Hiller, Lejaren Arthur, 1924- - Composer
A black-and-white studio portrait shows a person wearing dark-framed glasses, a suit jacket, a dress shirt, and a patterned tie. The person faces the camera with a slight smile, and the image is closely cropped around the head and shoulders. A plain background keeps the focus on the subject.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
Copyright Statement for Digitized Materials from the Music Library
Buffalo (N.Y,) -- Buildings, structures, etc.
Music-halls -- New York (State) -- Buffalo
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) - Building
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) - Building
Baird Hall and Clemens Hall (North Campus) also visible
A black-and-white outdoor scene shows a wide, snow-covered plaza bordered by modern brick and concrete buildings. Several leafless trees line the open space, and a larger multi-story building rises in the background between two lower structures. A paved walkway is visible in the foreground, and the scene is empty of people, emphasizing the quiet winter setting.
Jacques Guyonnet, composer, conducting Creative Associates
Guyonnet, Jacques, 1933- -- Performances
Warren, Gwendolin Sims - Voice (Soprano)
Jacques Guyonnet with left arm raised -- Rehearsal of Guyonnet's Good Grief, Jerry (1970)
A black-and-white rehearsal scene shows a conductor standing at the center of a stage facing a seated ensemble arranged with music stands. Musicians are seated across the stage with a grand piano visible to the left and additional instruments positioned throughout the ensemble. Large draped curtains hang behind the performers, and the spacious rehearsal hall is brightly lit. A copyright watermark runs across the center of the image.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Stuart Dempster onstage in front of screen -- Landscape view of MD02-049, feet not visible
A black-and-white performance scene shows a person standing on a stage playing a trombone in profile. The performer is silhouetted against a light-colored stage backdrop, with a railing visible behind them. The image is tightly framed, emphasizing the musician and the extended slide of the trombone. A copyright watermark runs across the center of the image.
A black-and-white portrait shows a smiling person outdoors wearing round glasses, a patterned collared shirt, and a light-colored sweater or cardigan. The person has medium-length hair that falls around the face and is looking slightly to one side. The background is softly blurred with trees or foliage visible, and a copyright watermark runs across the center of the image.
Karl Kraber, flutist seated, holding a piccolo
A black-and-white portrait shows a person seated indoors wearing a dark button-up shirt with a striped tie. The person has neatly combed hair and a mustache and is looking downward with a slight smile. Chairs and another partially visible person appear in the softly blurred background, suggesting a rehearsal or meeting setting. The composition is closely cropped around the upper body.
Jon Hassell installation piece (Hassell not shown)
Electronic setup: table sourrounded by speakers on four sides, in hallway of art gallery
A black-and-white interior scene shows a spacious art gallery with polished floors, white walls, and track lighting illuminating the exhibition. Sculptures are displayed on pedestals throughout the room, while large paintings hang on the walls in the background. Low railings guide visitors through the space, and a few box-shaped objects are positioned on the floor in the foreground. The gallery is empty of visitors, emphasizing the exhibition layout.
University at Buffalo Symphony - Ensemble
Peltz conducting University at Buffalo Symphony (then known as University at Buffalo Civic Symphony) -- Photograph taken from organ loft
A black-and-white scene shows an orchestra seated in a semicircle with music stands arranged before each musician. A conductor stands at the front with both arms raised, facing the ensemble. Rows of empty auditorium seats fill the background, and the elevated viewpoint captures the conductor, musicians, and rehearsal layout from above.
Jacques Guyonnet with right arm raised -- Rehearsal of Guyonnet's Good Grief, Jerry (1970)
A black-and-white rehearsal scene shows a conductor standing at the center of a stage facing a seated ensemble arranged with music stands. Musicians are seated across the stage with string players, a grand piano at the left, and additional instruments positioned throughout the ensemble. Large draped curtains hang behind the performers, and the brightly lit rehearsal hall is viewed from the audience perspective. A copyright watermark runs across the center of the image.
Barbara Harbach, organist/harpsichordist
Two different photographs, each occupying half of the sheet: 1) Barbara Harbach with organ in background, 2) Barbara Harbach at harpsichord
A black-and-white printed page presents two portrait photographs of the same person placed side by side. The left portrait shows the person facing the camera while wearing a light-colored jacket over a blouse with a bow at the collar. The right portrait shows the person in profile seated at a harpsichord, wearing a dark jacket over a ruffled blouse. Printed captions beneath each portrait identify the person as Barbara Harbach, with the right caption including the word "Harpsichordist," and both captions include a small publisher logo.
