229 100 60595 https://digital.lib.buffalo.edu/files/original/5755671eea2a018715065bc586452688.jpg 2b4246320be0fa6e3142a6915091972c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sunflowers on a Chair Date A point or period of time associated with an event in the lifecycle of the resource 1901 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Hermitage Museum (Saint Petersburg, Russia) Subject The topic of the resource Chairs Furniture Decoration and ornament Sunflowers Flowers Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279530 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/48a125f06e11aa2c67522bfa0974e087.jpg fdf38e4b051f962fdf9e21a2d98e52b9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women in a Brothel Date A point or period of time associated with an event in the lifecycle of the resource 1894 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Museum of Fine Arts (Budapest, Hungary) Subject The topic of the resource Women Human beings Diners (Restaurants) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60.3 x 80.5 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427975X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/b9efbdd2fa1318300ed2f9b4eb43f240.jpg 1b9ac9b64123688e027f3252b87f9164 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Dug-Out Date A point or period of time associated with an event in the lifecycle of the resource 1896 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Hermitage Museum (Saint Petersburg, Russia) Subject The topic of the resource Men Boats and boating Women Human beings Mountains Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 96 x 130 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279773 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d8614e28b3567f496c5ba451dfa4fba3.jpg aa4306d5f83e2d83f1a2ef56c9de1ae3 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Agay Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Guillaumin, Armand Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279785 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/2a7684c1595f0b14dbaf361b3a92ed5c.jpg 3b6399d66bd24c92521b7cf29830168c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sofa Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Women Human beings Sofas Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 63 x 81 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279827 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cf681273145f51ec489ad17def07e869.jpg 0e19be74aff1502d44bf397262d03ba9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Muses or In the Park Date A point or period of time associated with an event in the lifecycle of the resource 1893 CE Creator An entity primarily responsible for making the resource Denis, Maurice Subject The topic of the resource Parks Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 171.5 x 137.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279839 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/41ba60c7a9f6951d96bf1ae4492b269c.jpg 893ca6eb3122e8f5dc6176b567cb0aed Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ile de Brehat Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Maufra, Maxime Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 72 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279852 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bca584531cc1b4eef10314e804dcf3ff.jpg 3be426e2b218f6b95e6c8b3a9ceb3a17 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource We Shall not Go to Market Today Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Offentliche Kunstsammlung (Basle, Swiss) Subject The topic of the resource Women Human beings Markets Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279876 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ace323aa260fcbc0823e63ef419001a1.jpg 4c4ff9cbbab644b556741e021b94fc29 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pastime Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 75 x 94 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279888 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/b6cb23c832bc3af09f8f8668320a76eb.jpg 5509699caf73a8667a5ae8c6937e9b63 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poplars on the Banks of the Epte Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 88 x 93 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279918 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0056d39b805cdb56c9b2ac31736e0bc9.jpg 57669626e91d7fa11da8e707835a1015 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Circus Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Horses Domestic Animals Animals Spectators Actors Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 185.5 x 152.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427992X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/aaa686503d47503a8898cdccff9a7629.jpg b556acebf13c7f0274388011c9ed531c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notre-Dame Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Notre-Dame de Paris (Cathedral) Cathedrals--France Cathedrals Church architecture Religious architecture Architecture Bridges Transportation Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54.3 x 70.8 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279542 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/f9e8fff3ea88528da0b56bed743f0d86.jpg 0d257adddda17b526fb7f144c0d9cae5 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artistide Braunt at his Cabaret Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource lithographs planographic prints prints (visual works) Still Image Extent The size or duration of the resource. 137 x 96.5 cm Medium The material or physical carrier of the resource. Lithography Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279931 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 printing printmaking https://digital.lib.buffalo.edu/files/original/c6fcd35a4d508c313c7811241e582f49.jpg fe89f6614685170dec9bbfdd2406c213 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jane Avril at the Jardin de Paris Date A point or period of time associated with an event in the lifecycle of the resource 1893 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. San Diego Museum of Art (San Diego, California) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource lithographs planographic prints prints (visual works) Still Image Extent The size or duration of the resource. 124.5 x 89.5 cm Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279943 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 printing printmaking https://digital.lib.buffalo.edu/files/original/15e2fcde87a75ea73e447e5abe2228ba.jpg 5191aff240933fe2ef3b9893f5d48a00 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Dance at the Moulin Rouge Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Philadelphia (PA), Philadelphia Museum of Art Subject The topic of the resource Dance Women Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 115.5 x 150 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279955 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/175e3c8b771b1716f68d9fb8f7afb35b.jpg 24ad62aa26740b8459fbefe225c40926 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Voulue Entering the Moulin Rouge Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Museum of Modern Art (New York, New York) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.4 x 59 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279967 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/2da15ad42569896c00c11b003416547d.jpg 8eb8d393abf40ed56ae4cd84b0232ac8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Golden Isles Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Cross, Henri Edmond Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59 x 54 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279979 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/6ad3b7befd1e00ae56741a1d461d83ea.jpg cad9d69ffad8b372fbac3411f75e7837 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Sainte-Chapelle, Paris Date A point or period of time associated with an event in the lifecycle of the resource 1901 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. San Francisco (CA), Montgomery Gallery Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 63 x 53 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279554 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/015e91a0d50d9b9e7c98585b5e043fd9.jpg 30d0c356c102d600a23cc20b61567199 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beach on the Mediterranean Date A point or period of time associated with an event in the lifecycle of the resource 1891 CE Creator An entity primarily responsible for making the resource Cross, Henri Edmond Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 38 x 61 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279980 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/3b5f74997bf2d388777e4b0b4ad45a2c.jpg 202a2ad50386e5d274af8ddc0d64d2a8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Felix Feneon in Front of an Enamel of a Rhythmic Vackground of Measures and Angles, Shades and colours Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Museum of Modern Art (New York, New York) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) portraits Still Image Extent The size or duration of the resource. 73.5 x 92.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279992 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d55af648e60147d9373144df19ce05ca.jpg 58827f2ce292ccadc098c3c213d03c24 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The River Aven at Bois d'Amour Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Serusier, Paul Subject The topic of the resource Landscapes Nature Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 27 x 21.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280003 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/58ab5d73aed9647c9f4dfb4c5b413147.jpg 69426e9a9037abd4dbe174785e640289 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Taking up Her Hair Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Collection Mme Gachin-Signac (Paris, France) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59 x 70 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280015 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ad0052d4ec75e85c62c4781b07aba740.jpg 700657c9fc426c7278143b28911e36cc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman Powdering Herself Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Courtauld Institute Galleries (London, United Kingdom) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 95.5 x 79.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280027 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/99e70009d3a6b740341f028d4215f8a0.jpg 2f0df19ab7f49891e54b2490a98df131 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dancers on Stage Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Courtauld Institute Galleries (London, United Kingdom) Subject The topic of the resource Women Human beings Dance Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 21.8 x 15.8 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280039 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/a724ed62157d3e1d311cabd165e085a2.jpg 667c4a7c960c0f4a814db0a58b4d0b79 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Chahut Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Women Human beings Dance Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 171.5 x 140.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280040 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/e794e36b799baa9eb337b7bc2c283470.jpg dfc402f665f6eb19a2842d20d5c4889b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sailing Boats at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 55.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280052 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/b2141d8307af58c43f99d1ab6b0368af.jpg ec10e0f95967f3e8e4f1b2ed0dddcb5a Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Boulevard Date A point or period of time associated with an event in the lifecycle of the resource 1895 CE Creator An entity primarily responsible for making the resource Beraud, Jean Spatial Coverage Spatial characteristics of the resource. Musee Carnavalet (Paris, France) Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 33 x 25 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279566 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bc8f3398db04c37f0d196cecf0c6a694.jpg 133f3bdcec01a830d0300141d6374469 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boats on the Seine at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1892 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Richard Green Gallery (London, England) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 60 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280064 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/b379be10f7bd3b3341c37f9b1f882e5a.jpg c87ccc4f59c9e50ecd16a44a208b80b7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Marne at Dawn Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Dubois-Pillet, Albert Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 32 x 46 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280076 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/93857afa03efee966350fc4a95c30b54.jpg 2ce547373fe575e2e224176bfdbdf5f7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outskirts of Paris Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Guillaumin, Armand Spatial Coverage Spatial characteristics of the resource. Mrs. Lyndon Baines Johnson Collection (New York, NY) Subject The topic of the resource Suburbs Trees Plants Nature Mountains Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 74 x 93 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280088 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/987debdb7ff8960b892a8110c1f116c4.jpg b2d3f7a90066265b5e1a97d2b63ab934 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Undergrowth Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gausson, Leo Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 31.7 x 26.7 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428009X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/371ea2c3355b34a870643fdb4a7689a7.jpg 823b07cc3ac8c0ef611bd73e08476fe2 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mont Sainte-Victoire Date A point or period of time associated with an event in the lifecycle of the resource 1904 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. Philadelphia (PA), Philadelphia Museum of Art Subject The topic of the resource Mountains Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS427958X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1158eb7e21eb298fa60a484a35e9e0a5.jpg 7aaabc0b10e54d874703ce52d5e877ff Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Train, Bedford Park Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century CE Creator An entity primarily responsible for making the resource Pissarro, Camille Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Railroad tracks Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54.3 x 65.3 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4279645 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/53b325975eb53a4091d99d448106f25f.jpg 1b9db12ca26415db3a3d4888ef0e1d16 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Still Life with Flowers and Fruit Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. New National Gallery (Berlin, Germany) Subject The topic of the resource Flowers Plants Nature Fruit Tables Vases Containers Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) still lifes Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280106 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d9e2aed5da21cc6cb0345ab91fdcc17f.jpg c75afdced8d7aaf4c8561d2d601abe9e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource After the Bath Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Nudes (representations) Human beings Baths Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 54 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280143 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/53e55a1b7f4b536e814517ee2e95e7c0.jpg d63d358cf8460dbfd76708daec5c17b9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vision after the Sermon: Jacob Wrestling with the Angel Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. National Gallery of Scotland (Edinburgh, Scotland) Subject The topic of the resource Angels Spirits Jacob (Biblical patriarch) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 73 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280155 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/06c3a7c6437ee0d21e5474752de21e8b.jpg c06fd6a59e51493529b69d50050ff476 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Night Cafe in Arles Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Pushkin Museum (Moscow, Russia) Subject The topic of the resource Cafes Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280167 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/fc830ce8694148fc4d127b431f00f8e2.jpg 29d28491fa9bd148c754ccf3489705cf Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Models Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Heinz Berggruen Collection (Paris, France) Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 39.4 x 48.7 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280179 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/ec93e8c69f48ca49068e9eeb320a4d6c.jpg df1600533cee14c493361cd135586137 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Circus Parade Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Theaters Buildings Architecture Spectators Musical instruments Music Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 99.7 x 150 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280180 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/19a444979acf67d661636c8cf67a3659.jpg 1a3e70c322f5fa37611b9c2980fa4e26 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 25 x 16 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280192 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/e07224d31caa2ebc1860698b23969d17.jpg 1749848f8e46c73f8ea25471c54749be Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 16.2 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280209 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/5ed3a295c2e745a422e799e676afb7b7.jpg 0f8f5a5685b63c9abd69e3fa57f0049c Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model from Behind Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 15.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280210 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/8119a4808908bfbeb87000d749084a6d.jpg b6afee7a2005a60fdaed26a3fd0749e1 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seated Female Nude Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Seurat, Georges Subject The topic of the resource Women Nudes (representations) Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 25.4 x 16.2 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280222 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/0c2895d4d34669427fa990438f3f6bdb.jpg fb620d91835d2e48a71b5aa8aa721f89 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boy in a Rd Waistcoat Date A point or period of time associated with an event in the lifecycle of the resource 1889 CE Creator An entity primarily responsible for making the resource Cezanne, Paul Spatial Coverage Spatial characteristics of the resource. Stiftung Sammlung E.G. Buhrle (Zurich, Switzerland) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.5 x 64 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280118 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d5912daf7f27a225cf692db9863d7b32.jpg 8ba430cc2413ca5e764d0902b1763ee0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boating on the River Epte Date A point or period of time associated with an event in the lifecycle of the resource 1890 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Sao Paulo Museum of Art (Sao Paulo, Brazil) Subject The topic of the resource Boats and boating Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 133 x 145 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280246 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/9d0f7fa35e4e112e3876e81689324655.jpg e13f557fe1cc561706a9c0040186783e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Western Railway Leaving Paris Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Angrand, Charles Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Cityscapes Railroad tracks Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 75 x 92 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428026X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bebd1221e29df3280c859a53f7254928.jpg 38167f32c144b147f570c6182fd8c2c6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paris Seen from Montmartre Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Luce, Maximilien Spatial Coverage Spatial characteristics of the resource. Musee du Petit Palais (Geneva, Switzerland) Subject The topic of the resource Cityscapes Montmartre (Paris, France) Paris (France) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 54 x 63 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280271 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cf478dea5d19115a14cbd7a4dfb1b7ac.jpg d0abac3c5588ee176138e8083c00839f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paris, Place de la Concorde Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Hayet, Louis Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Place de la Concorde (Paris, France) Paris (France) Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 18.5 x 27 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280283 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1d91aab4ac1fe1a06934d30b3c8f3341.jpg 371404e454c46598762fd65c8ed403ce Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farmyard Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Delavallee, Henri Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Farmhouses Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 59.7 x 73 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280295 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/91548c8d2508b8d09b38f20530fcc656.jpg 4ba9658599ceed4e13ba51c15db12d52 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Pere Tanguy Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Bernard, Emile Spatial Coverage Spatial characteristics of the resource. Offentliche Kunstsammlung (Basle, Swiss) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) portraits Still Image Extent The size or duration of the resource. 36 x 31 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280301 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6c0a7aa3379384c8cef31db0e090e88c.jpg cecc96b51971ebe8d602737afbf4723f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Boulevard de Clichy under Snow Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Minneapolis (MN), The Minneapolis Institute of Arts Subject The topic of the resource Winter Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 46.5 x 65.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280313 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/76f0b69563d5a7eec87d8dde34dab9fc.jpg ed9c1b542aa211bb7e1d7658c77534f5 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Vincent van Gogh Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Vincent van Gogh (Amsterdam, Netherlands) Subject The topic of the resource Gogh, Vincent van, 1853-1890 Painters Artists Persons Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource pastels (visual works) portraits Still Image Extent The size or duration of the resource. 54 x 45 cm Medium The material or physical carrier of the resource. Pastel on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280325 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/f6720a5cd7e07ab3c6777a4ff0052e53.jpg 5060bafc0e1eb6f9140c012e7af66d44 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apple Picking Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Pissarro, Camille Spatial Coverage Spatial characteristics of the resource. Kurashiki, Okayama (Japan)m Ohara Museum of Art Subject The topic of the resource Women Human beings Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 128 x 128 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280349 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/1e78455c4bfa1a50d890a76c8e210413.jpg 39044450c00773013717941ea49d7891 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Deaf Woman's House Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Pissarro, Lucien Spatial Coverage Spatial characteristics of the resource. Ashmolean Museum (Oxford, United Kingdom) Subject The topic of the resource Women Human beings Trees Flowers Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 58 x 72 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280362 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/d6b42cad8562dde78a0fc81658dee9b0.jpg ac359c83f4d0fca76024edd5123eb1c0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Church at Gisors Date A point or period of time associated with an event in the lifecycle of the resource 1888 CE Creator An entity primarily responsible for making the resource Pissarro, Lucien Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 73 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280374 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/76e24de9849d4e0395db5419514a538f.jpg 14464cd45383cfe212d322a06a75f5fe Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour at Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 79.5 x 63 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280386 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/bf5e045b2dc1859ec16b14debb09a8e5.jpg dc4eac843bfc6770f5b5db7f0b33246e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The "Maria", Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. The National Gallery (Czech, Prague ) Subject The topic of the resource Ships Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 53 x 63.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280398 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/da553be35bd608556bcd618c78777390.jpg 6b918adb14539c63c2229f7a64113217 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The River Bank, Petit-Andely Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Rivers Bodies of water Boats and boating Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280404 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0f701c80aed33bea40167090062366cc.jpg 2cde6d743f8aa9868d0d71c98e855548 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lighthouse at Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. National Gallery of Art (Washington, District of Columbia) Subject The topic of the resource Lighthouses Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 66.7 x 81.9 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280416 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/aaf0ebdd412b30eb0a74554c71c072f5.jpg dd887c26b23815b90a40265c3504d8f8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bec du Hoc, Grandcamp Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Tate Britain (London, England) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 66 x 82.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280428 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/4f011c02a4d076927f1ac25a744b558c.jpg ce43556fc7cdae3d767144addb62e16b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man and Woman in the Street Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Angrand, Charles Subject The topic of the resource Couples Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 38.5 x 33 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428012X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/9e854232d1601eeac91d0e05ad3f471e.jpg 70db9580b39bc34919e363747a9974dd Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Beach at Bas-Butin nea Honfleur Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Musee des Beaux-Arts de Tournai (Tournai, Belgium) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 67 x 78 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS428043X je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/dcadf27b96ac50d32a943bd5cc968e6e.jpg 8f39be958fb87d85a2fee2a0c68630c6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gasometers at Clichy Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. National Gallery of Victoria (Melbourne, Australia) Subject The topic of the resource Farmhouses Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 64.8 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280453 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/0bc932a8b894ea562857f9d96b015b3e.jpg 5cccb3384f3f9afc4c03dbce4e2818ef Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Railway at Bois-Colombes Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. City Art Gallery (Leeds, England) Subject The topic of the resource Railroad tracks Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 33 x 47 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280465 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/21935a305b5384e170c023e376476c2c.jpg e97fb65ccaed84b13e1ce1654d87f4c7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breakfast (The Dining Room) Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Rijksmuseum Kroller-Muller (Otterlo, Netherlands) Subject The topic of the resource Women Tables Men Human beings Teacups Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 89 x 115 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280477 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/560471c6429511d14292bcae58c79f1a.jpg e6b4c396295f7545e7c998e60afad2a9 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Milliners, Rue du Caire Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Signac, Paul Spatial Coverage Spatial characteristics of the resource. Stiftung Sammlung E.G. Buhrle (Zurich, Switzerland) Subject The topic of the resource women Human beings Hats Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 111.8 x 89 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280489 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/027ff1a1c5447a45fb52748b589a03f6.jpg a59c617ff7fb3e920ed1ed85c25d3145 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Four Breton Girls Date A point or period of time associated with an event in the lifecycle of the resource 1886 CE Creator An entity primarily responsible for making the resource Gauguin, Paul Spatial Coverage Spatial characteristics of the resource. Neue Pinakothek (Munich, Germany) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72 x 91 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280490 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/7fc4ad7f5f3a5e8f3d7d027809ada17e.jpg dda4ab47091a99ff559f7b59477db868 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Still Life with Flowers Date A point or period of time associated with an event in the lifecycle of the resource Late 19th Century CE Creator An entity primarily responsible for making the resource Tillot, Charles Victor Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Flowers Plants Nature Vases Containers Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) still lifes Still Image Extent The size or duration of the resource. 81.5 x 65 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280507 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6d7efeb004419d5e6b81eecfc423576b.jpg 89dc2b62d7896f4d576410910b004efb Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Ile de la Grande Jatte Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Mrs. John Hay Whitney Collection (New York, NY) Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 81.5 x 65.2 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280519 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/3af0754cb9dc7ea383ded06727d18139.jpg c28f3f02dd9c2434941ca25ccfebeaef Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Sunday Afternoon at the Ile de la Grande Jatte Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Metropolitan Museum of Art (New York, New York) Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 70.5 x 104 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280520 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/cbf9192fd84e075da4e0a322b933175e.jpg dfc85980d313efb0a68c2251449cb40a Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outskirts of Paris: the Road to Gennevilliers Date A point or period of time associated with an event in the lifecycle of the resource 1883 CE Creator An entity primarily responsible for making the resource Signac, Paul Subject The topic of the resource Suburbs Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 72.9 x 91.6 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280532 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/56fd32cd310913a7dd76f35ec8afa82b.jpg a0575212b801877ccfb7c2305129eb98 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avenue de Clichy - Five O'clock in the Evening Date A point or period of time associated with an event in the lifecycle of the resource 1887 CE Creator An entity primarily responsible for making the resource Anquetin, Louis Spatial Coverage Spatial characteristics of the resource. Hartford (CT), Wadsworth Atheneum Subject The topic of the resource Cityscapes Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 69 x 53.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280131 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6499dbf47b6c7b777ab7144f892bba0f.jpg bacdf9189795ba6ff538b8a9061b88d3 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Houses at Le Raincy Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.5 x 15.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280544 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/92e0523a306bc87be46dba8e8d965e59.jpg 4aaf9d5894353fde94b4123b79efa7fc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Watering Can Date A point or period of time associated with an event in the lifecycle of the resource 1883 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. Upperville (VA), Mr. and Mrs. Paul Mellon Collection Subject The topic of the resource Trees Plants Nature Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 24.4 x 15.5 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280556 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6485d8667d83c1f929d6448980ac2a17.jpg 413469a08de155c22cb8751876415fbc Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bridge at Argenteuil and the Seine Date A point or period of time associated with an event in the lifecycle of the resource 1885 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Samuel Josefowitz Collection (Lausanne, Switzerland) Subject The topic of the resource Bridges Transportation Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 82 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280647 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/66f41052ff2e81f54c4218c3087fe1d7.jpg bc2a10a6434f005d3f8f017283548281 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Laundress Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 93 x 75 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280659 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/73f9acef54a524a14b6cefb6b8408807.jpg 18547bdf535df494cb5d3798859de94f Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Waiting Wedding Guests Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Raffaelli, Jean-Francois Subject The topic of the resource Doors Walls Couples Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 52.5 x 68.5 cm Medium The material or physical carrier of the resource. Oil on panel Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280672 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/50fa219c3697c34e8d4d93d338345f43.jpg 9db12ccbf44587316f25afb6df490a6b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Houses on the Banks of the Oise Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Raffaelli, Jean-Francois Subject The topic of the resource Landscapes Nature Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 85 cm Medium The material or physical carrier of the resource. Oil on card Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280684 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 Spatial Coverage Spatial characteristics of the resource. Musée d’Orsay painting https://digital.lib.buffalo.edu/files/original/1e91cda3c220d0d021a6089326f6e30a.jpg 0f40040cb3e1849d0d1bd2fd932e0a0b Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harbour at Argenteuil Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Monet, Claude Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Boats and boating Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 65 x 81 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280775 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/fc5169372b0b233f90595d2bcea6aec7.jpg 409aaae1bd1f99a967fd05b1e4d6e474 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Pink Villa, Trouville Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Caillebotte, Gustave Spatial Coverage Spatial characteristics of the resource. Private Collection Subject The topic of the resource Landscapes Nature Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 60 x 75 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280787 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/f8c9121ac0bab43b6383e7cc449c4439.jpg c8b395dbe188be2140f0dadeb25065b0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Routy Date A point or period of time associated with an event in the lifecycle of the resource 1882 CE Creator An entity primarily responsible for making the resource Toulouse-Lautrec, Henri de Spatial Coverage Spatial characteristics of the resource. Musee Toulouse-Lautrec (Albi, France) Subject The topic of the resource Men Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 61 x 51 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280799 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/699e5cdf1c371f17ac69a1b52b05cb6e.jpg 50a9e540159168ab3953aa99c19088a6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bath at Asnieres Date A point or period of time associated with an event in the lifecycle of the resource 1884 CE Creator An entity primarily responsible for making the resource Seurat, Georges Spatial Coverage Spatial characteristics of the resource. National Gallery (London, United Kingdom) Subject The topic of the resource Baths Ships Rivers Bodies of water Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 201 x 300 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280568 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/6c3bbc834665dc07a969398f6d5b974c.jpg 639bdddd480c9089777fc1cee29ca502 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Girls Date A point or period of time associated with an event in the lifecycle of the resource 1881 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Pushkin Museum (Moscow, Russia) Subject The topic of the resource Women Human beings Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 80 x 65 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280829 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/9e8e3f56ca1b1989e0578ba9457a64be.jpg aeae0adccf658bd88d1ca01af2421089 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Luncheon of the Boating Party Date A point or period of time associated with an event in the lifecycle of the resource 1881 CE Creator An entity primarily responsible for making the resource Renoir, Pierre-Auguste Spatial Coverage Spatial characteristics of the resource. Phillips Collection (Washington, District of Columbia) Subject The topic of the resource Boats and boating Dinners and dining Temporal Coverage Temporal characteristics of the resource. Impressionist French Type The nature or genre of the resource oil paintings (visual works) paintings (visual works) Still Image Extent The size or duration of the resource. 129.5 x 172.7 cm Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Walther, Ingo F. Impressionism, Koln: Taschen GmbH, 2006 (9780681567955) Contributor An entity responsible for making contributions to the resource Joe Easterly Publisher An entity responsible for making the resource available Department of Visual Studies University at Buffalo Is Part Of A related resource in which the described resource is physically or logically included. Media Resource Center Visual Resources Collection VS001 Identifier An unambiguous reference to the resource within a given context VS4280842 je-20080229-1 Rights Information about rights held in and over the resource Use for educational purposes only. Single copies (print, photocopy, download) are permitted for personal study, research and teaching. Date Created Date of creation of the resource. 2011-10-06 Date Modified Date on which the resource was changed. 2011-10-06 painting https://digital.lib.buffalo.edu/files/original/8caf10fe188b1b2d4e87d68e872a21a5.pdf c82d96872754e5992dd338ed84d2d94f PDF Text Text buffcllo jazz !~pott march 1974 vol.1 - no.1 1NTRODUCTION ( You are now holding the firstedition(ofmany, with \ny kind of luck) of something Buffalo is in great need !; a periodical devoted entirely to Jazz. Jazz is not dead. Although many people don't know !., there is a considerable amount of live music here rn Buffalo. Our aim is to find it and make it known. in addition to Club and Concert calendars, we will provide record reviews, articles on Jazzmen from i,he area, interviews with visiting musicians, new >\J.bum listings (if space permits) and other goodies. ·¢he paper will be distributed free at clubs and record .stores. We hope you will enjoy this paper now and in the months to come. We should get better as time goes ?n. You can look for a new edition about the first week of each month·. Enjoy! :·:;>"AFF ;~odftor /Publisher - Bill Wahl (;<&ntributing Editors Michael Barry Levon Cavanaugh Malcom Leigh Thomas Mazzone Paula Wahl Address Correspondence to: The Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (Phone) - (716) 883-3909 The Buffalo Jazz Report is distributed free at Yarious locations in the Buffalo Area as a service to the jazz community. Please support our advertisers ,v~lo make it all possible. fiELP!!! Drummer Ed Blackwell needs your help. He has lost the use of both kidney~ and is in need of a transplant. He must use the Dialysis Machine. ' Most noted for his work with Ornette _Coleman, Ed as helped to revolutionize jazz percussion. Any conribution, large or small, is extremely important. .· lease send to: Ed Blackwell 189 East 2nd Street New York, New York 10009 I~ Ir· ~ ! \ ., l I Pianist Bobby Timmons died March2inNewYork, ,at the age of 38, after a long illness. The composer '9f Moanin' was best known as a member of Art Blakey's Jazz Messengers, and also played with 'Cannonball Adderley and J. J~ Johnson before leading -his. own groups. Charles Smith will feature some of Bobby's work on Morning Seranade, March 9, on WBFO-FM (88.7). Mel Lewis, co-leader and drummer of the Thad Jones-Mel Lewis big band, was born here in Buffalo (as Melvin Sokoloff) on May 10,1929. His father was a professional drummer for almost 40 years. Mel started his career at age 15. In his early days he played with various people including Alvino Rey, Tex Beneke and Ray Anthony. The mid SO's found him with Kenton, Frank Rosolino, Hampton Hawes and again with Kenton, with whom he wenttoEuropein '56. Upon returning he settled in L.A. where he co-led a quintet with Bill Holman, and later joined the Terry Gibbs big band. At this time he also worked as a staff musician for ABC in Hollywood. Since 1960 Mel hasfilledthechairforGerry Mulligan, 'Dizzie Gillespie, Benny Goodman, Frank Sinatra, Terry Gibbs and Gerald Wilson. He moved to the Big Apple in '63 and joined ABC staff there. He has been to· Europe several times including a trip to the U.S.S.R. in '62 with Goodman, and played at the first jazz concert at Vienna International Music Festival in ',65. Since 1966 he has led, with Jones, the big band ip New York City. He won the Downbeat new star award in 1962. The T J- ML Band is widely recognized as one of the top big bands of today. Their list of personnel reads like a Who's Who in New York, with names like Richard Davis, Roland Hanna, Pepper Adams and Julii!,Jl Priester to name a few. The big band did a 5 week Russian tour in '72 where they won the·t>'earts of the . people and made it possible for Tricky Dick to make ' the trip. An earlier tour ('69) t9 Europe produced a double album for Blue Note .Jazz Wave Limited Os, Tour - BN 89905, with gueslt Freddi-e Hubbard, K. Burrell, J .. Steig and Jimmy McGriff· · ·. ' Mel can be heard on with the big band on -4 'solid state LP's and 2 on Blue Note - Consummation-84346 .and the· one mentioned above.· Some other recent albums are Thad. Jones/Pepper Adams - Milestone 9001 and AI Cohn & Zoot Sims - Body.& Soul - Muse 5016. Be sure to check him out, he has an impeccable sense of time and undying swing,_. and the band - it roars. �fV/L I RECORDS 7) ~ Sonny Stitt - I Cover The Waterfront - Cadet 2CA 50039 It will be our policy to review as many new rtf..> f leases as possible each month. Due to the time in- v, · A lot of re-issues have been coming out of iate in volved in preparing the first issue, these records the names· of people who deserve them; If anyone demay not be as new as we would like, but we hope to serves one it is Sonny Stitt, and alas - along comes remedy that situation in the. future. Here are some this disappointment! Thrown together without any conwe'd like you to know about: sideration for organizing the selection either chronologically or by the separate bands. Several cuts are defective, especially the last on side 4, and it is the ?( Somethin' Else - Cannonball Adderley - Blue Note type of defect which would not be limited to the review LA-169-F copy. · The music is good. Sonny with 6 different rythym This is a re-issue of a first class session recorded sections, joined by Zoot Sims on one cut. No recording in 1958 with Miles Davis, Hank Jones, Sam Jones and dates appear on the jacket, but I presume they would Art Blakey. It's worth the price just to hear Miles on be in the early sixties. Since most of Stitt's work that Autumn Leaves and Somethin' Else. Anyone who may would be ready for re-issue is on Cadet & Pz;estige, dislike Adderley for his commercial success should maybe the latter will give us one worthy of bearing pick this one up to find out how great an altoplayer Stitt's name. he is. As it is so correctly stated in the liner notes, this is a jazz "Supergroup" album. Hopefully this release is the start of a new trend for Blue Note. YJohn Klemmer - Intensity Impulse - 9244 Gary Burton - New Quartet - ECM-1030 Klemmer is a fine musician, able to display warmth and beauty as well as fire and thunder. Both are disThis album might well be labeled a masterpiece, played here - however, there seems to be a lack of but all the credit does nqt go to Burton. It is, without sensitivity in. the way the cuts have been arranged on a doubt, a group effort. In: a vibes, guitar, bass and the re.cord: Side two puts you in a mellow mood until drums format, ._Gary's Quartet feature·s·-.three students Last Summer's Spell which is rather heavy and should from Berkelee School of Music, where' he teaches. have been switched with Love Song to Katherine, which, Especially imp'ressive are bassist, AbrahamLaboriel in turn, is far too mellow for side one. Because of the and drummer, Harry Blazer. The eight compositions 9-minute difference in songs, this was not possible, (ranging from jazz-rock to ballads) were written by however, it would have been nice to have a mellow such people as Chick Corea, Keith Jarrett, Carla side and a heavy side. Bley, Mike Gibbs, Gordon Beck and one by Burton. Regardless, Klemmer & Co. play well throughout. The mood changes like the seasons and the albums end It's a good LP - just don't plan to go to sleep by it. only leaves you begging for more. With Polydor now distributing ECM, they should be found about everywhere. A Blessing .. ~ric Kloss Pat Martino One, Two, Free - Muse 5019 Live - Muse 5026 ~ Here are two very satisfying albums from the people at Muse, who, with Don Schlitten in their employ, have been releasing a wealth of fine recordings. The Kloss LP, among his best, yields an 18 minute suite. (The title tune) which is broken down into 3 sections contributed by Kloss (alto), Ron Thomas (E. Piano) and Pat Martino (guitar). Side 2 contains a fine version of Carole King's It's Too Late, and a haunting, melodic original Licea. The Martino album contains a funky version of Sunny (tt:at really cooks), and 2 originals, one of which is 18 minutes of both structured and improvised playing. Pianist Thomas complements Martino well. The combined relaxed feel of the group and live atmosphere makes you want to applaud after each song. . , In short - two albums you won't soon get tired of. . DAVE LIEBMAN .flutes, saxes FRANK TUSA bass. bells drums, kalimba BOB MOSES I Sonny Rolli,ris - Horn· Culture -Milestone - 9051 , This latest effort by Rollins, although not as good as his last (next album - Mile. 9042), is agood, well balanced set. Included here is another welcome version of God Bless The Child (another fine version was on his 1962 RCA release The Bridge, which is available from French RCA as a double album with Sonny Meets Hawk). In addition to another tune from the Billie Holiday repertolre, Good Morning, Heartache, Sonny performs three originals and one by Mtume (Conga playing son of Jimmy Heath). The addition of a guitarist (Masuo) adds an interesting dimension to the group. P. M. RECORDS 20 Martha Street Woodcliff Lake New Jersey 07675 �Freddie Hubbard - Get Your Soul Together- CTl-6036 Here is the Hubbard album many have been waiting for. Freddie, without strings, onanalbumwithhis own working group which includes George Cables on piano and Junior Cook on tenor sax. The four cuts are all Hubbard originals. Nicely written and well executed. Xpexter Gordon.- Generation-Prestige - 10069 Ari excellent effort by all; straight ahead, swinging, good time jazz. Fine ensemble work is heard by Dex and Freddie Hubbard as well as tasteful solo work by everyone. The rhthym section on hand for the date was comprised of Cedar Walton, BusterWilliamsandBilly Higgins, V(hO was heard with Dex on some of his early Blue Note sides. In addition to a Gordon original, The Group, the set includes an alternate (1st) v~rsion of Miles' Milestones, a Dory Preven tune Scared To Be Alone and Monk's We See, on which Walton shines. Not enough good words can be Said- -100% for Dexter & Friends for this gem of an album. .rro~elonious Monk - The Man I Love- Black Lion - 197 ~his record is from Monk's "latest recording ,ion in London back in 1971, which also produced Jething In Blue, with AI McKibbon on bass and Art 1key on drums. This_setincludes five Monk originals .J the title .tune by Gershwin. The trio plays four of re cuts with the other three being solo-Monk. All are 1 ounding good and the music has a kind of a personal .-air about it. Everyone should like it, Monk fans will ' cherish it. · Mahavishnu Orch.-Between Nothingness & Eternity Col. KC 32776 This album, long awaited by both jazz and rock enthusiasts, presents not only the unique sound of the orchestra in concert, but also their refinement since Inner· Mounting Flame. Their spiritual ties in music haVe led them to this, their latest and probably best release. The three selections here include Trilogy, Dream & a Jan Hammer footstomper, Sister Andrea. Trilogy consists of sections featuring interplay amongst the group while Dream, featuring the leader and Cobham·, progresses from an acoustic intro. thru numerous solos by McLaughlin, Cobham, Hammer and Goodman, to a short, mellow conclusion. A must for those who have enjoyed the Mahavishnu Orch. in person, This album presents a fine example of a group that touches jazz, rock and even classical music. )( No.rman Connors - Love From the Sun - Buddah 5142 This is a nice album. Every song is enjoyable. The title track especially so with nice vocal work by Dee Dee Bridgewater. The band here is much the same as on his last album, Hancock, Bartz, Garnett, Eddie· Henderson and all, but the overall results are better. Herbie's fans should be pleased, especially with his . own composition, Revelation; and Connors' own Drums Around The World is a well done percussion suite. The combined effort of everyone involved makes this: a pleasant, enjoyable album. Art Blakey, Max Roach, Elvin Jones, Philly Joe Jones - The Big Beat - Milestone 47016 This double album is a re-release of selected cuts from several Riverside albums led by these four drummer-giants from 1958-1964. Its well packaged with all tHe necessary information, and each drummer gets 1 side. Many fine musicians are included here such as, to name a few, C. Adderley, Frank Foster, Jimmy Garrison, F. Hubbard, Hank & Thad Jones, Lee Morgan, Wayne Shorter and Cedar Walton. Two selections are unaccompanied drumming, the rest are quintet to full-band settings. An album everyone, especially drum fans should enjoy. New records by the not so old MASTERS Other recent releases we recommend: Gil Evans - Sevengali - Atlantic 1643 Don Byas - Anthropology - Black Lion 160 Herbie Hancock - Headhunters - Col. 3273.1 Sarah Vaughan - In Japan - Ma~nst. 2401 . Michael Howell - Looking Glass-:: Mile. 90.48 Monk & Coltrane - Milestone 47011 Keith Jarrett -.Fort Yawuh - Imp. 9240 Jimmy Heatfi - Love· & Understanding - Muse 5Q2S: The Visitors - In My Youth - Muse 5024 . Ben Webster - At Work in Europe - Prestige 24031 Art Farmer - Farmer's Market - Prestige 24032 Chas. Mingus - Reincarnation of a Lovebird - Prest. 