245 100 60587 https://digital.lib.buffalo.edu/files/original/6f25339bd26f70a52b33777a63c6ebc4.pdf 8a3526af8228a65a15a16704a9495586 PDF Text Text j^M ! FROSH WEAR Bfiufinli n^^^^ j YOUR < ' UB BEAT { DINKS . [J NIAGARA J Z-460 BUFFALO, N. Y„FRIDAY, SEPTEMBER 29, 1950 <*&$** 48 VOLUME 31 NUMBER 2 LET'S FILL THE CAMPUS BARREL Univ. of Buffalo, Niagara To Be Bi^est Game of City What's the biggest new on campus since the expose of the Fra- Appreciation and thanks go to the Orientation Week Committee for theirexcellent cooperation in cleaning Up after the activities that took place during the first week for freshmen. This seems to exemplify the fine school spirit in conclusion to the fine job carried out to make the whole program a huge success. Miss Haas and the Maintenance Staff. Freshman Class Leading Student Charity Drive Once again it is time for the annual University of Buffalo student charity drive. This drive, ternity-Sorority block? What will known as the Campus Barrel Fund, Buffalo remember longer than the is conducted under the auspices of storm of '88? What wuTsend the Norton Union through the Campus temperature higher than Rose La Barrel Fund Committee and lasts Rose? The atom bomb may have from October 2 to 31. caused a big explosion at Bikini, Under the leadership of its but that was nothing compared to A scholarship fund to be known Chairman, Mr. Manny Salemi, the Friday, October 6th, the walls of campaign has launched an early the one that will rook this town the Grotto will rock and buckle as the Board of Managers Senior start in order to contact the largest when 40,000 Buffalo rooters blow under pressure of contestants in Raucous laughter filled Norton's Scholarship Fund was accepted by number of students possible. This their collective tops at the UB- the BEE's Chug-a-lug Contest. The lobby on Tuesday when the first Niagara game. rules are comparatively simple and trial of the newly organized Soph- the University Council September is the only charity drive held on 14th. It is to be included officially campus during the year. A donaWhile expectant sports fan anx- are as folows: more court was held. among the other loans, etc. under tion from you can either be desigiously await the kick-off, UB'ers 1. Any sorority, fraternity, or Whether guilty or innocent the the University Committee on Schol- nated for a particular charitable are gonna' paint the town blue and organization is eligible to en- Freshmen received a sentence. arship and Loans. organization, or it may be proporwhite, and they're starting right ter a four man or woman Examples of those passed were - The fund is to be created out of tionately distributed over the entire on camput at good old Norton. team. Mixed teams are also carrying signs around the campus profits from the various Senior Ac- list of charities found on the blank. acceptable. The Outing Committee and the advertising the next open house or tivities such as Rose Day, Senior To those who are newcomers, we Peppers have combined Salt and 2. All applications must be made the Niagara game pushing a pack- Party, Senior Announcements and should like to explain that the pre-game plan a their- talents to Campus Barrel Fund is sort of an at the Candy Counter and put age of life savers from Norton to rental of Caps and Gowns. evening that will bring excitement augmented Community Chest The in the BEE box by Wednes- Foster by their noses only and The Scholarships, normally to fever pitch. Starting at 8 p.m. day of that week. other punishments which were ad- $100.00 each, will be distributed Fund incorporates the Community NU will be wide open for dancing 3. After the first man has vantageous to upper classmen. In accordance with the funds avail- Chest and several additional orto the music of Don Richard's downed his glass, the next If our class representatives hope able. They will be awarded by the ganizations. By contribution to the Band. Cider and doughnuts will man of the team must wait to be successful with their new ep- Executive Committee of the Board Fund now you are finished with be on hand to prime the throats until he has set it firmly on terprize