Yvar Mikhashoff, pianist seated at piano
A black-and-white scene shows a person seated behind the open lid of a grand piano, resting one hand against their face while looking toward the camera. The foreground is filled with the piano's exposed strings and frame, creating a sweeping perspective across the instrument. A few books stand upright near the left edge of the piano, and the composition emphasizes the interior of the grand piano leading toward the seated person.
A black-and-white portrait shows a person wearing a suit jacket, dress shirt, and tie while looking toward the camera with a slight smile. The image is closely cropped around the head and shoulders, with a softly blurred background that keeps the focus on the subject's face.
Performance of Lejaren Hiller's Avalanche for pitchman, prima donna, player piano, percussionist, and pre-recorded playback)
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller is not shown -- Joseph Glosson on stage with American flag around his neck
A black-and-white performance scene shows a person on stage holding a large harp-like instrument while standing in a dynamic pose. The instrument is decorated with draped fabric and appears to be supported by a frame or stand behind the performer. Stage curtains form the backdrop, and another seated person is partially visible at the right edge of the frame. A copyright watermark runs across the center of the image.
Charles Haupt, violinist accompanied by William C. Kothe
A black-and-white scene shows a violinist standing and playing while reading from a music stand. A pianist sits at a grand piano behind the violinist, with one hand raised as if giving a cue or preparing to play. Percussion instruments, including a gong and drum set, are visible in the background, and stage curtains hang behind the ensemble. The scene appears to take place in a rehearsal or performance setting.
Orford String Quartet: Andrew Dawes, Kenneth Perkins, violins
A black-and-white group portrait shows four people standing side by side in formal concert attire, each holding a bowed string instrument. Three people are fully visible while a fourth is partially cropped at the left edge of the frame. The group smiles toward the camera against a plain background, and the composition is closely cropped around their upper bodies and instruments.
Joan La Barbara, composer on stage with Creative Associates
Evenings for New Music rehearsal: Joan La Barbara's Ideas of March no. 5
A black-and-white rehearsal scene shows three people positioned across a stage with microphones. One person sits at an electronic keyboard on the left, another stands at the center in front of a microphone, and a third stands at the right holding a clarinet beside a microphone stand. Stage curtains and percussion instruments are visible in the background, and cables and audio equipment are arranged across the floor.
A black-and-white scene shows a person seated while playing a cello with a bow. The musician wears a jacket and trousers and holds the instrument upright between their knees. The person's shadow, including the outline of the cello's scroll, is cast on the wall behind them. The composition is closely cropped around the performer and the instrument, emphasizing the playing posture.
Earle Brown, composer conducting ensemble onstage
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage left
A black-and-white rehearsal scene shows several musicians arranged around a room with music stands and instruments. A grand piano occupies the left foreground, while people are seated and standing throughout the space, including one person seated on the edge of the piano. A harp is visible near the center, and large curtains hang across the back of the room. The composition captures the ensemble from behind one seated musician, emphasizing the rehearsal setting.
Julius Eastman, composer standing with Yuji Takahashi
Standing for appluase for performing Bernard Rand's Espressione IV (1964)
A black-and-white stage scene shows two people standing beside a grand piano. One person at the left wears a light-colored suit and faces forward, while the other stands near the piano holding a sheet of paper against their chest. Large draped curtains hang behind them, and a copyright watermark runs across the center of the image.
Robert Ashley and Walter Gajewski, composers at console
A black-and-white scene shows two people working with a table of electronic audio equipment. One person in the foreground leans over the controls, adjusting knobs and switches, while another person with a beard sits behind the equipment observing. Large reel-to-reel tape reels and electronic components are visible on the table, and stage curtains form the background. The composition focuses on the equipment and the two people operating it.
Colorado Quartet, outdoors -- Francesca Martin, viola
A black-and-white group portrait shows three people standing closely together outdoors, each holding a bowed string instrument. One person stands behind an upright cello in the foreground, while the other two hold violins at their sides. They wear light-colored tops with dark skirts or trousers, and the image is closely cropped, with a fourth person only partially visible at the left edge of the frame.
Linda Cummiskey playing violin, view from side -- David Gibson and Garrett List in background -- 1975-1976
A black-and-white rehearsal scene shows a person playing the violin while looking down at the instrument and sheet music. The person wears a patterned vest over a long-sleeved top and holds the violin under their chin with the bow extended across the strings. Other seated musicians and music stands are visible in the softly blurred background, suggesting an ensemble rehearsal. A copyright watermark runs across the center of the image.
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage right
A black-and-white rehearsal scene shows a large harp in the foreground with its strings and curved frame dominating the right side of the image. Beyond the harp, several seated musicians perform with music stands arranged in a semicircle, while additional players are visible farther back on the stage. Stage curtains and columns frame the rehearsal space, and the elevated viewpoint looks across the ensemble from behind the harp.
