HPSCHD by John Cage and Lejaren Hiller performed at the Albright-Knox Art Gallery
Hiller, Lejaren Arthur, 1924- -- Performances
Hiller, Lejaren Arthur, 1924- - Composer
Performers included (not all visible): Aki Takahashi, Neely Bruce, David Fuller, Ivar Mikhashoff, David Tudor, harpsichords
This black and white scene shows a grand piano positioned on a small platform. Large, triangular fabric sails are stretched around the piano and used as screens for various light projections. These projections cast abstract, high-contrast shapes onto the fabrics and the surrounding walls of the room. Overhead track lighting is also present along the ceiling.
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John Cage, composer speaking into microphone
A person is seated in a performance or recording space filled with unconventional equipment. The individual looks toward a sheet of paper while positioned in front of a microphone. Behind them, a metal rack holds suspended items such as wind chimes and a pot, and several tin cans sit on a small table in the background.
Harriet Simons, conductor conducting University at Buffalo Choir
A large group of people in formal attire stands in tiered rows on a stage, holding folders and facing forward. A conductor stands in the center foreground with their back to the viewer, while a person plays a grand piano on the left side of the stage. The performance takes place in a hall with wood-paneled walls and a dark rectangular panel in the background. An audience is visible in the foreground, silhouetted against the bright stage.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Virgil Thomson, composer in checkered jacket and polka-dot bow tie, examining Satie score, profile
A person in a houndstooth jacket and polka-dot bow tie is seen in profile reading a book titled Erik Satie Piano Music. The cover of the book lists various compositions across two volumes, such as Gymnopedies and Gnossiennes. In the background, there are rows of empty seats in a dimly lit room. A watermark reading "Copyright by Irene Haupt" is visible at the bottom.
Two people in formal suits and ties are positioned in an indoor setting with one person visible in profile and the other facing forward with a raised hand. Both individuals wear collared shirts and ties, with the person on the left having glasses tucked into their jacket pocket. The background features a brick or cinderblock wall and the partial silhouette of another person.
John Cage, composer preparing piano with Yvar Mikhashoff and Jan Williams
Three people are gathered around the open lid of a grand piano in a black and white setting. One individual on the left reaches toward the front of the instrument, while a second person in a suit and glasses watches from behind. On the right, a third person wearing glasses reaches into the piano's interior, manipulating thin strings or wires.
A person wearing thick-rimmed glasses, a patterned tie, and a blazer sits in front of a reel-to-reel tape recorder in this black and white scene. The individual has balding hair and is looking forward. In the background, the audio equipment features a large metal reel and a panel with various dials and buttons.
Elliott Carter, composer looking at score
A person with white hair looks down at an open volume of musical scores. They are dressed in a grey blazer, striped shirt, and tie against a dark, featureless background. A watermark is superimposed over the bottom of the frame.
Large, sail-like fabric installations are suspended throughout an indoor room, featuring various geometric shapes and projected patterns on their surfaces. A gathering of people stands in the center of the space, appearing as dark silhouettes against the brightly lit structures. Additional light projections and ceiling-mounted track lighting illuminate the room, creating high contrast between the dark figures and the white fabric panels.
Nils Vigeland, composer with Harvey Sollberger, David Felder, and Stephen Manes
Four individuals are positioned side-by-side in an indoor setting with a large window in the background. From left to right, the first person wears a dark suit and tie, while the second wears a light-colored suit. The third person wears glasses and a white collared shirt with slacks, and the person on the far right wears a dark blazer over a light-colored shirt.
Jean Charles François, composer with Carol Plantamura on stage
Two individuals stand side-by-side on a stage, raising their joined inner hands. The person on the left is dressed in a dark long-sleeved top and dark trousers, while the person on the right wears a light-colored t-shirt over dark sleeves and dark trousers. Behind them, a voluminous white sheet is draped over an object against a light-colored wall.
William Kirkpatrick, dancer on floor, Yvar Mikhashoff at piano
A high-contrast black and white scene shows a dark stage with two performers. On the left, an individual sits at a grand piano with glowing sheet music, while on the right, another person lies on the floor holding a long, straight beam. The background consists of dark curtains, and light is focused specifically on the sheet music and the person on the floor.
