Eberhard Blum, Ann Holyoke Lehmann, and Jan Williams outside the Edvard Munch House in Warnemünde (Rostock, Germany)
An outdoor scene shows three people standing on a paved walkway in front of a modern house with large glass windows and a covered entryway. One adult is holding a dark bag while another adult and a child stand nearby. Fallen leaves are scattered across the ground, and a young tree, shrubs, and neighboring houses are visible around the property.
The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions.
State University of New York at Buffalo. Music Library
Copyright Statement for Digitized Materials from the Music Library
IN COPYRIGHT. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Percussion instrument setup at the Edvard Munch House in Warnemünde (Rostock, Germany)
An indoor scene centers on a large suspended gong mounted in a black metal frame. Part of a drum set and percussion instruments are visible at the left and right edges of the image. Behind the gong, a glass door or large window looks out onto a small courtyard with a tree and surrounding building, allowing natural light into the room.
Jan Williams rehearsing Ernstalbrecht Stiebler's im Takt at the Edvard Munch House in Warnemünde (Rostock, Germany)
Stiebler, Ernstalbrecht, 1934-. Im Takt -- Performances
An indoor scene shows a person seated on a stool behind a pair of bongos mounted on a stand. The room contains folded wooden chairs, framed artwork on white walls, and a music stand partially visible at the right edge. A doorway and windows are visible in the background, suggesting a rehearsal, studio, or gallery space.
An indoor scene shows a person seated on the left side of the frame behind a pair of bongos mounted on a stand, with a music stand positioned in front. Three framed drawings hang evenly spaced on a white wall behind the person. The room has a wooden floor and a simple gallery- or rehearsal-like setting with most of the image focused on the artwork and open wall space.
An indoor room is viewed through an open doorway, revealing a percussion performance setup. A large suspended gong stands at the center behind a music stand, with speakers on tripods positioned on either side. Additional percussion instruments, tables, microphone stands, and cables are arranged throughout the room, while a glass door at the far end opens onto a courtyard with a tree.
Eberhard Blum and Daniel Seel performing at the Nationalgalerie in Berlin
An indoor performance scene shows a person standing at a music stand while playing a flute, with another person seated at a grand piano to the left. The stage has a plain light-colored backdrop and minimal setup, with the piano and music stand as the primary focal points. Both performers face toward the audience area, suggesting a concert or rehearsal.
An indoor room is viewed through an open doorway, revealing a percussion rehearsal or performance setup. A large suspended gong is positioned near the center in front of a window overlooking a courtyard with a tree. Music stands, speakers on tripods, percussion instruments, microphone stands, and tables are arranged throughout the room, while sunlight streams in through the windows, illuminating the space.
Close-up of the percussion instruments for a concert commemorating Eberhard Blum's 60th birthday in Berlin
A stage setup is shown from close range with a collection of percussion instruments and accessories. Mallets, hand percussion, and small instruments are arranged on tables, while microphone stands, music stands, and additional percussion instruments, including timpani, are visible in the background. The wooden stage floor and performance equipment suggest preparation for a concert or rehearsal.
Stage setup for a concert commemorating Eberhard Blum's 60th birthday in Berlin
The image shows a percussion performance setup viewed from above in a room with a parquet floor. A large suspended gong stands near the center, surrounded by drums, cymbals, music stands, microphones, cables, and tables holding percussion instruments and accessories. Tall windows with curtains line the back wall, and the arrangement suggests the space is prepared for a rehearsal or performance.
Michael Svoboda, Jan Williams, and Eberhard Blum rehearsing for a concert commemorating Eberhard Blum's 60th birthday in Berlin
An overhead view shows a person standing behind an extensive percussion setup in a room with a parquet floor. The arrangement includes a large suspended gong, timpani, cymbals, keyboard percussion, tables holding mallets and small instruments, music stands, microphones, and cables. Tall windows with curtains line the back wall, and parts of other musicians or instruments are visible at the left and right edges of the image.
The image shows a rehearsal or performance space viewed from above, centered on a large percussion setup. A person stands behind tables holding mallets and small percussion instruments, with a large suspended gong, timpani, cymbals, and additional percussion instruments arranged nearby. Music stands, microphones, and cables are positioned throughout the room. Another person is partially visible at the right edge of the frame, and portions of additional musicians or instruments appear at the left. Tall windows with curtains line the back wall above the parquet floor.
The image shows a rehearsal or performance space viewed from above, centered on a large percussion setup. A person stands behind tables holding mallets and small percussion instruments, with a large suspended gong, timpani, cymbals, and additional percussion instruments arranged nearby. Music stands, microphones, and cables are positioned throughout the room. Another person stands at the right side of the room holding papers, while parts of additional musicians or instruments are visible at the left edge. Tall windows with curtains line the back wall above the parquet floor.
