Electromagnetically prepared piano at June in Buffalo 2011
Metal bars and wire coils are fastened across the interior strings of a grand piano. Sheet music sits on a stand to the right, while a person is positioned in the background among percussion instruments. The piano lid is propped open to reveal its internal structure and these modifications.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Composer David Felder with Ensemble Linea after the performance of his work, Partial [Dist] res [s] toration, at June in Buffalo 2011. Players from left to right: Reto Staub, Keiko Murakami, Andrea Nagy, Johannes Burghoff, Maiko Matsuoka, Olivier Maurel, with conductor Jean-Philippe Wurtz.
Several people in dark clothing stand on a wooden stage and clap toward an audience. They are positioned among musical instruments including a piano, a cello, and percussion equipment. Music stands and a tall boom microphone are also visible across the stage floor.
Ensemble Linea performing David Felder's work, Partial [Dist] res [s] toration, at June in Buffalo 2011. Players from left to right: Reto Staub, Keiko Murakami, Andrea Nagy, Johannes Burghoff, Maiko Matsuoka, Olivier Maurel, with conductor Jean-Philippe Wurtz.
Seven musicians in dark clothing perform on a wooden stage in a concert hall. The ensemble includes a conductor facing away from the audience, woodwind and string players, a pianist, and a percussionist. The background consists of wood-paneled walls and various musical equipment.
Genkin Philharmonic performance at June in Buffalo 2011
Five musicians perform on a stage against a dark backdrop with metal gongs hanging from a rack. The group includes people playing two trombones, a violin, and two trumpets. One person holding a trumpet has their right arm raised in a fist, and music stands are positioned in the foreground.
Baczkowski, Steve - Saxophone (Baritone)
A musical group performs on a dark stage with focused lighting. A person with voluminous hair and a beard plays a stringed instrument while singing into a microphone. To the right, another person holds a saxophone, while a third person is seated behind a drum kit in the background.
Still image from Elliot Caplan's video for David Felder's work, Shamayim, at June in Buffalo 2011
The scene shows rolling hills and mountains in various shades of blue, grey, and brown. Four semi-transparent hexagonal shapes are aligned horizontally across the middle blue layer. The foreground features a textured, golden-brown slope, while background peaks fade into a light sky.
Ensemble Linea workshop at June in Buffalo 2011
An audience sits in rows of red-cushioned chairs facing a group of musicians in a room with acoustic panels. A person stands on the left holding a small book while others sit behind music stands with instruments including a cello, a harp, and a grand piano. Percussion equipment and additional music stands are visible in the background.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Student composer Per Bloland setting up the electronically prepared piano at June in Buffalo 2011
A person wearing glasses and a dark long-sleeved shirt leans over the inner frame of a black grand piano. Numerous wires are attached to the internal components and trail over the side of the instrument toward electronic equipment. The person's hands are positioned near the metal strings and a support bar.
Pianist Eric Huebner and percussionist Tom Kolor performing Edmund Campion's work, Domus Aurea, at June in Buffalo 2011
A person in a red shirt plays a marimba while another person sits at a grand piano on a wooden stage. An audience is seated in the foreground of the auditorium, facing the brightly lit performance area. The background features tall curtains, acoustic panels, and a large white wall behind the performers.
Composer Hilda Paredes with violinist Irvine Arditti at June in Buffalo 2011
A person with gray curly hair wears a dark striped shirt and holds a violin and bow in a playing position. Beside them, another person with dark curly hair and a gray long-sleeved shirt leans forward with an index finger pointed upwards. Both individuals have their mouths open with teeth visible in front of a background featuring wooden floors and wall panels.
Violinist Irvine Arditti at June in Buffalo 2011
A person with short, curly gray hair plays a wooden stringed instrument held under their chin. They wear a dark, vertically striped shirt and have their fingers positioned on the instrument's neck. A bow is held against the strings, and the background is blurred.
Two people stand together in an indoor setting. One person has long, dark curly hair and wears a grey top with a patterned front panel. The other person has short, grey curly hair and wears a dark pinstripe button-down shirt.
Brad Lubman conducting a rehearsal with the Signal ensemble at June in Buffalo 2011
Signal (Musical group : 2008-) - Ensemble
Several people are seated and play instruments including violins, cellos, and a double bass while looking at sheet music. A conductor stands on the right side of the frame with arms raised. In the foreground, a large harp frame is visible on the left side.