24028 Clifford Jordan - In the World-Strata East - 1972-1 �what's happening RADIO WBFO-FM-88.7 Monday - Noon - Spirits known and unknown with Francina Simmes Tuesday - Noon - Spirits with Peter Hall Midnight - Jazz Signal with Joe Marfoglia Wednesday - Noon - Spirits with Tom Newhouse 9 P.M. - Jazz Revisited with Hazen Schumacher Thursday - Noon - Spirits With Bill ' Besecker Friday - Noon - Spirits With Alyce Hudson Saturday - 8. A.M. - Morning Serenade with Charles Smith - four hours of easy going jazz, also featuring interviews with local jazz artists. Midnight - Jazz by request with Pres Freeiand Buffalo's only modern jazz request show. Phone 831-5393. Sunday - Talking to the People with Myron Yancey jazz sounds from mellow on up. 11 P.M. - Inside the Changes - with Bill Savino anderSCX'I &wahl. ire · WBLK-FM-93.7 photograph~ Saturday. - 10-12 P.M. Jazz With Bradley J . Cool featuring black jazz artists. · 1335 rmin street WHAM-AM-1080 Jazz all night every night. (Rochester station) bJfdo. n~. 1Ll209 LIVE MUSIC - CLUBS 716/883-3907 EDELWEISS HUTTE- Rt. 240, Glenwood (at entrance to Glenwood Acres) 941-5235. JazzQuartetFridayand Saturday from 10 P.M. No cover. REVILOT - 257 E. Ferry - 886-8833. Pharoah Sanders and Leon Thomas - starting March 19th. Cover charge. support . live rTlUSIC Live Jazz Friday & Saturday Nites 941-5235 Route 240- Glenwood, N.Y. (at entrance to Glenwood Acres) ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. THE MUSICIANS' CLUB- 145 Broadway Sundays - 3 - Don Gais & Co. Don on piano, Pete Suggs on drums. 10- Les Davis Gp. (Quartet) 17 - Graf Young Gp. (Sextet) 24 - Interaction Jazz - Max Thein on bass, AI Tinney on piano 31 - Eddie Kaye Ensemble (Quartet) Band Rehearsal Nights Monday - C.Q. Price Tuesday - Elvin Shepherd Wednesday - Willie Dorsey Thursday - Jimmy Clark . All programs start at 9 P.M. No Cover. ST. GEORGES TABLE- Delaware & North. Jazz Nit€ on Mondays - No Cover. CONCERTS - Elvin Shepherds 16 piece band wit!: Alberta Thomas on vocals will be in concert ThursdaJ March 14 at the . Buffalo State Hospital Rehabilitati> Center, 400 Forest Avenue. Starts at 6:30 P.M. African pianist Dollar Brand will be. appearing Toronto March 8, 9, 10. Tickets $3.00. Contact C Publications at (416) 929-5065 for information. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3405 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 1 Date A point or period of time associated with an event in the lifecycle of the resource 3/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 1 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/902ce7d335da1d3d5c18088eaf8d428a.pdf bff22aa130c7b111452ad8bd73b2e6ad PDF Text Text buffalo ja~z ·fepott 11'- APRIL 1974 FREE Welcome to the second issue of the Jazz Report. We are very happy about the success of the first issue and are looking forward to the future as we grow with the Jazz community. In this issue you will notice more local ads, as well as an ad from Toronto. A recent trip to our sister city in Canada afforded me the opportunity to talk with the people at Coda Magazine. We will be communicating on a regular basis to keep you informed of what' s happening in Toronto, and vice versa. They are fine people and were very interested in the Jazz Report. Buffalo is one of the only cities that has a publication of this sort. In additiom to our regular record reviews, we will be reviewing records not available here, such as Danish & Canadian releases, and will let you know how to obtain them. · Ben Webster recorded an album live at the Montmatre, for the Danish Steeplechase label, that is a must for anyone who followed him, _ and there are many more. March was a rather lean month for jazz here, but as you will read in What's Happening, April will be much better. We are getting an incredible amount of comments (good ones) about our paper. I can't stress enough that our success depends on advertising. For this reason, if you have a liJTP.ted budget for going to hear live music, think about the people whose ads you see in these pages first. They are the ones who make it possible, who are dedicated to the music enough to realize how important this publication is. The Edelweiss Hutte in Glenwood was with us in our first issue and is a fine place. It is not that far and the food and music are great. You'll usually find Max Thein (Bass) playing there with various local cats. When you visit our advertisers - let them know where you heard about them. Remember, if it wasn't for them, you wouldn't know half of what goes on around Buffalo with regards to Jazz music. STAFF Editor/Publisher - Bill Wahl Contributing Editors Michael Barry Levon Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Eber Engla Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. , ~B - \\ ')_ VOL 1 NO.2 JUNIBOOTH In continuing with our articles on native Buffalo musicians who have been succeeding so to speak, in the music world, we had already slated bassist Juni Booth to be featured this month, when we found him ·playing with Pharoah Sanders at the Revilot. This made our work much easier, as Chris sketched him while I took down the information. Juni wa s born Arthur Edward Booth on February 12, 1948 in Buffalo. While attending various grammar and high schools here he became increasingly interested in devoting most of his time to music. He began studying piano at the age of 8, and, while still living here, he studied at the Buffalo Community Music School. He said all major bass players influenced him, especially Scott LaFaro. He studied the bass .a t Eastman School of Music, in Rochester, where · he met Chuck Mangione, with whom he worked and learned a great deal. You might say his first major break came when Mangione went with Art Blakey's Jazz Messengers about '65 and took Jtmi along. Since then he has worked with countless musicians - Freddie Hubbard Tony Williams, Larry Young, Eddie Harris , Erroli Garner, Shelly Manne, etc.· He wrote a . ballad, For Bean, which is on the Shelly Manne album listed below. He played with McCoy Tyner' s Quartet last year and is on two of his albums, including Tyner's Montreaux concert album reviewed in this issue. In the Fall of '73 he toured South America with Elvin Jones an experience most enriching for him. Wetalkedforq~ite a long time, but this is about all we have room for. If you haven't heard him, you should check him out- es.Pecially on Tyner's. new .release. . · DISCOGRAPHY: Shelly Manne • Outside - Contemporary 7624 Charles Brown & The Blazers - Legend Gary Bartz NTU · :rroupe - Harlem Bush Musi,e' Taifa - Milestone 9031 Uhuru - Milestone 9032 Freddie Hubbard - Sing Me A Song of Songmy Atlantic 1576 l,.;irry Young - Lawrence of Newa_rk - Perception 34 McCoy Tyner - Song of the New' World - Milestone • 90'49 . . · McCoy Tyner - Enlightenment - Milestone 55001 �RECORDS TOOTS THIELMANS & SVEND ASMUSSEN - TOOTS & SVEND - A&M SP3613 THELONIOUS MONK & JOHN COLTRANE- MONK/ . · TRANE - MILESTONE 4.7011 Af!er ~icking up this record, I started anticipating · how fme It would be, and the first few bars told me I was in for an experience. Fine is hardly the fitting adjective to describe it; superb would be closer. Having always been an admirer of Toots ' passionate harmonica .playing - the first few seconds' of Sophisticated Lady brought chills to my spine. The rest of the album was far from a letdown. Recorded in Denmark this record "is a showcase for these two European arhsts. What is heard is a well engineered, well produced dynamic session. Overdubbing allows Toots to play both harmonica and guitar on some numbers. Asmussen, a master violinist who is rarely seen in this country, compliments Toots with complete sensitivity. Ed Thigpen (ex-Ella Fitzgerald .& Oscar Peterson), who just recently moved to Copenhagen is heard on drums, as well as being the compose'r of the Bossa Nova 'Denise. Two Danes, Kjell Ohman organ and electric piano, and Stefan Brolund - bass as well as Red Mitchell (also bass) round out th~ group. The music draws from blues classical and some is downright funky. ' If you enjoy Thielmans with Quincy Jones check this out. One listening gives·you enough doses'of that sexy harp to keep you high long after it's over. About a year ago I was !trading some albums with a friend when he handed me one of Monk ' s old Riverside Discs and said "if I could only have one record, it would be this." The record was Monk's Music Riv. 242, and after listeririg to it for a matter of seconds I .fOIJld see why he cherished it so. Recorded in June of 1957, the musicians on the album were, besides Monk & Coltrane, Ray Copeland (J pt), Gigi Gryce (as), Coleman Hawkins, Wilbur Ware and Art Blakey, and with a line-up like that, you can imagine the results. Well lo and beh()ld, the album was reissued in this 2-record set along with selected cuts from 3 other Monk LP's, including Gryce's Blues For Tomorrow, recorded at the first session of the Monk's Music date, , but without Monk who was ill. This 13 . minute cut finds some very interesting blowing as well as a lesson in musical drums from Blakey. Side 1 of the set, bears 3 tunes recorded by the leader's famous Five Spot quartet - Monk, Trane, Ware and Shadow Wilson. The first cut on side 4, Monk's Mood was recorded at a session for an otherwise solo album with only Monk, Trane and Ware . So you have the facts, I am in no position to' review the music of these two men, it speaks for itself. If you spend your money on this. one, you won't be dil)appointed. KENNY BARRON - SUNSET TO DAWN - MUSE 5018 . An outstanding debut album for Mr. Barron, who really should have had one of his own long before this . . Kenny , since leaving Yusef Lateef, has been recording with various artists under the direction of Don Schlitten and is always an asset to a record date. Some of the tunes here are slightly reminiscent of the Jimmy Heath album Gap Sealer, especially Sunset, played on electric piano'. A Flower is a solo acoustic piano number while Barron alternates between both pianos for the remaining cuts. Bassist Bob Cranshaw and drummer Freddie Waits give fine support and .Richie Landrum and Warren Smith provide interesting percussion effects as well as the latter on vibes. Quite enjoyable especially that Latin-Funk. McCOY TYNER - ENLIGHTENMENT - MILESTONE 55001 What we hav.e here is a 2-record set of McCoy •Tyners Quartet, live at the Montreux Jazz Festival :1973, complete and uncut. The recording quality is :•much better than many of the albums recorded at that .Swiss Festival, and Tyner himself says it was .one of his best performances anywhere, and who should know more than he. The four selections, the first of which is a suite in 3 parts, is much in the tradition of Tyners first two Milestone albums, and is a richand rewarding experience, especially when you take in all four sides in one sitting. Youngtenor-man(ex-ElvinJones) Azar Lawrence is much improved since his days of sharing the front line duties with Steve Grossman (in Jones' Quartet). Buffalo born bassist Juni Booth (see article-front page) is a bitch, as is, of course, drummer Alphonze Mouzon. Tyner is his usual amazing self, scaring the pants off countless other pianists. If you happened to see the Montreux Fest on Channel 17, you got a taste of his album's contents. THE GREAT CONCERT OF ERIC DOLPHY - PRESTIGE 34002 The great concert ~s a 3 rE;cord set, attractively boxed, with complete mformatwn, of Eric Dolphy's five spot session of July 1961. Originally released as 3 separate albums - Live at the Five Spot Vol. 1, Vol. 2, and The Eric Dolphy Memorial Album. This is the set to pick up for Dolphy fans who are without these sides . The late Booker Little is in great form here, as are Mal Waldron, Richard Davis and Ed Blackwell. The latter especially on , Number Eight (Lotsa Potsa). Dolphy plays all three of his axes flute, bass clarinet and alto throughout these si~ sides and 111:46 of rightous music. At this point Prestige has re-released all butfouroftheireleven Dolphy albums. It' s a shame the man isn't alive to see it . BEN WEBSTER - LIVE AT MONTMARTRE 1973 • MY MAN-STEEPLECHASE 1008 (DANISH) This record, recorded live at the world famous Montmartre Jazzhus in Copenhagen, in January and April 1973, is a fitting memorial to this ·great tenor player. Ben is playing with his regular group, the Alex Riel Trio, consisting of Riel - drums, Ole Kock Hansen - piano, and Bo Stief - bass, three musicians he respected and loved to play with. Ben worked re. gularly at this club during his five years in Copenhagen, a!ld this, his last recorded work, captured him in that atmosphere. The music, as all of his was, is both sexy and beautiful. Both Stief and Riel are gifted musicians who have greatly improved over the last few years. Hansen plays and solos well throughout. A highlight of the album is the almost 9 minute Willow Weep For Me and I Got Rhythym is played in true tradition . Also included are Sunday, ExactlyLikeYou, Set Call and a ballad (another highlight) Old Folks. This record is a must for Webster followers, and although not available in Buffalo, can be ordered from Coda Publications, Box 87, Station J, Toronto, Ontario M4J 4X8. $5.98 - Postpaid. �GARY BURTON/CHICK COREA- CRYSTAL SILENCE ECM 1024 MILES DAVIS - WORKIN & STEAMIN - PRESTIGE 24034 CHICK COREA - PIANO IMPROVISATIONS VOL. 1 ECM 1014 First a word of thanks to Fantasy (Prestige) for re-issuing this incredible set, originally two separate albums, first issued in the mid '50's. The music-well, I could write a book about these two records, but I will keep it short, for one listening will remove the need for words. These sides are classics, Miles at his burning best, every damn solo on these albums made jazz history. What can be said about Miles, except that Miles is Miles is. Miles. No man in history of the trumpet has put such feeling of love, hate, happiness, sadness. Every emotion known to man into his music. It all comes out with such restrained intensity. Talking about the individual tunes is useless. This music is an ageless experience. This would be a good start for a collection of jazz recordings; As for the sidemen, who are never really on the side, such as the late John Coltrane, playing with a profound beauty of tone and lyrical richness (you probably wouldn't recognize his playing had you only been exposed to his later recordings). As for Red Garland, Paul Chambers and Philly Joe; they have got to be the greatest time machine known to jazz. Five men speaking their experience of life to the world through their instruments, acutely aware of each other. There are no ego's in this music- this is jazz, a spontaneous happening. It cannot be planned, and cannot be repeated. So if you missed these sides the first time around (because of hassles of being too young, or notbornyet),don'tscrewupthis time. These records might very well change your listening habits. As of this month, Polydor has released eight ECM recordings on these shores. These two stand out as A plus examples of two masters at work. Crystal Silence, released in March, is a duet, and is as brilliant as one could expect. The nine songs find Burton and Corea communicating from their very essence, deep moods and rich melodies prevail. While the two men explore themselves and each other. The music is completely successful, the listener should have no desire for bass or drums. Some tunes are familiar from previous albums, some new. This is an album to get involv!)d in, to really listen to. Many of the above descriptions hold true for Corea's Improvisations LP, but here he is all alone, Chick Corea is constantly changing. This is apparent in the vast differences between his last eight or so albums. The recordings on this solo LP are all very lyrical and honest displays of warmth and love. A strong desire to communicate these deep feelings has given us this work from one of the true musical genuises of our time. It is no wonder that this was hailed as one of the best records of 1971. DEXTER GORDON -THE MONTMARTRE COLLECTION VOL. 1 - BLACK LION 108 This 1967 Danish recording, live from the Montmartre Jazzhus, finds Gordon in fine form infront of a well oiled, sympathetic rythym section. The live atmosphere here may be as close as most will come to Dex, since he has been living in Europe for the last 12 years (most of them in Copenhagen). His support on this night consisted of fellow ex-patriate Kenny Drew on piano, Danish bassist Niels-Henniing Orsted Pederson, and the consistently tasteful drummer, AI "Tootie" Heath, who had been Uving in Europeatthis time. The band burns on Ben Tuckers DeVilette, with under-rated Drew showing his talent, and a driving bass solo by Pederson, who has since gained international acceptance. For All We Know, finds Gordon showing his ballad artistry with his huge resonant tone. Two Sonny Rollins numbers, Sonnymoon For Two and Doxy make up the second side. Since purchasing a British Pressing of this album over a year ago, I've been waiting for Vol. 2. Shure hope there is one. JOHN COLTRANE - BLACK PEARLS - PRESTIGE 24037 The two-fer is a re-packaging of two of Coltrane's Prestige albums - Black Pearls & The Belie1(er. These cuts, taken from three 1958 sessions, feature John with· Donald Byrd, Red Garland, Paul Chambers and Art Taylor, except for one cut with Freddie Hubbard, and 2 with Louis Hayes. At this point, Coltrane was growing close (within 2 years) to his Giant Steps and My Favorite Things sessions, and that is evident here in listening to him blowing multitudes of notes in his solos. All six cuts are outstanding and I need not single any out. An interesting point may be that The Believer was written by McCoy Tyner, with Trane being only a short time away from forming his quartet of the 60's. Bassist needed for new jazz group. Phone Bill Wahl at 883-3909. KARL BERGER - IN CONCERT Karl Berger- Vibes & Piano David Holland - Bass Steve Haas - Percussion lng Rid- Vocals & Percussion Also CLAUDE RANGER QUINTET SUNDAY - MAY 5 - 8 P.M. MASONIC TEMPLE Younge & Davenport Toronto TICKETS $5 AT DOOR WORKSHOP 2 P.M. Public- $1 Musicians with Instruments -FREE Limited amount of Tickets available thru Buffa I o Jazz Report - 883- 3909 �WHf\T'S -Hf\PPENING ...... .-----""1:""'0~-----~----f- Bourbon RADIO WBFO - FM-88.7 -Monday - Noon - Spirits Known & Unknown with Francina Simmes. Tuesday - Noon - Spirits with Peter !"~all. Midnight - Jazz Signal with Joe Marfogha. Wednesday - Noon - Spirits with Tom Newhouse. 9 P .M. - Jazz Revisited with Hazen Schumacher. Thursday - Noon - Spirits with. Bill Besecker. Friday - Noon - Spirits with Alyce Hudson, Saturday - 8 A.M. Morning Seran.ade with Charles Smith. Midnight- Jazz By Requestw1thPrezFreeland (831-5393). Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. Street Street TORONTO (416) 864-1020 WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. Al GREY (trom. ) & PH IllY JOE JONES- April 1-16 WHAM-AM-1080 (Rochester) Jazz all night after 12 (except Saturday). JOE VENUTI - Apri I 15May 4 (Phone for Reservations) TV Benny Goodman at Carnegie Hall - April 6 at 10 P.M. on Channel 7. WILD BILL DAVISON (cornet) May 6-18 LIVE MUSIC- CLUBS Black Drama Workshop - 1762 Main. Zimbabwe National Rythym Troupe (Quintet), Sundays 5-9 P.M. Admission - $1. refreshments available. STUART LITTLE'S 348 Oliver, N. Tonawanda- 6942890. Joy (Jazz/Rock) every Saturday night 10-2:30. Cover charge (see ad). . ST. GEORGES TABLE North at Delaware. New Wave (w/vocalistY. Phone 884-1100. REViLOT - · 257 E. Ferry - Bookings not confirmed at presstime. Phone 886-8833. MUSICIANS' CLUB -- 145 Broadway - Jam sessions Sunday afternoons at 4. Jazz Sunday n_ights at 9 with various local groups. Band Rehearsalmghts: MondayC.Q. Price, Tuesday-Elvin Shepherd, WednesdayWillie Dorsey, Thursday- Jimmy Clark. All programs at 9 P.M., no cover, everyone welcome. ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. CONCERTS Herbie Hancock & Weather Report at Clark GymU.B., April 27. Tickets, $3 students, $4 non-students and at door. Available at Norton Hall, Audrey & Dells and Buffalo Festival. · Chuck Mangione at Hamilton Place (Ont.) (416) 525-7710, April 6 & 7 - 8:30P.M.; orchestra, soloists and dancers. Count Basie - Hamilton Place - with vocalist Jimmy Ricks Saturday, April 20, 8:30P.M. . .. Tickets for Hamilton Concerts avallableatCncket Ticket, 3266 Main St;, (835-2828). Anyone who may have the album by · Philly Joe Jones - Drums Around The World that they would be willing to sell or trade; please notify the Jazz Report office . . King 3B slide trombone for sale_; excellent condition with carry-all case, $175 firm. Dave Wahl 883-3907, 941-6415. 0:- Dine & Dance 9-1 No Cover ~TUAVT LITTL~~~ 348 01 iver St., N. Tonawanda Phone: 694-2890 Fine Food- Friendly People '~ov" Saturday Nights - 10 - 2:30 TORONTO . BOURBON STREET - 180 Queen St. - Name Jazz Groups, see ad this i_ssue. Great Spaghetti, ·reason· able prices (food & drrnk). No cover. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St Various local Jazz groups. MacKENZIE'S CORNER HOUSE - 620 Church St. (416) 922-6954 - Charles Mingus April 22-27. COLONIAL TAVERN - Younge at Queen - F'reddi Hubbard - April 1-6. Cover charge. Bassist needed for new jazz group. Phone Bill Wah at 883-3909. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3400 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 2 Date A point or period of time associated with an event in the lifecycle of the resource 4/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 2 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/643cfd00dbce1771774a5b3ec2a640f4.pdf cc2ad2a3dee45c88e55a7daf29c196bc PDF Text Text buffalo jazz report ML MAY 1974 FREE \\'0 VOL 1 NO. 3 TRAVEL NORTH TO BOURBON STREET JM H-hLL Guitarist James Stanley Hall was born in Buffalo on Dec. 4, 1930. He moved to Cleveland at a young age where he started playing with local bands at 13. llis music education included private lessons, and he received a Bachelor of Music Degree from The Cleveland Institute of Music. 1955 found him i n L.A., where he worked with tenor-man Bob Hardaway, Trumpeter Ken Hanna, Dave Pell, and then Chico Hamilton ('55-'56). Since '56 he has played with Jimmy Giuffre, taught at School of Jazz in Lenox, Mass., and did JATP tour of Europe in '59. Also in '59 he played in the music score for the film Odds Against Tomorrow. From 1960 he has worked Lee Konitz, Sonny Rollins, Art Farmer; led trio with Percy Heath or Ron Carter, and Tommy Flanagan ('62- '63), and with Red Mitchell and Colin Bailey'65. Toured South America with Ella Fitzgerald in '60, Europe with Farmer in '64 and appeared on Ralph Gleason T.V. show in '62-'63. Since that time he has been with Ben Webster, Frank Butler, John Lewis, MJQ, Morgana King, Charles Lloyd, Paul Desmond, Gabor Szabo, Benny Golson, Don Cherry, Quincy Jones and on. He now livesinNewYork,has 3 records under his own name, and often works with Ron Carter at The Guitar (N.Y.) and elsewhere, mostly in clubs. Jim is. at home in many settings. Pianist-composer Dick Katz has said that Hall is "an orchestral player, rather tha n a single line virtuoso-he' s a complete entity." Leonard Feather has written that his technique is faultless. Jim can be heard on dozens of albums, his own appear on Milestone and MPS. Editor/Publisher - Bill Wahl . Contributing Editors Michael Barry Levon Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Eber Engla Address Correspondence to: Buffalo Ja:r;z Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 Being a publication· devoted to the promotion of jazz music, we are broadening our scope to include as much of the Toronto and Rochester scene as we can in each issue. The two areas are in such a close proximity to Buffalo, tha t one could easily spend a day or two in either place, and pick up on one or more top jazz performances. The fact that Buffalo itself doesn't host big names as often as you might like, should not starve you from first rate live musi c. On a recent trip to Toronto,· I paid my first visit to tJle Bourbon Street to catch Phil Woods, and I was impressed. The first thing that hit me was the fact that there was no cover charge - a standard policy. These days you don't often wa lk into a club without dropping at . least a couple of bucks. Once inside, a couple of guys asked me to join them, which I did, and we partied all night. I sat in the bar room, which is adjacent to · the dining room in which the band is set up. The best place to see the band would be in the dining room, of course, and there is a two dollar food minimum there. This is not to say that you can't see the band in the bar, because you can. If per chance the ba r is crowded, and you get a bad seat , the management very cleverly erected a huge mirror that covers the entire far wall so that you can see what's happening quite well in the mirror. If you are going to Toronto, you might as well make reservations, eat dinner, and get one of the best seats in the house. People I've talked to were pleased with the food, and all prices for both food and drink are less than you would expect. 1believe a bottle of Carlsberg beer cost about a dollar. The place is noted for its Spaghetti·, and the same people own George's Spaghetti House, another jazz club, on Dundas St. When I was about to leave, after four hours of Woods Carlsberg, I ran into the owner. I showed him the Jazz Report, he was impr essed, and signed up for the ad which was in our last issue. The place is easy to find, right downtown. Queen runs perpendicular to Yonge (the main drag), and the Bourbon Street is about two blocks west of Yonge, just past University. So go on up - you won' t be sorry. See the ad in this issue for more information. --B. Wahl CLASSIFIED ADS Beginning with our June issue, we will be running a classified ad section. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a · record, or a band looking for work; you would do w~ll to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. . The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail · only, and must be in our office (with payment) by t;he 21st day of the month. The ads will not be categ~rized. �Would you patronize a local bar that played jazz on their sound system one night a week? This has been one of our ideas, and we need your help in the form of a response. We don't know which bar, if any, will be willing to go along with it, but some have expressed an interest. Many of you are familiar with these places, where rock music is played well above the point of distortion. So for us to get jazz in (at a level below that distortion point), we would have to have something to show the owner - like a letter from you. Start writing. RECORDS RED RODNEY - BmD LIVES - MUSE 5034 We are witnessing the comeback of an incredible trumpet player to the jazz world. Its been over 14 years since Rodney's last LP, and he and his cohorts did a beautiful job with this tribute to Bird. Red was born in '27, and went on the road at 15 with about every big white orchestra before joining Bird in '49. He is joined here by alto-man Chas. McPherson (Little Bird), who shines everywhere. The formidable team of Barry• Harris and Sam Jones are joined by Roy Brooks, one of the most musical drummers on the scene. The six tunes in this set were some of the hottest numbers in the BeBop era. One that stands out is possibly the most dynamic version of 'Round Midnight ever to find its way into my ears. Every tune is a smash, whether it is played at a slow or breakneck tempo .. Listen to this and find out :why Red was the most important bop trumpeter after Dizzy and Miles. It would have been a shame if no one had had the sense to put hi-m back on wax. DEXTER GORDON - BLUES a Ia SUISSE -PRESTIGE 10079 Dexter's seventh album for this west cop,st company is one of the five packages resulting from the 1973 Montreux Jazz Festival, and is a fine set. If this and Tyner's record are any indication, there must have been good vibes in that Swiss resort town last summer. The rhythym section is beautiful on these sides, and consists of Hampton Hawes - electric piano, Bob Cranshaw - electric bass and Kenny Clarke - drums. It is quite a change to hear Dex and Hamp here, and I don't believe· Gordon has ever before recorded with an electric piano. Bob Cranshaw really has the electric bass down pat, sometimes its damn hard to be sure it l.s electric. "Klook" is great -- both in support and solo work, and is quite familiar to the European Jazz scene, as he has been living in France since he left MJQ in '55. There are four cuts here, each as good as the next, the first being Jimmy Heath's classic Gingerbread Boy - it moves well with Bob doing some wealking near the end supported by Clarke. After Dex comes back there's a good old mistake where Hawes expects Klook to take a couple of "fours" and Gordon doesn't -- great. The title tune - a Gordon original is a cooker as well. The ballad, Some Other Spring is typical of the leader's ballad artistry. The well known Secret Love cooks as well as the first two numbers and contains some of Gordon's best blowing on the .album. You get your money's worth with this one, the total playing time being 43 min. 4 sec. If the other three festival albums are as good as McCoy's and this, purchasing the five and a bottle of wine could give you an enjoyable night at Montreux, at a fraction of the -price. TERJE RYPDAL - WHAT COMES AFTER - ECM/ ·POLYDOR 1031 The music of Terje Rypdal is a deeply passionate experience. This young Norwegian guitarist has a style all his own and cannot be compared to .a~vone that I ·can think of. His band includes Barre Phillips bass John Christensen - percussion and organ, Erik Niord Larsen - oboe and Sveinung ¥ovensjo - electric bass. Their music is fascinating, drawing .from m~ny forms of music, and different bands, yet still sou.nding fresh and original in every way. Throughout this LP you will hear traces (the best only) of Weather Report, Mahavishnu Orch., Paul Winter Gonsort, and OJ'! the rock side· - perhaps Pink Floyd, as well as music of a classical nature. Although it is Rypdal's date, h~ or no one else dominates in the music produced. It IS a total experience of five men who know wh~t they are doing and what they want - and they get 1t, by God. Although it took me a while togetinto an earlier ECM album Sart, which featured Rypdal, this one won me over ;{t once. Congratulations Mr. Rypdal and Guests. JOE FARRELL - PENNY ARCADE - CTI 6034 This record is a very successful fusionofjazz and rock Listening to the whole album brings to mind Herbie Hancock's Headhunters and Billy Cobham's Spectrum; and you might note that He:b.ie is on this, and Farrell was on Cobham's. The remarnrngpersonnel are - Herb Bushier - bass, Joe Beck - guitar, Don Alias - conga and Steve G.add - dr.um~. Ga~d is a familiar name to this area smce he did time with the Mangione Brothers (in their separate groups), and played on Chuck's first two concert albums, as well as the quartets Alive a!bum. In fact, !lOW that I'm on the subject, parts of this album rel!nnd me of Mal'!gione's discs. Included among the f1ve tunes her~ IS an extended version of Stevie Wonder's Too !Jigh, finding Joe on soprano. Penny Arcade and Hurncane Jane are similar to each other (in more ways than one) and are in the jazz-rock vein. The remaining cuts' might be the only ones for the "puri~ts~; Cloud Cream is a latin number with Farrell on piccolo, and the lovely Geo Blue finds the leader on tenor. Although some of the ideas displayed on this album are not new, it is, nonetheless, quite an enjoyable set, and highly recommended for neophytes. WILD BILL DAVISON - LIVE AT THE RAINBOW ROOM - CHIAROSCURO 124 I've just received this albufi! by Wil~ Bill, and I love it. This music has somethmg special to. offer, maybe the happy, good time .f~eling, and basically I have never really been into Dl.Xleland. The feell m.entioned starts with the first groove and goes stra1~ht through to the end. The seven ba~d mem~ers enJOY themselves thoroughly, and the audience.enJoys the~­ and those are the ingredients for good jazz mus1c. Jerry Fuller plays some mean clarinet,andEdHubble is no less proficient on ·trombone. Drummer Dot Dodgion replaces Cliff Leeman ,on two. cuts. George Duvivier - bass and Claude Hopkms -piano round out· the group. I'd liketothankHankO'Nea!~?f Chiax:o~curo for turning me on to some grea~ h;adition~l DIXIeland music. If you dig Wild Bill DaVIson, he Will be at the Bourbon Street in Toronto, May 6-18. Phone (416) 864-1020." �SONNY ROLLINS - WHAT'S NEW & OUR MAN IN JAZZ - FRENCH RCA 741091/092 This double album is a reissue of two records Sonny did for RCA in 19621 and is a mate to an earlier double package - The Br1dge & Sonny Meets Hawk. A heavy latin flavor prevails through much of What's New (record 1), especially the first tune on each side, on which the band is accompanied by a choir and three percussionists. There are four different groups of personnel listed on thejacketforthisrecord- side·1R_ollins, JimHal_l, Bob Cranshaw, Ben Riley and Candido Camero; s1de 2 - the same group for the first cut, and Rollins, Don Cherry, Henry Grimes and Billy Higgins for the remaining three; however, I can only detect Hall and Riley on the two numbers with the chorus. What that boils down to is there are two very interesting tunes with only sax, bass and conga. The three tunes with Cherry are much more free, as is aU of record two. Those cuts are - You Are My Lucky Star, I Could Write A Book, and There Will Never Be Another You;,and are quite well done (as is the rest of this package). ou.r Man In Jazz "!as recorded live at the Village Gate m July 1962. This record probably contains the most freedom and improvisation you have ever heard from Sonny. The tunes are - side 1 - Oleo side 2 De.arly Beloved & Doxy; and you'll find Sonny and Don domg some strange things throughout, both in solos and ensembl_e passages. The rhythym section on this record consists of ~ob Cranshaw and Billy Higgins, who both perform with ample skill and imagination. In summary, there are some good sounds on both these albums, and a variety of musical styles. If you can'~ !if!d this package here, send $11.32 to Coda Pubhcations, Box 87, Station J, Toronto M4J 4X8 Canada. ' GENE AMMONS - JUGANTHOLOGY - PRESTIGE 24036 . _Here is .another "Twofer" from Prestige; this one giving us selected cuts from five of Jug's albums recorde~ from '55 to '57. As was usually the case, the term All Star Support" can be used with names like Farmer, Clarke, McLean, Waldron, Burrell Byrdand so on, but the music has more soul than maey of those dates had. Ammon's big tone is always a joy and its ever present throughout these four sides. Of the eight cuts I find Jaggernut (Ammons) Stella By Starlight and Madhouse (McLean) most interesting. Ammons has a new following added to his list of admirers, and they might do weJ.ltop.l.ckthis up to see what he was up to while they werf'! digging nursery rhymes. · CHARLES TOLLIVER'S MUSIC INC.- LIVE AT THE LOOSDRECHT JAZZ FESTIVAL- STRATA EAST 19740/1 Due to the rumors that Charles Tolliver & Music Inc: ·may be visiting the area soon, it is fitting that their latest release should appear in this issue. This live recording was made in August of 1972 at a Dutch Jazz Festival. To my knowledge, all but two songs appeared on other Tolliver albums; and, this ·entire album was released some time ago on the English Black Lion label (under the same title). Music Inc. has produced many first rate records, this one being on that same level. I enjoy this band's music.for the. personal quality it projects to the listener, and the fact that it remains sax-less, which is a nice change o! pace. 'l_'he first tune, Grand Max, is a fast moving . piece, dedicated to Tollivers former boss, Max Roach, with some intense trumpet playing by the leader. Truth is a ballad· employing the elements of·swing as well as beauty. Prayer For Peace covers all of side two, and contains fine support from drummer Alvin Queen, who must listen to Elvin Jones every chance h~ gets. Bassist Reggie Workman and pianist John Hicks (~oth ex-Art Blakey) also provide interesting and solid support on this cut, and Tolliver fills in on triangle while the rhythym section carries the load. Record 2 begins with Our Second Father, a dedication to Coltrane, which is full of fire , and a showcase for all four men; Hicks turns outsomeofhis best camping of the date, as does Queen who also turns out some fine solp work. Repetition closes the set and 'is a lyrical sWinger played as an encore. The Jones influence col!le~ out again in listening to Queen's cymbal work. Th1s IS a good set of music from a man who should be heard, and now that he has his own record company -he is. · ' MILT JACKSON WITH HUBERT LAWS- GOODBYECTI 6038 Milt Jackson has been well recorded of late outside of the MJQ, and he now pres ents us with another above average disc. Bags and Laws get plenty of time here, with no orchestra or strings to hold them back and Cedar W~Iton's keyboard work is an a dded (wei~ come) attraction. The old standby, Ron Carter, is on bass and Steve Gadd (who seems to be sliding into the roll of CTI stafO on drums. Freddie Hubbard Herbie Hancock and Billy Cobham replace Laws, wa'uon and Gadd on SKJ. Detour Aheads opens the first side in a good medium groove while the title cut may remind you of MJQ with electric piano and flute. The jazz standard Old Devil Moon starts the second followed by SKJ (recorded at the Sunflower sess ion a year earlier wi~ Milt ~nd Freddie voicing the hea d in unison) and a typical (Without flaw) Hubbard solo. The record clos·e s with Horace Silver's Opus De Funk, and I'm sure Horace could get into this version, its a real foot tapper. Judging by the sounds emanating from this record, it was a session all the artists involved must have enjoyed, and no doubt you will too. · JAZZ- ROCK BRIAN AUGER'S OBLMON EXPRESS - STRAIGHT AHEAD- RCA APLl-0454 Since some of our readers are rock lis teners turning to jazz and converted rock listeners who still enjoy a good jazz-rock album as well as jazz "purists" w.e feel that l! good record in this vein should be re~ VIewed when 1t comes our way. Brian Auger has always le~n!'ld towards jazz with his various groups, and the ObhVIon Express' las.t two have shown qiifte ab1t of merit. Through the years, Auger has recordedjazz numbers, Maiden Voyage, In and Out, Freedom Jazz . Dance, Compared to What, -and on this album - Wes Montgomery's Bumpin' on Sunset, which is a lengthy · in~trumental vers~on ~th organ as t't1e le.ad. v.oic~, Th1s group has much rmproved over the past few · years, as they have been steadily growing with each . album, with the possible exception of Second Wind, on which the vocalist was not quite in tune with the ' . group. The music here is well played, polished and funky. The vocals are quite good, and the congas and per.cussion add a stimulating feeling. Auger and Bassist Dean have been the mainstays from the groups birth·· and .Dean has contributed two .songs. for this LP. The' .·band is achieVing thefr goaf of unity, and bas never' sounded more .t ogether than here. �~TUAVT 348 OJ iver St., N. Tonawanda Phone: 694- 2890 Fine Food - Friendly People 'JOY" Monday Nights ~ 9:30- 1:30 WHI\T'S Hf\PPENING ...... RADIO WBFO-FM-88.7 Monday - Noon - Spirits Known &: Unknown with Francina Simmes. Tuesday - Noon - Spirits with Peter Hall. Midnight - Jazz Signal with Joe Marfoglia. Wednesday - Noon - Spirits with Tom Newhouse. 9 P.M. - Jazz Revisited with Hazen Schumacher. Thursday - Noon - Spirits with Bill Besecker. Friday - Noon - Spirits with Alyce Hudson. Saturday - 8 A.M. Morning Seranade with Charles Smith. Midnight - Jazz By Request with Prez Freeland (831-5!l93). Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. WBLK-FM-93. 7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM-AM-1080 (Rochester) Jazz all night after 12 (except Saturday). LIVE MUSIC- CLUBS BLACK DRAMA WORKSHOP - 1762 Main Street. Zimbabwe National Rhythm Troupe (Quintet), Sun. days 5-9 P.M. Admission $1, refreshments available. STUART LITTLE'S - 348 Oliver, N. Ton. - 694-2890 - JOY (Jazz-Rock) every Monday night,9:30-:1:30. ST. GEORGES TABL.E North at Delaware. New Wave (w/vocalist). Phone 884-1100. ANCHOR BAR - 1047 Main - 886-8920. Johnny Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. _ REVILOT - · 257 E. Ferry - Bookings not confirmed at presstime. Phone 886-8833. Our apologies - sorry· to expose you to all the typographical errors in our last issue. An electronic typesetter does our work, and it was acting up. We corrected what we could, but couldn't hold the issue up any longer. King 3B slide trombone for sale; excellent condition with carry-all case, $175 firm. Dave Wahl 883-3907, 941-6415. WILD BILL DAVISON with Norm Amadio Trio May 6-18 HANK JONES TRIO May 20 - June 4 Dine & Dance 9-1 No Cover TORONTO BOURBON STREET - 180 Queen St. (416) 864-1020No cover, no minimum except in dining room. Wild Bill Davison with Norm Amadio Trio - May 6-18. Hank Jones Trio May 20-June 1. See ad. COLONIAL TAVERN- 201 Yonge St. (416) 363-6168Cover charge. Earl "Fatha" Hines with Marva JosieMay 6-11. Rhassan Roland Kirk - May 13-18. Charlie Byrd- May 27-June 8. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St. Bobby Edwards - May 6-11, Moe Koffman- May 13-18. MacKENZIE'S CORNER HOUSE - 620 Church St. (416) 922-6954 - Chico Hamilton starts May 27 for one week. MASSEY HALL - Herbie Hancock & Weather ReportMay 11. HEALING FORCE MUSIC LTD. presents vibist Karl Berger's Quartet featuring bassist David Holland, May 5 at Masonic Temple, Yonge at Davenport, at 7:30 P.M., sharing the bill will be drummer Claude Ranger's Quartet. Tickets - $5 - available through Buffalo Jazz Report. ROCHESTER ROCHESTER INSTITUTE OF TECHNOLOGY (R.I.T.) will host George Benson on Sunday, May 5. Also the R.I.T. Jazz Ensemble May 16. SARATOGA- 384 East Ave. 1-325-3180 Cedar Walton & Sam Jones now through May 10. TOP OF THE PLAZA - 1-325-3800 - Midt~wn Plaza Tower - Stan Kenton May 29-30. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3402 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 3 Date A point or period of time associated with an event in the lifecycle of the resource 5/1/1974 Language A language of the resource en_US Subject The topic of the resource Jazz musicians. Jazz. Sound recordings > Reviews. Music > Periodicals. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 3 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/77fbbc428227bf0c18682fb1cb382852.pdf be9773babdcf8ac604576deeb8d0e3bf PDF Text Text buffallo Jazx tepott Nt.. FREE JUNE 1974 I ANSWERS EDWARD KENNEDY ELLINGTON VOL. 1 NO.4 J& In answer to some questions we have been receiving; we are in no way connected to or funded by any university or record company; we only review the best records we obtain each month; we are not going to expand to include rock. We will print answers to questions from time to time. Due to Jack of space, we don't print letters to the editor (or bad record reviews). 1899- 1974 Everyone must be aware by now that the world lost Duke Ellington, and he was buried on Memorial Day. He had been hospitalized since March, and died May 24 of lung cancer complicated by pneumonia. There can be no doubt that the Duke was the most important influence on American music in this centuryas a composer, a bandleader, and a person. He was loved and respected by everyone - especially his peers, and he will be missed by everyone who can tap their foot. His band turned out some incredible talent -Johnny Hodges, Cat Anderson, Harry Carney and Ben Webster - to name a few. He and his bands have recorded hundreds of albums since 1924, and 72of them are still available. His compositions include such hits as Satin Doll, Moon Indigo, I Got It Bad & That Ain't Good, Sophisticated Lady - and on and on and on. Volumes of books could be .written about the Duke. Perhaps the best. now avail?ble would be his own ~uta­ biography - Mus1c Is MyM1stress- recentlypubhshed by Doubleday & Co. Many jazz writers have written about Duke - including Stanley Dance and Whitney Balliet. · With his passing we are surely sad. At this time however - we should be happy about two things - that he was born, and that he died with dignity and did not have to suffer with his illness. His memory and contributions are eternal. -Bill Wahl A word of thanks to Tom Alabiso for offering to have his article on Buffalo's Jazz History cutin favor of the above, and to Chris for doing the beautiful illustration of Duke on such short notice. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. Editor/Publisher - Bill Wahl Contributing Editors Thomas A. Alabiso Levan Cavanagh Malcolm Leigh Paula Wahl Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 MAYNARD FERGUSON Maynard Ferguson receives more undue criticism than almost any jazzman on the scene - mostly by self styled jazz critics who write what they think would be hip - but obviously haven't taken the time to listen. Since Maynard is coming to town, as he does more often than most jazz artists (due to the owner of the Landmark Night Club), we are devoting this space to a review of his latest album. M.F. HORN 4 & 5- LIVE AT JIMMY'S- COLUMBIA 32732 In this, Columbia' s latest release of the M.F. Horn series; Maynard & Co .. are on fire (as usual). There are some great new charts, plus - some reworked goodies from the old book. It is interesting to note that a few of the charts go back to the 1959-60 era, but when interpreted by this new band - they are more exciting than ever. Maynard's bands throughout the years have spawned great new talents tojazz,andthisbandis no exception. Baritone saxist, Bruce Johnstone is a total gas, and his solos are heard throughout the album. Dig his intro to Got the Spirit. Ferdinand Pavel is a new tenor player . in the band with much to say. A trumpet player making his mark in Maynard' s band is a great thing - because Maynard is respected by most every young trumpet player alive. This band is bursting forth with new energy in brass. Young Lin Biviano is one of the great new lead trumpet players on the scene. It also brings to light the assertive jazz trumpet of Bob Summers. Maynard, of course, is a phenomenon. He is probably the most gifted player ever to pick up a horn .. �(--- ask Miles). I'm not just talking about high notes, because lots of players can do that. The difference here is in the beautiful music that Maynard creates. This may be getting of the track, but I have spent literally hundreds of evenings listening to this man, and he has something that cannot easily be put into words. Beyond his incredible playing, Maynard has boundless energy, not only as a player- but as a great band leader. There is something in his psyche which draws energy from the entire band to create an extremely exciting experience. What it boils down to, is that you must catch this band live, because the best recording techniques in the world cannot begin to capture the experience of hearing this band in person. Get this record. If you like good music - you will dig it, if you like big bands - you will love it. If you are a trumpet player, you will probably freak out completely. M.L. CLASSIFIED ADS Experienced drummer looking for serious working jazz or jazz rock group, availableimmediatelyfor work in the Buffalo or Toronto area. Call 652-9032 or 652-7092. King 3B Slide Trombone - for sale - excellent condition with carry all case, $175 firm. Dave 883-3907 or 941-6415. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. RECORDS GARY BARTZ - I'VE KNOWN RIVERS & OTHER BODIES - PRESTIGE 66001 . GENE AMMONS AND FRIENDS AT MONTREUX ~ PRESTIGE 10078 HAMPTON HAWES ~ PLAYIN' IN THE YARD PRESTIGE 10077 Here are the remaining 3 albums, from Prestige~ Milestone, recorded at Montreux last summer. As was the case with the other 2 (Gordon & Tyner), these are quite satisfying. The Bartz release, a 2-record set, strikes me as being his best since the birth of the NTU troop. Everyone has time to stretch out, and they seem to function better in a live performance than in a studio. Although Bartz's vocals aren't so hot, the music is; and the band communicates very well. Ammons enjoys himself and blows well, accom~ panied by Hamp Hawes, Bob Cranshaw, Kenny Clarke and Kenneth Nash (congas), on his LP. That group does four tunes, including Sophisticated Lady, before being joined by the Adderleys and Dexter Gordon. Then its all stops out for a 17 minute bash - 'Treux Bleu; and they have a ball! Hampton Hawes' turns out a fine performance on album, using both acoustic and electric pianos. He' is accompanied by Cranshaw and Clarke for this set· which is one of the most interesting trio albums i~ some time. In addition to the title tune, a Rollins nurn. ber, there are 3 Hawes originals, and the classic _ Stella by Starlight. So grab that wine, choose your artists and enjoy yourself. B.W.' FRANK STRAZZERI SEXTET~ VIEW FROM WITHIN. CREATIVE WORLD CW3003 This gifted pianist from Rochester is both underrecorded and under-rated. This album, originallJ released on the Revalation label, is an impressive set of some very hip music. Frank plays electric piano throughout, and all six compositions are originals. Three of the players here are fam'iliar names in this area - Don Menza, Frank Rosolino and Gene Cherico. Rosolino (trom.) turns out some of the best soloing of the date, while Menza's sax work is a bit lighter than his usual (good!). The leader has a sound of his own and must be heard. Look for this one, if you can't find it - phone us. B. W. JAMES MOODY 5020 ~ FEELIN' IT TOGETHER ~ MUSE If this isn't the best (I think it is), it is certainly one of the best albums that Moody has ever put out. This record contains not only fine blowing from the leader, on alto, tenor &flute, butalsoanother brilliant performance from Kenny Barron on keyboards, and outstanding arrangements. Larry Ridley (bass) and Freddie Waits (drums) turn out superb work as well. The album opens with a version of Anthropology that boils for nine minutes gaining degrees as it progresses. Although there are plenty of minutes of music here, it goes by far too quickly. Four men are pourin' out their feelings - together. B.W. THE BLACKBYRDS- FANTASY F~5444 The Blackbyrds are six full-time students, studying music at Howard University. Their music is a high quality blend of jazz, rock, soul and R & B; with touches of African and Eastern influences - black music. Portions of this album bring to mind some of War's better things, but the Blackbyrds have it much more together both instrumentally and vocally. Watch for this one, it'll probably make the radio. By the way - guitarist Barney Perry is from Buffalo. B.W. MORGANA KING 6067 ~ NEW BEGINNINGS~ PARAMOUNT Whew! Morgana does it again. This incredible lady's albums are few and far between, but when they arrive - watchout! There are those who will raise the question as to whether or not she is a jazz singer. Well forget about applying a label to Morgana King. She is in a class by herself. Popularity of a singer does by no means denote ability. Morgana never ;tad the recognition she so rightly deserves, although :~n a sense she has, because as far '<S musicians (h,,r peers) are concerned - she's among the best. ' After some tragedies in her personal life, such as the death of her husband - jazz trombonist, Willie �Dennis (in a car accident), she was somewhat secluded from the world. Now Morgana is on the scene again. From the rirst few bars of Sunshine of your Life, through half a dozen more of today's best tunes - she makes her greatness clear again. There is so much love and deep feeling on this record, don't be surprised if you start to cry - as I did. New ·B eginnings - get it. M.L. WEATHER REPORT - MYSTERIOUS TRAVELLER COLUMBIA KC 32494 Another fine disc from Weather Report! Despite changes in personnel on each of their four albums, they have maintained their patented sound, although they were a bit more rockish and structured on Sweetnighter. This album brings together the Sweetnighter style with the airy sound of their earlier works. New to the lineup is drummer Ishmael Wilburn· and bassist AI Johnson (who was recently with Chuck Mangione). Miroslav Vitous is heardononlyonetrack. Vocals are heard (without hindering the music) on a few numbers. The music is colorful and percussive an experience. Many of the tunes here will be familiar to anyone who saw this group at U.B. in April. B.W. THE MODERN JAZZ QUARTET- BLUES ON BACH- . ATLANTIC SD1652 This long overdue MJQ album finds them at their usual greatness, and is well worth the wait. The nine tunes here are all by Lewis or Jackson, and five of them are based on works of Bach. John Lewis uses the harpsichord often here, and it fits well with the material. I prefer this to their last few releases, but that is a matter of personal taste. I don't ever remember the MJQ putting out a bad album. They are masters who form a jazz institution. B.W. FLORA PURIM - BUTTERFLY DREAMS - MILESTONE M-9052 If you are familiar with Flora from her work in Chick Corea's original Return to Forever, then you can expect more of the same if you purchase this fine s ide. Along with Joe Henderson, Stanley Clarke, Geo. Duke, David Amaro, Ernie Hood, andherhubby Airto, the lovely lady floats through the eight tunes with the lyrical beauty that is connected with her name. One high point is Antonio Carlos Jobim's DINDI, which she sings in her native language (Portuguese). Henderson's sax and flute work is much mellower than heard on his recent albums. B.W. PAUL DESMOND- SKYLARK- CTI6039 Paul Desmond, Gene Bertoncini, Gabor Szabo, Bob James, Ron Carter and Jack DeJohnette - that's the lineup - augmented by Ralph MacDonald (percussion), and George Ricci (cello). The music on this album is equal to or greater than these people who made it. It is refined and gorgeous. It seems as though people either like or dislike Desmond - with no medium; but if anyone really listens to him play - I should think they would have to admit that he draws a beautiful and unique sound from his horn. These tunes are typical of material found on Desmond's records. Take Ten (a 1974 Take Five?) will bring back memories of a song that turned thousands on to jazz in 1960. If you dig Paul, he'll be at the Bourbon Street in Toronto this month - see the ad in this issue. B.W. CHARLES MINGUS • MINGUS MOVES -ATLANTIC SD 1653 Mingus is always exposing new talent to the jazz world. On this record he has two newcomers - Ronald Hampton on trumpet, and George Adams on tenor and flute, who both sound promising. Don Pullen is on piano, and drummer Dannie Richmond has returned. The music is lyrical, and more structured than most Mingus performances. The group is joined by Honey Gordon and Doug Hammond on vocals for a lovely rendition of the title tune - written by Hammond (who preceded Richmond as interim drummer). This album would be a good addition to most any jazz collection. B.W. SHORT SNORTS BUDDY TATE & HIS BUDDIES - CHIAROSCURO CR-123 Buddy Tate & Buddies have turned out no less than a swinging, bluesy album, which should please most jazz buffs. Tenorman Tate is joined up front by Illinois Jacquet (also tenor) and Roy Eldridge (tpt.). All three solo with imagination and soul. The rythym section, which includes pianist Mary Lou Williams, is fat and solid throughout. Music such as this is rarely produced these days - a totally relaxed and personal session. B.W. LONNIE LISTON SMITH - ASTRAL TRAVELING FLYING DUTCHMAN 10163 In his days with Pharoah Sander s, Lonnie Liston Smith wrote and performed tunes with beautiful melodies, and rich textures and colors. This album is more of the same. Mood music - by itself it goes nowhere - but it takes you anywhere you might want to travel to. Unlike many Sanders albums, none of the music here is irritating. A good set. B.W. DOM UM ROMAO - ¥USE 5013 Thi s first effort by Weather Report's percussionist is a gem. This is, it seems to me, what a percussionist's album should sound like. The music is played around a myriad of percussive effects resulting in an intricate blend of Brazilian music , jazz and God knows what else. For me, this is the sleeper of the month. B.W. ~ CRAZY. "·,~ RON ~ ~ ·»-: • 1,. HAIRCUTTER ''WHATEVERTURNSYOUON" HAIRCUT 19 KINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store �RICHARD DAVIS - DEALIN' - MUSE 5027 The six tunes here are all Davis originals- written as a fi.lm soundtrack. Most of the music is soulful and happy, except for the sad Julie's Rag Doll, with vocals by Davis (that's ·not why its sad). It's a good disc, although bass players won't get much out of it. Davis writes some nice stuff. B.W. WH~T~ urbon Street HP\PPENING ...... RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midni.ght Jazz Signal with Joe Marfoglia. Wednesday - 9 P.M. - Jazz Revisited with Hazen Schumacher. Saturday- 8 A.M. -MorningSeranadewithCharles Smith. Midni.ght - Jazz by Request with Prez Freeland. Phone 831-5393. WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM - AM - 1180 Jazz all night after 12 (except Saturday.) CONCERTS CLARENCE SENIOR HIGH SCHOOL JAZZ ENSEMBLE led by Don Cappola featuring local jazz artists - Ray Chamberlin - bass, John Licata - baritone sax and Don Cappola - piano. Clarence S.H.S., Main Street, Clarence, Sunday, June 9 at 2:00P.M. Donation - $1. K E I T H J ARR E T T P I A N0 FRIDAY JUNE 14 8:30 pm MASONIC TEMPLE 888 Yonge Str~et Admission $4.00 S 0 L 0 limited amount of Tickets available thru Buffalo Jazz Report- 883-3909, Ext. 11 ZOOT SIMS QUARTET June 3-15 PAUL DESMOND QUARTET June 17-29 Dine & Dance 9-1 No Cover LIVE MUSIC - CLUBS ·BLACK DRAMA WORKSHOP - 1762 Main Street. Zimbabwe National Rhythm Troupe (Quintet), Sun. days 5-9 P.M. Admission $1, refreshments available. ST. GEORGES TABL-E North at Delaware. New Wave (w/vocalist). Phone 884-1100. LIBRARY -. 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. LANDMARK - 1386 Lovejoy -892-8651- Harry James June 23rd. Admission Charged. ANCHOR BAR - 1047 Main - 886-8920. Johnn~ Gibson trio w/Geo. Holt on tpt. Friday and Saturday 10-2, Sunday 9-1. No Cover. ROCHESTER TOP OF THE PLAZA -Midtown Plaza Tower- 1-3253800. Tommy Dorsey - June 4, Four Freshmen- June 10-15, Harry James - June 26. TORONTO BOURBON STREET - 180 Queen St., W. - (416) 8641020 - Zoot Sims Quartet - June 3-15, Paul Desrnoi).C: Quartet - June 17-29. No cover- minimum in dinin~ room only. See ad. GEORGE'S SPAGHETTI HOUSE - 290 Dundas st., E. (416) 923-9887 - Hagood Hardy - June 3-8, ilerniE Senensky - June 10-15, Moe Koffman - June1 ~7-22, Brian Brown Trio - June 24-July 6. No admission. no cover. COLONIAL TAVERN- 201 Yonge St., (416) 363-6168. Charlie Byrd- May 27-June 8, Esther Phillips- June 10-15, Chase- June 17-22. Cover Charge. KEITH JARRETT - solo piano concert - presented b~ Healing Force Music Ltd., at Masonic Temple- Yonge at Davenport- Friday, June 14 at 8:30P.M. Tickets $4 - available through Buffalo Jazz Report- 883~3909 Ext. 11. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3406 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 4 Date A point or period of time associated with an event in the lifecycle of the resource 6/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 4 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/8200d123e0b1cdfbe2ce2030df3e54c6.pdf 41e4b04ad965292d3800745f9cff8539 PDF Text Text buffalo jazz tepott ·ML. JULY 1974 FREE I ~& / \\~ VOL. 1 NO. 5 live mugic teview grover washington, jr. The Toronto area had a lot to offer the weekend of the 14th & 15th of June. I can't imagine a better way to start off than the Keith Jarrett solo piano concert at the Masonic Temple, presented by Healing Force Music. His performance was solid proof that he is no less than a virtuoso - and about the most creative pianist of today. He sold (& souled) out - and not a voice was heard from the audience. · Further downtown Zoot Sims was closing his two week stint at the Bourbon St. He was backed by a rythym section often heard in the Toronto area pianist Carol Britto, bassist Michel Donatoanddrummer Gerry ,Fuller. Michel said of Zoot - "He really swings"; and that he does. They all did. A few blocks away we caught Esther Phillips at the Colonial. We were bummed out, as were the other · people who made up the full house. When she sang, she was great; but her band played two hours of mediochre (&sometimes boring) soul-funk before she appeared. That is hardly fitting for a $3 cover charge (the highest I've ever seen there). Colonial is turning into the Cesaer's Palace of Toronto. Watch out. Closer to home· - Re-Birth, a contemporary jazz/ jazz-rock trio, is currently in residence at Niagara Fall's Ontario House. They project a solid dynamic sound while playing the music of Hampton Hawes, Weather Report, Hancock, McCann, Van Morrison, Santana, etc. A good group to be heard by fans of the above. More on Re-Birth in the future. See what's happening for more information. Editor/Publisher- Bill Wahl Contributing Editors Thomas A. Alabiso Levan Cavanagh Malcolm Leigh Paula Wahl lilustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 Grover Washington, Jr. was born in Buffalo on December 12, 1943 into a musical family. His father played tenor and his mother sang _in church. His father bought him a sax at the age of 10, and he took lessons at Wurlitzer and played in the school band. For two years he played baritone in the all city high school band. Grover started visiting local clubs while a high school sophomore. He first heard jazz at the Pine Grill, where Thornell Schwartz hadagroupwith Larry Young and Don Gardner. With his parents approval, he went on the road as one of the Four Clefs. In 1963 Grover started out on his own, playing with various people including organist Keith McAllister, with whom he played fender bass and sax. In 1965 Grover was drafted. He reported to Fort Dix, where after basic training he was assigned to the band. He spent the entire two years at Fort Dix and did some moonlighting in Philadelphia. In '67 he settled in Phily and joined Don Gardner's Sonotones. Later things got slow and Grover, now a married man and father of a son, went through a period of depression. But with his wife ' s help, he kept his spirits up and his horn out of the closet. Things started to fall into. place again when he was Association for Jazz performance announces the called in for record dates with Joe Jones, Leon reformation of the Buffalo Jazz Ensemble full time Spencer and Johnny "Hammond" Smith. After playing positions available - all instruments. Contact Phil on Smith's Breakout album (KUDU 01), Grover was signed to an exclusive road contract by Creed Taylor. , ·DiRe 876-8193 for information. Shortly after, he formed his own group. Their first BASSIST AND DRUMMER needed now for electric ·· date was at Mandrake's in Berkeley. jazz quartet. Odd meters and gigs. 693-5845. Grover now has performed on numerous albums, · Whether you are a musician looking for work, including three of his own (on Kudu). work looking· for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a The Buffalo Jazz Report is distributed free at band looking for work; you would do well to advertise •various locations in the Buffalo Area as a service to ih the jazz report. The cost is $.25 per word- mini'the jazz community. Please support our advertisers mum charge is $3. w~o make it all possible.. . The ad must be music related, no business may ~ claa~lfied �use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day oC the month. The ads will not be categorized. ffecotrding~ CHARLIE PARKER 10th MEMORIAL CONCERT TRIP 5510 ART BLAKEY & THE NEW JAZZ MESSENGERS BUTTERCORN LADY • TRIP 5505 Anyone who has been sorry to see the Limelight albums of the 60's vanishing into oblivion - rejoice. Trip is doing a Cine job of re-issuing many of them. Both of the se are from the Limelight catalogue, and are issued under the same titles. The Parker Memorial album was recorded in 1965 and features many familiar names - Gillespie, Kanitz, Moody, Eldridge, Hawkins, Dorham, Haynes, etc. Six tunes a re played by five groups of personnel; including two Bird originals (one of which boasts a Dave Lambert vocal); and a Kanitz alto solo piece Blues For Bird. Buttercorn Lady is a live 1965 recording at the (Lighthouse) in true Bla key tradition. Featured are Keith Jarrett - piano, Frank Mitchell - tenor sax, and a young trumpet player named Chuck Mangione. The Miles Davis influence on the latter is easily noted throughout. The pressings and sound quality are very g!)Od. Let's hope to see many more of these ex-Limelights on the racks in the future. movin' sale! speakers I~FI~ITY AXT OHM F HEGEMA~ I KLH 33 CROWN ES26 CROWN ES14 MAGNEPLAHAR EPI 201 EPI 602 B & 0 4702 ESS AMT 1 ESS AMT 4 DAHLQUIST DQlO AOC XTlO CELESTION 25 ESS SATELLITE BEYER Headphones AK G K 150 AK G K tOO ESS 9' s HILL 750 HILL 850 MARA~TZ SG ADVENT (U) RTR 2BODR Reg. Pr. 600.00 800.00 270.0G 200.00 1,000.00 740.00 800.00 440.00 600.00 400.00 630.00 480.00 700.00 230.00 606.00 625.00 80.00 40.00 30.00 400,00 220.00 300.00 20o•.o·o 220.00 600.00 !M~~~~!!'~~~~~!!~!3~· open dally-Mon.,Wed., Thurs. nites. SALE Pr, 505.00 600.00 185.00 125.00 800.00 550.00 650.00 350.00 485.00 300.00 550.00 400.00 600.00 170.00 550.00 500.00 60.00 25.00 18.00 300.00 150.00 2QO.OO 135.00 130.00 500.00 ,m - -. ~ McCOY TYNER - ASANTE - BLUE NOTE - LA223-G Blue Note has again dipped into their vaults to give us Asante, recorded in Sept. 1970. Its a good album, further showing his transition to the sound he· achieved on Sahara; although I find it less interesting than both that album and Asante's Blue Note pre. decessor - Extensions. Nonetheless, its an important addition to a Tyner collection. Perhaps there are more tapes in the can from the 16 month period which spanned this date and Sahara. STEVE GROSSMAN - SOME SHAPES TO COME • P.M. - PMR002 . Steve Grossman's first album is one of the few I've heard that could please both jazz/rock enthusiasts and jazz listeners who are willing to travel a bit beyond mainstream. Grossman's Haresah, on which he plays soprano, makes you want to do a tribal dance around the room; and drummer Don Alias' Zulu Stomp brings you up for more. Much of side two is more avante-garde in nature and every bit as enjoyable. Besides Grossman and Alias - Gene Perla (owner of P.M. Records) is on bass, and Jan Hammer is heard on electric piano and moog. The recording andpressing quality are excellent. If you can't find this one, phone us. THE DRUMS - IMPULSE ASH- 9272-3 Impulse has a lot going for them - a vast wealth of recorded music being their greatest asset. They have managed to cover most of the great drummers of the last 30 years in this "specially priced", boxed 3 record set - from Baby Dodds & Sidney Catlett to Barry Atschul & Alphonze Mouzon. Twenty-five drummers in all, each with one track; except Elvin Jones, who has t~o. On the plus side - a booklet is included which lists.all personnelforeach cut and most recording dates, all the drummers and the tunes a:oe listed on. the . back, most of the tunes selected are aypro pnate examples of each man's work and the pressing and sound quality is excellent (in the last 2 years Impulse has improved their pressing quality 400%). The only minus - the chronological order is way off in a few places. The pluses win 5-1 - thank you Impulse. DON PATTERSON - THESE ARE SOULFUL DAYSMUSE 5032 . If you are an organ fan - full or part time, you'll probably enjoy this latest release from Patterson. Soulful jazz and blues made up the format for this session, and its success was, I'm sure, partly due to Don's· choice of sidemen. One need not question the capabilities of Albert & Jimmy Heath, or Pat Martino. Muse Blues is a down home 18 minute excursion with lengthy statements of gut feelings from Patterson, J . Heath and Martino, over the laid back, heavy drumming of Al. I'd say this is better than most Patterson albums I've heard. KEITH JARRETT • TREASURE ISLAND - IMPULSE AS-9274 Jarrett's latest finds him in much the same company as on his last few group efforts - Redman, Brown, Haden & Motian; with two percussionists added for extra flavor. Much of this music is r eminiscent of his Expectations album of 2 years ago; but that album was a bit more involved, and this is more consisten.t , The title tune is an expression of the delicate and graceful beauty of Jarretts writing. This �is a good group effort, but you should also.check out some of his solo discs. HUBERT LAWS - IN THE BEGINNING - CTI-CTX 3 plus 3 The title ofthis double release could be quite misleading. If you skipped this one, thinking it a re-issue of Laws' earlier works - be advised. This set was recorded in Feb. 1974, and is most probably his best, as well as his most jazz oriented album to date. The entire band is superb, and each of the 8 cuts fares as well as the next. A small taste- Moments Notice cooks 'till the cows come home, Rollins' Ai.regin is a flute and drums duo adventure, and Mean Lene occupies every groove on side 4, allowing ample solo space. 1n addition to Carter, Gadd, James, Airto, Bertoncini and others, you'll find Laws' brother, Ronnie, in the tenor chair. If you did pass this up - backtrack. You'll smile all over. BEN WEBSTER MEETS DON BYAS - BASF MB 20658 This is a relaxed session from two now departed tenor giants. Both these men moved to Europe to seek work and acceptance, and it was there that their later recordings have been made. Al "Tootle~ Heath is heard on drums with a European bassist - Peter Trunk and pianist - Tete Montoliu. Both Ben and Don sound good -the former is beautiful on Caravan. These men can be heard in great form on their Black Lion recordings of the early sixties - Byas' Anthropology and Webster's Atmosphere For Lovers & Thieves, & Duke's In Bed. I like this one more each time I play it. BARON VON OHLEN - THE BARON - CREATIVE WORLD CW 3001 John "The Baron" Von Ohlen is a 'firey drummer who has in past years driven the hell out of the bands of Woody Herman and Stan Kenton. Influenced mainly by Mel Lewis and a fan of Elvin Jones, The Baron possesses the fine qualities of drive, dynamics, time and good taste, all of which show through on his album. His quartet consists of two keyboard players and vocalist Mary Ann Moss; who sings 5 numbers, often in the style of Jackie Cain. The music is quite melodic and varied, not so commercial as the cover might suggest. The Barons' only real solo spot is in Wayne Shorter's Pinnochio, but his drumsareupfront throughout all 11 tunes. An interesting note - Ms. Moss makes Candy Man a respectable song. SHORT SNORTS BILLY COBHAM - CROSSWINDS - ATLANTIC SD7300 Cobham's latest is a great improvement over his first release (Spectrum). This is most likely due to new personnel - the Breckers, Garnet Brown and George Duke; and the new guitarist - John Abercrombie. Its a good jazz-rock disc, but the soloists could use more room. CAL TJADER & CHARLIE BYRD- T.t\MBUFANTASY F-9543 A very pleasant set of easy listening music with a Latin flavor. Included here are two Airto Moreira numbers and Joe Henderson's Black Narcissus. This impresses me more than any of the later releases by either Byrd or Tjader. You could play it for most anybody anyplace. I Bring this coupon to any of the 8 CAVAGES locations and receive ONE DOLLAR OFF any avai Iable album reviewed in this issue. (Sale albums oot included). *CAVAGES will special order any jazz LP available. I e SENECA MALL • BOULEVARD MALL • COMO MALL I I L!SO~SH~~ • MAIN PLACE MALL • THRUWAY PLAZA ... • ~~S~ L~O~ll I I _j GEORG!; PUKE - FACES IN REFLECTION - BASF MC 22018 Duke's latest is a gas. It is an incredibly well written, well arranged and well executed set of high energy (sometimes) jazz and jazz/rock music, played in a trio format. George's vocal and synthesizer work enhances the music, especially the mellow tracks, and is one of the greater forces contributing to the creation of this first class release. · SONNY STITT - SO DOGGONE GOOD - PRESTIGE 10074 This is a few months old, but we just heard it and its dynamite. Its just as doggone good as his other recent LP's on Muse and Cobblestone. All 6 tunes (4 are Stitt originals) are bitches; as are Stitt, Hawes, Johnson and McBrowne. JACKIE CAIN & ROY KRAL - A WILDER ALIAS CTI6040 Jackie & Roy's fine vocals leave plenty of space for Joe Farrell and Hubert Laws to blow their brains out, and drummer Steve Gadd shows once again that he's no slouch. If you'd like to hear some good vocals for a change - check this out. DAVE LIEBMAN - LOOKOUT FARM - ECM 1039 Liebmans' second release is more musical and structured than his earlier Open Sky, but not as exciting. The first two qualities however make it quite enjoyable for both the novice and initiated ears. Its a far cry better than his work with Miles. Signs of improvement are evident on the soprano (he·•s no longer being stifled). aJo~s AljaMa! pu!4aq (aJawapu!M 6988•9C8 JO JaUJO::>) •1AY I•OWIIIJI6S .lf13HIVH ..NOnOASNHnlH31\31VHM.. ~A:::~ . , HAIRCUTTER •. �wlha~1g lhapp>enftng RADIO WBFO • FM ·• 88.7 Mon. - Fri. - 12 Noon - Spirits Known&: Unknown with va rious hosts. Tuesday - Midn ight Jazz Signal with Joe Ma rfoglia'. Wednesday - 9 P .M. - Jazz Revisited with Hazen Schumacher. Saturday - 8 A.M. - MorningSeranadewith Charles Smith. Midnight - Ja zz by Request with Prez Freeland. Phone 831-5393. WBLK-FM-93.7 Saturday - 10- 12 P .M. Jazz with Bradley J . Cool. WHAM - AM • 1180 Jazz a ll night after 12 (except Saturday .) TY WNED - 17 (Public Television) Wednesdays July 3 - 8:30 P.M. - Freddie King July 10 - 8 P.M. - Paul Winter Consort 8:30P .M. -Roberta Flack July 31 - 8:30 P .M. - Lightnin' Hopkins Thursdays July 11 - 9 P.M. - Jazz A La Montreux July 18 - 8 P.M. - Evening at the Pops - Benny Goodman 9 P.M. - Newport-New York - A Tribute to Louis Armstrong Sundays July 14 - 8 P.M. - Evening at the Pops -Benny Goodman July 28 - 8 P.M. - Evening. at the Pops - Peggy Lee LIVE MUSIC - CLUBS ONTARIO HOUSE - 920 Onta rio Ave. -Niagara Fa lls282-9877 - Re-Birth -July 3-7 & 26-28. Dick Kermode tentatively scheduled to start July 25 closed J uly 824. ST. GEORGES TABLE North at Delaware. New Wave (w/vocalis~) . Phone 884-1100. LIBRARY - 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. BEEF BARON - Hotel Statler Hilton. Ann ·FadaleTrio - Tues. -Sat. w/ Adrien on vocals. LANDMARK .- 1386 Lovejoy - 892-8651. Maynard Ferguson - July 14. Cover charge - $6. . Zimbabwe National Rythyrn Troupe - QUintet Port East - Ferry & Grider - Tuesday nights. Admission $1.50 - Refreshments available. MI1YN~RD FERGU~ON ORCH€~TRf\ SUNDAY, JULY 14 9-1 .Admission· $6 tax incl. THE LANDMARK 1386 Lovejoy 892-8651 Bourbon Street en Street TORONTO h: (416) 864·1020 BILLV BUTTERFIELD Quartet - July 1- 6 . JOHNNY GUANIERI TRIO July.S-20 ART FARMER Quartet July 22- August 3 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover CONCERTS NIAGARA FALLS (NEWPORT) INTERNATIONAL JAZZ FESTIVAL - at N.F. Convention Center. July 26- 8 P .M. - Harold Melvin & Blue Notes, B.B. King, Stan Getz, Chuck Mangione & Sar ah Va ughan. July278 P.M. The Staple Singers, Bill Withers, Crusaders, Jimmy Smi th Trio, Gene Ammons , Sonny Stitt. Tickets - $7.50 , 6.50 & 5.50 - reserved, on sale now at a ll 13 Twin Fair Dept. Stores; Niagara Falls: Int' l. Conv. Ctr., Move 'N Sound, D'Amico's Music. Buffalo: Central Tkt. Off., Buffalo State, Univ. of Buffalo. Williamsville: Nat'l. Record Mart. Sanborn: Niagara Comll). Coli. MILES DAVIS in concert at Lewiston Artpark - July -25, 7:30P.M. Tickets- $7.50, 6.50&5 .50 available at Cricket Ticket, Norton Union, Buffalo State .T icket Office, Box Office, 479 Center St., Lewiston. The Association for Jazz Performance in cooperation with Buffalo Parks Departments and New York State Council on the Arts present The Buffalo Jazz Ensemble - in Concert on July 21st, July 28th · and August 11th at 6:30P.M.·- Delaware Park, Rose · Garden area. TORONTO BOURBON ST. - 180 Queen St., W., (416) 864-1020. Billy Butterfield Quartet - July 1-6, Johnny Guanieri Trio • July 8-20, Art Farmer Quartet - July 22 Aug. 3. No cover, $2 food minimum (Dining Room) See ad. . GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E .· (416) 923-9887. Herbie Spanier Quartet - July 1-6 Tony Collacott Trio - 8-13, Moe Koffman - 15- 20 Russ Little - 22-27. No cover, no minimum. BELVEDERE JAZZ FESTIVAL -Toronto- July 20· 21: Artists include Woody Herman, Count Basie Louie Bellson, Dizzie Gillespie, -Carmen McRae, Supersax, and more. Varsity Stadium. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3407 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 5 Date A point or period of time associated with an event in the lifecycle of the resource 7/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 5 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/e1ca0b48e81db2c6e70393c34d2be72a.pdf 31ad9f6469553e0479b50461c7a76b24 PDF Text Text buffcllo jazz ~~pott AUGUST 1974 FREE I 3K Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 ~"?'-~Vocalist Mark Murphy, no stranger to Buffalonians, was horn in Syracuse on March 14, 1932. His entire family was musical, and he beganstudyingpianoat7. Later he played and sang with his older brother's dance band (Doc Murphy). In the late 50's he begantotourthe U.S., performing in such well known clubs as the Village Vanguard & Village Gate. He appeared on Steve Allen's Jazz Scene U.S.A. TV show and others, as well as the Newport & Valley jazz festivals in '62 and '63. · He moved to Europe in the mid sixties where he was widely accepted. He has made TV, radio and concert dates in many European countries includingtheNetherlands, Scandanavia, Yugoslavia, Germany and Britain, as well as Tangiers and elsewhere in North Africa. He placed second, after Frank Sinatra, in the Melody Maker poll for male vocalist in '65 and '66. He is presently living in England where he has done 24 studio recordings for BBC Radio, and performed often at Ronnie Scott's. He just finished a series of 16 1 hour TV specials on the Life of Christ in which he plays Chri&t. . Mark hasn't been burdened with the label "Jazz Singer", and I won't label him here. He i s however a dynamic vocalist, can swing, and is accepted in jazz circles around the world. He has been called "A Singers - Singer." His last album - Bridging A Gap (Muse 5009) is proof that he can handle any song in a new and unique manner. On that record he did tunes made famous by such diversified artists as Billie Holiday, Chuck Mangione and James Taylor ; as well as two originals. Mark is quite fond of the Buffalo area and visits the area most every summer. He has appeared in such area clubs as the Cloister, Davids Table, Foster's, The Fountain Room, Royal Arms, and - Gabriel's Gate, where you can hear and see him in person Aug. 4-31. See you there. Editor/Publisher - Bill Wahl Contributing Editors Malcolm Leigh Paula Wahl NIAGARA FALLS & ARTPARK The Niagara Falls Jazz Festival was a grave disappointment for us. This might better have been billed as a soul festival; for thats what the majority of the people came to hear. The jazz performances were marred by masses of people walking around and talking, waiting eagerly for them to finish. To make things worse, a jive D.J., who calls himself the "Sex Machine", jabbered unintelligently throughout both nights, and the acoustics were poor. The best sets came from Chuck Mangione, Sarah Vaughan, The Crusaders and Johnny Heartsman & Circles - a Niagara Falls based group. Stitt was good but was backed by Jimmy Smith, whose drummer wasn't with it. The many jazz fans who decided not to go for fear of the above made a wise choice. Also - from our $7.50 seats we couldn't even see the performers' faces. At -Lewiston Artpark, Miles Davis played to 1,000 people who came to hear music and enjoyed it. Not only did Miles show up, but he played two long sets (1 song each), and smiled at least twice. The music, although quite loud, was good - in thejazz-rock sound of his In Concert album. We felt that Miles used electronic effects a bit too much as did saxist Dave Liebman; the latter of which is not heard to best advantage when playing with Davis. Miles was the first scheduled artist to appear at the new Artpark theatre, which opened the night before with a gala celebration unlike anything I'V'e ever experienced. The Artpark has a good amount of jazz this season - keep your eyes open. We're eager ly awaiting Pau,l Winter - August 21. ena~~ified Hard - working, talented, original, jazz-rock band looking for work in Buffalo area anytime after July 19, 1974. Keyboards, saxes, bass, drums, guitar. Write or call, Jive Sou.{'! 314 W. Church St., Oxford Ohio 45056. Phone (513) 523 - 3966. Fender Jazz Bass - Wanted in playable condition, for around $150. 832 - 7934. Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column exct;!pt in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. �tecotdingrDJ KEITH JARRETT - SOLO CONCERTS - BREMEN, LAUSANNE - ECM 1035/37 A masterpiece; a work of art - such is the music of Keith Jarrett as documented for eternity on this boxed, three record set. Don't ever say that you can't listen to a solo piano record - you can. Anyone with an ear for what's beautiful in .music could listen to all 6 sides in one sitting. One hundred-twenty nine minutes and nineteen seconds of spontaneous transcendental magic that cannot be disected, classified or repeated. The moods constantly change, keeping the listener totaHy enchanted .. You will hear segments of his past work only briefly, usually in the form of or in harmony with his notorious, trance-like chordal patterns, only to be. ended with a flurry of notes like an prarie gust of wind, or perhaps the opposite - a calm at sea. If you think I'm getting carried away - buy this record. Come along for the ride. GEORGE RUSSELL - NEW YORK, N.Y. AND JAZZ IN THE SPACE AGE - MCA2-4017 George Russell had some dynamite talent in his orchestras when these sides were recorded ('58-'60), and the music is as good as you might expect. The collective personnel is too numerous to list - but to name a.few - Coltrane, Max Roach, Art Farmer, Bill Evans & Phil Woods. N.Y., N.Y. is much like a suite containing tunes such as Rodgers & Hart's Manhattan, with plenty of fine blowing and narration by Jon Hendricks between the cuts. It is, of course, a big band sound throughout. Jazz In The Space Age (record 2) is a more modern sound, and for me - the more interesting record. Some exquisite piano work is heard from Evans & Paul Bley. The horn section lays out here much of the time, thus allowing the soloist more freedom. The sound and pressing quality is very good. THE WORLD OF DUKE ELLINGTON - COLUMBIA G 32564 With the death of The Duke, many Ellington albums Will be put together and re-issued - such as this 2record set. The Duke didn't make .bad music, so depending on what era of his career you are interested in, you might want to choose the records accordingly. This music was all recorded in 1947; and since all the information is on the inside cover - we'll list it. Ellington, piano; Shelton Hemphill, Francis Williams, Harold Baker, Ray Nance, Dud Bascomb, trumpets; Lawrence Brown, Claude Jones, Tyree Glen, tram- •o• ~3Hn:niiVH ·. · .. CRAZY ~·.~. v ·wHATEVERTURNSYOUON" HAIRCUT S91CINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store jazz blues soul IN COICIRT 2 Le Royer,Montreal MONGO SANTAMARIA • August 6- 11 ART BLAKEY • August 13-18 GEORGE BENSON • August 20- 25 BILL EVANS • August 27- September 1 located in Old Montreal shows nightly -861-5669 bones; Russell Procope, Johnny Hodges, Jimmy Hamilton, Al Sears, Harry Carney, reeds; Fred Guy, guitar; Oscar Pettiford, bass and Sonny Greer drums. Addi. tional musicians include vocalists ·Ray N®ce, Dolores Parker, Kay Davis, Al Hibbler; trombonist Wilbur DeParis and others. All I can say about the music is its Ellington; and not too many of his most well known tunes are included here. JOE HENDERSON - THE ELEMENTS - MILESTONE 9053 This music is richly textured and emotional, finding Jts roots in the East. Alice Coltrane is heard on acoustic piano, harp, tamboura and harmonium - and if you are familiar with her work, you will more know what to expect here. Kenneth Nash plays various Indian, Chinese and African percussion instruments, drums and narration on Earth; Michael White is on violin and Charlie Haden on bass. The music is heard at best advantage if you sit still and meditate on it; all music . lovers should be able to do that. I If you were bummed out by bad reviews - find someone who has this record and give a listen. Judge for yourself. BIRTHRIGHT ~ FREE SPIRITS- FREELANCE FS-1 A group of local musicians, who call themselves Birthright, have taken the initiative to produce this album entirely on their own. Although I might nor- i mally be prejudice in favor of a local group - this music transcends such tendencies giving me instead feelings of pride. I only hope that the Buffalo scene doesn't soon strangle them and force them elsewhere. Basically, the group consists of Joe Ford - alto and soprano saxes and electric piano, Paul Greshamtenor sax and Nasara Abadey - drums; adding for this �record Onase Allen Gumbs - electric and acoustic piano, Jim Kurzdorfer - bass and Jimmy Manuel acoustic piano (side 1). Collectively these musicians have worked with such people as Hubbard, Tyner, Carter, Mingus, Doug & Jean Carn, Jackie McLean, Ken Mcintyre and the Buffalo Philharmonic. The music here is an exquisite blend of the styles of some of the best contemporary composers. All five tunes are originals, and offer a good variety. Jowcol sounds much like Coltrane and even contains traces of the Love Supreme head. The title tune is driVing and funky, heavy on electric piano, bringing to mind works of Henderson, Hancock & Davis (bitche~ brew). Nano is a beautiful tune containing traces of Weather Report, and Jimmy Heath andothers.DoYouKnowWhere Your Children Are and Tangerine both contain the textures and moods found in Wayne Shorter' s work, featuring Ford on soprano. The pressing quality is good, but the recording could be better. Th1s can be overcome simply by turning the treble control way down on your system. The music here deserves to find its way into your ears. Anyone from Buffalo who calls himself a jazz lover should pick up this record. You'll be happy to find it better than many records from "top" names. At this time it is only available through the mail. Don't wait for some r ecord company to scoop it up besides - the price is right. Send $5.00 to Birthright, P.O. Box 514, Buffalo, N.Y. 14240. Happy Listening! CHARLES EARLAND - LEAVING THIS PLANET PRESTIGE 66002 - 2 Record Set Charles Earland is one of the few organists that I really enjoy; perhaps because he doesn't sound like everyone else. I have enjoyed his last few albums for the emotion, drive and lyricism of the music; and this one falls along the same lines . Many of the titles suggest space age sounds - Asteroid, Warp Factor 8, Mason's Galaxy and the title tune; the last of which includes a vocal by Rudy Copeland and is the only cut which is anywhere near "spacey". Some of the players involved are: Freddie Hubbard, Eddie Hen~ derson, Dave Hubbard and Joe Henderson; making for some fine blowing throughout. An interesting (and good selling) point is a new version of Hubbard's Red Clay; and Earland's Mason's.Galaxyis reminiscent of Herbie Hancock's latest album; no doubt because his drummer, Harvey Mason, plays here. If you aren't familiar with Earland, pick up on - this one - you might be pleasantly surprised. THE TRIP REISSUES Trip has released another batch of old recordings. We will give you a very brief idea of the music, trying to cover as many as we can. Clifford Brown & Max Roach at Basin Street 5511 (Mercury MG-36070) is a good choice- An important qUintet recording with Sonny Rollins and the late Richie Powell (1956). The Great Wide World of Quincy Jones - 5514 (Mere. SR-60211) is a big band recording (1960) with some heavy talents, but a bit commercial. A 1955 recording of Dinah Washington After Hours With Miss "D" - 5516 (Mere. MG-36028) is a relaxed session from the "Queen" featuring Paul Quinichette, Clark Terry & other notables blowing well. Mingus' Mingus Revisited - 5513 (Limelight LS-86015) is a 1960 big band recording and is Eric Dolphy 's first record with the leader. Lots of typical Minglis music, but milder than his usual of that time. Lots of big names. Kirk In Copenhagen - 5512 (Mere. SR-60894) finds Roland live at the Montmartre (1963) in a quartet setting, playing 3 instruments at once ~l~·\'.a e DISCOUNT ~Vf'! 9 s RECORDS Coupon worth ONE DOLLAR I I Off the every doy low price of any available Jazz Album at any of the 8 CAVAGES locations. E.Mplres 9· }. 74 I e SENECA MALL • BOULEVARD MALL • COMO MALL I .... • MAIN PlACE MALL • THRUWAY PLAZA I I .J I L..:,SO!!!!!,.SH<!!,_e ~RS!!!,_• L~O~Ll and thoroughly enjoying himself. Last, but not least, Sarah Vaughan's Sassy - 5517 finds her g.reat Corm in a mellow, quiet mood backed by strings in 1956. More of the trip series in the next issue. ANDY BEY -EXPERIENCE &JUDGEMENT- ATLANTIC SD1654 Andy's first r!llease shows that he is not only a top notch vocalist, but a capable composer. Six of the twelve tunes were written by Mr. Bey; and his performance here shows that he has filled the void left by Leon Thomas in the past year. The end.product of this album is fresh-sounding, soulful, bluesy and sexy music; projected through his deep; passionate and likewise sexy voice. At first I felt that the tunes might be too short (until I played it), but they flow with each other quite well. If the name doesn't ring a bell, Andy recorded with Gary Bartz & Stanley Clarke. ALBERT HEATH - KWANZA (THE FIRST) -MUSE ' 5031 JOE CHAMBERS - THE ALMORAVID - MUSE 5035 These two albums by drummer led groups coming in one month makes it difficult to recommend one, since they're both quite good. . The Heath album, with brothers Jimmy & Percy, Curtis Fuller, Kenny Barron, and Ted Dunbar (guitar), compares easily with Jimmy Heath's last two albums; · ·although AI wrote. all. but one tune. It is musical and happy with a bit of humor in parts. Oops! Is a· Percy Heath (of MJQ) tune and finds the 3 Heath Bros. recorded alone for the first time. Fuller has .been recorded ·.often lately and deserves it - he consistently turns out a fine performance. Chambers' disc is also quite lyrical, but more percussive. Only two tracks feature horns, the other four are all rythym instruments and are the most interesting cuts. Chambers is in control everywhere and shows that he is at home in any setting. Latin, African and American flavored ttines makes for a good variety in an enjoyable first release. FREDDIE HUBBARD/STANLEY TURRENTINE - IN CONCERT - CTI 6044 The success of this album is due to the rhythm section. Freddie & Stanley should be great, but they aren' t. Considering who they are, they are just fair. He rbie Hancock, Ron Carter & Jack DeJohnette, however, steal the show playing with finesse, fire and imagination; thus making up for their not so fortunate cohorts. Only two tunes are heard -Povo& Gibraltar. Eric Gale is hardly heard at all, while Hancock does most of the soloing. �wlhlat'~ .lhlGf.>fP>eniing on RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Sign;il with Joe Marfoglia. Wednesday - 9 P.M. - Jazz Revisited with Hazen Schumacher. Saturday - 8 A.M. - MorningSeranadewith Charles Smith. Midnight - Jazz by Request with Prez Freeland. Phone 831-5393. Sunday - Noon - Talking To The People with Myron Yancy. 11 P.M. Inside The Changes with Bill Savino. TV - WNED -- 17 Wednesday - Aug. 14 8:00 Avante Garde & Bop Group- Mole 9:30 - The Pointer Sisters Sunday - Aug. 18 8P.M. Pops w/ MJQ Wednesday - Aug. 21 - 8 P.M. - Ragtime Pianist Eddie Stapleton 9: 30 Esther Phillips Thursday- Aug. 22 - 8 P.M. - Pops w/ MJQ CBS-4 - September 2 or 3 - 2 Hr. Special on Duke Ellington - "In A Sentimental Moon at Ravina" LIVE MUSIC - CLUBS GABRIEL'S GATE - Allen & Park - Mark Murphy August 4-.31. PORT EAST - Ferry & Grider - Zimbabwe National Rythym Troupe - Tuesday nights. LIBRARY - 3405 Bailey - 834-7919 - Thermoplaye Wednesday nights. CONCERTS DDDBuffalo Jazz Ensemble - Aug. 11 at 4:30 P.M. Delaware Park - Rose Garden area. TORONTO - CONCERTS DDDRuby Braff - Geo. Barnes Quartet - Aug. 7 - St. Lawrence Ctr., Front St. $6. tickets available through Coda Publications - 416 - 929 - 5065. Jazz on the Lake - Night Cruise on Lake w/local bands. Aug. 14 8-11 P.M. Phone 416 - 924 - 1373. TORONTO -- CLUBS BOURBON ST. - 180 Queen St. W., See Ad GEORGES SPAGHETTI HOUSE -- 290 Dundas St., E. 923-9887 - various local jazz groups. COLONIAL TAVERN - 201 Yonge St. 363 -: 6168. ILLINOIS JACQUET - Aug. 12 - 24, Cover charge. "the house that jazz built" THE ONTARIO HOU·SE presents RE-91RTH fri., sat. &sun.- from 10 pm 920 Ontario Ave., Niagara Falls, N.Y. (716) 282-9877 ree street TORONTO h.; (416) 864-1020 KAJ WINDING August 5-17 BUCKY PIZZARELLI August 19- 24 PHIL WOODS August 26- September 7 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover Jazz at Artpark Paul Winter Consort -Wed., Aug. 21-8:30 PM A Salute to Scott Joplin with Eubie Bloke, Max Morath ond Edith Wi Ison Friday, August 23 - 8:30 PM Herbie Hancock- Sun,, Sept. 1 - 2:30 PM·· $6.50, $5.50, $4.50 seats avoi loble For ticket ond ticket agency information, phon., A.rtpark, 754 • 4375; from Buffalo, 694· 8191 Artpark For the fun of it. Lewiston, New York grover washington j r.; aug. 27- sept. 2 at 615 Michigan 853-2060 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3408 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 6 Date A point or period of time associated with an event in the lifecycle of the resource 8/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 6 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c26e15af4cda9a290c1d3a458a224f84.pdf bbb4faf8181e78d6996338a7fb66753d PDF Text Text buffcllo jc~~ teporrt SEPTEMBER 1974 . FREE ~~ /7 1 VOL 1 NO. 7 lliive mUJ~iic treviiew The Artpark played host to the Paul Winter Consort last month in what was a delightfully, stimulating and innovative experience. The opening and closing piece, "Icarus", is a "beautifully light, airy number that gives you wings and allows you the freedom to fly. A good start for a first set which included a classical improvisation on one of Bartok's Hungarian Peasant songs and gave all the musicians plenty of room to stretchout - and that they did. The instrumentation included an acoustic and electric cello, tenor and soprano sax, keyboards including piano, concert organ and harpsicord, two percussionists which included kettle drums, steel drums, bells and gongs of all sizes, and finally a log mirimba. These elements make them- a group for people who love music and want to listen -- but the Consort takes the listener one step further -- allowing you the freedom to transcend all. It was clearly that sort of experience during the second set which included a musical essay on the endangered animal species - with recitation by Winter over voices of animals and an Eastern Drone giving support to the OM chant. A lovely experience for the mere 1000 people in attendance. Don't miss them the next time - you owe it to yourself. Friday following, was a Salute to Scott Joplin with Little Brother Montgomery, Edith Wilson & Max Morath. Little Brother, though a blues pianist, seemed to enjoy doing ragtime tunes. He plays the blues of the thirties and backed Edith Wilson who has a stunningly rich voice with many years of dues paid. Max Morath put on a good vaudeville act and did some fine ragtime piano himself. All together a fun, reflective evening and one which gave good roots to the music of today, and makes one appreciate from where we have come. P.W. Grover Washington, Jr. turned out a dynamic set at the Bleu Poyntt Supper Club. He used tenor, alto and soprano saxes, doing tunes made famous by Joe Henderson, Freddie Hubbard, Stanley Turrentine and Stevie Wonder; as well as his own compositions. His band - James Simmonds- keyboards, Buster Anderson - bass and Geo. Johnson, Jr. was tight and alert. At times Grover's playing reached the furious and almost high energy .level -and his soprano work was beautiful. Editor/Publisher - Bill Wall Contributing Editors - Tom Alabiso, Malcolm Leigh, Paula Wall Illustrations - Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 The Buffalo Jazz Report is distributed free at va:rious locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. gene ammons 1925-1974 Tenor saxophonist Gene "Jug" Ammons died Aug. 6, 1974, of bone cancer, in his native Chicago. He was 49. Gene was born March 14, 1925, the son of boogiewoggie pianist Albert Ammons. He started his professional career at 18 with the King Kolax Band, then went with Billy Eckstine at 19. In 1949 he replaced Stan Getz in. Woody Herman's Orchestra. The next year he formed a group with Sonny Stitt featuring their now famous tenor battles. That band lasted for two years. Since '52 Gene has led his own groups, mostly in the Chicago area, except for some time he spent in jail in the late '60s. Jug had a firey, full bodied and powerful sound. When teamed with other tenor players such as Dexter Gordon, Stitt and James Moody he was especially psyched and at home. Ammons was among the most recorded of jazz artists; at this time he has over 29 albums that are readily available, mostly on Prestige - a company he was with for over 20 years. Two additional albums were recorded by Ammons before his death - one with Sonny Stitt, and another with Nat Adderley & Gary Bartz. Both will be on the Prestige label. His latest release Brasswinds should be reviewed on these pages in the near future; a re-issue - Juganthology was reviewed in May, and Gene Ammons at Montreux in June. Gene was scheduled to appear with Stitt in Niagara Falls in July but did not show- no doubt due to his illness. Ammons was a giant who warmed the hearts of many, and will be forgotten by few. YES, VIRGINIA, THERE WAS A BUFFALO JAZZ FESTIVAL! On my way home from work the other day, I passed the"corner of Michigan and Ferry Streets. Not a very distinctive corner if you should happen to see it, but local Jazz buffs of past years will tell you that right there, where Woodlawn Junior High School now stands, was old Offerman Stadium. What did Offerman have to do with Jazz, you say? Well, in 1960 and 1961, �it was the home of Buffalo's two and only annual Jazz Festivals. . 1!11953-55 the popularity of Jazz was quickly growmr m Buffalo. By the late 50's, Buffalo was starting to become known as a Jazz city. Live Jazz was becoming very frequent in local clubs. Popular places of the day such as the Coldspring's Bon-Ton Tavern the Royal Arms, The Jazz Center and Big Mothers to name a few, boasted such names as Cannonball Adderly, Oscar Peterson, Jackie Cain & Roy Kral Ornette Coleman, Kenny Burrell The Three Sounds' Sam Noto, Don "Red" Menza, Larry Covelli Jerry Mulligan and many other notables. In adclition to National and International stars, Buffalo had many ~ine 19cal.musicians who could be found notonly playmg gigs m the local clubs but also at various afterhours spots. In addition, many fine Jazz concerts were being scheduled regularly at Kleinhans and sporadically at the old Lafayette Theater. The Crystal Beach Ballroom in Ontario, often signed famous big bands such as Kenton and Ferguson. · . By 1960, Buffalo had reached a certain notoriety m the Jazz world. Interest in Jazz here was at fever pitch a!ld Buffalo was widely becoming accepted as a Jazz City by performers and Jazz enthusiasts alike. It was at this point that the organizers of the Newport Quaker City and American Jazz festivals felt that time was right to bring a Jazz festival to Buffalo. Thomas A. Alabiso the Next - How the Buffalo Jazz Festival was born. ella~~iifiied Hard-working, talented, original Jazz-Rock Band looking for work in Buffalo area. Keyboards saxes bass, drums and guitar. Write or call Jive S~up!, 33 Ivyhurst Rd., Eggertsville; 835-4954. Whether you are a musician looking for work, work looking for a musician, want to buy sell or trade an instrument, or a stereo, or a record or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. J;People peasant garb and jewelry 147 ALLEN STREET 2 716- 882-6283 trecotrdiingg; PABLO RECORDINGS . A new label has sprung up with an impressive first batch of releases. All of the Pablo records thus far have been produced by Norman Granz - who brought about the many fine jazz at the Philharmonic Concerts. . Heading the list is an incredible three record set titled Jazz at Santa Monica Civic '72, {Pablo 2625 701) featuring the JATP all stars {which includes Stan Getz and Roy Eldridge among others), the Count Basie Orchestra, and Ella Fitzgerald. There isn't a second 9f bad mus~c anywhere in this set; most of it, in fact, IS outstandmg. It's not often that you hear the Basie Band burn like they do here - at least on record You'll also find some of Ella's best recorded work in years - both standa!'ds and contemporary tunes. Next comes The Tr10 (2310 701) featuring Oscar Peterson, Joe Pass and Neils Pederson in a breathtaking performance recorded live in Chicago. The three men _ar.e masters on their instruments, and the empathy wlthm the group seems to be at the highest level imaginable. They fill in so well that even a drummer would have to admit that there is no need fo_r drums here. If you don't pay attention, the notes will fly well ahead of your mind. Take Love Easy (702) is a relaxed duo performance from Ella Fitzgerald and guitarist Joe Pass. Its a set of moody ballads, performed in a format that few would attempt and where less would succeed. They've done both with ease. A great record for an intimate atmosphere. One of my favorites is Duke's Big Four (703) featuring Duke Ellington, Joe Pass, Ray Brown & Louis Bellson in an all too rare quartet recording. Bellson normally a big band drummer, drives the hell out them with the help of Ray Brown, while the Duke and Pass turn out exquisite solos and melodies. The material consists of five Ellington tunes and one Bellson number - The Hawk Talks - which contains some solo work from Louis. Last comes Virtuoso (708) - a solo album from Joe Pass. The best adjective to describe this record has already been used for the title. I never knew just how good Pass is - I think you'll be surprised too. A must for guitar freaks. All. these ~eco_rds are better than average. The recordmg quahty IS very good - only slightly heavy bass on some. The pressings are close to excellent. or MAL WALDRON - UP POPPED THE DEVIL- ENJA 2034 Pianist Mal Waldron has been livirig in Germany for some time now; hence most of his albums are on German labels {ECM, JAPO, ENJA). His music might ?e ter~ed funk, but he, unlike most, explores and Im_provises on that style of music; his trademark bemg an unusually heavy left hand. His triO· consists of Reggie Workman on bass and Billy Higgins an drums. All are empathic to each other, turning out so~e funky, moody sounds. Both. Workman & Higgins dehver c9mmend_able solo work. My only complaint the pressmg quahty on my copy was poor. ESTHER PHILLIPS - PERFORMANCE .: KUDU 18 Motown has taken over distribution for CTI and this overdue album has just been released. Esther's fourth for Kudu is up to her usual high standards both musically and production wise. In my own humble �opm1on I find it less satisfying than her previous release, Black Eye Blues, perhaps due to the choice ?f m~terial; but Esther's basic format of funky blues IS stlll here. Her gutsy voice cuts through the horns destined to reach your soul; and she will if you'll let her. The title tune and Disposable Society seem best suited for her among the 7 tunes on the disc. Living Alone is close oehind, but is hampered by unnecessary background vocals. The lady has been back on the scene now for a ~ouple of yeats; she's paid her dues and is now enjoy . mg the success she deserves. If you're not familiar with her - look her up. LARRY CORYELL - SPACES - VANGUARD VSD 79345 This record was originally released a few y~ars ago - when Billy Cobham was with Dreams. With Coryell is John McLaughlin, Chick Corea, Miroslav Vitous & Cobh<im; and signs of .the formation of the Mahavishnu Orchestra close in the future are apparent. Some incredible guitar work, both acoustic and electric is heard, and Vitous & Cobham are no less proficient than the guitarists. Corea is only heard on Chris - playing electric piano. McLaughlin is not heard on ChJ.:is, Gloria's Step or New Years Day. The music has not the high energy style of Mahavishnu, but is lyrical and strong. Rene's Theme & Gloria's Step are the highlights for me, and both are acoustic outings. The electric tunes are not too heavy on the fuzz sound, and typical of Coryell's music. Most likely re-released due to the present popularity of these men - it should get the reception it deserves. MIKE GIBBS & GARY BURTON - IN THE PUBLIC INTEREST - POLYDOR 6503 Mike Gibbs, a native of Rhodesia, has been an associate of Burton since 1960, and has contributed many tunes to Gary's albums. This release is more of a showcase for his work than that of the Vibist. Gibbs is an arranger, and his work is unique, up to date and tasteful. In addition, all 7 tunes here are . his compositions. The music is done in a big band format (19 pieces); and is alternately pretty and dynamic or both. Burton contributes most of the solos, while the horns mainly stick to ensemble passages. · One tune, Four Or· Less, was on Burton's last album- The NewQuartet(ECM), which, for my money, is his best. I might also point out that ECM's Manfred Eicher supervised the recording, which was mixed in Germany. This album may not win any awards, but is pleasant nonetheless. STEPHANE GRAPPELLI - JUST ONE OF THOSE THINGS - BLACK LION 211 JOE VENUTI & ZOOT SIMS - JOE & ZOOT CHIAROSCURO 128 These albums feature two of the jazz violin greats, and each deserves your attention. The Grappelli album was recorded at the Montreaux Jazz Festival last year, where he appeared with a European rythym section. The music here consists of ballads, and medium and breakneck tempo cookers, with 66 year old Stephane continually astonishing the audience. The encore resulted in Honeysuckle Rose the highlight of the album. Joe & Zoot is probably the better record; but then, two giants are better than one. If you like music that swings this is it. Both these cats have been around for years (Joe is 78, Zoot 48) and they've got what it on freelance records If Not at Your Local StoreSend $5.00 to: BIRTHRIGHT P.O. Box 514 Buffalo, N.Y. 14240 takes to swing with unequalled ferocity, or lay out a beautiful ballad. When they perform together - anything goes. The two first played together in 1969, and, to my knowledge, this is their first recording as a team. I doubt seriously if it will be their last. OSCAR PETERSON- GREAT CONNECTIONBASF MC 21281 This record is not as dynamic as the Peterf;on album reviewed elsewhere in this issue; it is however a good performance typical of the Canadian pianist. The difference here may be, in part, the studio vs. the .club; its a known fact that its harder to get it on in the former. Oscar is joined by Neils Pederson and Louis Hayes for this date. Pederson is among the best of the European bassists, and Hayes, an always tasteful drummer, has worked often with the leader. Some of the tunes here are downright beautiful - such as Peterson's Wheatland. Others move along mildly, while the remaining cuts are red hot - check out Younger Than Springtime. Highlights are Wheatland, and Chaplin's Smile. August was a good monthforPetersonfans. Choose your side. JOHN COLTRANE - AFRICA BRASS SESSIONS VOL. 2 -IMPULSE AS-9273 The major difference between this and the original Africa Brass (A-6) is a fast tempo tune with Coltrane on tenor - Song For The Underground Railroad. That piece takes the place of Blues Minor. · The two remaining cuts are alternate takes of Africa and Greensleeves. Except for slight differences in the intros, endings and lengtll; and the improvised sectionsthese versions remain very close to those originally issued. All these selections were recorded in 1961. The orchestra was conducted by Eric Dolphy. McCoy Tyner, Jimmy Garrison and Elvin Jones comprised the rythym section, except for Africa, where Garrison was . replaced by Reggie Workman and Art Davis. Since all Coltrane music is important, this album would be a good addition for any jazz collection, and a necessity for a Coltrane collection. Another point the pressing is excellent. BOB JAMES - ONE - CTI 6043 A former member of the Maynard Ferguson band, and musical director for Sarah Vaughan, Bob James is now what might be termed as a "house" arranger and pianist for CTI records. With One, his first album in over a decade as a leader, he mixes both jazz and classical music; resulting in a quite successful. 