A color interior scene shows a large pipe organ mounted at the back of a stage with polished wood paneling. The organ's vertical metal pipes are arranged within a wooden case, with the organ console positioned below them. The stage is empty, with a wood floor and paneled walls, and recessed ceiling lights illuminate the space.
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Copyright Statement for Digitized Materials from the Music Library
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble
University at Buffalo Symphonic Wind Ensemble - Ensemble
Frank Cipolla conducting jazz combo and student ensemble (Katherine Cornell Theatre)
Katharine Cornell Theatre (State University of New York at Buffalo)
Anne Graff, vocalist rehearsing with Creative Associates, Luciano Berio watching
Evenings for New Music rehearsal: Luciano Berio's Circles (1960) -- Edward Burnham leaning forward
A black-and-white view from the audience shows a stage arranged for a performance with a concert harp positioned at the center. Percussion instruments, including a drum set and keyboard percussion, are set up on both sides, with music stands and additional equipment visible across the stage. One person sits alone among the front rows of auditorium seats facing the stage, and draped curtains form the backdrop. A watermark appears across the center of the image.
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
New Percussion Quartet at Second Festival of the Arts
Evenings for New Music performance -- Lukas Foss conducting
A black-and-white stage scene shows a percussionist seated at a drum set near the center of the stage. Music stands surround the performer, while additional percussion instruments, including keyboard percussion and tubular bells, are arranged nearby. Other musicians are partially visible at the edges of the image, and draped curtains form the backdrop. A watermark appears across the center of the image.
Lukas Foss, composer/conductor seated at piano at Second Festival of the Arts
Lukas Foss playing piano, head tilted down
A black-and-white stage scene shows a person seated at a piano in profile, leaning toward the keyboard while playing. A large gong stands behind the piano, and draped curtains hang in the background. The image is closely cropped around the pianist and instrument, with a watermark visible across the center.
Carlos Roqué Alsina, composer conducting Creative Associates
Photograph taken from Roqué Alsina's right
A black-and-white stage scene shows a seated cellist performing with a music stand positioned in front. Other musicians are seated nearby with music stands, and a grand piano is visible in the background. Draped curtains hang behind the ensemble, and percussion instruments can be seen at the far right. A watermark appears across the center of the image.
Performance of Lejaren Hiller's Rage over the lost Beethoven
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller is not shown -- On back of photograph: Four women discuss Beethoven's relationships with other women over his coffin Cast included Elizabeth Axelrod, Dotti Drummer, Sally Jean Martinez, Elizabeth Halsey, Linn Walker, and Claudia Carr.
A black-and-white stage scene shows several people wearing light-colored theatrical costumes gathered around a table. One person stands at the center holding a small object, while others stand nearby watching. A bottle and additional items rest on the tabletop, and the dark stage background keeps the focus on the performers. A watermark appears across the center of the image.
John Newell, composer conducting Creative Associates (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic negatives arranged one above another. Each strip contains small sequential frames depicting people on stage in rehearsal or performance settings. Frame numbers and film sprocket holes are visible along the edges, and the lower portion of the image includes blank sections of the film between exposed frames.
Performance of Lejaren Hiller's Three rituals for two percussionists and lights
Hiller is not shown, only Howard Zwickler is shown
A black-and-white indoor scene shows a person wearing a protective helmet with a clear face shield and light-colored coveralls standing behind a set of percussion drums. The person holds a drumstick in each hand with the drums positioned in front. Additional percussion instruments are visible in the background, suggesting a rehearsal or performance setting.
Baird, Cameron, 1905-1960 - Administrator
A black-and-white studio portrait shows a person facing the camera with a neutral expression. The person wears a dark suit jacket, a white shirt, and a tie, with short, neatly combed hair. The image is closely cropped around the head and shoulders against a plain, softly shaded background.
Allen Sapp, composer looking over balcony
A black-and-white indoor scene shows a person leaning forward with folded arms resting on a balcony or mezzanine railing while looking down toward a stage below. Wood-paneled walls form the background, and a music stand is visible in the distance. The image is taken from behind the person, emphasizing the quiet, observational moment. A watermark appears across the center of the image.
Stuart Granville Fox, guitarist rehearsing with Creative Associates
Evenings for New Music rehearsal, James Fulkerson playing trombone
A black-and-white rehearsal scene shows several seated musicians with music stands arranged in a room with large windows overlooking trees and buildings. At the center, a musician plays a lute while reading from sheet music. Brass and string players are partially visible on either side, and another musician sits in the background, creating the impression of a chamber ensemble rehearsal.