Student composer Francisco Castillo Trigueros and flutist Alice Teyssier of Slee Sinfonietta at a workshop performance of Trigueros' work, Nealika, at June in Buffalo 2011
Trigueros, Francisco Castillo, 1983- - Composer
A person with light hair sits on a wooden stage holding sheet music and a small woodwind instrument. Facing them is another person in a navy sweater who is gesturing with one hand. A music stand with sheet music is positioned in the foreground, and empty red auditorium seats are visible in the background.
Student composer Per Bloland in a workshop with pianist Reto Staub of Ensemble Linea at June in Buffalo 2011
One person sits at a black grand piano with metal objects attached to the strings. Another person leans over the seated individual, pointing toward the keyboard. The background shows various percussion instruments like wind chimes and mallets on a stand near rows of chairs.
Pianist Reto Staub of Ensemble Linea at an electronically prepared piano in a workshop at June in Buffalo 2011
A person with glasses and dark hair looks toward sheet music resting on the music stand of a grand piano. The lid of the piano is open, showing a metal rail and many wires connected to devices over the internal strings. A green chalkboard with musical staff lines is visible in the background.
Percussionist Olivier Maurel of Ensemble Linea playing a melodica in a workshop at June in Buffalo 2011
A person with brown hair and glasses stands in profile, holding a black and white melodica. A flexible white tube connects the person's mouth to the instrument as their hand rests on the keyboard. In the background, musical equipment including cymbals and a xylophone are arranged in front of blue curtains.
Student composer Per Bloland in a workshop performance of his work, Negative Mirror II, with violinist Maiko Matsuoka, violoncellist Johannes Burghoff, clarinetist Andrea Nagy, flutist Keiko Murakami, and conductor Jean-Philippe Wurtz of Ensemble Linea at June in Buffalo 2011
Five people are positioned in a rehearsal room with instruments, music stands, and a laptop. Three people play a flute, a clarinet, and a cello, while one person sits on a tall stool facing them. In the foreground, another person sits next to a laptop displaying an interface and a binder of sheet music.
Conductor James Baker with clarinetist Greg Barrett, percussionist Tom Kolor, pianist Steve Beck, pianist Eric Huebner, violoncellist Jonathan Golove, and violoncellist Evelyn Farny at a performance of Jeffrey Stadelman's work, Incidental Music, at June in Buffalo 2011
Six people stand on a wooden stage in a concert hall surrounded by musical instruments and recording equipment. Two individuals hold cellos, one holds a clarinet, and a grand piano sits behind them with its lid open. Percussion instruments including a gong and drums are positioned in the background alongside music stands and microphones. On the far right, a person in a black suit stands facing the rest of the group.
Composer Eric Chasalow with conductor James Baker, violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and flutist Barry Crawford after the performance of Chasalow's work, Suspicious Motives, at June in Buffalo 2011
Five people are positioned across a stage with a tall microphone stand in the foreground. One person holds a violin and another holds a cello, while a grand piano, a gong, and percussion instruments are visible behind them. The background features vertical wood paneling and large organ pipes.
James Baker conducting a performance of Eric Chasalow's work, Suspicious Motives, with violinist Yuki Numata, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and flutist Barry Crawford at June in Buffalo 2011
Five people are on a stage where one person directs four seated musicians playing a violin, a cello, and a clarinet. Behind the ensemble are a grand piano, a large gong, and several music stands. The performance area features vertical wooden walls and rows of theater seating in the foreground.
Composer Jeffrey Stadelman with clarinetist Jean Kopperud and percussionist Tom Kolor after the performance of Stadelman's work, Wills and Wonts, at June in Buffalo 2011
Three individuals are positioned on a light-colored wooden stage in front of vertical wood paneling. One person stands on the left with hands together, another stands in the center holding a clarinet near a grand piano, and a third sits behind a percussion array featuring a vibraphone and gongs. Music stands and microphone poles are placed around the performance area.
Clarinetist Jean Kopperud and percussionist Tom Kolor performing Jeffrey Stadelman's work, Wills and Wonts, at June in Buffalo 2011
A person on the left plays a clarinet while another person on the right stands at a vibraphone with mallets. Two gongs, a cymbal, and a large drum are positioned near the vibraphone. The performance takes place on a wooden stage in front of a vertically paneled wall.