Elliott Carter, composer sitting at desk, close-up
A person with white hair and dark-rimmed glasses is seated behind a dark wooden desk. They wear a plaid blazer, a button-down shirt, and a patterned tie, with one hand raised to their forehead. Two books are stacked on the desk, and a chalkboard with musical staff lines is visible in the background.
A person sits at a grand piano on a stage in front of an empty auditorium. The individual has curly hair and a mustache, and wears a formal suit and bowtie with one hand positioned near their face. Rows of dark seats fill the background beneath a balcony level.
Jan Williams, percussionist with Yvar Mikhashoff examining score
Two individuals sit together, looking at a document held in their hands. The person on the left wears glasses and a denim jacket, while the person on the right wears a plaid shirt. They are positioned in front of rows of tiered seats, and a watermark is visible across the center of the scene.
Jan Williams, percussionist playing marimba
A person dressed in a formal suit and glasses stands over a xylophone. They hold a mallet in each hand, with one arm extended toward the instrument's keys. The black and white scene features a plain background with a copyright watermark across the top.
Larry Austin, composer standing behind Jan Williams
Unidentified person in background -- Copy 1
Three people are positioned in a room containing a large, ornate metal bell mounted within a frame. One person wearing glasses and headphones leans over the bell, holding a long-handled mallet near its side. To the left stands another person in a turtleneck, while a third person wearing headphones is partially visible in the background. The bell features embossed lettering around its top and sits on a platform.
An indoor exhibition space displays a multimedia installation including a grand piano and large-scale wall projections. Several angular, sail-like fabric structures are positioned throughout the room, bearing white text and scientific illustrations. A row of track lights runs across the ceiling to illuminate the different components of the display.
Morton Feldman, composer with composer Terry Riley
This black and white scene depicts two people standing side-by-side indoors. The person on the left has a full, dark beard and wears a dark knit cap and a light-colored vest. The person on the right wears thick-rimmed glasses, a dark blazer, and a necktie.
This black and white portrait features a person with light-colored hair and glasses against a dark background. The individual is wearing a dark, long-sleeved shirt with a white collar visible underneath. Their hand is positioned under their chin, and a watermark at the bottom reads "Copyright by Irene Haupt."
A person with white hair and a beard is seated next to a grand piano in a black and white scene. The individual wears a button-up shirt under a dark-colored cardigan and looks toward the piano's music stand, which holds several sheets of paper. A copyright watermark spans the top portion of the frame over a plain background.
Leo Smit, composer playing piano, profile
An individual with white hair and glasses sits at a piano, shown in profile from the waist up. They wear a light-colored cardigan over a plaid shirt while looking down at the keyboard. One hand is positioned on the piano keys, and the other hand is raised slightly above them. A floor lamp with a large shade is visible in the background.
John Cage, composer with David Felder, János Négyésy, and Jan Williams
Four people stand together in an indoor setting, focusing on an open book held by one person in the center. The individuals wear various styles of clothing, including glasses, a dark sweater, and a denim jacket with a tie. A dark spiral staircase is positioned in the background against a plain wall.
A person with dark hair and a full beard plays a trombone in this black and white scene. They are wearing a patterned shirt and a digital watch on their left wrist while holding the instrument to their mouth. The bell of the trombone is positioned in the foreground, and a copyright watermark is present at the bottom.
This black and white scene features a person seated at a piano with sheet music, accompanied by another person standing just behind them. The background is dominated by large, angular panels onto which a complex pattern of white dots is projected, forming a central circular shape. The lighting focuses on the projection and the piano area, leaving the figures partially in silhouette.
Jan Williams, percussionist conducting, with Paul Jacobs on harpsichord and Ursula Oppens on piano, and other musicians
Elliott Carter Concert, Center for Theatre Research
A black and white scene depicts a musical ensemble performing on a stage, viewed from behind the conductor and a silhouetted audience. The ensemble consists of musicians seated behind music stands with instruments such as two grand pianos, a harpsichord, violins, and a percussion section in the background. A conductor stands in the center foreground with arms raised toward the performers, while microphones and speakers are arranged around the performance area. Large watermark text across the top reads "Copyright by Irene Haupt".