Eberhard Blum and John Patrick Thomas at a café in Hackescher Markt in Berlin
Thomas, John Patrick - Voice (Counter-tenor)
An indoor café or restaurant scene shows two people seated at a table with white cups in the foreground. The person on the left wears glasses and a light-colored scarf over a dark top and looks toward the other person, who wears glasses and a dark turtleneck sweater with folded arms. Another person is seated at a table in the background near a window, and the softly lit interior includes shelves and furnishings behind them.
Jan Williams, Eberhard Blum, Ann Holyoke Lehmann, and Diane Williams, in the Blum house
An indoor scene shows four people seated around a small coffee table with cups, glasses, snacks, and books on its surface. One person sits on each side of the table, with shelves filled with books and CDs behind them and a window centered in the background. The room includes upholstered seating, a lamp, and additional household furnishings, creating a casual gathering space.
An indoor performance scene shows a person standing and playing a flute beside a grand piano. Another person is partially visible seated at the piano on the left side of the image. Music stands are positioned between the performers, and the stage has a plain light-colored backdrop with minimal equipment, suggesting a concert or rehearsal.
Eberhard Blum and Jan Williams backstage at the Nationalgalerie in Berlin
An indoor scene shows two people standing side by side facing the camera. One person wears a white dress shirt with a patterned red tie, while the other wears glasses, a dark button-up shirt, and has a white beard and mustache. A doorway, wall-mounted light fixture, and framed artwork are visible in the background.
John Patrick Thomas, Eberhard Blum, Ann Holyoke Lehmann, Diane Williams, and Richard Reeve sitting around a table at the Nationalgalerie in Berlin
An indoor café scene shows five people seated around a small table with cups, glasses, and a red bag placed in the center. Several people hold drinks while facing the camera. A large black-and-white framed artwork hangs on the wall behind them, with a wall-mounted light fixture, potted plant, and additional café furnishings visible in the background.
Eberhard Blum and Ann Holyoke Lehmann listening to Daniel Seel at the piano in the Nationalgalerie in Berlin
An indoor performance space shows three people positioned around a grand piano. One person stands at the left facing the others, another stands near the center with hands on their hips, and a third person is partially visible seated at the piano on the right. A music stand is placed in the foreground, with rows of empty chairs and additional seating visible in the dimly lit background, suggesting a rehearsal setting.
Eberhard Blum and Jan Williams at a rehearsal of Morton Feldman's Instruments 3
Feldman, Morton, 1926-1987. Instruments, no. 3 -- Performances
An indoor scene shows two people standing side by side against a dark background, both looking down at an open book, binder, or document held between them. One person wears a light-colored long-sleeved shirt, while the other wears a light blue shirt and glasses with a white beard and mustache. The focus is on their shared attention to the document, with few background details visible.
Han de Vries and Eberhard Blum at a rehearsal of Morton Feldman's Instruments 3
An indoor stage scene shows a person standing near a music stand with hands clasped in front. Another person is partially visible at the right edge of the frame. A piano, additional music stands, and stage equipment are visible in the background against a dark backdrop, suggesting a concert or rehearsal setting.
Eberhard Blum with Mats Persson and Kristine Scholz, piano duo, at the Nationalgalerie in Berlin
An indoor scene shows three people standing in a room with musical equipment. One person at the center drinks from a small glass while wearing a dark sweater, another person in a light-colored shirt is seen from behind at the left, and a third person at the right holds food in both hands. A drum set, tables with papers, a framed artwork, and an open cardboard box are visible in the background, suggesting a social event in a rehearsal or performance space.
Jan Williams, Eberhard Blum, and Ernstalbrecht Stiebler backstage at the Nationalgalerie in Berlin
Stiebler, Ernstalbrecht, 1934- - Composer
An indoor scene shows three people standing side by side facing the camera. The person in the center wears a white dress shirt with a patterned red tie, while the people on either side wear dark shirts, with the person on the left having a white beard and glasses and the person on the right wearing glasses and a visible name badge. An open doorway and softly lit room are visible in the background, suggesting a gathering or event.
Ann Holyoke Lehmann, Eberhard Blum, and Diane Williams sitting by the water in Rheinsberg, Germany
An outdoor scene shows three people seated along the edge of a lake. The person in the foreground wears sunglasses and is shown in profile, while the two people behind lean toward the camera, one wearing glasses. Calm water, a tree-lined shoreline, and an overcast sky form the background.
An outdoor portrait shows a person standing on a stone walkway wearing a dark buttoned coat and looking toward the camera. Tall stone columns and the entrance of a historic building frame the background, with trees visible beyond the colonnade in the fading daylight.
