Mario Caroli, flutist, at rehearsal of David Felder's Inner Sky with the Slee Sinfonietta
A person with dark hair and glasses wears a red t-shirt and plays a large silver bass flute. They are standing behind a black music stand with a microphone positioned nearby. The background features vertical wood panels, and other individuals are partially visible at the bottom of the frame.
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State University of New York at Buffalo. Music Library
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Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Mario Caroli, flutist, at performance of David Felder's Inner Sky with the Slee Sinfonietta
A person with dark, shoulder-length hair and glasses holds a silver flute to their lips. They are dressed in a white shirt with black cuffs and collar, positioned in front of a wall with vertical wood slats. A microphone is partially visible in the upper left-hand corner of the frame.
Brad Lubman conducting the Slee Sinfonietta in rehearsal of David Felder's Inner Sky
A person stands with arms raised, conducting an orchestra in a recording studio or rehearsal space. Musicians play string instruments and percussion while facing toward the front, where microphones are positioned on stands. Sheet music rests on stands in front of the seated performers against a background of wooden and sound-dampening panels.
Mario Caroli, flutist, with the Slee Sinfonietta conducted by Brad Lubman in performance of David Felder's Inner Sky
A group of musicians performs on a wooden stage within a concert hall featuring wood-paneled walls and a large pipe organ. A conductor stands on a platform in the center, and a soloist plays a flute at the front of the ensemble. The audience is seated in rows of chairs within the darkened foreground of the hall.
Percussionist Tom Kolor in performance with the Slee Sinfonietta
A person wearing a pink shirt stands in the foreground, holding four red-tipped mallets over a large marimba. Behind them, several other musicians are seated with stringed instruments and sheet music in a room with vertical wood paneling. The stage is filled with instruments including a double bass, violins, and another keyboard percussion instrument.
Composer Bernard Rands with June in Buffalo student Kye Ryung Park
A person with short white hair sits and holds open a book of artwork while wearing a t-shirt with a Vincent Van Gogh illustration. Another person with dark hair stands behind them, looking down at the pages. The indoor setting includes a brick wall and a glass door in the background.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Composer Mathew Rosenblum with June in Buffalo students Todd Tarantino, Chun Ting Pang, Christopher Rogerson, Jason Thompson, and Joseph Lake
Six people gather in a semi-circle around a table to view an open spiral-bound document. One person in a striped shirt points toward the pages while the others look down at the table. The room features a wall clock and several grey chairs in the background.
Composer Mathew Rosenblum during June in Buffalo masterclass
A person sits at a desk with their hands raised in a gesturing position. Behind them is a tall rack of electronic equipment topped with a television and a white board. A blue soda can and a music stand with papers are visible in the foreground.
Brad Lubman conducting the Slee Sinfonietta
A conductor stands at the left facing a group of musicians who are seated and playing string instruments with bows. Sheet music is positioned on various stands throughout the group, and a speaker is visible on a stand in the background. The scene is lit with warm light against dark and wood-paneled walls.
Composer David Felder with students Andrew Ly, Christian Gentry, Matthew Schreibeis, Todd Tarantino, and Eleanor Aversa during June in Buffalo masterclass
Six people are positioned around a table where a spiral-bound book of sheet music is open. One person in a blue button-down shirt points to a page while others look toward the book from seated and standing positions. The background features a brick wall and a whiteboard with musical staff lines.
Composer David Felder during a lecture at June in Buffalo 2009
A person sits at a table with their hands raised and palms facing forward while wearing a dark turtleneck and glasses. The background features a rack of electronic equipment and a large speaker mounted on a stand against a brick wall. A small audio controller rests on the wooden table surface in the foreground.
Composer Harvey Sollberger during lecture at June in Buffalo
A person in a dark shirt and light pants stands to the left, facing a group of people sitting on rows of red benches in a tiered lecture hall. Some individuals in the audience hold notebooks and papers while looking toward the front. The walls of the room are decorated with rectangular wooden panels.
A person in a black shirt and light-colored trousers stands on a wooden stage, addressing a group of people seated on red tiered benches. The room has high white walls with rectangular wooden panels and a row of windows near the ceiling. Several individuals in the audience hold notebooks or papers while facing the stage.