3 �~3l!n:>MIVH NOB c•AZY • ~·~ •··. -~ .· v ''WHATEVERTURNSYOUON" HAIRCUT 59 KINMORI AYI. 836•8869 (corner of Windemere) behind jewelry store fusion. Moussorgsky's Night On Bald Mountain is the only actual classical piece included; but all 6 selections are heavily orchestrated - the collective personnel adds up to 37. Most of the solo spots here go to James, and Grover Washington, Jr. (soprano). A good late-night album. SADAO WATANABE - ROUND TRIP VANGUARD - 79344 It might be ignorance, but I've never heard of Sadao Watanabe. The absence of any liner notes makes me think I'm supposed to know him. Regardless, he plays soprano sax and flute, and wrote the four tunes on this album. His group includes Chick Corea, Miroslav Vitous & Jack DeJohnette; and I have no idea when it was recorded. The music borders on Avante Garde, employing rockish tempos in a few places. I don'tfind the leader to have a great tone on soprano, but the end product of this groups effort is pleasing. Some of Corea's electric piano riffs and trio passages bring to mind his Return to Forever sides. Vitous and DeJohnette are up to their usual high level of technique and creativity. I could be wrong on both counts, but I'd guess !hat Co:ea probably did most of the arranging, and this music was recorded around the time of Corea's Sundance album. MARION BROWN - SWEET EARTH FLYING - IMPULSE AS - 9275 Marion Browns latest is a peaceful and moody set, and it grows on me with each listening. The instrumentation has a lot to do with that sound. Marion plays alto (side 1) and soprano (side 2) with Paul Bley and Muhal Richard Abrams - keyboards and synthesizer, James Jefferson - bass, Steve McCall drums and perc., and Bill Hasson - narration (side 1, part 4) and perc. The two selections are broken up into parts as suites - Sweet Earth Flying - parts 1-5, and Eleven Light City -parts 1-4. The music is perhaps best described as cosmic, with changing moods; both delicate and strong. The free sections are never irritating, and don't even last very long. I noticed that part 2 of Flying was recorded with 1-5, but is not on the album. That seems a bit strange. The recording, mix and pressing quality is tops. The record is highly recommended - nothing heavy just good "flying" music. SONNY STITT - THE CHAMP - MUSE 5023 Sonny does it again. This time he is paired with trumpeter Joe Newman - no newcomer to bop music, but one who hasn't recorded much of late in a small 4 group context. The rhythm section was well chosen Duke Jordan, Sam Jones & Roy Brooks. Jordan & Jones are both boppers from way back, and Brooks, although younger, falls in the groove well (remember .him on Red Rodney's Bird Lives?). As you might have guessed - the music is bebop - swingin' and pretty. Sonny's average is damn good! Hope he doesn't let us down. THE JOHN BETSCH SOCIETY - EARTH BLOSSOM STRATA-EAST 19748 This sextet recording came as a happy surprise; as did the Birthright album last month. The music of the Betsch Society is full and percussive, and ofttimes downright beautiful. As was the case with Birthright, they show traces of the styles of other contemporary composers, while maintaining their own sound. Weather Report, McCoy Tyner, Joe Henderson and others come to mind as this record spins on the· turntable. Thanks go out to Strata-East for recognizing good talent, and putting them on record; regardless of whether or nottheyhaveabigname.One day they may. BILL EVANS - TOKYO CONCERT- FANTASY 9457 I have never been a big fan of Bill Evans. I quite enjoy listening to his work on Miles' Kind of Blue Album, but on his many verve sides he seemed to have technique, warmth and beauty - but lacked soul. On this album he possesses all those qualities, plus fire, and ah yes - he's got that soul. He also does quite a few new tunes as well as his own T.T.T.T., Scott LaFaro's Gloria's Step, and the standard - Green Dolphin Street. The trio - Evans, Gomez & Morell were "on" that night in Tokyo, and you've got the option to hear the concert yourself. You'll get your money's worth - besides great music there is over 28 minutes of music on each side. · STANLEY COWELL - MUSA- STRATA~EAST 19743 !'-fter that magnificent offering from Keith Jarrett, reVIewed last month, I was eager to listen to this solo disc by Stanley Cowell. The verdict - Cowell is his own man - a fine performance. The ten tunes here, all originals, were written between 1959 & 1972 and offer a good variety of tempos, ideas and moods. All selections feature acoustic piano except Travelin' Man, which is an electric piano/ African thumb piano duet. Its not on the same level as solo Corea or Jarrett, but its not too far behind. GABOR SZABO - LIVE - WITH CHARLES LLOYD BLUE THUMB 6014 Not among the best Szabo, but in places its a fairly decent live session. Spellbinder ~s perhaps the best tune as it moves along at a medium pace with Gabor as the only lead voice. Sombrero Sam has a South American flavor - Gabor again sounds good; but Lloyd is weak and often unimaginative. Stormy is done to a rockish beat, while People is a slow, re~ lax.ed number - again with most of the focus on Szabo. Th1s record should have been better; but for Szabo fans it will probably be well received. KENO DUKE/CONTEMPORARIES SENSE OF VALUES- STRATA-EAST 7416 Duke's contemporaries had a record in 1972 Reasons In Tonality, which was superb. This albuni has different personnel - Frank Strozier & Lisle Atkinson replacing Julius Watkins, Clifford Jordan and Larry Ridley {reeds & bass), but the outcome is still high quality, mainstream jazz. No gimmicks or electronics - just pure music. This may be one case in which you can judge a record by looking at the cover. �JACKIE McLEAN featuring DEXTER GORDON - THE MEETING ,. STEEPLECHASE 1006 (Danish) The latest from this Danish label finds McLean and Gordon live at the Montmartre Jazzhus in fine form and playing for a typically re·ceptive Danish audience. Jackie says he always wanted to record with Dex, an early major influence on his music. The sounds here are warm, moving communiques of love, easily absorbed by the listener. Rue De LaHarpe, by Sahib Shihab, is a bop tune typical of both leaders; Kenny Drew's Sunset is a lovely ballad, Gordon's All Clean is an extended tune with plenty of soloing from all and On 'The Trail is a happy foot-tapper. The usual Montmartre rythym section - Kenny Drew, Niels Henning and Alex Riel are as fine as always. Another record - The Source, is expected soon .. The Meeting is available for $5.98 post-paid from Coda, Box 87, Station J, Toronto, Ontario M4J 4X8. ROBIN KENYATTA - STOMPIN' AT THE SAVOY ATLANTIC 1656 If you weren't to pleased with Kenyattas' last two Atlantic releases - I think you'll find this an improvement. Much of it is still a bit commercial, but all the music is played with feeling and taste. My favorite cuts are Tbe Need To Smile - a lyrical, haunting ballad with Robin on soprano; and Two Bass Blues a short (too short) cut featuring alto and two basses sounding like something Dolphy might have done. The whole album is quite soulful - as is Kenyatta. Among the musicians here are Lew Soloff, Larry Willis, Ron Carter, Pretty Purdie, Billy Harper and Al Mouzon. MUSICIAN'S BULLETIN BOARD CREATIVE MUSIC STUDIO WOODSTOCK, NEW YORK, a study center for musical development, announces that starting October 1974, the Creative Music Studio Woodstock will be a permanent study center for the creative musical arts. CM Studio programs are a very unique approach to artistic education, through direct communication with major composer/ performers of creative music. Guiding artists i nclude Kar I Berger, Dave Holland, Jack DeJohnette, Stu Martin and Bob Moses. Visiting artists include Sam Rivers, Frederic Rzewski, Lee Konitz, Garrett List and others. The list of visiting artists from NYC and other places is open-ended. The concept is to bring together 15 to 25 student musicians in various group and orchestra situations, with the guiding artists and their working methods. The combination of basic explorations and the experiences of group playing, with professional musicians, offers many opportunities for a broader personal development and involvement in music. TECHNICALITIES - There will be three 8-week terms, with a minimum of 8 sessions per week (5 workshops I 3-5 development studies) FALL TERM: Oct. 15th - Dec. 15th, 1974 (one week Thanksgiving recess) WINTER TERM: Jan. 15th - March 15th, 1975 SPRING TERM: April 1st - May 31st, 1975 (one week Easter recess) RECORDINGS - A double-record set of "The Peace Church Concerts" by Karl Berger & Fri ends, featuring Dave Holland, IngRid and others-is scheduled to be released in October 1974. This is the first (#1) in a series of recordings produced by CREATIVE MUSIC COMMUNICATIONS, a Artpark Artpark Lewiston, New York ~BATHER CREPORT and RETURN TO fORE\JER FffiTURING CH- c \ COQE~ Wednesday Sept. 11·, 8:30 p.m. Directions Tickets: $6.50, $5.50 and $4.50 seats. Phone (716) 754-4375. Buffalo 694-8191. Come to Lewiston by any route. Then follo w the Artpark signs to the theater and park. 5 �non-profit service for audio and. video re cording. Forthcoming (in approximate 2 month intervals): recor ds and tapes by Sam Rivers, Jack DeJohnette, Dave Holland, S~u Martin, Lee Konitz, David Izenzon, Bob Moses, and others. Subscription i s available through the s upporting membership program . SUPPORTING MEMBERSHIP- Your contributions help to produce the CMC recordings and allprograms of the Creative Music Foundation. These non-profit program s are based on their support by all the people interes ted in alternatives for musical communication. You become a co-producer of recordings which otherwise might neve r be available. A supporting membership contribution of $20.00 entitles you to a presentation of up to 4 albums or 3 cassettes, and brings you regular information on recordings, concerts and workshops. Your contribution is tax- exempt. For more information on all of the above write: CREATIVE MUSIC FOUNDATION, INC. P.O. Box 671 Woodstock, New York 12498 Phone (914) 679-9245 wlhat1c; happeniing LIVE MUSIC - CLUBS ONE EYED CAT- 28 Bryant (near Main). Flight Wed. nights - 10-2. PORT EAST - Grider & Ferry - Zimbabwe Fri. & Sat. nights - after hours set from 1:30 - 6:00 A.M. Breakfast & non-alcoholic beverages served. Admission $1.25. ., LANDMARK - 1386 Lovejoy - 892-8651 - Maynard. FERGUSON - Sept. 14 & 15. Admission $6. LIBRARY - 3405 Bailey- 834-7919 - Thermoplaye Wednesday nights. CONCERTS FLIGHT - Jazz-Rock Group - Sunday, Sept. 8 at 2 P.M. - Delaware Park, Rose Garden area; Saturday, Sept. 14 & Sunday, Sept. 15 3 P.M . -Cultural Concert - near Parkside Lodge (Del. Park). CHICK COREA & WEATHER REPORT - Sept. 11 at Artpark. See Ad. F REDDIE HUBBARD - Sept. 7 - Clark Gym - U.B. TORONTO BOURBON STREET - Phil Woods , Bill Evans, Thad Jones & Ha rry Edison - See Ad. GEORGES SPAGHETTI HOUSE-- 290DundasSt.,E. 923-9887 - various local jazz groups. COLONIAL TAVERN - 201 Yonge St. 363 - 6168. WORLDS GREATEST JAZZ BAND - starts Sept. 9. Cover charge. RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Signal with Joe Ma rfoglia. Wednesday - S P.M. - Jazz Revisited with Hazen Schumacher. . Saturday - 8 A.M. - MorningSera na dewith Charles Smith. Midnight - Ja zz by Request with Prez Freeland. Phone 831-5393. 6 Bourbon Street TORONTO (416) 864-1020 street PHIL WOODS Aug. 26- Sept. 7 ~ BILL EVANS Sept. 9-14 THAD JONES Sept. 16-28 Harry ·swe~ts" Edison Sept. 30- Oct. 12 Phone Ahead for Dinner Reservations Di ne & Dance 9-1 No Cover "the house that jazz built" THE ONTARIO HOUSE presents RE-BIRTH fri., sat. &sun. - from 10 pm 920 Ontario Ave. , Niagara Falls, N.Y. (716) 282-9877 Sunday - Noon - Talking To The People with Myron, Yancy. 11 P.M. Inside The Changes with Bill Savino.' WBLK-FM-93.7 Saturday - 10-12 P.M. Jazz with Bradley J. Cool. WHAM • AM - 1180 Jazz all night after 12 (except Saturday.) support live music � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3409 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 7 Date A point or period of time associated with an event in the lifecycle of the resource 9/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N.Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 7 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2fb06f1cfe21fec6081b30edb4519faf.pdf d139e6e5697bc1ee2df8325880ba5712 PDF Text Text buffallo jazz tepott ('1 I octoberl974 · L free 1/ g voll no. 8 6Z .. When Birthright played the first few notes of Nanno, toward the end of their set at the Freddie Hubbard concert last month, applause could be heard from people in the audience; who had immediately recognized it as being from their Freelance album Free Spirits. Since the album had barely been out a month, and is sold by mail order only - that was indeed a good sign. Producing a record independently is no easy task; it requires a good business head, time, hard work and promotion, among other things. The businessman in the group is tenor and soprano saxist Paul Gresham . At .our first meeting he came prepared with their record, a photograph, and an attractive brochure. It was clea r to me at once that these guys knew exactly how to ha ndl e their business affai rs, and were dead set on doing things right. They realize that a lack of knowledge or interest in the business end has led to the financial downfall of many jazz musicians. Only in the past couple of years, have we seen musicians starting their own record companies showing signs of success - such ·as Charles Tolliver and Stanly Cowell with Strata-East, or Gene Perla with P.M. Joe Ford, who plays alto and soprano saxes and flute, is the musical director of the group. At times he doubles piano, and is the arranger and composer of the majority' of Birthright's material. Two compositions on the album are by Ford, including the above mentioned Nanno. Percussionist Nasara Abadey is an excellent drummer and displays a high level of control and imagination. In addition to the drums , he can be heard on congas, bells, triangle and other percussion instruments. Gresham, Ford and Abadey areallextremely competent musicians, as well as close friends. Thatfriendship is an important factor in the success of a musical group. The three understand each other, and agree on the group's direction. They have all had plenty of experience - Ford has played with Ken Mcintyre, Charles Mingus and the Buffalo Philharmonic among others. Gresham has worked with the Philharmonic, Ron Carter, Jackie McLean, Doug & Jean Carnandhas led his own quintet. Abadey has performed with Sunra, Doug & Jean Carn, McCoy Tyner and Freddie Hubbard. He has been contributing arrangements to Birthright:in expanding his talents . Through the years they have all had to work jobs that were frustrating ; but one needs money to survive. One such example is Paul's involvement with the musical Grease. In 1970, Nasara came back from California and worked with Charles Gayle and later, Gayle called Ford to join him. While working in Gayle 's group, Nasara and Joe got together with Paul and others as a kind of a "practice group". After a while, they worked together as a group, although from time to time one or more of them would be working elsewhere. They first used the name Birthright at a concert at Buffalo State in '72. Their name has a meaning - a deep meaning to all of them. They feel that sinc e theylearnedfrom people like Miles and Coltrane, that it is in their heritage, their birthright, to carry on the music of those they learned from. They agree that it is important to carry on from there. Their repertoire includes compositions by Miles, Trane, Wayne Shorter, Joe Henderson, McCoy Tyner, Herbie Hancock, Sam Rivers and others; and their sound reflects those influences. Their music blends the styles of all these composers and they are proud of it. · They believe that a musician should be hims elf while performing. When Birthright does a gig, they bring in other musicians - piano, bass and perhaps guitar; and they expect these cats to be themselves, and not like the guy before. That is creativity. Now, with their album out, they are busy with concerts a nd promotion. They have chosen to handle �SOUND BARGAIN on demo & u1ed equipment REG. EPI 201 speakers .$ 440 pr. $ EPI 400 speakers : 800 pr. EPI 50 speakers 130 pr. OHM F speakers 1,000 pr. 300 lntergal System 10 lntergal System 200V 280 Phase Linear 4000 600 RTR280DR speakers 700 pr. REVOX An tape deck 750 Mcintosh MX115 650 Crown ES14.speakers . 740 pr. Crown ES26 " 1,000 pr. __ , SONY 161SD tape deck 300 SALE 330 pr. 450 pr. 85 pr. 650 pr. 240 225 485 450 pr. 500 400 600 pr. 700 pr. 250 much more atour new location: tran1cendental audio. ltd. ,17\ 773 Niagara Falls Blvd. sQUthof_$heridan 834·3100 • • ' '• ' ~ .o • ' : ' ' '• - ' Ilk:! tc+ I • ' ~ . • ' ' ' ' their own business affairs,· ·si'nce.' they have learned through. experience that the industry tends to stifle communication between the musician and the audience; and that communication is important. Concerts are · imperative since they can't depend on radio stations to play the record. Most stations are limi~ed in their programming, especially in Buffalo. Its a sad but true fact that the radio actually dictates what music people are going to hear. Free Spirits was reviewed in our August issue. Its a fine album and deserves your attention. It is available for five dollars through Birthright, P .0. Box 514, Buffalo, New York 14240. Its great music - pure musiccontemporary jazz - · American classical music. Send for it - do yourself a favor. You deserve it. RW. NEWS The Statler Hilton has r enamed its Beef Baron Lounge The Downtown, and has announced a new music policy. The Ruby Braff-George Barnes Quartet is there for the first half of this month (see ad). Al=though they will present other types of quality entertainment, jazz will be booked frequently; both local and nationally known talent. The old Royal Arms has come alive, now called the Erkkson Lounge. At this writing the Elvin Shepard Quintet is there, but the owner has told us that if more people don't go down there, she'll be forced to switch from jazz torock.J:>leas e don'tletthat happencheck out Whats Happening, and go down and check it out. If its not listed - give her a call and ask for some jazz. REFLECTIONS ON ARTPARK September 1, 1974, I attended two concerts atArtpark. Performing were Herbie Hancock in the afternoon an.d the City Center Joffery Ballet Company in the even- 2 in~ .. The two diverse performances were equally enter. tammg. . . . · Artpark is ta_king place on 172 acres of State Park land_along the Niagara River in .the historic yillage or LeWiston, New York, seven miles north of Niagara Falls. The theatre itself is a beautiful, totally en. closed ~tr~ct!lre. Contrary to widespread belief, the theatre I S ms1de, sheltered from rain and foul weather How I felt about Artpark - a s tudio without walls' where ~personcangoandbr~ngouthis inner feelings~ about hfe - about nature. Once this experience - this contact has been made it is a place you would never want to leave; where everyday cares are suspended fo r the pleasure of art; Art in all aspects - painting sculpting, dancing, writing, singing, music ..Or talking to S?meone wtlo you really enjoy being with while ~ walk~ng through the nature paths- to feel like someone 1j..specia.l. Artpark made me feel that way just by bei ng a participant. Louis Bradshaw BUFFALO JAZZ FESTIVAL, PART II by T. Alabiso will appear next month. live tnnugJic teviiew Herbie Hancock brought his quintet to Artpark Sept. 1, and performed, in our opinion, a good Show His gr?UP was <tli~ _sam.e as ~m his last album, with the exception of drummer·· Mike' Clark, who replaced Harvey Mason. The music was in the Headhunters styl.e .- simple but funkr. People who constantly put Herb1e down should reahze that he's turning thousands ?f rockers on to jazz with the rock oriented jazz he 1s now doing. Chuck Mangione did a similar favor to the· music by building up fans with Friends & Love, an album th.at foun~ its way to the cont ro) rooms of many pop radio stations - then he socked them with two quartet albums. That is one of the masses. ·T he attendance at s concertshould have been better, possibly due to the rain i n Buffalo. Hopefully, word will get around that Artpark is inside. Outside, at Artparks artel area, the Buffalo Jaz2 Ensemble turned on the crowd after the Hancock con· cert. The octet featu red, among others, Phil DiResaxes and Jim Calire - piano, as well as 2/3 of Birthright - Joe Ford and Nasara Abadey. They played originals, for the most, and at times made Hancock sound like a warm up band. Birthright appeared at Clark Gym, U.B., at the Freddie Hubbard concert Sept. 7. Joining the basic trio we re a piano, bass and fuitar. It was my first chance to hear them live, and quite enjoyed it. They performed originals, tunes fror.n their album and a fine version of Joe Hend!!rson's Fire. Freddie Hub· �bard seemed in good spirits despite some. legal hassles and the fact that he had to perform in a gymnasium he commented on both. He displayed his incredible talent on trumpet and flugelhorn, starting off with Straight Life and. running through much of his latest album (reviewed in this issue). He's a giant, and his sextet was exceptional - especially his conga/perens sionist, who intrigued the audience with an extended solo spot. The attendance was worse than poor; but the concert was hardly promoted at all. People aren't likely to buy tickets if they don't know about it. Editor/Publisher - Bill Wall Contributing Editors - Tom Alabiso, Louis Bradshaw, Malcolm Leigh, Paula Wall _.,-.-- \ Illustrations Christine Engla Eber Address Correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909 Extension 11 ~~ Jl4J (, ,__ WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA Come See Our Newly Expanded Store ~ t;.. ~ · --..., ~ -~~lr~\ PHIL WOODS - MUSIQUE DU BOIS - MUSE 5037 Jald Byard, Richard Davis and Alan Dawson join Phil for this session; which is reminiscent of the all-star sessions produced for Prestige by Schlitten and others in the '60s. The music here cooks like hell when its ·supposed to and lays back when the time is right. An interesting version of Willow Weep For Me is included, with an All Blues intro, and done in 3. Samba DuBois is on fire, while Wayne Shorter's Nefertiti is solid but relaxed. Last Page is an extended tune, a showcase for Woods, ending with exchanges between Phil and Alan. The Summer Knows is a ballad feature, and temperature rises again with Sonny Rollins Airegin, which includes a typical Byard solo. Pure, acoustic mainstream jazz is hard to find these days. If its your favorite, here it is. FREDDIE HUBBARD - HIGH ENERGY - COLUMBIA 33048 Upon hearing of Hubbard's signing with Columbia, I had reservations - but after listening to this, I don't know why. This is pure Freddie - no strings getting in the way, no faults at all. Itcan best be compared to his last release, Keep Your Soul Togther, but doesn't have that usameness" his albums had up 'till then. Black Maybe is a gem - Freddie with strings and percussion taking on a beautiful ballad. For the most. this is Freddie's regular group andgivesyouagood idea of what he's like in concert. MICHAEL HOWELL - IN THE SILENCE - MILESTONE 9054 As much as I enjoyed guitarist Howell's last release (& first), Looking Glass, it just sounded too familiar. Now, Michael is emerging with a sound that is fresh and much more interesting. Benny Maupin is here on tenor, saxella, bass clarinet, alto flute and piccolo, giving the music variety and color. The Call is along the lines of Hancock in the opening statements, but that mark is soon erased when Howell comes on, surer of himself than ever before. Don't Explain finds the leader doing the tune justice in a relaxed, mellow mood, full of soul. There's just not a bad cut on the album. If you're not heard of Howell, but like Benson, Burrell and Montgomery - this one is for you. Michael made his debut on Blakey's Buhaina album. Look him up. WAYNE SHORTER - MOTO GROSSO FEIO - BLUE NOTE LA014-G As Blue Note continues to empty its vaults, the jazz public is presented with some 1970 Wayne Shorter. The music is a cross between two other Shorter albums - Super Nova and Odyssey Of Iska, leaning more towards Iska. The recording date given is the same as Iska, but I question that, since the only musician on both is Ron Carter. Chick Corea and John McGlaughlin both play on this album and Super Nova. Percussion plays a major role on here, the other instruments working around it. The recording and balance sounds informal, as if it wasn't ever meant to be released. It has, and it shouldn't disappoint Shorter or early Weather Report fans. MAYNARD FERGUSON- CHAMELEON- COLUMBIA KC 33007 Ferguson takes on jazz, jazz-rock,gospel,popular and rock tunes in this album, applying that Maynard big band touch to all. As with Woody Herman, Maynard employs the best young musicians he can find. The result is a super contemporary band that screams like hell and always sounds energetic and fresh. The arranging chores are spread throughout the 14 piece band, offering even more variety in sound than only the diversified songs would normally offer. Ferguson offers a vocal on the jazz standard I Can't Get Started, and plays superbone on Jay Chataway's Superbone Meets the Bad Man. Chick Corea's La Fiesta is the longest number on the album featuring bassist Rick Petrone, trombonist Jerry Johnson, pianist Alan Zacod, drummer Dan D'lmperio and M.F. Strange stereo effects are heard on a great arrangement of one of Corea's most recorded tunes. If there is anything wrong with this album-its the shortness of some of the tunes, and the engineering could have been better. CANNONBALL ADDERLEY -PYRAMID- FANTASY 9455 This album is as contemporary as can be, finding Geo. Duke on clavinet and synthesizer and Cannonball doubling on soprano. As with an earlier album, Inside Straight, he is in a melodic, funky bag. Suite Cannon is in 3 distinctively different parts, starting with an alto-conga duet, to a rapid cooker, to a tune that resembles Happy Trails, or a waltz in 4 (if you can try to imagine that). Bess, Oh Wheres My Bess follows, making Side 2 the better. Cannonball always communicates, whether he be in a studio or a club. Too many musicians lack that quality, but, its the very essence of what music is all about. 3 �~~ haircutter 59 Kenmore Ave. 836-8869 (corner of Windemere) behind jewelry store JAN GARBAREK - BOBO STENSON QUARTET WITCHI-TAI-TO - ECM Jazz is probably more popular in Scandanavia than here in the U.S., and these NorWegians show that their people can play as well as listen. Jan Garbarek and Bobo Stenson have been featured on numerous ECM albums and continue to grow. Whether planned or not, we ·find them here blending the styles connected with the groups of McCoy Tyner, Pharoah Sanders, Gato and others. Don Cherry's Desireless runs 20:25, starting off like Sanders in his mellow moods, changing to some Tynerish piano work from Stenson, who never lets you down throughout. A.I.R., by Carla Bley, sounds a 'bit eastern, with Jan on soprano, and may also bring to mind Lonnie Liston Smith. A touch of Keith Jarrett pops up in bassist Palle Danielsson's composition, Kukka; the album's ballad number. Hasta Siemps sounds very third world, and is where the Gato comes in. I hope the comparisons will help give you an idea of what is contained on this disc. When these two cats finally settle with a style of their own, they might be called monsters. This is the most energetic, and the "sleeper" of the latest ECM r elease. CLIFFORD BROWN - BROWNIE EYES - BLUE NOTE LA267-G Clifford was a masterful trumpeter, and any ofhis recorded works are important. These 9 tunes are taken from 3 Blue Note dates - Clifford Brown Se:x:tet, Lou Donaldson Quintet and J. J. Johnson Sextet, and were recorded between 1951-3. All were fine bop sessions with the top musicians of the time; in fact, the rythym section for the J.J. date was that of the M.J.Q. This is an album to have, if you are interested in Brownie or jazz trumpet. · THELONIOUS MONK - WHO'S AFRAID OF THE BIG BAND MONK - COLUMBIA KG 32892 Followers of Monk have probably been in agony with withdrawal for some time now, and many have, no doubt, already scooped this one up. As the title s uggests - its big band Monk. I need not go into the music - Monk's music is Monk's :rilUsic , and it speaks for itself; its nothing short of first rate . The cover, however, lacks the facts and data, which may keep people from shelling out their hard~ earned cash. · Record 1 was recorded in 1964, in concert at Philharmonic Hall. His ten piece group includes such names as Phil Woods , Charlie Rouse, Thad Jones and Frankie Dunlap (a Buffalo native). The a rrange!'Jlents were by Hall Overton, as Thelonious doesn't dig doing big band a rrangements. All but one of the 5 tunes run 4 long enough for some stretching out. The second record ,.was done in 1968 in a studio. There were around 14 pieces in the orchestra, with Oliver Nelson arranging and conducting. Charlie Rouse takes all tenor solos, and Ben Riley split the drumming with John Guerin. The tunes are s hort compared to the first record, and, in my opinion, the band wasn' t as hot, nor the session as good. That doesn't mean the records not good! Its been a long time Columbia-now how about the Paul Winter Consort? THE RUBY BRAFF - GEORGE BARNES QUARTET CHIAROSCURO 121 The Braff-Barnes Quartet made their debut to the public a t a Carnegie Hall concer t, of the Newport in N.Y. series, in June of last year. Since that time, they have received wide critical acclaim; .and, its well deserved. Their music here is mellow, gorgeous, alive, easy listening jazz. Their instrumentation is rare -lead and rythym guitars, bass and trumpet/ cor net. The group's sound is quite unique, but to exemplify through comparison - it falls in that c lassification occupied by such groups as the M.J.Q., the Jim Hall-Ron Carter Duo, the Jim Hall-Art Farmer Quartet of the mid 60' s, and the Joe Pass-Herb Ellis collaborations. The record contains originals, and tunes by Gershwin, Lennon and McCartney, and others. If it sounds good, or even interesting, you may still have time to catch them live - they opened a 2-week stint at the Statler-Hilton Sept. 29. L ook for the ad in this issue. MARK MURPHY - MARK II - MUSE 5041 Marks latest finds him taking on some of the better rock tunes of the '60s, as well as originals. Side one opens with a sensitive version of Triad, Mark's powerful voice resonating over the percussive background. The Band is represented with Unfaithful Servant and Sleeping, Mark keeping with the original feel of the tunes, but still stamping his Mark (pun) all over. The band chosen for the date works well in this context, and includes two guitarists - Sam Brown and John Tropea. · Although not as jazz oriented a s his last, his fans in jazz circles will be jus t as happy with this. Its the singer, not the song. GENE AMMONS - BRASS WIND - PRESTIGE 10080 With the exception of Ammons & Friends at Montreux, this is Gene's best in some time. Most of the tunes here are happy and funky. 'Round Midnight runs 7:59 and is simply magnificent. The 14 piece band is tight and full of life; and is led by arrangerconductor David Axelrod, who seems to have the formula for allowing Gene to do his best in a large band format. Jug's big tone is warm, natural and unobstructed throughout. George Duke continues to turn out splendid, highly imaginative performances on electronic keyboards . KEITH JARRETT - IN THE LIGHT - ECM 1033/34 GARY BURTON - 7 SONGS FOR QUARTET & CHAMBER ORCHESTRA - ECM 1040 These two albums are classical in nature, and come at an important time in Jarrett and Burton's career s . In The Light was released before both his Solo Concert Set and Treasure Island. It i s nothing like the latter, and not much like the former; in fact, Jarrett himself only plays on 3 of the 8 selections. It serves to open yet another side of Keith, focusing on his composing ability. He wrote all the material, and condu~ts ·the Sudfunk Symphony Orchestra's string section. �Jarrett does two solo piano numbers - Fughata For Harpsichord and A Pagan Hymn. Crystal Moment i s a piece for four celli and two trombones; Brass Quintet is performed by the American Brass Quintet and A Strtng Quartet by the Fritz Sonnleitner Quartet. Metemorphasis; In The Cave, In The Light and Short Piece for Guitar & Strings is with the orchestra; Ralph Towner is added for the latter. Its an experience; and Jarrett asks that you observe a time of silence after each side, to absorb the music. Burton's album is done with members ofthe NOR symphony orch., and :was no do.u btinspired by Ja rrett's. The music was arranged and conducted by Michael Gibbs. This album is more easily identified as Burton's than was Jarrett's, but it is much different than his earlier ECM release ..1The orchestra plays patterns under and around Bur.ton's beautiful, melody-ridden mallet work, at times ' doing the chills up your spine thing. It's new material, except for Arise, Her Eyes, which was on the Burton-Corea duo collaberation. Gary's album is readily available. Check out the local stores for Keith's - I! you don't find it by late October, write CODA, Box 87, Station J , Toronto, Ontario M4J 4X8 .and inquire. .. · ' . i<(<·~ THE PRESTIGE TWOFERS Berkeley based Pre.stige recor,9_s Jw:s J)!st relea s~d 7 two record sets, mostly ,-re " ~s.sues, · brmging thetr grand total to 46. The first is Kansas City Nights (24040) featuring Buck Clayton & Buddy Tate wi~ piano, bass and drums. Originally issued as two separate albums, sides: 1 & 2 were .recorded in 1960 with Tate blowing tenor; ~ nd sides 3 & 4, 1961, find Buddy on tenor and clarinet. The music is rock steady and swings - ballads, blues and lovely tunes. Most of the songs were written by . one of the leaders. Next, we have a 1973 recording of Oscar Peterson featuring Stephane Grappelli (24041), which was recorded in Paris and not previously released in the U.S. Grappelli seems to take charge here - Peterson is not up to his usual high level. Sides 1 & 2 are hampered by static noises, although that colildbe a pressing defect limited to my copy, I · doubt it .. Niels' Henning and Kenny C,larke 11.re up to their usual greatnes s. Good' music - especially Grappelli, but I expected better; ' .· _ . -.. . A most pleasant set comes from guitarist Tal , : Farlow, simply titled Guitar Player (24042). A much underrated player, Farlow played thumb sty~e guitar long before Wes Montgomery ever recorded, and has influenced m~ny of todays guitarists. Disc #1 was recorded in 1955 when Farlow was 'in the Red Norvo trio; and Disc ·. #2 in 1969 ~ ~Farlow quartet perfor- Off tho every .day low price of any available Jan Album atony of the 8 CAVAGES locations. Expires 11· 1· 74 I • SENECA MALL L! • BOULEVARD MALL . ·e COMO MALL SOUTH SHORE • UNIVERSITY I I I _J • LOCKPORT MALL e MAIN PLACE MALL • THRUWAY PlAZA ---~--- ., ., .cQJDponents. [techhifi] 143 Allen St., Allentown, Buffalo ···127.0.Niagara _Ea1Js. Blv.d.,. Amherst, Buffalo mance. Both records are first rate and should be of interest to jazz guitar fans. Earl Hines is well represented in Another Monday Date (24043): Record 1 i s a collection of Fats Waller favorites, recorded in a quartet setting in 1955, also featuring guitarist Eddie Duran. A 1956 unaccompanied piano session makes up the second record. This is a complete re-issue of 2 Fantasy records 3217 & 3238. Genisis (24044) featu res Sonny Stitt from 19491951. Stitt plays tenor, except for 1 track each on alto and baritone, with 8 different groups of boppers. Its good Stitt, taken from 3 Prestige albums. Duke Ellington's Second Sacred Concert (24045) is a historic work and little· need be said, except that it i s now readily available at a r easonable price. 25 Years of Prestige (24026) puts the frosting on this release. It covers sessions from 1949- 1970, featuring twenty leaders in' all, including Dexte r Gordon, Miles Davis, SonriY Rollins, Gene Ammons, Coltrane & Kenny Burrell. Sides 3 & 4 boast 7 tracks ('59 - '70) never befor e issued. This record marks Prestige's. 25th anniver sary; many more! cllafDJ~Dfiied Coupon worth ONE DOLLAR I I The only logiccll place to buy '+·' hifi GUITARIST - Professional, looking for new outlets, capability unlimited. Handle any situation. Call 895-0819 Michael Stace . Whether you are a musician looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo; or a record, or a band looking for work; you would do well to advertise in 'the jazz report. The cost is $.25 per word - mini- 5 �Bourbon All together now! 1 The Ruby Braff!George Barnes Quartet A smashing new combo who all but stole Newport '73's Concert at Carnegie Hall from Benny Goodman! A swinging, jazzy show from the foursome Eubie Blake says is "The best I've heard in 72 years!" Now in Buffalo! At the Statler's Downtown. September 29 through October 13. 2 The Statler's Downtown Buffalo's newest hit! An exciting new lounge already known in Buffalo for fantastic big name shows. Big band sounds. And a fantastic new restaurant! With a variety of bubbly beverages. Buffet dinners and snacks to beat the band! 3 Street TORONTO (416) 864-1020 PEPPER ADAMS Sept. 30 - Oct. 12 JIM HALL Oct. 14-26 Ellsworth An in-town feast on anything from cheeses and wines to Ellsworth's staggering lists of salad specialties and complete steak dinners. Great business lunches! The Statler's got it all together. AL COHN Oct. 28-Nov. 9 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover The Statler Hilton Hotel a W.O. Hassett Enterprise mum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. TORONTO BOURBON ST. - Pepper Adams, Jim Hall, AI Cohn. (See ad) GEORGES SPAGHETTI HOUSE -- 290 Dundas St., E.j 923-9887 - various local jazz groups. ' COLONIAL - 201 Yonge - 363-6168 - Cannonball~! Adderly (Sept. 30 - Oct. 5), George Benson (14-19),. Grover Washington, Jr. (21-26), Hank Crawford (28 _., Nov. 2). Cover charge. ANTHONY BRAXTON - Oct. 13 at 2:30P.M., St. Paul Ctr., 121 Avenue Road. Contact CODA (416) 929-5065. GARY BURTON- Oct. 7- Univ. of Toronto RADIO ONE EYED CAT - 28 Bryant (near Main). Flight Wed. nights - 10-2. PORT EAST - Grider & Ferry - Zimbabwe Fri. & Sat. nights - after hours set from 1:30 - 6:00 A.M. Breakfast & non-alcoholic beverages served. Admission $1.25. McCOY TYNER - U.B. - Oct. 12 - 2 shows -phone Norton Ticket Office 831-3704 STATLER'S DOWNTOWN - Ruby Braff-Geo. Barnes (See ad) HERBIE HANCOCK - at Kleinhans, Oct. 9 at 8 P.M. Phone 854-7173. GABRIEL'S GATE - Allen near Park - 886-9254 The Professors (tentative - call for information) BLEU POYNTT - 615 Michigan (at Sycamore) Jive Soup - Oct. 11-12-13; 18-19-20; 25-26-27. ERICSON LOUNGE - 19 W. Utica - phone 884-7669 for information BIRTHRIGHT tentative concerts atU.B. and Buff. State phone 838-6156 for more information. 6 WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Signal with Joe Marfoglia. Wednesday - 9 P.M. - Jaz-z Revisited with Hazen Schumacher .. Saturday - 8 A.M. - MorningSeranade with Charles Smith. Midnight - Jazz by Request with Prez Freeland. Phone 831-5393. Sunday - Noon - Talking To The People with Myror, Yancy. 11 P.M. Inside The Changes with Bill Savino. WBLK-FM-93.7 Saturday- 10-12 P.M. Jazz with Bradley J. Cool. WHAM - AM • 1180 Jazz all night after 12 (except Saturday.) WEBR - 970 AM & WREZ - 94.5 FM - midnight to 6A.M. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3403 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 8 Date A point or period of time associated with an event in the lifecycle of the resource 10/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 8 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/fe5505b638b6011f8e64dc042ffe9877.pdf 2c5dcbfc27c2823b5a373b31c8eda1fa PDF Text Text buffallo jazz tr~potrt november 1974 free 1 !38 vol.f no. 9 I/ 9 a club where both such audicnl·t•s mix I\' ell. 1\l;tke it a point to drop down- and remember that the ('ontinllation of jazz at the Statler hinges on the sLw or lhl• nowd. All necessary information can be found in the Statlt•r ad in this issue. liive mUJJ~Hc rreviiew AT THE DOWNTOWN A fine wine, mellow, light, clear and fragile yet explosive upon the senses -- that's the Ruby BraffGeorge Barnes Quartet. I'll admit I had some reservations when the group, consisting of a coronet two guitars and a bass, took the stage. However, a c~uple of sets were enough to convince me that percussion and several pieces of brass were not essential to excellent Jazz. Ruby's and George's personable manner and precise musicianship makes them a must on any Jazz conoisseur's list. Here's hoping they'll be back soon. Thomas A. Alabiso Jackie Cain & Roy Kral Jackie Cain & Roy Kral have recently come back into light through their recordings for CTI records. Their names are no doubt familiar to older jazz fans since they have been a vocal team since 1947 or '48. After working with saxophonist Charlie Ventura for about a year, they were married in June of '49. They then formed their own sextet playing Bop City and other clubs from '49-50, after which they disbanded, and settled in Chicago where they had their own TV show. They went back with Ventura for 8 months in 1953 before moving to New York where they continued to work as a duo. Las Vegas was home in 1957, but it was back to New York in 1962. At that time they did a good number of TV appearances on various talk and variety shows. Little is known (to us) of their activity until they emerged with an album - Time & Love (CTI 6019) about two years ago. They were heard again on Don Sebsky's Giant Box, and again on their own A Wilder Alias, reviewed in our July issue. Jackie & Roy's vocals are smooth &polished, making them at home in the CTI stable, and they attract sophisticated night club as well as jazz audiences. They will be appearing this monthattheStatler'sDowntown, NEWS The month of October got off to a bang with the opening of the Statler Hilton's "Downtown" Room. The Ruby Braff-Geo: Barnes Quartet was a smashing success, and it could happen again when Jackie Cain & Roy Kral appear later this month (see ad). A tip of the hat to Mr. Bill Hassett for making it happen in Buffalo. The scheduled McCoy Tyner-Pat Martino concert at U.B. was cancelled, and we heard it was postponed until December, we'll see. A group called Jive Soup! is in town from Ohio. At this writing they are looking for work. Their audition tape is dynamite, and if you hear that they are working somewhere - try to get out to see them. Another new club - Myrons has opened on Amherst St. See our back page for details. HOW THE BUFFALO JAZZ FESTIVAL WAS BORN In 1960, the popularity of Jazz was at an all time high in Buffalo. With this in mind, those that believed in Jazz as an art form and a popular entertainment medium approached those who were willing to take a chance on backing what seemed to be a solid financial venture. Statistics in 1958 and 1959 showed that a large festival was feasible. In 1958, 175,000 persons paid $600,000 at 27 performances. In 1959, 289,000 attended 9 concerts which grossed more than $942,000. This pattern indicated that 1960 would be a bigger and better year for the festival circuit. At the urging of such Jazz promoters as well known disc jockey 'Jumpin' Joe Rico, three Buffalo businessmen took the steps necessary to start things rolling. Jerome Nathan, Donald S. Day and Harold �tfGCOtdlng~ 1'4()1'e.CA~N&A /V.R. _QIJ.'JSIJ~~· Ofo.cc.to«t1NNo viiW~ -r1-1ei" !k>Nt:>!S' Wi?l'l /?(,t. '!Wt' M>Rtl>S PIJ?Re PU~~t!e WRtre OR. CRu.. POll 1'1 r~ BI?.CCHlJICG • • • - OM/tR'9oW 'PR!NnrcG !79 M.iLi"MR't' Rl:>. BOn:'AW f'(.Y. i4:Z07 I 1E(.. 7f6/877-:J.068 A. Levin teamed up with George Wein, inventor of the Newport Jazz Festival and Ed Sarkesian, producer of _the famous "Jazz for Moderns" shows, to bring to Buffalo its first Jazz fes tival. And the Buffalo Jazz fans -- ecstatic! ! "Who ever thought that this could happen here?" was a common reaction. It was a Buffalo Jazz fan's dream come true. Harold Levin, owner oftheHotelWestbrook andChairman of the Board of the Buffalo Jazz Festival summed it up by saying: "Too many people are willing to sell Buffalo short. I'm convinced that the city can support a first class attraction and I hope that a successful festival will end all doubts and push Buffalo further into the limelight as a cultural and entertainment center." Thomas A. Alabiso Next: The Buffalo Jazz Festival shows of 1960-61 and the end of ' The Dream! Editor/Publisher - Bill Wall Contributing Editors - Tom Alabiso, Louis Bradshaw, Malcolm Leigh, John Osborn, Paula Wall ,--.Illustrations - Christine Engla Eber .; Address correspondence to: / Buffalo Jaz:;r; Report I1 1335 Main Street · Buffalo; New York 14209 (716) 883-3909 ® 1974 - Buffalo Jazz Report No portion of this publication may be reproduced without written consent from the publisher. 2 WOODY HERMAN- HERD AT MONTREUX- FANTASY 9470 This one was a late arrival, but we thought we'd squeeze it in this issue since this is Woody Herman month (did you know that?) The fact that Hermans' Band took the stage at 3:30 AM, a time when most people are either asleep or "out of it," is not evident on this recording, they have the fire when they want it. Trum.peter Dave Stahl sounds a good deal like Maynard on Superstar - A (saxist) Gary Anderson arrangement of the Leon Russell hit. The classic Fanfare For The Common Man is a medium tempo showcase for tenor saxist Greg Herbert, and includes a less exciting soprano statement from Herman: The fluid Montevideo contains fine ensemble passages, and equally entertaining electric piano work from Andy Laverne. The album's high point is a hymnlike tribute to Duke Ellington - Tantum Ergo - arranged by Alan Broadbent, and Herbert Shines again on a song capable of producing goose-bumps. The records not .as perfect or slick as Woody's previous studio discs - that's to be expected. What it is, is a pure uncut performance from the herd, and that's enough. JOHN COLTRANE - INTERSTELLAR SPACE - IMPULSE 9277 New r ecordings by Trane become instant classics, and this duo trip with percussionist Rashied Ali is a gem. Recorded in Feb. 1967, about the ·same time as Expression (9120) and five months before John's death, these four tracks find ·both men at a spiritual, mental and physical peak. Trane is heard only on tenor sax and bells, not as heavy as his pairings with Sanders (Live in Seattle) but as far out as the planetary titles of the tunes. Ali is magnificent almost beyond belief compared to his recorded output of that time. A virtuoso performance to say the least. A must for Trane people, but perhaps a bit heavy for beginners or those who left John in the very early '60s. DUKE ELLINGTON - THE PIANIST- FANTASY 9462 We mentioned that Duke was in a rare quartet setting in our review of Duke's Big Four las t month; and now we have him in a rare trio setting, in this album of newly released material. The first 7 selections feature Duke accompanied by bassist John Lamb and drumme r Sam Woodyard. He is in the company of Victor Gaskin or Paul Kondziela - bass, and Rufus Jones - drums for the last 3 cuts; and the sessions were recorded in 1966 & 1970 respectively. The music is easily identified as that of Mr. Ellington, focusing on his piano playing. All compositions -were written by Duke,. and 2 takes of The Shepherd are ·i ncluded. The man and his music were brilliant, and this record is no· exception. JOE FARRELL - UPON THIS ROCK - CTI 6042 SJ Side one of this record is excellent, as should be expected from a player of Farrell's calibre. Joe makes some top shelf soprano contributions on Weathervane over the strong and tasteful drumming of Jim Madison. Some strange, Mahavishnu-type thoughts are interjected by guitarist Joe Beck before and after Farrell's solo spot.IWon'tBeBack ·features Joe on flute, and appears to be left over from his Penny �Arcade date due to the presence of Herbie Hancock and Steve Gadd. Its a pretty, tight and well done piece with changing tempos. The second side contains two tracks of repititious, uninventive soul-rock-funk outings, which sound almost exactly alike. The good side (which runs 18:05) might alone be worth the price for real Farrell frieks, and, many might not even mind the second. Joe could have done better. GIL SCOTT - HERON - WINTER IN AMERICA STRATA EAST 19742 Musically, Winter In America is similar to his previous Peices Of A Man (re-titled The Revolution Won't Be Televised, and he remains in the company of pianist Brian Jackson. Scott-Heron's poetry on this release is more sensitive, dealing with thepride, joys and hardsh~ps of the black experience and life in general. The result is a personal, funky set that anyone with an open mind can enjoy. Gil Scott-Heron has something to say-and, he does it so well. THE BEST OF LAMBERT, HENDRICKS & ROSS COLUMBIA 32911 Remember the LH&R album The Hottest New Group In Jazz? Well, here it is again, every bit of it - Charleston Alley, Moanin', Twisted, Bijou, Centerpiece, Gimme That Wine, Sermonette, Summertime & Everybody's Boppin'. Classic performances by a classic jazz vocal group. Little more need be said - just want you to know its available. Don't miss it! RETURN TO FOREVER - WHERE HAVE I KNOWN YOU BEFORE- POLYDOR 6509 Most, if not all, of the selections on this album were performed by Return to Forever at their Sept. 11 Artpark concert. Its another electric high energy outing as their last - Hymn of the Seventh Galaxy, but I prefer this one due to the varied moods, better recording and mixing, and the guitar of AI DiMeola, who compliments Corea more than Bill Summers. Clarke still wasn't recorded well, but the others were, mot notably Corea and his various keyboard and synthesizers. Three mellow, short, solo acoustic piano pieces are included, similar to those heard on Chick's solo discs. Chick changes more than any jazz artist! can think of. After two albums in this vein, don't be surprised if his next finds him at the head of a small orchestra, rooted in the third stream. U.U.A.B. MUSIC COMMITIEE PRESENTS CHICK COREA & RETURN TO FOREVER and KEITH JARRETT - SOLO PIANO Friday, November 15th Fillmore Room- Norton Hall Two Shows - 8:30 & ·11 :30 P.M. Tickets $3 -Students $4- Non-Students & Night of Performance For Ticket Information Phone 831-3704 WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition · Incredible Selection - Low Prices UNIVERSITY PLAZA Come See Our Newly Expanded Store BENNIE MAUPIN - THE JEWEL IN THE LOTUS ECM 1043 Maupin's first as a leader may surprise many folks who are only familiar with his work with Herbie Hancock. It sounds like. Weather Report. Part of Herbie's old band is here - Hancock himself, Buster Williams on bass and Billy Hart on drums. Hart is joined by Freedie Waits, and Bill Summers is on· percussion and Waterfilledgarbagecan. The music is moody, very listenable and percussive; with Maupin heard on various reeds (often soprano), flute, voice and glockenspiel. If you're into Weather Report or '69-'70 Wayne Shorter - you could get into this; although its nowhere near the level of either at their best. SEVEN, COME ELEVEN -HERB ELLIS, JOE PASS, JAKE HANNA, RAY BROWN - CONCORD JAZZ 2 HERB ELLIS & RAY BROWN'S SOFT SHOE- CONCORD JAZZ 3 Herb Ellis and Joe Pass are gifted guitarists who have recently returned to the limelight via recordings. Seven, Come Eleven finds them live at the Concord Jazz Festival working together as if they were made for each other. Both can can be be exceptionally fleet with their fingers, and you'll get doses of that, although many of the tunes are laid back and relaxed. Soft Shoe is much the same in style, but Pass is replaced by Harry "Sweets" Edison on trumpet, and George Duke is added on piano. The title tune is a haunting mellow ballad that fits its name well. Green Dolphin Street is a duo featuring Ellis & Brown. The Flintstones Theme is the hottest number of the date, with Brown driving like hell, and Duke and Ellis' fingers moving faster than the speed of sound. Both records contain some fine sounds. They are available at $5.98 each from Coda, Box 87, Station J, Toronto, Ontario, if not locally. (At this time Seven Come Eleven is back-ordered at CODA). THE BASS - IMPULSE ASY - 9284-3 The Saxophone, The Drums, and now The Bass; and again in the form of a specially-priced three record set. Eighteen bassists are represented here, from a 1939 Jimmy Blanton track, to recent recordings of Sirone and Stanley Clarke. The tunes were mixed up, with regards to recording dates. However they flow well; and the inclusion of the monstrous duet version of Summertime by Richard Davis and Elvin Jones is sheer righteousness. Without a doubt, this box is worth the money. 