Boris Kroyt, violist coaching student string quartet
Beethoven, Ludwig van, 1770-1827 -- Performances
Unidentified students are playing a Beethoven quartet -- Kroyt demonstrating on viola
A black-and-white rehearsal scene shows a standing cellist holding a cello upright while facing other string players. Partial views of seated musicians holding bowed string instruments frame the left and right edges of the image, with music stands and sheet music positioned between them. Empty chairs and large windows line the background, emphasizing the rehearsal room setting.
Slee Hall organ, Op. 95, C.B. Fisk pipe shop
Reverse reads: Rob Hazard gluing up case parts
A color workshop scene shows a person leaning closely over a large wooden frame or panel resting on a workbench. Hand tools, including chisels, a square, and clamps, are spread across the work surface. Shelves, containers, and additional woodworking equipment fill the background, and daylight enters through windows above the bench.
Pamela Benjamin Adelstein (McConnell), violist
A black-and-white portrait shows a person looking toward the camera while holding a violin upright with one hand and a bow resting across the instrument with the other. The person wears a patterned blouse, and the image is closely cropped around the head, shoulders, and upper portion of the violin. A plain dark background keeps the focus on the person and the instrument.
Lukas Foss, composer/conductor with administrators and musicians, Spring 1969
Lukas Foss with others (some unidentified), receiving Federation of Music Clubs Award -- Written on verso: Honorable mention for American Music in the University
A black-and-white scene shows a group of people standing in a line indoors in front of a curtained backdrop. One person at the center holds a framed certificate while standing beside another person, and several others stand on either side, some holding hands. The group is dressed in formal or semi-formal clothing, and the image captures a posed presentation or recognition ceremony.
Carol Plantamura, vocalist rehearsing with Creative Associates
A black-and-white rehearsal scene shows several seated musicians arranged with music stands in a room with cinder block walls. A standing person at the left faces the ensemble beside a music stand, appearing to address or lead the group. The backs of two seated musicians are visible in the foreground, while others holding woodwind instruments sit to the right. A filing cabinet and additional chairs are visible in the background, emphasizing the rehearsal setting.
Lukas Foss, composer/conductor conferring with Renée Levine and Henri Pousseur
A black-and-white scene shows three people standing indoors near a bright window or light-colored background. Two people on the left hold and examine an open binder or document together while a third person stands facing them on the right. One person at the right holds a notebook or folder at their side. A copyright watermark runs across the center of the image.
Lukas Foss, composer/conductor, performance of his M.A.P. (Musicians at Play) by Creative Associates
Lukas Foss not shown (slightly larger than MD03-043)
A black-and-white rehearsal or recording scene shows several people gathered around a double bass. One person leans over a piece of audio or recording equipment at the left, while another crouches beside the double bass at the center. Two additional people stand at the right near microphones and the instrument. Suspended microphones hang above the group, and cables and recording equipment are visible throughout the space.
Julius Eastman, composer/vocalist, rehearsing Peter Maxwell Davies' Eight Songs for A Mad King
Davies, Peter Maxwell, 1934- -- Performances
Julius Eastman in chair, reading -- Creative Associates surround him
A black-and-white performance or rehearsal scene shows a person seated at the center of a stage playing a guitar. Another seated musician is visible behind them, while silhouettes of additional people appear at the right edge of the frame. Large draped curtains hang behind the performers, and stage equipment, speakers, and cables are arranged around the performance area. A copyright watermark runs across the center of the image.
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble
A black-and-white close-up shows a person wearing glasses and formal attire conducting with a baton. One hand holds the baton while the other is raised in a directing gesture. The background is dark, and dramatic lighting emphasizes the person's profile and expressive hands, with only a faintly visible figure in the background.
Theodore Asmus written on back on photograph
A black-and-white portrait shows a person standing in front of a painted cinder block wall, smiling toward the camera. The person wears large glasses, a patterned V-neck sweater over a collared shirt, and a dark tie. The image is centered on the person's head and upper body, with the plain wall providing a simple background.
A black-and-white studio portrait shows a person wearing glasses, a beard, a tuxedo, and a bow tie while holding the neck of a cello upright beside their face. The image is closely cropped around the head, shoulders, and the upper portion of the instrument, with a plain background that keeps the focus on the person and the cello.
Performance of Lejaren Hiller's Three rituals for two percussionists and lights
Hiller is not shown, only Howard Zwickler is shown
A black-and-white scene shows a person standing behind a set of percussion instruments while wearing protective clothing, including a helmet with a clear face shield and a long-sleeved garment. The person is holding a pair of mallets over drums or other percussion instruments. Additional percussion equipment is visible in the background, suggesting a rehearsal or performance space.