Klaus von Wrochem, composer, his St?cke (1966)
Evenings for New Music performance -- Wrochem is playing violin (stage left)
A black-and-white view from the audience shows a conductor standing at the center of a stage facing a seated ensemble. Musicians are arranged on both sides with music stands, while a concert harp and percussion instruments, including keyboard percussion, are positioned to the right. Draped curtains form the backdrop, and audience silhouettes are visible along the bottom edge. A watermark appears across the center of the image.
Buffalo Philharmonic Orchestra performing (1966-1967)
Buffalo Philharmonic Orchestra - Ensemble
Leslie A. Fiedler speaking -- View of lower strings, conductor not visible
A black-and-white concert scene shows an orchestra performing on a stage, viewed from an elevated angle. The foreground is filled with seated string players holding violins, violas, and cellos, while double bass players stand toward the back. Music stands are arranged throughout the ensemble, and the wood-paneled stage provides a simple backdrop.
Edward Burnham, behind percussion instruments
A black-and-white stage scene shows a percussionist standing behind a set of timpani while reading from a music stand. Additional percussion instruments, including a large bass drum and cymbals, surround the performer, with microphone stands positioned in the foreground. Draped curtains hang behind the stage, and a watermark appears across the center of the image.
Photograph taken from Roqu? Alsina's right
Andrew Stiller, composer playing bassoon
A black-and-white stage scene shows a seated person holding a bassoon upright with both hands beside a music stand. The person has long hair and a beard and wears dark clothing. Other music stands and part of another performer are visible nearby, with draped curtains forming the backdrop. A watermark appears across the center of the image.
Lukas Foss, composer/conductor standing at piano with composers
A black-and-white group portrait shows seven people arranged around a grand piano. Six people stand behind the piano while one person sits at the keyboard, with an open book or document resting on the piano. Most are dressed in suits and ties, facing the camera in a formal indoor setting with plain curtains in the background.
Lukas Foss, composer/conductor with Lejaren Hiller
Hiller, Lejaren Arthur, 1924- - Composer
A black-and-white stage scene shows one person seated at a grand piano while another stands beside the instrument extending a sheet of paper. Both are dressed in jackets and trousers, with draped curtains and stage furnishings visible in the background. A watermark appears across the center of the image.
A black-and-white portrait shows a person wearing glasses, a suit jacket, a patterned tie, and a light-colored shirt while smiling toward the camera. Part of a violin is visible in the foreground, suggesting the person is holding the instrument. The image is closely cropped around the upper body against a plain, light background.
Slee Hall organ, Op. 95, C.B. Fisk pipe shop
A color workshop scene shows several unfinished metal organ pipes of different sizes laid across a workbench. Smaller conical metal pipe sections stand upright on a wooden platform in the background, alongside sheets of paper, a disposable cup, and woodworking or metalworking tools. The work surface is covered with metal sheets, suggesting the fabrication or assembly of pipe organ components.
Unidentified organ builder measuring at table
A color workshop scene shows a person wearing glasses, a plaid shirt, and a blue apron leaning over a large wooden workbench while using a hand tool on a rectangular wooden panel. Additional tools and materials are spread across the bench, and cabinets, shelving, and equipment are visible in the background, suggesting a woodworking or organ-building workshop.
Photograph taken from Roqu? Alsina's left
A black-and-white stage scene shows a conductor standing with one arm extended toward a seated chamber ensemble performing from music stands. Several musicians are visible on the left side of the stage, while additional music stands and performers extend toward the right. Draped curtains form the backdrop, and a watermark appears across the center of the image.
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames of the same person posing in different positions, including standing, seated, and holding objects. Film sprocket holes, frame numbers, and blank sections between exposed frames are visible, emphasizing the contact sheet format.
Morton Feldman, composer, with image of Samuel Beckett superimposed
Morton Feldman in corner, with printed music of his composition, Neither, taped to wall
A black-and-white indoor scene shows a person seated against a wall, looking toward the camera. The wall behind features a large mural or printed artwork depicting a face overlaid with rows of horizontal text or lines. The person wears glasses and a light-colored shirt, and the composition contrasts the seated figure with the large artwork occupying most of the background.
Leo Smit, composer at piano with jazz pianist Pete Johnson
A black-and-white indoor scene shows two people leaning over an open grand piano while looking at a sheet of music. One person sits at the piano wearing a suit and glasses, while the other stands beside the instrument wearing glasses, a short-sleeved patterned shirt, and a wristwatch. Both focus on the score resting on the piano, with the raised piano lid framing the upper portion of the composition.