Jan Williams, Ann Holyoke Lehmann, and Eberhard Blum under an arbor in Rheinsberg, Germany
An outdoor scene shows a straight gravel path bordered by dense rows of trees and greenery that form a leafy canopy overhead. Three people stand together near the far end of the path, partially framed by the foliage. Low stone edging lines both sides of the walkway, creating a symmetrical view through the garden.
Ann Holyoke Lehmann, Eberhard Blum, and Jan Williams in a courtyard in Rheinsberg, Germany
An outdoor scene shows three people standing on a gravel walkway bordered by neatly trimmed hedges in a formal garden. One person stands in the foreground with their back partly turned to the camera, while two others face toward the camera farther along the path. A large historic building, mature trees, lawns, and additional garden features are visible in the background under an overcast sky.
Ann Holyoke Lehmann, Eberhard Blum, and Diane Williams on a bench outdoors in Germany
An outdoor scene shows three people seated side by side on a stone bench with a decorative balustrade behind them. The person on the left wears a dark jacket and blue pants, the person in the center wears a dark jacket and light-colored pants, and the person on the right wears a red jacket over a light outfit while holding a folded item on their lap. Trees, lawns, and landscaped gardens fill the background, creating a park-like setting.
Jorge Camiruaga and Jan Williams outdoors in Montevideo
An outdoor scene shows two people standing on either side of a decorative lamppost in a landscaped park. One person stands on the left holding a folded paper, while the other leans against the lamppost with one hand. Trees, lawns, shrubs, benches, and sunlit pathways fill the background, creating a garden-like setting.
Jorge Camiruaga and students rehearsing for a concert at the Universidad de Montevideo
An indoor stage scene shows four people positioned among a percussion setup. One person stands at a vibraphone or similar keyboard percussion instrument on the left, another with long hair stands near the center, a third in a white shirt holds a pair of drumsticks beside a large concert bass drum, and a fourth is partially visible behind a set of conga drums at the right edge. Music stands, additional percussion instruments, and acoustic wall panels are visible, suggesting a rehearsal or performance setting.
Jan Williams, Jorge Camiruaga and students rehearsing for a concert at the Universidad de Montevideo
The view from the audience shows a stage where six people stand side by side facing the camera. Music stands are positioned in front of the group, while percussion instruments, including conga drums, a drum set, timpani, and other equipment, are arranged on both sides of the stage. Empty auditorium seats are visible in the foreground, and the stage is framed by acoustic wall panels and overhead lighting.
The view from the audience shows six people standing in a line at the center of a stage. Music stands are positioned in front of the group, while percussion instruments, including a drum set, conga drums, timpani, and other equipment, are arranged on both sides of the stage. The auditorium seats are visible in the foreground, and the stage is framed by large acoustic wall panels and overhead lighting.
An indoor stage scene shows five people standing in a line facing the camera. Music stands are positioned in front of the group, with percussion instruments including drums and timpani visible at both sides of the stage. The people are dressed casually in T-shirts, button-up shirts, and sweaters, and the plain stage backdrop suggests a rehearsal or performance venue.
Jan Williams and students at the Universidad de Montevideo
An indoor scene shows a small group of people seated around a table. An older person with white hair, seen from behind, gestures while speaking to several younger people seated across the table. A large percussion instrument occupies the foreground, partially obscuring the view, while chairs, a piano, and a plain wall are visible in the room, suggesting a rehearsal, classroom, or workshop setting.
Jan Williams, students, and percussionists at the Universidad de Montevideo
An indoor scene shows a group of people seated and standing in a rehearsal or classroom space. One person stands at the left reading from a sheet of paper while others sit nearby, including a person in a blue shirt near the center and another in a red sweater at the right. Conga drums, chairs, tables with bottles and cups, and other percussion instruments are arranged throughout the room. Several people are seen from behind in the foreground, suggesting an audience or workshop setting.
Jan Williams and percussionists at the Universidad de Montevideo
An indoor rehearsal or performance scene shows four people standing among percussion instruments and music stands. One person stands at the left near a music stand, two stand together near the center, and another stands at the right beside a large concert bass drum. Audience members are partially visible in the foreground, and the room has plain white walls with recessed ceiling lights, suggesting a workshop, rehearsal, or ensemble discussion.
Jan Williams and three students at the Universidad de Montevideo
An indoor scene shows a person leaning over a wooden table to write or sign a document. Another person stands behind the table watching, while additional people stand to the left and an older seated person holding papers is partially visible at the right edge. The room has plain walls, a large whiteboard or projection screen, and chairs arranged around the space, suggesting a classroom, workshop, or rehearsal setting.
