Piece consists of a brown printed mailing envelope decorated with rubber stamps and stickers and affixed with British postage stamps. It contains two glossy magazine pages each decorated with rubber stamps.
This mail art piece unfolds as a satirical, collage-like publication that mimics instructional manuals, children’s guides, and popular magazines while steadily dissolving into absurdity. Across the four sections, Victorian-era child-rearing illustrations, faux scientific reports, hand-drawn annotations, stamps, and pseudo-advertisements are recombined with surreal humor—leeks become instruments of ancient craft, power transmission, sculpture, and communication; education slips into parody; authority is undercut by playful nonsense. The work uses the visual language of official print culture (manuals, lessons, diagrams, and advertisements) to critique systems of knowledge, progress, and seriousness, transforming the mail format into a fragmented, ironic narrative that rewards close reading and visual wandering.
State University of New York at Buffalo. University Libraries
State University of New York at Buffalo. Poetry Collection
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Piece consists of a brown mailing envelope decorated on the back with colored marker, paint, rubber ink stamp and affixed with German postage. The face contains addressee information and rubber stamps.
A painted mail art envelope features a stylized nude human figure outlined in black, shown reclining diagonally across the surface. The figure is filled with orange, white, and red patches, surrounded by blue and purple brushstrokes on a tan background. Repeated purple stamped text across the body reads “Drucksache imprimé printed matter.” On the lower left, hand-lettered text reads: “Luce Fierens / Youth & Mail-Art / c/o Boterstraat 43 / B-2811 Hombeek / BELGIUM.” A red circular stamp near the right side reads “MAIL ART.” In the upper right corner are three postage stamps, including two blue German stamps labeled “Deutsche Bundespost Historische Luftpostbeförderung” with airplane imagery, and one smaller stamp showing a stylized face with “20.” A green border frames the envelope.
Two-sided paper mail art piece, created by Vittore Baroni, featuring blue with black print on front and back. Italian postage stamps are affixed. Mail art recipient: John M. Bennett.
This mail art piece, designed by Ficus Strangulensis, consists of a white envelope with a copied image and printed text, a number of small paintings of various colors, and a flier for a cigar store with handwritten text in blue marker. Mail art recipient: Baron.
Two-sided cardboard piece submitted as part of the Youth and Mail Art Project created by Carlo Pittore. Its front is constructed from cardboard and construction paper,presenting a red-and-white gingham fabric featuring a black-and-white photo of two crying toddlers, surrounded by colorful smiley-face stickers, decorative labels, a silver ribbon, and various illustrated cutout images and stickers in a collage-like presentation. The back is constructed from patterned paper, stickers and cutout images. U.S. postage stamps are affixed. A collage-style envelope covered with numerous bird postage stamps, vintage photos and illustrations, labels, and international postal stickers, addressed to a youth mail art recipient in Belgium. Mail art recipient: Luce Fierens.
Two-sided envelope submitted as part of the Millenium Mail Art Project. Front and back decorated with cardboard, stickers, thread and found objects. U.S. postage stamps affixed.
The front features layered paper fragments, typed text strips, barcodes, a small cut-out window, postal cancellations, and colorful stamps—including a Margaret Mitchell stamp and a “19th Amendment 1920” stamp—alongside a whimsical UFO sticker. The address is printed on a white label, accompanied by rubber-stamped text reading “2000 Anno Mirabilis.” The surface shows mixed textures from torn paper, tape, staples, ink smudges, and hand-stamped marks. The reverse side continues the assemblage theme with light blue paper, scattered magenta postal ink, a bold green “10” sticker, “Sealed For Your Protection” text, and additional barcodes. A small dark rectangular print appears mounted on part of the envelope, adding a mysterious, fingerprint-like element. Inside, the object contains a folded, printed sheet listing past mail art calls from the mid-1990s. The page resembles a newsletter: columns of names, project titles, and locations are arranged in monospaced type, emphasizing the archival, bureaucratic quality of mail art networks. Two additional collage panels incorporate anatomical illustrations printed in black on white paper—faces, organs, cross-sections, and labeled diagrams—paired with cardboard and mounted photographic slides. Each slide contains a dark smudged mark resembling a partial print or abstract form, adding an enigmatic, almost forensic tone. Tape and uneven paper edges give the panels a handmade, tactile quality. Mail art recipient: Sticker Dude.
Two-sided paper piece submitted as part of the Youth and Mail Art Project. created by Jose Vanderbroucke. The front is decorated with stickers and rubber ink stamps and Belgian postage stamps are affixed. The back is a photocopied image of a photograph, with text in red.
The front side features a black-and-white printed image of a man standing outdoors wrapped in a quilt. Across the center, handwritten text in red over a yellow strip reads, “Maybe the youth is too young for mail-art.” Printed text near the bottom reads “Congress Solitaire,” with a small circular symbol beneath it. Mail art recipient: Luce Fierens. The reverse side includes multiple multicolored rubber stamps—figures, butterflies, and a large circular stamp reading “MAIL ART COUNTRY * BELGIUM * THE HEART OF EUROPE *.” A Belgian postage stamp and cancellation mark appear in the lower right. The handwritten address reads: “Luce Fierens, Youth & Mail-Art, Boterstraat 43, 2811 Hombeek.” The date “15-03-1992” is stamped near the bottom.
Mail art piece, created by Sticker Dude, consisting of a sheet of black and white artist stamps, with printed text and a large black-and-white photographic image of Ray Johnson at the top and multiple stamp-like designs arranged in rows beneath it. The top photograph shows a person, Ray Johnson, standing with his back turned, wearing a jacket with a studded pattern, facing a wall and a striped pole. To the right of the photograph is printed text: “[Mail Art] has no history, only a present, which was a part, of course, on present as now, and present as gift. A pun on my own way of giving information and objects or whatever, in letter form. —Ray Johnson.” Below the photograph is a grid of repeated monochrome stamp designs labeled “U.S. POSTAL ART” with a small portrait of the same person and the text “RAY JOHNSON” printed at the bottom of each stamp. Additional small text in the lower right reads “Design & production by Derryn Greenberg Press, NYC 2006 © Ray Johnson,” along with “Gummed Paper.” Mail art recipient: Mike Basinski.
Three-dimensional mail art piece submitted as part of the Millenium Mail Art Project by creator Philippe Rousel. Particle board with paper overlay. Decorated with black marker on front and back. Canadian postage stamps affixed. These three views show the two faces and the side of a particle board piece. One side contains a black-ink drawing, and the other side displays handwritten mailing information and postage.