June in Buffalo student composer, Jaime S. Reveles
A person with dark, curly hair and brown eyes wears a gray and black striped button-down shirt. They stand in an indoor space with a dark-slatted ceiling and a brick wall. In the background, there are notice boards with several pieces of paper attached to them.
June in Buffalo student composer Jason Thompson
A person with fair hair tied back in a ponytail stands in profile next to a brick wall. They wear a grey polo shirt and a black backpack that holds a clear water bottle in its side pocket. A dark hallway is visible in the background, contrasting with the light illuminating the person's face.
Group photograph of the June in Buffalo student composers for 2009
Approximately twenty individuals are arranged in rows, with some seated in the front and others standing behind. The setting features a brick wall on the left and a lit hallway entrance in the center. The people wear a variety of casual and business-casual attire.
In a room with a brick wall and a whiteboard, six people are gathered around a wooden table. Two people are seated and looking at pages of sheet music while four others stand behind them and observe. The individuals are dressed in casual clothing, including t-shirts, button-down shirts, and a sweater.
Composer Bernard Rands during masterclass with June in Buffalo students, Moshe Shulman, Diane Berry, Helena Michelson, and Chun Ting Pang
A group of five people are positioned against a solid red wall. One person sits at the table wearing a striped shirt and black vest while holding a notebook, and four others stand or sit around them. A clock with letters in place of numbers hangs on the wall in the upper right corner.
Six people are positioned around a wooden table in a room with a brick wall and a whiteboard featuring musical staff lines. One person in a blue striped shirt gestures toward a spiral-bound document being held by another person in a black sweater. The group members focus their attention on the materials on the table.
Three people sit at a dark wooden table looking at open spiral-bound notebooks while three others stand behind them. One standing person wears a blue button-down shirt and light-colored pants, and another wears a pink t-shirt. The background features a brick wall and a whiteboard with musical staff lines.
Three individuals are seated at a wooden table while three others stand behind them, all looking at a document. The people wear various attire including t-shirts, sweaters, and button-down shirts. A dark brick wall and a board with horizontal lines form the background of the room.
A person in a blue button-down shirt points to a page in a bound musical score as five others look on. Three people are seated at a wooden table while three others stand behind them. The background includes a dark brick wall and a whiteboard with musical staff lines.
Composer Martin Bresnick with students Moshe Shulman and Matthew Schreibeis during June in Buffalo masterclass
Three people are seated at a dark table in a room with a television and a wall featuring horizontal lines. The person on the left wears a dark jacket and glasses, while the person in the center wears a black shirt and has a beard. The person on the right wears a black sweater and a name tag.
Composer Brian Griffeath-Loeb during June in Buffalo masterclass
A person in a black shirt and light pants points a marker at a diagram on a whiteboard marked with music staff lines. Several people sit in chairs with desks and music stands, facing the person at the front of the room. A backpack, a water bottle, and a television screen are also visible in the classroom setting.
Five people are situated around a dark table in front of a red wall. A person wearing a vest and glasses sits at the center of the table, holding a binder and looking toward the others. Four people stand or sit around the central person, with their gazes directed toward the papers or the seated individual. A clock with letters instead of numbers is mounted on the wall.
Composer Harvey Sollberger with students Andrew Ly, John Bacon, Helena Michelson, and Eric Lindsay during June in Buffalo masterclass
A person wearing a black shirt and glasses sits in a desk chair, gesturing with open palms toward a group. Another person stands nearby with their hands behind their back, while several others sit at desks with papers and music stands. The room has light-colored walls, a whiteboard, and fluorescent lighting.
Composer Mathew Rosenblum with students Chun Ting Pang, Joseph Lake, Jason Thompson, and Christopher Rogerson during June in Buffalo masterclass
A group of individuals gather in a semi-circle, with one person on the far left pointing a finger toward the pages of a notebook. The group is composed of people wearing various styles of clothing including button-down shirts, a sweater, and a t-shirt. In the background, there is a clock on a beige wall and several gray chairs.