Jan Williams sitting at a desk at the Universidad de Montevideo
An indoor scene shows a person seated on a chair holding a sheet of paper and looking toward the camera. A wooden table with instrument cases or bags sits to the left, while a red-painted staircase with wooden steps rises behind the seated person. White walls, arched architectural details, and additional furnishings suggest a rehearsal, classroom, or performance venue.
Eberhard Blum, Jan Williams, and Han de Vries rehearsing Morton Feldman's Instruments 3
An indoor stage scene shows three people positioned among music stands and percussion instruments against a dark backdrop. One person sits at an electronic keyboard on the left, another sits facing a music stand in the foreground, and a third stands near percussion instruments, appearing to adjust or prepare equipment. Chairs, music stands, and additional percussion instruments are arranged across the stage, suggesting a rehearsal or performance setup.
Group shot of Jan Williams, Jorge Camiruaga and students in Montevideo
An indoor group portrait shows sixteen people arranged in two rows, with nine standing in the back and seven seated or kneeling in the front. The central person in the back row wears a light blue shirt, while the others wear a mix of casual shirts, T-shirts, jeans, and sweaters. The group stands in front of a large white projection screen or wall in a room with exposed ceiling beams and track lighting, suggesting a classroom, workshop, or rehearsal space.
Jan Williams and four students in Montevideo
An indoor scene shows an older person with a white beard and glasses standing near the center, looking down at something held or placed below eye level. Several other people are seen from behind surrounding the central figure, suggesting they are gathered around a shared document or object. The room has plain walls with a doorway and a partially visible red staircase in the background.
Jan Williams teaching students in Montevideo
An indoor scene shows a group of people gathered in a room with wood-paneled walls and exposed ceiling beams. An older person on the left gestures toward a seated group while another person standing nearby holds a sheet of paper. Several younger people sit on chairs listening, while others stand around the edges of the room observing. Papers are visible in some people's hands, suggesting a workshop, rehearsal, or classroom discussion.
Jan Williams and Jorge Camiruaga teaching students in Montevideo
An indoor scene shows a group of people in a rehearsal or classroom space. One person stands near the center facing a seated group, while another person stands at a music stand on the left. Several people sit on chairs holding sheets of paper, and others stand along the right side of the room observing. A tall wooden ladder leans against the wall, a white support column divides the room, and a large green backdrop with a red abstract design hangs in the background.
Jorge Camiruaga teaching students in Montevideo
An indoor scene shows a group of people seated on chairs in a rehearsal or classroom setting, most holding and reading printed sheets. A grand piano is visible at the back of the room, while one person stands near the rear with a guitar or similar stringed instrument. Additional people are seated and standing around the room, and exposed ceiling beams, wood-paneled walls, and stage-like flooring suggest a workshop or rehearsal environment.
Jan Williams and two students in Montevideo
An indoor scene shows two people standing beside a long table against a white wall, appearing to arrange or discuss materials. On the right side of the room, another person stands at a music stand holding papers near a tall wooden ladder leaning against the wall. A large white support column divides the room, and chairs, wood-paneled flooring, and exposed ceiling beams suggest a rehearsal, workshop, or classroom setting.
Jan Williams and Jorge Camiruaga eating outdoors in Montevideo
An outdoor café scene shows two people seated at a table in the foreground, with one wearing sunglasses and the other wearing a jacket and smiling toward the camera. Several other people sit at nearby tables under large white umbrellas. Trees, landscaped greenery, and café seating fill the background, creating a shaded outdoor dining area.
Jan Williams and Jorge Camiruaga in Montevideo
An indoor scene shows two people seated next to each other at a table against a plain white wall. The person on the left wears glasses and a pink-and-white plaid short-sleeved shirt, while the person on the right wears glasses and a blue-and-white checkered long-sleeved shirt. The room has a ceiling with recessed lighting and linear ceiling panels, giving the setting the appearance of a meeting, classroom, or conference space.
Jorge Camiruaga and Diane Williams sitting by the ocean in Montevideo
An outdoor waterfront scene shows two people seated on a low stone seawall facing slightly toward each other. One person wears a dark jacket and jeans, while the other wears a red shirt and light-colored pants. A broad expanse of water stretches behind them, with a skyline of high-rise buildings visible across the shore under a lightly clouded sky.
Jan Williams rehearsing Morton Feldman's Crippled Symmetry
Feldman, Morton, 1926-1987. Crippled symmetry -- Performances
An indoor stage scene shows a person standing behind a mallet percussion instrument, holding mallets while facing a music stand. The instrument is positioned on a table or stand, with additional equipment nearby. A dark stage backdrop isolates the performer, emphasizing the concert or rehearsal setting.
