Lejaren Arthur Hiller, composer, standing near electronic equipment
Hiller, Lejaren Arthur, 1924- - Composer
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Renée Levine, administrator, looking towards her right
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Performance of Lejaren Hiller's Three rituals for two percussionists and lights
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller is not shown, only Jan Williams is shown
Stephen Manes, pianist with unidentified student
Joelle Leandre, double bassist wearing sunglasses, Fall 1977
Carol Plantamura, vocalist rehearsing with Creative Associates
University at Buffalo Percussion Ensemble in performance
University of Buffalo Percussion Ensemble - Ensemble
Mislabeled: Members of the New Percussion Quartet -- Second Festival of the Arts
Livingston Gearhart, composer at piano in class
Livingston Gearhart discussing score with unidentified musician -- 2 other unidentified students in foreground
Lukas Foss, composer/conductor seated at piano at Second Festival of the Arts
Copy 3 (2 small reproductions on one sheet)
Morton Subotnick, composer holding score in one hand, cigarette in the other
New Percussion Quartet at Second Festival of the Arts
Slee Hall organ, Op. 95, C.B. Fisk pipe shop
Copy 4 (2 small reproductions on one sheet)
Reverse reads: 18 shallot 32' Posaune-leathered face
Paul Schmidt, vocalist accompanied by Yvar Mikhashoff
Reverse reads: Kagel's Presentation, Fri. March 18, 1988 Tralfamadore Caf?
Nora Post, oboist rehearsing with other musicians (contact sheet)
Post is playing english horn in some photographs -- 2 unidentified woodwind players present
Makoto Michii, double bassist performing with Creative Associates
Photographed at 5th Ave. and 59th St., New York, N.Y. -- 1st record collection in Baird (old) Hall was named in her memory
Renée Levine, administrator at table, speaking into microphone sitting between 2 unidentified men
Levine speaking on Arts Support Systems panel, at Massachusetts Institute of Technology Art Transitions Festival
Marijke Verberne, violoncellist performing with Tom Coleman
Jan Williams, percussionist with Creative Associates
Evenings for New Music rehearsal: Robert Erickson's Concerto for piano and seven instruments (1963)
University at Buffalo classroom, two other musicians present (unidentified)
Linda Cummiskey, view of backside of violin -- 1975-1976
Takemitsu discussing score with Nora Post
Pamela Benjamin Adelstein (Pamela McConnell), violist
Mischa Schneider, violoncellist working with students
Schneider, Mischa, 1903-1985 - Violoncello
Close-up of Mischa Schneider's hands, violoncello students are not visible
Renée Levine, administrator with Carol Plantamura, Sylvia Dimiziani, and Diane Williams
Mauricio Kagel, composer (his Sur scene)
Kagel is not shown -- Performance by Creative Associates -- John Horton is holding 2 metronomes
Morton Feldman, composer seated at piano with Jan Williams standing
Joe Ford, saxophonist with double bassist Sabu Adeyola
Joe Ford in foreground, Sabu Adeyola in background -- Handwritten address on reverse reads: 161 [South Hampton] St., Buffalo, NY 14208 -- [Sabu Adeyola] played with Dexter Gordon, Ahmad Jamal, & others
Plantamura, right arm raised -- Other musicians not visible
Buffalo (N.Y,) -- Buildings, structures, etc.