Composer Harvey Sollberger with students Andrew Ly, John Bacon, and Eric Lindsay during June in Buffalo masterclass
Four individuals are in a room with many chairs, each looking at sheets of paper. One person stands with arms crossed behind a seated person who holds up several pages. Two other people are seated on either side, also looking at papers in their hands or laps.
Five people are situated in a room filled with rows of chairs featuring attached writing tablets. A person in the center is seated and gesturing with their hands while looking toward another person. Others in the room are seated or standing while holding papers or pens.
A person with a shaved head and glasses wearing a striped shirt sits behind a music stand with their hands together. A music stand in the foreground holds a book titled GLYPHS by Jason Thompson. Behind the person is a whiteboard with empty music staff lines.
June in Buffalo student composers Eric Lindsay, Christian Gentry, and Travis Alford
The person on the left wears a blue jacket and rests an arm on the shoulder of the middle person, who wears glasses and a horizontal-striped shirt. The person on the right wears a vertically striped button-down shirt. Behind them is a brightly lit area with silhouettes of other people.
Five people are gathered in a room with grey walls and acoustic panels. One person stands behind a music stand while speaking and gesturing with their hands. The others are seated, looking at papers or writing, with music stands placed in front of some.
A person with long hair tied back wears rectangular glasses and a gray textured polo shirt. They carry a black backpack over one shoulder with a clear water bottle visible in an exterior pocket. The background includes a dark doorway and a brick pillar.
The group is arranged in multiple rows, with some people seated in the front and others standing behind them. They wear a variety of casual and business-casual attire, including button-up shirts, sweaters, and jackets. A brick wall stands to the left, and a brightly lit hallway recedes into the background.
June in Buffalo student composer Sara Carvalho
A person with dark hair wears a black zip-up hoodie and sits at a wooden desk with an open silver laptop. They have a name tag pinned to their chest and are gesturing with both hands while looking toward the side. Papers, a pencil, and compact discs are spread out on the table in front of them.
June in Buffalo student composers Chun Ting Pang, Joseph Lake, Jason Thompson, and Christopher Rogerson studying scores
Four people sit in desk chairs while looking at music-related documents and sheet music. Most of the individuals rest their hands against their faces as they look down at the papers on their lap desks. The room has neutral-toned walls, and several music stands and empty chairs are positioned nearby.
June in Buffalo student composers Diana Soh and Moshe Shulman
Two individuals are standing next to each other in an indoor environment. The person on the left has shoulder-length dark hair and wears a black v-neck top, while the person on the right wears glasses and a dark blazer over a purple button-up shirt. The person on the right has an arm resting on the shoulder of the person on the left.
Composer and double bass player Stefano Scodanibbio during June in Buffalo workshop
Scodanibbio, Stefano, 1956- - Double bass
A person wearing a white long-sleeved shirt and pants stands behind a large wooden double bass. One hand rests on the strings while the other holds a bow, with their head turned toward a music stand. The background features light-colored wooden floors and walls with acoustic panels.
A person dressed in white stands on a wooden floor, playing a double bass with a bow. To their left, a black music stand holds sheet music in a room with wood-paneled walls. The individual's left hand is positioned on the strings near the instrument's neck while their right hand moves the bow across the strings.
A person with dark, wavy hair dressed in white garments plays a large wooden double bass with a bow. To the right, a black music stand holds sheet music. The setting includes neutral-toned walls, dark curtains, and a visible ceiling framework.
A musician wearing a white shirt and pants stands on a stage while playing a double bass. The person holds a bow against the strings of the large wooden instrument. The low-angle view shows a ceiling with metal trusses, square panels, and bright lights.
A person wearing a white button-down shirt and white pants holds a bow to a double bass while looking toward a music stand. The performance takes place on a wooden stage with a piano and dark curtains in the background.
June in Buffalo student composer Eric Lindsay rehearsing with violoncellist Chris Finckel
A seated person holds a cello and bow while looking toward a person who stands and leans forward. Both individuals wear glasses and are positioned near music stands and a grand piano. The background features wood-paneled walls.