they must prove It to the of Managers of the Student Union donating until the next year and of dry dancers, for husky cheerthe bar before beginning, and rest of the school by carrying out under the sanction of the Univer- you save time, money and paperwork. In the event you cannot coning. Lee Jones will be there to so on, until the last man has the sentences that they imposed. sity Scholarship Committee. tribute now do not hesitate to sign set the pace. set his glass down. The Scholarships are open to all a pledge. We realize that the beThe next court will be held on If everyone will pitch in and 4. In case of ties, a re-match Friday at 11:30 all upper classmen Seniors who are in financial need, ginning of school is also the beginbring wood, there will be a roarwill be held. are requested to drag the fresh- who have participated in extra- ning of financial distress, nevertheing bonfire at Rotary Field, and 5. Last, and most important, men they find to court at this curricular activities, and who are less, we do hope that all will try long yell the cheerleaders will as doing acceptable academic work. to give something. each contestant or team, must time. anyone will yell with them. Applicants should complete the pay for his own brew. (as Announcements as to the proFreshman, come in dinks and regular scholarship application The victorious team will receive gress of the campaign will be made Anyone learning interested in show the school that your class is a handsomely engraved trophy to operate the Bell and Howell forms which may be obtained in from time to time in order to keep ready to support the team. generously donated by the BEE. Movie Projector get in touch the office of the Scholarship Chair- you informed. All this week' and All the paint is ready so grab Remember!, this contest is a spec- with Libby Foels, Room 252, who man. next you will be solicited as yon Aninitial sinking fund of $500.00 are processed through the X-ray a brush and show the town that tator's sport as well as a particiwill make arrangements with the shall be set aside in the Norton unit. We ask your generous indulUB is behind its taem the team pator's, so don't forget the Grotto, instructor, Richard Rogalski. Union Bank from present funds gence and cooperation. that will beat Niagara on Oct. 7. Friday, October 6th., at 3:00 p.m. accredited to Senior Activities. From the response received to date, the Committee feels that fund will be attained this ATTENTION ALL WOMEN larger year than any year previous. The Attention Women Students the Committee desires to extend its Pan Hellenic tea will be held in thanks to all, regardless of the 1. There will be two classes ofkI® the West Room of Norton Union amount contributed. Especially it short stories humorous and and story title on the outside. 7:30 and 10 P.M. All wo- wishes to applaud the exemplary non-hhmorous, with prizes given Place your fictitious name on between men who plan to earn a degree response of the Freshman Class of in each category. each page og your manuscript. and are interested in joining a sor- 1954 who have alreadyneared $1000 2. Stories should not be less 6. Each story must be type- ority cordially invited to in cash and pledges. ORIENTATION than 1,000 words in length, nor written on one side of the paper attend.are Give once, Give now Give 5,000. more than The Orientation Student Carniand double-spaced. If it is to be your heart from 1! Every day 3. UB students car- judged in the humorous category, val, sponsored by the General Ac- rying twelve hours or more is it must be so marked. tivities Council was a great suc- eligible. 