Feldman about to pet cat, drink held down
A person in a blazer and glasses sits in an upholstered chair with a black cat resting on their lap. One hand holds a stemmed glass while the other is positioned near a small lamp. A potted plant appears in the background, and a watermark is present at the bottom.
Frances-Marie Uitti, violoncellist at Albright-Knox Art Gallery, laughing
A person with short hair wearing a dark coat and trousers stands in an art gallery while holding a cello and its bow. To the left is a large square canvas featuring a line-drawn portrait of a face with an open mouth. A vertical, textured sculpture hangs on the white wall to the right of the person.
Frances-Marie Uitti, violoncellist performing at Albright-Knox Art Gallery, profile
A musical performance takes place in an art gallery featuring white walls and various paintings. A person sits on the left playing a cello while a group of people sit in folding chairs on the right. Some audience members hold papers as they face toward the musician.
Ursula Oppens, pianist with Anthony Davis at keyboard
Two individuals are seated together at a piano on a stage in front of empty rows of auditorium seats. One person with curly hair and glasses wears a dark long-sleeved shirt, while the other with an afro and a mustache wears an argyle sweater. Sheet music rests on a stand in the foreground as both individuals look toward the instrument.
Two people sit side-by-side in an auditorium, looking down at a large document. One person wears a denim jacket and glasses, while the person next to them wears a plaid button-down shirt. Rows of empty seats are visible in the background.
A Black person with short hair is shown from the chest up wearing a light-colored sweatshirt with the word "Players" on the front. They have one hand lifted with fingers curved, while the other hand rests near their chest. The background consists of dark ceiling panels and small recessed lights.
Ralph Shapey, composer on contact sheet with Jacob Druckman, Nils Vigeland, Arie Lipsky, and others
This contact sheet contains thirty black and white film frames arranged in six rows. The top rows feature portraits of an elderly person with white hair, while the lower rows show scenes of musicians performing in an art gallery. Kodak film markings, frame numbers, and sprocket holes are visible across the sheet.
Stockhausen's "Stimmung", six performers seated on floor
Stockhausen, Karlheinz, 1928- - Composer
Six people are seated cross-legged on a wooden stage floor arranged in a semi-circle behind patterned rugs. Several microphones on stands are positioned in front of the group members. A small table covered in a patterned cloth sits in the center of the arrangement.
University at Buffalo, Baird Hall (South Campus)
Paul Schmidt, actor seated at table, surrounded by glass bottles
A person wearing a suit and glasses sits at a small table with a single glass and bottle. The person and table are centered inside a low, dark circular barrier. Multiple rows of glass bottles are arranged on the floor surrounding the outside of the circular structure.
Frances-Marie Uitti, violoncellist standing and playing
This black and white scene displays a person in dark clothing playing a cello in a gallery. To the left, a square abstract painting with a textured border hangs on a white wall. A tall, multi-dimensional sculpture with bold graphic patterns stands on a platform to the right.
A black and white close-up shows a person playing a violin while wearing a long-sleeved shirt and a patterned scarf. Their hands are positioned on the bow and the instrument's body. A copyright watermark appears across the bottom of the frame.
A person wearing glasses, a blazer, and a checkered shirt sits in a large, dark armchair with a black cat resting on their lap. The individual holds a stemmed glass in one hand, while the background includes a potted plant, a radiator, and a floor lamp. A copyright watermark is positioned at the bottom center of the frame.
Jacob Druckman, composer conducting (ensemble not visible)
This black and white portrait shows a person from the chest up against a dark background with stacked boxes. The person wears a light-colored, textured sweater with dark and light striped trim on the cuffs and collar. Their gaze is directed toward the side as they hold their hands in a gesturing position.
Morton Feldman, composer with Bunita Marcus and unidentified person
Three individuals are seated on the floor against a light-colored wall featuring a horizontal baseboard. One person on the left sits with their hand near their mouth, while the individual in the center wears glasses and a necktie. On the right, a third person sits cross-legged and writes in a small notebook with a pen.
