Magnus Andersson, guitar, and Jade Conlee, electronics rehearsing Josh Levine's Former selves at June in Buffalo 2016
A person in a button-down shirt and glasses sits while playing an acoustic guitar. Another person sits in the background behind a laptop. A music stand is positioned in front of the guitarist, and a microphone is visible near the instrument.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Tom Kolor, percussion, rehearsing Josh Levine's Former selves at June in Buffalo 2016
A person with short dark hair and a beard stands before a music stand with papers on it. They hold a striker in one hand, positioned to hit a triangle mounted on a metal stand. The background consists of a wall with vertical wooden panels.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Magnus Andersson, guitar rehearsing Josh Levine's Former selves at June in Buffalo 2016
An individual with short hair wears a light-colored shirt and glasses while holding an acoustic guitar. They sit surrounded by multiple music stands containing sheet music in a room with a dark background. A copyright watermark is layered across the middle of the frame.
Conductor Matthew Chamberlain with Slee Sinfonietta (Jonathan Golove, violoncello, Kristen Theriault, harp, Alyssa Roggow, viola, Courtney Orlando, violin, Caroline Sonnett, flute) rehearsing Josh Levine's Former selves at June in Buffalo 2016
A conductor stands behind a large black harp, gesturing with both hands toward several musicians seated with their backs to the camera. The musicians play various string instruments while looking at sheet music on stands. The scene takes place in a performance hall with large columns and curtains in the background.
Composer Josh Levine with Jade Conlee, electronics rehearsing Levine's Former selves at June in Buffalo 2016
A person wearing a button-down shirt and glasses stands at a table, looking toward another person who is sitting. The seated person has their hair pulled back and looks at an open laptop showing a software interface. The setting includes equipment stands, cables, and a dark background with vertical columns.
A person stands on a stage wearing a light-colored long-sleeve shirt and glasses. To the right, another person sits at a table containing a laptop and a music stand. Behind them, an auditorium with red seats and a large black speaker are visible.
Zane Merritt, electric guitar rehearsing Joshua Hey's fissu|rupT\T|ear at June in Buffalo 2016
A person with long, wavy brown hair wears an orange collared shirt and black pants while seated and playing a sparkling red electric guitar. They look down toward a black music stand positioned in front of them. The background is a plain, light-colored wall with a partial view of a dark piano and a brown chair.
Student composer Joshua Hey with Zane Merritt, electric guitar rehearsing Hey's fissu|rupT\T|ear at June in Buffalo 2016
One person with long hair sits in a chair on a stage, holding a red electric guitar and gesturing with their hands. A second person wearing glasses and a black t-shirt stands facing them while holding a small book. The stage contains a black grand piano, a guitar amplifier, a music stand, and several chairs.
A person with long hair sits in an orange shirt on a stage, holding a red electric guitar and looking at sheet music. A second person stands facing them, wearing a black t-shirt and blue jeans while holding papers. The scene includes a grand piano, an amplifier, and music stands on a wooden stage.
Composer Hanna Eimermacher with student composers at June in Buffalo 2016
Six individuals are seated in a room containing a grand piano, a wooden podium, and a whiteboard marked with musical staff lines. Several people have laptops or notebooks open in front of them as they look toward one another. The seating is arranged in a circular fashion around a central desk.
A group of people sits in a classroom containing a grand piano and a whiteboard with musical staff lines. One person on the left gestures with their hands while facing the others. Some individuals hold tablets or notebooks, and an equipment rack is positioned in the background.
Composer Hans Abrahamsen with student composers at June in Buffalo 2016
Four people sit around a dark gray table featuring an open laptop, loose papers, and a spiral-bound book. One person in a black sweater holds a pencil while another person sits nearby with a disposable cup. In the foreground, a person wearing glasses sits across from the others, and a piano is positioned against the back wall.
Three people sit at a large gray table while a fourth person stands in the foreground near an open laptop and spiral-bound notebook. One person at the table rests their hands on several pieces of paper. Additional chairs, a dark wooden cabinet, and a framed portrait are visible in the background.
Composer Hanna Eimermacher with Jonathan Golove, T.J. Borden, and Tom Kolor rehearsing Eimermacher's Luftpost für L at June in Buffalo 2016
Two people sit on black benches with their backs to the camera playing cellos on a wooden stage. To the left, a person stands next to percussion equipment with one arm raised holding a mallet. A fourth person stands in the background facing the stage from among rows of red auditorium seating.