Composer Hilda Paredes with violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner after a performance of Paredes' work, Alegoria Tri-partita, at June in Buffalo 2011
Four individuals are positioned on a stage in front of a wood-paneled wall. On the left, two people stand near a black chair, one holding a violin. To the right, another person stands behind a music stand next to a person holding a cello.
Violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner performing Hilda Paredes' work, Alegoria Tri-partita, at June in Buffalo 2011, with Steven Beck, page-turner
A person on the left plays a violin while seated, and a person on the right plays a cello. In the background, two people sit near an open grand piano. Several music stands are positioned in front of the performers against a backdrop of a vertical wood-paneled wall.
James Baker conducting the Slee Sinfonietta in a performance of David Felder's work, Requiescat, at June in Buffalo 2011
Musicians play a variety of instruments, including strings, woodwinds, and percussion, while arranged in a semi-circle on a brightly lit stage. A conductor stands in the center with their back to the audience, gesturing toward the group. The background features a large pipe organ, and the darkened silhouettes of an audience fill the foreground.
Guitarist Magnus Andersson performing at June in Buffalo 2011
A person with short hair and glasses sits while playing a classical guitar. They wear a long-sleeved white button-down shirt and light-colored pants. A music stand is positioned to the side, and several gongs hang in the background.
Composer David Felder at sound console with Christopher Jacobs and J. T. Rinker in a rehearsal at June in Buffalo 2011
Jacobs, Christopher P. - Audio technician
Three individuals wearing glasses are gathered around a workspace containing mixing boards and a laptop. One person sits on the left with their hands on a sound console, while another stands in the center and a third person sits on the right looking at a computer monitor. The background consists of tiered seating in a dimly lit space.
James Baker conducting the Slee Sinfonietta in a rehearsal of David Felder's work, Requiescat, at June in Buffalo 2011
A conductor in a black suit stands with their back to the viewer, directing a group of musicians on a wooden stage. The ensemble includes players of the flute, violin, guitar, cello, and double bass. Behind the performers, a large pipe organ is built into the wood-paneled wall along with a rack of hanging gongs.
Composer Eric Chasalow with guitarist Magnus Andersson at June in Buffalo 2011
One person wears a lime green v-neck sweater with a black strap over their shoulder, while the other wears a white button-down shirt with their arms crossed. Both individuals wear glasses and face forward toward the viewer. In the background, a third person walks down the corridor under recessed ceiling lights.
A conductor in a dark suit stands with their back to the camera, facing a group of seated and standing musicians on a wooden stage. The performers play a variety of instruments, including a guitar, violins, a cello, and a row of hanging gongs. Music stands, microphones, and audio cables are positioned around the performers against a wood-paneled backdrop.
Student composer Jacob Gotlib in a rehearsal of his work, Year Without Summer, with members of Ensemble Linea, violoncellist Johannes Burghoff and conductor Jean-Philippe Wurtz, at June in Buffalo 2011
Three people are positioned around a music stand in a room containing various musical instruments. One person sits with a cello, another sits to the left in a striped shirt, and a third person leans forward from the back wearing a pink shirt. A large bass drum and other percussion gear are visible behind them.
Pianist Eric Huebner and trumpet player Jon Nelson performing Jeffrey Stadelman's work, Mr. Natural, at June in Buffalo 2011
One person sits at a black grand piano while another person stands and plays a trumpet on a wooden stage. A music stand and a tall microphone stand are positioned near the musicians in front of a neutral backdrop.
Clarinetist Jean Kopperud performing Eric Chasalow's work, In a Manner of Speaking, at June in Buffalo 2011
The person wears a textured, multi-colored turtleneck, dark pants, and black boots. They hold a bass clarinet while seated on a chair on a wooden floor. A music stand and a microphone are positioned to their left against a dark background.
Conductor Brad Lubman and Signal Ensemble in a workshop at June in Buffalo 2011
A seated audience sits in rows of folding chairs, facing a person standing in the front holding papers. Musical equipment, including drums, music stands, and chimes, are visible in the background. The room features high, paneled walls and several other individuals are seated near the instruments.
Composer Edmund Campion performing his work, Roulette, at June in Buffalo 2011
A person sits at a Steinway & Sons grand piano with their hands resting on the keys. A laptop showing software and various electronic audio hardware units are positioned on the piano's internal frame above the keys. The setting is dark, and the piano's lid is raised.
Composer Eric Chasalow in a workshop with student composers at June in Buffalo 2011
A person wearing a green shirt sits at a grand piano while facing others seated in chairs. A whiteboard with musical staves and a television are mounted on the wall behind the piano. An electronic equipment rack and a closed door are also visible in the background.