This black and white scene shows a person seated at a grand piano with another person standing beside them. A large, multi-angled screen above the performers displays a geometric pattern of white dots arranged in a concentric circle. The setting is dark, with light emanating from the projection and a small lamp on the piano's music stand.
John Bergamo, percussionist seated on floor, playing drums
A person with a mustache and glasses is positioned on the floor playing two hand drums known as tablas. They wear a t-shirt featuring a circular graphic of three leaves, while a larger circular frame drum sits on the floor to their right. The scene is in black and white and includes a wooden-paneled structure in the background.
Hugh Levick, composer in front of television
This black and white scene features a person in a white garment facing a television monitor on a pedestal. The television screen displays the back of a person's head and shoulders. Behind the monitor, a light-colored cloth backdrop hangs against a wall.
Milton Babbitt, composer talking to Lejaren Hiller
This black and white scene features two individuals in blazers and ties standing in an indoor setting with wood-paneled walls. Both individuals wear eyeglasses and face each other. The person on the left has their hands clasped together, and the person on the right wears a checkered shirt under a textured blazer.
A person stands behind a piano and points an arm toward a chalkboard marked with white chalk musical staves and geometric drawings. The individual wears a collared shirt, glasses, and a peaked cap while indicating a specific point on a diagram featuring a series of lines. The black and white scene includes a copyright watermark across the upper portion of the chalkboard.
Frank Cipolla, conductor with Steven B. Sample, William Ortiz, and Jan Williams
Sample, Steven B., 1940- - Administrator
Four people stand behind a set of mounted metal discs and a large circular instrument in the foreground. The person on the far left holds a percussion mallet while the others are dressed in suits and tuxedos with white bow ties. The group is positioned against a vertically paneled wall background.
Morton Feldman, composer at piano, profile
A person with dark wavy hair and eyeglasses sits at a grand piano, leaning forward with hands on the keys. They wear a light-colored, patterned button-down shirt. The background includes a blurred piano lid and a light source positioned above the individual.
Carman Moore, composer conducting rehearsal
This black and white scene features a standing person with their right arm raised and hand gesturing upward. In the foreground, another person sits facing away from the camera in front of musical equipment. Music stands are visible around the individuals, and a copyright notice is at the bottom of the frame.
A person with fair skin and short blonde hair is positioned against a solid dark background. They wear a black short-sleeved v-neck shirt, a thin gold chain necklace, and light-colored trousers. The individual's head is turned, with their gaze directed toward the upper left.
Aaron Copland, composer lecturing in June in Buffalo seminar, composers' workshop
Morton Feldman in background, others unidentified
Several people are seated in a room featuring curtains, folding chairs, and a piano. One person wearing a suit and glasses sits in a chair on the right, while three others sit in a row behind desks. A small electric fan and a wastebasket are visible near the back wall.
This black and white scene displays a person in profile positioned next to several vertical metallic pipes. The individual features dark, wavy hair and is dressed in a dark, high-collared shirt. The pipes are reflective and arranged in a parallel row extending across the right side of the frame.
Chester L. Mais, composer standing near mirror
This black and white portrait features a person with wavy light-colored hair wearing a shirt with a high, diagonal collar. The person is positioned facing forward on the left side of the frame, while a profile view of the same person appears on the right against a dark background. A copyright watermark is visible across the lower center of the composition.
David Moss, composer leaning against bass drum
A person with glasses and a beard leans against a large bass drum positioned on its side. The person is wearing a dark, long-sleeved shirt and has one hand raised with open fingers. This black and white scene takes place on a wooden surface with a copyright notice visible at the bottom.
Morton Feldman, composer having drink with John Cage
This black and white photograph shows two people in conversation. One person wears a suit and glasses with a cigarette in their mouth, while the other person wears a collared shirt and holds a piece of light-colored fabric. Both individuals hold small glasses, and large plants are positioned behind them in the background.
A person with a mustache rests their chin on their hand while leaning against an open grand piano. The individual is wearing a collared shirt and a necktie. In the foreground, the interior strings and metal frame of the piano are visible. The background is dark, and the entire scene is in black and white.