The illustrated side is filled with a dense black-and-white ink drawing made of bold outlines, dotted patterns, and radiating segments. The composition includes an abstract profile of a face, curved cables, and mechanical or tool-like shapes extending toward the center. The address side is made of plain brown cardboard with handwritten text in dark ink. The sender information reads: “Philippe Roussel 668 des Vikings Boucherville, Qc J4B 7B4.” The recipient information reads: “Millenium Mail Art Project Ragged Edge Press 102 Fulton Street New York, NY 10038, USA.” Four Canadian 46-cent stamps featuring the Canadian flag are affixed in the upper right corner.
Mail art piece is one-sided black and white photographic photocopy of people with gold handwritten text.
This piece is a brown mailing envelope decorated with stickers, postage stamps, and found items, with white and red-orange writing. Inside the envelope are other found items.
Envelope (first and third images): A brown envelope marked with handwritten sender and recipient information, multiple postage stamps, and postal markings. On the front, the sender’s information is written in red: “V. HAMANN ANTHROART IN DER LEHNAUE 2 D-5064 RÖSRATH.” The recipient’s address is written in white within a red-bordered rectangle: “LUCE FIERENS BOTERSTRAAT 43 2811 HOMBEEK BELGIEN.” Several German postage stamps are affixed in the upper right corner and are postmarked. A partially visible printed graphic appears in the lower left. The envelope surface includes cancellation lines, a torn area near a postmark, and a strip of reversed blue-printed text. Contents (second image): The enclosed materials consist of a group of items arranged together on a black background. One large printed piece shows a person seated against an orange backdrop, their body painted blue, hands held over two containers. A torn calendar fragment reads “OKTÓBER 1 Þriðjudagur.” Another small printed card displays a simple line drawing of a vessel with the word “HANDLE.” A Polaroid-style print shows cardboard constructions with the handwritten text “PASSION CREATES ART” above them and “For Lucio Fierenzio VH92” along the lower edge. Mail art recipient: Luce Fierens.
White mail art postcard, created by Michael Fox, featuring handwritten messages in green and black ink, drawings, and sender/recipient details exchanged between Michael and Maximilian Fox in Hildesheim, Germany, and Luce Fierens of the Youth & Mail Art Project in Belgium. The first image shows a black silhouette of a fox walking through grass at the bottom, with simple line drawings of envelopes and hanging illustrated panels above, including one labeled “KAT-SEND-TER.” Handwritten text along the edges includes “Mail-Art on the road…….” and “FOX-ART-FOX, Rostocker-Strasse 3, D-3200 Hildesheim / Germany,” along with a note addressed to Luce Fierens. The second image contains the sender’s handwriting on the left—“Michael Fox, Rostocker Str. 3, D-3200 Hildesheim, Germany”—accompanied by similar small sketches of envelopes and the “KAT-SENDTER” panel. Additional notes include: “If possible more next time! Ciao! Michael” and the name “Maximilian.” The right side lists the recipient’s address and features a German postage stamp and cancel mark from Hildesheim, alongside a printed graphic labeled “ABF 92,” advertising an exhibition held 15–23 February at the Hannover Messegelände. Submitted as part of the Youth and Mail Art Project. Mail art recipient: Luce Fierens.
Front of piece is a white postcard printed with orange and decorated with stickers, rubber ink stamps and German postage stamps. Back of piece is decorated with rubber ink stamp. Submitted as part of the Youth and Mail Art Project by creator Linda Winnes.
A decorated postcard featuring various artistic stamps and handwritten text. On the left side, there is a stylized red stencil of a face, a blue-red-white “mailart” sticker, and a hand-drawn house shape containing the sender’s address: “Linda Winnes, Hertzstr. 29, Berlin, DDR-1106.” A red stamped pointing hand and purple “Winnes 1106 Berlin” stamp appear below. The top center shows ornate red lettering reading “POST CARD,” along with a black overprint for a Berlin exhibition. A German postage stamp depicting a woman is postmarked at the top right. On the right side, the postcard is addressed in blue handwriting to “Youth + Mail-Art, Luce Fierens, Boterstraat 43, B-2811 Hombeek, Belgien,” with some words underlined in red. Mail art recipoient: Luce Fierens.
Two pieces of mail art, by creator Simon Baudhuin, featuring black-and-white photographs, rubber stamps, drawings, and handwritten text. The first piece shows two women posed together, their faces and hands altered with pink marker drawings that add dotted patterns, pig-like noses, and ears. The text at the top reads “PIG mail ART” and “YOUTH AND MAIL ART FOR LUV.” Additional purple and red stamped images of pigs and abstract shapes are scattered across the background. At the bottom, “NETWORK” and “from BAUDHUIN SIMON ’92” are printed in purple and red ink. The second piece is a collage-like postcard combining typed, printed, and handwritten elements. Across the top, the printed heading reads “BRAIN CELL / DECENTRALIZED WORLD-WIDE / NETWORKER CONGRESS 1992.” The sender’s information includes “BAUDHUIN SIMON” and “rue d’Hoffschmidt B 6720 Habay.” Handwritten text reads “HABAY LA NEUVE BELGIQUE 27 04 92 HELLO LUCE. THANKS FOR POSTFLUX POSTBOOK 23 PO WEM. FIGHT IN PIGGISH. COURAGE. B.S.” Stamped images and marks appear throughout, including “PIG MAIL & EXPORO DE JOURN LE” and “ANSINS PLUS VITALES.” There are also Belgian bird stamps and an illustration of a crowned pig holding a sword. The address reads “LUCE FIERENS P.C.A. YOUTH & MAILART M.A.C. BOTERSTRAAT 43 B 2811 HOMBEEK.” Front of piece is a white postcard decorated with rubber ink stamps, ball point pen, stickers, found items, and Belgian postage stamps. Verso of postcard is a photograph reproduction decorated with rubber ink stamps, red ball point pen, and pink marker. Submitted as part of the Youth and Mail Art Project by creator Simon Baudhuin. Mail art recipient: Luce Fierens.