Music-halls -- New York (State) -- Buffalo
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo) - Building
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo) - Building
Baird Hall and Clemens Hall (North Campus) also visible
Performance of Lejaren Hiller's Avalanche for pitchman, prima donna, player piano, percussionist, and pre-recorded playback)
Hiller is not shown -- Joseph Glosson with 1 unidentified person leaning near piano
Earle Brown, composer with musicians, including Morton Feldman, Jan Williams, Eberhard Blum, and other Creative Associates (contact sheet)
Anne Graff, vocalist rehearsing with Creative Associates, Luciano Berio watching
Evenings for New Music rehearsal: Luciano Berio's Circles (1960)
Julius Eastman with unidentified woman looking down -- Berlin, Germany
Reverse reads: An e____ chamber -- Creative Associates present
Kagel is not shown -- Performance by Creative Associates -- James Mitchell kneeling on stool
Henryk Szeryng, violinist giving a masterclass on stage
Students are unidentified -- Mounted on cardboard
Evenings for New Music performance: Elliott Carter's Two pieces for kettledrums (1966)
Lejaren Arthur Hiller, composer, holding score
Julius Eastman, composer/vocalist rehearsing Peter Maxwell Davies' Eight Songs for a Mad King
Davies, Peter Maxwell, 1934- -- Performances
Julius Eastman in chair, view from side corner of stage -- Creative Associates in background
Jan Williams, percussionist seated outside Albright-Knox Art Gallery
Same as MD08-063, but Ren?e Levine is cropped out
Preparation for Tudor's Rainforest-Creative Associates special event -- Renee Levine seated on floor, others are unidentified
Michael Sahl, pianist with students seated in semi-circle
Reverse reads: Co-sponsored by MEET THE COMPOSER and the Center of the Creative and Performing Arts
Henri Pousseur, composer conducting Creative Associates in his opera, Votre Faust
Hiller is not shown -- Jan Williams in background and Howard Zwickler in foreground, both performing in suits and helmets
Lukas Foss, composer/conductor standing onstage at Second Festival of the Arts
Lukas Foss gesturing to someone with right hand
Ensemble or audience not visible -- Photograph mounted on cardboard
Carlos Roqué Alsina, composer conducting Creative Associates
Musicians standing for audience applause
Jan Williams, percussionist rehearsing with Creative Associates
Evenings for New Music rehearsal: Garrett List's The orchestral etudes, three processes on nine sets (1975)
Charles Haupt, violinist performing with Miriam Abramowitsch
Wilson, Donald M., 1937- -- Performances
Evenings for New Music performance: Donald M. Wilson's Seventeen views for violin and narrator
Robert Morris, composer working with Aki Takahashi (contact sheet)
Leo Smit, composer at piano with jazz pianist Pete Johnson
Morton Feldman, composer, with image of Samuel Beckett superimposed
Morton Feldman in corner, with printed music of his composition, Neither, taped to wall
Photograph taken from Roqu? Alsina's left
Unidentified organ builder measuring at table
Lukas Foss, composer/conductor with Lejaren Hiller
Lukas Foss, composer/conductor standing at piano with composers
Andrew Stiller, composer playing bassoon
Photograph taken from Roqu? Alsina's right
Edward Burnham, behind percussion instruments
Buffalo Philharmonic Orchestra performing (1966-1967)
Buffalo Philharmonic Orchestra - Ensemble
Leslie A. Fiedler speaking -- View of lower strings, conductor not visible
Klaus von Wrochem, composer, his St?cke (1966)
Evenings for New Music performance -- Wrochem is playing violin (stage left)
Stuart Granville Fox, guitarist rehearsing with Creative Associates
Evenings for New Music rehearsal, James Fulkerson playing trombone
Allen Sapp, composer looking over balcony
Baird, Cameron, 1905-1960 - Administrator
Hiller is not shown, only Howard Zwickler is shown
John Newell, composer conducting Creative Associates (contact sheet)
Performance of Lejaren Hiller's Rage over the lost Beethoven
Hiller is not shown -- On back of photograph: Four women discuss Beethoven's relationships with other women over his coffin Cast included Elizabeth Axelrod, Dotti Drummer, Sally Jean Martinez, Elizabeth Halsey, Linn Walker, and Claudia Carr.
Photograph taken from Roqué Alsina's right
Lukas Foss playing piano, head tilted down
Evenings for New Music performance -- Lukas Foss conducting
Evenings for New Music rehearsal: Luciano Berio's Circles (1960) -- Edward Burnham leaning forward
Frank Cipolla, conductor, with UB Symphonic Wind Ensemble
University at Buffalo Symphonic Wind Ensemble - Ensemble
Frank Cipolla conducting jazz combo and student ensemble (Katherine Cornell Theatre)
Katharine Cornell Theatre (State University of New York at Buffalo)
John Bergamo in foreground, Carol Plantamura in background, three other people are unidentified
Julius Eastman in chair, side view, onstage -- Creative Associates in background
Mischa Schneider talking, unidentified female student laughing
Stage and seats are empty, organ not yet built
Earle Brown, composer conducting ensemble onstage
Evenings for New Music rehearsal: Earle Brown's Syntagm III (1970) -- View from stage right -- cropped, mounted on cardbaord