Unidentified person in background -- Copy 2
Several individuals are shown in a room with a large bell suspended inside a frame. One person wearing headphones and glasses stands in the foreground, holding a mallet near the side of the bell. Another person stands behind them while a third individual is visible in the background.
A person with short white hair and dark-rimmed glasses wears a dark turtleneck sweater. They are shown from the chest up with their chin resting on their hand against a brick wall background. The text "Copyright by Irene Haupt" appears across the bottom of the frame.
Rehearsing Lukas Foss' "Paradigm" for the June 14, 1977 June in Buffalo concert
A person with light-colored hair and glasses stands behind a percussion set, holding a mallet in each hand. The collection of instruments includes a large gong with markings, multiple cymbals, small drums, and a set of suspended chimes. The background features vertical wood paneling and additional performance equipment.
This black and white portrait features a person from the chest up against a plain, light background. The individual has light-colored, medium-length hair and wears a dark collared shirt. Their mouth is open, and their gaze is directed forward. Text across the lower portion reads "Copyright by Irene Haupt."
Neil B. Rolnick, composer at synthesizer
A person with a beard and glasses is seated at a synthesizer with a touch-sensitive keyboard. They wear a corduroy shirt and a watch while their hand rests on the instrument's keys. The surrounding area includes various pieces of music studio equipment, such as microphones and audio racks.
A person with dark, curly hair is positioned behind a piano, looking towards the right side of the frame. They wear a light-colored collared shirt, and the dark structure of the piano is visible in the foreground. The background consists of vertical wooden slats.
A person is positioned from the chest up while playing a violin. Their eyes are cast downward as their hands hold the bow and the neck of the instrument. The individual is wearing a dark suit with a patterned tie, and a copyright watermark for Irene Haupt is visible at the bottom.
Aaron Copland, composer in tuxedo, profile
A black and white profile shows a person from the chest up wearing a dark suit, a white bowtie, and a white pocket square. The individual wears glasses and has one hand raised with a finger resting just below the nose. A copyright watermark is visible at the bottom of the frame.
Virgil Thomson, composer in checkered jacket and polka-dot bow tie, without glasses
A person with white hair is seated on a stage, holding a pair of eyeglasses and facing toward a music stand. The individual wears a patterned blazer over a white shirt and a dark bow tie. Behind them, a blurred rectangular structure stands in front of tall, vertical curtains. Text across the top of the frame indicates a copyright by Irene Haupt.
A person with a high forehead and thinning hair is shown in a black and white close-up wearing round-framed glasses. They have a full beard and wear a light-colored collared shirt. A copyright watermark is positioned across the upper portion of their face.
A person is seated in a dark, textured armchair while holding a clear glass. A black cat lies across their lap, and they are looking down toward the animal. The indoor setting includes a potted plant, a radiator, and a floor lamp in the background.
This black and white scene displays an indoor installation with large, geometric fabric panels suspended from the ceiling and walls. Projectors cast swirling and grid-like patterns across the surfaces of the room and the fabric structures. In the lower half of the frame, a crowd of people is visible as dark silhouettes.
This vertical black and white portrait features a person from the chest up with their right arm raised and mouth open. The individual wears a textured sweater with black and white striped detailing on the cuffs and collar over a collared shirt. A watch is visible on their left wrist, and a copyright watermark is positioned at the bottom of the frame.
Lejaren Hiller, composer with Elizabeth Hiller
This black and white scene depicts several individuals at a social event. On the left, a person wearing a patterned top holds a dark bottle, while a person on the right wearing glasses and a blazer holds a small plate with two treats topped with lit candles. Additional people are visible in the background, including one person with long dark hair and another with blonde hair.
Rehearsal of Foss' "MAP (Musicians at Play)", musicians unidentified -- Slightly blurred
Five individuals are positioned around a stage containing an assortment of musical instruments. One person plays a trombone, another plays a violin, and a third individual leans over a large bass drum. Metal gongs and a bell are suspended from wires above the stage floor.