Composer Jeffrey Stadelman in a workshop with student composers at June in Buffalo 2011
Seven people sit around a large black table covered with various papers, folders, and personal items. One person at the end of the table reads from a document while others look down at papers in front of them. The background features a television and a whiteboard with musical staff lines next to a window with vertical blinds.
Student composer Ethan Hayden and composer Hilda Paredes at June in Buffalo 2011
Three individuals are situated in a room with a brick wall and a green board. One person with light wavy hair sits in the foreground with a laptop, while another person with dark curly hair and glasses sits at a wooden table with papers. A third person with short dark hair, glasses, and facial hair stands in the background near audio equipment and two large black speakers on stands.
Student composer Jeff Roberts in a rehearsal of his work, Breaking Bamboo, Shaking Jade, with flutist Barry Crawford, pianist Steve Beck, and percussionist Jon Hepfer at June in Buffalo 2011
Four individuals occupy a wooden stage in a room with wood-paneled walls. One person plays a flute near a music stand while another person stands nearby with arms crossed. A third person is seated at a grand piano, and a fourth person uses mallets on a percussion instrument.
Composer Jeffrey Stadelman with trumpet player Jon Nelson and pianist Eric Huebner at a rehearsal of Stadelman's work, Mr. Natural, at June in Buffalo 2011
Three people are positioned around a black grand piano in a room with vertical wooden wall panels. One person stands on the left holding a trumpet and a mute, while another person sits at the piano keyboard. A third person stands to the right of the piano wearing a dark blazer.
Trumpet player Jon Nelson at June in Buffalo 2011
A person with short, graying hair stands in front of a light-colored concrete pillar while holding a brass trumpet up to their face. They are wearing a dark, short-sleeved button-down shirt with vertical stripes and embroidered floral patterns. The bell of the trumpet is pointed directly toward the viewer, partially obscuring the person's face.
Student composers at June in Buffalo 2011: Jeff Roberts (outside railing), Matthew Sargent, Francisco Castillo Trigueros, Michael Thomas Foumai, David Carter, Jacob Gotlib, Paul Clift, Amadeus Regucera, Sivan Eldar, Brian Mark, Friedrich Heinrich Kern, Ethan Hayden, Chappell Kingsland, Cherise Leiter, Matthew Goodheart, Nathan Heidelberger, Brian Penkrot (outside right railing, back), and Leeds Barroll (outside right railing, front)
Seventeen individuals in casual and semi-formal clothing are posed on a concrete staircase. Most of the group is seated on the stairs, with one person standing on each side. A large window wall with black frames and trees visible outside is in the background.
Ensemble Linea at June in Buffalo 2011. Back row left to right: Andrea Nagy, Maiko Matsuoka, Johannes Burghoff, Keiko Murakami. Front row left to right: Olivier Maurel, Genevieve Letang, Jean-Philippe Wurtz, Reto Staub.
Eight people are seated on concrete stairs inside a building with metal handrails. The individuals wear various casual and business-casual clothing items, including button-down shirts, sweaters, and scarves. The group is arranged in two rows of four people each.
Composer Hilda Paredes with violoncellist Jonathan Golove and violinist Yuki Numata in a rehearsal of her work, Alegoria Tri-partita, at June in Buffalo 2011
A person with dark curly hair and glasses stands in the center, looking at a music score. To the left, a person plays a violin, and to the right, a person with a beard and glasses plays a cello. The room has wood-paneled walls and a piano is partially visible on the right side.
Composer Hilda Paredes with violinist Yuki Numata, violoncellist Jonathan Golove, and pianist Eric Huebner during a rehearsal of her work, Alegoria Tri-partita, at June in Buffalo 2011
An individual holding a violin sits near a music stand while another person plays a cello in the foreground. A third person sits at a grand piano, and a fourth person stands in the center of the group. The background consists of vertical wooden panels and a speaker.
Student composer Chun Ting Pang with Ensemble Linea during a rehearsal of Pang's work, When the Rain is Dissolving the Clouds, at June in Buffalo 2011
Several people are positioned on different levels in a room with blue curtains, rehearsing with a variety of musical instruments. A large golden harp is centered among individuals playing the flute, cello, and violin while reading sheet music on stands. To the right, a person stands at a marimba near other percussion equipment.