A black-and-white scene shows three people standing indoors, gathered around an open document or binder. The person in the center holds the document while the two others look at it from either side. One person on the right holds additional papers. A large window or bright light source is visible behind them, and a copyright watermark appears across the center of the image.
A color scene shows a set of long cylindrical white pipes laid side by side on a wooden workbench. Each pipe has a gray, tapered pointed end, and the pipes are aligned in a neat row with their pointed ends extending over the edge of the bench. The surface of the workbench shows signs of wear, and the background is out of focus.
Allen Sapp, composer at award ceremony with other Buffalo musicians
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 - Governor
Sapp is cropped out of photograph -- The Center of the Creative and Performing Arts receives the 1971 New York State Award for outstanding artistic contribution to the State at Metropolitan Museum of Art
A black-and-white scene shows five people in suits gathered indoors near a podium. One person stands behind the podium while another presents or receives a document, and three others stand nearby observing the exchange. Vertical decorative elements form the background, and the group appears to be engaged in a formal event.
Anne Graff, vocalist performing with Creative Associates
Suzanne Thomas is partially hidden -- Evenings for New Music performance: Luciano Berio's Circles (1960)
A black-and-white scene shows a performance stage arranged with percussion instruments, including timpani and a vibraphone or marimba, along with a harp positioned near the center. Several music stands are placed around the stage, and large curtains hang across the back wall. A copyright watermark is visible across the center of the image.
Unidentified students are playing a Beethoven quartet -- Kroyt seated with legs crossed
A black-and-white scene shows two seated musicians during a rehearsal. In the foreground, a person holds a violin under their chin while drawing a bow across the strings. Another seated person faces forward behind a music stand, with additional music stands and chairs arranged around them. The scene is closely cropped, emphasizing the musicians and their instruments.
Lukas Foss, composer/conductor rehearsing with Creative Associates
Lukas Foss, back towards camera -- Rehearsal of Foss' M.A.P. (Musicians at Play) (cropped, Jesse Levine not shown)
A black-and-white scene shows several people gathered around a percussion instrument, likely a cymbal mounted on a stand. One person stands in the foreground with their back to the camera, gesturing toward the instrument, while others face them and watch. Two people stand with arms crossed, and another holds a pair of drumsticks. The background is dark, drawing attention to the group.
Jan Williams, percussionist conducting Creative Associates
Evenings for New Music rehearsal: Robert Erickson's Concerto for piano and seven instruments (1963)
A black-and-white scene shows a stage prepared for a musical rehearsal. In the center, a person bends over while adjusting or positioning a double bass. Other musicians are seated nearby with music stands, and percussion instruments, including a keyboard percussion instrument, are arranged on the right side of the stage. Large curtains hang behind the ensemble, and cables are visible on the stage floor.
A black-and-white scene shows a person wearing a coat, collared shirt, and tie while looking toward the camera. The person stands indoors near large windows, with part of a ceiling overhang and a curtain visible in the background. A copyright watermark appears across the center of the image.
Richard Dufallo, conductor with Creative Associates (rehearsal)
Evenings for New Music rehearsal: Stefan Wolpe's Piece for Two Instrumental Units (1962)
A black-and-white scene shows a small musical ensemble rehearsing on a stage with music stands and instruments, including a double bass and percussion equipment. Several musicians are seated while others stand, and large curtains hang behind the stage. Rows of empty audience seats fill the foreground, with one person seated near the front watching the rehearsal.
Carol Plantamura, vocalist seated with Creative Associates
Plantamura looking down, Creative Associates standing beside her
A black-and-white scene shows a seated person in the foreground with legs crossed, surrounded by several standing people in suits who appear to be listening or observing. One person stands with arms crossed while another writes on a notepad. In the background, another seated person is positioned near a chalkboard at the front of the room, suggesting a classroom, lecture, or meeting setting.
One page of the score to Henri Pousseur's Votre Faust
Pousseur, Henri -- Manuscripts -- Facsimiles
Pousseur, Henri. Votre Faust. Selections -
Score has 4 rehearsal markings made in pencil
A black-and-white close-up shows a sheet of printed orchestral music with handwritten musical notation and markings added in dark ink. Multiple staves and instrument parts are visible across the page, with handwritten notes and symbols concentrated near the upper portion. A copyright watermark appears across the center of the page.
Allen Sapp, composer watching Creative Associates perform
Sapp in background, seated on steps inside hallway of art gallery -- Other unidentified audience members present
A black-and-white scene shows a person standing in the foreground playing a percussion instrument with mallets while reading from a music stand. Several people are seated and standing in the background on steps and along the walls of an art gallery, where framed artworks are displayed. A seated person holding a wind instrument is visible behind the performer, and a rope barrier separates part of the gallery space.