Nils Vigeland, Eberhard Blum, and Jan Williams rehearsing Morton Feldman's Crippled Symmetry
The view from the audience shows an auditorium with rows of empty chairs facing a stage. Three performers are spaced across the stage, with one seated at a grand piano on the left, one seated at the center near music stands, and one standing at a mallet percussion instrument on the right. The stage has a dark backdrop with minimal lighting, emphasizing the performance setup.
An indoor stage scene shows three performers spaced across the stage against a dark backdrop. One performer sits at the left holding drumsticks beside a music stand, another stands at the center behind a music stand and percussion setup, and a third is partially visible at the right near a marimba or vibraphone. Percussion instruments, music stands, and stage equipment are arranged across the performance area, suggesting a concert rehearsal or ensemble performance.
The view from the audience shows an auditorium with rows of empty chairs facing a stage. A grand piano is positioned on the left, while two performers stand together near a mallet percussion instrument and music stand on the right side of the stage. The stage has a dark backdrop with minimal lighting, emphasizing the rehearsal or performance setup.
Eberhard Blum, Jan Williams, and Han de Vries at a rehearsal of Morton Feldman's Instruments 3
An indoor stage scene shows a person standing in the foreground with one hand raised in a conducting or instructional gesture beside a music stand. Two seated people face the standing person, one holding a wind instrument, while another person is partially visible farther back. The stage has a dark backdrop with music stands and chairs arranged for a rehearsal or performance.
Han de Vries, Eberhard Blum and Jan Williams at a rehearsal of Morton Feldman's Instruments 3
An indoor stage scene shows three people standing side by side against a dark background. The person in the center looks down at an open booklet or program held in both hands, while the people on either side look toward the booklet. One person wears glasses and a dark jacket, another wears a light-colored long-sleeved shirt, and the third wears glasses with a light blue shirt. The scene appears to take place during or after a performance or rehearsal.
An indoor stage scene shows several musicians arranged around music stands and chairs against a dark backdrop. One person sits in the foreground holding a wind instrument while reading from sheet music, another stands near the center beside a music stand, and a third is seated at the right with another wind instrument. Large gongs, a drum set, additional percussion equipment, and chairs are arranged across the stage, indicating a rehearsal or performance setting.
An indoor stage scene shows three musicians positioned across the performance area against a dark backdrop. One musician sits at the left playing a wind instrument, another stands at the center behind a percussion setup and music stand, and a third sits at the right playing a wind instrument beside a marimba or vibraphone. Additional percussion instruments, microphones, music stands, and chairs are arranged across the stage, indicating a rehearsal or chamber performance.
Eberhard Blum, Jan Williams, Nils Vigeland, and Ann Holyoke Lehmann before a performance of Morton Feldman's Why Patterns?
An indoor scene shows four people posing for a group photograph in an auditorium. One person sits on the floor in front, while three others sit on chairs behind, all facing the camera. The background includes rows of empty auditorium seats and a chandelier visible at the upper right, suggesting the photo was taken after a performance or event.
Eberhard Blum, Jan Williams, and Nils Vigeland before a performance of Morton Feldman's Why Patterns?
An indoor scene shows three people seated side by side on chairs in an auditorium, all facing the camera. They wear dress shirts and ties, with the person in the center wearing glasses and holding a small booklet or program. Rows of empty auditorium seats fill the background, and a chandelier is partially visible at the upper left, suggesting the photograph was taken after a performance or event.
Jan and Diane Williams, and Eberhard Blum outside of the Altes Museum in Berlin
An outdoor scene shows three people standing together in the center of a broad paved square. One person wears a light-colored coat and scarf, another wears a dark jacket with light-colored pants, and the third wears a white shirt with dark trousers. Behind them is a large historic building with a long colonnade, red brick sections, and statues along the roofline. The open plaza stretches across the foreground under a lightly overcast sky.
Jan and Diane Williams on a bridge in Berlin
Two people stand on a red metal bridge spanning a calm, tree-lined waterway. One person with white hair, a beard, glasses, and a dark sweater draped over their shoulders leans against the railing, while the other wears glasses, a light-colored jacket, and a red top, facing them with one hand resting on the railing. Dense green trees line both sides of the water, which extends into the distance behind them.
Jan and Diane Williams, and Eberhard Blum on a boat in Berlin
The view from inside a passenger boat shows three seated people. In the foreground, a bald person wearing a white shirt turns to face the camera. Behind them, two people wearing sunglasses sit side by side. Large windows reveal an industrial waterfront with buildings, utility poles, and a small airplane visible in the sky outside.
Jan and Diane Williams eating at Richard Trythall's rooftop garden
Three people are seated around a table covered with a patterned tablecloth on a sunny rooftop terrace. Plates, glasses, and food are arranged on the table as they appear to be sharing a meal. One person in a blue shirt sits on the left, another wearing a light-colored hat sits in the middle, and a third person in a light blue shirt sits on the right. The terrace is enclosed by wooden screens and surrounded by neighboring buildings with tiled roofs and rooftop structures.