Hiller is not shown, only Jan Williams is shown
A black-and-white indoor scene shows a person wearing light-colored protective coveralls and a helmet with a clear face shield standing behind a percussion setup. The person holds a drumstick in each hand while facing a music stand with sheet music. Percussion instruments and equipment are arranged around the performance area, with additional hardware and instrument parts visible in the foreground.
Robert Morris, composer working with Aki Takahashi (contact sheet)
A black-and-white close-up shows multiple horizontal strips of photographic contact prints arranged in rows. Each strip contains small sequential frames of a person seated at or standing beside a keyboard instrument, demonstrating or playing it from different angles and positions. Film sprocket holes, frame numbers, and blank sections between exposed frames are visible, emphasizing the contact sheet format.
Charles Haupt, violinist performing with Miriam Abramowitsch
Wilson, Donald M., 1937- -- Performances
Evenings for New Music performance: Donald M. Wilson's Seventeen views for violin and narrator
A black-and-white stage scene shows two people standing on opposite sides of a grand piano, each positioned behind a music stand. One person stands at the left partially obscured by a music stand, while the other stands at the right reading from a sheet of paper. Draped curtains form the backdrop, and a microphone stand is positioned near the person on the right. A watermark appears across the center of the image.
Jan Williams, percussionist rehearsing with Creative Associates
Evenings for New Music rehearsal: Garrett List's The orchestral etudes, three processes on nine sets (1975)
A black-and-white stage scene shows a small ensemble arranged with music stands in front of draped curtains. A grand piano is positioned on the left, several musicians are seated at the center, and a standing brass player performs at the right. Microphones and cables are visible across the front of the stage, and the image is viewed from the audience perspective.
Musicians standing for audience applause
A black-and-white stage scene shows a person standing near the center of the stage with musicians seated behind music stands on either side. Several performers hold string instruments, and a grand piano is partially visible at the left. Draped curtains form the backdrop, and a watermark appears across the center of the image.
Ensemble or audience not visible -- Photograph mounted on cardboard
A black-and-white stage scene shows a conductor wearing glasses, a suit jacket, shirt, and tie while holding a baton in one hand and gesturing with the other. The conductor faces toward the ensemble outside the frame with a focused expression. Part of a podium or music stand is visible in the foreground, and the dark background emphasizes the conductor's upper body and conducting gesture.
A black-and-white close-up portrait shows a person with a mustache looking over one shoulder toward the camera with a smile. The person wears a light-colored jacket over a striped collared shirt, and their hair is combed back. The softly blurred background keeps the focus on the face and upper shoulders.
Lukas Foss, composer/conductor standing onstage at Second Festival of the Arts
Lukas Foss gesturing to someone with right hand
A black-and-white stage scene shows a person standing with one arm raised in acknowledgment while wearing a dark suit over a light-colored shirt. Percussion instruments, including a vibraphone and drum set, are arranged behind the performer, with seated musicians partially visible in the background. Draped curtains frame the stage, and a watermark appears across the center of the image.
Hiller is not shown -- Jan Williams in background and Howard Zwickler in foreground, both performing in suits and helmets
A black-and-white indoor scene shows a person wearing light-colored protective coveralls and a helmet with a clear face shield standing behind a percussion drum in the foreground. Another similarly dressed person stands farther back near additional percussion equipment. The image is framed so the foreground performer is in focus while the background figure is softly blurred, suggesting a rehearsal or performance setting involving percussion instruments.
Henri Pousseur, composer conducting Creative Associates in his opera, Votre Faust
A black-and-white view from the audience shows a conductor standing at the center of a stage facing a seated ensemble performing from music stands. A grand piano is positioned to the right, with additional musicians seated across the stage. Draped curtains hang behind the performers, and audience silhouettes are visible along the bottom edge. A watermark appears across the center of the image.
Michael Sahl, pianist with students seated in semi-circle
Reverse reads: Co-sponsored by MEET THE COMPOSER and the Center of the Creative and Performing Arts
A black-and-white indoor rehearsal scene shows several musicians seated on chairs with music stands arranged around the room. Percussion instruments, including large drums and keyboard percussion, are positioned along the back wall, while a grand piano stands open on the right. Some musicians are playing while others appear to be preparing or listening, creating the atmosphere of an ensemble rehearsal. A watermark appears across the center of the image.
Preparation for Tudor's Rainforest-Creative Associates special event -- Renee Levine seated on floor, others are unidentified
A black-and-white interior scene shows a large open atrium or lobby viewed from an elevated vantage point. Tables and chairs are arranged along the upper right side where several people are seated, while freestanding fixtures, including a cylindrical display or column, a floor lamp, and a pedestal fan, are spaced across the tiled floor. Curtains, doorways, and structural columns frame the space, and the wide overhead perspective emphasizes the room's open layout.