Lukas Foss, composer/conductor standing onstage at Second Festival of the Arts
A black-and-white stage scene shows a person standing with their hands behind their back, wearing a dark suit over a light-colored shirt. Draped curtains hang behind the stage, and percussion instruments, including a vibraphone, along with seated musicians, are visible in the background. A watermark reading "The Jim Gable" appears across the center of the image.
Henri Pousseur, composer conducting Creative Associates
Rehearsal of Mel Powell's Prayer settings
A black-and-white stage scene shows a conductor standing with one arm extended toward a seated ensemble. Several musicians sit behind music stands, with tubular bells positioned near the center of the stage. Draped curtains form the backdrop, and additional seated performers are partially visible at the edges of the image.
Livingston Gearhart, composer at piano in class
Livingston Gearhart playing piano, looking towards unidentified musician (her back towards camera)
A black-and-white indoor scene shows a person seated at a piano, looking toward the camera while playing or pointing at the keyboard. Another person is seated with their back to the camera, facing the piano. An open sheet of music rests on the piano's music stand, and a chalkboard behind them displays handwritten musical notation, suggesting a lesson or rehearsal setting.
Lukas Foss, composer/conductor conducting Creative Associates in rehearsal, Spring 1971
A black-and-white indoor scene shows several musicians seated with music stands in a rehearsal or recording studio. A person stands at the front left of the room facing the ensemble, while another person sits near an electronic keyboard on the right. Instrument cases and audio equipment are visible in the foreground, and the room has plain walls, windows into adjoining spaces, and overhead lighting.
Marcel St. Cyr, violoncello -- Standing in corner holding instruments
A black-and-white portrait shows four members of a string quartet posing indoors. Three people stand while one sits in front holding a cello, and the others hold violins or a viola. All are dressed in formal concert attire with tuxedos and bow ties. A printed caption reading "THE ORFORD STRING QUARTET" appears along the bottom of the image, with framed artwork visible on the wall behind them.
Joseph Dunn, Creative Associate with Frank Parman
A black-and-white stage scene shows two people standing in front of a paneled door set. One person, wearing a long-sleeved shirt with a camera hanging from a shoulder strap, reaches toward the other person's forearm. The other person wears a light-colored T-shirt and jeans, with one arm extended while holding an object in the opposite hand. The scene appears to take place during a rehearsal or theatrical production.
A black-and-white stage scene shows a person crouching while wearing a loose, light-colored costume with a large gathered ruffled collar around the neck. The person faces forward with a focused expression, and the plain stage backdrop keeps the attention on the performer and costume.
Richard Dufallo, conductor with Creative Associates (performance)
Evenings for New Music performance: Stefan Wolpe's Piece for Two Instrumental Units (1962)
A black-and-white stage scene shows a conductor standing at the center in front of a seated chamber ensemble arranged in a semicircle. The musicians perform from music stands while draped curtains hang across the back of the stage. Audience silhouettes are visible along the bottom edge of the image, and a watermark appears across the center.
Lewiston (N.Y.) -- Buildings, structures, etc.
Oliveros, Pauline, 1932- -- Performances
Creative Associates (State University of New York at Buffalo) -
Creative Associates with composer Pauline Oliveros, performance of Crow
A black-and-white outdoor scene shows a large circular pool with several people dispersed in the water. A curved walkway follows the edge of the pool, with low concrete walls and planted areas in the foreground. A densely wooded hillside rises in the background, with a tall structure visible at the top of the ridge.
Earle Brown, composer conducting, Spring 1978
A black-and-white indoor scene shows a person standing in front of rows of auditorium seats with both hands raised in a directing or conducting gesture. The person wears a dark long-sleeved shirt and looks intently ahead. The softly blurred background emphasizes the individual and the empty seating area behind them.
Allen Sapp, composer accepting award on behalf of Music Department (contact sheet)
Award of Merit, National Federation of Music Clubs -- Woman giving award is likely to be Mrs. Warren Knox
A black-and-white photograph shows two people standing indoors facing the camera while holding a document together. One person wears a suit and tie, and the other wears a knee-length dress with short sleeves. The image appears as a frame from a strip of photographic negatives or contact prints, with portions of adjacent frames visible along the left and right edges and a frame number printed at the top.
A black-and-white portrait shows a person seated with an acoustic guitar resting across their lap. The person wears a patterned jacket over a dark top and faces the camera with one hand resting on the guitar. A plain studio backdrop fills the background, with the composition closely cropped around the upper body and instrument.