June in Buffalo student composer Eric Lindsay at rehearsal in Slee Hall
A person wearing a grey jacket stands next to a wooden stage with a hand on a white spiral-bound notebook. A black bag and other personal belongings are placed on the floor nearby. The background features a large vertical-paneled wooden wall and a section of red auditorium seating.
Conductor James Baker rehearsing with violinist Linda Quan
A person with glasses and a white button-down shirt stands with their hands raised. To their right, another person sits behind a music stand and plays a violin. The background features various percussion instruments, including gongs and a marimba, set against a wooden paneled wall.
Conductor James Baker with June in Buffalo student composer Mark Fromm
One person with grey hair wears a white button-down shirt and glasses with their arms crossed. A second person with a shaved head and beard stands beside them wearing a dark grey hoodie. Both individuals face the left side of the frame against a dark background with faint vertical lighting.
James Baker conducting New York New Music Ensemble members, Linda Quan, Chris Finckel, Jean Kopperud, and pianist Stephen Gosling
A conductor stands on the left with raised arms, directing a group of musicians playing instruments including a violin, a cello, and an oboe. The space is filled with musical equipment, such as music stands with sheets and a variety of percussion instruments in the background. Vertical wood panels cover the walls of the room.
Conductor James Baker in rehearsal with violoncellist Chris Finckel
One person in a white shirt and glasses stands looking toward another person who is seated with a cello. The seated person holds a bow and looks toward sheet music on a stand in a room with light wood floors and paneled walls. A grand piano and other musical equipment are visible in the background.
A person wearing a white collared shirt and glasses stands at the center of a stage with hands raised. In the foreground, another person holds mallets above a xylophone, while a large gong and music stands are visible on the right. The background is dark, featuring vertical pillars and a curtained wall behind the performers.
Conductor James Baker rehearsing with the New York New Music Ensemble
A group of five musicians and one person standing with their back to the camera perform on a stage with wood-paneled walls. The ensemble includes a violinist, a cellist, a clarinetist, a pianist, and various percussion instruments. Several people sit in the foreground of the dark auditorium facing the stage.
Conductor James Baker rehearsing with the New York New Music Ensemble, Stephen Gosling, piano and Tom Kolor, percussion
A person sits at a black grand piano with hands on the keys and sheet music on the stand. In the background, one person stands with hands raised while another person leans over a marimba holding papers. The setting is a stage with dark surroundings and overhead microphones.
Composer Philippe Manoury with violist Christophe Desjardins
A person with long light-colored hair sits wearing a black shirt. Standing beside them, a person with a bald head and short beard holds a violin and bow while resting their hand on a chair. The background is dark and features the shapes of several chairs.
A person with long grey hair wearing a black shirt sits in the foreground. Behind them, a person with a shaved head and light facial hair stands wearing a grey polo shirt while holding a violin and its bow. Several chairs are visible in the dark background.
Brad Lubman conducting the Slee Sinfonietta, with mezzo-soprano Julia Bentley in performance of Bernard Rands Now again
A musical group performs on a stage with light wood floors and paneled walls that include a large pipe organ. A conductor stands in the center directing instrumentalists and a vocalist positioned near a music stand. An audience is visible in the lower foreground seated in red chairs.
June in Buffalo student composer Bruce Pennycook
A person with short, light hair wears a brown blazer over a black shirt while standing by a large glass window. One hand rests on a metal window frame, and the other is placed on their knee. Green trees and a sidewalk are visible through the window panes.
Robert Franz conducting the Buffalo Philharmonic in June in Buffalo rehearsal
Buffalo Philharmonic Orchestra - Ensemble
Musicians in casual attire sit in rows on a wooden stage, playing various instruments like violins, cellos, and double basses. A person stands on a central podium facing the group, while tall microphone stands are positioned around the ensemble. The background features a large pipe organ on a wood-paneled wall above the stage.
Musicians with various string instruments sit behind music stands on a light-colored wooden stage. A person stands on a small platform in the middle of the group, looking toward them with their back to the camera. The setting includes wood-paneled walls with a round clock and several tall, thin microphone stands placed around the ensemble.
Musicians are seated in a semi-circle on a brightly lit wooden stage, playing various instruments including violins and cellos. A person stands on a podium with arms extended towards the ensemble. The stage is set against a wood-paneled wall with organ pipes visible above, and the auditorium seating in the foreground is in shadow.