3 �The only logical place to buy hifi components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo THE BIG BANDS Three big band albums were released this month the largest and leastinteresting collection comes fro~ Ernie Wilkins - Screaming Mothers (Mainstream 806). Most of the 22 songs are pop hits of the past decade, and, although many offer a good deal to work with the time alotted each track (most are 2 to 4 minutes~ leaves no room to make anything happen. Some heavily talented cats are on hand (Burrell, Shaw, Laws, Tate etc.), but if you want to hear pop tunes done wen' r elative unknowns do it better on Stan Kenton Play~ Chicago (Creative World ST 1072). This one is mistitled, however, because although the Chicago side is good, the Blood, Sweat & Tears side is fa r better; partially because B S & T tunes are better suited for improvisation, but also due to the two originals by arranger-conductor Robert Curnow. The longe st tune on this disc is only 6:31, but the record is alive with plenty of solo spots. Creative World records are available in most major record departments in the area. A spot on the top shelf might be saved for Manhattan Wildlife Refuge by trombonist Bill Watrous (Columbia KC 33090). Bill leads a screaming 18 pc. band through 7 tunes, including Chick Corea' s Spain and two Watrous originals. The band is energetic and contemporary with some out of sight soloists, namely Watrous, trumpeter Danny Stiles and baritone saxist Juroslav Jakubovic. This one is clearly the best of the above three. THE CEDAR WALTON TRIO- A NIGHT AT BOOMERS, VOL. 2 - MUSE 5022 I've never heard Vol. 1 from the Walton group, but, judging from this , I' d like to. Cedar's trio consists of Sam Jones and Louis Hayes - both of whom have contributed to countless record dates. On hand for 4 of the 6 tunes is tenor-man Clifford Jordan , 4 who blends wt•ll with the group - especia lly Walton. :\ll of tht~ numbe r s are jazz sta ndards. Coltranes beautiful Naima , a hot Stella By Starlight, a s trong but mell ow trio n•rsion of All The Way. Side two indudes lenl-{th,v \'ersions of I' ll Remember April and Blue Monk, rinsing with 63 seconds of Waltons Bleeker· Street Theme. For the most, the mood bordP.rs on mellow. orras iona lly reaching the level whi ch se>ts your fool in motion . In all , a good live session from fou r cats who nc\·cr do less than their best, and - another typical Schli ttcn produc tion. McCOY TYNER: SAMA LAYUCA - MILESTONE 9056 ECHOES OF A FRIEND • MILE. 9055 From the fina ncial standpoint, two McCoy Tyner albums in one month is a bit hard to take. In every other aspect - it's a blessing. Sarna Layuca fi nds McCoy at the head of a 9 piece group, continuing in the brilliant tradition set forth in this album' s Milestone predec essors (with th e ex~ ception, perhaps, of Song of the New World). Bobby Hutcherson and Gary Bart z compliment Tyner well, Bobby especially on Above the Rambow - a duo collaboration. Paradox contains some profound s oloing notably tenor man Azar Lawrence, whose come a long way since I first heard him with Elvin Jones in '72. Desert Cry is a slow, floati ng eastern-like tune that walks off with your mind. The first unaccompanied piano album from Tyner is Echoes ·of a Friend. Recorded in Tokyo two years ago, McCoy runs through flawles s renditions of five choice tunes . The album is dedicated to "a man, a friend, a teacher-John Coltrane", and McCoy does two of John's tunes- Naima and Promise, and a song often requested of the Coltrane Qua rtet - My Favorite Things. The Discovery and Folks, Tyner originals, make up side two. Listen to this one alone if you can - . fine art demands undivided attention. Are these albums among his best? I'd guess so, but who can say. DICK WELLSTOOD & HIS ALL STAR ORCHESTRA CHIAROSCURO 129 DON EWELL, GEO. DUVIVIER, HERB HALL, CLIFF LEEMAN & BUDDY TkTE- CHIAR. 130 Wellstood' s all-star or chestra consists of himself on piano and Kenny Davern on soprano sax. They very graciously run through 9 tunes -dixie land and blues on this happy and infor mal album. Cashmir And Togas is a solo piece from Davern, and So In Love i s the same, but from Dick. The Ewell release is more dixieland and featuring Come to Sip and/or Sup and Stomp Your Feet To the Best Music This Side of New Orleans mORGAn /TREET /TOffiPER/ DiKieland Band Every Friday and Saturday Night Jafco Marine ReStaurant 2192 Niagara Street In the Jafco Marine Yacht Basin 877-9349 876-5544 �some of the best musicians of that genre. The alburn is broken up into a quartet for side 2 featuring Tate, Duvivier and Leeman; and a trio for side 2 - Hall and Leeman. It was an inspired session, producing some good, sentimental music. MILT JACKSON - OLINGA - CTI 6046-S2 The champ of this session is Jimmy Heath, whose tenor and soprano blowing adds zest and char m on each of the six cuts. Cedar Walton and Ron Carter are held over from Bag's previous disc, but the great yet seldom recorded Micky Roker is on drums. Strings by Bob James are added for two tunes. The sound is very CTiish - smooth and slick. Jackson is good as always, but is becoming too predictable and is overshadowed here by Heath. A good side if you like Jimmy or Milt; if you dig both you can't miss. COLEMAN HAWKINS - RECORDINGS MADE BETWEEN 1930 & 1941 • CBS 68227 Neither a Coleman Hawkins collection nor a collection of early jazz is complete without this four -sided album. "Bean" is heard here on a total of 32 tunes with five bandleaders as well as his own 17 piece orchestra. This set best serves to monitor Hawkin's qevelopment over these 11 years, termed as the preand post- Body & Soul period. The 1939 version of Body & Soul is not included here, as he recorded it for Bluebird rather than Columbia. The music is typical of the thirties - short tunes, brief solos, and, of course, the recording quality is far from today's standards, but "Bean" gets a spot on every tune and the music swings and reminds you ofjazzRoots in the Blues. Check this one out if you're into history. THE FAMILY OF MANN - FIRST LIGHT -ATLANTIC SD 1658 Finally!; a good album from llcrbie Mann. After a number of directionless and often boring albums. Herbie emerges with "The Family ofMann"ona tight, funky , pleasant, eclectic collection of tunes. The septet includes such talented performers as David Newman, Tony Levin, Steve Gadd and Sam Brown. Most of the selections are short, but they form an imaginary suite. Mann holds the spotlight for a few songs, but for the most it's a group effort - Gadd's crisp and definite drumming, Brown's beautiful guitar work, Levin's healthy bass lines and Newman's soulful reed statements. The Latin numbers arc especially delectable, reminiscent of Mann before he fell off a cliff into the Memphis underground. Hopefully he can keep on climbing. JOHN COLTRANE • GREATEST YEARS VOL. 3 IMPULSE ASH· 9278-2 ELVIN JONES - THE IMPULSE YEARS· ASH- 9283-2 What we have here is two anthology type 2-record sets from men who are at the top of the list as innovaters on their respective instruments. The selection of tunes was intelligently handled on each set, except for a track on Trane's from the album Infinity; on which Alice Coltrane took the liberty to totally screw up some ·o f John's quartet performances by adding strings. Elvin's set contains cuts from 7 Coltrane albums, 1 of Rollins' and 3 of his own. All tracks on these releases have been previously issued. The n:tusic of these men need not be ·questioned or explained nor will it ever die; therefore, here I stop. new from • BLUE THUmB a sure shot with "SOUTHERN COMFORT" MFRS. SUGG. LIST PRICE ALL CHARGE CARDS .. $9.98 now! $5.67 ~~\.~~~ ~~\\\\~ OFFER GOOD TH RU 11/30/74 UNIVERSITY PLAZA UPSTATE N.Y.'S LARGEST RECORD & TAPE DEALER- DAILY 9-9 & SUN. NOON-6 5 �GATO BARBIERI - VIVA EMILIANO ZAPATA IMPULSE ASD - 9279 The musi c of GatoBarbieriisharshyetpassionate. That harshness has caused some of his recorded work to be quite annoying when he gets into intense blowing. This big band recording presents Gato in a setting that seems tailor-made for him. This music is percussive, full, strong, passionate and very Latin. His harsh tone is intact but every note is enjoyable. An op~nion, and many may differ, but I find this to be Gato's best all-around effort yet. -:§People Peasant Garb Custom Designed Jewelry in Stones & Gold 147 ALLEN ST. 882-6283 11 a.m.-6 p. m. Mon.·Sat. Open 'til l O p.m. Thursday THE LADIES Trip Records has re-released a trio of albums from some of the hottest female jazz vocalists. Sarah Vaughan is in top form in her 1955 Emarcy recording In The Land Of Hi-Fi (Trip 5523). Her band, which includes Cannonball Adderly, J. J. Johnson and Roy Haynes, is as good as she is; strutting through ballads, swing numbers and jazz classics. Tears & Laughter by Dinah Washington (Trip 5524) is a laid back session (1959) with strings and horns by Q. Jones. Though more commercial than her earlier work, her voice is tops. Belen Merrill & Clifford BroWJ~ (Trip 5526) joined up for a beautiful album 1954. Both of the above are sensitive and sensual in their renditions of 7 tunes, including Don't Explain, Yesterdays and S' Wonderful. Helens high yet soft voice is back again on half of Mixes (Mainstream 804), a 2-record set. The tunes for this date were Latin numbers, ballads and folk songs, and she is backed either by a band led by Charlie Byrd, or by Byrd only. The other record in the set is a re-issue of Otra Vez (MRL 364) and features five bands · on 10 different tunes recorded in the late '40s. Personnel listings are on the outside cover. Sarah Vaughan & The Jimmy Rowles Quintet (Mainstream 404) is a .new recording · with Sarah in a live and very "jazzy" atmosphere. She and the band are "on", and at times they cook, but not like everyone involved on Carmen McRae's Live & Doin' It (Main. 403), which is a mixture of ballads, blues and foot tappen, again live, but with a trio. All in all, a good m onth for the women in jazz. II~ haircutter 59 Kenmore Ave. 836-8869 (corner of Windemere) behind jewelry store 6 STANLEY TURRENTINE - PIECES OF DREAMS FANTASY 9465 This is Stanley's first for Fantasy, but there is no great change in style from CTI. That must mean that he pretty much calls his own shots for record dates. The music is pretty, soulful and plush, with strings arranged by Gene Page. Turrentine is the only horn player here and is the only soloist. Background voices are used at the end of 1 cut, Deep In Love, but add to the mood; rather than being obnoxious , which is the case quite often. On another tune, they don' t come off quite as well, but aren't detracting. This one would be great after work or late at night, but don't expect it to knock you off your chair at 8:00. RONNIE FOSTER • ON THE AVENUE - BLUE NOTE LA261-G On The Avenue is the third and perhaps bes t from Buffalo's Ronnie Foster. The leade r wrote and arranged five tunes for this release, and arranged Freddie Hubbard's First Light and Stevie Wonder's Golden Lady. His own compos ition, To See A Smile; boasts a wonderish vocal by Ronnie. The musi c, produced by George Benson, i s of a funky, soul-jaz z JOHN HEARTSMAN & CIRCLES Nick Rizzo - Tenor Sax Mark Demperio - Drums Larry Burnett - Congas/ Timbales f eaturing Janice laVon - Vocals John Heartsman - Organ, Flute, Guitar & Piano SHERATON FOXHEAD Cliffton Hill Niagara Falls, Ontario Wednesday thru Saturday Nights 9-1 �G~TH-~GH-T IN CONCERT University of Pittsburgh Wednesday, November 13, 8 P.M. University of Buffalo- November 23 with aVJN JONES nature, performed by a tight, well balanced octet. Ronnie is heard on organ, clavinet and moog, and Phil Upchurch is on guitar. This one is a vast improvement over his last, which was a re-hash of top 40 hits with only a few Foster originals. MYRON'S 572 AMHERST (between Elmwood & Grant) proudly presents GLoretta GJ@id with SALT & PEPPER SOUNDS FROM BOOGIE WOOGIE TO BILLIE HOLIDAY FRIDAY & SATURDAY NIGHTS FOR MORE INFORMATION PHONE 877-9665 ellag"'iifriled FENDER-RHODES ELECTRIC Piano - suitcase model 1 year old, mint condition $725 - phone 885-6815 - nights only. follow the herd read the buffalo jazz report The Buffalo Jazz Report is distributed free at various locations in the Buffalo Area as a service to the jazz community. Please support our advertisers who make it all possible. ~. DISCOUNT Whether you are a mus1c1an looking for work, work looking for a musician, want to buy, sell, or trade an instrument, or a stereo, or a record, or a band looking for work; you would do well to advertise in the jazz report. The cost is $.25 per word - minimum charge is $3. The ad must be music related, no business may use this column except in the case of a club looking for a band. Any ad we consider to be unacceptable will be rejected. Orders will be accepted by mail only, and must be in our office (with payment) by the 21st day of the month. The ads will not be categorized. ~~yages RECORDS ' ..•L·,; . .,'·,.·' \ \ Coupon worth TWO DOLLARS I Off the list price of any available Jazz AI bum I J at any of the 8 CAY AGES locations. I Expires 12-1-74 I • SENEcA MALL 1 ... • BOULEVARD MALL • COMO MALL I MAIN PLACE MALL • THRUWAY PLAZA • • • L.:, SO~SH~ ~RS!!!._ L~O~LL_j PORT EAST - Grider & Ferry - Zimbabwe Fri. & Sat. nights - after hours set fr.>m 1:30 - 6:00A.M Breakfast & non-alcoholic beverages served. Ad· mission $1.25. STATLER WLTON'S DOWNTOWN - Jackie & Roysee ad; Take Five- Nov. 12-17; Glen Miller Orchestra- Nov. 15 - Golden Ballroom. 7 �Jackie and Roy: They SING jazz! Nov.19-30 U()W~TUW~ at the Statler Jack1e and Roy Kral do the impossible. They sing Brubeck. downbeat Bach and scat-sing Bernstem. They"re a light and polished vocal duet w1th a lontastic backup band that AL COHN Oct. 28- Nov. 9 makes music in a whole new way! Hear them perform November 19 - November 30 at · · Buffalo"s only TRUE nightclub .. DOWNTOWN' Appearing Tuesdays- Sundays from 9 PM. No cover. Free parking in the Statler garage. BOB BROOKMEVER W/ROBT. McCONNELL Nov. 11-23 HENRY QUESTA Nov. 25-30 The Statler Hilton Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover a WD. Hassett enterprise LIBRARY - 3405 Bailey - 834-7919 - Thermopy1ae Friday, Nov. 8 and Friday, Nov. 29. ERICSON LOUNGE - 19 W. utica- 884-7669 - Take Five; except Nov. 15-17- Jive Soup! JAFCO MARINE RESTAURANT -DIXIELANDBANDsee ad. MYRON'S - 572 Amherst - Loretta Reid w/ Salt & Pepper (Jazz-Rock) see ad. JIVE SOUP! - at: The Library - Nov. 2; Revilot Lounge - Nov. 5-10; Ericson Loung~ - Nov. 15, 16, 17, U.B. Coffee House - Nov. 23. BIRTHRIGHT - see ad. CONCERTS CONCERTS RADIO CHICK COREA & RETURN TO FOREVER and KEITH JARRETT - solo piano - Friday, Nov. 15 at U.B. See ad. GLEN MILLER ORCH. - Nov. 15 - Statler Hilton Golden Ballroom (Dinner-Dance). WBFO - FM - 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Tuesday - Midnight Jazz Signal with Joe Marfoglia. Wednesday - 9 P.M. - Jazz Revisited with Hazen Schumacher .. Saturday - 8 A.M. - MorningSeranade with Charles Smith. Midnight - Jazz by Request with Prez Freeland. Phone 831-5393. Sunday - Noon - Talking to the People with Myron Yancy. 12-2 - Great Circles Sailing with Robt. Prebite. 11 PM - Inside The Changes with Bill Savino. TORONTO BOURBON ST. - AI Cohn, Bob Brookmyer and Henry Questa - see ad. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E. 923-9887 - various local jazz groups. COLONIAL - 201 Yonge -363-6168- Jimmy McGriff4-9, Bobby Blue Band-- 11th for two weeks, Chuck Mangione (tentative) Nov. 25th -1 week. Cover charge. GROSSMANS TAVERN - 317 Spadina -Traditional Jazz Friday and Saturday nights. OLD BAVARIA - 5 St. Joseph St.- Climax Jazz Band 6 nights a week. 8 SAM RIVERS or LEO SMITH - Sunday, Nov. 10. WHOLE WORLD ORCHESTRA - Sunday, Nov. 24 at the Annex Theatre, 121 Avenue Road, 2:30 P.M. LARRY CORYELL - Nov. 17- 8 P.M. -Convocation Hall- Univ. of Toronto GARY BURTON - Seneca College - Woodbine & Finch Sts., North Toronto. Nov. 27 at 8 P.M. SADIK HAC KIM - Boogie Woogie Pianist - Nov. 11 at Ontario Science Ctr. 8 P.M. WHAM - AM - 1180 Jazz all night after 12 (except Saturday.) WEBR - 970 AM & WREZ - 94.5 FM - midnight to 6 A.M. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3404 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 9 Date A point or period of time associated with an event in the lifecycle of the resource 11/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 9 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/52e97e783bb8e9f2b05449e9e2ae6d50.pdf 3765ab221539cbc8bda71338da44a81d PDF Text Text buffallo jazz tepott . december '74 ML free I f3g ~0/f~( fDSTE~ Just about the time "Little" Stevie Wonder was making a name in music as a kid sensation, MLittle" Ronni e Foster was beginning to take up serious music himself on Woodlawn Ave. right here in Buffalo. These two artists, born only one day apart, are now close friends, and both are successful yet excitingly promising musical artists in their respective areas. This issue wi II focus on Ronnie, as he is a rea I bright spot who has emerged from those streets, schools, nightclubs and people which we know as Buffalo. First off, let it be knownthatRonnieis a hard dude to get ahold of - hopping from Toronto to NYC to Buffalo to Atlanta. We finally got in touch with him by phone in San Francisco, thanks to the help of his mother, who still resides in Buffalo. Now let's get a little history in here. Born, May 12, 1950, Ronnie started "goofing around" with music at age 4. He attended Public School #8 through the eighth grade, then spent a year at Woodlawn Jr. High, went to McKinley Vocational for two years, with his last year at Lafayette. His restless moving around resulted from his ultimate desire to "do something besides build houses." Ronnie had no formal musical training at all, except for a brief month of accordian lessons. At around 13 or 14,hebegantoapproachmusic seriously, seriously enough to play professionally at age 15. His first gig was at Shandu's, playing behind a strip show. He explains it was pretty rough for a 15 year old boy to concentrate on his music while "watching chicks take their clothes off." But with his power of concentration thus strengthened, he began to hook up with various local musi cians and groups including such familiar local names as Elvin Shepherd and James Clark. Eventually Ronnie formed his own group, and sei o_ut to expand musically in Buffalo. He played clubs like the old C Lounge on Dewey St., The Pine Gri II, The Sheridan House in Williamsville, Ruby Red's on Trans it, and The Revi I ot, where he met Bema Crockett, locally popular club owner and promoter, who Ronnie claims was Mlike a father" to him. no.IO '", ·. One of Ronnie's favorite local clubstoplaywas the Ontario House in Niagara Falls. Ronnie has impact on the local club scene by having ihe first group at the Club Soul ai Jefferson and Utica, a place he says aithattimewas not constructed for music. He also played the grand opening of the Bleu Poyntt Supper Club on Michigan Ave. Ronnie was incluenced by musicians like Jimmy Smith, Jack McDuff, and Herbie Hancock. He l ikedthe "different" style of Larry Young, and after I istening to him decided he also wanied to be different. And when Ronnie was influenced by a musician, there was nothing indirect about it. Young Ronnie would be at the doors of people I ike Smith, McDuff and Hancock whenever they were in town: So from age 14 he began io know and meet top jazz musicians, and they knew him. George Benson, Ronnie's present music di r ector, who produced his latest album "On the Avenue" , is one who Ronnie met this way. Ronnie now finds George a man he can really work with, and wi1h Benson's great abi I ity to put things together musically for production, Ronnie can -concentrate on the wriiing, playing, arid vocalizing. . What has Ronnie been doing lately? After leaving Buffalo with his own group, he headed to New York City where the musicians eventually split up, but where Ronnie acquired a Publishing Company, and is now very interested inwritingmusic. In the near future he will write for such artists as �the Four Tops and Donnie Hathaway. He has another album which will come out in February, which h<:> hopes to add a little more of his vocal abi Iities to. ne also hopes to have a new group by the beginning of the year, v·ith a new sound - hopefully at least 6 pieces with 2 sets of keyboards. Recently, Ronnie had a couple of weeks off and spent a lot of time in the studio and around town with his friend of 3-1/2 years, Stevie Wonder. As was mentioned before, both were born within a day of each other - Ronnie the 12th, Steve the 13th of May, 1950. Ronnie feels this fact has a lot to do with how well the two get along together; he feels there are certain astrological characteristics they share. You can't forecast what wi II happen day by day, he says, but the stars do affect personality and character. And so a good friendship. How can a person from Buffalo enjoy so much success? Didn't fhe fact that he's from this city hold him back? No, says Ronnie Foster. His whole environment was made in Buffalo, and around the area. For him, there are "no negative vibes - it's my home". He admits he has been lucky, and he says he did every thing he could do in Buffalo before he had to move on to grow. But he also feels that Buffalo is going through a re-habilitation period, and hopes it can return to ihose times when it was a "r·eally hot" jazz city. Perhaps his feelings for his home town are most evident in the title of his latest album, "On the Avenue". Ronnie wrote the title song, and although he hopes he wouldn't have to say ii, those city-in-summer feelings and experiences ihat he expresses really do come off "The Avenue"- Jefferson Avenue. J.O. Editor"s Column Issue Number 10, what a thought. As we prepared our first issue in February of this year, we worked against great odds; mainly a lack of advertising, and the fact that most new pub Iicaiions, no matter what type, fail. However, Buffalo's need for a Jazz Newspaper could not be denied, or taken J ightly; and the odds were overcome. Each month we learn and grow, steadily gaining new readers. We've had our m is- ~People prints, even a few blunders, but we're trying. Throughout the pasi nine months we all have wit~ nessed a change in Buffalo with regards to Jazz. ·Th~ Revi lot closed, but Bema began to book groups into the _Bieu P_oyntt Club. The_ Old Royal Arms was brought to lrfe agam, renamed Errcson Lounge - so far with a jazz policy. Artpark hosted a series of jazz concerts and hopefully will continue on a broader scale next season. The Statler Hilton surprised everyone by announcing a mellow jazz policy, starting with the Ruby Braff-Geo. Barnes Quartet. Gabriel's Gate has been booking jazz, although less consistent than other clubs. Mark Murphy was there for two months. Most recent additions were Myron's wiih the Buffalo Jazz Ensemble, and a re-opened Revi lot with Jive Soup! and Birthright. It may be a bit premature, but we are working oui plans for concerts ourselves, using a wei I _known group and I ocal ialent. The I ist just keeps growrng. WBFO sti II carries the best Jazz Radio programs although WEBR is doing a pretty good job in a kind oi "safe" vein. Perhaps more stations wi II follow suit. As for us - our circulation has jumped from 5,000 to 12,000, our size has doubled and we are getting advertising. Of course, as I've pointed out before, it is advertising that keeps the BJR alive, and keeps it FREE. I can't stress enough the importance that you, our readers, patronize the various businesses whose ads are in our various issues. Let them know where you ~aw their ad. If you'll make it a point to do that, I'll thank you in advance. Thank You! In the months ahead we will, no doubt, fluctuate in size relative to our advertising volume. Keeping our ..=ch~~ -~. E. ndtte ca.~ ' / ~OPI--C ,., p~AG<E. Nf?fTI€ O..R. fi)f( 11 neee e f!rt "B«OCflliR£ • • , MARf50N l>Ri"N'I's'NG 4420)' 1'€~. 7Jo/B77·:t06S 2 .B.YR. S'lft/St!{nt/)R. _t~ fi;tKv W#O f'RCll€. "ttfetR..lJ()NCJfJ N./J7t /IlL ~me. NOI{t.P'S ~ 79 Mi~i1Y\RI( RD. EOffAW I C"'.'(. FOLK CLOTHING & JEWELRY Custom Designing in Precious Metals 147 Allen Street 882-6283 Call About Extended Christmas Hours ~ &V6t/f �heads above water is far more importantth.an creating or preserving an image. The concert idea has us excited, and we'll keep you posted on that In the meantime, all of us here atihe BJR wish you the best for the hoi i days and the New Year. See you in '75. B.W. Editor/Publisher- Bill Wall Contributors - Tom Alabiso, Louis Bradshaw, Marty Hazen, Malcolm Leigh, John Osborn, Paula Wall Illustrations - Christine Engla Eber ,,..,...-· Address correspondence to: (, WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909, Ext 11 tecotding~ LEONARD FEATHER PRESENTS- ENCYCLOPEDIA OF JAZZ ON RECORDS - MCA RECORDS These records were originally released as a counierparl of Feather's original Encyclopedia Of Jazz (Horizon Press). Once a boxed set (Decca DSXF7-140). they are now in theformofthree doublepocket sets. The firsi, Vol. 1 & 2 (MCA2-4061) covers The Twenties & The Thirties, and scans ihe popular and important bands and leaders of that iime - Glen Miller, James J. Johnson, Chick Webb, Sidney Bechei and others. Formats from solo piano to big band w/vocalist are covered. The Forties & The Fifties (MCA 2-4062) are represented in Vol. 3-4, again in diverse settings featuring artists as well known as Woody Herman, Errol! Garner, Billie Holiday andKingCole; and, less 'popular names as John Graas and Ralph Burns. Vol. 5 (MCA 2-4063) is more of the fifties, with tracks such as Two Funky People from AI Cohn & Zoot Sims, Lesier leaps in by Tony Scott & The All Stars (which includes Red Rodney on trumpet) and tracks from Bean, Toots Thielmans, Bill Holman, George Russell, John Hendricks & others. Feaiher states that he "did. not select these· items strictly on name value, but rather in terms of their retrospective interesi a5. examples of the music that was being created during this phase of the evolution of jazz." He further points out that several art isis included deserve far more recognition than they have ever achieved. As good as that ihought is, it seems odd that such players as Miles Davis, John Colt.rane, Sonny Rollins, PhillyJoeJones, MaxRoachandC!Ifford Brown are omitted from the set. I suppose, however, that we must appreciate the difficuliy in pu-tting together a collection such as this. From the s-tandpoint ihat the above mentioned artists can easily be heard elsewhere, Mr. Feather should be thanked for this collection of rare and educational recordings. The sound quality varies, of course, due to the time span and large number of sessions involved. I can have no gripe about MCA's pressings; they are generally good. UNIVERSITY PLAZA Come See Our Newly Expanded Store BOBBY HUTCHERSON - CIRRUS - BLUE NOTE LA-257-G Cirrus, from the standpoint of creaiivity as well as musicianship, is probably the best album of newly recorded music io come from Blue Note sirice Elvin Jones' Mr. Jones (released last year). Huicherson has not been recorded lately as much as he deserves. His contributions to McCoy Tyner's Sarna Layuca release were second only to Tyner himself. The title tune is a typical 60's type Mainstream . outing, for which Blue Note is mosi famous. After ihe ensemble passages, Woody Shaw iurns out a firey solo, followed by Bobby's long time associate Harold Land on tenor (I ihink), then iis Bobby with one of his notorious single note messages wiih his unusually damp tone. Zuri Dance is a tribal siyle tune by the leader, .similar to Tyner's recent compositions. McCoy's influence is heard againonShaw'sRosewood. Bobby takes an extended solo, with Kenneth Nash on congas laying the foundation with bassist Ray Drummond and drummer Larry Hancock. Then its back io the head and out. The album is rounded oui by Even Later - a gorgeous ballad feature from Hutcherson and Wrong Or Right, where ii' s 60's Mainstream and a touch of Tyner again. If you've been wondering where Bobby's been ihe last few years, you can stop wondering and start saving. Bobby Hutcherson is back. 59 Kenmore Ave. (corner 836-8869 of Windemere) behind jewelry store 3 �The only logical place to buy hifi components. [techhifi] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo THE MODERN JAZZ QUARTET - IN MEMORIAM LITTLE DAVID 3001 In Memoriam marks the end of a jazz institution. After nearly a quarter of a century as one of jazz's most respected and elite groups, the MJQ announced that it would disband in spring of this year. · At the same time, th e album sums up the works of John L ewis, Mi It Jackson, Percy Heath and Connie Kay. Their fusion of classical musicandjazz,whether they be alone, or as they are here, with a symphony orchestra, they have never been less than excellent. This album is of the same degree. John L ewis, the composer of most of the material, feels that this is their best, and it probably is, as they always continue to grow. Jackson and L ewis solo in the melodic and refined manner they are known for; Heath is strong and always on t ime but relatively simple- never overplaying; Kay acting more as a percussionist with his exquisite cymba l and snare work; all very much at home with the orchestra. In short, they display charm and finesse on this totally gratifying album. You'll hear some of the past, especially on the title tune, a work in two parts by Lewi s. Part One was wriiten as a tribute to his piano t eacher, the head of the Music Dept. of the Univ. of New Mexico (Lewis grew up in Albuquerque); and Part Two f or other musi cians he admired that have passed on - such as Louie Armstrong, Igor Stravinsky, Bela Bartok. Le ster Young, Coleman Hawkins, Bird, Eric Dolphy, Ben Webster and others. Adagio from the guitar concerto 4 Concerto De_ Aranjuez by Joaquin Rodrigo has been recorded·tw•ce before by MJQ, this version (I feel) being the most moving. Jazz has lost a lot this year - Duke Ellington Gene Ammons, Harry Carney and in another, les~ permanent sense, the Modern Jazz Quartet. Thei r records will live on. NTU WITH GARY BARTZ -SINGERELLA (A GHETTo FAIRYTALE) - PRESTIGE P-10083 Numerous critics have written that the sound of NTU has become stale, but Gary may have disproved that through this release. Singerella is a concept album, written about Bedford-Stuyvesant, f r om which Bartz recently moved to the West Coast. St. Felix Street, Gary explains, is a typica l street in the ghetto ' where our story begins. Seven of the eight pieces here contain vocals by Gary, and he's sounding better. A sheet is enclosed with lyrics and a brief explanation. Pian ist Hubert Eaves and drummer Howard K ing have been with Bartz for some time now, and new additions are bassi st James Benjamin and guitarist Maynard Parker. Parker has performed on many Prestige dates over the l ast few years. Together they form a wel l-knit ensemble, are tight, funky as hell and imaginative. Bartz is heard on alto and soprano saxes, clar inet, mouth harp, synthesizers and percussion. His soprano work is improving, but alto is still his best axe judging by the results of this date. K ing is more in control than he used t o be, but he's young and growing. Check this one out if you can. Bartz and NTU say a good deal here. Its educational and enjoyable. GEORGE BENSON - BAD BENSON- CTI 6045 S1 In retrospect, this may easi ly be George's best ~or the .Creed Taylor label . Hi s last was good, but 1~s fu.nk•ness. allowed it to grow stale on repeated l1st enmgs. Th1s one holds up I i ke a champ. Paul Desmond's Take Five, a tune seldom re corded outside of the fami ly of Brubeck veter ans, opens the record in true Benson form. The tempo is quick and the octaves are f lying. Summer Wishes, Winter Dreams is a short p iece for guitar and orchestra - very light. Add itional guitar work is by Phil Upchurch. My Latin Brother is as funky as it is Latin, with solos of merit com ing from Benson and pianist Kenny Barron. Side Two begins with medium tempo Upchurch original - NoSoonerSaidThanDone, againwith Benson afld Barron up front. Full Compass is the most modern of the 6 numbers, sounding a bit like Joe Farrell material - Barron shines. The Changing World is a mild ballad feature for George's guitar. The arrangements are by Don Sebesky but don't let that hold you back. He stays away f rom the 101 strings sound here. A valid comp laint, however, m ight be that CTI continues to lim it thei r recordings to roughly 15 minutes per side. Attodaysprices, another 5 wouldn't hurt them. �On The Avenue Ronnie Foster is at the beginning of a brilliant career. He was first noticed for his work with Grant Green and now, at 23, he has already recorded two albums that have established him as a ranking jazz organist. And his third album, "On the Avenue," is now available. Its five new Ronnie Foster compositions leave little doubt that music has a new man on organ. "On the Avenue" is in the streets. L.P. BN-LA261-G 8 TRK. BN-EA261-G Bv Ro1nrie Foster t./ • On Blue Note Records &Tapes �THAD ..KJNES - MEL LEWIS- POTPOURRI - PHIL. INT'L. - KZ 33152 Well folks, it's been four years now since we last heard from the T J-ML big band. The fact that their last album, Consummation, was a smash, five stars and 100% could make such a huge gap cause some questions and a rash of anger -which it has. The band tried - word is that A & M Records has had one in the can for some time which they won't release because "it's not commercial enough". At last, someone had the good taste to do what's right - record them and release the results to the pub I ic. On first hearing, one might be faintly let down. After four years I know I started getting thoughts of supernatural monsters brewing in within the band- an album that might change the direction of jazz, at the least. The first spin was slightly anti-climac-tic, which is understandable. The fact is that many of the same cats are on this album - Roland Hannah, Pepper Adams, Jerry Dodgion, Billy Harper, Jimmy Knepper and The Leaders; and their basic sound remains very similar- big, fat and bluesy. Repeated listeningswere delightful and sti II are. The album opens with a blues romp - Blues In A Minute, from the pen of Jones. George Mraz turns out a fine bass solo introduction while accompanied by Lewis and Hannah. There are justtoo many exceptional solos on the album to cover here. • In addition to 3 more Jones compositions, two Stevie Wonder tunes are heard - Don't You Worry About A Thing and Living For The City, and Marian McPartland's lovely ballad Ambiance, arranged by Jerry Dodgion (a'l l other arrangements are by Jones). For The Love Of Money is a popular O'Jay~s tune, reworked to fit the band's style, with 'trumpeter Buddy Lucas doubleing on· harmonica. Yours & Mine and All My Yesterdays are ballads (Jones is a bitch with ballads), and Quiet Lady is a joyful medium swinger in 3/4 with some nifty ensemble passages and light lines from Hannah on electric piano. Hopefully, it won't be four more years before we hear from them again. It's strange when you think about some of the people ihat have a new album every 4 months while cats like these go unheard outside of live gigs. To give credit where due- thanks go out to Philadelphia lnt'l., Columbia and (naturally) Thad and Mel. THE BADDEST HUBBARD - CTI 6047 S1 THE BADDEST TURRENTINE - CTI 6048 S1 Having recently lost Hubbard and Turrentine, anthologies as these were a logical and predictable step for CTI. Freddie & Stanley were probably their hottest artists. I doubt that eiiher of these records would appeal to the regular fans of the leaders in mention, since they most likely have all or most of the albums ~ro~ which the cuts were selecied. All four ofTurrentme s CTI releases are represented, and four out of Hubbard's five; excluding their joint l .ive disc. All the facts are on the outside covers, so these albums should fall only into the hands of people who can use them - mostly newcomers to the jazz spectrum, or regulars whose pocketbook prohibits buying 6 8 albums. The material chosen is representative of the original records, except for Hubbard's Here's That Rainy Day, a mellow cut which is nothing like the busy/ funky remainder of the record straight Life. BARNEY KESSEL - SWINGING EASY- BLACK LION130 Recorded in 1968, Swinging Easy has been available from English Black L i on for some time; and, has recently been released here by Auqlio Fidelity. Its a trio session, with London based Kessel , joined by Englishmen Kenny Napper on bass and John Marshall on drums. Although not often talked about lately, Kessel is a gifted guitarist, often playing single note passages with chord bursts for good mea sure, while remaining quite melodic. Since his first gi'gwith Chico Marx Orch. (led by Ben Pollack) in 1943, he has played in numerous settings , -- jazz, show tunes , movie scores, etc. · This album finds him in a relaxed, often mellow mood.· A wide variety of tunes are covered - such as Aquarius, Autumn Leaves, Corcovado (Quiet Nights) and The Look Of Love. Another Kessel album, a more energetic set from Montreux, has jus~ been released by Black Lion, and will be reviewed soon. For now - Swing Easy. CHARLIE BYRD - BYRD BY THE SEA - FANTASY F-9466 Byrd's third for Fantasy was recorded I ive al Howard Rumsey's "Concerts by the SeaH in Redondc Beach, Cal. His group here consists of himself or entire • BLUE THUmB catalogue Now on Sale at RECORDLAND summitt park mall 6929 Williams Rd. Niagara Falls, N.Y. 292-7878 �guitar, his brother, Joe Byrd, on bass and Bertell Knox on drums. . The best cuts on the album are the Latin numbers; and the Beatles Norwegian Wood comes off very well, as Byrds style is quite compatible with that compos_ition. Killing Me Softly, the popular Roberta Flack h1t, · is less successful for just ihe opposite reason, and Knox's drumming is noi quite together. ltcouldbe that funky drumming and Charlie's guitar don't mix well, whatever, Knox sounds good on Byrd's Fantasy in B Minor and includes a brush break that draws some chuckles from the audience. Chari ie of course is an accomplished guitarist and sounds good throughout. Joe is steady although not astonishing. The results are a typical, average live session. No new ground is broken, but Charlie lets you know he's still around. JOHN HEARTSMAN & CIRCLES Nick Rizzo - Tenor Sax Mark Demperio - Drums larry Burnett - Congas/ Timbales featuring Janice laV.on - Vocals John Heartsman- Organ, Flute, Guitar & Piano LIKE CHILDREN (NEMPEROR A TL.)- NE-430 --JERRY GOODMAN & JAN HAMMER Ever since I heard that these two mainstays of the original Mahavishnu Orchestra were working together, I have been anxiously awaiting this lp, and I wasn't at all disappoointed, to say the least. Comparisons with Mahavishnu Orchestra I are inevitable, and the album comes off well from them; it is as full of drive and fire as any of the 3 lp's they did with John McLaughlin . Jan is, as usual , superb on keyboards, and his synthesizer work is just outstanding. His f ine drumming, however, is the real surprise. Jerry's violin work sounds as pa ssionate as ever, though his guitar playing tends to run to "jazz-rock" cliches. All in all, it is an album that any full band could be proud of putting together, let alone just two musicians . The production by the two ofthemtogether with Ken Scott is better than average. The only major fault that I find on this album is the inclusion of some poor and unnecessary shouted vocals, but if you can ignore or accept them, the album is more than worthwhile. M.H . THE ONTARIO HOUSE 920 Ontario Ave., Niagara Falls, New York Friday thn.i Sunday Nights from 10 Jam Sessions on Sunday Nights ® 1974 - Buffalo Jazz Report No portion of this pub I ication may be reproduced without written consent from the pub l isher. wha~g, The BUFFALO JAZZ REPORT is distributed free through over 60 locations in the Western New York area . We are subsidized solely through advertising, and ask that you support our advertisers who make it all possible. ~~· ~ages DISCOUNT ::~M., I Coupon worth TWO DOLLARS J Off the list price of ony available Jazz AI bum I 1 at any of the 8 CAV AGES locations. I Expires 1· 1· 75 • BOULEVARD MALL • COMO MALL e MAIN PLACE MALL • THRUWAY PLAZA SOUTH SHORE • UNIVERSITY • LOCKPORT MALL l..! ---------- THERMOPOLA YE - at the Librar y, 3405 Bailey Dec. 12 & 19. NEW WAVE - at the "Downtown" - Statler Hilton. See ad. ZIMBABWE - at Port East, Grider & Ferry. 1:306:00 A.M. Fri. & Sat. nights. Breakfast and non- · alcoholic beverages served. ROYCROFT POTTERY CEnTER &!HOP roycroft campu1 barn RECORDS I e SENECA MALL happ_ e ning I _J main & grove Jtl.. eOJt aurora Now Open- hrs. 11-8 daily, closed Mon. See How These Fine Handcrafted Stoneware Pottery Pieces are Formed and Fired 7 �Bourbon Street TORONTO (416) 864- 1020 JOUNIOR COOK December 2- 7 December 10-29 Tuerdayr - /undayt 9Pm Free parking in the /totler garage The Statler Hilton o !N.D. Hassett enterprise TAKE FIVE- at Ericson Lounge, 19 W. Utica- Fri. and Sai. nights. MORGAN STREET STOMPERS - Dixieland Band at Jafco Marine Rest., 2192 Niagara St. Fri. & Sat. nights. ELl KONIKOFF'S DIXIELAND BAND at Johnnie's Old Time - De laware Ave. in Kenmore, Wed. nights. TORONTO BOURBON STREET - Jounior Cook, Milt Jackson & Bernie Senensky - See ad. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St, E. - 923-9887 - various local jazz groups. GROSSMANS TAVERN - 317 Spadina - Traditional jazz Fri. & Sat. nights. OLD BAVARIA - 5 St. Joseph St. .:· Climax Jazz Band 6 nights a week. COLONIAL - Yonge at Queen - Muddy Waters Dec. 2-7, Boss Brass Dec. 9-14. EL MOCAMBO - 464 Spadina Ave. - CharlieMingusDec. 16-21. CONCERTS SAM RIVERS & BARRY ALTSCHUL - St. Pauls Cathedral, 121 Avenue Rd. , Sunday, Dec. 8th, 2:30P .M. TV- CH. 7 MERV GRIFFIN SHOW - Eubie Blake - Dec. 16, Dizzy Gillespie - Dec. 18. 8 MILT JACKSON December 9-21 BERNIE SENENSKV Dec. 23- Jan . 4 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover 91RlHRIGHT "IT'S A WAY OF LIFE" Buffalo Evening News Their album •Free Spirits• is available. at Record Runner, Cavages, UB Coop and Recordland or send $5.00 to Birthright P. 0. Box 514 Buffalo, New York 14240 RADIO WBFO- FM- 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts. Wednesday - 9 P.M. - Jazz Revisited with Hazen Shumacher. Saturday - 8 A.M. - Freedom Flight with Yvonne Prince. 2:30 P.M. This is Ragtime - 9:30P.M. JUJU with Paul Harding. Midnight- Jazz by Request with Pres Freeland. Sunday - Noon - Great Circle Sai!ing ~ith R?bt. Previte. 11 P.M. Inside the Changes w1th Bill Savmo. WEBR 970 AM & WREZ 94.5 FM Jazz show- Midnight to 6. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3401 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 10 Date A point or period of time associated with an event in the lifecycle of the resource 12/1/1974 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz. Jazz musicians. Sound recordings > Reviews. Type The nature or genre of the resource Book Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 10 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/94365c30e28a38517a04338b6bc856d3.pdf 018d1ca5e8bf7cd4cf9634d473cb8769 PDF Text Text buffaUo jazz (fepo(ft january '75 no. II free MThey were not the reason the old hall was standingroom-only, but for sheer musical enjoyment they cut the Goodman Band to ribbons . " -San Francisco Chronicle Their album, simply titled The RubyBraff- George Barnes Quartet, was recorded for Chiaroscuro re cords, which is owned by Hank O'Neal. It is a small company, and the recording studio is located in O'Neal's Greenwich Village home. It was here that the quartet rehearsed for their Newport appearance, whi Ie an audience of musicians and Iisteners generally in thei r mid twenties watched, observed and thoroughly enjoyed what they heard . Later, Tony Bennett came by to sing and cut a record with them . After the record date, Bennett and the quartet made a documentary fi 1m together . MThis group is absolutely gorgeous, a quality laid most obviously to Braff's mellow horn, Barne's disciplined but eloquent guitar and the masterly dynamics of both artists." -Philadelphia Daily News A few years ago, trumpeter/cornettist Ruby Braff sat in with the George Barnes/ Bucky Pizzarrelli guitar duo at New York's Upstairs at the Downstairs. They played so incredibly well together that soon after they talked of getting together on a more permanent basis. Their talk was at 3:30 AM, and some 7-1/2 hours later they met at Barnes' house and played up a storm. It didn't take long for them to decide on a rythym guitar and bass combination to back them, so they contacted Wayne Wright and John Giuffrida, and set off on a heavy rehearsing schedule. Their debut was at the Newport Jazz Festival in 1973, where they were second on a bi II with the Benny Goodman Quartet - the original one at that, with Wilson, Krupa and Hampton. If starting off on the right foot is a good omen, reports from that show put the Braff/Barnes group on top in every category but nostalgia. After such a performance, and the rave reviews, Newport promoter, George Wein would have had to be crazy not to have them back the follOWing year. He wasn't and they were. Mit's a marriage that was made in heaven. M -Playboy In performance, the Braff-Barnes group is a delight. The two leaders often open a tune in unison . They sound so right together that one could get the impression that they were poured from the same mold; except for their musical similarities and their height (they both register about 5' 5") a contrast is �evident . Braff is small boned with a thin face and a laugh that is as much a trademark as his trumpet sound. He's dead serious while playing, but smiles as though he's be ing lick led from behind while Barnes takes hi s turn . George, on the other hand, is stocky with a round head and more serious and reserved than hiS partner; hiS right foot atop a brick to achieve a comfortable stance for holding hisguitar . (Wesawhim once with a cigar box but it proved inadequate as it kept falling over. They both sit inchairs, side by side, with Wayne Wright next to Braff, and present bassist Michael Moore stands in back . If there were only one word to describe the quartet's sound, it would be dynamic . Many of their tunes are Rodgers & Hart classics or originals. They can have you on a mellow trip, when suddenly George (or Rubythey both do it) wi II burst forth with a string of notes to make your head dance . Wright is strong and richly acoustic in his rythym support, Moore is a strong and steady bassist, he has to be since he alone has the job of keeping the time, driving the others and providing the bottom. You won't catch them running through today's pop hits . They don't have to - they can hold audiences of all types of musical preferences ontheir flawless performance alone. Their most contemporary tune is the Beatles , Here, There, & Everywhere, a number that fits their sound like a glove . *A fine wine, mellow, light, clear and fragile yet explosive upon the senses - that 's the Ruby BraffGeo. Barnes Quartet. " -Buffalo Jazz Report The quartet is back in town, for the entire month of January, at the Statler's "Downtown" room . If you missed them the last time, and especially if you also missed Jackie & Roy - make it a point to get down to see them andthe room. There is no limit to what can happen in jazz at the hotel. Big bands, contemporary jazz groups - you name it - there's a room in that hotel suitable for any type of concert. Get down as often as you can if you want jazz to continue to happen in Buffalo - and it will. B .W. THE ASSOCIA TlON FOR JAZZ PERFORMANCE The A.J.P. exists - its primary function was and is to create an environment condusive to the presentation and development of Jazz. In November of 1972, the Association for Jazz Performance was to present its official program to our neighbors and friends . So that proper tribute be given, members of the AJP sacrificed their time and talents to the "Spirit of Jazz" . On November 12, along with the Buffalo Jazz Ensemble, we Celebrated this offering at the Buffalo and Erie County Public Library - the results were astounding, and feel ings that had laid dormant in this city were both rekindled and instilled fresh in a new generation. Our concept had born fruit and the energy of this Spirit had been tapped. Then came the responsibility of its development. As this organization was designed to encourage artistic development, the natural course to follow was the evolution of personal musical truth . As the result of a few favorable events, the A .J.P. was granted a small contract with the New York State Counci I on the Arts and with the help of friends we were able to present concerts at the Kenan Center, The Studio Arena Theater, The Lewiston Artpark , and this past summer a series with the Buffalo Jazz Ensemble in Delaware Park . Sadly , because of a small budget, we were unable to include the environment of our first concert (the visual offerings of the AJP) . It is this asp ect that should now be reinstated if we are to continue to develop . As I am president of the Association for Jazz Performance and musical director of the Buffalo Jazz Ensemble my responsibi I ities have become diffused and somewhat cumbersome. It has always been my wish that someone would be interested enough in this organization, and the "Spirit" that governs it, to offer productive directorship. Our problem has always been a lack of immediate funds but ther e are numerous funding and sponsoring organizations that are in a position to aid in the development of our Asso ci ation, all that is necessary is that a person, or persons, familiar with the environment we seek take initiative interest. It is almost needless to mention that the possibi I ities of development are quite satisfactory. If one examines the interest given this music by educational an professional music schools its future directions will become evident. JAZZ IS and will remain to be, an expression in {liec/l1ercedes CJJellZ if CJJilling dinners from 5pm. - 3am. nightly presenting: 'MIKE COSTLEY Pure Ivory and wed. thru sat. 3500 Sheridan Drive Eggert sville - 834 - 0400 ..._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _,.. �American art . It is up to those who believe it and liv e ·t to accept the responsibility of its propagation . I Respectfully, I Philip DiRe, President oftheAsso. ation for Jazz Performance do hereby summons ~~rth the one that is to be . Let's do it! Association for Jazz Performance P . O. Box 1640 Buffalo, New York 14216 Editor/ Publisher - Bill W.all . Contributors - Tom Alablso, LoUIs Bradshaw, Marty Hazen, Malcolm Le.igh, John Osborn, P~~a Wall Illustrations - Christine Engla Eber / ~ . Address correspondence to : ~~) Buffalo Jazz Report 1335 Main Street ':; Buffalo, New York 14209 G,., (716) 883-3909, Ext . 