A black-and-white promotional portrait shows four members of a string quartet standing closely together. Three people hold violins while one holds a cello, and all wear coordinated dark shirts with patterned ties or scarves. A printed caption reading "Cassatt String Quartet" appears along the bottom of the image.
Jan Williams, percussionist seated outside Albright-Knox Art Gallery
Same as MD08-063, but Ren?e Levine is cropped out
A black-and-white portrait shows a person seated outdoors against a stone wall. The person wears glasses, a heavy overcoat, a scarf, and a turtleneck sweater, with shoulder-length hair and a mustache. One arm rests on the arm of the chair, and a watermark appears across the center of the image.
Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
Davies, Peter Maxwell, 1934- -- Performances
Julius Eastman in chair, view from side corner of stage -- Creative Associates in background
A black-and-white stage scene shows a person seated in an upholstered chair near the center of the stage. Musicians with music stands are seated behind the chair, with a drum set and additional percussion instruments visible to the right. Draped curtains hang across the back of the stage, loose sheets of paper lie on the stage floor in the foreground, and a watermark appears across the center of the image.
Lejaren Arthur Hiller, composer, holding score
A black-and-white close-up shows a person standing indoors wearing glasses, a suit jacket, a collared shirt, and a tie. The person is holding a stack of papers or a folder against their chest while looking to the side with a slight smile. Part of a chair and a plain wall are visible in the background, and the image is tightly cropped around the upper body.
A black-and-white portrait shows a person wearing a dark suit jacket, white collared shirt, and dark tie. The person is turned slightly to one side, looking off-camera with a serious expression. The background is plain and softly lit, and the image is closely cropped around the head and shoulders.
Evenings for New Music performance: Elliott Carter's Two pieces for kettledrums (1966)
A black-and-white concert scene shows a person standing behind several timpani arranged in a row on a stage. The person is dressed in a dark suit and is holding a sheet of music while looking to the side. A music stand is positioned nearby, and part of a microphone stand is visible at the edge of the frame. The background consists of a plain stage wall, and the image is framed to emphasize the percussion instruments and performer.
Henryk Szeryng, violinist giving a masterclass on stage
Students are unidentified -- Mounted on cardboard
A high-angle view of a concert hall shows an audience seated in curved rows facing a stage. Two people stand near music stands at the front of the stage, while additional musicians and instruments are partially visible at the edges of the frame. The image is tinted yellow and captures both the performers and the audience within the venue.
Mauricio Kagel, composer (his Sur scene)
Kagel is not shown -- Performance by Creative Associates -- James Mitchell kneeling on stool
A black-and-white stage scene shows a person in the foreground bending forward with one hand on the floor and the other resting on a raised platform or stage edge. Another person stands upright in the background, slightly out of focus. Curtains and stage elements are visible behind them, and the image is closely framed around the foreground figure.
Reverse reads: An e____ chamber -- Creative Associates present
A color image taken with a fisheye lens shows several people seated around a room whose walls, ceiling, and floor are covered with patterned acoustic foam panels. One person sits prominently in the foreground while others are grouped farther back. A bright ceiling light illuminates the center of the room, and the extreme wide-angle lens creates a circular, distorted perspective that emphasizes the enclosed space.
Julius Eastman with unidentified woman looking down -- Berlin, Germany
A black-and-white indoor scene shows two people seated on a couch against patterned wallpaper. One person in a light-colored shirt is bent forward with their head lowered, while the other person wears a dark dress and a large beaded necklace, looking down toward them. A small table with cups is visible in the background, and the image is closely cropped around the seated figures.
A black-and-white close-up shows a person seated indoors playing a cello. The person wears a light-colored shirt with rolled-up sleeves and looks downward toward the fingerboard while holding the instrument upright. The cello fills much of the lower half of the frame, and the background is plain and closely cropped.
Evenings for New Music rehearsal: Luciano Berio's Circles (1960)
A black-and-white wide view of a performance hall shows a stage framed by large draped curtains. A person stands near the center of the stage, with several timpani on the left and additional percussion instruments, including a drum set, on the right. Rows of empty audience seats fill the foreground, with one seated person visible near the front, facing the stage. A copyright watermark runs across the center of the image.