An outdoor scene shows a person wearing a red short-sleeved shirt, light-colored pants, sunglasses, and a hat standing on a stone-paved path within an archaeological site. Behind them is the base of a large weathered stone monument with carved architectural details, while broken columns and scattered stone blocks surround the area. Metal railings, scaffolding, and partially excavated ruins are visible in the background.
Diane Williams at Igor Stravinsky's grave in Venice
An outdoor scene shows a person standing on a gravel path beside a flat gravestone engraved with the name "IGOR STRAVINSKY." The person is wearing a light-colored sweater, light pants, dark shoes, and a black crossbody bag. A brick wall and a small evergreen shrub are visible in the background, with part of another gravestone visible at the edge of the frame.
Jan Williams and Joel Chadabe with students in Montevideo
An indoor group portrait shows around a dozen people gathered closely together, with some standing and others kneeling in the front. The people are dressed in casual clothing, including patterned shirts, button-down shirts, and jeans, and several have their arms around one another. The room has dim lighting with dark walls, and a table with items on it is partially visible along one side of the image.
Jan Williams after a concert in Montevideo
An indoor scene shows several people socializing in a dimly lit room. A person wearing a patterned long-sleeved shirt stands near the center with one hand raised to their chin, while others stand nearby holding drinks and talking. Part of a large drum is visible in the foreground, and a ladder can be seen against the back wall.
A color photograph shows a group of about a dozen people gathered closely together indoors, with some standing and others kneeling or crouching in the front. Several people have their arms around one another, and many are smiling toward the camera. The group is dressed casually in patterned shirts, T-shirts, and jeans. A small wooden table with a colorful object on top is partially visible at the lower right edge of the image.
Jan Williams seated on ferry between Montevideo and Buenos Aires
A color photograph shows a person seated in an airplane window seat wearing glasses and a light blue button-up shirt. The person has a white beard and is looking toward the camera with their hands folded in their lap. A pair of eyeglasses rests on the window ledge, and an airline meal tray is visible on the folded tray table in front of the seat. The backs of nearby seats are partially visible in the foreground.
Jan Williams and Joel Chadabe in front of Auditorio El Aleph of the Centro Cultural Recoleta (Buenos Aires, Argentina)
A color photograph shows two people standing together in front of a building with tall doorways and light-colored columns. One person is wearing a blue short-sleeved button-up shirt and light-colored pants, while the other is wearing a plaid long-sleeved shirt tucked into khaki pants. Both are smiling toward the camera. A wall-mounted light fixture is visible above them, and the open doorways reveal dark interior spaces behind.
Centro Cultural Recoleta (Buenos Aires, Argentina)
A color photograph shows two people standing in front of a light-colored building with a dark doorway. One person, wearing a plaid long-sleeved shirt and khaki pants, leans against the wall with an arm resting on a mounted plaque. The other person, wearing a blue short-sleeved button-up shirt and light-colored pants, stands with arms crossed and one foot resting against the wall. Both are facing the camera, and part of the building's entrance and architectural details are visible in the background.
A color photograph shows a person standing alone on a wide, sunlit walkway lined with tall trees and decorative lampposts. The person is wearing light-colored pants, a light shirt, and red shoes while holding an object under one arm and looking toward the left. The path extends into the distance, where a few other people are faintly visible beneath the shade of the trees.
A color photograph shows a close-up portrait of a person with shoulder-length hair, a beard, and a mustache wearing a brown and dark-striped shirt. The person is looking downward with a neutral expression. The background is softly blurred, with trees, greenery, and part of a building visible outdoors in daylight.
Francisco Kröpfl. Jan Williams, and unidentified man on a street in Buenos Aires
A color photograph shows three people standing side by side on a paved city sidewalk, smiling toward the camera. The person on the left is holding a plastic shopping bag, the person in the center is wearing suspenders and holding a small object, and the person on the right is wearing a blue short-sleeved button-up shirt. Parked cars line the street behind them, with multi-story buildings, storefronts, and a red Coca-Cola sign visible in the background.
Francisco Kröpfl outside of the Centro Cultural Recoleta
A color photograph shows a person standing in the entrance of a building with glass doors, holding a jacket draped over one arm. Above the doorway is a large sign that reads "Recoleta Buenos Aires." The building's facade features gray columns with reddish-brown trim framing the entrance, and reflections are visible in the glass doors behind the person.
A color photograph shows a close-up portrait of a person with short gray hair wearing a dark collared shirt. The person is looking toward the left with a neutral expression. The softly blurred background is brightly lit, with faint outlines of buildings and water suggesting an outdoor waterfront setting.