Mail art piece is a postcard made of cardboard with a white front, decorated with homemade paper, colored pencil, rubber ink stamps, and U.S. postage stamps. A decorated envelope mailed from creator “V. Racer, 129–163rd Street North, East Moline, IL 61244” to “Luce Fierens, Boterstraat 63, Hombeek, Belgium.” The envelope features colorful hand-drawn and stamped artwork, including a stylized face with red lips and yellow hair on textured paper. Additional text includes “Delicious for the Holidays” and “RUBBER STAMPING PASSION HEARTS ETC.” in red lettering. A U.S. airmail stamp of William T. Piper, labeled “Aviation Pioneer USA Airmail 40,” is placed in the upper right corner and postmarked “30 JAN 1992.” Mail art recipient: Luce Fierens.
Mail art piece, created by FaGaGaGa, is a one-sided piece of white paper with black print in stylized letters and a red logo rubber ink stamp at the bottom right. The print reads "YOUTH IS WASTED ON THE YOUNG". Mail art recipient: Luce Fierens.
Mail art piece, created by FaGaGaGa, on a one-sided piece on white paper with black print, decorated with red rubber ink stamp. The item features the phrase "Youth is wasted on the young" with overlapping stylized, squeezed and distorted letters with a red logo at the bottom right. Mail art recipient: Luce Fierens.
Two-sided copy art postcard piece. Front is black and white copy art design. Back is white decorated with multicolor rubber ink stamps. Piece was submitted as part of the Youth and Mail Art Project by creator Luce Fierens.
Two pieces of mail art related to a 1992 youth mail art exhibition in Hombeek, Belgium. The first item is a black-and-white printed flyer announcing “YOUNG MAIL-ARTISTS HOMBEEK 1992.” It lists the theme “YOUTH & MAIL-ART,” and states that the exhibition would be shown at the Höje Youth Centre in April 1992. The deadline is “31 MARCH 1992,” and submissions are “free,” with a “Max A4 (21 x 30 cm)” size limit. Participants are instructed to send material to “LUCE FIERENS — YOUTH & MAIL-ART — c/o Boterstraat 43, B-2811 Hombeek, BELGIUM.” The flyer includes the phrases “EXHIBITION & DOCUMENTATION & ARCHIVING!!” and “Mail-heart.” Overlaid are circular stamps reading “MAIL ART COUNTRY BELGIUM HEART OF EUROPE” and “enfant terrible FLUXUS,” along with abstract printed imagery. The second item is a mailed envelope dated “30.1.92” and postmarked “MECHELEN.” It bears red, purple, and green ink stamps, including the phrases “MAIL ART IS A PASSION TO BUILD A DREAM ON” and “PASSION CREATES ART.” The sender’s address is “LUCE FIERENS — PASSION CREATES ART — MAIL-ARTCOLLECTION — BOTERSTRAAT 43 — B-2811 HOMBEEK-BELGIUM.” The envelope is addressed to “SYLVAIN Houcke, Rue de la Mélune 32, B-7782 Ploegsteert,” with handwritten and crossed-out notations. A Belgian postage mark indicates “BELGIE BELGIQUE 10.00F.” Mail art recipients: Sylvain Houcke and Luce Fierens.
Two-sided paper and rubber piece submitted as part of the Millenium Mail Art Project created by Josiane Dufault. Front is in the shape of a human head wearing an audio headset. Back features Canadian postage stamps and masking tape which runs along the edge of the piece on the verso, bonding white paper and grey rubber material together. Mail art recipient: Sticker Dude.
Two-sided envelope piece submitted as part of the Youth and Mail Art Project by creators Luce Fierens and Gerard Barbot. The front is white with black printing decorated with stickers. The verso is white with black printing decorated with found items and U.S. postage stamps. Inside envelope is a single sheet; front and back are black-and-white photocopy.
The images depict a series of mail art pieces created using collage, photocopy, and stamped elements. The first envelope features black-and-white printed graphics with a heart illustration labeled “SNAP ‘N PEEL” and the phrase “HAVE A HEART.” It is addressed in red ink to “Luce Fierens, Youth + Mail + Art, c/o Boterstraat 43, B-2811 Hombeek, Belgium,” with “SCOUTING” printed above the name. The sender’s information reads “Gerard Barbot, 2939 Avenue Y, Brooklyn, N.Y. 11235.” The envelope also includes an upside-down postage stamp and an airmail label. The second envelope shows a black-and-white collage with a chain-link fence pattern and repeated “AIR MAIL” text. A small color photograph of a child appears near the right side. The word “NETWALK” appears upside down in the design. The third image displays a black-and-white collage of three children interacting near a wooden scooter. One child wears a box on their head, while another stands nearby. The background is filled with a pattern of small hearts. The phrases “HAVE A HEART” and “SNAP ‘N PEEL” appear in the upper left corner alongside an anatomical heart illustration. The fourth image presents a simple printed page with the text “REGARD BOBART” and a pair of illustrated eyes. Beneath this, the text reads “Gerard Barbot, 2939 Avenue Y, Brooklyn, N.Y. 11235.”
One-sided envelope piece decorated with stickerswith Israeli postage stamps affixed which was submitted as part of the Youth and Mail Art network project by creator Ira Director. It comprises an airmail envelope with a red, white, and blue border is addressed to “Luce Fierens =YOUTH & MAIL-ART= c/o Boterstraat 43, B-2811 Hombeek, Belgium.” The sender label reads “Ira Director, Kibbutz Gezer, ISRAEL 73220.” Two postage stamps are affixed in the upper-right corner, one depicting two women and the other showing a landscape. The envelope also has the printed phrase “BY AIR MAIL” in blue in the upper-left corner. Mail art recipient: Luce Fierens.
Mail art piece, created by Konrad, is a white envelope decorated with stickers, colored pencil and rubber stamp ink on the front and rubber stamp ink on the back. Inside envelope is a sheet of paper with black-and-white photocopy on front and rubber stamp ink on back. German postage stamps are affixed. Piece commemorates the 1992 Decentralized World Wide Networker Congress.