Renée Levine, administrator with Carol Plantamura, Sylvia Dimiziani, and Diane Williams
A black-and-white close-up shows three people standing together indoors. The person in the center wears a patterned jacket, layered necklaces, and a dark top, while the person on the right wears glasses, a light-colored shirt, and a jacket. A third person is partially visible on the left, turned toward the others. The group appears to be smiling, and the background is dimly lit with little visible detail.
Earle Brown, composer with musicians, including Morton Feldman, Jan Williams, Eberhard Blum, and other Creative Associates (contact sheet)
A black-and-white contact sheet displays dozens of small photographic frames arranged in a grid across multiple horizontal strips. The individual images show groups of people, conversations, and indoor gatherings captured from different angles and moments. Each frame is bordered by the film strip layout, creating a dense overview of many related photographs.
Performance of Lejaren Hiller's Avalanche for pitchman, prima donna, player piano, percussionist, and pre-recorded playback)
Hiller is not shown -- Joseph Glosson with 1 unidentified person leaning near piano
A black-and-white stage scene shows a tall scaffold positioned in front of a large curtain. Several people wearing dark clothing and hats stand on the upper platform, which is draped with fabric and hanging textile pieces. Another person wearing a light-colored hat stands on the stage to the right of the scaffold. A ladder is attached to the left side of the structure, and a copyright watermark runs across the center of the image.
Buffalo (N.Y,) -- Buildings, structures, etc.
Music-halls -- New York (State) -- Buffalo
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) - Building
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) - Building
Baird Hall and Clemens Hall (North Campus) also visible
A black-and-white outdoor scene shows a modern building complex surrounding a wide, open paved plaza. A large rectangular building occupies the right side of the frame, while a taller multi-story building and additional structures are visible in the background. Several young trees are planted throughout the plaza, and a brick-paved walkway runs along the foreground. The area appears quiet with no people visible.
Carol Plantamura, vocalist rehearsing with Creative Associates
Plantamura, right arm raised -- Other musicians not visible
A black-and-white close-up shows a person wearing a headscarf, a light-colored buttoned cardigan, and a top underneath. The person raises one hand above their head while looking to the side with a slight smile. A brick wall forms the background, and another person is partially visible behind them.
Joe Ford, saxophonist with double bassist Sabu Adeyola
Joe Ford in foreground, Sabu Adeyola in background -- Handwritten address on reverse reads: 161 [South Hampton] St., Buffalo, NY 14208 -- [Sabu Adeyola] played with Dexter Gordon, Ahmad Jamal, & others
A black-and-white indoor scene shows two musicians during a performance or rehearsal. In the foreground, a person seated at the left plays a saxophone, with only part of their body visible. In the background, another person wearing a light-colored hat plays an upright bass while seated on a stool. The background consists of a plain wall, and the shallow depth of field keeps the bassist softly out of focus.
A person with glasses and a beard faces the camera in a studio portrait.
A black-and-white head-and-shoulders studio portrait shows a person facing the camera. The person has medium-length hair, a full beard and mustache, and wears large eyeglasses, a plaid collared shirt, and a light-colored sweater or jacket. The background is softly textured and out of focus, with the image centered on the person's face.
Morton Feldman, composer seated at piano with Jan Williams standing
A black-and-white indoor scene shows a person seated at a grand piano, holding one hand above the keyboard as if explaining or demonstrating something. Another person stands nearby, leaning against the piano and watching. Both wear jackets, and music stands and other equipment are visible in the background, suggesting a rehearsal or performance space.
Kagel is not shown -- Performance by Creative Associates -- John Horton is holding 2 metronomes
A black-and-white scene shows a dark stage or performance space with a bright circular light illuminating the background. In front of the light, a silhouetted person raises one hand, creating a distinct shadow against the illuminated circle. Stage equipment and furniture are partially visible in the foreground and along the left side, while the rest of the space remains in deep shadow.
A black-and-white close-up shows four people standing together indoors. The two people in the center wear a dark top with layered necklaces and a light-colored shirt with glasses and a jacket, respectively. Another person is partially visible on the left, turned toward the group, while a fourth person stands on the right wearing a light-colored outfit and smiling. The background is dimly lit with few visible details, and the image is closely cropped around the group.
A color indoor scene shows a person wearing a plaid shirt operating a drill press mounted on a large wooden workbench. One hand holds the drill press handle while the other steadies the workpiece beneath the drill bit. Additional workbenches, shelves, tools, and workshop equipment are visible in the background, indicating a woodworking or fabrication space.
Mischa Schneider, violoncellist working with students
Schneider, Mischa, 1903-1985 - Violoncello
Close-up of Mischa Schneider's hands, violoncello students are not visible
A black-and-white close-up shows part of a person from the shoulders down, focusing on their hands as they hold and manipulate a small object between their fingers. The person wears a jacket, and a ring is visible on one hand. The background is softly out of focus, with a vertical column and overhead lighting visible.