State University of New York at Buffalo. Center for the Arts
Composer Eric Chasalow presenting a lecture at June in Buffalo 2011
A person in a light green shirt gestures from a wooden stage toward an audience seated in tiered rows. Behind the person, a projection screen displays a YouTube video featuring a musical performance. The stage area also contains a grand piano, a podium, and a microphone stand.
A person wearing a green long-sleeved shirt and grey pants stands on a low platform facing an audience. The audience sits in tiered rows of red-cushioned benches within a room featuring wooden acoustic wall panels. A microphone stand is positioned on the floor between the speaker and the front row.
Composers David Felder and Edmund Campion at June in Buffalo 2011
Two people are seated on a red sofa with a large window behind them. One person is dressed in a light-colored short-sleeved button-up shirt, while the other is in an orange and white striped polo shirt. A brick wall is visible to the right, and green foliage is seen through the window.
Pianist Steve Beck and percussionist Jon Hepfer rehearsing Friedrich Kern's work, Eins Zwei, at June in Buffalo 2011
A person with red hair sits at a black grand piano with the lid open. To the right, another person plays a snare drum and wooden block with drumsticks. Both individuals are on a light-colored wooden floor in a room with white walls and a large screen in the background.
Composer Edmund Campion at June in Buffalo 2011
A person with wavy brown hair, blue eyes, and a goatee stands in front of a tan brick wall. They are wearing a light green button-down shirt with the top button open. A portion of a dark window frame is visible on the right side.
A person with short brown hair and blue eyes stands in front of a dark brown brick wall. They are wearing a light green button-down shirt and have a small mustache and goatee. The background consists of uniform horizontal rows of rectangular bricks.
James Baker conducting a rehearsal of Eric Chasalow's work, Suspicious Motives, with flutist Barry Crawford, clarinetist Jean Kopperud, violinist Yuki Numata, and violoncellist Jonathan Golove at June in Buffalo 2011
Five people are on a wooden stage with music stands and sheet music. Four musicians are seated and playing a flute, violin, cello, and clarinet while a fifth person stands and gestures with both hands. The stage is surrounded by wood-paneled walls and a dimly lit background.
Pianist Eric Huebner and percussionist Tom Kolor rehearsing Edmund Campion's work, Domus Aurea, at June in Buffalo 2011
One person in a red shirt uses mallets to play a vibraphone, which has sheet music resting on a stand in front of it. A second person wearing glasses is seated at a black grand piano with the lid open in the background. The scene takes place in a room with vertical wood paneling.
Composer Eric Chasalow at June in Buffalo 2011
A person with reddish-blonde hair wears a black t-shirt and holds a tablet device. They have silver and black over-ear headphones around their neck and wear thin-framed glasses. The background shows an indoor setting with a bulletin board containing a "CMS" poster.
A person in a black t-shirt sits with over-ear headphones resting around their neck and one hand raised toward their face. They have short red hair and wear glasses, a watch, and a ring. A green chalkboard and a grey partition wall are in the background.
Pianists Steve Beck and Eric Huebner at June in Buffalo 2011
One individual stands while holding a water bottle next to a seated individual at a grand piano. Both people wear black shirts and glasses in a room with wood-paneled walls and a large white screen in the background.
Guitarist Magnus Andersson at June in Buffalo 2011
A person with short hair and glasses is positioned with a classical guitar, looking down toward the strings. One hand is on the fretboard while the other is near the soundhole. The individual wears a light-colored button-down shirt against a dark background.
Clarinetist Jean Kopperud, composer Eric Chasalow, and pianist Eric Huebner at June in Buffalo 2011
Three individuals are positioned in front of a vertical wood-paneled wall. The person on the left wears a blue ribbed sweater and has hair tied back. The central person wears a navy shirt with glasses, and the person on the right wears a black t-shirt with a logo and glasses.
Conductor James Baker and pianist Eric Huebner in a rehearsal of David Felder's work, Requiescat, at June in Buffalo 2011
Two individuals lean over a black grand piano with the lid propped open to show the internal strings and gold-colored harp. The person on the left wears a white button-up shirt while the person on the right reaches inside the piano. White sheets of paper and a microphone are positioned within the instrument's frame.
Composer David Felder, conductor James Baker, violoncellist Jonathan Golove, clarinetist Jean Kopperud, and violist Adrienne Elisha rehearsing Felder's work, Requiescat, at June in Buffalo 2011
Several people sit and stand on a stage with musical instruments and sheet music on stands. One person in a white shirt stands on the right side of the stage, and another in an orange shirt stands in the center background. The background contains rows of empty theater seats in a darkened auditorium.