A mail art correspondence from Berlin to Belgium related to the 1992 Decentralized World Wide Networker Congress and post-DDR Mail-Art-Congress. The front of the envelope is addressed to “Luce Fierens, Youth & Mail-Art, c/o Boterstraat 43, B-2811 Hombeek, Belgien,” with a German postage stamp depicting Therese Giehse, a Berlin postmark dated 23.4.92, and a purple circular stamp reading “Decentralized World Wide Networker Congress 1992.” It includes hand-drawn illustrations of a face with yellow hair and the German flag, and a sticker showing a hen and chick labeled “© 1992 REMUS GmbH.” A printed sheet inside advertises the “1992 Decentralized World Wide Networker Congress” and the “post-DDR-Mail-Art-Congress” held at the Art Strike Café, Berlin, on 12 September 1992. It displays a grid of mock postage stamp designs, each labeled “Art Strike. Sonst nichts.,” featuring altered portraits combining cartoon and human faces. Text on the sheet includes: “Original mit Untertitel,” “Where do you come from?,” and contact details: “Konrad & Lutz Wohlrab, Prenzlauer Allee 210, D-1055 Berlin.” Additional sheets and the back of the envelope both include purple ink stamps reading “MAIL ART” and “WOHLRAB, PRENZLAUER ALLEE 210, BERLIN, D 1055,” with “Konrad” handwritten above the stamped address. Mail art recipient: Luce Fierens.
One-sided mail art piece, created by Ira Director, that entails a white sheet of paper decorated with blue, white, red, and black paint, and layered with collage elements such as stickers, found objects, and ink print typed and stamped text. Text fragments include “PASSION CREATION,” “YOUTH & MAIL ART,” “EXHIBITION,” and various postal stamps and addresses such as “Director Kibbutz Gezer, ISRAEL 73220” and “Hombeek Belgium.” Several overlapping ink stamps and printed symbols appear throughout, with portions of Hebrew text faintly visible in the background. The colorful paint splatters cross diagonally over the page, creating a chaotic overlay on the postal and textual elements beneath. Mail art recipient: Luce Fierens.
Two-sided piece submitted as part of the Youth and Mail Art Project by creator John Hopkins. The front is a brown mailing envelope decorated with stickers, rubber stamp ink, Icelandic postage stamp, and black, red, and silver writing. A white sticker with a black curved drawing is affixed to the back of the envelope. Mail art recipient: Luce Fierens.
Mail art, created by Carlos Montes de Oca, consists of a two-sided brown mailing envelope with its front and back decorated with stickers, rubber stamp ink, and brown tape. Inside the envelope are two one-sided photocopy sheets decorated with rubber stamp ink, black and red writing, stickers and found objects. Mail art recipient: Luce Fierens.
Two-sided postcard piece submitted as part of the Youth and Mail Art Project created by FaGaGaGa. The front is black-and-white printed. The back is white and decorated with stickers, rubber stamp ink, U.S. postage stamps, and writing. Mail art recipient: Luce Fierens.
Multi-piece object. Front of mailing envelope is white with black print, decorated with writing and rubber stamp ink and Belgian postage stamp. Back is white with red, green and black rubber stamp ink. Envelope contains several sheets of paper with mail art. Submitted for the Youth and Mail Art Project.
Two-sided piece submitted for the Youth and Mail Art Project. White envelope decorated with stickers, writing, rubber stamp ink, and British postage stamps. Back has rubber ink stamps affixed.
These images document a piece of international mail art sent by Robin Crozier from Sunderland, England, to Luce Fierens in Belgium. The interior features a whimsical collage of baby images annotated with blue ink directions, the word “FLYING,” and a labeled horizon line, evoking playful motion and navigation. The exterior envelope is marked with vivid postal symbols and labels emphasizing fragility and movement, including “GLASS WITH CARE” and airmail stickers. The back bears Crozier’s return address and a “POET WORLD” stamp, situating the work within the global mail art network of the late 20th century, where postal exchange itself served as creative expression.
Two-sided piece made of board with multi-color paper overlay. U.S. postage stamp affixed to back.
These three images show different views of a mail art object titled *Buckskin Charley*. The front features a collage of a cowboy aiming a revolver, accented with silver highlights and the title in red script. The back resembles carved wood with the recipient’s name, address, and a 20¢ Barrymore stamp, indicating it was mailed. The spine continues the wooden texture, completing the illusion of a carved wooden block. Together, the images convey a rustic, tactile aesthetic that blends printmaking, collage, and postal art.
Two-sided piece. Timecard decorated with multi-color paint on front, back is decorated with paint, rubber stamp ink and affixed with U.S. postage stamps.
These two images show the front and back of a single postcard created from an IBM punch card. The front features a visually striking abstract artwork: a mix of vivid paint strokes layered across the pre-printed numbers and coding grid of the punch card. The paint’s vibrant reds, blues, and greens transform the utilitarian object into a colorful piece of mail art, typical of the experimental correspondence art movement of the late 20th century. The back reveals the postcard’s functional side, turning the painted punch card into a personal communication. It bears the sender’s stamped address from San Antonio, Texas, and a postmark from July 1982. The handwritten note from Gene Elder to Daniel Graham thanks the recipient for a letter, combining art and casual correspondence. This hybrid of technological artifact, artwork, and personal note reflects the creative reuse of computer-era materials in mail art culture.
Green envelope containing multiple found art cards. Polish postage stamp affixed to envelope. Envelope also features other artist stamps and was part of the Youth and Mail Art Project.
A set of mail art items sent from Poland to Belgium, including an envelope, artworks, and related correspondence. The front of the envelope is addressed to “Luce Fierens = Youth & Mail Art, c/o Boterstraat 43, B-2811 Hombeek, Belgium (Belgia)” and features a Polish postage stamp, multiple circular “Międzynarodowa Sztuka Poczty – Mail Art – Michał Graczyk” stamps, a collage of fruit, and a black starburst sticker. The back of the envelope has the same circular mail art stamp with a small turquoise spiral sticker sealing the flap. Inside are several mixed-media artworks and notes. One collage shows a woman in a red outfit surrounded by torn colored paper; another abstract drawing combines pastel and pencil with faint human figures. Additional collages depict a woman walking in a red and black dress and a child’s face partly covered by layered paper. The backs of these works include pencil sketches, handwritten notes reading “Youth & mail art” and “All the best Michael,” and repeated “Mail Art” and address stamps for “Michał Graczyk, ul. Reymonta 10/2, 46-093 Niemodlin, Poland.”
Two-sided white envelope. Front decorated with rubber ink stamps, affixed with Netherlands postage stamp. Back is decorated with black rubber ink stamp. Item submitted as part of the Youth and Mail Art Project.