Julius Eastman, composer conducting Creative Associates in rehearsal
Photograph taken from stage right -- Evenings for New Music rehearsal: Makoto Shinohara's Consonance (1964-1967)
A black-and-white stage scene shows a small ensemble arranged in a semicircle with music stands. A conductor stands at the left with one arm raised toward the musicians. A harp is prominently positioned on the right beside a seated harpist, while other performers are seated with their instruments. Draped curtains hang behind the stage, and a watermark appears across the center of the image.
Ernst Krenek, composer conducting University at Buffalo Wind Ensemble
University at Buffalo Wind Ensemble - Ensemble
A black-and-white concert scene shows a conductor standing on a podium with a baton raised while directing an ensemble. A harpist is seated in the left foreground beside a large concert harp, and additional musicians with music stands are visible in the foreground and background. The conductor faces the performers, with the audience seating dimly visible beyond the stage.
Anne Graff, vocalist rehearsing with Creative Associates
Evenings for New Music rehearsal: Luciano Berio's Circles (1960)
A black-and-white stage scene shows a percussion ensemble arranged across the stage with music stands and percussion instruments, including vibraphones, positioned on both sides. A conductor stands at the center facing the musicians. Draped curtains form the backdrop, and a transparent acoustic shield is set up near the middle of the ensemble. A watermark appears across the center of the image.
Photograph taken from behind Douglas Davis -- Evenings for New Music rehearsal: Makoto Shinohara's Consonance (1964-1967)
A black-and-white stage scene shows a conductor standing with their back to the camera, facing a small ensemble seated with music stands. A piano is visible in the left foreground, while percussion instruments and a harp are arranged toward the back of the stage. Large floor-to-ceiling windows on the right reveal trees outside, and draped curtains frame the performance space.
Cleveland Quartet outdoors, instruments in cases
A black-and-white outdoor scene shows four people standing beneath a large stone archway at the entrance to a building. Two people hold instrument cases, including a large upright string instrument case, while the others stand nearby. Architectural details of the stone structure frame the group, and another building is visible through the archway in the background.
Morton Feldman, composer with Creative Associates (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames depicting people in rehearsal or performance settings. Several individual frames are circled by hand, indicating selected images, while film borders and frame numbers are visible throughout.
Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
Julius Eastman, side view surrounded by Creative Associates -- 4 other unidentified musicians present
A black-and-white stage scene shows several people rehearsing among music stands and percussion instruments. One person stands near the center of the stage while others are seated or positioned around a drum set, large gong, and additional percussion equipment. Sheet music on stands fills the foreground, with a seated person partially visible at the lower right. A watermark appears across the left side of the image.
Allen Sigel, clarinetist with Ronald Richards and other woodwind players (unidentified)
A black-and-white portrait shows five musicians arranged in two rows wearing formal concert attire. Three people stand in the back holding woodwind instruments, while two people sit in front holding a French horn and a woodwind instrument. A wood-paneled wall forms the background, and the group faces the camera in a posed studio-style composition.
A black-and-white indoor scene shows a person in a suit seated beside an ornate harpsichord with its lid raised. The person holds a long pointer directed toward the interior of the instrument, where the strings and decorative painted lid are visible. A framed picture hangs on the wall behind, and the image focuses on the instrument's detailed craftsmanship and the seated presenter.
Sherman Friedland, clarinetist seated with instrument in lap
A black-and-white close-up shows a seated person wearing glasses, a cap, and a light-colored jacket while holding a saxophone across their lap. Another seated person is partially visible in the background, suggesting a rehearsal or ensemble setting. The image is tightly cropped, focusing on the musician and the instrument.
George Crumb accompanying Carol Plantamura and Sherman Friedland -- Contains negative
A black-and-white indoor scene shows a singer standing in the foreground beside seated musicians. One musician at the left plays a clarinet behind a music stand, while another sits at a piano in the background. The room has cinder block walls and simple chairs, suggesting a rehearsal or classroom setting. The image is closely cropped around the performers.
Julius Eastman standing in center, surrounded by Creative Associates -- 4 other unidentified musicians present
A black-and-white stage scene shows a person standing near the center of the stage between rows of seated musicians and music stands. Percussion instruments, including a drum set and other equipment, are arranged on a raised platform at the back of the stage. Additional musicians are partially visible at the edges of the image, and a watermark appears across the center.
A black-and-white close-up shows a person standing against a plain wall while playing a French horn. The person wears a checkered button-up shirt and holds the instrument with both hands, with the mouthpiece at their lips. The composition is tightly cropped, focusing on the musician and the instrument.