James Baker conducting percussionist Tom Kolor and other members of Slee Sinfonietta in a rehearsal of David Felder's work, Requiescat, at June in Buffalo 2011
A person in a red shirt stands behind a vibraphone with their arms raised, holding mallets with pink tips. In front of them, a series of decorated gongs hang from a metal pipe frame while a conductor in a white shirt stands on the stage facing the performers. Rows of empty red theater seats are visible in the background beyond the stage.
James Baker conducting a rehearsal of David Felder's work, Requiescat, with Slee Sinfonietta at June in Buffalo 2011
A person in a white short-sleeved shirt stands on a platform, facing a group of seated musicians. The ensemble includes players of instruments such as the cello, violin, and woodwinds, with sheet music on stands in front of them. The standing person has their hands raised while the other musicians look toward their instruments and music.
A person in a white collared shirt stands at the front of a stage, directing a group of musicians with raised arms. Several people sit in chairs playing instruments such as the cello, violin, and bass clarinet while looking at sheet music on stands. The background shows an auditorium setting with dark curtains and a speaker.
Slee Sinfonietta rehearsing David Felder's work, Requiescat, at June in Buffalo 2011
Seven people are positioned in a room with vertical wood paneling while holding and playing various musical instruments. Musicians in the foreground sit with violins and a fretted string instrument, facing music stands with sheet music. In the background, one person stands with a double bass while another sits with a bass clarinet.
Violinist Maureen Yuen, guitarist Magnus Andersson, violist Adrienne Elisha, and violoncellist Jonathan Golove rehearsing David Felder's work, Requiescat, at June in Buffalo 2011
Four individuals are seated in a row while playing or holding various string instruments. In the foreground, one person holds a violin, another plays an acoustic guitar, and others in the background hold larger string instruments with bows. A microphone is positioned at the bottom right of the scene.
Percussionist Tom Kolor and clarinetist Jean Kopperud rehearsing David Felder's work, Requiescat, at June in Buffalo 2011
An individual in a red t-shirt and glasses holds mallets over a large percussion instrument. Behind them, various brass cowbells and dark, patterned gongs are suspended from a frame. Another person is visible in the background playing a bass clarinet.
James Baker conducting a rehearsal of David Felder's work, Requiescat, with the Slee Sinfonietta at June in Buffalo 2011
A group of musicians and a conductor are positioned on a wooden stage within a concert hall. In the foreground, a person plays a small upright piano while standing beside a grand piano. Other performers include a percussionist and several seated instrumentalists facing a conductor in front of a theater seating area.
Conductor JoAnn Falletta rehearsing with the Buffalo Philharmonic Orchestra at June in Buffalo 2010
Buffalo Philharmonic Orchestra - Ensemble
A conductor stands on a podium facing an orchestra seated on a wooden stage. Musicians play various instruments, including violins, cellos, and double basses, with sheet music positioned on stands. Large organ pipes and vertical wooden paneling are visible in the background.
A person in a pink shirt stands on a tiered podium, directing an orchestra of seated musicians playing string and wind instruments. The musicians are arranged in rows with music stands in front of them. The background features wood-paneled walls and a wall clock.
Student composers Ashley Wang, Huck Hodge, and others in workshop at June in Buffalo 2010
Two people sit behind a desk while three others stand around it, focusing on several sheets of white paper. One individual in the foreground has long hair and reaches toward the papers, while another seated person wears a plaid short-sleeved shirt. Several empty chairs and a whiteboard are visible in the background of the room.
Student composers Felipe Ribeiro, John Bacon, and Ethan Hayden testing sounds at the piano at June in Buffalo 2010
Three people are positioned around a black grand piano with its lid open. One person sits at the keyboard and plays, while another person leans forward to touch the interior strings with blue-headed mallets. A third person stands behind the piano and watches the interaction between the keys and the strings.
Composer Bernard Rands onstage with mezzo-soprano Julia Bentley, conductor Brad Lubman, and the Slee Sinfonietta after a performance of Rands's work, Now again -- fragments from Sappho at June in Buffalo 2010
Several people are positioned on a stage in front of a wood-paneled wall. One person wearing a dark suit and glasses stands in the foreground, while others hold instruments like a harp, violin, and viola nearby. Black music stands, chairs, and microphones are distributed across the floor.