Philip Guston's portrait of Morton Feldman (on loan from the Des Moines Art Center) being hung in the Berlinische Galerie
Guston, Philip, 1913-1980. Friend -- To M.F.
A color photograph shows three people working together to install or paint a large artwork mounted on a white gallery wall. Two people stand on separate ladders on either side of the piece, while a third person kneels on the floor in front of it. The artwork features broad reddish-brown brushstrokes on a large rectangular surface. A wooden crate is positioned in the foreground, and the room has polished wooden floors and high white walls.
ParaskevaiÌdis, Graciela, 1940- - Composer
A color photograph shows a close-up side profile of a person with short white hair wearing oversized round dark sunglasses. The person is turned slightly to the left with their mouth slightly open, and part of a blue garment is visible at the shoulder. The background is softly blurred, emphasizing the person's face.
Nils Vigeland and Eberhard Blum at the piano before a performance of Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows two people seated side by side at a grand piano with its lid raised in a large room with polished wooden floors and white walls. A third person stands near the back wall beside stacked wooden crates. To the right are a music stand, electronic keyboard, and other audio equipment on stands. Part of a ladder is visible along the left edge of the image, suggesting the space is being prepared for a performance or installation.
A color photograph shows a close-up portrait of a person with a beard and mustache wearing large rectangular eyeglasses attached to a glasses cord. The person is dressed in a light-colored striped button-up shirt with two chest pockets and is looking downward with a slight smile. The softly blurred outdoor background keeps the focus on the person's face.
A color photograph shows two people indoors against a dark background with hanging cables and equipment. The person in the foreground has white hair, a white beard, and glasses, and is wearing a patterned short-sleeved shirt while facing slightly to the right. Another person wearing a dark shirt is partially visible behind them on the left, looking toward the foreground. The setting appears to be backstage or in a technical area.
Jan Williams preparing his marimba for a performance of Morton Feldman's For Philip Guston at the Berlinische Galerie
Feldman, Morton, 1926-1987. For Philip Guston -- Performances
A color photograph shows a person bending over to adjust one of the wheels on a marimba with gold-colored resonator tubes and dark wooden bars. Another percussion instrument with vertical metal tubes stands behind the marimba. The room has polished wooden floors and plain white walls, suggesting a gallery, rehearsal, or performance space.
Jan Williams with Joel Chadabe bowing after a performance of one of Chadabe's works
A color photograph shows two people standing side by side on a stage facing the camera. One person is wearing a patterned short-sleeved shirt, while the other is dressed in a dark long-sleeved shirt. Behind them, several seated musicians, music stands, and percussion instruments are visible, suggesting a rehearsal or performance setting. The stage floor is wooden, and part of a grand piano is visible along the left edge of the image.
Jan Williams, Graciela Paraskevaídis, Coriún Aharonián, Joel Chadabe, Ricardo Gomez, and Jorge Camiruaga eating outdoors at a restaurant in Montevideo
A color photograph shows a group of people seated around adjoining outdoor café tables, with plates, cups, and drinks in front of them. Several people are looking toward the camera while others are engaged with one another. The café is located along a lively street lined with storefronts and brick buildings. Other patrons are seated nearby, and signs, awnings, and pedestrians contribute to the busy urban atmosphere.
Philip Guston's portrait of Morton Feldman hung at the Berlinische Galerie
A color photograph shows a framed square painting hanging on a white gallery wall. The artwork depicts a stylized person in side profile with reddish-brown hair against a pale blue background, with a small abstract shape positioned in front of the face. The painting is enclosed in a thin dark frame, and part of a dark object is visible at the lower left edge of the photograph.
Jan Williams rehearsing Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows a person with white hair, a white beard, and glasses wearing a blue collared shirt. The person is turned toward the left, looking slightly downward with a neutral expression. Part of a percussion instrument with vertical metal tubes is visible behind them against a plain white wall, suggesting a rehearsal, gallery, or performance space.
A color photograph shows a grand piano positioned against a white gallery wall beneath a framed square painting depicting a stylized person in profile. A person wearing a light-colored shirt stands beside the left end of the piano with one hand resting on it. The room has polished wooden floors, sparse furnishings, and an open gallery layout.
A color photograph shows a person with white hair and glasses standing behind a percussion instrument, holding a single mallet raised in one hand. A music stand with sheet music is positioned in front of the person. A percussion instrument with vertical metal tubes stands to the left, and another keyboard percussion instrument is partially visible in the foreground. The room has polished wooden floors and plain white gallery walls.
Eberhard Blum rehearsing Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows a person standing and playing a flute while reading from a music stand. The person is wearing glasses, a dark long-sleeved top, and dark pants. The performance takes place in a room with plain white walls and polished wooden floors, suggesting a gallery or recital space.