Three people are positioned on a wooden stage facing a dark auditorium with rows of red seating. One person stands near percussion instruments, two others sit on benches playing cellos, and a fourth person sits in the audience section facing the stage. Music stands, black chairs, and instruments are distributed across the stage floor.
Jonathan Golove and T.J. Borden, violoncello, and Tom Kolor, percussion rehearsing Hanna Eimermacher's Luftpost für L at June in Buffalo 2016
Three musicians are positioned on a wooden stage against a dark background. Two people are seated in the foreground holding cellos, while a third person stands behind a large copper timpani drum. Music stands sit on the floor in front of the seated musicians.
Two people sit on black benches and play cellos with bows in front of music stands. A third person stands to the right, positioned behind a large timpani drum and other percussion equipment. The musicians are on a wooden stage set against a dark background.
Two people sit on black benches and play cellos with bows on a wooden stage. A third person stands behind a large timpani drum and other percussion items to the right. Music stands are placed in front of the cellists against a dark background.
Two people in the foreground sit on benches playing cellos while looking down at sheet music on stands. A third person stands in the background behind a set of timpani drums. The performance occurs on a light-colored wooden stage in front of a dark backdrop.
Two people sit on a wooden stage playing cellos with music stands positioned in front of them. A third individual stands behind a percussion instrument further back on the stage. The performers are set against a dark background, and a copyright watermark is visible across the middle of the frame.
Two people sit on benches in the foreground playing cellos while reading from music stands. A third person stands behind a set of timpani drums in the background. The performance occurs on a wooden stage against a wall of dark vertical wood panels.
Four individuals are positioned on a wooden stage in front of a dark, paneled wall. Two people sit while playing cellos, and another person stands behind a large drum with a mallet. A fourth person stands near the center wearing a pink scarf and looking upward.
Percussionist Tom Kolor and composer Hanna Eimermacher rehearsing Eimermacher's Luftpost für L at June in Buffalo 2016
A person wearing a plaid shirt and glasses leans over a large copper-colored kettle drum with a mallet in hand. Another person with long hair stands to the right, looking toward the drum. They are positioned on a stage with vertical wood paneling and music stands.
Two people are in a room with vertical wood-paneled walls. One person wearing a plaid shirt and glasses leans over a large copper timpani drum with a mallet in hand. The second person stands nearby wearing a black shirt, a pink scarf, and peach-colored pants.
Two individuals sit and play cellos with sheet music on stands in front of them. Beside them, two other individuals stand while operating percussion instruments, including a large copper timpani and cymbals. The performance takes place on a wooden stage against a background of wood panels and large organ pipes.
Two people sit on the left and play cellos while looking at music stands on a wooden stage. In the center, a person plays a large copper timpani and cymbals, and a fourth person stands at a music stand on the right. The background contains wood paneling and additional empty seating.
Four musicians perform on a wooden stage in a hall with dark wood paneling. Two individuals sit while playing cellos, and two others stand near percussion equipment, including a large copper timpani drum. Music stands with sheet music are positioned in front of the performers.
Two individuals sit on benches and play cellos behind music stands. A third person stands behind a music stand while a fourth person stands by a large copper timpani drum. The performance takes place on a wooden stage in a hall with dark wood paneling.
Composer Hanna Eimermacher with Lucas Fels, violoncello, of the Arditti Quartet at June in Buffalo 2016
One person with grey hair is seen from behind carrying a large white hard-shell case marked with a red "FRAGILE" label. They stand opposite another person who has long wavy light-colored hair and is positioned against a background of wooden paneling and audio equipment. In the distance, a third person is partially visible behind a black-skirted table.
Composer Josh Levine gives a lecture at June in Buffalo 2016
A person in a blazer gestures while seated at a small table with a laptop in a lecture hall. A large screen in the background shows text and a poem, while audience members are visible from the back in the foreground. A tall microphone stand is positioned to the right of the presenter.
Conductor Brad Lubman and student composer Pierce Gradone talking at a rehearsal of Gradone's Apertura at June in Buffalo 2016
One person in a white button-down shirt gestures with both hands while facing another person wearing a dark plaid shirt and glasses. The second person holds an open spiral-bound notebook. In the background, red and brown chairs sit against a wall with windows, and a transparent watermark is overlaid across the center of the scene.
Two people stand in front of large glass windows. The person on the left wears a white long-sleeved button-up shirt, while the person on the right wears glasses and a dark plaid shirt. The person in the plaid shirt holds a thick white spiral-bound document.