Composer Bernard Rands with mezzo-soprano Julia Bentley, conductor Brad Lubman, and members of the Slee Sinfonietta after a performance of Rands's Now again -- fragments from Sappho at June in Buffalo 2010
A group of people stands on a wooden stage in front of a wood-paneled wall. A harp sits to the left of a person wearing a dark suit and glasses in the center. To the right, another person in a suit gestures toward the center while other musicians stand with their instruments.
Mezzo-soprano Julia Bentley performing Bernard Rands's work, Now again -- fragments from Sappho with Brad Lubman conducting the Slee Sinfonietta at June in Buffalo 2010
A group of musicians is arranged on a light-colored wooden stage, featuring a person standing by a music stand and others seated with instruments like a harp, cello, and trumpet. A conductor stands in the center with their back to the audience, directing the ensemble. Black music stands are placed in front of the performers, and large percussion instruments such as gongs and chimes are visible in the background.
Composer David Felder applauding performers after a performance of his Canzonne XXXI at June in Buffalo 2010
Four people are positioned on a stage featuring a wood-paneled background and light-colored flooring. One individual claps next to a harp while others hold a French horn and trombones. Orchestral equipment, including music stands and a tall microphone boom, are visible around the group.
Brass quintet of Adam Unsworth, Benjamin Herrington, Jim Daniels, Tim Leopold, and Jon Nelson performing David Felder's work, Canzonne XXXI at June in Buffalo 2010
Five people are seated in a semi-circle on a wooden stage, playing brass instruments including a French horn, a trombone, and trumpets. Each person has a black music stand holding sheet music in front of them. Percussion instruments like gongs and tubular bells are arranged in the background against a wood-paneled wall.
Composer David Felder with brass quintet on stage after performance of Felder's Canzonne XXXI at June in Buffalo 2010
Five people sit on a wooden stage holding brass instruments behind music stands while another person stands next to a large harp. Percussion instruments, including gongs and chimes, are arranged in the background against a wood-paneled wall. The tops of red auditorium seats are visible at the bottom of the frame.
Composer Augusta Read Thomas, violin soloist Yuki Numata, conductor Brad Lubman, and the Slee Sinfonietta after a performance of Thomas's Carillon Sky at June in Buffalo 2010
A person in a pink jacket on the left and a person in a dark suit on the right stand with arms extended toward a group of musicians in the center. The musicians hold violins while standing near a large wooden harp. The setting is a stage with wooden walls and floors, featuring music stands and a piano in the background.
Several people are positioned on a light-colored wooden stage in front of vertical wood paneling. A person in a pink jacket and a person in a pinstripe suit gesture toward musicians holding violins in the center of the stage. A harp and a piano are also visible on stage behind the performers.
Brad Lubman conducting violinist Yuki Numata and the Slee Sinfonietta in performance of Augusta Read Thomas's work, Carillon Sky at June in Buffalo 2010
A group of people in dark attire play string, woodwind, and brass instruments on a wooden stage in front of a wood-paneled wall. A conductor stands in the center facing musicians with instruments including violins, cellos, and flutes. Percussion instruments are positioned in the background, and rows of empty theater seats are visible in the foreground.
Composer Harvey Sollberger performing his work, New Millennium Memo at June in Buffalo 2010
A person with short, graying hair and glasses is positioned in profile, holding a silver flute to their lips. They are wearing a dark, checkered button-up shirt and a metallic watch. The background is dark and out of focus.
Mezzo-soprano Julia Bentley and conductor Brad Lubman examining score of Bernard Rands's work, Now again -- fragments from Sappho at June in Buffalo 2010
A person wearing a red shirt and green vest holds an open book with yellow covers. Beside them, a person with a beard and a black long-sleeved shirt looks at the book while pointing with one hand. The individuals are lit from above against a dark background.
Composer Bernard Rands with conductor Brad Lubman and mezzo-soprano Julia Bentley at rehearsal with Slee Sinfonietta of Rands's work, Now again -- fragments from Sappho at June in Buffalo 2010
Three people stand on a stage behind music stands, looking at a set of papers. One person wears a green vest over a red shirt, another wears a black long-sleeved shirt, and a third wears a blue shirt with text and glasses. In the foreground, people sit with their backs to the camera, holding string instruments and looking at sheet music.