A black and white scene shows a person leaning over an intricately patterned rug. The person, wearing glasses and a textured jacket, uses their hands to manipulate the fibers or fringe at the edge of the textile. The background is mostly dark and obscured, while the focus remains on the person's hands and the detail of the rug.
Jean Charles François, composer with Carol Plantamura
A person in the foreground holds a white mask on a stick in front of their face, partially obscuring it. Behind them, another person stands next to a large white prop that includes circular outlines and a vertical bisecting panel. The scene is set against a backdrop of dark, vertically draped fabric.
A person with dark curly hair and a mustache is seated at a grand piano in an auditorium. The person wears formal clothing and rests one hand near their head while looking toward the camera. Rows of empty seats and a balcony are visible in the background of this black and white scene.
Otto Luening, composer with Yvar Mikhashoff
Two people are positioned facing one another against a dark, minimalist backdrop. The individual on the left has white hair and a mustache and wears a suit jacket over a turtleneck. The individual on the right wears glasses and a patterned sweater with their arms crossed. A copyright watermark is visible at the bottom of the frame.
Three individuals are gathered around an open grand piano in a black and white setting. One person on the right reaches inside the instrument while others look toward the strings and keyboard. The scene is set against a dark background with a watermark at the bottom.
Elliott Carter, composer sitting at desk, lecturing
A person with light-colored hair and glasses sits at a desk containing a stack of three books. Behind the person, a grand piano is situated next to a chalkboard with white musical staff lines. The person wears a suit and tie and rests one hand on the desk surface.
Nils Vigeland, composer standing near piano
This black and white portrait shows a person in a light-colored sweater and collared shirt standing beside an open piano. The individual's hand rests near the exposed strings and wooden frame of the instrument. Another person's back is visible in the background of the indoor setting.
William Kirkpatrick, dancer leaning on piano, Yvar Mikhashoff at piano
Two individuals are positioned around a grand piano in a dark room with stark lighting. One person sits on a bench at the keyboard, while the other person stands next to the open piano lid with their head tilted upward. A bright light illuminates the figures and a sheet of paper against a black background.
Lukas Foss, composer with Monte Hoffman, Yvar Mikhashoff and Charles Haupt
Four people stand close together wearing suits, ties, and glasses. One person is positioned in profile on the left, while the others face towards the front. The words "Copyright by Irene Haupt" are overlaid across the lower center of the group.
Baird Piano Trio, ensemble in private home with Nils Vigeland
Four people are positioned around a grand piano containing sheet music in an indoor setting. One person stands behind the piano holding a violin and bow, while another stands beside them wearing a suit and tie. Two additional people are seated in the foreground on the right side of the piano. The background features a window with shutters, a potted plant, and a bookshelf.
John Cage, composer with Lejaren Hiller and Morton Feldman
Three people stand together in a room with white walls and dark structural frames. One person on the left holds a small plate of food, while the central individual wears a suit and tie and holds a glass. The person on the right is dressed in a blazer and checkered shirt. A copyright watermark is positioned across the bottom of the black and white scene.
A grand piano and bench sit on a dark platform in the center of an indoor space. Abstract shapes and high-contrast patterns are projected onto the walls and several triangular pieces of fabric suspended from the ceiling. A circular projection is visible on the right wall, and track lighting runs along the ceiling above the installation.
Several people appear in silhouette within a darkened space containing multiple projection screens. A text-heavy document with diagrams is cast onto a large, angled translucent sheet hanging from the ceiling. Behind it, a textured, grainy visual pattern is projected across a flat wall, while track lights illuminate the ceiling above.
A person with a full grey beard and wild hair looks toward the upper right in a black and white close-up. They wear a dark, textured jacket over a dark shirt, and a portion of their hand is visible in the lower left. The background is out of focus and shows part of a framed object on the left.
This indoor setting features large, angular screens hanging from the ceiling, displaying various projections that light up the room. Several people are scattered throughout the space, some standing in groups and one person seated in the foreground near a music stand. The projections also appear on the walls, creating a multi-dimensional visual environment for the viewers.
A person with white hair is positioned at a piano in a black and white scene. They wear a light-colored blazer over a dark sweater and a collared shirt, looking down towards the instrument. The piano lid is open, revealing internal components like strings and tuning pins at the bottom of the frame.