Conductor Brad Lubman rehearsing with Ensemble Signal members Emlyn Johnson, flute, Adrián Sandí, bass clarinet, Tom Kolor, percussion, Ning Yu, piano, Lauren Radnofsky, violoncello, and Courtney Orlando, violin rehearsing Pierce Gradone's Apertura at June in Buffalo 2016
Signal (Musical group : 2008- ) - Ensemble
Several people sit in a semi-circle playing instruments while facing music stands and one person on a stool to the right. A grand piano occupies the left side of the space, and additional percussion instruments are visible in the background. Coffee cups and water bottles are placed on the floor near the musicians.
Arditti Quartet (Irvine Arditti, Ashot Sarkissjan, Lucas Fels, Ralf Ehlers) at June in Buffalo 2016
Four people are positioned behind music stands against a solid black backdrop. Three individuals wear glasses, and two have their arms crossed. A white instrument case is partially visible on the far right, and a watermark spans the center of the frame.
Arditti Quartet members (Irvine Arditti, Ashot Sarkissjan, Lucas Fels, Ralf Ehlers) at June in Buffalo 2016
Four individuals are posed in a line within a black and white frame. The person on the far left wears a short-sleeved shirt, while the person next to them has a beard and carries a tote bag over a leather jacket. The two people on the right wear glasses and stand behind music stands, with a watermark visible across the center of the group.
Sound engineer Matt Sargent (left), composer David Felder (glasses), and Olivier Pasquet, electronics (right) rehearsing Felder's Netivot at June in Buffalo 2016
Three people operate technical equipment, including a mixing console and laptops, inside an auditorium with rows of red seats. One person leans over a control board while a second person stands beside them holding a piece of paper. A third person sits at the table with an open laptop and a folder.
Three people work at a long table covered with laptops, cables, and audio equipment inside an auditorium with rows of red seats. One person in a blue shirt stands on the left side adjusting controls, while a second person in a dark shirt stands behind the table holding papers. On the right, a third person sits at the table and looks through a book next to a laptop.
An individual sits at a table covered in audio gear and a laptop while two others stand nearby in a tiered seating venue. The equipment includes a sound mixing board, multiple cables, and a smartphone. In the background, rows of empty theater seats extend upwards.
Composers Josh Levine (left) and Joshua Fineberg (right) at June in Buffalo 2016
Two people are positioned from the chest up in front of a wall with horizontal wooden slats. The person on the left wears glasses and a dark jacket over a light shirt. The person on the right wears a hoodie with a pair of glasses hanging from the neckline.
J.T. Rinker speaking to student composers at June in Buffalo 2016
A person in a maroon shirt stands at the front of a room facing a group seated on multi-tiered maroon benches. The room features wood-slatted acoustic panels on the walls and double doors in the background where two additional people stand. Most audience members are looking toward the person standing in the foreground.
Composer David Felder speaking to student composers at June in Buffalo 2016
A person sits on a stool in the foreground, facing a group of people seated on several levels of curved maroon benches. The room features wooden acoustic panels on the walls and a tall microphone stand positioned to the left. The audience members look toward the person in the foreground.
Composer Hans Abrahamsen at June in Buffalo 2016
A person with short, textured hair is shown from the chest up in a black and white composition. They are dressed in a dark, high-collared zip-up sweater and stand before a plain light wall. A copyright watermark is visible across the middle of the frame.
A person with light skin and short salt-and-pepper hair faces the camera. They wear a dark grey long-sleeved quarter-zip pullover over a black shirt. The background consists of a plain white wall next to a dark vertical surface, and a watermark spans the middle of the frame.
Composer Hanna Eimermacher and Marko Kassl, accordion at June in Buffalo 2016
Two individuals are positioned in an indoor space with brick pillars and a drop ceiling. The person on the left wears glasses, a blue polo shirt, and a dark jacket, while the person on the right has long wavy hair and wears a black top. An illuminated red exit sign hangs from the ceiling in the background on the left.
Composer Hanna Eimermacher and child at June in Buffalo 2016
A person with long light brown hair holds a toddler dressed in a striped shirt and blue pants. They are positioned against a solid blue wall with a narrow vertical window on the right side. A copyright watermark is visible across the center of the frame.
An adult with long light brown hair and a dark blue shirt holds a toddler in front of a solid blue wall. The toddler wears a shirt with horizontal orange, yellow, pink, and green stripes and a blue neck scarf. A narrow window with mesh-reinforced glass sits to the right, and a copyright watermark is layered over the subjects.
