line the veranda, and numerous potted plants decorate the edge. Several people stand to the left side of the building. The photograph is black-and-white.
Ornate table inside the Higaonna Museum in Ishikawa, Okinawa shortly after the museum's opening in September 1945
A dark wooden sideboard with two drawers and carved panels stands on legs. The top surface holds a vase with flowers, bowls, and small dishes. Large grid-pattern windows frame an outdoor view of trees and landscape.
Okinawan child standing on a dirt road on Okinawa towards the end of World War II
A young child stands in profile on a dirt path, wearing dark overalls with suspenders. The ground is bare, and a stacked stone wall runs along the right side with trees in the background. The image is black-and-white and shows signs of age.
Okinawan children along a dirt road on Okinawa towards the end of World War II
A black-and-white photograph shows several children along a narrow, dusty path bordered by trees. Some stand while others sit or crouch, and a few face the camera. The background includes foliage and a stone wall fragment on the left, suggesting a rural setting.
Okinawan child standing by herself on Okinawa towards the end of World War II
A young child stands among dense vegetation in an outdoor area. The child wears a light-colored sleeveless dress and raises a hat or cloth with one hand, while the other hand holds a dark item. The background is filled with leaves and branches, and the image is black and white with a slightly blurry quality.
Okinawan Children on Okinawa towards the end of World War II
A black-and-white image shows several children outside along a dirt path with trees in the background. In the foreground, a bald child smiles while holding something in their hands. In the middle, a child carries another on their back, and additional children sit or stand along the path.
Okinawan refugees walking on a dirt road on Okinawa towards the end of World War II
A group of people walks along a narrow, unpaved road through a rural area. Many carry baskets or bundles as they move in a single-file procession. Dense trees and vegetation line both sides, and the scene is in black and white.