11 ~ n:- . ~ ,eco,din9~ ' .~~\tt\ GENE AMMONS GREATEST HITS - PRESTIGE 10084 It has been said that record companys cash in on an artist's death by releasing more records than he had in most of his lifetime (e .g. Ben Webster). That can not be said about Prestige, a company which released nearly thirty records for him since 1950; and it could be more, as I am just speaking of those currently available. Gene was a beautiful cat, his music is sexy and overflowing with soul. If you don't have many of Gene's records, pick this up. His version of My Way will tear your heart out. As Orrin Keepnews of Fantasy/ Prestige says Uthese not only were his greatest hits, they still are pretty damn great. PAUL HORN - A SPECIAL EDITION - ISLAND ISLD 6 Though Horn probably won a few and lost a few with his last epic release, Visions, he should be able to recover the fans he lost with this 4-side live recording . Sides I & II are the least moving of the 4, as they contain, for the most, often recorded tunes with some good soloing, but nothing of significance in terms of original arrangements. Dusk (Side III) is an II~ haircutter 59 Kenmore Ave. 836-8869 (corner of Windemere) behind jewelry store The only logical place to buy hili components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo 18 minute excursion in free improvisation featuring interplay between percussion vibes guitar and flute. Dawn (IV) is again free, but gains form for a short time twice in its 8 minutes . Forms is piece for 3 flutes and a piccolo, all played by Horn via studio overdubs. Horn includes a booklet to lead you intothe origins of his music, you can judge for yourself the impact, for some of the music is good. The recording qual ity is below par regardless of the fact that it was recorded live, and the pressings are average. RE-ISSUES Columbia has issued a 2-record set titled The World of Swing (KG 32945) containing 20 tunes from the same number of big bands ranging from a 1932 recording of The Growl by Baron Lee & The Blue Rythym Bandto a 1965 Woody Herman live recording of Opus De Funk. A good one for nostalgia. A 1961 Rocky Boyd Quintet date has been retitled Ease It! (Muse 5053) and released under trumpeter Kenny Dorham's name. Its typical of the Mainstream sessions of that time and is afittingtribute to the late trumpet great. Speaking of tributes, Mainstream has gathered recordings from sixartistsandtitledthedisc Billie Holiday Revisited (409). All the tunes are associated with Billie, taken from albums by Morgana King, Sarah Vaughan, Dinah Washington, Carmen McRae, Charles McPherson and Art Farmer. Thoughtfully put together. All of the tracks on these records have been previously released. 3 �BIRlHRIGHT "PERHAPS THE BEST THING THATS HAPPENED TO BUFFALO SINCE O. J. SIMPSON" Different Drummer Mag. Their album -Free Spirits- is available at Record Runner, Cavages, UB Coop and Recordland or send $5.00 to Birthright P. O. Box 514 Buffalo, New York 14240 PA TRICE RUSHEN - PRELUSION - PRESTIGE 10089 It is this type of album that is best served by a record review. After seeing the picture of this twentyyear old girl (who looks about 16) on the cover, and having no prior knowledge of her; the initial playing was I ike opening the hood of your new Fiat and finding a Ferrari engine. This University of South Carolina music student has got her act together; as she wrote and arranged the tunes on this disc and plays piano we II enough to be in the runn i ng fo r giant status in the near future. Joe Henderson is heard on tenor sax, and the sound of this album is much like many of his own Milestone albums. Patrice is heard on acoustic and electric pianos, clavinet and arp synthesizers and shares most of the soloing with Henderson. Her most obvious jazz influences are Herbie Hancock and McCoy Tyner, but she also has roots in classical music - she gave her first classical piano concert at age 6! Prelusion is one of those "sleepers", a downright pleasurable surprise. This and the Azar Lawrence disc are the cream of Fantasy/ Prestige/ Milestone 's huge December release. EL VIN JONES - LIVE A T THE VILLAGE VANGUARD ENJA 2036 While still waiting for a Jones album, At This Point In Time, that should have been releasedby Blue Note some time ago, this one took me by surprise. This is a typical Elvin Jones session from an equally typical Jones group - a pianoless trio. That format seems to push him to a physical and creative peak, allowing him the freedom he desires and needs . With Elvin is bassist Wilbur Little and tenor-man George Coleman. The hot cut is Coleman's By George, reminiscent of Elvin's performance with Trane on Impressions, as he builds, backs off-his cymbals thrashing - bursts of notes rolling off his snare, to the tom toms and accents through rim shots, bass drum and hi hat before, on or after the beat. Coleman and Little turn out some superb work throughout, but the trumpet solo from Marvin Peterson, who is present for Mr. Jones, comes off as below par, possibly due in part to the poor recording job, which is the only fault of the record. Perhaps you should get another opinion on this one - its only fair to warn you that this reviewer is crazy about Elvin Jones! 4 MILES DA VIS - GET UP WITH IT - COLUMBIA KG 33236 You get a lot of music for your money on this $6.98 list 4-sider. The shortest side runs 26:56, the longest, which contains only Calypso Frelimo, goes 32:07. 7 of the 8 tunes feature variations of Miles' latest groups, and the music remains in the basic style of his In Concert album, though this one is much more interesting. The remaining track, Honky Tonk, features Ex-Davis names such as Steve Grossman, Hancock, McLaughl in & Bi IIy Cobham, and appears to be recorded around the time of Jack Johnson due to the inclusion of bassist Michael Henderson. Thealbum is dedicated to "The Duke", and the tune He Lovee Him Madly is a quiet, moody piece that fits its title. To like or dislike Davis' recent work is a touchy subject these days. If you were turned off by In Concert, I'd suggest skipping Get Up With It. If not, you'" probably find his latest an improvement. FLORA PURIM - STORIES TO TELL - MILESTONE 9058 The name Flora Purim should click with most everyone who has been even remotely following the contemporary jazz scene. Her track record is astonishing. Since entering the U.S. jazz scene six years ago, she has won numerous polls and the acclaim of critics and the jazz public . Her previous album, Butterfly Dreams, was a logical extension of her work with Chick Corea. With this release she comes on with a sound all her own, a third world flavor blending Brazilian, Jazz and Rock music with the highest level of feeling, creativity, musicianship and class. The list of musicians here is impressive alone - Geo. Duke, Airto, Miroslav Vitous, Ron Carter and Santana to name a few. Every song is a gem - try to scrape up some money for this one - it's worth it to the penny . KENNY BARRON - PERUVIAN BLUE - MUSE 5044 Peruvian Blue is similar in many ways to Kenny's smash debut album Sunset To Dawn (5018), as he utilizes acoustic and electric pianos and clavinet, includes a solo offering - this time its Here's That Rainy Day, and makes an excellent choice of sidemen (who are rarely on the side). A duo version of Blue Monk is included here with guitarist Ted Dunbar, who has been soaking in the critic's bloodbathjust too long now. A good, attentive I istening of this track wi II reveal that he not only blends well with the leader, but remains sensitive to Monk's original feel for the composition . All six tracks make it - Kenny is always above average . BUDDY RICH/LIONEL HAMPTON - TRANSITION GROOVE MERCH. 3302 The title for this one comes from the fact that two very different sessions produced this music. Side one finds Rich and Hamp in the company of Zoot Sims, Teddy Wilson and Geo. Duviver; taking you way back with swingin' versions of Avalon, Airmail Special, Ham Hock Blues and Ring Oem Bells. Everyone is within their own element on this side, and get it on from start to finish. Side two puts Rich and Hampton �at the head of a ten piece band with a contemporary sound. Kenny Barron is added on piano, and two saxophonists who are no strangers to the Buffalo areaSal Nistico and Joe Ramano are featured , with Sims only heard on Fum. Both sides come off well as everyone involved gets into it. There is a drawback in that the recording qual ity should be much better for a 1974 recording . CIRCLE - PARIS CONCERT - ECM 1018-19 KEITH JARRETT - FACING YOU - ECM 1017 Each of these albums received wide critical acclaim when originally released by ECM and available only as imports . The Circle concert was recorded live in 1971 by Chick Corea, Anthony Braxton, . David Hollond and Barry Altschul. All are masters of improvisation whether it be free or within a structured piece, and both phases of the music are included here. It gets a mite heavy at times, but if you can get into the avant garde, get set for a real trip . The Jarrett LP was his first solo piano disc recorded in late '71 or early '72. Unlike his Solo Concerts set , this contains 8 titled songs, running from 3 minutes to 10:07. An excellent record marking the beginning of a new career for Jarrett as a widely accepted solo performer. EARL & CARL GRUBBS (THE VISITORS) - REBIRTH MUSE 5047 The Grubbs Brothers are always good listening, as they carry you back to the sound of Coltrane around the Giant Steps era . Earl on tenor and Carlon alto sound great on this disc, both intheirunison passages and solo spots . Pianist K enny Barron is never less than tops in all his recorded work; and how could Buster Williams and AI "Tootie" Heath be capable of anything but a first rate performance such as this? When you've got cats like this doing a record, you're going to get some heavy, pure music. Thats Rebirth. GEORGE DUKE - FEEL - BASF 25355 Feel is similar to Duke's earlier release Faces In Reflection in that the format is high-energy, funky jazz/ rock . He seems to be listening to Chick Corea's later albums, and possibly even Brian Auger's oblivion express, as the sound of both groups are reflected in his music. His vocals are high and smooth 5.~?;~i".\\\i\a r e -a. /IY // I' i 9 S DISCOUNT RECORDS Coupon worth TWO DOLLARS I I Off the Mfgrs. sugg. list price of any available Jazz Album at any of the 8 CAVAGES locations. I • SENECA MALL L: • I I Expi res 2· 1·75 • BOUlEVARD MALL • COMO MAll I MAIN PlACE MALL • THRUWAY PLAZA • SO!!!!!.SH~. ~RS!!... L~O~LL ..J Hollywood & Buffalo's David Shire, podium & piano Don Menza, sax Sandy Shire, guitar and the whole Orchestra, conductor Frank Collura a wild mix of a concert ... from the Warsaw Concerto. pianist Judy Burganger ... to Shire's funky music from "The Taking of Pelham 1-2-3"! HOLLYWOOD & HOT FRIDAY, JANUARY 31 8:30 PM KLEINHANS MUSIC HALL (S.U.C . Jazz Ensemble session at 7:30) tickets $5, $4, $3, call 885-5000 ADS vouchers accepted buffalo philhannonic pops (perhaps thats where I hear Auger), and Flora Purim is added for Yana Aminah. Duke is one of the few real masters of the synthesizer and is highly creative on electronic keyboards. This record proves that his writing makes the grade as well . AZAR LA WRENCE - BRIDGE INTO THE NEW AGE PRESTIGE 10086 From composition, to execution, to production and engineering - Azar's debut album is a total success. Lawrence has grown since coming into light with Elvin Jones' Group a few years· ago, his current work with McCoy Tyner and this Lp being proof enough. The music here is black jazz similar to the records of drummer Norman Connors, but more consistent. Jean Cam's vocals adorn two cuts, two others feature a 9 piece group (including pianist Joe Bonner and trombonist Julian Priester) . The remaining tune, Fatisha, is a duo performance from Lawrence and percussionist Kenneth Nash . This is an album that is destined to please fans of McCoy Tyner, Joe Henderson , Norman Connors and others in that vein . Most impressive for a first album . whQt~ happening BUFFALO THERMOPOLA YE - at the Library, 3405 Bailey, Jan. 16 & 30. 5 �Bourbon Street TORONTO ( 4 16) 864 - 1020 ()()W~T()W~ The Ruby Braff/George Barnes Quartet January 2 - January 26 Tues. - Sun. from 9 PM Count Basie HARRY "Sweets" EDISON January 6-1 8 and his orchestra. ONE NIGHT ONLY! Thurs. January 30 FRANK ROSOLI NO January 20 - Febru ary 1 O ne price includes a full course f ilet mignon dinner plus dancing in the Golden Ballroom to The Co unt' s su perb jazz masterpieces. Make reservations now ! 856-1000 ext. 220. ART FARMER February 3 - 15 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover Free parking in th e Statle r garage. The Statler Hilton a IiY.D. Hassett enterprise ZIMBABWE - at Port East, Gr ider & Ferry. 1:30 6:00 A .M . F r i . & Sat . night s. Breakfast and nonal coho l ic beverag es serv ed. MORGAN STREET STOMPERS - D ix i eland Band at Jafeo Marin e R est., 2 192 N i agara St . Fri . & Sat. nights . ELI KONIKOFF 'S DIXIELAND BAND at Johnnie's Old Tim e - De laware Av e. in K enmore, Wed . nights. TORONTO BOURBON STREET - Harry Edison, Frank Rosolino, Art Farmer - see ad . COL ONIAL - Yonge at Qu een - Jounior Cook & Solome B e y - 6- 11 , Gary Burion - 13 - 18, New York Jazz Quartet w/ Frank Wess, Roland Hannah , Ron Carter & Ben R i ley - 20- 26 . Cover Charge. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St . , E .923-9887 - vari ous local jazz groups. GROSSMANS TA VERN - 317 Spadina - Traditional jazz Fri . & Sat . nights. OLD BA VARIA - 5 St . Joseph St. - Climax Jazz Band 6 nights a week . The New Wave was "Downtown" for three weeks last month, and we found them to be much better than we had expected . As an instrumental quintet they were capable both together and separately . The real treat came when vocalist Barbie Rankin jo ined in - she' s got some talent and has gat to be heard . She's by far among the best voca lists to come from thl s area In some time . Her style shows influences such as Cleo Laine and DeeDee Bridgewater - breathy , colorful and forceful. They should be back next month . Check the hearthstone manor 333 dick road monday, february 3 9 -1 tickets $6.50 each them out! We caught John Heartsman & Circles at the Ontario House and found them to be the finest area group to blend jazz, rock and soul into a tight, full sound. Heartsman plays organ , e. piano, flute and guita~; with sister Janice LaVon on vocals, Mark Dempen o on drums and Larry Burnett on congas . You can't help but be turned on by thei r funky sound , and if yoU like to dance - this is the group to check out . ~ 1974 - Buffalo Jazz Report No portion of this pUbl ication may be reproduc el without written consent from th e publisher . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3560 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 11 Date A point or period of time associated with an event in the lifecycle of the resource 1/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 11 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/c82e1e2abb8d7c765c76036b0e33bf91.pdf 22327aa2c233b14c81a2343885794b55 PDF Text Text buffallo jazz Ml(fepotrt february '75 free I rJ~ no. 12 and the Kenny Clarke-Francy Boland big band in Paris and the Kenny Drew Trio in Copenhagen. In Vienna he would play with local groups, in TV studios and with Johannes Fehrig's Vienna Radio Band. During his visits to these shores, Farmer has often been in the company of Jimmy Heath. Farmer is a mild, mellowmanwithamusical style to match. He finds that the flugelhorn is more an extens i on of hi s persona Ii ty than the trumpet and says "it has become my voice". He has a deep love of melody, which is always in the forefront of his music. Try to catch him this month. So many Buffalonians are going to Toronto once a month now, see if you can plan your trip while Art is there. Anyone who has not yet been to the Bourbon Street is missingout on some fine music and the prices are low. Perhaps we'll see you there. NEWS art farmer The Bourbon Street in Toronto often plays host to the master flugel - hornist Art Farmer. Such will be the case again this month, as Art will be in residence for two full weeks . Council Bluffs, Iowa is the birth place of Arthur Stewart Farmer - the date was August 21, 1928. His twin brother , Addison, plays bass, and in fact toured with the Art Farmer - Benny Golson Jazztet in 1959 and 1960. Art went to L.A . in '45 and played with Horace Henderson and Benny Carter. The '50's found him working with Lionel Hampton, Horace Silver and Gerry Mulligan, and leading his own quartet with Gigi Gryce . The famous Jazztet was formed in 1959 and lasted through a number of personnel changes unti I 1962. At this point Art had switched from trumpet to flugelhorn . . During the early '60's Farmer teamed up wdh guitarist Jim Hall and formed a unique quartet, playing mellow, melodious jazz at a time when the avant garde was gaining ground. Hall left in '64and Farmer replaced him with pianist Steve Kuhn. He spent ,the last half of '65 in Europe and returned there In 66. He adopted Vienna as a base, and split his time between Europe and tours of the U.S. On the European continent he would play with such groups as Phil Woods European Rythym Machine, the George Arvanitas Trio Long range plans for the Statler include bookings of vocal ist Chris Connor (ex-Kenton). the New Wave, pianist Dorothy Donnegan, Buddy DeFranco, British pianist/composer Marian McPartland, a return en gagement for Jackie & Roy and trumpeter Jonah Jones ' Quartet. Watch these pages for details . Chuck Mangione has been nominated for two 1975 Grammy awards . One for best arrangement accompanying a vocalist (Esther Satterfield), and another for best performance by a big band. Both are for his most recent album Land Of Make Believe. Muse Records has announced that they have signed trumpeter Woody Shaw to an exclusive contract . Shaw has recently finished an album for the label, as has Pat Martino . Each will be released shortly. Grammy Nominations announced by Fantasy/ Pres tige/ Milestone are : best jazz performance by a soloist - McCoy Tyner - Naima from Echoes of a Friend; best jazz performance by a group - McCoy Tyner - Sama Layuca & Bill Evans - Tokyo Concert; best jazz performance by a big band - Woody Herman Thundering Herd. Results wi II be announced on the Grammy Awards Show, March 1 on Channel 4 (CBS). @ 1974 - Buffalo Jazz Report No portion of this publication may be reproduced without written consent from the publ isher. The BUFFALO JAZZ REPORT is distributed free through over 60 locations in the Western New York area. We are subsidized solely through advertising, and ask that you support our advertisers who make it all possible. �Editor/Publisher - Bill Wall Contributors - Tom Alabiso, Louis Bradshaw, Marly Hazen, Malcolm Leigh, John Osborn, Paula Wall Illustrations - Christine Engla Eber ,,;--Address correspondence to : -' Buffalo Jazz Report 1335 Main Street Buffalo , New York 14209 (716) 883-3909, Ext . 11 ,ecoldinga and more ... from m COftCOfCI jan 'NC. * JAZZ/CONCORD * SEVEN, COME ELEVEN Herb Ellis Joe Pass Ray Brown Jake Hanna SOFT SHOE Herb Ellis Ray Brown "Sweets" Edison George Duke Jake Hanna Herb Ellis Joe Pass Ray Brown Jake Hanna * GREAT GUITARS Charlie Byrd Barney Kessel Herb Ellis Joe Byrd John Rae * BRAFF & BARNES PLA Y GERSHWIN Ruby Braff George Barnes Wayne Wright Michael Moore * Record,ed live at the Concord Jazz Festi val The crowds went crazy raving! reviewers are NOW AVAILABLE AT CAVAGE'S & RECORD RUNNER 2 GREAT GUITARS - CONCORD JAZZ 4 When three guitarists the likes of Charlie Byrd, Barney Kessel and Herb E II is get together on a stage most people would expect dynamite music. That was the case at last year's Concord Summer Festival this album being proof. The three guitarists are heard together on three tracks, Kessel and Ellis on four (three of which are unaccompanied duets) and Byrd on the remaining two. Bassist Joe Byrd and drummer John Rae do not solo, but provide sol id rythym support for the guitar masters . I prefer the full quintet numbers, such as Charlie Christian 's Benny's Bugle, but I think you'll find that one song is as good as the next. A must for jazz guitar lovers, this album is readily avai lable in major record stores in Buffalo and Toronto . RUBY BRAFF/ GEO. BARNESOlJARTETPLA YSGERSHWIN - CONCORD JAZZ 5 Three days after our January issue came out, which featured Ruby & George; we came upon this album . Anyone who has heard the quartet knows that they don't differ a good deal from one performance to the next. This album does not differ much from their previous release on Chiaroscuro, except for the fact that all tunes are Gershwin standards, and it was recorded I ive at the Concord Summer Festival '74 . If I had to choose between one of the two records, I would have to go with this for two reasons . First - the live performance makes the music sound more informal the group has a kind of "high class" sound that is almost too steri Ie without the sound of applause ; and the audience pushes a soloist to do his best, hence - better solos . Second - the pressing is better . There are some static blurbs on side 1, but thats an engineering fault. Concord's pressings are generally excellent while Chiaroscuros are terrible . The music ofthe group has been talked about often on these pages throughout the months - "flawless", "a fine wine" etc ., and if you made it to the Statler - you know what I mean . If not, here' s you're chance. PAUL BLEY OPEN, TO LOVE - ECM 1023 This is a very nice, mellow solo piano album along much the same lines as Jarrett' s "Facing You' or Corea's "P i ano Improvisations I & II." Ithas much of the same quiet, relaxed qualities which are found �10 Jarrett' s piano work , & Bley's playing throughout the album is excellent. Bley wrote two of the album's seven cuts , with the balance being penned by Carla Bley and Annette Peacock . "Open , to love", is a good album to listen to late. at night or on a cold, dark afternoon - it makes you feel good. My major complaint about this album is not the music, it is the annoyingly wretched pressing quality. Its full of surface noise and pops, as ar.e almost all of the other ECM records I have heard . These defects are especially annoying on a solo piano Ip. M .H. STANLEY CLARKE - NEMPEROR 431 If you've ever been fortunate enough to have seen Stanley Clarke with Chick Corea or Pharoh Sanders I don't have to tell you that he' s one of the finest bassists playing today . If you're notfamiliarwithhim, then just one I isten to his new Ip . should convince you . The ener gy just explodes off of the tracks of this record . Stanley surpasses anything that he has ever done before , establishing himself as the electric bassist in jazz . He also plays a mean acoustic bass, as he demonstrates on Yesterday Princess and Spanish Phases for Strings and Bass . It's a joy to hear his crisp, intense lines. The bulk of the cuts, I ike Vulcan Princess and Power, are powerful uptempo tunes, much I ike the material he does with Return to Forever. He is backed up by some of the finest players around, with Jan Hammer sounding superb as usual on keyboards, and Ex-RTF guitarist Bi II Connors contributing some soa~ing guitar lines . Tony Williams is on drums, and again shows that he is one of the most creative and powerful drummers around. I wouldn't be at all surprised to see Stanley go solo in the near future, and if he does, I hope that he can keep this group of players together . M .H. IN CONCERT - VOL. II - CTl6049 S1 This is the follow-up to the Hubbard- Turrentine album we reviewed earl ier. The rythym section sti II steals the show, although Turrentine really gets going on Gibraltar; recorded at a different concert than the version on Part I. Freddie also sounds better, but the recording doesn't quite do him justice - a bit WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA NOW IN STOCK -ESTHER SATIERFIELO- tinny. Two versions of Herbie Hancock's Hornets differ in that the second is more furious, and Gayle solos only on the first . Turrentine and Hubbarddo not play on either . Herbie is a bitch on Gibraltar. RED RODNEY/ SAM NaTO - SUPERBOP -MUSE5046 Two Buffalonians are heard on Red ' s second wax ing for Muse. Sam Noto, who wi II be featured in one of our future issues, is one half of the two trumpet format ; and a better man could not have been found . Sam plays with a clean tone ; Red slurs his notes and both are exceptionally fleet. Another name to ring bells In the .heads of locals is Larry Covelli, who is heard only In the ensemble on an airy version of The Look Of Love. Pianist Dolo Coker swings relentlessly - check out Last Train Out and Green Dolphin Street. Fire is just that - opened by both trumpets with short solos from each . The extended version of D~/phi,! is at a medium swing, plenty of solo room; first Its Sam; then Red - at first heard only . over the bass of Ray Brown . The adept time keeping of Brown and Shelly Manne combined with Noto and Rodney results in an album that should be in the running for record of the year. Red is still with us and has given us all a chance to h.ear Sam Noto again . If you dig bop, trumpet or musIc that sWings; you can't miss with Superbop. The Muse release came out after our cut off date but we had to get this one in . More in March: ~ec/l'1ercedes ~eIlz gf ~1Iing dinners from Spm. - 3am. nightly presenting: GMIKE COSTLEY Pure Ivory 3500 Sheridan Drive Eggertsville - 834-0400 and wed. thru sat. ..------------------~3~' �~nd pian~sts are extremely competent and need no The only logical place to buy hiB components. [techhifl] 143 Allen St., Allentow n, Buffalo 1270 Niagara Fall s Blvd ., Amherst, Buffalo RUSTY BRYANT - UNTIL ITS TIME FOR YOU TO GO - PRESTIGE 10085 T,:nor saxophonist Rusty Bryant gets into a funky, soul - Jazz groove on this one . Draggin ' The Line is a k ind of boogie tune with Babe Clarke throwing in some cute baritone I ines. The title track brings Gene Ammons to mind (the record is dedicated to him). Ga Gang Gang Goong is a funk cut, as is The Hump Bump. Red- E ye Special is a (funky ) blues and Troubles a ba ll ad . B r yant i s backed by a sl11all horn section, Ern ie Hayes on organ , Wi Ibur Bascomb - bass , Geo . Devens - vibes and the k ing of soul - jazz drums Bernard Purdie. CLIFFORD JORDAN - GLASS BEAD GAMESSTRA TA EAST 19737/ 8 Jordan has followed up In The World (1972- 1) with another exceptionally good release; ' this time a 2-record set. He employs 2 different quarlets here, and the album must be opened to view the personnel listings, so its Jordan - tenor sax, Stanley Cowell piano, Billy Higgins - percussion and Bill Lee - bass for 8 tunes; Jordan, Sam Jones - bass, Cedar Walton piano and Billy Higgins for the other five. Both quarlets perform well. Jordans playing throughout reflects a Roll ins influence, especially on Eddie Harris al'!d' Bi~ki~, a~ well as his ~ & B and bop background. Billy HigginS IS a good chOice as he's always thinking and. trying something different. His crisp sound is well recorded, and his own composition Alias Buster Henry is a showcase for. his talents. Both bassists 4 introduction. It is often the case that a two record set should have .been only one .for the amount of good music it contains .. ThiS one IS reasonably priced and full of good musIc. THE EXCITING BTTLE - J.A. T.P. STOCKHOLM '55 - PABLO 2310 713 Most everyone is familiar with J .A.T .P. - jazz at the Philharmonic; and years ago those initials meant that some heavy jamming would be happening. This session was done In Sweden on Feb. 2, 1955 and featured a front I ine of ~o.y Eldridge, Dizzie Gi lIespie, Bill HarriS and Flip Phillips - With HerbEllis, Oscar Pete.rson, Ray Brown and. Louie Bellson as a rythym section . ThiS record brings you all the fire and spontinaity of a typical J.A.T.P . session . Records such as t~is . are rarely recorded these days, so we have to dig Into the vaults . Dig Bellson's lesson in musical drums on OW. Speaking of J .A. T .P. , Chuck Lampkin, of Channel 4 News, played drums for a number of sessions . He IS heard on Verve albums V /V6-8539 and 8542 as well as some sides with Ahmad Jamal. ' CHARLES ROUSE - TWO IS ONE - STRA TA EAST 19746 This is the first album as a leader for Charles Rouse, the tenor player for Thelonious Monk from 1960-70. Rouse is in the company of some interesting people here - guitarists George Davis and Paul Metzke, percussionists David Lee, Airlo and Azzedin Weston (Randy's son), bassists Stanley Clarke and Marlin Rivera and cellist Calo Scott. Rouse is heard on tenor sax and bass clarinet . The music contains rich melodies and is very rythmic. During the title track three rythyms are employed at one time in the first section (9/8,6/8 and 3/4) and two (7/ 8 and 3/4) in the second . Chari ie sounds comforlable in this format - no Monk tunes are included here and most I isteners wi II probably not be so qu ick to indentify Rouse with hi m after a few listenings. He' s his own man now. Although a Charlie Rouse album may not be something you' d be look ing for , or even expect to find, its here and its worlh the bucks. Hope he follows it up. II~ haircutter 59 Kenmore Ave. 836-8869 (corner of Windemere) behind jewelry store �HAMPTON HAWES - NORTHERN WINDOWS - PRESTIGE 10088 Hamp is accompanied here by bassist Carol Kaye, drummer Spider Webb and a 6 piece horn section; the arranging and conducting by David Axel rod . The album comes off as a sort of cross between two of his previous releases - Universe and Playing In The Yard. I couldn't say that Northern Windows is better, or even as good as either of those albums; not to imply that the record is bad, but on much of the album the horns restrict the basic trio, as well as sounding just too familiar . Side two offers the best music as Hamp gets down to it on Tune Axle Grease, Web and C.H. Sugar - all funky trips . In all - good, just not great . BILL COLEMAN & GUYLAFITTE - MAINSTREAMAT MONTREUX - BLACK LION 212 Coleman and Lafitte may not ring any bells with many jazz fans since they have both resided in France for some time now; Lafitte in fact being a native of that country . Bill is perhaps best known for his work with Benny Carter, Fats Waller and Dickie Wells in the '30s, and Teddy Wilson, John Kirby and Andy Kirk in the '40s . Guy Lafitte has worked with several American bandleaders including Lionel Hampton, Mezz Mezzrow, Buck Clayton and Lucky Thompson. His harsh tenor combined with Bill's warm trumpet tone adds up to a swinging , interesting overall sound in the '50s Mainstream style . The rythym section is "with it" throughout. No - nonsense music from a team that dates back to 1952. ELLA FITZGERALD - IN LONDON -PABL02310711 Ronnie Scott's was the location for this live recording - Ella's second for Pablo. It was an informal club 'date and she sounds relaxed and having a ball. Her voice is in good shape (when isn't it?) and her friendly, persohable and high spirited personality travels clear across the Atlantic and bursts forth from your speakers . Its obviously no put-on . She scats, jokes and makes up a few of her own lyrics for the London audience, and includes a crazy version of It Don't Mean A Thing (if it ain't got that swing) during which she does some classical, Dixie land and country and western before she swings in Basieland flows in Ellingtonia and gets funky with soul, which leads her into the tune in mention . Also included are standards such as Sweet Georgia Brown, an original - Happy Blues and the pop hit You've Got A Friend. Ella is joined by Tommy Flanagan (P), Joe Pass (G), Keeter Betts (B) and Bobby Durham (D) . It's Ella . BARNEY KESSEL - SUMMERTIME IN MONTREUXBLACK LION 210 It must have been a hot 4th of July in Montreux in '73 because Kessel i s about as hot as I' ve ever had the pleasure to hear him; in fact , throughout most of this album he just about goes ape . He is heard in four settings - solo, trio, quartet and quintet (with saxist Danny Moss), and his four cohorts give him superb support. Four tunes cook on high heat, whi Ie A NEW BILL EVANS ALBUM An original and brilliant jazz composition featuring the Bill Evans Trio with Orchestra conducted by Claus Ogennan (composer of ·Symbiosis-) Produced by HELEN KEANE MC 22094 ~MPS BASF Systems. Crosby Drive. Bedford. Mass. 01730 STEREO 5 �of 10 Bi II ie Hoi iday tunes - a good idea then but its been overdone through the years. Blues For Harvey brings us ahead better than a decade; recorded in 1973 at the Montmartre Jazzhus in Copenhagen. It is a warm, sensitive album featuring fellow ex-patriates Kenny Drew on piano and Ed Thigpen on drums (who had just moved to. that city several months earl ierl. and Danish bassist Mads Vinding . Its typical of the sessions that have come from the world-famous club through the years and would fit well in any jazz record collection. Mainstream jazz at its best. Blues For Harvey is a Danish import and is available for $5 .98 postpaid from CODA, Box 87 Station J, Toronto M4J4X8 Canada; or at the Jazz & Blues Record Centre, 893 Yonge St. in Toronto. the remaining two solo performances are mild, mellow ballads. Barney just hasn't got the exposure he needs on these shores - if you've into jazz guitar, this one has your name on it. JOHNNY GRIFFIN - BIG SOUL - MILESTONE 47014 BLUES FOR HARVEY - STEEPLECHASE 1004 Tenor saxophonist Johnny Griffin, known for his pairings with Eddie "Lockjaw" Davis, is among the group of American jazzmen who moved to Europe to get work . Big Soul is a reissue of two Riverside albums recorded in 1960 and 1961. Record #1 finds Griffin at the head of a small orchestra playing in a soul ish blues style . Record two is an instrumental rendering If you can't get into spending heavy bucks on speakers, get into the invisible sound of ADS and BRAUN. Invisible sound is-if you'll excuse the expression-out of sight. But our prices aren't. For less than $100 you can have an ADS speaker that shares a lot of good stuff with our $800 model. And in-between there are four other fine models to match your pocketbook. Our complete line of ear-openers began with the genius of Franz Petrik, chief designer. He took the giant step beyond transparency into invisibility, so nothing gets between you and your music. Here's what marvels Franz hath wrought A 1" dome tweeter so light it acts like it has no mass at all. A 2" midrange dome with such wide dispersion that it radiates nine times as much power as conventional cone drivers, A revolutionary new sealing fluid that damps our dome drivers for amplifier-like, ultra-low distortion. And an exdusive woofer cone compound that's.rigid at low frequendes, self-damping at high ones. Obviously, we think a lot of Mr. Petrik. In fact, his ears are Insured with lloyd's of London. . I tran/cendental audio.ltd. 773 Niagara Falls Blvd. south of Sheridan 834-3100 6 �OSCAR PETERSON - THE HISTORY OF ANARTlSTPABLO 2625 702 The latest release from Norman Granz Pablo records includes this 2-record set, and is more of 'a recent history since it covers only the period from '72 to '14. During that two year span Oscar recorded with 7 different groups; and included here are one solo, two duo and thirteen trio performances in piano and bass; piano, bass and drums; and piano, bass and guitar combinations. Most Peterson albums are good, so which one you buy might depend on what temperature you I ike. This one has them all - mi Id, medium and hot. I WlJnt To Be Happy, a '72 recording with Herb Ellis boils; Okie Blues with Brown and Barney Kessel is the funky, down home blues its title suggests . Don't Get Around Much Anymore, a slow ballad, is followed by a bitchin' cooker - Swamp Fire; then its a cool and gentle version of In A Sentimental Mood. The album closes with a lovely solo rendering of Duke Ellington's Lady Of The Lavender Mist. Got an idea? U.U.A.B. MUSIC COMMITIEE PRESENTS McCOY TYNER and Fi II more Room - Norton Ha II Two Shows - 8 & 11 P.M. Tickets $3 - Students $4 - Non-Students & Night of Performance Available at Norton Ticket Office-831-3704 Tex Allen's Kong Dance. Allen wrote 3 selections heard on this disc, and is joined on the front I ine by Hayes' younger brother, Gerald, on alto sax; and Charles Davis on baritone and soprano . The theme of the album is straight ahead jazz. Hayes rightfully refers to it as pure. OK Muse, now that you've given a disc to Roy Brooks, Joe Chambers, Tottie Heath and Louis Hayes - what are the chances for Bi Ily Higgins and a solid contract for Elvin Jones . GIL SCOTT -HERON - MIDNIGHT BAND - ARISTA 4030 Gil Scott-Heron and Brian Jackson continue to follow in the groove of thei r previous album Winter in America. The band is funky, often heavy on percussion . Gil is joined by Victor Brown for chorus vocals . Danny Bowens and Bob Adams are sti lion hand for bass and drums, with newcomers Bilal Sunni Ali on sax and flute; and Eddie Knowles, Chari ie Saunders and Barnett Wi II iams on percussion. Scott-Heron continues to sing of experiences of life as a Black American in such a way that everyone who digs music will listen . He is a great poet and a true speaker of our times . WHERE FORTUNE SMILES - PYE 12103 This 1969 recording features John McLaughlin, Dave Holland, John Surman, Stu Martin and Karl Berger. Though McLaughlin is listed first, he, Berger and Surman contribute equally. The music lies somewhere between Avant-Garde and the Manhavishnu Orch . sound. Glancing Backwards is a high energy, fast moving cut, followed by two acoustic ballads. Side two gets more into free improvisation, McLaughlin sounding especially good on Hope. Both Berger and Martin deserve wider recognition than they have - a Berger concert in Toronto last year didn't draw well at all. A good release frolll five men well-versed in the Avant-Garde with McLaughl ins name on it - it might sell. LOUIS HA YES - BREA TH OF LIFE - MUSE 5052 The Louis Hayes Sextet - its about time. Hayes has consistently been one of the most imaginative, reliable and versitile drummers in the business . His debut album for Muse (in his own name) gives him plenty of room to display his talent. Bongolo is an ooaccompanied drum adventure and a successful blend of technique, color and inventiveness. Toot Monk (son of Thelonious) joins the sextet playing congas and percussion, provides a colorful background for the group and has a short solo shot on trumpeter Coupon worth TWO DOLLARS I I Off the Mfgrs. sugg. Ii st price of ony available , Jazz Album at any of the 8 CAVAGES locations. Expires 3-1-75 I • SENECA MALL I... I I • BOULEVARD MALL • COMO MALL I eTHRUWAY PLAZA • MAIN PLACE MALL PAT mARTlnO Saturday, February 22nd I L.!SO!!!!!.SH(;~III" ~RS~. L~O~LL-I A TMA - MICHAL URBANIAK'S FUSION - COLUMBIA KC - 33184 . "Atma" is a very fine record, and that is all that needs to be said. The music is excellent, and you can hear the Eastern European, even gypsy, influences adding to it. Michal sticks pretty much to violin on this record, not playing as much sax on it as he did on his earlier works. (which are avai lable as Pol ish and German imports, and worth picking up, especially the two live ones). His violin work is both fluid and fiery; the man is a master, on a par with Ponty and Goodman, though not as flash as either of them. Pavel Jarzebski and Wojciech Karolak shine on bass and keyboards, adding quite a bit to the music, but it is Michal's wife Urszula Dudziak on voice (a most inadequate description of her talent) who really makes this something special, at first hearing, she reminded me of F lora Purim, with the same wordless 7 �Bourbon Street TORONTO (416) 864 - 1020 From funk to big-band brass. Blues to pure jazz I This month the Statler's booked with a collection of top jazz artists from New York, San Francisco, Kansas City singing , stomping , swinging . At the Statler! Chris Connor Now through February 9 Dorothy Donegan February 18-March 2 • from 9 PM • no cover [)()W~T()W~ Big Band Comeback : Woody Herman & His Herd Thundering at the Statler One nig ht only! Fri. , Feb . 21, 9 PM-1 AM in the Golden Ballroom . $7 per person, advance reservations. $8 at the doo r. Free parking in the Statler Garage The Statler Hilton a WO. Hassett enterprise vocals. Urszula, however, goes a step further, and sings through a synthes i zer to get some truly amaz ing effects with her already incredible voice . She even gibbers I ike a demented elf on one cut. All in all, this is an album worth listening to, by a talented group of musicians. M .H . wlhlatg, lhlappenUng BUFFALO THERMOPOLA YE - at the Library - 3405 Bailey Feb. 12 & 27. NEW WA VE - See Statl er ad. JOHNNY GIBSON TRIO w/ Geo . Holt (tpt.) - An chor Bar Fri., Sat . & Sun . nights. ZIMBABWE - at Port East, Grider & Ferry. 1:30 6:00 A .M . Fri. & Sat . nights . B reakfast and nonalcoholic beverages served. MORGAN STREET STOMPERS - Di xiela nd Band at Jafco Marine Res t., 2192 Niagara St . Fri. & Sat. nights. ELI KONIKOFF 'S DIXIELAND BAND at Johnni e's Old Time - Dela war e Av e. in Kenmore, Wed . nights . TORONTO BOURBON STREET - Art Farmer; Blue Mitchell (See ad . ) COLONIAL - Yonge at Queen - Dizzy Gillespie 3-8; ahsaan Roland Kirk. 10-15; Stan Getz 17- 22; Soprano Summitt 24-1 . Cover Charge . 8 ART FARMER February 3 - 15 BLUE MITCHELL February 17 - Ma rch 1 ZOOT SIMS March 3 - 15 Phone Ahead for Dinner Reservations Dine & Dance 9 - 1 No Cover GEORGE 'S SPAGHETTI HOUSE - 290 Dundas St ., E. 923-9887 - various local Jazz gr oups . GROSSMANS TA VERN - 317 Spadina - Traditional jazz Fri . & Sat. nights . OLD BA VARIA - 5 St. Joseph St . - Climax Jazz Band 6 nights a week. CONCERTS ROSCOE MITCHELL - Sun . , Feb . 9 at 2:30 - Annex Theatre, 121 Avenue Rd . TV - CHANNEL 17 Thad Jones - Mel Lewis Orchestra - at the top Mon. , Feb. 17 at 9 P.M. RADIO WBLK - FM - 93.7 Jaz~ Satu r day nights - 10-12 WBFO - FM - 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unk.nown with various hosts. Wednesday - 9 P .M . - Jazz Revisited with Hazen Shumacher . Saturday - 8 A .M . - Freedom Flight with Yvonne Prince. 2:30 P .M. This is Ragtime - 9:30 P.M JUJU with Paul Harding . Midnight - Jazz by Request with Pres Free land . Sunday - Noon - Grea t Circle Sailing with Robt. Previte. 11 P .M. Inside the Changes with Bill Savino . WHAM - AM - 1180 Jazz all night, after 12 (except Saturday) . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3580 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 12 Date A point or period of time associated with an event in the lifecycle of the resource 2/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 12 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/68f5fb79237f0935c5224e3abcb28bd0.pdf b1b7d17ea479fe051af9cf1fddf299c5 PDF Text Text - r.; r;~I;~· ¥I,'-'.. , .~~ 197--o/, buffalo jazz '.pOlt march '75 free fir/t onniver/ory ilJue Musicians and listeners alike should go down to the Front Room near the Peace Bridge .' Sunday afternoons Joey Giambra's Quartet plays from4-8. Thefun comes when various area musicians come by with their axes and everyone has a good time . There is no admission charge, drinks reasonably priced . ')...'1., Fantasy/ Prestige/ Milestone has announced that a ~ \ :; new set of two-fers, as well as new discs 'for Joe U Henderson and Lee Konitz will be out soon if not \ already. \ -\ Sam Noto fans - get set for his two week stand at the Bourbon Street in Apri I. Detai Is next month. 1- WHO IS THIS DUDE WI TH THE GLASSES? So far, the gentleman pictured above has no name. On the occasion of our First Anniversary, we thought we'd give our readers a chance to come up with a good one. Keeping in mind that he is the symbol of the Buffalo Jazz Report, put on your thinking cap, write down your best choice and send it along to us . The author of the name judged by the staff to be the best suited for him wi II receive a small collection of recent jazz releases from various labels. A listing of the records and any additional info can be found at the end of the record review section in this issue . The rules - only one name per postcard or letter ; name and address must be included to win; and entries must be received by April 1st. Thewinnerwill be announced in the May issue . In the event of the same name being used twice, the earliest postmark wins . If two are postmarked the same day, the winners will split the records. Send your "name" to the Buffalo Jazz Report, 1335 Main St., Buffalo, N .Y . 14209. The sooner the better . Thanks for reading the BJR and we hope you'll stay with us during the year ahead . The Staff NEWS In this issue you'll find reviews of mail order records. With so many artists starting thei r own labels, and the abundance of fine imports - we feel this information wi II be useful to you . WANTED In order for the BJR to bring the people the best possible coverage of the jazz scene in the area covered by our ci rculation, we need the help of some cledicated music lovers . First, we ask that all jazz group leaders call us by the 21st of the month to report their band's activity for the following month . This wi II keep our What's Happening section as complete as possible . Second, we need volunteers to act as correspondents for Hami Iton and St . Catharine's Ontario, Geneseo and Lockport, N .Y . This is not a paying, job, but certain fringe benefits are inevitable. Dutieswould be to report any jazz coming to the area and reviewing same. Contact our office if you are interested. PLEASE NOTE - Don't completely rely on our What's Happening section as its printed . From time to time a group is listed but does not appear . This is not our fault - cancellations, illness, etc. cause this to occur . Also, our listings for WNED - Ch . 17 should be used to let you know that shows are due at an approximate time. They have been known to move shows ahead or back an hour or a day, or even cut them. Check news paper I istings when the time comes near . CAPTURED LIVE There was plenty of jazz in Buffalo last month enough for everyone to get thei r share . Woody Herman's performance at the Statler was superb - people of all ages seemed to be thoroughly enjoying themselves. The band was smooth, contem porary and sc ream i ng. Pian i st Dorothy Donegan pack;ed them in nightly "Downtown" . She's a wild lady with a style to match . She can play and is a gas to watch . Pat Martino was excellent at the U .U.A .B . Concert in Norton Hall . He had 3/ 40fcatalystwith him as they went over much of his live album . McCoy Tyner's set was good, but a bit of a letdown . His piano wasn't miked well and the drums dominated . JuniBoothwas a standout. �The BUFFALO JAZZ REPORT is distributed free through over 60 locations in the Western New York area . We are subsidized solely through advertising, and ask that you support our advertisers who make it all possibl e. © 1975 - Buffalo Jazz Report No portion of this publ ication may be reproduced without written consent from the publisher . Editor/ Publisher - Bill Wall Staff - Tom Alabiso, Louis Bradshaw, Marty Hazen, Malcolm Leigh, Tom Mazzone, Paula Wall Illustrator - Christine Engla Eber /~.-Correspondents Rochester - Ji m Laniok Address correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883 - 3909, Ext . 