Composers Hans Abrahamsen (back left) and Hanna Eimermacher (front middle, pink pants) and student composers Pierce Gradone, Weijun Chen, Joungbum Lee, Peter Kramer, Brien Henderson, Luciano Leite Barbosa, Samuel Clark-McHale, Bekah Simms, Timothy Roy, Barry Sharp, Igor Coelho A.S. Marques, Xavier Beteta, and Young Woo Yoo, at June in Buffalo 2016
A group of about fifteen people is arranged in rows within an indoor hallway or lobby. They wear casual clothing such as flannels, t-shirts, and jeans, and many are wearing glasses. A copyright watermark is visible across the middle of the scene.
Student composers Pierce Gradone, Weijun Chen, Joungbum Lee, Peter Kramer, Brien Henderson, Luciano Leite Barbosa, Samuel Clark-McHale, Bekah Simms, Timothy Roy, Barry Sharp, Igor Coelho A.S. Marques, Xavier Beteta, and Young Woo Yoo at June in Buffalo 2016 at June in Buffalo 2016
A group of twelve individuals is arranged in several rows inside a building with a brick wall and glass partitions. The people wear varied casual clothing, including button-up shirts, t-shirts, and sweaters. Some individuals in the group wear glasses, and two hold beverage cups.
Student composer Xavier Beteta at June in Buffalo 2016
A person with dark hair and black-rimmed glasses is shown in a head-and-shoulders view. They wear a dark blazer over a black v-neck shirt in a blurred interior setting. A transparent watermark is layered across the center of the frame.
Student composers Timothy Roy, Brien Henderson, Igor Coelho A.S. Marques, Young Woo Yoo, and Barry Sharp at June in Buffalo 2016
Five individuals are positioned in a line in a hallway featuring brick pillars and glass partitions. They are wearing casual attire such as t-shirts and button-down shirts, and several wear glasses. A watermark is visible across the middle of the scene.
Student composers Timothy Roy, Brien Henderson, Young Woo Yoo, and Barry Sharp at June in Buffalo 2016
Four people stand in a row in front of a curved glass partition and a brick wall. From left to right, the individuals wear a black polo, an olive green long-sleeved shirt, a grey patterned top, and a blue button-down shirt. The background shows a brightly lit indoor space.
Student composer Timothy Roy at June in Buffalo 2016
A person with short brown hair and glasses stands in an indoor space with a brick wall and glass partitions in the background. They wear a dark polo shirt and have their mouth turned upward in a smile. A watermark reading "Copyright by Irene Haupt" is visible across the center.
1970-11-14 Temple - Buffalo football program
State University of New York at Buffalo. -- Football Team.
University of Buffalo. -- Football Team.
State University of New York at Buffalo -- Football.
State University of New York at Buffalo -- Archival resources.
College sports -- New York (State) -- Buffalo.
University at Buffalo. University Archives.
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New York (State) -- Buffalo -- University at Buffalo
October 31, 1970 - Rotary Field 1:50 p.m. - Program 50¢
1970-10-24 Buffalo University [sic] vs. Va. Tech
Barbara Specht the college football Centennial Queen
Rotary Field - 1:30 p.m. - October 11, 1969
Rotary Field - 1:30 p.m. - October 4, 1969
September 27, 1969 - Official Program 50 Cents
1968-11-09 Northern Illinois University vs. University of Buffalo
Temple Stadium - November 2, 1968 - 8:00 P.M.
September 27, 1968 - War Memorial Stadium
Official Program - Villanova Stadium - November 11, 1967
Buffalo Architecture at the Time of the Pan-American Exposition
Pan-American Exposition (1901 : Buffalo, N. Y.) -- Buildings
Essay by former UB Architecture professor Jack Quinan, regarding the design and architecture of the Pan-American Exposition.
Includes run-down of each quarter's play
1967-09-23 Wolfpack News: N.C. State vs Buffalo
1966-11-12 University of Tampa vs. University of Buffalo
Official Souvenir Program 50¢: No. 20559
1966-10-22 Boston College vs. University of Buffalo
Includes "Flash Football Stats" and a rundown of each period of play
1966-09-17 Buffalo Bulls - Kent State Football
In this issue... - Tribute to Amos Alonzo Stagg - Welcome parents - Blue Key Society - Band Day
Official Program 50¢ - Villanova Stadium - November 20, 1965
Official Program - Fifty cents - October 30, 1965 - Fitton Field
Alumni Stadium - October 2, 1965 - Official Program 50¢
1965-09-18 Boston College versus Buffalo