A black-and-white portrait shows a person standing outdoors wearing glasses, a dark long-sleeved button-up shirt with a chest pocket, a belt, and patterned trousers. The image is cropped from the upper chest to the waist, with the top of the head partially cut off. Foliage is visible along the left side of the frame, while the background behind the person is dark.
Pamela Benjamin Adelstein (Pamela McConnell), violist
A black-and-white portrait shows a person seated or standing with the scroll and upper neck of a string instrument, likely a cello, resting against one shoulder. The person wears a dark top and lightly holds the instrument with one hand while looking toward the camera with a neutral expression. A curtain forms the background, and the image is closely cropped around the head, shoulders, and upper portion of the instrument.
Takemitsu discussing score with Nora Post
A black-and-white indoor scene shows a person leaning over a large sheet of paper spread across a table, looking down at its contents. Another person is partially visible on the right, holding a pen or pointer directed toward the paper. Rows of chairs are visible in the background, suggesting a meeting room, classroom, or auditorium. The image is closely framed around the people and the document.
Linda Cummiskey, view of backside of violin -- 1975-1976
A black-and-white indoor scene shows a person seated while playing a violin, holding the bow across the strings and looking toward sheet music positioned in front of them. The person wears glasses and a patterned sleeveless top over a long-sleeved shirt. A microphone stand, music stand, and additional musical equipment are visible nearby, suggesting a rehearsal or performance setting. A copyright watermark runs across the center of the image.
University at Buffalo classroom, two other musicians present (unidentified)
A black-and-white indoor scene shows a music rehearsal or classroom with two people and classical guitars. One person stands holding a guitar and appears to be demonstrating or speaking, while another person sits nearby holding a guitar and facing them. A music stand is positioned between them, and several empty chairs are arranged around the room. Wood paneling lines part of the wall, and the image is framed to include the rehearsal space and participants.
Jan Williams, percussionist with Creative Associates
Evenings for New Music rehearsal: Robert Erickson's Concerto for piano and seven instruments (1963)
A black-and-white stage scene shows three musicians standing together in front of large curtains. One seated person in the foreground holds a bassoon, while another person stands in the center with hands at their sides. A third person stands beside a percussion setup that includes cymbals and other instruments. A copyright watermark runs across the center of the image.
Marijke Verberne, violoncellist performing with Tom Coleman
A black-and-white stage scene shows two musicians performing with string instruments. One person is seated on the left playing a cello, partially obscured by a music stand, while another person stands on the right playing a double bass. Large draped curtains and a hanging fabric backdrop frame the stage, and additional music stands are visible in the foreground.
Renée Levine, administrator at table, speaking into microphone sitting between 2 unidentified men
Levine speaking on Arts Support Systems panel, at Massachusetts Institute of Technology Art Transitions Festival
A black-and-white indoor scene shows three people seated behind a long table during a panel discussion or meeting. The person in the center is reading from papers, while the people on either side look toward the discussion. Microphones, name placards reading "VAN DER MARCK" and "LEVINE," cups, and documents are arranged on the table. The background is plain, and the image is framed to focus on the panelists.
Photographed at 5th Ave. and 59th St., New York, N.Y. -- 1st record collection in Baird (old) Hall was named in her memory
A color outdoor scene shows a person standing in profile with shoulder-length hair held back by a headband. The person wears a sleeveless patterned dress and looks toward the right side of the frame. In the background, pedestrians walk along a city street lined with buildings, parked cars, and striped awnings. A flower bed and low greenery occupy the foreground, placing the person in an urban public space.
Makoto Michii, double bassist performing with Creative Associates
A black-and-white concert scene shows an orchestra performing on stage. A seated cellist occupies the center foreground, with a trombone resting nearby, while a standing double bassist performs behind them. Several other musicians are partially visible around the ensemble, along with music stands and chairs. The image is taken from an elevated angle, capturing part of the orchestra during a performance.
Nora Post, oboist rehearsing with other musicians (contact sheet)
Post is playing english horn in some photographs -- 2 unidentified woodwind players present
A black-and-white contact sheet displays multiple strips of photographic film, each containing a sequence of small images arranged in rows. The individual frames show musicians performing with string instruments and music stands from different angles and moments. The film strips are laid out against a dark background, with the sprocket holes and frame borders clearly visible.