The four images together depict an artist’s mail art envelope and its contents: Front of the envelope: A white envelope featuring a purple bird stamp and the word “DRUKWERK” printed in the upper left corner. It is addressed in handwritten script to “Luce Fierens, Youth & mail-art, Botenstraat 43, B-2801 Hombeek, België.” A Dutch postage stamp depicting Nobel Prize winner Pieter Zeeman is affixed in the top right corner, alongside an Olympic-themed postmark. First enclosed card: A white card bordered in brown ink, showing a simple line drawing of a large pig followed by three smaller pigs. The handwritten caption along the bottom reads, “Youth. Tell them about history.” An Austrian stamp featuring a wild boar and a circular postmark are visible in the upper right corner. Second enclosed card: Another bordered white card, decorated with repeated drawings of pigs, each marked with a red “X.” Across the top, handwritten text reads, “New kids of the Vleams Blok? Stop them.” Back of the envelope: The reverse of the same envelope, stamped in purple with an oval logo reading “EVER ARTS DR.W.28 NOORDGOUWE 4317 AB,” featuring an image of a wild boar. Two sets of small hoof-print stamps appear below. Together, the images document a piece of politically charged mail art incorporating hand-stamped illustrations, personal handwriting, and symbolic imagery.
Two-sided postcard. Front is black-and-white photocopy with U.S. postage stamp affixed. Back is black-and-white photocopy.
Double-sided postcard featuring a collage of typed text, handwritten annotations, and printed imagery. One side includes a combination of typed correspondence, stamps, and pasted text excerpts. The sender’s address “1143 Sherman Ave Evanston, IL” appears at the top with handwritten notes reading “Stockamp Pt. 4 Chelsea” and the year “1958.” The typewritten material, titled Forum on the World State, discusses the idea of a global government, international cooperation, and war prevention. The right side bears an address to “Mike Basinski, 30 Colonial Ave, Lancaster, NY 14086,” two postage stamps—one from Tanganyika and another from the U.S. (dated 2004)—and a black-and-white photo of a family group. A printed article titled “Way of a Satellite” about early space exploration is also incorporated into the design. The reverse side is composed of layered collage elements combining a typed letter, handwritten text, and map graphics. The letter, dated May 13, 1961, from “Le Rosey, Rolle,” is addressed to “Local Board No. 3, Kensington Village Hall, Great Neck.” It requests a one-year deferment from U.S. military service for a teacher named Richard Storrs and describes his work teaching English, mathematics, and geography at Le Rosey. Overlapping handwriting and torn map fragments labeled “IND,” “OCE,” and “MERCATOR PROJECTION” appear throughout, alongside illustrations of sailing ships and scattered handwritten notes such as “Thank you for your good...” and “The good times of maintenance.”
Two sided brown mailing envelope piece submitted as part of the Youth and Mail Art Project. Front is decorated with rubber stamp ink and U.S. Postage affixed. Back decorated with rubber stamp ink.
Two-sided postcard. Index card decorated on front with stickers; verso is decorated with sticker, rubber ink stamp and U.S. postage stamps.
Double-sided postcard sent from the Netherlands to the United States. The front features a collage of repeated black-and-white portraits of a woman and a Dutch postage stamp reading “NEDERLAND JULIANA REGINA 1 GULDEN.” On the left side, within red border lines, handwritten text says: “in Holland all mail is fe-mail.” The reverse side is addressed to Daniel Graham, “715 Delaware Avenue, Apt. 1008, Buffalo, New York 14209, United States.” The sender’s information on the left reads: “Anja v.d. Wege, Haarlemmerstraat 281, 2312 OT Leiden, Holland.” A purple Dutch postage stamp in the upper right corner bears a circular postmark with the words “Gebruik ’m goed.” Along the dividing line, handwritten text notes “made in holland, leiden, september ’82.”
Two-sided envelope submitted as part of the Youth and Mail Art Project. Front decorated with rubber stamp ink and U.S. postage stamps. Verso is decorated with colored ballpoint pen and rubber stamp ink.
The first image is a white envelope decorated with colorful stamps and rubber-stamped designs. Three Belgian postage stamps featuring birds appear in the upper right corner, postmarked “LIEGE P 13.02.92.” Across the center, the name “TOMMY UNGERER” is formed using a combination of red letters, blue head profiles, and brown “E” letters shaped like squirrels. Additional rubber stamps include a red wine glass symbol inside a tilted square, a green circular stamp with “S.A.” inside, and a blue diagonal stamp reading “SITE ANONYME.” The handwritten address at the bottom right reads “Betonstraat, 43, B-2811 Hombeek.” The second is a collage-style printed sheet with text and decorative elements arranged on white paper. At the top, the heading reads: “La S.P.R.L. SOCIÉTÉ ANONYME Association Sans But Lucratif.” A red stamp on the left says “QUALITE BELGIEKE KWALITEIT.” Below, a mix of stamped and cut-out letters spells the phrases “OLD CHAP!”, “AM I YOUNG?”, and “AM I MAIL ARTIST?” accompanied by repeated turquoise question marks and two blue stamped head profiles. Near the bottom, red text reads “WARRANTLY ANONYMOUS YOURS.” The address “24, Rue Reynier – 4000 LIEGE – Belgium” is printed at the bottom edge. The third image is the back of the envelope decorated with colorful handwritten text and stamped markings. The words “YOUTH AND MAIL ART” are written in red, yellow, green, and purple ink, each surrounded by wavy, colored lines. On the left is a circular brown rubber stamp reading “SOCIETE ANONYME Rue Reynier, 24 • 4000 Liège • Belgium,” enclosing a large question mark symbol. In the upper right corner, a partial blue rectangular stamp is visible with the text “SOCIETY” partially legible.
This piece consists of a white envelope with red and blue bars along the edge, and decorated with rubber ink stamps. Also included in this piece is a photograph of an extremely large rubber stamp, two "musical exchange" notices on green paper, and a postcard with a handwritten letter. British postage stamp affixed.