A black-and-white indoor scene shows a person standing in front of rows of auditorium seats with both hands raised, palms facing outward, in a directing or conducting gesture. The person wears a dark long-sleeved shirt and light-colored pants and looks downward with a smile. The softly blurred background emphasizes the individual and the empty seating area behind them.
Conductor from MD09-024, working with six musicians, four have brass instruments
A black-and-white indoor scene shows several musicians seated in a rehearsal space with music stands. A trombone player sits near the center, surrounded by other brass players, including musicians holding a tuba and trumpets. Additional ensemble members are seated in the background, and the room has wood flooring and plain walls. The image is closely framed around the rehearsal group.
Peltz conducting University at Buffalo Wind Ensemble -- Photograph taken from Peltz's right
A black-and-white rehearsal scene shows a conductor standing with one arm raised and the other hand gesturing toward a seated ensemble. Several musicians are visible from behind with music stands in the foreground, while tubular bells stand behind the conductor near the center of the room. Vertical wood paneling forms the background, and the image is closely framed around the conductor and nearby performers.
Julius Eastman, composer/vocalist performing Peter Maxwell Davies' Eight Songs for a Mad King
Julius Eastman in robe -- Creative Associates in background -- 2 other unidentified musicians present
A black-and-white stage scene shows a person wearing a long, patterned robe and head covering standing near the center of the stage. A conductor stands at a music stand on the right, while percussion instruments, including a gong and a large drum, are arranged on the left beside covered equipment. The background is dark, with the performers and stage equipment illuminated by stage lighting.
Harrison Birtwistle reading a graphic score -- Reverse reads: Please return to T.C. Schwarz, 116 Cooke Hall
A black-and-white indoor scene shows a person seated at a desk, looking down at an open binder or notebook filled with papers. The person wears a striped button-up shirt with sleeves rolled up and rests one arm on the desk beside the documents. Wood-paneled walls and a bulletin board or pinned papers are visible in the background, suggesting an office or study environment.
Jan Williams, percussionist standing at steps of Albright-Knox Art Gallery
Group of Creative Associates have been cropped out of photograph -- For complete photograph, see MD02-021
A black-and-white outdoor scene shows the lower portion of a person standing on stone steps in front of a building with large columns. The person wears a long double-breasted overcoat over dark clothing, with one hand in a coat pocket and the other resting on a railing. The image is tightly cropped, cutting off the top of the person's head, and a watermark appears across the center.
Roger Reynolds, composer with Diane Williams and Jan Williams
A black-and-white outdoor scene shows two people standing and talking beneath tree branches. One person wears a suit and tie while the other wears glasses, has a beard, and is dressed in a collared shirt under a jacket. A third person's hands are partially visible at the left edge of the image, and the background is softly blurred with foliage.
A black-and-white stage scene shows a small ensemble seated with music stands during a rehearsal or performance. A large concert harp fills the right foreground, partially framing the view of the musicians. String players and other performers are seated across the stage, with draped curtains and stage lighting visible in the background. The image is taken from the side of the ensemble, looking across the musicians toward the stage.
Unidentified organ builder at work table
A color indoor scene shows a person wearing glasses, a plaid shirt, and a dark apron standing beside a large green industrial machine. One hand rests on the machine's flat metal surface while the other is out of view. The room has painted cinder block walls, and the image is closely cropped, showing only part of the person's upper body and the machine.
A black-and-white portrait shows a person seated indoors, looking toward the camera with a slight smile. The person wears a textured knit sweater over a collared shirt, and medium-length hair frames the face. The softly lit background is out of focus, with another person faintly visible in the distance, emphasizing the close-up composition.
Alexander Schneider, violinist conducting while holding violin
Ensemble in foreground, musicians are unidentified
A black-and-white indoor scene shows a person holding a violin under the chin while making a downward gesture with one hand. A music stand is positioned in front of the performer, and blurred figures and music stands are visible in the foreground, suggesting an ensemble rehearsal. The background features wood-paneled walls, and the image is closely framed around the violinist.
Alexander Schneider, violinist coaching student double bassists
Students are unidentified -- Alexander Schneider holding violin, talking to students
A black-and-white rehearsal scene shows a conductor standing and gesturing while facing a double bassist in the foreground. The double bass occupies the right side of the image, with a music stand holding open sheet music positioned between the musicians. Chairs and additional rehearsal materials are visible in the room, and the plain walls emphasize the interaction between the conductor and performer.
A black-and-white portrait shows a person facing slightly to one side while looking toward the camera. The person wears large eyeglasses, a dark button-up shirt, and a diagonally striped tie. A plain curtain forms the background, and the image is closely cropped around the head and upper torso.