Violist Christophe Desjardins in rehearsal
A person with a shaved head and light beard plays a wooden stringed instrument using a bow. They are wearing a grey collared shirt and a black wristband that has wires attached to it. In the background, a sound mixing board rests on a wooden surface in front of several rows of empty chairs.
State University of New York at Buffalo. Center for the Arts
A bald individual with light facial hair plays a wooden violin while wearing a dark jacket. One hand is positioned on the neck of the instrument while the other draws a bow across the strings. The entire scene is set against a solid black background.
Conductor James Baker in rehearsal with the New York New Music Ensemble
A person wearing glasses and a white shirt stands with their right arm raised and left arm extended in a large hall. A music stand with sheet music and a bottle sits in the foreground, while percussion instruments and rows of red seats are visible in the background. Tall wooden columns and a dark ceiling frame the scene.
A person wearing a grey polo shirt holds a wooden violin and a bow in front of a dark backdrop. They have short hair and a beard, and are looking towards the left side of the frame. The violin is positioned horizontally while the bow stands vertically in the person's hand.
An individual with a shaved head is shown playing a violin behind a music stand. The scene is captured using multiple exposures, resulting in translucent silhouettes of the musician and the bow against a black backdrop. Open sheet music is visible at the bottom of the frame.
Composer Bernard Rands accepting applause after performance of his Now again, with mezzo-soprano Julia Bentley, conductor Brad Lubman, and the Slee Sinfonietta on stage
Several people stand on a wooden stage surrounded by musical instruments such as a harp, percussion equipment, and a violin. Some people on the stage and in the seated audience are clapping. The background consists of wood-paneled walls, and microphones are placed across the stage.
Composer David Felder discussing his piece Another Face with violinist Lina Bahn
A person wearing glasses and a light blue striped shirt leans over a music stand. Another person with dark hair stands beside them, looking down at the same stand. They are positioned behind black music stands in a space with a dark backdrop.
Composer David Felder with violinist Lina Bahn
A person on the left wears a light blue striped shirt and glasses while looking toward a person on the right. The person on the right wears a black and white floral dress and holds a violin and bow. A microphone on a stand and the back of a blue chair are visible between the two individuals.
Conductor Brad Lubman, composer David Felder, and violist Sandy Robbins
Three people are gathered on the edge of a wooden stage in a room containing chairs and music stands. One person sits and holds sheet music while another person stands in front of them and gestures with a hand. The people wear casual attire, including a black long-sleeved shirt, a light blue button-down, and a patterned shirt featuring musical instruments.
Flutist Lindsey Goodman performing Mathew Rosenblum's Under the rainbow
The individual wears a blue top and stands behind a black music stand while playing a silver flute. Various percussion instruments including a gong, chimes, and a vibraphone are visible in the background. A stuffed animal in a basket sits on a green table to the left.
Composer Philippe Manoury and violist Christophe Desjardins, with Christophe Lebreton and unidentified sound engineer at sound console
Four people gather around a table covered with a large audio mixing console, laptops, and various wires. One person stands holding a violin and a bow while others are seated and interact with the equipment. In the background, rows of empty teal-colored chairs are arranged in a dark room.
A group of musicians performs on a wooden stage, including a conductor, a vocalist, and instrumentalists playing strings, woodwinds, and percussion. Behind the ensemble, there are wood-paneled walls and a large pipe organ. In the foreground, an audience sits in red theater seats facing the performers.
A person wearing a dark suit is positioned against a black backdrop while playing a violin. They hold a bow in one hand and use the other hand to press down on the strings near the neck of the instrument. The individual has a shaved head and trimmed facial hair, looking downward toward the violin.
A person with dark hair wearing a patterned dress and black cardigan plays a violin. The setting is a dark performance space with music stands and a percussion instrument in the background. A horizontal blue light is visible behind the performer.
A person with long dark hair holds a violin under their chin and uses a bow to play the instrument. They are wearing a black cardigan over a patterned top. In the background, music stands and other equipment are visible under a blue light strip.