The first image shows a decorated airmail envelope addressed to John M. Bennett at “Luna Bisonte Prods, 137 Leland Ave, Columbus, Ohio 43214, U.S.A.” The sender is listed as “PhotoStatic / Retrofuturism Audio & Print Culture, 911 North Dodge Street, Iowa City, Iowa 52245 USA.” The envelope features multiple stamps, including a 34p green stamp with Queen Elizabeth II’s profile and a 45¢ U.S. stamp depicting Harvey Cushing, M.D. It also includes purple and blue rubber stamp art, such as a saxophonist, a male torso with an anatomical heart illustration, and decorative hand drawings pointing toward the address. The text “PAR AVION BY AIR MAIL,” “PRINTED MATTER,” “Postal Lessons by Famous Artists,” and “damaged by snails” are also visible. The second image shows the back of an airmail envelope with blue, red, and white edging. The top section includes the printed text: “HOME OF THE BIGGEST RUBBER STAMP IN THE WORLD.” Below that is the return address: “A.1. Waste Paper Co. Ltd., 71, Lambeth Walk, London SE11 ENGLAND.” Across the center in bold purple text is the phrase: “PRETENTIOUS DRIVEL STRIKE (1990–1993).” The words “PRINTED MATTER” appear below in smaller blue type. Some red and white adhesive tape partially covers the bottom edge of the envelope. The third image shows two pieces: a collage artwork on the left and a photograph on the right. The left side features a black-and-white illustration of a man speaking into a wall-mounted telephone labeled “LAKIN’S TRANSMITTING AND RECEIVING TELEPHONE.” The man has a speech bubble that reads, “YOU DARE TO ADDRESS ME, VERMIN?” with the letters “AI” printed in the lower right corner. The right side shows a person standing in a cluttered, colorful room filled with papers, posters, and artwork on the walls. The person is holding a large rubber stamp above their head featuring an image of a pig. The fourth images shows Two pieces of stationery placed side by side. Both are printed with the heading “A.1. Waste Paper Co. Ltd., 71, Lambeth Walk, London SE11 ENGLAND.” in purple text. The left sheet also bears the heading “RARE AND VALUABLE POSTAL EPHEMERA” and is dated “4 MAY 1990.” Below, a handwritten note in yellow ink reads: “Dear John, Thanks for the rubber stamps. Hope the enc. will be of use to you – maybe you can cut them up to make new words? Glad to hear the PRETENTIOUS DRIVEL stickers are useful. Here’s a few more. All the best, Michael P.S. Phew! It’s hot here – hottest May for 100 years!” The right sheet contains the same printed address and includes additional printed text in pink reading “HOME OF THE BIGGEST RUBBER STAMP IN THE WORLD,” and a green-stamped date “18 JAN 1990.”
The front of this mail art white postcard, created by Haddock, has illustrations in black and white of two children along with a rubber ink stamp surrounded by twelve identical barcode stickers. The text between the barcodes reads “This is not art. In addition, the postcard consists of a collage on the front and a cartoon-style illustrated address side on the back. The text is handwritten in turquoise ink. The back of the postcard is adorned with 14 bar code stickers and a rubber ink stamp. The back is decorated with black ink drawings of three cartoon figures—one holding a sign with the recipient’s address written in blue ink: “John M. Bennett, 137 Leland Ave., Columbus, Ohio 43214.” The upper left includes the sender’s information in blue handwriting: “The Haddock, 1026 N.W. 20th #1, Portland, OR 97210.” A 15-cent Buffalo Bill stamp is affixed in the upper right, postmarked “Portland OR, May 18, 1990.” Additional elements include rubber-stamped illustrations, the text “ART MAGGOTS 1990,” and an orange sticker with a smiling face.
Yellow postcard includes a black illustration, multiple ink stamps, and the affixed U.S. postage stamps have an image of a deer. A two-sided postcard featuring a collage-style front and a handwritten back. The front side, printed in black ink on yellow cardstock, combines text, comic fragments, and abstract illustrations of faces with stitched mouths. Prominent text reads “Ray’s Johnson Creeps!!,” “FaGaGaGa,” and “METANET CONGRESS 1992.” The background includes cutout text and a comic panel with the words “What a wizard car!” The reverse side has handwritten text reading, “why does our dog have to wear a winter coat, fur too, all summer? m,” addressed to John M. Bennett at 137 Leland, Columbus, OH 43214. It includes printed elements with logos for “FaGaGaGa,” “Fluxus West,” and “N.E.O.N.I.C.S.,” a Youngstown, Ohio postmark dated July 1, 1991, and a 19¢ USA postage stamp showing a fawn. Mail art recipient: John M. Bennett.
Two-sided paper piece as part of the Millenium Mail Art Project. Handmade paper decorated with paints on front and back. Canadian postage stamps affixed to front. The piece consists of both sides of a single, irregularly cut and creased paper artwork. One side features a mixed-media drawing of a face rendered in loose lines and muted washes of color, with areas of red, yellow, and gray. The reverse side serves as an addressed mail art envelope, painted with a black and blue background and handwritten text in light blue ink reading: [return address]“Nancy Griswold 561 Sam de Champlain Boucherville, QU, J4B 6B6 [address] Millenium Mail Art Project Ragged Edge Press 102 Sutton Street New York, NY 10038, USA.” A 46-cent Canadian postage stamp showing a red maple leaf flag appears in the upper right corner. The paper shows signs of wear, including tears and creases along the edges. Mail art recipient: Sticker Dude.
Two-sided paper. Paper decorated with tape, paper, rubber stamp ink and found object. U.S. postage stamp affixed.
The item is a handmade postcard featuring collage, typed text, handwriting, and printed elements. The front shows a cartoon fox dressed in yellow clothing and a blue hat, holding a lantern. The illustration is placed over a blue-toned printed background showing partially obscured portraits and the visible headline “AMERICAN HOSTAGE IN LEBANON.” Much of the surrounding text and images are covered with black smudges or paint. The back contains text fragments arranged collage-style, including a typed paragraph beginning “FOXY BOXING: 8 super sexy centerfold out of some sexy fantasy outfits to sexy in the ring.” Additional cutout text pieces, handwritten notes, and two ink drawings—one resembling an eye and another an abstract animal—are present. The recipient is labeled as “John M Bennett, Luna Bisonte Prods, 137 Leland Ave, Columbus, Ohio 43214,” and the handwritten sender address reads “WALL-TER, 9004 B. Quail Valley Dr, Austin, TX 78758-6624.” A U.S. 29¢ “William Saroyan” stamp is affixed, postmarked June 18.
Two-sided piece. Paper with printed plastic overlay with tape, and paper pieces. U.S. postage stamp affixed. A modified postcard featuring collage and handwritten elements. The front shows a color image of a man beside a fruit-bearing navel orange tree with superimposed text reading “PRESS TAIL SHARPLY & WATCH THEM JUMP! PRACTICE YOUR AIM!” A large stylized white insect graphic is centered over the tree, and three bright pink cutout shapes, including a shoe silhouette, appear along the bottom. The caption at the top reads “A Navel Orange Tree.” The reverse side contains mailing information and decorated handwriting addressed to “John M. Bennett, 137 Leland, Columbus, Ohio 43214.” The sender’s return address label in the upper left reads “‘A maggot-factory!’ 1026 NW 20th #38, Portland, Or. 97209.” The card bears a 15-cent Buffalo Bill Cody stamp and printed text at the bottom margin, “On the Road of a Thousand Wonders. Pub. by The O. Newman Company, Los Angeles, San Francisco.” Mail art recipient: John M. Bennett.