A black-and-white close-up portrait shows a person smiling directly at the camera. The person wears large eyeglasses, a light-colored jacket, a dark shirt, and a patterned tie. The image is tightly cropped around the head and shoulders, with a dark, out-of-focus background.
A black-and-white head-and-shoulders portrait shows a person wearing a suit jacket, white collared shirt, and dark tie. The person faces slightly toward the camera with a slight smile. The background is softly blurred, and the image is closely cropped around the head and shoulders.
Paul Schmidt, vocalist accompanied by Yvar Mikhashoff
Reverse reads: Kagel's Presentation, Fri. March 18, 1988 Tralfamadore Caf?
A black-and-white performance scene shows a person seated at a piano in the foreground with hands on the keyboard. Another person stands in the background holding a microphone and facing toward the pianist. An open music score rests on the piano, and the dark background emphasizes the performers under stage lighting.
Reverse reads: 18 shallot 32' Posaune-leathered face
A color workshop scene shows a wooden workbench covered with woodworking tools and equipment. A long white plastic case rests across the center of the bench beside a chisel, clamps, and other hand tools. Along the back edge of the bench are containers holding drill bits and small tools, as well as cans and supplies. A folded plaid fabric and additional workshop items are visible to the right, indicating an active woodworking or fabrication workspace.
Renée Levine, administrator, looking towards her right
Copy 4 (2 small reproductions on one sheet)
A black-and-white layout shows two head-and-shoulders portraits of the same person with shoulder-length dark hair. One portrait appears upright in the lower left, showing the person smiling toward the side, while the other is positioned upside down in the upper right with a neutral expression. The portraits are separated by large white space, and a copyright watermark runs across the center of the image.
A black-and-white close-up portrait shows a person wearing a textured suit jacket, a white collared shirt, and a patterned tie. The person is turned slightly to one side, looking off-camera with a serious expression. The background is softly blurred, with only indistinct shapes visible, and the image is tightly cropped around the head and shoulders.
A color workshop scene shows a person wearing glasses and a red shirt applying glue from a squeeze bottle to a wooden cabinet or drawer assembly clamped to a workbench. Pieces of unfinished wood, clamps, and woodworking equipment are visible around the workspace. Shelves, stacked lumber, and additional tools in the background indicate an active woodworking shop.
A black-and-white high-angle view shows a performance stage with a small ensemble. A grand piano is positioned on the left, a drum set occupies the center, and a seated percussionist with mallet instruments is on the right. Several microphones on stands are placed around the performers, and large folding acoustic panels form a backdrop behind them. The stage is sparsely arranged, emphasizing the musicians and their instruments.
Morton Subotnick, composer holding score in one hand, cigarette in the other
A black-and-white close-up shows a bearded person standing in front of a draped curtain while holding a sheet of paper with handwritten notes or diagrams. The person wears a dark jacket over a light-colored shirt and looks toward the camera with a slight smile. The paper is held prominently in the foreground, and a copyright watermark runs across the center of the image.
Copy 3 (2 small reproductions on one sheet)
A black-and-white layout shows two head-and-shoulders portraits of the same person with shoulder-length dark hair. One portrait appears upright in the lower left, showing the person smiling while looking to the side, while the other is positioned upside down in the upper right with a neutral expression. The portraits are separated by a large white area, and a copyright watermark reading "Copyright Mickey Osterreicher" runs across the center of the image.
A black-and-white stage scene shows a person seated at a grand piano, looking upward while facing the instrument. The piano occupies much of the right side of the frame, with a large gong visible behind it. Draped curtains form the backdrop, and a copyright watermark runs across the center of the image.
Livingston Gearhart, composer at piano in class
Livingston Gearhart discussing score with unidentified musician -- 2 other unidentified students in foreground
A black-and-white classroom scene shows a person seated at a piano looking at open sheet music while another person stands beside the instrument, leaning over to point or discuss the music. Several other people are seated nearby watching the interaction. A chalkboard with musical notation spans the wall behind the piano, and chairs are arranged around the room, suggesting a music lesson or rehearsal.
University at Buffalo Percussion Ensemble in performance
University of Buffalo Percussion Ensemble - Ensemble
Mislabeled: Members of the New Percussion Quartet -- Second Festival of the Arts
A black-and-white high-angle view shows a percussion ensemble performing on a stage. One person stands in the foreground playing a mallet percussion instrument, while additional performers are positioned around other percussion instruments, including a drum set and keyboards, across the stage. Multiple microphones on stands are arranged throughout the performance area, and large folding acoustic panels form a backdrop behind the ensemble.