A person wearing a blue shirt plays a silver flute while standing behind a music stand. Various instruments, including a gong, tubular bells, and a vibraphone, are positioned in the background. A small table to the side holds a basket with a plush toy and another flute component.
Pianist Lisa Moore performing Martin Bresnick's For the sexes
A person wearing a black top and silver necklace is seated at a grand piano. A microphone on a stand is placed near their face, and the piano's interior mechanics are visible in the foreground. Sheet music rests on the music stand against a dark, wood-paneled wall background.
Pianist Lisa Moore performing Martin Bresnick's For the sexes with projected video
A person in a red top and dark skirt is seated at a black grand piano on a stage. Above them, a large screen projects a brightly lit illustration with the text "For the Sexes The Gates of Paradise" and various winged figures. A microphone and sheet music are positioned on the piano's music stand.
Meridian Arts Ensemble performing Bruce Pennycook's Redwood Quintet
Five people in suits perform as a brass ensemble on a stage featuring wood paneling and a tall recording microphone. One individual stands while playing the trombone, while four others sit and play the trumpet, horn, and tuba. Music stands and instrument mutes are positioned on the wooden floor around the musicians.
A brass ensemble performs on a wooden stage in front of a wood-paneled wall. One person stands while playing a trombone, while four others sit and play a variety of brass instruments including a tuba and trumpets. A tall microphone stand is positioned centrally on the stage in front of the group.
Meridian Arts Ensemble performing at June in Buffalo
Five people in formal attire sit in a semi-circle playing instruments including trumpets, a trombone, and a tuba. They are positioned behind music stands on a light-colored wooden stage with a dark wood-paneled wall in the background. Various brass instrument mutes are placed on the floor near the musicians.
Meridian Arts Ensemble taking bow after June in Buffalo performance
Five people dressed in formal attire stand on a wooden stage with their musical instruments. Several chairs and music stands are arranged behind them, and a tall microphone stands in the center foreground. The background features a wood-paneled wall beneath the dark silhouettes of large organ pipes.
Meridian Arts Ensemble in performance at June in Buffalo
Five people sit in a semi-circle on a stage playing trumpets, a French horn, a trombone, and a tuba. They are positioned around music stands and various brass instrument accessories on a light-colored wooden floor. The background consists of a wall with vertical wooden slats.
Composer Mathew Rosenblum, with conductor Brad Lubman, composer David Felder, and violinist Lina Bahn
Four people are gathered in a dark room with rows of empty seats visible in the background. One person on the left gestures with a hand while facing the others, and another person on the right holds several sheets of paper. Two of the individuals wear glasses, and all are dressed in casual or semi-formal clothing.
Composer Philippe Manoury, with violist Christophe Desjardins and sound engineer Christophe Lebreton at sound console
A person stands and plays a violin behind two others seated at a table containing sheet music and a laptop. Electronic equipment, cables, and headphones are arranged on the table in front of the seated individuals. Several rows of empty chairs are positioned in the dark background.
A person standing with a violin and bow looks toward two seated individuals in a dark interior space. To the right, a fourth person wearing a cap and glasses works at a technical console with buttons and sliders. Rows of green chairs and a speaker on a stand are visible in the background against black walls.
Composer Bernard Rands in rehearsal with Jean Kopperud, Jon Hepfer, Jonathan, 1983- Nelson, and Brad Lubman
Six people occupy a room with wood-paneled walls and several musical instruments. One person sits with a clarinet behind a music stand, and another stands behind a marimba with mallets. A person in a blue shirt and black vest stands in the center, while the scroll and neck of a cello appear in the lower right foreground.
Composers Steve Antosca and Mathew Rosenblum
One person wearing a brown blazer over a white shirt holds a document and glasses while gesturing. A second person wearing glasses and a dark patterned shirt looks toward the first person. The background consists of a dark, pleated curtain.
Percussionist Rin Ozaki with small chimes
A person with long dark hair and a blue collared shirt stands in front of a brick wall. They hold a pink dolphin-shaped wind chime by a string in their raised hand. The wind chime features a clear pink dolphin figure above several small pink metallic tubes.