Two-sided piece. Color postcard with paper and plastic overlay, tape, and paper pieces. U.S. postage stamps affixed. A two-sided postcard. The front shows a person standing on a sunlit walkway in a yard holding a broom, surrounded by plants and a low white fence. Two comic-style speech bubbles have been added over the image, reading “MURPHL MMPH EERGH LORP” and “GREEEZ BLAAP.” The back of the postcard contains a handwritten message dated “11-29-888” addressed to John M. Bennett, 137 Leland, Columbus, Ohio 43214. The note praises a new tape and references diction, “SHAKUHACHI,” and sounds like “the flute” and “turning pages.” A red handprint is stamped near the bottom beside the signature “NUNZIO.” The postcard bears a “Greetings” 25¢ stamp with a sleigh scene, postmarked San Antonio, Texas. Mail art recipient: John M. Bennett.
Two-sided piece. Cream-colored mat board decorated with black ink. U.S. postage stamp affixed. The postcard features an abstract purple ink illustration on the front, composed of mechanical and organic shapes, with a Portland, Oregon postmark dated January 26, 1989. The reverse side bears a 25-cent blue bird stamp and is addressed to John Bennett at Luna Bisonte Productions in Columbus, Ohio. A handwritten message in purple ink in the upper left corner reads: “SPORATIC AINT I? YOU STILL POUND'N EM OUT?” The address is enclosed within a hand-drawn shape. Mail art recipient: John M. Bennett.
Two-sided printed paper piece. Black writing, rubber stamp ink, and U.S. postage stamp on back. Front and back of a bright green postcard from FaGaGaGa supporting the World Health Organization’s Day Without Art, an observance for World AIDS Day on December 1, 1991. The front features a halftone image of a face with the printed text “FaGaGaGa supports the World Health Organization’s DAY WITHOUT ART, an observance for WORLD AIDS DAY December 1, 1991,” along with a bold black “X” logo labeled “DAY WITHOUT ART.” The back displays a stamped return address label reading “FaGaGaGa, P.O. Box 1382, Youngstown, OH 44501 USA,” and a 19¢ deer postage stamp postmarked November 21 from Youngstown, Ohio, with the overprint “PLEASE MAIL EARLY FOR CHRISTMAS.” It is addressed to “Luna Bisonte, 137 Leland Av, Columbus OH 43214,” and includes a handwritten message: “John, Mel & I are unemployed come Jan 1 maybe we move our operations to downtown who nose? Need yr shoes shined — M.” Mail art recipient: John M. Bennett.
Two-sided brown mailing envelope. Decorated with black ink, rubber stamp ink, and Spanish postage stamp affixed. A small correspondence mailed to John M. Bennett of Luna Bisonte Productions in Columbus, Ohio, consists of a brown envelope containing a metallic-foil insert. The brown envelope, postmarked in Spain on February 11, 1991, and stamped “IMPRESOS,” bears a 25 peseta Spanish postage stamp featuring Ramón del Valle-Inclán. Inside, a reflective silver sheet printed in black ink reads “ALADERN” and “L’ALSAMENT D’UNA PARTIDA,” along with a circular emblem and the name “FRANCESC VIDAL.” The back of the envelope is stamped in purple with a circular emblem depicting a stylized plant and the words “APT 430 43200 REUS.” Together, the items reflect a minimalist yet visually distinctive mailed artwork, combining hand-stamped and printed elements in both paper and metallic materials. Mail art recipient: John M. Bennett.
Multiple items enclosed in airmail envelope. White envelope stamped in black and red ink with white, blue and gold labels; illustrated in red marker; UK postage affixed. Letter written in red marker on white stationary stamped with black ink. Inserts include two gold labels printed in black. Remaining inserts are white leaflets of various size printed and illustrated in black. Mail art recipient: John M. Bennett.
Mail art piece, designed by Anna Boschi, consisting of a color photograph with black writing on back with stickers, rubber stamp ink, and Italian postage. In the first image, a large, light-colored fabric lies spread out on a floor, partially folded near the edges. Two circular stencil designs are visible on the surface, outlined in black spray paint with faint red markings extending from them. Inside the top circle, the text reads “HOPE,” and in the lower circle, “ART.” Red paint drips and streaks appear between the circles, suggesting a deliberate connection in the design. The fabric is positioned in front of a dark background with a faint light source coming from the left. The second image is a handwritten postcard addressed to John Bennet, Lunar Biscuit Prods, 437 Leland Ave., Columbus, Ohio 43214, U.S.A. It has three Italian stamps—one valued at 200 lire depicting Castello di Cerro al Volturno and two valued at 500 lire each showing Castello di Rovereto. A blue “PER VIA AEREA / PAR AVION” airmail label is affixed near the center. The sender’s information on the left reads “ANNA BOSCHI, Via Alberghini 23-25, 40138 BOLOGNA.” The message, written diagonally across the card, says in part, “Thank you very much for your fine participation to the ‘Bottle Project.’ Best wishes and good work. Friendly, Anna.” Mail art recipient: John M. Bennett.
Two-sided white paper envelope piece. Decorated with rubber stamp ink on front and back. Italian postage stamps affixed. Paper stapled to string is attached from inside envelope.
Inside the envelope is a single small booklet containing a series of printed and typed mail art project announcements, each page highlighting a different international art exchange. The pages feature invitations to contribute to projects such as “SEND BRAINS,” “these CRAZY CARS,” “SKIN TWO,” and “TRASH PROJECT,” with distinctive imagery and instructions for participation. Texts describe open calls encouraging artists to mail creative responses—each page including themes, deadlines, mailing addresses, and often the phrase “documentation to all.” Illustrations throughout include drawings of human brains, abstracted cars, intertwined figures, and garbage bins labeled “SULO.” Mail art recipient: John M. Bennett.
Two-sided mail art piece, created by Dr. Al Ackerman, that includes a business envelope hand painted with watercolor and decorated with labels and affixed U.S. postage stamps. Handwritten text on the envelope says "Envelope depicts: Hinky-dink of the great tonguelator". Two pages of typewritten text follow. The first page of the typewritten document titled "Freedom, Resistance, Rebellion, and Art Strike" by Dr. Al Ackerman, D.D.S. The second page of the typewritten document titled "Freedom, Resistance, Rebellion, and Art Strike" by Dr. Al Ackerman, D.D.S. Mail art recipient: John M. Bennett.