A black and white scene features two individuals in formal attire standing in the foreground. The individual on the left has wavy hair and wears a dark, textured jacket with a tie, while the individual on the right wears a dark suit and a patterned tie. Two other people are visible in the background, including one person wearing glasses on the far right.
Jan Williams, percussionist surrounded by instruments
A person with glasses and light hair stands in a dark room surrounded by a variety of household and found objects. Hanging from above are items such as wind chimes, a white bucket, a frying pan, and a metal triangle. In front of the person on a table are three large tin cans, including one from Maxwell House, along with other assorted bowls and wooden boxes. The person holds a mallet towards the hanging items, and the text "Copyright by Irene Haupt" is overlaid across the middle of the scene.
Diamanda Galas, vocalist holding two microphones
A person wearing form-fitting black clothing and dark eye makeup stands with their arms extended upward in a V-shape against a black background. Each hand holds a wired microphone that extends down toward the floor. The scene is presented in black and white with a copyright watermark at the bottom.
Four people are positioned in an indoor setting, with the person in the center holding an open book. One individual points toward the open pages while the group stands before a plain wall and a dark spiral staircase.
Frances-Marie Uitti, violoncellist seated, chin resting on hand, white background
A black and white portrait features a person seated behind a large cello. The person wears a dark, textured jacket and dark trousers, with their arms crossed over the instrument's shoulders. A bow is held in their right hand, and the composition is set against a plain, light-colored backdrop.
A grand piano sits on a low platform in a room featuring multiple large, white, geometric fabric installations. These fabric sheets are stretched into curved, triangular shapes that intersect and surround the performance area. Abstract light patterns are projected onto both the back wall and the surfaces of the fabric. Lighting tracks with several lamps are visible on the ceiling.
This black and white portrait features a person wearing thick-rimmed glasses and a light-colored sweater over a dark collared shirt. The lighting is high-contrast, illuminating the subject's hair, forehead, and nose while casting the rest of the face in deep shadow. A copyright watermark "Copyright by Irene Haupt" is positioned near the bottom edge.
Jan Williams, percussionist conducting, arms closed
A person with short hair and glasses stands behind a blurred foreground, gesturing with a baton in one hand and their other hand raised. The individual is dressed in a dark jacket, light-colored shirt, and a necktie against a dark, plain background. A horizontal watermark reading "Copyright by Irene Haupt" is positioned across the center of the frame.
Frances-Marie Uitti, violoncellist performing at Albright-Knox Art Gallery
A person with short hair sits and plays a cello with a bow in a room with white walls. A large abstract painting with black lines and shapes hangs on the wall behind the musician. To the right, a sculpture stands on a pedestal next to another framed piece of art.
Pauline Oliveros, composer playing accordion
A person with short hair plays a Titano piano accordion in front of a brick wall. The person is dressed in dark clothing, and the accordion is positioned centrally in the frame. Side lighting creates strong highlights on the person's face and the keys of the instrument.
Yvar Mikhashoff , harpsichordist with Frances-Marie Uitti
Uitti is playing an instrument resembling the violoncello
This high-angle black and white scene shows two people performing music on a wooden stage with several instruments. On the left, a seated individual plays a string instrument featuring a circular body and a bow, while on the right, another person sits at a harpsichord and reaches toward its interior. A grand piano is situated in the background, and a microphone stand is positioned in the foreground.
This black and white scene shows a large choir standing in rows on a stage. A conductor stands in the center with an arm raised, and a person plays a grand piano to the left. The backs of a seated audience are visible in the foreground facing the stage.
Larry Austin, composer standing behind large bell
A person with glasses and short facial hair stands behind a large, weathered metal bell supported by a light-colored metal frame on wheels. The bell features multiple horizontal bands and etched markings near its top portion. Other individuals and music stands are partially visible in the background on a light-colored floor.
This black and white scene shows a gathering of individuals in a room with several large, tilted white surfaces used for projections. These projections include musical notation and abstract concentric circular patterns that cast light across the darkened space. One person is seated at a keyboard on the left side while others stand in the center and background.