A person wearing a dark jacket plays a violin while positioned behind a music stand with open sheet music. Multiple exposures or motion blur are visible on the hands, instrument, bow, and pages. The subject is isolated against a solid black backdrop.
Composer Bernard Rands talking to mezzo-soprano Julia Bentley during rehearsal of Rands Now again, with conductor Brad Lubman and the Slee Sinfonietta
A group of people are positioned on a stage with a wood-paneled backdrop. In the foreground, individuals sit behind music stands with string instruments, while a harp stands behind them. One person in a black shirt stands gesturing towards another person in a green top, and a person on the left holds a yellow folder.
Percussionist Rin Ozaki and small chimes
A person wearing a blue button-down shirt holds a small wind chime that features a translucent dolphin ornament and four pink tubes. One hand holds the top string while the other hand is positioned near the base of the chime. The background consists of a dark brick wall.
Ensemble SurPlus members Stefan Haussler, Eun-Ju Kim, Thomas Avery (acting as page-turner), and Beverley Ellis rehearsing Jordan Kuspa's Piano trio at June in Buffalo 2010
A person on the left sits and plays a violin in front of a music stand. In the center and on the right, two people are seated at grand pianos, with the central person's head turned toward the right. The background contains orange curtains, an upright piano, and stacks of red chairs.
On the left, a person plays the violin while seated next to a music stand with sheet music. A person in the center plays a grand piano while an individual sits behind them. On the right, another person plays a cello while looking toward the center of the group.
On the left, a person wearing a blue shirt plays a violin while seated on a red chair. To the right, another person plays a cello near a grand piano where two others are positioned. The room includes music stands, an upright piano in the background, and stacked chairs against an orange curtain.
Composer Olivier Pasquet at June in Buffalo 2010
A person with a shaved head and short beard faces forward while wearing a black t-shirt. They stand in front of a dark brick wall featuring a bulletin board with several flyers and a sign labeled "MUSIC DEPARTMENT EVENTS". In the background, another individual sits in a shadowed area looking down at papers.
Composers David Felder and Olivier Pasquet with student composers at June in Buffalo 2010
Approximately twenty people are positioned in several rows between brick walls and doorways. Three individuals are seated in the foreground while the rest stand in rows behind them. The group wears casual attire and faces forward.
Student composers Diana Soh, Chun Ting Pang, and Shiuan Chang at June in Buffalo 2010
Four people are positioned in a row in an indoor space with natural light from windows in the background. The person on the far left wears a white top and cardigan, while the two individuals in the middle wear t-shirts and backpacks. The person on the far right wears a blue patterned button-down shirt and glasses.
Composer David Felder with student composers Gabriele Vanoni and Daniel Bassin at June in Buffalo 2010
Three individuals stand in a hallway, focused on a spiral-bound book titled Typographies II held by the person on the left. The person on the left wears a patterned shirt and glasses, while the person on the right wears a light-colored polo shirt with a blue name tag. Other people are visible in the blurred background of the long hallway.
Composer Olivier Pasquet with student composers Diana Soh and David Hudry at June in Buffalo 2010
Three people are positioned in a group, facing the viewer. The person on the left wears a black t-shirt, the person in the middle wears a light-colored cardigan and holds a white binder, and the person on the right wears a white collared shirt and glasses. A poster titled "METAMUSIK FESTIVAL 3" is visible on the wall behind them.
Composer David Felder with June in Buffalo 2010 students Chun Ting Pang, Joe Lake, and Jacob Gotlib
Four people are positioned side-by-side in an indoor setting. One person on the left wears a dark t-shirt and a backpack, while the person next to them has glasses and a patterned button-down shirt. The third person wears a plaid shirt with a strap across their chest, and the person on the far right wears glasses and a brown button-down shirt. Large windows are visible in the background behind them.
James Baker conducting a rehearsal of Roger Reynolds's work, Aspiration, with the Slee Sinfonietta at June in Buffalo 2010
A conductor stands with arms raised, facing a small ensemble of musicians on a stage with wood-paneled walls. Four people sit in a semi-circle playing string instruments while reading sheet music on stands. A piano and a large woodwind instrument are positioned to the right of the ensemble.