Nils Vigeland, Eberhard Blum, and Jan Williams at rehearsal of Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows a performance area in a gallery with rows of empty chairs in the foreground. Three musicians are positioned near the back wall, with one standing at a microphone and two seated behind music stands. A grand piano occupies the right side of the stage area, and a large framed painting depicting a stylized person in profile hangs on the wall above the performers. The room has polished wooden floors and plain white walls.
A color photograph shows several people gathered in a gallery performance space with polished wooden floors and high white walls. A grand piano occupies the right side of the room, while a few people stand and sit near music stands and percussion instruments. A large framed painting depicting a stylized person in profile hangs prominently on the wall above the performance area. Empty audience seating is visible in the foreground, suggesting the space is prepared for or between performances.
A color photograph shows three people standing together near a keyboard percussion instrument in a gallery performance space. A grand piano occupies the right side of the room, and rows of audience chairs are visible in the foreground. A large framed painting depicting a stylized person in profile hangs on the white wall above the performers. The room has polished wooden floors and an open, minimalist layout.
Jan Williams at his marimba for a rehearsal of Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows a person with white hair and a white beard standing behind a music stand in front of a keyboard percussion instrument. Additional percussion equipment is partially visible at the edges of the image, including vertical metal tubes on the left. The room has polished wooden floors, plain white walls, and overhead lighting, suggesting a gallery or recital space.
Nils Vigeland, Eberhard Blum, and Jan Williams rehearsing for Morton Feldman's For Philip Guston at the Berlinische Galerie
A color photograph shows a wide view of a gallery performance space with rows of empty chairs in the foreground. A grand piano sits on the left beneath a framed painting depicting a stylized person in profile. One person is seated near the center of the performance area, while another is positioned behind percussion instruments on the right. The room has polished wooden floors, high white walls, and a minimalist layout suitable for a recital or exhibition.
A color photograph shows a wide view of a gallery performance space with rows of empty chairs filling the foreground. A grand piano is positioned on the left beneath a framed painting depicting a stylized person in profile. One person is seated at the center of the performance area, while another stands behind percussion instruments on the far right. The room has high white walls, polished wooden floors, and subdued lighting, suggesting a recital or rehearsal setting.
Philip Guston's portrait of Morton Feldman (on loan from the Des Moines Art Center) being hung in the Berlinische Galerie, with Nils Vigeland watching from the piano
A color photograph shows three people working on ladders to position or secure a large framed painting depicting a stylized person in profile on a white gallery wall. One person stands on a ladder at the left, another on a ladder at the right, and a third reaches up from between them toward the artwork. In the foreground, a wooden crate sits on the polished floor, and another person is seated at a grand piano with their back to the camera. The scene appears to capture the setup of an exhibition or performance space.
A color photograph shows three people working from ladders to install or adjust a large framed painting depicting a stylized person in profile on a white gallery wall. One person stands on a ladder at the left, while two people work from a ladder on the right to align the artwork. A fourth person stands on the floor beneath the painting, looking upward. A wooden crate is positioned in the foreground on the polished wooden floor, and the edge of a grand piano is visible at the lower right, suggesting the space is being prepared for an exhibition or performance.
A color photograph shows three people standing on ladders as they install or adjust a large framed painting depicting a stylized person in profile on a white gallery wall. One person works from a ladder on the left, while another stands on a ladder on the right. A third person stands on the floor beneath the artwork with both arms raised toward it, assisting with positioning. A wooden crate sits on the polished wooden floor in the foreground, suggesting the gallery is being prepared for an exhibition or performance.
A color photograph shows a grand piano positioned against a white gallery wall beneath a large framed painting depicting a stylized person in profile. One person stands beside the piano with both arms raised toward the lower edge of the painting, while another person is partially visible at the left edge near a small step stool. The room has polished wooden floors and a minimalist gallery setting, suggesting the artwork is being adjusted or installed.
Guston, Philip, 1913-1980. Friend - To M.F.
A color photograph shows a grand piano positioned against a white gallery wall beneath a large framed painting depicting a stylized person in profile. One person stands beside the left end of the piano, partially obscured by the instrument, with one arm raised toward the painting as if making an adjustment. A small stool sits near the piano, and the room features polished wooden floors and a spacious, minimalist gallery setting.
Nils Vigeland on stage at the Berlnische Galerie before a performance of Morton Feldman's For Philip Guston
A color photograph shows a grand piano with its lid raised positioned on a polished wooden floor in a spacious gallery. To the left, a large framed painting depicting a stylized person in profile rests on the floor, leaning against the white wall rather than hanging. A person is partially visible near the far right edge of the room, and the open, minimalist space suggests preparations for an exhibition or performance.