11 ,ecoldinga NO MYSTERY - Return to Forever Featuring Chick Corea - Polydor PD6512 Chick Corea has released 3 uniquely different albums with Return to Forever . This present release appears to be a blend of ideas from the past albums with an added spicing of some fine acoustic work Dayride, Jungle Waterfall, and Flight of the New-born could best be described as latin funk. Th ese cuts present the latin influence from Light as a Feather and a metallic funk similar to Hymn of the Seventh Galaxy. The above tunes rely heavily on Chick's synthesizer work si mi lar to that in Where have I known you before Celebration Suite Parts I and II mix a classical mode with the synthesizer/electric piano dominated sound. The noteworthy addition to Return to Forever is the acoustic work on No Mystery and Interplay. Chick plays acoustic piano, Stanley acoustic bas s, AI DiMeola acoustic guitar, and Lenny adds marimba. The sound is sensuous and perhaps hints a new direction for the group. No Mystery therefore is r.?commended to anyone who has enjoyed Return To Forever in the past and delights in looking towards the future. T.M. haircutterl "fi 11~<l111 59 Kenmore Ave. 836-1781 (corner of Wi ndemere) behi nd jewel ry store in basement of Haircuts Underground 2 CHET BAKER - SHE WAS TOO GOOD TO ME ! CTI 6050 To anyone not familiar with Chet Baker, the statement that he is a great Jazz trumpet player who also sings (and sings very well), may raise some questions. How such a fantastic musician went from beingthe No. 1 trumpet player in the Jazz polls (1950's). to total oblivion, is a story too long and too sad to be told on these pages. To put it short, the problem was heroi n, the curse of Chet Baker's I ife for th e past twenty yea rs . Those years here and in Europe were interspersed with occasional hopes of Chet breaking his addiction, going clean, and returning to his well deserved pedestal in the Jazz foreground . But it never came to pass, his personal tragedy was always there to break him down again . Oh, there were occasional albums on Prestige and Jazzland on whi ch he played nicely, but he never seemed to recapture the magic of his previous years. (Chet's horn poss es sed an incredibly beautiful sound and he was a master of simplicity. His strength was on ballads, yet he could play withamazingfirewhenhe wanted to). Pianist, Russ Freeman was once quoted as saying "When Chet was playing his best, he was better than any of them, and I mean Miles, Diz , or anybody!!" Freeman reminisced of the nights with Chet's quartet, when after listening to Chet's beau tiful solos, hewou ld say to hims elf, "How ca n I play anything now, he has just said it all!" That was years ago, and here we are again; another Chet Baker comeback -- wi II he make it this time? God only knows, but if this CTI re cording is any indicator, he may well have done it. For the first tim e in years Chet Baker' s real self is again on record, backed by Don Sebesky's arrangements and an incredible rythym section. Th e album is wonderful andfilledwith beautiful solos by Chet, plus the additional horns of Paul Desmond and flautist Hubert Laws. This album represents a major step on the road back. Don 't miss it If M .L. ERIC KLOSS - ESSENCE - MUSE 5038 A different sound for K loss. The two lengthy compositions - Love Will Take You There and Essence sound a good deal I ike M cCoy Tyner and Mi les respectively . The music is good - fine solosfrom Kloss (tenor and alto). Marvin Peterson (tpt.), Mi ckey Tucker (p.). Buster Will iams (b.) and Ron Krasinski (d . ). Sonny Morgan adds extra percussion to Essence. Affinity is the ballad f eature - a special ty of the leader. The biting alto sound associated with him comes through on the short Descent. A bitchin' session, but I only wish he sounded more like himself. CARLOS GARNETT - JOURNEY TO ENLIGHTENMENT - MUSTE 5057 A better album than his previous Black Love. Richer melodies, improved vocals and stronger communication are evident after the needle has passed the first few grooves . Garnett's music is percussive, often funky-but never jive. The use of guitar, drums, congas and percussion makes it busy, earthy and interesting. It feels good and will make you move whether you're by yourself or in a roomful of people. �The inspirational saxophonistJohn Coltrane is very definitely responsible for much of today's rock! jazz fusion music. "Alternate Thkes"presents absorbing, individualistic selections which include some never before heard versions of Coltrane pieces. Produced by Nesuhi Ertegun. Recorded live at the January 19th, 1974 concert at Carnegie Hall, Charles Mingus'latest album, "Mingus at Carnegie Hall;' is the distillation of pure jazz framed in the most modern manner. Produced by Joel Dorn and Ilhan Mimaroglu. Music that witl five forever on At;lanticRecords. �COUNT BASIE - FOR THE FIRST TIME - PABLO 2310712 The only logical place to buy hiB components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo ECHOES OF AN ERA Two albums have been released by Rou l ette whi ch are sure to be of i nterest to many . The first is Basie, Getz & Vaughan LiveatBlrdland(RE - 126) and f ea tur es the three artists in various combinatIOns . It was re corded in 1954. B irdland All -Stars at Carn egie Hall (RE - 127) is a two record setwithnever - releas edper forma nces from Sarah Vaugh an, Charlie Pa rker. Stan Getz , B illie Holiday, Lester Young and Count Basl e. Bird is heard with MJQ minus Milt; Vau ghan with BClsie or her trio; Lester Young, Billie , F rank Wes s, Joe Newman, Frank Foster are withBasie . Thlstoo IS a 1954 date . Although the latter may cost a bd mor e, you get much, much more . Good music , Inte lligently i ssued. SAM RIVERS - HUES - IMPULSE 9302 Tak en from live sessIOns fr om '71- '73 It] such places as Boston 's jazz workshop and the Molde Jazz Fest in Norway, Rivers is presented In 10 trIO per formances. In addition to tenor, soprano and flut e, he is heard on piano on Rose & Ivory Black . There is no lack of communication between Riv ers and hiS fellow mus icians, and - in my case - the listener . If you've heard the Rivers trio cuts on Th e Drums, On Tour and No Energy Cri sis you 'l l know what to expect. All the compositions are his, and regardless of wh ere and w ith wh om he p l ays - the theme remains the same - straight ah ead, just shy of A v ant e Garde, with no shortage of spi rit. 4 In an unusua l trio setting, Basi e runs through twelv e tunes - mostly slow and medium tempo blues and ballads . His cohorts are good choices - Ray Brown and Louis Bellson , and th ey keep the t i me where Bas ie wants it. A surprise is his use of the organ for two cuts. Its typically Basi e, though he oc casionally fills in more than he's known to . Twoofh is f i ve originals O.P. and Baby Lawrence are th e movers as Brown and Bellson stay on top of things . An ea sy - go ing session from the master of moods . JEREMY STEIG - TEMPLE OF BIRTH - COLUMBIA 33297 Stei g and his flute JOin Johnny Winter, Alph onse Mouzon and others in a funky jazz / rock session . Steig has oft en had a pr obl em With all th e material on hiS diSCS sound ing the sam e. Here he has tu nes such as the light , m elancholy Gal e; the duo with W in ter (a blu es) Mountain Dew Dues; Temple o f Bl rlh and Rupunzel f lute/ p,ano duets - whi ch br eak up th e f ive driVing (thats M ouzon ), e lectri C cut s . B aSS i s t Anthony Jackson · work s well With M ouzon; pianis t Ri chie B e lrach IS good In a rythym role and a more than ad equate solOISt. Steig c an play with th e best of th em. A good album, but hi S best has yet to co me . ALTERNATE TAKES JOHN CO L TRAN~ ATLANTIC 1668 Wh at c an be wrilten of a co l leclion of Alt erna te Takes from John Coltrane' I'm certainly not gOing to giv e you a solo by solo r eport of th e differen ce be t ween th ese tra cks and thos e originally r e leased . L et's Just say that lis some fin e Coltrane mUSI C, a must for jazz r ec ord co ll ectors, listeners, et c. and leave It at that . Now for a f ew stalisli cs - Th ese tra cks ar e fr om the albums Giani Steps, Collrane Jazz and Coltrane's Sound. Some differ ences Will be noted on Giani Sleps, Nalma and L ike Sonny bec au se th e rythym seclion IS different than th e preViously r eleas ed verSions Here it IS Cedar Walt on, Paul Chamb ers and L ex Humphries . A real treat . Noth ing but gr eat musI c fr om a master, no more like th e ir originals than tw o live 'trane per formances, on any given night RON CARTER - SPANISH BLUE - CTl 605 7 SI Hubert L aws IS well ,n the f orefront on thiS one; the maj ority of solos com in g from him Roland Hanna IS on p,ano - good as usual, and Jay B erl iner on acousli c and e l ectriC guilar - tast eful In both rythym and lead rol es although he pr etty mu ch slicks to the former . Th e Spani sh f ee l co m es about In two Carte r composillons - EI Noche Sol and Sabado Sombrero. Both tunes are warm, pr etty Interpr etati ons of the Mediterranean country . Arkansas IS a straight ahead vehicle for Laws to move on, and Carter donates one of his bouncy piccolo bass solos . So What, the Mil es Davis classic, sw ings - good solos from Laws and Hanna . Cobham 's spot shows an abundance of technique but a slight lack of musical ideas . A hip sextet performance, the Spanish tunes are especially intriguing . �CHARLES MINGUS - MINGUS A T CARNEGIE HALL ATLANTIC 1667 This is nothing more than a great Mingus jam session. He has gathered three of his graduate sax men for the occasion - John Handy , Rahsaan Roland Kirk and Charles McPherson. All are in good form, Kirk has a ball. Its always great tohear McPherson a man who is under- recorded and under-rated . Mingus ' regular band is here - including th e colorful pianist Don Pullen, and th e co mpact powerhouse on drums Dannie Richmond . Jon Faddis is also added on trumpet. Two tunes are included - C Jam Blues and Perdido each has been a good vehi c le for jam sessions through the years . Music lik e this doesn't get on r eco rd much anymore, so grab this one . Its not th e unique and differ ent sound of Mingus M oves, but it moves in its own right . A good tim e. BUDDY RICH - LAST BLUES ALBUM VOL. 1 GROOVE MERCHANT 3303 For th e most, this IS (as expecte d) th e blues . IllinOI S Ja c qu et plays With guts and soul, and Its good to hea r him on r eco rd aga in . Geo rg e Free man and Jimmy M cGr iff hav e th e f ee l and play we ll . K enny Barron IS only r ea llyn otl c'J dwh en he solo s, as M cGriff dominates the k eyb oard s. Ri ch only solos in th e fo rm of modes t br ea ks on a burning version of Swee t Geo rgi a Brown . Th e r emaining 4 cut s are tak en at m ed ium or slow tempo. A good orga n - blu es sessIOn . GROVER WA SHINGTON, JR . - MISTER MAGIC KUDU 20 SI Grove r 's fourth co uld eas ily be hi S bes t. Ear th Ton es, th e fir s t of two Washington Original s , IS a boun cy, II ght hear ted 14 minute adv entur e with Gr over opening on sopran o - an Ins trum ent he plays with finesse . B ob Jame's airy, oft en Hancock - like E . P,an o solo IS hea rd over Harvey Masons drums Inte r weaving funky patt e rns . Grover sw d c hes t o tenor for a long solo; then r etu rns t o sopr ano befor e taking it hom e. Billy Strayhorn's PassIOn Flower IS bea utiful , Grover again on soprano, but th e s t r ings are ove r done. Mi ster M ag iC and Black Fros t are funky soul / Jazz numb ers wdh Grov er on tenor A lot of Stan ley Tur rentine IS heard In hiS tenor sound, but on thi S album th ere IS more of himsel f than before, mostly on Side 1. The orchpstra keeps lis d,antace as II shoul d over most of the album . In short, Side two IS Qood, Side one's a trip . Next time Mr . Washington comes to town try hard t o ca tch him . He's ten tim es better li ve. STANLEY TURRENTINE - SUGAR MAN - CTl6052S1 Th iS is a co ll ec ti on of SIX tun es from f ou r sessions ranging from '71 -' 73 . Mo s t of the se l ec ti ons are sho rt - 5 to 6 min ., and are ni ce listening, but th e r e i s no real meat here . Som e of th e ac co mpanying musI c ians are Deodato, Geo. B enson, K enny Burre ll , Aido , Harold Mabern, Ron Cart er, et c. Piec es Of Dreams is the ti tl e tun e of his rec ent Fantasy a I bum - th i s vers i on is similar (with strings) . Th e re is better Turrentine on CTI - lik e Sugar, but his fans should be happy with this just the same . WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA SOON - CODA Canada's Jazz Magazine STAN GETZ - CAPTAINMARVEL - COLUMBIA 32706 This is simply a different version of Return To Forever . Recorded a month after the original RTF ECM album (1972) and five months before Light As A Feather, it sounds much th e same as both albums . Getz playswell inthis "Spanish" context, but isnot as bright or alive as Joe Farrell . Corea, Clarke and Airto are here, Tony Williams is added and Flora is omitted . Most of these tun.es have been recorded so mu ch by Corea , Clarke, Farrell, Horacee Arnold and others that these versions won't get you excited. Its a pretty album and makes it in that respect. It should have been released two years ago. ANDREW WHITE III-PASSIONFLOWER - ANDREW'S MUSIC 5 Whit e, who plays alto and t enor saxes, elec tric bass, Engl ish horn, oboe and piano, is featured here on tenor . His trio consists of bassist Steve Novosel and two Blackbyrds - Kevin Ton ey and K evi n Killg~ on p,ano and drums . The six tracks are all gimmick less, ball - busting jazz; everyone playing with emotion Imagination and drive . An obvious Coltrane dis c ipl e, White makes his horn sing whether he is playing a m e llow piece of beauty or an intens e adv enture In improvisation . Although th e Bla ckbyrds have be~q)ut down by many , the work of the two here is proof that th ey have the know-how. This is #5 of 7 self produ ce d a lbums by White, and is availabl e for$5from Andrew 's Music, 4830 South Dak ota A ve., N . E ., Washi ngton, DC 20017. Th e sound and pressing quality is exce ll ent. DEWEY REDMAN - COINCIDE - IMPULSE 9300 Redman covers a lot of ground on COinCide, hiS second f or Impul se. Much of side 1 might be termed "new music" - Seeds and D eeds IS a torrid tenor outing , as i s Funcdydudes on side 2 . Dewey pla ys zith er With th e group (Sirone-bass, Eddi e Moore- Idl oph one) on Meditation SubmiSSion Purificati on; and sol o on Phadan-Sers . Joie De Vivr e is a warm ballad ' QOW is an extended performanc e wdh a bass line similar to Ron Carter's on Miles ' Filles De KilimanJar o. Its not hard to note more than a touch of Roll ins in Dewey's tenor . Moore is usually on drums, Leroy Jenkins (VIOlin). and Ted Daniel (trumpet) are heard on two cuts. A good variety - recommended for all who enjoy crossing borders . �ALLENTOVVN LEATHERS Custom Tai loring in Suede & Leather Clothing - Bags - Sandals Accessory Items 77 Allen ftreet 882-5633 ML'SIC INC. - LIVE IN TOKYO-STRATA EAST 19745 This is the 5th release for Charles Tolliver's Music Inc. on his own Strata East label. As with the preceding four, it was performed in a quartet setting. Like all five, its a fine album . Music Inc. can always be relied on to create pure acoustic jazz . Since his tenure in the late '60's with Max Roach, Tolliver has been gaining popularity as one of the jazz trumpet innovators. Pianist Stanley Cowell is still on hand and is tops both in support and as a soloist. New additions include bassist Clint Houston whose so I os on Stretch and espec i a II y on Effi ha~e got to be heard; and drummer CI ifford Barbado, who proves he's got his act together on Drought. The ballad Truth is recorded by the .group for the third time and comes off well . Round Midnight is played at breakneck tempo and everyone shines, then Tolliver slows it down, supported onlybyCowell , before the smash closing from the quartet. Buy this or any album by Music Inc . and you won ' t be let down. Its just good musIc. TRIP RE - ISSUES Th e latest batch of M ercury / Emarcy Sides reissued by Trip Records is kicked off by Brown/ Roach Inc - STUDY IN BROWN (5530), a must f or anyone int~rested in jazz trumpet . Clifford Brown's ca r eer was so short that all his r ecor ded works ar e Important . This is among his best. Harold Land IS heard here on t enor th e late Richi e Powe ll on plano and Geo . Morr~w on bass . Th e group had been t oge th er f or some tim e bef or e this date (Feb. ' 55) and sou ndsd . B rownie was killed In a car ac c ident the f ol l ow ing year . Gerry Mulligan ' s PROFILE (5531) was al so r e corded in 1955 and features, among others, Bobby Brookm eyer on valve trombone andZootSlmsontenor sax . A keen sense of melodyprevailsonthis set whi ch includes a medley tribute to Duk e Ellington . DIXIE LAND SESSION comes from trumpeter MuggsySpani er (5532) . Re corded from '50-'52, twelve short tunes ar e heard by four personnel groupings, one of whi ch In cluded the great Sid Catlett on drums . MORGANA KING SINGS (5533) is a mellow collection from 1955 recorded with an orchestra . Ms . King sounds good, but the music is commercial with few solos . We move 6 ahead years with an album by tenor-man Billy Mitchell (5534). Thre e tra cks feature a qUintet with organist Clarenc e (Sleepy) And erson, Bobby Hutcherson on vibes and Herman Wright and Otis Finch on bass and drums . For ther emainingfour,BillyWallace (piano) replaces Anderson, and Dave Burn s is added on trumpet. Mitchell, a vet eran of th e Basl e and Clarke/ Boland bands often reminds m e of Sonny Stitt. Mostly medium or slow tempo blues and ballads are heard here, but Automation and Siam cook well and Passionova is a Bossa Nova . A hip 1954 date comes from trump et man JOE GORDON (5535); hip primarily due t o th e piano work from Junior Man ce and th e t enor sax of Charlie Rous e. Bassist Jimmy Schenck and Art Bl akey round out the quintet. Gordon, who di ed In '62, was a true talent although not at all w ell known . Thi S is a fine album, often with a " Jazz M essenger's" sound. Only two selections are hea rd on BEST COAST JAZZ - BROWN/ GELLER/ ROACH (5537), a 1954 session . Herb Gell er i s Joined on alto sax by Joe Maini Walter B enton i s on t enor, K enny Drew and Curti~ Coun ce on plano and bas s, and of co ur se Roach on drums . Coronado is slow and bluesy, whil e You Go To My Head burns With that jam sessIOn sound ass ociated with Jazz at th e Philharm oni c. Clifford Brown fans owe a good deal t o Fred Norsworthy of Trip as th e Brown r eco rd s co nlinu e t o flow . JAZZ GIA NTS Vol . 3 tak es us ba ck t o 1944 wdh th e Cozy Cole all stars , Red Norvo all stars and Red Norvo septet. Cole man Hawk in s IS hea r d wdh th e Colegroupas well as Earl Hines on plano . The piani st With th e Norvo septet is T eddy Wi lson . Nosta l gia. Final ly, we hav e th e HERB GELLER SEXTET CONDOLI/ VINES (5539) r eco r ded In 1955. Two sex tets are listed, one with Red Mdchell on bass, th e other with L eroy Vinn egar . A good r ela xed seSS ion typi cal of that li me . Th ese shou ld keep you busy for a whil e. Trip should be ready with a newbat chwhl chwe should have for you nex t month . KEITH JARRETT DEA TH &- THE FLOWER IMPULSE 9301 An oth er t otally sa ti sfying album fr om Mr . Jarrett. Gullh erme F ranco l eads th e qUintet wdh a per cussion Intra to the tdl e so ng, whi ch fill s all of Side one . Jarrett follows wdh hi S tr ademarked sound along with Dewey Redman , Charli e Haden and P aul M ali an. M oods ar e bui It ' and chang ed wi th Jarr ett I n com mand . Redman solos, then Haden over Fr anco's per cussiv e eff ects . K eith co m es ba ck s trong , get s a Idtl e funky and takes it hom e . Prayeropenswdhabeautiful m el ody - m ellow and pur e. Only plan oandbas s ar e Inacti on for the next 10 minutes of changing thought s, gorg eous Ideas and superb executi on . Hi s so l o co nce rt s co m e to View, but the mind focus es on Haden's ba ss as well . Jarrett doubl e tracks with soprano sax on Gr ea t Bird - a kind of loose - jointed improvisation over a r ec urring melody. Franco' s congas are heavy thr oughout. Jarrett just k eeps growing, and growing, and growing . �CONTEST (Cont. from Pg. 1) The winner will receive his or her choice of any six of the albums listed below. We have tried to cover most every style . You might list your choices by numbers on your entry to make things easier should you win . Here they are : 1. Keith Jarreff - Fac i ng "You (ECM) 2. Eric Kloss - Essence (Muse) 3. The Crusaders - Southern Comfort (ABCI 4. Music Inc. - Live In Tokyo (Strata- East) 5. Gil Scoff Heron -lstMinuteOfANew Day (Arista) 6. Return To Forever - No Mystery (Polydor) 7. Dewey Redman - Coincide (Impulse) 8. Sam Rivers - Hues (Impulse) 9. Howard Roberts - Equinox Express (Impulse) 10. Charles Rouse - Two Is One (Strata - East) 11. Keith Jarrett - Death & The Flower (Impulse) 12. Circle - Paris Concert (ECM) 13. Stephane Grappelli - Just One Of Those Things (B . Lion) 14. Albert Mangelsdorff - Live In Tokyo (ENJA) 15 . Masahiko Sato - Trinity (ENJA) 16. Funk Inc. - Priced To Sell (Prestige) 17. Les McCann - Another Beginning (Atlanti c) 18. Monk Montgomery - Reality (Phil. Int'I.) 19. Midnight at Eddie Condons - Jazz All Stars (Trinp) 20. Cozy Cole/ Red Norvo - (Trip) 21 . Lester Bowie - Fast Last (Mus e) DRUM STUDENTS WANTED - Young Beginners . Inqui re at 855 - 0575 and ask for Nasara . whQt~ U.U.A .B. MUSIC COMMITIEE PRESENTS GATO BARBIERI and - a Ipecial Guelt. Itar Saturday. Apri 15th Fi II more Room - Norton Ha II Two Shows - 8 & 11 P.M. 14 - Non-Students & Students Night of Performance Available at Norton Ticket Office-831-3704 Tickets 12.50 ..KJHNNY GIBSON TRIO w/ Geo . Holt (tpt.) - An chor Bar Fri., Sat . & Sun. nights . ZIMBABWE - at Port East, Grider & Ferry. 1:30 6:00 A .M. Fri . & Sat . nights . Breakfast and nonalcohol ic beverages served . ELI KONIKOFF 'S DIXIELAND BAND at Johnnie 's Old Tim e - De laware Ave. in K enmore, Wed . nights . WILL ALGER'S JAZZ BAND - Fi e ldstone Manor (Lockport) Fridays 9:30-1 :30, Saturdays 10-2. happening THE BUDDY DeFRANCO QUARTET - at the " Downtown" Room - Statler Hilton . See Ad. FRONT ROOM GATO BARBIERI - Apr i I 5 - in Concert at U .B . Phone 831 -3704 for info . Presents JOEY GIAMBRA QUARTET - at the Front Room, Porter Ave. Jam sessions Sunday 4 - 8 PM. See Ad . JOEY GIAMBRA'S THERMOPOLA YE - dates not available at presstime. MORGAN STREET STOMPERS - Dixieland Band at Jafco M arine Rest., 2192 Niagara St. Fri. & Sat . nights . ~~ ~. . ,;.\.\\ DISCOUNT J~. 1·/lyageS RECORDS / II Off the Mfgrs. sugg. list pri ce of any avai lobi e Jazz Album at ony of the 8 CAVAGES locations. Expires 4~ 4 P.M.· 8 P.M. I took 'or Outstanaing Jazz Musicians to Sit in I Porter Ave. at Peace Bridge, Buffalo, N.Y. I 882-5533 1-75 -SENECA MALL • BOULEVARD MALL • COMO MAll MAIN PLACE MALL • THRUWAY PLAZA I... Main Stream Jazz 01 the fifties" in Jam Sessions Every Sunday Afternoon ,. Coupon worth TWO DOLLARS I JAZZ QUARTET • L.! SO!!!!.SH~. ~RS!!....l~O~lL.J 7 �Bourbon BUDDY Street TORONTO DEFAArlCO (416) 864 - 1020 From the big bands of Gene Krupa. Charlie Barnet Tommy Dorsey. Count Basle • Glenn Miller ... The Buddy DeF;ranco Quintet. Fresh from jam sessions in Toronto, San Francisco and New York. Fresh with scores of new arrangements and ideas. Here's the man who accomplished for the clarinet what Dizzy Gillespie and Charlie Parker did for the trumpet and alto sax. The Buddy DeFranco Quintet. Hear them. Downtown at the Statler. March 4-23. Tuesdays - Sundays from 9 PM. ZOOT SIMS Ma rch 3 -1 5 PAUL DESMOND Marc h 17 - 29 • No cover • Free parking in the Statler garage ()()W~T()W~ Phone Ahead for Dinner Reservations Din e & Danc e 9 - 1 No Cover The Statler Hilton a WD. Hassett enterprise ROCHESTER THAD JONES - MEL LEWIS ORCHESTRA - March 27 , 8 PM at Monroe Community Coll ege, 1000 East He nrietta Road . T ickets $3, no r es erved - ge t th e r e early. Phone 442 - 9950, ext. 277 . PAUL WINTER CONSORT - March 8,8 PM. at R. I.I ., corner Jeffe rson & E . Rive r Rds . Tick ets $2, s uggest advance purchase. Phone 464 - 2307 . MONTICELLO REST. - 800 Jefferson Rd . - Gap MangIon e Marc h 3 - 29, Junior Manc e March 31 - April 26. No Cove r , closed Sundays . EASTMAN THEA TRE - 60 Gibbs St. - EastmanStudio Orch. March 7, Jazz Ensemble March 21, Jazz Lab Band March 31. Free Concerts - 8 PM . THE . WINE PRESS - 1730 N. Goodman St . - Spider Martin - Wednesdays, Inner visions March 6, 7 , 8; John Mooney March 13 , 20, 23, 27 . From 9 :30 PM , $1 admiss ion after 8 :30. TORONTO GEORGE 'S SPAGHETTI HOUSE - 290 Dundas St. E . , 923 - 9877 - Moe Koffman - March 3- 8; Sadik Hakim March 10-15; Tony Collacott - March 17 - 22; Guido Basso - Marc h 24 - 29 . No Cover. BOURBON STREET - 180 Queen St. w. - 864 - 1020 - Zoot Sims; Paul Desmond. See Ad . COLONIAL - 201 Yonge - 363-6168 - Jimmy Castor Bunch - March 3-8; Illinoi s Jaquet - 10 - 15; Charlie Byrd 17-22 . Cover Charge. GROSSMANS TA VERN - 317 Spadina - Traditional jazz Fri . & Sat. nights . OLD BA VARIA - 5 St . Joseph St . - Climax Jazz Band 6 nights a week . S CONCERTS ANTHONY BRAXTON & DAVID HOLLAND - at the A Space - APRIL 12 & 13. Call (416 ) 929 - 5065 . More info. nex t month . ALL TIME SOUND EFFECTS ORCH. - Bill Smith , Stu Broo mer & J ohn Ma rs - March 8, 9 PM - The A Space - 85 St . Ni chola s St . (Yonge / Bl oo r ). Phone 929- 5065. KEITH JARRETT - SOLO PIANO - by Round Rec ords and Sac - Fr iday , March 2 1 - 8 PM . Conv ocati on Hall - Un iv. of To ront o. Phone (41 6) 921 - 6555 . RADIO WBLK - FM - 93. 7 Jazz with Car ro ll Hardy - Sa turda ys 10 PM - Mid . WEBR - AM - 97.0 Jazz Nightly with Geo. B eck - 11 :05 - Mid . ex cept Sundays . WBFO - FM - 88. 7 Mon . - Fri. - 12 Noon - Spirits Kn own & Unknown with various hosts . Wednesday - 9 P .M. - Jazz Revisited with Hazen Shumacher . Saturday - 8 A.M . - Freedom Flight with Yvonne Prince . 2 :30 P .M. This is Ragtim e - 9:30 P.M. JUJU with Paul Harding . Midnight ·- Jazz by Request with Pre s Free land . Sunday - 'Noon - Great Circle Sailing with Robt. Previte . 11 P.M . Inside the Changes with Bi II Savino. WHAM - AM - 1180 Jazz all night, after 12 (except Saturday) . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3581 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 13 Date A point or period of time associated with an event in the lifecycle of the resource 3/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 13 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/2886ab2286e72e709120c4675fd12a0d.pdf 76e18b0fdd75f30bf3cdf735c5502a49 PDF Text Text buffallo jazz lepolt april '75 free rl '....- '.1\ ,( no. 14 Shearing , Monk and Art Tatum - with whom she did some duets . She often visited her homeland, using in her trio such musicians as Dave Holland and John Marshall. She has also done radio shows for BBC . Marian doesn't believe in living in the past. She strives to be contemporary and has employed young musicians - drummer Billy Hart, Dave Holland, etc . One of her favorite pianists is Cecil Taylor, and she once did a two piano thing with Archie StJepp . The last few years, in addition to club dates, she has conducted music seminars for children and high school students in Washington, D.C. and New York, as well as seminars at Eastman School of Music. She is no stranger to residents of Rochester as she often performs at the Monticello. She has started her own record label - Halycon for which she has recorded five albums . Also known for her composing abi I ities, her beautiful ballad Ambiance was r ecorded by the Thad Jones-Mel Lewis Orch . on thei r latest album . You can hear Ms . McPartland this month at the Statler . McPARTLAND ON HAL YCON INTERPLA Y - Hal. 100 AMBIANCE - Hal. 103 DELICA TE BALANCE - Hal. 105 PLA YS ALEC WILDER - Hal. 109 LIVE A T THE MONTICELLO - w/ J . McPartland Hal. 107 NEWS Due to the large number of new records released this month, we have built the newsworthy items into the ads, reviews and calendar section . We have also shortened the record reviews somewhat to accommodate more . Marian McPartland When pianist Marian McPartland came to the U.S. in 1946 she had three things against her - she was white, a woman and English. Through the years, however she and her husband - cornettist Jimmy McPartland '- became well respected as a part of the American jazz scene . . . . Marian began playing piano at age 3 - Imitating her mother who played classical music . Her early jazz influences were Duke , Teddy Wilson and Art Tatum (via recordings) . Although she had some formal training at the Gui Idhall School of Music, she retained a love for jazz - which she would I isten to and practice in her spare time . After coming to the U.S. (for a USO show) she was influenced by Roy Kral, Lennie Tristano, George MAGAZINE REVIEW CODA - CANADA'S JAZZ MAGAZINE Through the months we have often talked of CODA, or the Jazz & Blues Record Centre in Toronto . Now that CODA is available here in Buffalo, I'd like to give you an idea of what its all about. CODA in it's 17th year is perhaps the most complete and authoritive jazz magazine on the North American continent . Unl ike its two competitors, if indeed they are competitors, CODA covers all aspects of the music from the Blues to "Dixieland" to the "Avant-Garde" and "New Music . " Articles are informative and complete, touching on such diversified performers as Mary Lou Wi II iams, Anthony Braxton, Dexter Gordon, Charles Tolliver, Larry Coryell, Stanley Clarke, David Holland, Gene Krupa, Kenny Hollon , Louie Armstrong, Dollar Brand, Wi II ie "The Lion" Smith, etc . Additional articles of interest in - �clude essays on European or independent record companies with a review of their product, jazz literature and live music reviews, film reviews, and a synopsis of the jazz scerle in Toronto and throughoutthe world. The magazine usually runs from 38-46 pages, 12-16 of which are record reviews. Although many of the American records reviewed are about 6 months old (read BJR). the real treat is their extensive coverage of European and Japanese imports, as well as reviews of traditional and Avant -Garde albums not often found elsewhere. CODA sells most of the records they review or advertise through their store at 893 Yonge St. in :roronto; or by mail order, in which they specialize . Oddly enough, anyone here looking for Contemporary records should look there, as they have a good supply. CODA is now avai lable at Record Runner and hopefully more sto"res will begin to carry it. It costs one dollar and is worth it to the penny . Anyon e who can't get to R.R ., and is interested in the magazine should send for a sample copy and subscription information to CODA; Box 87, Station J; Toronto, Ontario M4J 4X8, Canada. A magazine written by jazz lovers for jazz lovers . B .W. © 1975 - Buffalo Jazz Report No portion of this pUblication may be reproduced without written consent from the publ isher. Editor/Publisher - Bill Wall Staff - Tom Alabiso, Louis Bradshaw, Marty Haz en, Malcolm Leigh, Tom Mazzone, Paula Wall Illustrator - Christine Engla Eber / _.--"\ Correspondents / ~ Rochester - Jim Laniok ( ( Address correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909, Ext. 11 114) ,ecoldDn9" RYPDAL, McLAUGHLIN & CORYELL Three new releases featuring 4 fine guitarists are available this month which place the listener into a position of experiencing jazz with heavy classical influence. Norwegian guitarist Terje Rypdal presents Whenever I Seem To Be Far Away - ECM 1045 . Rypdal, who plays with a choppy McLaughlin -like style, jams with odd Ulleberg playing French horn. Pete Knutsen plays mellotron and e. piano as Sveinung Hovensjo adds a heavily reverberated 6-string bass and Jon Christensen provides delicate percussion . On side 2 Rypdal mingles with members of the Sudfunk Symphony Orch . on the title tune noted to be "An image for e. guitar, strings, oboe and clarinet". The sounds generated are unique and intricate yet well balanced. The Mahavishnu Orchestra, with the same lineup as their Apocalypse album, offer Visions of the Emerald Beyond - Columbia 33411. McLaughl in's guitar wanders throughout, mixing well with Jean Luc- 2 haircutterl er.~~ A. + II~~II~.I 59 Kenmore Ave. 836-1781 (corner of Windemere) behind jewelry store .i n basement of Haircuts Underground Ponty on violin. Bassist R. Armstrong and M. Walden (drums) provide impetus whi Ie Gayle Moran plays keyboards somewhat anonymously. A string trio is added along with brass and r eeds. The 13 cuts, which blend well together, have classical overtones with McLaughlin's mystical funk. The last and best release - The Restful Mind (VanGuard 79353) is from Larry Coryell who plays with the trio Oregon. Ralph Towner (the 4th guitarist alluded to earlier). although not given enough room to display his full talents, plays a fine acoustic guitar. Collin Walcott (tabla and congas) and Glen Moore (acoustic bass) round out the group . Improvisations on two DevVisse classical guitar pieces, i.e. Menuet II and Sarabande differ in that on the first Coryell plays electric gu itar - which he does again only on Song for Jim Webb . Ann Arbor is perhaps the best example of Coryell's progressive maturation with the trio . He solos proficiently on Pavane For A Dead Princess and The Restful Mind. This album is light and soothing and the most highly recommended of the three . T.M. MICHAEL LONGO - 900 SHARES OF THE BLUESGROOVE MERCH. 3304 Aside from the noisy pressing, this record offers some good music from the D . Gillespie pianist . Longo is known as well for his composing - he penned the 6 selections here. Joe Farrell is on tenor, soprano and flute; Ron Carter is on bass; Randy Brecker on trumpet and flugel-horn and Mickey Roker on drums. Well chosen . Each tune is refreshingly different blues, ballads, and up-tempo numbers with injections of rock, 'Latin and straight ahead jazz. GARBAREK/ JARRETT - BELONGING - ECM 1050 Not unl ike many of his previous recordings, Jarrett (composer of all 6 tunes) blends the best of jazz, rock and gospel (;md classical) music, coming up with a thoroughly enjoyable set. Jan Garbarek , the Norwegian tenor-soprano saxist sounds good with Jarrett. Although he's gaining a style of his own (prominant on Solstice) it's easy to note the influence of other sax players . Its not surprising that a touch of Redman should pop up here, and there's some Gato as well. Palle Danielsson and Jon Christensen round out the group. This makes 3 Jarrett albums in as many months, and each is quite different. �DIZZY GILLESPIE - THE GIANT - PRESTIGE 24047 Dizzy recorded two albums in Paris in Apri I 1973 for the French America label . They were released as The Giant & The Source, and this Prestige release makes them available to you in one package . Anyone who's heard Dizzy knows that he's a giant. Anyone who hasn't, is missing out on a chunk of jazz history and should strive to become familiar with the man who has influenced most every jazz trumpet player alive. (and a good number that aren't .) This session features two men who have worked as a team for 11 years in Copenhagen - Kenny Drew and bassist Niels - Henning Orsted Pederson . They have two duo atbums out on the Steeplechase label. Next to Dizzy, they are the prime forcefodhe success of this date . Kenny Clarke (a Paris resident) of MJQ fame is on drums, with Humbedo Ca:1to on congas . The extra dose of percussion comes through strong on Manteca and Fiesta Mo-Jo - both Gillespie originals with a Latin feel. Johnny Griffin adds tenor sax to Fiesta, Manteca, Brother K & Wheatleigh Hall - four extended tracks . Dizzy shines - everywhere. Rather than a tight, polished session, this music generally has a loose - good time , live feel. An extra note - Prestige's pressings are among the best in this country - French pressings are among the worst in Europe. The conclusion - this package is a deal. super twofers ---P-24047 Dizzy Gillespie I The Giant P-24050 Sonny Rollins I Saxophone Colossus P-24048 Milt Jackson I Opus de Funk P-24049 Gil Evans/Tadd Dameron The Arrangers' Touch P-24051 Jam Session in Swingville I Featuring Coleman Hawkins, Pee Wee Russell P-24052 Piano Giants, Vol. 1 Fantasy IPrestige /Milestone 3 �the . GEORGE SHEARING TRIO don't miss this one-night-only session with the celebrated master of jazz piano with Andy Simpkins, bass and Rusty Jones, drums and the Buffalo Philharmonic Robert Cole conducting . FRIDAY, MAY 2, 8:30 PM KLEINHANS MUSIC HALL tickets $5, $4, $3, call 885-5000 ADS vouchers accepted buffalo philharmonic pops JULIAN PRIESTER - LOVE, LOVE - ECM 1044 Those who enjoyed the music of Herbie Hancock's group from Mwandishi thru Sextant should check out this one. Priester and Pat Gleeson are the only exHan'cock people in attendance, but they are largely responsible for this music . There are five tunes here 4 by Julian, 1 from Bayette - and I might add that the album offers a wider variety of instruments and ideas than did the Hancock discs. As an instrumentalist, Priester deserves more credit than he has been given. PRESTIGE TWO-FERS A name that would pack any club nightly is Milt Jackson, who is well documented on Opus De Funk (P-24048) . Fine music from 4 of Bag's sessions in '54, '55 and two in '62 . He isbacked on the early dates by Horace Silver, Percy Heath and Kenny Clarke ('54) or Connie Kay ('55) . The '62 dates feature Kenny Dorham or Virgil Jones, Jimmy Heath (all but two cuts) and a rythym section of Flanagan, Carler and Kay. Sides 3 & 4 are- a complete re-issue of Invitation (Riv.446) . Semi-Big Band music, replete with melody, is available on The Arrangers' Touch (24049) . This release offers the compositions of Gil Evans & Tadd Dameron performed by their respective bands . Record 1 is a re-issue of Gil Evans Plus Ten (1957) with Willie Ruff, ·Lee Konitz, Steve Lacy, Paul Chambers and others . Among the people heard on the two Dameron sessions ('53 & '56) are Clifford Brown, Gigi Gryce, Benny Golson, Percy Heath & P. J . Jones; and 4 K . Dorham, Sahib Shihab, Cecil Payne and Shadow Wilson. Sonny Rollins Circa 1956 is heard on Saxophone Colossus (P-24050), sides 1 & 2 being a re- issue of the original album of the sametitlewith Tommy Flanagan, Doug WatkinS and Max Roach . It contains the classic Rollins tune St. Thomas . As good as that record is, the real treat is side 4 - 20 minutes plus with Clifford Brown, Richie Powell and Max Roach (orig . Sonny RollinS Plus Four). Great Music . Two Prestige/ Swingville albums from 1961 are contained in Jam Session in Swing ville (P-24051) featurin~ Coleman Hawkins & Pee Wee Russell. Hawkins & Russell, who come from very different backgrounds, transcend the classification limits set by listeners and critics alike - delivering warm, happy music in a 9 piece format. It swings, flows and dnves . In short - a good time jam session . Piano Giants Vol. 1 (P -24052) covers the period from 1945 - 1974. It is impossible to accurately cover 29 years of the evolution of jazz piano in two records . With a few exceptions, the titles included are representative examples of the works of the featured pianists . Some artists, of course, were left out - but with what one label has to work with (alongwith the help of some others) the results are as good as could be expected . Extensive I iner notes make this album a good educational package in addition to the enjoyable piano music . Thus far, Fantasy/ Prestige/ Milestone has issued 53 twofers on the Prestige label alone . COLUMBIA RE-ISSUES More Duke Ellington material has been released with The World Of Duke Ellington Vol. II (KG 33341) . This set covers the period from Dec. 1947 to May 1951 . Seven band variations and four vocalists including AI Hibbler are heard . Although there is only a span of 3-1 / 2 years, a lot of ground is covered. Hopefully, Vol. II is not the end of this series. Many collectors will welcome the release of two Claude Thornhi II recordings - The Memorable Claude Thornhill (KG 32906). Thornhill, whose bands included such people as Bi II Barber and Lee Konitz, was known as a pianist, bandleader, composer and arranger; as well as his unique use of instruments such as clarinets and french horns . Great mood music . Both releases are two record sets . COLEMAN HAWKINS/ BUD POWELL - HAWK IN GERMANY - BLACK LION 159 I have a hard time trying to understand AudioFidelity's scheduling for releasing Black Lion material ( & ENJA for that matter) . This live 1960 recording should have been given top priority - not held for two years . Now that its out, its worth looking into . A II but one cut on side one featu res the Bud Powell Trio - Oscar Pettiford onbass&Kenny Clarke on drums . The remainingfourtunesfindthetrio joined by Hawkins. Its a spirited performance and includes the Hawkins repotoi re standard - Stuffy. Th e only member of this group still alive is Clarke . Pettiford died shortly after this date making this recording as important as it is enjoyable . �CHOICE - The Do-It-Youl"self Label In an old ocean-side home in Sea CI iff, Long Island, two dyed in the wool jazz lovers conduct a business known as Choice Records. They are Gerry & Pat MacDonald - they have a recording studio in thei I" living room, and have produced eight albums to date. Choice 1008 is a Buddy DeFranco quintet album Free Sail. I heard th is before hearing DeFranco live at the Statler and the music here took me by surprise. The DeFranco sound is much more contemporary than many people might suspect due to his long association with the Glen Mi lIer Orchestra. Check out Free Sail, Free Fall & Threat Of Freedom PT. I-IV, the latter two being originals from Victor Feldman (who is heard here on acoustic & electric pianos) & DeFranco. Guitarist John Chiodini was with the quintet here last month and is a gifted soloist. Buddy's clarinet often sounds like a soprano sax - adding to the up-to-date sound. This album is a must for everyone who saw DeFranco and liked what they heard. The incredible Toots Thielmans is at his best on Captured Alive - Choi ce 1007. Toots plays only the harmonica here backed by pianist Joanne Brackeen, Cecil McBee and Freddie Waits. Thielmans is a genius on that instrument and will knock you out doing tunes such as Giant Steps, Airegin & Duke's Day Dream. Also included are two Brackeen originals, and I Never Told You - a tune he recorded with Quincy Jones . This is Toots at his best - casual, playing from his soul. Through Toots the harmonica becomes regal. A collection of six standards is on the menu for Zoot Sims' Party - Choice 1006. Jimmy Rowles, Mickey Roker & Bob Cranshaw provide the rythym for this relaxed session with Sims on tenor and soprano. To summarize the music in one word - it swings. This is Sims in the comfortable quartet format many of you have experienced I ive in Toronto . Now you can hear it anytime. The above-mentioned Victor Feldman is back, this time with his own disc - Your Smile - Choice 1005. Tom Scott - flutes, alto & tenor, Chuck Domanico bass & John Guerin - drums join Feldman (piano and vibes) for this live recording of a Los Angeles performance . Scott shows more talent than on his own discs which are geared towards the pop charts. There is a lot of South American influence here and no shortage of spirit or fire. Included is Seven Steps To Heaven - a Feldman composition recorded by Miles ("Mi les changed the bridge and became the co - composer" - says Leonard Feather) . Feldman has worked with Davis, Cannonball, Peggy Lee & Benny Goodman among others. A good variety, great feel and loads of rythym . It may seem strange to you that the tota I output of a company is excellent . It seemed that way to me at first as well, but when someone starts a company like Choice, without enormous financial backing - there is no room for a record anything short of top shelf. The same is true of the pressings - each one of these was perfect , free of surface noises and scratches. Check all the area's major stores for the Choice line. If you have no luck finding the record(s} you WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA Now - -Buddy DeFranco u & Choice Records want, send $5.98 per album to Choice Records, 245 Tilley Place, Sea Cliff, New York 1)579. The MacDonalds will promptly fill your order . Tell them you read about thei I" product in the Jazz Report . Due to space limitations, the rest of the Choice line will be reviewed in the May issue . TRIP - APRIL RELEASE Trip continues to pour out the Mercury-Emarcy discs for their collectors series; the first this month being yet another CliffordBrown& Max Roach record Jordu (5540). Thi s one has Harold Land on tenor and contains Brownie's famous Daahoud. Again - all the recordings by Brown-Roach (or just Brown) are as The only logical place to buy hili components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo 5 �,... has locally well-known trombonist Frank Rosolino, & Mel Lewis. Two exceptional quintet dates are Joe Newman At Count Basie 's (5546) & AI Cohn/ Zoot Sims - You 'N'Me (5548) . The first contains fineworkfrom Newman, Oliver Nelson & Ed Shaughnessy - recorded live in 1961. The AC/ZS date is a gas - the group includes Mose Allison, Osie Johnson & Major Holley - whose bowed bass / vocal on Angel Eyes has got to be heard. Each record is a good buy . The tenth & last record in this release is Ellingtonians (5549) featuring the groups of Rex Stewart, Billy Taylor, Barney Bigard & Juan Tizol - recorded in 1944-46. These too were Keynote dates . At this rate, there shoulrl be 10 more next month . BUFFALO STATE COLLEGE S.U.B. Concert Committee presents AN UNFORGETTABLE DAY OF JAZZ with GARY BURTON KENNY BURRELL BOOTY - VARIOUS ARTISTS - MAINSTREAM 413 Another album of left-over material from various dates (the last was Jazz - 408) . These six tunes are from dates by Charles Kynard, Dave Hubbard, Roy Haynes, Blue Mitchell & Chas . Williams, Ther:e is some good music here - like Williams' group on Wi II ow Weep For Me & Hubbard's on Spring Can Really Hang You Up The Most. The Haynes cut - Roy's Tune gets boring due to being repititious and the rest are lightweight renditions of populartunes. Easy listening. T entati ve: JOE FARRELL CHARLEJ mlnGUJ RAHJAAn ROLAnO KIRK ALL CONCERTS FREE SUNDAY, APRIL 27 - 1 P,.M. OUTSIDE, IN THE UNION QUAD 1300 ELMWOOD AVENUE Phone 862- 5531 For More Info. .... ...... important as they are good , You can't miss , We Free Kings (5541) finds Roland Kirk playing his ass off - pure music - no raps or messages, Richard Wyands or Hank Jones are on keyboards, Art Davis and Wenda II Marshall on bass and Charlie Persip is on drums , The year was 1961 , A 1954 record by Paul Ouinichette - The Vice President (5542) features people as Kenny Drew, Joe Newman, Buck Clayton, Freddie Green, AI McKibbon and Count Basie , As expected - it swings. Organ is most :Jften the keyboard used here . Quite a difference from one of my favorites - "Quinichette & Coltrane" (Prestige) . Recordings from the old Keynote label appear on Alto Artistry (5543) . The altoists in mention are Benny Carter (with Arnold Ross). Willie Smith & Pete Brown. The 1945 Smith session contains some fine guitar work from Les Paul. I enjoy this one more with each listening . Jam Session (5544) is among the best records Trip has re-issued. How could it be less than great with Clifford Brown, MaynardFerguson& Clark Terry on the front line, with Ritchie Powell , George Morrow & Max Roach as a rythym section. We can't forget Junior Mance, Herb Geller & Harold Land, or Dinah Washington - who is heard only on Darn That Dream . Two extended cookers and two ballads. The solo sequences are listed. ' Big band fans wi II be interersted in Terry Gibbs Launching A New Band (5545) & Woody Herman - 1963. The Herman disc has the most fire, but each fares well. Woody's band here includes Bill Chase, Gibbs' 6 LEE KONITZ - SA TORI - MILESTONE 9060 It's been a long while since Konitz' previous release Spirits; and, although I'm not familiar with that album I find this an improvement over the earlier Piecemeal. The music on Satori is an interesting fusion of bop and Avant - Garde, It is interesting that half the quartet - Konitz and pianist Martial Solal are from the old school (they were born two months apart in 1927); and, the other half - Dave Holland and Jack DeJohnette are high I Y respected among the new wave . Age makes no difference here as they play together on even terms - no one dominates. This is the kind of album that grows on you with each listening . DUKE JORDAN - FLIGHT TODENMARK - STEEPLECHASE 1011 Among the latest releases from the small Danish label is this Duke Jordan Trio recording . For the most, its a set of slow or medium tempo standards and originals. No Problem is a pretty, lyrical piece; written by Jordan for the French film Les Liason Dangereuses in 1959. Standards are Here's ThatRainy Day, Green Dolphin Street, How Deep Is The Ocean and Everything Happens To Me, Glad I Met Pat and If I Did-Would You? Are both Jordan originals; the first, in 3/ 4 time, is opened with phrases from a Danish ballad . The title tune picks up the tempo and includes solos from bassist Mads Vinding and drummer Ed Thigpen . Vinding is among the top in his country on his instrument, and Thigpen is well known here having recently worked with Oscar Peterson and Ella Fitzgerald . Jordan - a bop pianist - has recently begun recording again after a lapse of a decade. HIs style might best be explained as beautiful, with no shortage of melody. Flight to Denmark is avai lable for $5.98 postpaid from CODA, Box 87, Station J, Toronto M4J 4X8, Ontario, Canada. �SHAMEK FARRAH - FIRST IMPRESSION - STRATAEAST - 7412 Alto saxophonist Shamek Farrah has come up with an excellent debut album . He uses a quintet on side 1, and septet on side 2. Both groups include Norman Person on trumpet, who blends well with Sham ek i n the ensemble passages . All the soloists display t echnical and lyri cal prowess in their solos, and there is never a lack of inspiration . This album is highly recomm ended to anyone who I ikes the music of Dolphy, 'Trane, Joe Henderson, et c. LONNIE LISTON SMITH AND THE COSMIC ECHOES - EXPANSIONS - FL YING DUTCHMAN 1- 0934 The liner notes on thi s album describe th e musi c as poss essing a qual ity of "sensuous serenity" , and I couldn't agr ee more . Th e musi c has that sa m e peaceful, serene qual ity that ca n be found in much of Pharoh Sanders' work, with th e same t ex tured , sparkling per cussion, se tting th e mood . Lonni e does some very tasty pian o work, and also adds "electroni c k eyboard tex tures", whi ch sound I ike either a mellotron or an Arp string synthesizer, but really makes for a good mood -se tting ba ckg round . Cec il McBee is especial ly strong on bass, and th e percussionists are excellent . If you haven't gotten into L onni e's work, but enjoyed th e sort of stuff that he did with Pharoh, th en I strongly suggest that you pick up on thi s album . M .H. RCA EMPTIES THEIR VAUL TS RCA r eco rds ha s begun to open th ei r vau lt s and rerel ease jazz recordings . Th e pr ogra m was kicked off with a r elease of THE BRIDGE by SONNY ROLLINS IAPL 1-0859) . The Bridge is among 011 ins' all- tim e best recordings - dating back to ear ly 1962; just after two year s of self - imposed r etir em ent. The pian o less group wa s co mpris ed of Rollins, Jim Hall Ig .) , Bob Cranshaw lb . ) & Ben Ril ey on H.T . Saunders Id . ). Among th e 6 tun es here are God Bless The Child, th e title tra ck and With out A Song. Thi s album be longs in every jazz co llecti on. Pha se two of th e re - i ssue cam pa i gn is th e r es urrecti on of th e fam ous BLUEBIRD lab el of th e th i rti es and forti es . Jazz fans wi II be most interes ted in BENNY GOODMAN - Th e Complete Goo dman Vol. 1 - 1935 IAXMZ - 5505), & WILLI E BRYANT & JIMMIE LUNCEFORD And Th eir Orches tra s IA XM2 - 5502) 11934 36). Th e r ecordings ar e crean conside ring th eir age and th e fact that th ey wer e remast ered fr om 78s . Some of the people on the Bryant/Lunceford discs are Benny Carter, Joe Thomas , Ben Webster & Teddy Wilson . A good move from RCA, who say th ere'll be many more . JOE HENDERSON - CANYON LADY - MILESTONE 9057 Canyon L ady is a pretty , lyri cal big production album , and a bit of a r eversal of what he had to sa y on his prev ious Elements. Joe's co mpo si ti on Las P alma s co m es the c losest to sounding lik e his music . Th e r es t of the album sounds I ike a Louis Gasca dat e Gas ca arranged the album, plays on it , and many of th e same musi cia ns are here that were on Louis' Fantasy album of late last year. In short - everyone plays well, th e musi c is pl eas ing t o th e ear and th e r ec ord wi II probably sell more co pi es than his prev ious discs. Out of a love of th e man 's musi c, I hope that th e sound proj ected here is his own dec ision and not a result of th e bad r eviews given Elements. Joe is grea t , he can play anything with anybody - but there's not enough of hims elf here . JAZZ PIANO QUARTET - LET IT HAPPEN - RCA APD 1- 0680 A unique album. F our pian o players - all one tim e m embers' of various B enny Goodman groups - wh o can turn on crowds by th emse lves, gathered togeth er with four grand pianos . Hank Jones , Mar ian M cPart land, D ick Hyman and Ro land Hanna excha nge thoughts, moods and ideas - cre ating full, beautiful musi c. Th e DANCE THEATRE OF HARLEM Arthur Mitchell & Karel Shook, Directors with the Buffalo Philharmonic Orchestra Tania Leon Conducting THURS., MAY 15, 8:30 PM MON., MAY 19, 8:30 PM LOEWS BUFFALO THEATRE tickets $5, $4, $3, call 885-5000 ADS vouchers accepted I I Coupon worth TWO DOLLARS Off the Mfgrs. ,ug90 li,t priceof any available Jazz Album at any of the 8 CAVAGES locations. E xpi res 5- 1- 75 I • SENECA MALL L: • I buffalo philharmonic pops I .JI • BOUlEVARD MALL • COMO MAll MAIN PlACE MALL • THRUWAY PLAZA • SO~SH~. ~RS!!!.... L~O~Ll 7 �HJ\RIJ\~ H(PJ\RTlJ\~D DO"'~TO"'~ Bourbon Street TORONTO (416) 864-1020 !\priI8-!\priI18 " Her sheer inventiveness is frightening; her ideas, ceasel ess. She is a pianist who has moved into her own, into a special realm ." Whitney Balliett: Jazz Critic The New Yorker " Marian was always an exquisite piano player, but now there is this fire .. ." Howard Schneider, The Washington Post Marian McPartland: When she plunks down at the keyboard , she sets the room swaying and rocking . To sets of Duke Ellington blues , Alec Wilder greats. Bacharach tunes and Lennon/ McCartney hits. Tu esdays through Sundays from 9 PM . • No cover. Free parking in the Statler garage The Statler Hilton a WI) Hassett enterprise material is from Scott Joplin to Herbie Hancock (Maiden Voyage) to Stevie Wonder. There have be en many fin e sol o & duo albums lately, and th i s piano quartet is right up th er e as we ll. what~ happening Refer to last month's issue for radio listings. STAN KENTON- Friday, April 11 at the Hearthstone Manor - Dick Rd . 9-1 . WILL ALGER'S JAZZ BAND - Fieldstone Manor (Lockport) Fridays 9:30-1 :30, Saturdays 10-2. JOHNNY GIBSON TRIO w/ Geo . Holt (tpt.) - Anchor Bar Fri ., Sat . lit Sun . nights . MARIAN McPARTLAND - at the "Downtown" Room Statler Hilton. See ad . CIRCLE OF FIFTHS - at the Plaza Suite - Saturdays 9-1. JAZZ QUARTET at the NO-NAME BAR - Elmwood & Bidwe ll . Sundays 3-7 . MORGAN STREET STOMPERS - Dixieland Band at Jafco Marine Rest., 2192 Niagara St. Fri . lit Sat . nights . TORONTO ANTHONY BRAXTON & DAVID HOLLAND - April 12 & 13 at the A Space - 85 St . Nicholas St . Phone 416929 - 5065 . 8 BUDDY DeFRANCO Apri I 1 -12 SAM NOTO Apri I 14 - 26 Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover All Time Sound Effects Orch. - at the Ontario Art Coll ege Auditorium on McCaul St. - April 17 - 1 PM. Presented by the Canadian Creative Music Cooperative (C .C.M .C . ). Tickets - 929-5065. BOURBON STREET - Buddy DeFranco, Sam Noto. See Ad . GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E.various local jazz artists. COLONIAL - Yonge North of Queen - 363-6168- 7-11 - Bobby Hackett & Vic Dickenson; 14-18 - Cannonball & Nat Adderly. ROCHESTER MONTICELLO - 800 Jefferson Rd . - Junior Mance March 31 - Apri I 26 ; Monty Alexander - Apri I 28 - May 10. No cover, closed Sundays. WINE PRESS - 1730 N. Goodman St. - Spider Martin every Wed . from 9:30. $1 Adm . after 8:30. NOV. 21 WAS BACH'S BIRTHDA Y And in the University of Toronto's Convocation Hall there was a quiet celebration . Keith Jarrett played and prophesied , mesmerized and purified . Through the endurance of the first half and the simplicity of the second, Jarrett praised greatness with the hands of an artist. Greatness makes you hungry for more - but he asked us to digest what we had al ready heard. C.E . We did - and we left - full . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3582 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 14 Date A point or period of time associated with an event in the lifecycle of the resource 4/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 14 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/d84bf4db0b98686d82825c595a20a460.pdf e0847b9b18c98fca254ed5066b9e18ba PDF Text Text lbuffallo jazz lepoflt 6i"11al~ may '75 no. 15 free newl The latest addition to the club scen e is "A Touch of Class" on Dewey St. - once known as th e "C Lounge" . Grant Green was in I ast month followed by Zimbabwe . Fantasy/ Prestige/ Mil eston e has put t ogeth er a catalogue of all their "twofers" on th e three labels. You can get one free of cha rge by send i ng t o: F / P / M at Tenth & Parker Sts., Berkeley, California 94710 . Next time you go to the Statl er, be on the lookout for the questionnaire on your tabl e. Th ey want your advice for future book ings. Some of the arti sts you'll find listed are Kenny Burre ll, Carmen McRae, Earl Hines and Oscar Peterson . The No Name Bar on Elmwood has been presenting jazz on Sunday afternoons for a month now. The turnout has been so great, that they wi II be presenting the music on Tuesday nights as well. The music is great, the atmosphere is mellow . Check it out - you'll be back for more . Joe Sanders was the wi nn er of our March "Name the Buffalo" contest. His was th e first entry with the narfle "Buffalonious ". We were pl eased with the r esponse , and more contests are in the offing . live mUlic review Mar ian McPartland's trio was outstanding during their stay at the Statl er. Her repotoire inc luded such tunes as April In Paris, Satin Doll, Freedom Jazz Dance and Spain. She' s a great pianist , vers it ile , and in our opinion the best the Statler has had to date. New Wave is back from New York and sounding better than ever. They've made a few changes - all for the good, and communicate much better with each other and the audience. See "What's Happening" for their itinerary . bulletin board -/tan kenton clinic The campus of York Univers ity in Toronto will be the setting for Canada 's fi rst Kenton" Jazz Orche st ra in Residen ce" Clinic . It will run for a we ek - July 13-18 and the courses of instrlJction will include : Individual & Group Instruction on sax, flute, trump et and flugelhorn, trombon e, bass trombone, tubas, piano, guitar, string and electric basses and all percussion instruments ; Concepts of Jazz; Rehearsal Techniques with daily rehearsal of big band ensembles; Jazz Theory - beginning and advanced; Educators Seminars in Jazz Education - 12 to 15 hours on basic teaching techniques, arranging, jazz styles, new music reading sessions, etc . Tuition for students is $120; for educators $60; plus $65 each for room and meals . If you are inter ested, act now . Enrollment at all clinics is limited . Send for more information and an application form to Kenton Canada '75, Thomas A. Stewart Secondary School , Armour Road North, Peterborough, Ontario K9J 781 . ~l L 1==1 I tj~ w rI ./ \~, I.:? ~. ( \'1, 5) Z ~ W I 0: 0 Z « And rew White III is aversitil e musician,profici ent on the saxophones , oboe, French horn and electric bass ; a composer, ar ra nger, conductor, lec tur er, and president of Andr ew's Musi c Enterp ris es forwhi chhe has recorded 13 L.P .s of his musi c . You may have heard him with Stevi e Wonder, the Ameri ca n Ball et Th eatre Orch ., the Fifth Qimension , the Off Broadway Show Hair, with anyon e of several Motown artists, Otis Redding, Stanl ey Turrentin e or w ith hi s own quartet . He played French horn and electri c bass with Weather Report (I Sing The Body Electric and Swe et nighter) and was a strong voi ce as the so le ho rn on McCoy Tyners Asante album on Blue Note. White has rec eived a Bache lor of Music Degree from Howard Univ . in Musi c Theory, and has been th e recipient of several fellowships and grants, inc luding two Rocke f eller Foundation Grants to th e Center of Crea t ive and Performing Arts at the S.U .N .Y . at Buffalo for 1965 and 1966. Many may r emember him for his work with the J.F .K . Quintet of the early '60's . In short, at 32 White has been around . Although his name may not rin9. a bell for everyone - he is no stranger to the musIc . Andrew's latest contribution is a hugecollectionof John Coltrane transcriptions - 209 transcribed impro vised solos. As a result, he was commissioned by th e New York Jazz Repertory Company to arrange, conduct and perform a concert in Carnegie Hall in March 1974. He was commissioned by the Collective Black Artists of N .Y . to produce the . Coltrane Commission on a larger scale in Town Hall onApril190f this year, and �Univ. of Mass. at Amherst on April 24 . Hopefu II y, you now have a good idea of his background and are ready to dig on some of his albums, which you can obtain by mail from his Washington D.C. home. ' The first is Andrew Nathaniel White 111- AM-1 and is a solo effort. He is heard on alto and tenor' oboe and Engl ish horn. Through overdubbing he play~ alto, plano and bass on Theme - a selection found at the beginning and/ or the end of most of his albums . Compositions are by White, Wayne Shorter, Bach and Tchaikovsky and each one is easy to absorb. One of his finest is Live At The New Thing - AM2, which is a two record set in trio and quartet settings. All but one tune finds White in the company of Gene Rush on pi ano, Steve Novosel I on bass and E ri c Gravatt on drums from 2 sessions in '70 and '71. Woodyn't You was recorded in Buffalo at Norton Hall on Dec. 14, 1965 with Beull Neidl inger and John Bergamo. The music is consistent, straight jazz with tunes by White, Shorter, Les Baxter and Gillespie. Thoughts flow and energy bui Ids - a truly worthwhi Ie album . Andrew White Live in Bucharest AM-3 contains two extended versions to Good Luck, Next!, and two shorts one of which isMilesDavis' Circle. The Bucharest version of Next! is poorly recorded - so bad that the cymbal s often sound I ike garbage can I ids. However, the musi cis excellent and in a shorttime you overcome the quality of the recording in favor of the music. The second version was in the studio and the qual ity of th e ml)sic and the recording is equally high. Each is an intense sax - drums - duo - extravaganza with Bill Mc Cullough or Eric Gravatt . Who Got De Funk AM-4 is a more commercial session with Rudy Stevenson on guitar and flute, Montego Joe - Latin percussion, Mel Lee - drums and Jocelyne White - spoken word . Perhaps commercially saleable is a better term, as the title tune is "funky" but without a "canned horn section" . DaybyDay is light and pretty, as is Smilin ' Jane . Side two contains a bit of everything including poetry readings by Jocelyne. A good vari ety. The fifth is Passion Flower AM-5 and was reviewed in the March issue - no more need be added here . Songs For A French LadyA-6 brings back the sa~e quartet as on Passion Flower - Kevin Toney, Steve Novosel and Keith Killgo, on side one . Its all rather light and melodious until the break neck version of Coltrane's Moment's Notice. Excellent. Side two contains a Concerto For 16 Instruments (oboes, Engl ish horns, cl arinets, alto and tenor saxophones and piano) all played by White via overdubbing . Themeissimilar in instrumentation but without clarinets or altosaxes. Andrew's classical nature shines forth here . Theme has at last been' used as an album title (AM7). The same personnel and instrumentation is here that is heard on Passion Flower and French Lady, but the program is more intense . White, on tenor, solos with inspiration andfirethroughout. Especiallynotable is Andy 's Alto Sax - a tour-de-force excursion that suddenly turns into a mellow, airy ballad - Wayne Shorter ' s Contemplation - with a crystalline flow of melody. Theme is one of White's best and is highly 2 recommendeq (so is Passion Flower). We have more White albums to review - all of them recorded live at the Foolery in Washington, D.C . The six above are enough for you to ponder over for now . We'll publish the Foolery reviews next month; if your Interest is aroused and you send for an album now chances are that by that time you'll bean avid Andrew White fan and eager for more. To obtain Andrew's music, send $5 ($6 .75 for AM-2) per record to Andrew's Music, 4830 South Dakota Ave., N.E . , Washington, D.C. 20017. As Andrew says - "All Andrew's music isgood for you" . @ 1975 - Buffalo Jazz Report No portion of this publication may be reproduced without written consent from the publ isher. Editor/Publisher - Bill Wall Staff - Tom Alabiso, Louis Bradshaw, Marty Hazen, Malcolm Leigh, Tom Mazzone, Paula Wall Illustrator - Christine Engla Eber Correspondents Rochester - Ji m Laniok Address correspondence to: Buffalo Jazz Report 1335 Main Street Buffalo, New York 14209 (716) 883-3909, Ext. 11 (fGCO(f diift 9" SONNY FORTUNE - LONG BEFORE OUR MOTHERS CRIED - STRATA-EAST 7423 Best known for hi s work with the groups of McCoy Tyner and Miles Davis, Sonny Fortune has now come forth with an impressive debut album. Trumpeter Charles Sui I ivan, pi anist Stanley Cowell, bassist Wayne Dockery, drummer Chip Lyleandthreepercussionists assist Fortune who plays alto and soprano saxes and flute. The album follows in the Strata-East "pure jazz" tradition, and Fortune dedicates a song to each of his major influences - Coltrane and Shorter. A high pOint IS the 15 minute title track with Sonny blowing soprano and the percussionists playing a major role. You may have to look hard for this, but its worth it. haircutterl er~~~ ft. 4- II~illl(lt.1 59 Kenmore Ave. 836-1781 (corner of Wi ndemere) behi nd jewel ry store in basement of Haircuts Underground �nOli & RECORD RUNNER PRESENT THE GREAT RECORDINGS OF: Count Basie, Ella Fitzgerald, Dizzy Gillespie, Coleman Hawkins, Joe Pass, Oscar Peterson,ArtTatum on sale! 2 lP SET 7.98 LIST NOW! 4.97 7.98 LIST NOW! 4.97 15.98 LIST NOW! 9.94 ALSO: BASIE JAM 4.97 JOE PASS VIRTUOSO ELLA FITZGERALD TAKE LOVE EASY 4.97 ELLA I N LONDON ea. DIZZY GILLESPIE'S BIG 4 COLEMAN HAWKINS SIRIUS 4 97 . 4.97 4.97 OSCAR PETERSON THE TRIO 4 97 • ART TATUM SOLO MASTERPIECES 13 LP SET 49.51 JAZZ AT SANTA MONICA CIVIC'72 3 LP SET 14.91 THE EXCITING BAmE JATP STOCKHOLM '55 4.97 SALE ENDS 5/ 31175 51 UNIVERSITY PLAZA - OPEN 7 DAYS - All CHARGES �WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA NOW! PM RECORDS CHET BAKER--GERRY MULLIGAN - CARNEGIE HALL CONCERT VOL. 1-2 CTI 6054S1 & CTI 6055S1 This Carnegi e Hall performance, started asanos talgic effort to bring together Jazz stars of the 1950's to play some oldie but goodies, but turned out to be one of the years most exciting Jazz performances. Thanks to the foresightofCTI itisall on r ecord- Gerry Mull igan and company dom inate the performan.ce with totally outstanding performances . Of course with Bob James and Ron Carter in the rhythm section one can hardly go wrong. Mulligan's best is he.ard on K-4 Pacific and on his very beautiful composltlon--Song For Strayhorn, his tribute to the late Bi.'ly Strayhorn . Of course Mulligan is always at this best, In any musical envi ronment . When Chet Baker joins Mull igan t o play their old classics from the original. 1950's quartet something amazing happens . We again learn that good Jazz can never be dated . The sound IS any thing but old . Baker's playing of-My Funny Valent,ne renews hi s ri ghts to that song for the next one hundred years . (His original . recording twenty years ago was considered a classic . ) Take a I isten to the fire Baker plays with in Bernie's Tune . The interplay between Baker and Mulligan is nothing short of incredible . One would never gues s the two hadn't played together for almost twenty years . . . This performance at Carnegie Hall was aonenlght stand, and what a night. As you can hear from the applause they brought the house down . M .L . ALLENTOWN LEATHERS Custom Tai loring in Suede & Leather Clothing - Bags - Sandals Accessory Items 77 Allen Itreet 4 882-5633 OPEN SKY - SPIRIT IN THE SKY - PM 003 One of the great jazz quartets of the early ' 70s was the Elvin Jones group wh i ch 'included Dave Liebman and Steve Grossman on reeds and flutes, and Gene Perla on bass . This, the third release for Perla's PM r ecords , is the second album for the Liebman trio Open Sky. Bassist Frank Tusa and drummer/ percussionist Bob Moses join Dave, to work as one unit to make highly creative, often forceful music. Side one was recorded live, as was the previous recordsimply titl ed Open Sky (001) . Side two , done in a studio, leans more towards free improvisation and is broken down into 5 short pi eces. Striving For Truth is a beautiful duet with Dave on pi ano and Tusa on bass . Throughout the album there is a qual ity not always found in this styl e of music - the three are fully conscious of each other and heading in the same direction . Thus, the listener easi Iy becomes involved with the music . Much of the music here is not unlike the sound of the above ment ioned Jones quartet - pianoless, percussive and electrifying with a high energy level. The other album on PM is Steve Grossman- Some Shapes To Come (002) with Jan Hammer on piano and synthesizer , Perl a on bass and Don AI ias on percu ssion . We gave it a favorable review last year and it still stands after months of listenings . PM Records are now available at many major stores . Watch for them. Anyone out of the area can send $5.50 per disc to P .M . Records, 20 Martha St ., Woodcliff Lake, N.J. 07675 . FIRE FURY AND FUN -STANKENTONORCHESTRA CREATIVE WORLD STf073 This latest Creative World release finds Kenton's band i'n an unusually relaxed form . The precision is there as always, butthe soloists do a lot more stretching out. One of the most memorable tracks is one called-Roy's Blues which spotlights Roy Reynolds on baritone sax. He gets a very big sound from his horn and plays with flexibility not to often heard on that instrument . Hogfat features Tony Campise on flute and assorted mumbl ings on a very downhome blues . There is a percussion cut called--Ramon Lopez which oddly enough features Ramon Lopez on congos. The leaders beautiful piano playing is heard on two ballad tracks Montage and Ouiet Friday. All and all a very fine album. M.L. TEDDY EDWARDS - FEELIN'S - MUSE 5045 Tenor-man Edwards , who hasn't had an album since It 's All Right! - a fine (still available) Prestige date of 7 years past, has come . back with .this la!d back, good-time set . His sound IS warm With a bl~ tone, slightly similar to Gene Am~ons . ConteCondol1 on trumpet shares the front I ine With the leader, Dolo Coker, Ray Brown & Frank Butler make up the rythym section, and Jerry Steinholz is added o.n c~ngas and percussion. There's a good variety on thiS diSC, some rockin' blues, Mexican flavorings, ballads and a touch of humor scattered about . Basically, its a down to earth session from a man who deserves to be back in the light. I �OSCAR PETERSON - TRACKS - BASF 20879 Should you have any doubts as to whether Oscar Peterson can be as amazing in a solo context as he is with a trio - give a listen tothis. You ' ll find the same excitement, speed, color, ideas and everything else that makes him a great pianist. praying solo is nothing new for Peterson, but he grows so much better with age that his earlier solo works just don't compare . He has chosen some oldies - Hunysuckle Rose, Just A Gigolo and Basin Street Blues; an original - A Little Jazz Exercise; and the recent Thad Jones composition A Child Is Born. You'll find that each of the ten performances will command your attention, and the record ends far too soon. FREDDIE HUBBARD - POLAR AC-CTI 6056 S1 As was the case with Stanley Turrentine's "Sugar Man" , this isacollectiol'lofunissuedcutsfrom various sessions. Hubert Laws and Ron Carter are on hand for all six cuts . Geo . Benson is on all but Son of Sky Dive, a 13 minute sextet rendition of the String - Laden Sky Dive released in '73 . Hubbard doesn't handle People Make The World Go Round with as much charm as Grover Washi ngton, but it comes of well nonetheless . Over repeated I istenings, its the titl e cut, Nat Adderley's Naturally and Son of Sky Dive that make the album worthwhi Ie. If you liked Hubbards previous CTI output, you'll like this as well. For the first time in your life, you can hear music precisely as it was recorded. Until now, the very best high fidelity loudspeakers have been described as transparent. ADS has taken a giant step beyond transparency - all the way to Invisible Sound. Music passes through ADS and BRAUN speakers with such natural clarity the speakers seem to disappear. Once you experience the ear-opening sound of live-quality music in your own living room, you'll never be satisfied with conventional speakers again. tron.lcendentol oUdio.ltd. 773 Niagara Falls Blvd. south of Sheridan 834-3100 THE SOUNDOFRDsAND BRRun �Tbeonly logical place to buy bin components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo JIMMY SMITH - PAID IN FULL - MOJO 12828 While still trying to forget Smith's last album, Black Smith (worse than poor); I had low expectations of this one. Foiled . While this is no jawbreaker, it is what might be considered a typical Jimmy Smith Quarle'! session. Smith shares solos with guitarist Ray Crawford - obviously a Wes Montgomery disciple; and his left foot is replaced by bassist Larry Gales. Buck Clarke - congas and perc. and Donald Dean drums round out the group. Blues is the word here and Smith knows how to do it when he wants to . In this case - he wants to. Of the 4 selections, Killing Me Softly is below par - it just doesn't go anywhere. Can't Get Enough gets funky and dances along nicely. The title tune and Bro' Pugh are medium, down home numbers - Smith gets down to business. Paid In Full is on Jimmy's own label and is available from Mojo Records, Suite 418, 6355 Topanga Canyon Blvd., Woodland Hills, CA; if not locally . BENNY GOODMAN - SOLID GOLD INSTRUMENTAL HITS - COLUMBIA PG 33405 Goodman fans should be on the watch for this "twofer" . The package contains 18 instrumentals and ' two vocal recordings with Peggy Lee and Dick Haymes . Although labeled "previously released material", collectors will find alternate takes of Superman, Clarinet A La King, My Little Cousin and Time On My Hands . All the selections are' Goodman "hits" and were recorded from 1940-45. How lucky we are to be living in the age of re-issues. 6 HAROLD VICK Two albums have been released this month for Harold Vick (tenor sax and flute). Commitment - Muse 5054 is a sextet session with Malcolm Reddick - guitar; Walter Bishop - piano; Ben Tucker - bass; Mickey Roker - drums and Vic Feldman - vibes . Four of the seven compositions are Vick's, and the overall sound of the album is lyrical. There is rythym - plus, the result of the piano-vibes-guitar format. Vick has a deep, heavy tenor tone, and a sound similar to Yusef Lateef on the flute. The Jimmy Heath tune A Time And A Place fits in well as Heath (like . Vick) has a keen sense of melody . It'san album that's easy to enjoy for anyone who I ikes good music. Don't Look Back - .Strata-East 7431 brings you closer to the real Harold Vick. He composed and arranged each of the six tunes. The same lyricism prevai Is, but the music is much more unique and up to date . There are several instrumental formats, but some of the inc I uded mus i ci ans are Vi rgi I Jones trumpet; Geo . Davis - alto flute and guitar; Kiane Zawadi - euphonium; Joe Bonner - piano; Sam Jones bass and Billy Harl - drums. Vick is heard on tenor and soprano saxes, C and altoflutes and bass clarinet. Whi Ie both albums are at a level above average, I find that, in my case, Don't Look Back has been making more trips to the turntable . However, there's a good chance that if you buy one, you'll soon want the other . WAL TER BISHOP, JR. - SPEAK LOW - MUSE 5066 Bishop worked with Arl Blakey, Mi les, Bird, Jackie McLean and many others in the '50s; Curlis Fuller, Terry Gibbs, etc . in the '60s . This is a re-issue of the jazztime album (same title) recorded in 1961 . Its a trio date with Jimmy Garrison' and G.T. Hogan and is worlhy of your attention. Bishop is a disciple of Bud Powell and plays here with a percussive style . Standouts are Milestones and Speak Low. Recommended mostly for trio fans. PAT MARTINO - CONSCIOUSNESS - MUSE 5039 There is a cerlain mysteriousness surrounding the voice of Pat Marlino's guitar. Thatfeelingis compounded when one watches him perform, or even gaz'es at the photo on the jacket of this album . Marlino has loads of talent and speed, and has recently been gaining widespread popularity . Consciousness is an extension of hi searl ier Livealbum, but more together. He burns on Impressions, rocks on the title track '(from Eric Kloss' Prestige album of the same title), cooks through Benny Golson's Along Came Betty, is sweet and mellow on the gorgeous ballad Willow and burns again on On The Stairs. In addition, each side ends with a short piece for solo guitar. His rythym section is 3/4 of Catalyst, an excellent (Muse) group in their own right. They've been with him for quite some time and compliment him superlatively. I thank Marlino for a commendable album . The engineer should have fed more treble into the recording; but then, you can easily adjust that. Its the music that counts. �CHOICE - The Do-It-Youl"self Label -Cant. from I ast month Two exquisite duo albums are available by Chuck Wayne & Joe Puma - Interactions (Choice 1004); and Eddie Daniels & Bucky Pizzarelli (1002). Wayne & Puma are both guitarists - and fellow guitarist Jim Hall says of them "what the two of them do here is at a level where the men are rapidly separated from the boys' . I have no arguments with that statement. Wayne & Puma have been around a long time and their solos, interplay and sensitivity on this record is proof . Bucky Pizzarelli plays rythym guitar backing the solos of Eddie Daniels (flutes, clarinets) on A F/ower For All Seasons (Choice 1002). They cover many styles - jazz, bossa-nova and classical. Daniels plays flute on side 1, mostly clarinet and bass clarinet on side 2. The title tune was written by pianist Roland Hanna for this album . Both of these duo albums are highly recommend ed for anyone who enjoys music such as that of the Ruby Braff-Geo. Barnes Quartet, Jim Hall-Ron Carter duo, etc . Speaking of Ro/and Hanna, he's back with a solo piano disc Sir Elf (Choice 1003). This isthe first solo album from the pianist who has gained wide recognition through his work with the Thad Jones-Mel Lewis Orchestra . Hanna handles the solo format with ease, delivering a personable performance creating an intimate, small, quiet night club atmosphere . Among the 8 short selections are jazz standards - There Is No Greater Love & Watkin ', the pop hit Killing Me Softly and an original - Morning. As a solo piano effort, this is several cuts above average . The album that kicked off the Choice label in Dec . '72 is Music For People, Birds, Butterflies & Mos quitoes by the Jimmy Giuffre 3 (Choice 1001). Giuffre plays flute, clarinet and tenor sax on a collection of twelve short adventures in ai ry improvisation. The mu sic is often light, always alive. Manypeoplehave been wondering what Giuffre has been doing of late . Well, he' s still around and playing better than ever. His colleagues here are K iyosh i T okunga on bass and Randy Kaye on percussion . They do more than givehim support as this is without a doubt a group effort. Check all the area's major stores for the Choice line. If you have no luck finding the record(s) you want, send $5 .98 per album to Choice Records, 245 Tilley Place, Sea Cliff, New York 1)579. The Mac Donalds will promptly fill your order. Tell them you read about their product in the Jazz Report. Dance Theatre of Harlem A week engagement of lecture / demonstrations and seminars with the top black ballet company of America: • Wed., May 14 Lecture /Demonstrations FREE 10:30-11 :30 AM 12:30-1 :30 PM Kleinhans Music Hall • Frl., May 16 Seminar and reception FREE 7:00-9:00 PM Buffalo Museum of Science • Sat., May 17 Master Classes Ethnic: 12 noon -2:00 PM Black Dance Workshop Ballet: 3:00-5:00 PM Nichols School Plus two entirely different performances with the Buffalo Philharmonic Orchestra and The Dance Theatre of Harlem at Loew's Buffalo Theatre: THURS., MAY 15 8:30 PM MON., MAY 19 8:30 PM Tania Leon, conductor Arthur Mitchell/ Karel Shook, directors Tickets $5, $4 and $3 . Call 885-5000. ADS VOUCHERS ACCEPTED. This concert made possible with support from the National Endowment for the Arts Artists in Schools Program through the New York Foundation for the Arts Inc. in cooperation with Arts Development Services and the New York State Council on the Arts , the County of Erie and the City of Buffalo. BUffALO P"IL"AI!~ONIC THE REAL LENNY BRUCE - FANTASY 79003 With the current popularity of Lenny Bruce (it sure took a whi Ie - America) people should consider looking into Bona Fide Bruce recordings . This 2record set contains some fine Bruce routin es such as Tarzan, Religions Inc. , The Sound, LimaOhio & others. An added treat is Werewolf Mama - one of his attempts he made to make a pop record. Beware of imitations or bootlegs recorded inbathtubs . If you want Lenny Bruce, this is it. EVANS & TURRENTINE Two records came in late last month, both from antasy . The first is a superb duo effort from Bill Evans & Eddie Gomez titled Intuition (F-9475) . It is among the best Evans in r ecent years and if you enjoyed Tokyo Concerts, you'll like it. He plays acoustic and electric pianos doing old andnewmaterial. Gomez is a great bassist and their long association together is evident. In The Pocket (F-9478) is from Stanley Turr entine and is very similar to his last r elea se Pieces Of Dreams. Gene Page returns as arranger/conductor. The mater ial is "pop-ish" with strings and vo ices 3nd Stanl ey does all the soloing . /unOAY 3-7 TUE/OAY 8-12 bar with no name 946 elmwood ave. at bidwell 7 �rbon Alilil & ROt' IlR"l i\prllll- HOI) 11 DO\\'~TO~ treet Back by popular demand! Singing jazz! (416) 864 - 1020 TORONTO Tuesday - Sunday from 9 PM No cover street BENNY CARTER April 28 - May 10 't'l\ll" 't'II' DM\'~T~ CHUCK WAYNE & JOE PUMA May 12-17 HoIJ lj - Jllae 1 "Her singing creates a sensation:' Whitney Balliett New Yorker EDDIE -LOCKJAW· DAVIS May 19-31 Tuesday -Sunday from 9 PM No cover JIM HALL TRIO follows Phone Ahead for Dinner Reservations Dine & Dance 9 - 1 No Cover Free parking in the Statler garage The Statler Hilton a w.o. Hassett enterprise wlhatg; happening buffalo area Jackie & Roy; Sylvia Syms - at the Statler plus Tony Bennett on May 16. See ad . Jazz Quartet at No Name Bar - see ad (pg . 7) New Wave at the Speak 1919 Whirlpool Ave ., Niagara Falls, N .Y. May 6-9 & 13- 16. Also Sunday afternoons at Mulligans on Hertel. John Heartsman & Circle - at the Ontario House , 920 Ontario Ave ., Niagara Falls , N.Y . Phone 282 - 9877for information. Touch of Class - Phone 836-9487 for information. MORGAN STREET STOMPERS - Dixieland Band at Jafco Marine Rest., 2192 Niagara St. Fri. & Sat. nights . WILL ALGER'S JAZZ BAND - Fieldstone Manor (Lockport) Fridays 9:30-1 :30, Saturdays 10-2. JOHNNY GIBSON TRIO w/Geo . Holt (tpt. J - Anchor Bar Fri ., Sat. & Sun. nights. rocheJ"ter TOP OF THE PLAZA (Mi'dtown Plaza) - The Ellington Orch. Wed ., May 14 at 9 P .M . Adm. : $3.50 dining room, $2.50 lounge . MONTICELLO - 800 Jefferson Rd . - MontyAlexander May 1-10; Geo. Giroux May 12-17; Rio Clemente May 19-June 14. No cover, closed Sundays . 8 tz: WINE PRESS - 1730 N. Goodman St. Spider every Wed . and May 30 & 31 (Fri . & Sat .), music from 9:30 P.M ., $1 Adm . after 8:30. THE J & J LOUNGE - 325 Genesee St . cor. of FrostDavid Rugl ess Tri o - Fri. & Sat . nights ; W.G.D.R. Sundays 5:30- 9:30 jam sessions . No cover . toronto BOURBON ST. - 180 Queen St. , W. - Benny Carter, Chuck Wayne & Joe Puma, Eddie MLockjaw* Davis. See ad . Jim Hall follows . EL MOCAMBO - 464 Spadina Ave. - Charles Mingus May 12- 17; Sonny Rollins May 19- 24 . Musicfrom9:30 - Cover charge. CANADIAN CREA TlVE MUSIC COOPERA TlVE (C.C. M.C.) presents a concert on May 24 at 3 P.M . at Trinity Church - Queen & Church St . COLONIAL - no information at presstime . Phone 416-363 - 6168. GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E.various local jazz artists. J"yracuJ"e Correspondent wanted, write BJR office. POJ"t J"cript Regarding the Buff State Jazz Festival - what can be added to what was said on stage by the groups of Burton, Burrell, Farrell & Hubbard? The BJR congratulates Paul Samulski & his crew and all musicians for the "Unforgettable Day of Jazz" and we hope it is only the fi rst of many . Thanks! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3583 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 15 Date A point or period of time associated with an event in the lifecycle of the resource 5/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 15 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). https://digital.lib.buffalo.edu/files/original/92c0321b7f4c007fb5d031f7bc123d9c.pdf 22344ff796555b1f0a33c3c0bcb6bed0 PDF Text Text buffallo jazz (fepO(ft june'15 free no. 16 WORLD t1J-- ASSOCIATION 8~ JAZZ Jazz Fans - our time has come . Jazz now has its own official, non-profitorganization, formed by major representatives of the industry at an Apri I convention in Los Angeles . The purpose of the WORLD JAZZ ASSOCIA TlONis the bringing together of the "artistic and commercial aspects of Jazz to promote the present, the future and to recognize the past contributions to the world of Jazz ... Hal Cook, retired publisher of Billboard was elected President. other board members are Bob Summers, Leonard Feather, David Pell, Paul Tanner and John Levy. Benny Carter, "Dizzy" Gillespie, Norman Granz, Stan Kenton, Monk Montgomery, Dan Morgenstern, Bob Orenbach and Dick Schory are Vice Presidents . Patterned after the country musi c association (which helped in the formation of WJA) the WJA wi II be governed by a Board of Directors. Amon g the projects now under way are: ~. Working to get more Jazz programmed on both comm ercial and public radio stations . Developing an all- industry re co rd and tape package. A current idea is a 3-record set with a 12 page booklet on "The B es t of Jazz from Then ti II Now". Membership benefits are being investigated, such as a basi c jazz package of 10-50 LP's at a special price . Also, a jazz travel club for air travel -to Newport, Montere y, Montreaux and other f esti vals. A formal newsl etter wi II be sent to all members when funding is establ ished . A major goal of WJA is to acquaint the general publ ic with jazz and do away with the bad image a large number of Ameri cans have for it. Membership is open to anyone wishing to support the group's goals. Annual dues assessments are scaled for the categories of business firm, pro fessional , gen eral, student, radio station, music publisher and educational institution. Non~commercial radio and television stations programming Jazz will pay no fee . Al l jazz artists are encouraged to become members of WJA . The objective is to promote jazz around the world. WJA can work for you only if they have . . . .. . your support. Please give some consideratIOn to JOining thiS organization . Its time that jazz gets a fair shake . Additional information and an application form can be obtained by writing World Jazz Association, c/ o Paul Tanner, 10966 Rochester Avenue, #4C, Los Angel es, California 90024. ( GUitar master Jim Hall appears in Toronto this month See page six for all the details newl Some changes have been made at WBFO , inc luding new programs with Bill Wall (BJR Editor) Sundays from Noon 'ti II 2; and Paul Gresham (saxophonist with Birthright) Thursdays - also Noon 'till 2. Revised radio listings are in this issue , and we ask that you clip them and keep them near your radio. We have correspondents in Rochest er and Syracuse, and BJR is now distributed in both cit ies . Summertime is gen era lly slow, therefore, we will publish a July/ August issue in the first week of July and resume publication in September . Anyone planning to go to West this summer might want to attend th e Concord Jazz Festival in late July . We'll give you the details in the next issue . If you can't wait that long, call our office. Con cord is very close to San Francisco. Sunday Jazz is in full swing at the No -Name and Mulligans. Both clubs are always packed. Look for the ads in this issue for details . The BUFFALO JAZZ REPORT is distributed free through over 60 locations in the Western New York area. We are subsidized solely through advertising. and ask that you support our advertisers who make it all possible . @ 1975 - Buffalo Jazz Report No portion of this publication may be reproduced without written consent from the publ isher . Editor/ Pvblisher - Bill Wall Contributors - Tom Alabiso, Louis Bradshaw, Paul Gresham, Marty Hazen, Tom Mazzone, John Osborn Advertising & Promotion - Paula Wall Illustrator - Christine Engla Eber Correspondents: Rochester - Jim Laniok Syracuse - Jerry Stabile �lecoldinga WA YNE SHORTER - NATIVE DANCER - COLUMBIA 33418 Wayne Shorter is continuously using, with masterful ease, what so many of his contemporaries seem to have lost in the shuffle - creativity. Native Dancer wi II confi rm thi s beyond doubt. It has to be one of the most beautiful and innovative collections of music available today . Wayne is in. excellent form both as a musician and composer. His tenor and soprano seem more alive than ever (Columbia is good for that). A deserving ear should be given to his ability to compose; perfection is natural for him e .g. Beauty & The Beast & Diana. He also plays piano and makes very colorful use of it. Wayne features pianist Herbie Hancock (who shows immediate evidence that being a rock star hasn ' t st iffled his talent for mastering the keyboard). and Milton Nascimento, a Brazilian vocalist/composer, who's contributions here truly enhance the scope of Shorter's achievement. You owe it to yourself not only to hear this album, but to have a copy in your collection as well. P.G. NEW FROM PABLO We finally got hold of the Pablo linewhich includes Portraits of Duke Ellington by Joe Pass (2310 716). Joe runs graciously through nine Ellington standards accompanied by Ray Brown and Bobby Durham on all The only logical place to buy hili components. [techhifl] 143 Allen St., Allentown, Buffalo 1270 Niagara Falls Blvd., Amherst, Buffalo 2 When You Are I n Toronto This Summer, Be Sure To Visit The Jazz and Bluel Record Centre 893 Yonge ftreet 416-929-5065 recordJ". bookJ". magazine!. jazz inforimport J"pecialiJ"t mation N Jazz Specialists For 17 Years but three. Pass is indeed one of the great guitarists as well documented on the many Pablo sides on which he is featured. However, although he burns here on Satin Doll and Caravan, there is a certain lack of the excitement that bubbles over on Dizzy Gillespie's Big 4 (2310 719). There is a more relaxed but highly inspired feel here, and Dizzy and Joe are alternately beautiful and astonishing. Fans of trumpet or guitar can't go wrong with this album, recorded in Sept. '74. Ray Brown and Mickey Roker round out the Big 4 and both are .excellent. From Coleman Hawkins comes Sirius (2310 707), a fine set recorded in Dec . '60 which had never been released . Barry Harris, who has recently done some pure dynamite sides with Sonny Stitt, is on piano, Bob Cranshaw is on acoustic bass and Eddie Locke is heard on drums . Not only is the music of the highest quality but so is the recording. A must for collectors and a wise choice for the occasional record buyer. Basie Jam (2310 718) finds the Count at the helm of "In octet of such well versed jazzmen as Harry Edison, J.J. Johnson, Eddie Davis and Zoot Sims. Its jam style blues from the first groove to the last. The brightest moments come on Freeport Blues, Doubling Blues and perhaps Red Bank Blues. Driving the soloists are Ray Brown and Louis Bells'on - dead on at all times. I have to mention, however, that I am not overly fond of Basie's organ sound and much prefer the tracks with him on piano. Pablo is now distributed by RCA, so they may be harder for us to get to review but easier for you to find . You win some and you lose some. haircutterl ". + ~r'llilft<ll era~~ 59 Kenmore Ave. 836-1781 (corner of Windemere) behind jewelry store in basement of Haircuts Underground �MARIAN McPARTLAND ON HAL YCON When Marian McPartland was in town in April, we obtained a copy of each of her albums for review. We will give you an idea of what each record has to offer, as they all differ quite a bit. Keep in mind that Marian is a brilliant pianist and composer, and that Halycon is her own label. Thus, she'snotaboutto release anything she doesn't feel is tops. With that, I offer the following comments: The first is Interplay (Hal .- l00) . Marian is joined by bassist Linc Milliman on nin e duo performances, all but two of which were recorded live at organist Doug Duke's club in Rochester . Old and new standards are included . The music - relaxed, intimate and personal. My favorite is Ambiance (Hal .- l03) - A lively trio affair and a bit more avant-garde in parts than most of her live and recorded work . Mi chael Moore is on bass, and Jimmy Madison on drums . Jabali Billy Hart replaces Madison on two tun es. The beautiful titl e track (ballad feature on the recent Thad Jones-Mel Lewis ' album) is, of course, included . Ther e's life, some fire and pl enty of melody . Glimpse isa gas with Hart employing various perc ussion instruments over Marian's piano statements and Moore's bowed and plucked bass. Most of the compositions are by Mc Partland or Moore. A Delicate Balance (Hal.-l05) would pl ease people who enjoyed her work at the Statler. Its r epresentative of her performances th ere. Again a trio date - this time with Jay Leonhart and Jimmy Madison. Ms . McPartland is heard on both acoustic and Wurl itzer electric pianos . Some of th e tun es here are More, Freedom Jazz Dance, Jazz Waltz For A Friend, Something & God Bless The Child. This is another of my favorites . Elegant Piano (Hal. - l06) finds her playing duets with one of her early influences - Teddy Wils on. Actually - five tracks are duo , 4 are solo Wil son , one is McPartland solo. Light and beautiful. Th eir styles mix well , and there's a lot of jazz history in this musIc . You like Dixi eland? You got it - Live At The Monticello (Hal. -1 07) is just that with Jimmy Mc Partland on coronet, Jack Maheu on clarinet, Hank Berger on trombone and banjo , Rusty Gilder on bass, and Mike Bergeron or Larry B ellon drums. Sal Sperazza is heard on flug elhorn on two tra cks. This is what Dixi eland is supposed to be happy and fun just a downright good ti me for all. An added treat is Jimmy's vocal s. Marian McPartland Plays Th e Music of Alec Wilder (Hal.-l09) is self exp lanatory as t o th e composer of the music. Side One finds Mari an only in th e company of Michael Moore . On Side Two - . Rusty Gilder and Joe Corsello. Its mostly melodious ballads - such as Its So Peaceful In The Country, Lullaby For A Lady, etc. Her latest is the superb Solo ConcertAtHaverford (Hal.-lll). There's a good vari ety of mater ial here including the incredibly beautiful Yesterday/ Yesterdays medley with a touch of Bach; blues, ballads and a medley of 4 Gershwin standards. Marian can per form equally as well in a solo, duo or trio format. She proved that at the Statler, and on all of the above WELCOME TO ONE OF THE LARGEST COLLECTIONS OF JAZZ IN THE COUNTRY Plus Prices Below Most Competition Incredible Selection - Low Prices UNIVERSITY PLAZA JONAH JONES LP'S IN STOCK albums. Look for these records locally, or write Halycon Records, P.O . Box 4255, Grand Central Station, New York, N.Y. 10017. McCOY TYNER - ATLANTIS - MILESTONE 55002 McCoy was at U.B. in February and if you caught hi m there you know exactly what's in store on Atlantis. This two record set was recorded live at San Fran cisco's Keyston e Corner in the fall of '74 . Atlantis is the tune that sounded like Walk Spirit, Talk Spirit from Enlightenment (released about a year ago). As far as I can recollect - this is the same program including My One & Only Love, played by only Tyner, Azar Lawrence and percussi onist Guillerme Fran co . Its the same group as well - with Joony Booth and Wilby Fl etcher . Keeping that concert in mind - I can safely say that this is typical Tyner in performance, but this music is superior to what he did at U.B ., and you won't be hassled by that horrendous sound system. This isn't magic, but I like it more each day . It is, th erefo r e, recommended. It sure beats Song For The New World - his only recorded failure (to my ears) . The price is a modest $8 .98 list - don't pay more. ERROLL GARNER - PLA Y IT AGAIN ERROLL COLUMBIA PG33424 Columbia's latest "Twofer" re-i ssue is a collection of various tunes from early Garn er tri o dates ('53) . One might wish that this was a total r e- packag ing of two entire albums, but the inclusion of St. Louis Blues (previously released only as a single) should tickle many collectors. Th ere are other surprises as well on this albumwhichwill pleas Garnerites; and, the set makes a good introduction to th e pianist, for younger jazz fans. CHUCK MANGIONE - CHASE THE CL OUDS A WA Y A&M 4518 A new label, some new faces . but its the same music . Chuck's writing was fresh and original in 1970 when he recorded Hill Where The Lord Hides, but he's worn those melodies and changes thin after five years. If that doesn't bother you - buy this (if you haven't already). As for musicianship and recording - its great. Gerry Niewood is still the star of the Mangione group. 3 �SHIRLEY SCOTT - ONE FOR ME - STRATA-EAST 7430 Harold Vick is back, this time as a member of the Shirley Scott trio. Its a medium groove session with Shirl ey kicking bass, Vick on tenor and Billy Higgins on drums. Harold overdubs alto on his composition Keep On Movin On, and Jimmy Hopps is added on cowbell. Organ dates have a tendency to sound the same, but that problem is alleviated somewhat due to the fact that all the selections were penned by Vick or Scott; and - Vick & Higgins are far more than mere "sidemen". There's an intimate club atmosphere here, and if you enjoy organ music, you'll dig it. GENE AMMONS - GOODBYE - PRESTIGE 10093 Jug's farewell date ranks high among his Prestige output after his return from prison in '70. This was a "jam" style session, but not of the "Get 'em in & get 'em out" variety. With Gene are Nat Adderley, Gary Bartz, Kenny Drew, Sam Jones, Louis Hayes and Ray Barretto. The only pop hit here is Alone Again (Naturally), but Gene belts it out a gutsy, soulful feel similar to his treatment of My Way (but not as good). Most of the tunes are straight ahead with plenty of solo space. A fitting conclusion is the title track - Goodbye. The warm ballad is the last recorded work by the tenor giant. This music was recorded in March of '74, Gene died in August of bone cancer. CHARLES SULLIVAN- GENISIS-STRATA-EAST 7413 The music released by Strata-East has been so consistently excellent, that if I were condemned to live in a town where onlyafewjazz labels were available - I'd hope and pray that Strata was one. Sullivan is unknown to a good .many listeners, but he's a bitch in both playing and writing. Call it Black Jazz, pure jazz whatever, each cut is a gem. His cohorts are Strata-East regulars - Stanley Cowell and Sonny Fortune among others. Dee Dee Bridgewater delivers a sensuous vocal on Now I'll Sle ep. The title track runs just over 17 minutes at a fast clip and everyone has a chance to speak. T;-aces of Music Inc. pop up in Evening Song, a showcaseforSullivan. He is featured again, on flugelhorn, over the gorgeous piano work of Cowell on the lush ballad Good-Bye Swe et John. Sullivan says a lot on this L.P., and I hope that another is in store in the near future. WEATHER REPORT - TALE SPINNIN' - COLUMBIA PC 33417 This latest version of Weather Report reminds me a good deal of the original group, and th eir first album . There is less gimmickery and more excellent Wayne Shorter than heard on their recent platters. The traditional W.R. light, breezy short tunes are intact, but Dom Um Romao is not - he' s been replaced by Alr io Lima. AI Johnson is on bass, Ndugu on drums. And then, of course, there is Joe Zawinal, who shares with Shorter the distinction of being a mastermind of one of the most popular and consistently fine bands in jazz. A fine album. It grows on me and it will grow on you as well. Their best in some time. WOODY HERMAN - CHILDREN OF LIMA - FANTASY 9477 In light of the herd's performance in this city a few months back, and their prevIOus track record on Fantasy - I expected more than this album delivers . Side One, recorded with the Houston Symphony Or- . chestra, is pretty at times, but the 18 minute Alan Broadbent composition/ arrangement, Variations On A Scene becomes ti resome at about the halfway point. That feel ing is carrieci on with the title tune with the orchestra providing a light background for Woody's floating clarinet . Broadbent's Far In! screams and is probably the best track. Next comes two ballads in typical Herman form. We close with a neutral version of 25 Or 6 To 4. I didn't think that Chicago tunes were a good vehicle for big band improvisation when I reviewed Kenton's Chicago album and I still don't. If you want to hear the herd Thundering - buy Giant Steps or other recent Fantasy discs. If nice, easy music is your fancy you mi,ght try this. RAUL DE SOUZA - COLORS - MILESTONE 9061 A nice, easy to listen to album in the Brazilian style of Flora & Airto, although more jazz oriented. Its Souza on trombone, Ted Lo - keyboards, Richard Davis - bass and Jack DeJohn ette on drums. A six piece horn section adds additional color to all but one track. Cannonball Adderley makes excellent contributions on Canto De Ossanah & Chants To Burn. Actually, the album boasts a good variety, thus - the title is well chosen. Airto produced the session, andif Flora were not in prison her vocals would fit in well. J.J. Johnson arranged and conducted the horns. MAIL-ORDER, IMPORTS ETC. I I 0 ff the Mfgr s. sugg. list p ri ce of any avail obi e COLUMBIA locations. I • SENECA MALL · Jazz Albums at any of the 9 CAVAGES I I Expires 7-1-75 • BOUlEVARD MAll • COMO MALl I MAIN PlACE MALL • THRUWAY PLAZA • SOUTH SHORE • UNIVERSITY • LOCKPORT MALL l.! ---------4 .J Pleas Note: when ordering imports, try to be patient. List alternates or ask for a refund after a certain period of time if you must. Keep in mind, however, that these companies are small and don't press huge quantities at a time. In most cases, orders are fi lied promptly, but if a record is out of stock it could take months to get it. If you want it, you are better off waiting than to get a refund and miss out on it the second time around too. DA VID LEE, JR. - EVOLUTION - SUPERNAL 1973/4 This is a privately produced album by percussionist David Lee, Jr., available by mail only from his New York apartment. The majority of the selections �are short pieces performed solo by Lee on a large assortment of percuss ion instruments, bell s and gongs. Evolution' is a suite with 7 phases all featuring Lee. Nola Reflex, Revelation and I Want Our Love To Always Last find the leader joined by bassist Bob Cranshaw and guitarist George Davis. Acknowledgement, which runs only 33 seconds is a gas, sounding very Oriental. "The Hatter " is added on Second L ine March, playing Shaker Plunk, with Lee on drums and vibes, and Dav is on tambourine. David's drum work is excellent throughout. This album is a must for percussion lovers. Send to Supernal Records, 62 West 87th St . , #3F, New York , N.Y . 10024. LEE KONITZ & RED MITCHELL - I CONCENTRATE ON YOU - STEEPLECHASE 1018 New Lee Konitz does not come often, so two re cords in as many months is close to a miracle. Th is one is a collection of Cole P orter standards, played in a duo setting with bassist Red Mitchell. It is not the same style of Konitz as heard on h is Milestone rel eases. He's all acoustic and traditional here - the Lee of old. Konitz & Mitchell, born a month apart in 1927, com pl iment eac h other magnificently. They both display a high level of control, a keen sense of harmonics and rich melodies are heard in th eir wo rk. The flawl ess Danish pressi ng makes th e musi c e ve n more enjoyable. Send $5.98 (postpaid) to Coda, Box 87 , Stati on J , Toronto, Ontar io , Canada M4J 4X8 . BEN WEBSTER - VERVE JAZZ 4 - GERMANMETRO 2356075 JJHNNY HODGES - VERVE JAZZ 15 - GERMAN METR02356 Though Ameri can Verve has been lying dormant of late, its Germ an counterpart has recently released over twenty sides of excellent Verve Jazz . The Webste r disc spans 6 sessions from '53-'59 including a cut from the Webster / Peterson/E II is Quintet of 1957 (British Verve has also rel eased a 2 disc set of various Webster/ P ete rson sessions). The Hodges album, Stride Right, was recorded in 1966 with Earl Hines, Kenny Burrell , Richard Davis and Joe Marshall. Excellent. This is collector's music and I need not say more. They are availabl e at Jazz and Blues Re cord Centre in Toronto, or for $6.50 postpaid from Coda (see Konitz Re view). Superb pressings (U .S. Verve's are th e worst) . Sarah Vaughan IN CONCERT AT THE Sheraton InnBuffalo East SHERATON HOTELS & MOTOR INNS WALDEN AVENUE AT 1-90 (EXIT 52E) BUFFALO, NEW YORK 716/ 681- 2400 ONE WEEK-JUNE 9-14 YESTERDAY LOUNGE Two shows nightly. Tickets $3.00 Mon. thru Thurs:, $5.00 Fri & Sat. Tickets available at the Inn and all World Ticket Offices, and the Central Ticket Office. Mail Order: Please specify "':::--' 2 alternate dates & include a self aeI.dressed envelope. ~ t '!.....~ IS \ MORGAN STREET STOMPERS - Dixieland Band at Jafco Marine Rest. , 2192 Niagara St . Fri. & Sat. nights . WILL ALGER'S JAZZ BAND - Fieldstone Manor (Lockport) Fridays 9:30- 1:30, Saturdays 10-2. JOHNNY GIBSON TRIO w/ Geo. Holt (tpt.) - Anchor Bar Fri ., Sat. & Sun. nights . toronto BOURBON STREET - See ad. COLONIAL - Yonge at Queen - Joe Farrell June 914, Jo e Ve nuti Jurre 16-21 . WOODY HERMAN - at Ontario Pla ce - June 7. whQt'a hQPpening WITHIN DRIVING DISTANCE: WOODY HERMAN Unicorn Club - Ithaca - June 14, Carnegi e Hall , N.Y.C. July 5; Stanley Turrentine - Carnegie Hall July 2, Saratoga Arts Festival (N.Y. State) June 21, Cobo Hall - Detroit June 29; McCoy Tyner - Carne gi e Hall - July 4 . every /UnDAY 5 -? TUE/DAY 8 - ? bar with no name buffalo area JJNAH JONES - at th e Statler - See ad. SARAH VAUGHAN - at the Sheraton - East - See ad . Sl./NDAY JAZZ at th e No - Name & Mulligans, Tues. Nights at No-Name . See ads . 946 elmwood ave. at bidwell 5 �rbon JO~J\H JO~I§ treet QlJJ\RTIT TORONTO (416) 864-1020 DO"'~TO"'~ June-1-Junell Grammy-award winning trumpeter Jones with his famous jazz quartet, featuring Cozy Cole on drums. JIM HALL TRIO .June 2-14 HARRY ·SWEETS" EDISON June 16- 28 Tuesday - Sunday from 9 PM FRANK ROSOLI NO June 30-July 12 No cover Free parking in the Statler garage Phone Ahead for Dinner Reservations Dine & Dance 9-1 No Cover The Statler Hilton a WO. Hassett enterprise GEORGE'S SPAGHETTI HOUSE - 290 Dundas St., E.various local jazz artists. GROSSMANS TA VERN - 317 Spadina - Traditional jazz Fri. & Sat. nights. OLD BA VARIA - 5 St. Joseph St. - Climax Jazz Band 6 nights a week . Note: In view of the many disappointing cancellations in the past, the BJR regards all bookings at the Colonial as tentative . roche/ter MONTICELLO - 800 Jefferson Rd . - Rio Clemente thru June 14; Gap Mangione June 17-July 27. No cover, closed Sunday . WINE PRESS - 1730 N . Goodman St. Spider Martin every Wedn es day - music from 9:30 . VINTAGE REST. - 1273 Chili Ave. 464-8800 - June 3-8 Max Roach; June 10-15 Mongo Santamaria; June 17-22 Dizzy Gillespie. Cover ,closed Mondays . Iyracu/e DINKLER MOTOR INN - 1100 James St . - Kenny Davern & Bob Wilbur - Soprano Summitthru June 12; Earl Warren Ouartet June 16-21; Geo. Giroux Trio starts June 23 . CONCERT - PRESERVA TlON HALL JAZZ BAND June 14 at Henninger High Auditorium. Phone (315) 471-0462 for ticket information. 6 MULLIGAN'S N~~~~ JAZZ ON SuNDAY AFTERNOON! LIVE JAZZ EVERY SUNDAY ON THE NIGHT CWB STAGE! 4-8 PM! FULL MENU SERVED- MNC ........1677 HERTEL AVENUE WBFO FM - 88.7 Mon. - Fri. - 12 Noon - Spirits Known & Unknown with various hosts . Sat. 8 AM - Noon - Freedom Flight with Yvonne Pri ce . 9 PM - Jazz Revisited - with Hazen Schumacher. Midnight - Jazz by r equest with Pres Freeland. Sunday Noon - Great Circle Sailing with Bi II Wall 11 PM - Inside the Changes with Bi II Savino. Midnight - Roots Rythym & Sound with Ed Smith. WBLK - FM - 93.7 Sat. 10-12 PM with Carroll Hardy WEBR - AM - 97.0 Mon. -Sat. 11 PM - Jazz Nightly with Geo. Beck Jazz All Night (from mid.) with Warren Epps WHAM - AM - 1180 - ROCHESTER Midn ight - Jazz all night with Harry Abraham � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Buffalo Jazz Report Description An account of the resource Founded in Buffalo, New York in March of 1974 by Bill Wahl, the Buffalo Jazz Report was a free newspaper distributed at clubs and record stores in the Buffalo, NY area as a service to the local jazz community. It provided record reviews, articles on jazzmen from the area, interviews with visiting musicians, and new album listings. Later issues broadened its focus beyond Buffalo, NY to include Toronto, ON and Rochester, NY. With the permission of Bill Wahl, the University at Buffalo Libraries host issue 1 (March, 1974) through issue 58 (December, 1978) in Digital Collections. Identifier An unambiguous reference to the resource within a given context LIB-012 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 3584 EAJ7359 Is Part Of A related resource in which the described resource is physically or logically included. 10477/3271 16 Date A point or period of time associated with an event in the lifecycle of the resource 6/1/1975 Language A language of the resource en_US Subject The topic of the resource Music > Periodicals. Jazz musicians. Jazz. Sound recordings > Reviews. Type The nature or genre of the resource Article Creator An entity primarily responsible for making the resource Wahl, Bill Publisher An entity responsible for making the resource available Buffalo, N. Y. : 1974 Title A name given to the resource Buffalo jazz report, no. 16 Rights Information about rights held in and over the resource <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).