Composer Olivier Pasquet during workshop at June in Buffalo 2010
A person wearing a light-colored top and dark wide-legged trousers stands at the center of a stage between three chairs and a small table with a laptop. Behind them, a screen displays a computer desktop background featuring a detailed fractal design. The silhouettes of audience members' heads are visible in the foreground.
Composer Olivier Pasquet talking with student composers Daniel Bassin, Jordan Kuspa, Mischa Salkind-Pearl, and Ashley Wang at June in Buffalo 2010
Five people stand in a group against a white wall and a dark curtain. The individuals wear various attire, including a dark plaid shirt, button-down shirts, and a white zip-up jacket. One person wears glasses with their arms crossed, and another has a shoulder bag strap across their torso.
Conductor Brad Lubman conferring with composer Bernard Rands at rehearsal of Rands's work, Now again -- fragments from Sappho, at June in Buffalo 2010
One person in a black long-sleeved shirt crouches on a wooden stage while gesturing toward documents spread on the floor. A second person wearing glasses and a blue sports jersey stands beside them, leaning forward with hands resting on the stage surface. A wood-paneled wall and stage equipment are visible in the background.
Composer Olivier Pasquet during lecture presentation at June in Buffalo 2010
A person wearing a dark double-breasted jacket stands next to a large square canvas mounted on a white wall. Their hand is positioned near the edge of the canvas where a white, spray-like pattern originates. The artwork features a dense cluster of white dots and starburst shapes on a solid black background.
A person with a shaved head bends over a square lightbox covered in small particles and two magnifying loupes. A tall floor lamp with a ring light stands behind them, illuminating a dark square on the wall featuring a conical pattern of white dots. The room is dimly lit, focusing light on the person and their work area.
A person stands in a dark room, holding a small flashlight directed at a horizontal white strip on the wall. One hand points toward the illuminated area while the other holds the light source. Below the strip, a silver studio monitor sits on a stand, illuminated by the light from the beam.
A person wearing a dark jacket stands in profile, leaning their head toward a large black surface mounted on a white wall. Their hand is held near a small circular opening on the panel as they look through it. Scattered white dots are visible across the dark surface in a diagonal pattern.
Conductor Brad Lubman and violinist Yuki Numata at rehearsal of Augusta Read Thomas's work, Carillon Sky, with the Slee Sinfonietta at June in Buffalo 2010
One person in a black shirt points a finger at a musical score. Beside them, another person in a red shirt holds a violin bow while looking at the same page. Both are looking downward in a dimly lit environment with a dark background.
Composer Augusta Read Thomas at rehearsal of her work, Carillon Sky, with the Slee Sinfonietta at June in Buffalo 2010
A person wearing a blue and white patterned shirt stands center stage, looking down at a large music score. In the foreground, parts of string instruments and another individual are positioned with their backs to the camera. The background consists of a dark hall with seating and stairs illuminated by small floor lights.
A person with short blond hair stands in an auditorium wearing a white cardigan with blue floral patterns and gold jewelry. They hold several white sheets of paper while looking toward the side of the frame. A wooden scroll from a stringed instrument is visible in the lower right foreground against a background of dark, tiered seating.
A person wearing a blue and white floral cardigan stands in an auditorium holding a stack of papers. Two individuals with cellos sit in the foreground with their backs to the camera. The background shows rows of dark seats and a staircase with lights on each step.
A person with short blond hair stands in a dark space, illuminated by an overhead light. They wear a white cardigan with blue floral patterns and hold a light-colored folder containing several sheets of paper. In the lower right corner, the wooden scroll of a stringed instrument and a music stand are partially visible.
A person with short hair stands in a spotlight, looking at an open yellow folder. Two individuals sit in the foreground with their backs to the camera, and the scrolls of two cellos are visible beside them. The background shows darkened tiered seating in a large hall.
A person with short hair and a blue and white floral shirt stands with one hand raised, facing two individuals holding cellos in the foreground. The scene is set in a large room with rows of red seats and an exit sign visible in the background. Focused light illuminates the central figure, leaving much of the surrounding space in shadow.
Composer Augusta Read Thomas, conductor Brad Lubman, and violinist Yuki Numata at rehearsal of Thomas's work, Carillon Sky, with the Slee Sinfonietta at June in Buffalo 2010
A person stands in the center with arms raised, facing several seated musicians playing cellos and violins. Sheet music rests on stands in front of the performers, and one person stands to the left holding a folder. The group is illuminated by spotlights on a stage against a dark background.