Gary Burgess seated at piano, hands on keys, looking towards window
A black-and-white indoor scene shows a person with long hair and a beard seated beside a window, looking upward. A leafy potted plant sits on the windowsill, and framed photographs or posters hang on the wall in the background. Curtains frame the window, and the image is closely cropped around the seated person and surrounding interior.
Julius Eastman in robe, leaning towards floor -- Some Creative Associates onstage
A black-and-white stage scene shows a performer wearing a long, patterned robe and head covering bowing near the front of the stage. Seated musicians with music stands are positioned to the left, while percussion instruments, including a large gong, are arranged on the right. Draped curtains hang behind the performers, and audience silhouettes are visible along the bottom edge of the image.
A black-and-white stage scene shows a person leaning forward over a music stand while looking at sheet music. Large percussion instruments, including a gong in the foreground and additional suspended gongs in the background, surround the performer. Draped curtains and stage equipment are visible behind the percussion setup, and the image is closely framed around the musician and instruments.
A black-and-white collage is arranged in a two-by-two grid, with each panel showing a different string musician performing. Three panels feature violinists holding violins under their chins with bows in motion, while the fourth panel shows a cellist playing a cello. Each performer is photographed individually against a dark background, and a small caption identifying the musicians appears along the bottom edge of the collage.
New Percussion Quartet at Second Festival of the Arts
A black-and-white stage scene shows a percussion ensemble arranged around several music stands and percussion instruments. Musicians are seated or standing at stations with mallet instruments and other percussion equipment, while a large gong and additional drums are positioned at the back of the stage. The rehearsal space is dimly lit, with the ensemble spread across the open performance area and a watermark visible across the center of the image.
Julius Eastman in robe, leaning towards floor -- Some Creative Associates onstage -- Photograph is stamped Oct. 2 1973
Jan Williams, percussionist performing with Edward Burnham
Evenings for New Music performance: Ben Johnston's Knocking piece (1963)
A black-and-white stage scene shows two people standing at separate grand pianos positioned side by side. One person is seen from behind while the other faces toward the keyboards. Draped curtains form the backdrop, and a projection screen or large panel stands at the right side of the stage. A watermark appears across the center of the image.
A black-and-white studio portrait shows a person wearing round eyeglasses, a suit jacket, white shirt, and dark tie. The person leans slightly forward with folded arms and looks toward the camera with a slight smile. The plain background and soft lighting emphasize the face and upper body.
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage right -- cropped, mounted on cardbaord
A black-and-white stage scene shows a small ensemble seated with music stands during a rehearsal. A large concert harp occupies the left side of the image, partially framing the view of the musicians. String players and other performers are seated across the stage, with draped curtains and stage lighting visible in the background. The image is taken from the side of the ensemble, looking across the musicians toward the stage.
Stage and seats are empty, organ not yet built
A black-and-white interior view shows an empty auditorium with rows of upholstered seats leading toward a stage. The stage features a wood-paneled back wall, a small recessed platform, and a simple lectern or stand near the front. Large windows along the right side admit natural light, and the image is taken from the rear side of the seating area, looking toward the stage.
A black-and-white portrait shows a person standing indoors, facing slightly to one side with one hand resting at the waist. The person wears a dark jacket over a light-colored plaid collared shirt. Part of a piano or other furniture is visible in the background, and the image is closely cropped around the upper body.
Mischa Schneider, violoncellist working with students
Schneider, Mischa, 1903-1985 - Violoncello
Mischa Schneider talking, unidentified female student laughing
A black-and-white rehearsal scene shows a person wearing round glasses, a light-colored sweater, shirt, and tie leaning forward behind an open music score. The person gestures with one hand while speaking to someone seated at the right edge of the image. Blurred musicians and music stands are visible in the foreground and background, emphasizing the active rehearsal setting.
Julius Eastman in chair, side view, onstage -- Creative Associates in background
A black-and-white stage scene shows a person seated in an upholstered chair near the center of the stage with their head lowered. Musicians with music stands are seated on both sides, and a grand piano is visible in the background. Draped curtains hang behind the performers, loose sheets of paper lie on the stage floor in the foreground, and a watermark appears across the center of the image.
A black-and-white rehearsal scene shows a conductor standing behind a music stand with both hands raised in a conducting gesture. The person wears glasses and a short-sleeved striped shirt while looking toward the ensemble outside the frame. The background is plain and brightly lit, with the composition closely focused on the conductor's upper body and gestures.
John Bergamo in foreground, Carol Plantamura in background, three other people are unidentified
A black-and-white indoor scene shows a person wearing a striped suit standing in the foreground while looking down at an object held in both hands. Several other people are gathered around tables in the background, handling materials or papers. Chairs, a chalkboard, and classroom or workshop furnishings are visible, suggesting a meeting, classroom, or workroom environment.