Gay Lib seeks to establish an off campus community center
Student activities--New York (State)--Buffalo
Lesbian college students--New York (State)--Buffalo
Gay college students--New York (State)--Buffalo
Newspaper article reporting on the Gay Liberation Front's need for an off-campus community center.
Gay Lib seeks to establish an off campus community center. (1971, April 30). The Spectrum, 13.
State University of New York at Buffalo. University Archives
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Demanding their rights: Law and gay community subject of conference
Newspaper article reporting on the 1974 Gay Rights and the Law conference sponsored by the Student Bar Association.
Andrews, D. (1974, May 3). Demanding their rights: Law and gay community subject of conference. The Spectrum, 4.
The fight for gays rights: overwhelming oppression
Newspaper article interviewing UB students about being gay and the fight for gay rights.
The fight for gays rights: overwhelming oppression. (1977, October 26). The Spectrum, 2, 12.
Yearbook spread featuring two group photos of members of the Gay Liberation Front, p. 181
At long last recognition and room to grow for UB Gay Lib/Gays actively against society's bad attitudes
Two newspaper articles reporting on the issues facing the Gay Liberation Front. Articles are accompanied by a black and white photo of two members of the Gay Liberation Front.
At long last recognition and room to grow for UB Gay Lib/Gays actively against society’s bad attitudes. (1979, October 24). The Spectrum, 12.
A flier advertising the Gay Peoples Alliance.
Newspaper advertisement for the Gay Liberation Front's Open House
Gay Liberation Front presents an Open House. (1980, February 15). The Spectrum, 30.
Yearbook spread for the Gay People Alliance, featuring one large black and white photograph of one member of the group.
A person is seated with arms crossed at a desk in a room. Papers, books, and cups are scattered across the desk, and a window is visible in the background. The text below reads "Gay Peoples Alliance."
Gay Peoples Alliance presents Coffee House
Newspaper advertisement for the Gay Peoples Alliance Coffee House
Gay Peoples Alliance presents Coffee House. (1981, October 30). The Spectrum, 18.
Letter written to the student body instruducing the Gay and Lesbian Alliance (GALA) and providing a brief history of the group.
Second Meeting of the Gay and Lesbian Graduate Student Union
Flier advertising the second meeting of the Gay and Lesbian Graduate Student Union.
Students, faculty rally to fight sexual discrimination
Newspaper article reporting on students and faculty who participated in a rally to support gay rights and anti-discrimination.
Campanelli, A. (1989, April 1). Students, faculty rally to fight sexual discrimination [Review of Students, faculty rally to fight sexual discrimination]. The Spectrum, 1.
LGBA looks for increase in members and respect
Newspaper article interviewing members of the Lesbian, Gay, Bisexual Alliance (LGBA) about being gay on campus.
Siegel, L. (1989, November 3). LGBA looks for increase in members and respect. The Spectrum, 2.
Yearbook spread briefly discussing various anti-discrimination efforts on campus. Page 20.
Yearbook spread for the LGBA, which includes a large black and white photograph of group members and a short biography of the group.
Newspaper article reporting on the vandalism of the LGBA office door.
Hillburger, J. (1992, November 2). Vandalism at LGBA office. The Spectrum, 1.
Newspaper article interviewing members of the LGBA about their campus activities and on homophobia on campus.
Muserlian, S. (1992, December 7). LGBA strengthens despite acts of bias. The Spectrum, 10.
Newspaper article reporting on the prostest of the Army and Navy recruiters by the Gay, Lesbian, and Bisexual Law Students.
Levy, A. (1993, October 11). Armed forces stay out of closet. The Spectrum, 1, 6.
Newspaper article reporting on the LGBA's National Coming Out Day event.
Virk, K. (1994, October 7). LGBA prepares to “come out.” The Spectrum, 3, 8.
Students try to educate each other about gender, sexuality
Newspaper article reporting on the the Gender Roles and Sexuality Program (GRASP).
Bernstein, C. (1995, November 6). Students try to educate each other about gender, sexuality. The Spectrum, 3.
October is National Gay and Lesbian History Month, James Baldwin, Novelist, Essayist, Activist
Flier advertising National Gay and Lesbian History Month. Includes a black and white photograph of James Baldwin, a famous gay man.
A letter to friends of the Graduate Gay and Lesbian Alliance
Letter written by the President of the Graduate Gay and Lesbian Alliance to the members of the group.
Newspaper article reporting on the events of the LGBA's Coming Out Week, specifically the Drag Show.
Students “Come Out” to Celebrate. (1996, October 11). The Spectrum, 1, 8.
Preaching to the Converted. The Interdisciplinary Queer Studies Graduate Conference of the State University of New York at Buffalo
A pamplet from Preaching to the Converted, The Interdisciplinary Queer Studies Graduate Conference held at UB.
Flier advertising Gayla '96, a reception for Gay, Lesbian, and Bisexual students, faculty, staff and their supporters.
Lesbian, Gay, Bisexual Alliance Yearbook Photo
Yearbook spread for the LGBA, featuring three black and white photographs and a brief biography of the group.
Flier advertising a meeting of the Graduate Gay and Lesbian Alliance.
Event Educates, Celebrates Homosexuality
Newspaper article reporting on the second annual Lesbian, Gay and Bisexual Alliance conference.
Event Educates, Celebrates Homosexuality. (1998, April 6). The Spectrum, 1.
Newspaper article reporting on the Gay Jeans Day, an event held during Coming Out Week.
Denim Day Unites Gay Community. (1999, October 13). The Spectrum, 1, 9.
Black and white photograph of a UB student going face to face with a drag queen.
Two people face each other closely indoors, one standing with hands on hips and the other leaning forward from a raised surface, wearing a shiny outfit. The individuals are passing an object between their mouths.
Take it or leave it. (1999, October). The Spectrum, p. 3.
Untitled digital print from |Manipulated Crayons| series
Image © Harry Jacobus. For questions regarding use and redistribution of images, please contact the Poetry Collection at lpo-poetry@buffalo.edu.
Contact the Poetry Collection for more information.
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Untitled digital print from |Nostalgia, misc.| series
Untitled digital print from |Misc. Prints| series