A black-and-white scene shows a small music ensemble rehearsing indoors. A conductor stands behind a music stand at the front of the room, facing several seated musicians with music stands and open sheet music. A piano is positioned behind the conductor, and another seated person is visible nearby. The room has cinder block walls and simple chairs arranged for the rehearsal.
Joelle Leandre, double bassist wearing sunglasses, Fall 1977
A black-and-white outdoor scene shows a person standing in front of dense evergreen trees. The person has long hair, wears large sunglasses, a dark shirt, and a buttoned vest, along with a necklace. The image is cropped from about the waist up, with the trees filling the background.
Stephen Manes, pianist with unidentified student
A black-and-white scene shows two people seated closely at a piano indoors. One person wearing glasses has both hands on the keyboard, appearing to demonstrate or play, while the other person sits beside them watching the keys. Sheet music rests on the piano's music stand, and the image is taken from an elevated angle, focusing on the interaction at the keyboard.
A black-and-white scene shows a person standing indoors behind a percussion setup, wearing a helmet and a light-colored long-sleeved shirt. The person holds a mallet in each hand, with a music stand positioned to one side. Parts of additional percussion instruments are visible in the foreground, and stage curtains or tall panels appear in the background.
A black-and-white scene shows a person seated in a chair indoors, turned slightly to one side with their head tilted upward. The person has shoulder-length curly hair, wears glasses, a dark long-sleeved top, and striped pants, with one arm resting on a bent knee. Blurred music stands and part of another person are visible in the background, suggesting a rehearsal or performance space. A copyright watermark appears across the center of the image.
A black-and-white close-up shows a person with shoulder-length dark hair smiling and looking to the side. The person is wearing a textured knit sweater, and only the upper body is visible. The background is softly out of focus, with a copyright watermark running across the center of the image.
Lejaren Arthur Hiller, composer, standing near electronic equipment
A black-and-white indoor scene shows a person standing beside a desk or console with electronic equipment and control panels. The person is wearing glasses, a suit jacket, a striped tie, and slacks, with one hand in a pocket while facing the camera. Papers rest on the desk, and large equipment cabinets or panels are visible in the background.
Lukas Foss, composer/conductor, performance of his M.A.P. (Musicians at Play) by Creative Associates
A black-and-white scene shows four people in a rehearsal or recording space centered around a double bass. One person stands playing the double bass while three others stand nearby, one positioned at a keyboard or piano on the left and two facing the bassist on the right. Suspended microphones hang overhead, and the room has a simple studio or rehearsal setting with minimal background details.
John Cage and unidentified woman in foreground assisting with prepared piano -- Second Festival of the Arts
A black-and-white scene shows two people at a grand piano indoors. One person leans over the keyboard while playing, and another person is seated in the foreground, partially turned away from the camera. The raised piano lid dominates the upper portion of the scene, and a copyright watermark appears across the center of the image.
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble and trumpet soloist
A black-and-white overhead view shows a conductor standing on a podium at the front of a large orchestra. The conductor faces rows of seated musicians holding string instruments and reading from music stands arranged in semicircular sections. A conductor's stand is positioned on the podium, and the stage floor is visible around the ensemble.
Melvin Strauss conducting New Percussion Quartet
A black-and-white scene shows a conductor standing at the front of a large percussion ensemble on a stage. Numerous percussion instruments, including timpani, drums, cymbals, and keyboard percussion instruments, are arranged in a semicircle around several seated performers. Music stands are positioned throughout the ensemble, and a podium and lectern are visible toward the back of the stage against a plain wall.
One page of the score to Henri Pousseur's Votre Faust
Pousseur, Henri -- Manuscripts -- Facsimiles
Pousseur, Henri. Votre Faust. Selections -
Score has rehearsal markings for Tape I and Tape II
A black-and-white close-up shows a sheet of handwritten musical notation filled with staff lines and notes across the top portion of the page. Additional handwritten annotations, circled labels, arrows, diagrams, mathematical symbols, and a small graph appear in the lower half. A copyright watermark runs across the center of the page.
A black-and-white close-up shows a person with shoulder-length hair indoors, turned slightly to the side with one hand raised near their face in a gesturing motion. The person is wearing a high-collared jacket over a dark shirt and appears to be looking toward something outside the frame. Rows of empty chairs extend into the background, creating a repeating pattern behind the person.
Reverse reads: Positive 16' Bourdon T-P chest, Deanie Lynn
A color scene shows a person seated at a large workbench in a workshop, smiling toward the camera. Several long wooden frames, narrow wooden strips, and a black strip with evenly spaced rectangular openings are arranged across the tabletop. Tools, supplies, and workshop equipment are visible in the background, indicating an active workspace.