7. Manuscripts will be acceptcess, in spite of the fact that the 4. Manuscripts are to be put in ed up to 5:00 p.m. November 1, guest of honor did not arrive until the Bee mailbox in Nortol Hall. 1950. the Carnival was breaking up 5. Each entry must be accom8. Winners will be announced This year only Freshmen and Transfer students are Mr. Lenny Page, M.C. at the Town panied by the entry form below. November ?, 1950. Casino, who has done many favors Place the entry form in a sealed 9. Each week a prize-winning being given physical examinations. Any Freshman or for the University in the past, ar- envelope with your fictitious name story will appear in the BEE. Transfer student who did not receive this examination rived about 4:30 with his star of the week, Dick Contino. must contact the Student Health Office immediately. FICTITIOUS NAME) Inasmuch as a large portion of the freshmen had left, and there THE CHEST X-RAY ISA REQUIREMENT OF ALL REAL NAME were very few people left to reCAMPUS STUDENTS. FAILURE TO COMPLY WILL ceive our guests, the cheerleaders ADDRESS served them blue berry pie and cofRESULT IN A '$5.00 FINE- The Mobile Unit will be fee. In return, Mr. Paige, extended PHONE No. AGE stationed behind Norton Hall September 25, 16, 28, 29, his very generous invitation to the cheerleaders to attend the show at and October 2, 3, 4, 5 and 6. If you did not receive MAJOR SUBJECT an SCHOOL the Town Casino «n Thursday Bee To Sponsoi Bd.oi Managers Allocates Fund Grotto-Oct. 6 Save Your Hide, To Aid Seniors Cover Your Head Chug-u-lugging . — " All Students Eligible For Short U. B. Cheerleaders Entertained by Paige and Contino Story Contest — — — Chest X-Ray Required by All — I _ evening. During the show Mr. Paige in(Continued on Page 8) TITLE OF STORY _ appointment card come to the Heajth Office to make your appointment. �THE 2 BUFFALO Friday, September 29, 1950 BEE to square with the standards of intellectual integrity set by the research scholar." "Therefore the University is and must be an institution without intellectual boundaries. It is and Walter F. Godshaw must be wholly free to prosecute Chancellor Capen's Final Sub»orlptlon *3lraalallon «imm tl.oo Per Tear the search of truth unhampered by Speech Baccalaureate the possibility of a veto imposed ■nund a* xniM alaee matter Dmabd 13. IMI, at the Poet Office of Acceptance for maniac at rt.ff.lo N V. undrr Ihr art ol March S, IST*. There are so many subjects try- from without or from above." epMtal rate of poetacr provMeri for la Beetloa 110*. Act of Oetobor t, 1»17. aatkerteed m-ormlM-r u. lots ing to crowd into this place that "Any aspect of nature, any work of man, any accepted idea, any NATIONAL «V ADV.HTI.IHS Member BMHUtnFOCI it is hard to make up one's mind, entrenched prejudice, any instituwhether to write about Malik's an- tion of society, must be subject to GoDegiote tics as council president, the Ko- evaluation by it, must be for it a 420 Madison Avi. New York.N.Y. Distributor of rean situation, German rearma- fair field for new discovery. There -^ ceo ■ Mtoi"IM Men... ■ "»■ re«aciico *««| must be no restraints upon the ment or any other subject of na- publication of its findings and inP-ihllcatlon Office Norton Rail. Unl- llfay except during Examination Peri- tional or importance. international terpretations, whether these hapand rarartf Campua Biirralo 14, N T "<1«. Ttaankaclvins. Chrlatmaa weekly F'ibll«h»J from geptember to I Eaater. But more important than any of pen to be popular or unpopular. these subjects and of greater sig- Those who pursue the truth under KXFCITIVK BOARD Donald C. Lever. Art. 'II Editor-in-Chief nificance to us students was an its sponsorship, whether they be Managing Editor Kenneth J. Knepflar, Art. 'II students, must not live Richard C. Wallace, Arts -61 Newa Editor event that took place last June teachers or , Dolor*. R Jareeke, Boa, Ad. 'II Bualnen Managvr 4th. If you graduated from U. B. in fear of discipline, should they Shelgren. Sport. Prfta P. Editor Bua. Ad. 'II at that time you probably heard chance to offend some institution GOVKKNINO BOABD ex-Chancellor Samuel P. Capen give official or even an influential segJoanne Hanna, Art* '52 Feature Editor Copy Editor the final Baccalaureate,or youmay ment of the general public." Eileen Cockor. Art. 'SI William J. Patteraon, Bua. Ad. '61 Advertising- Manager have read the speech in the local This, Chancellor Capen declared, Rocer McNeil:. Bui. Ad. 'SI Circulation Manager papers (if you read speeches Lee Olno, Arta '(I after "is academic freedom. Its justifiAul.tant Copy Editor Jung, '(I Bad Arta Account. Manacer looking at Lil Abner), but since Ication is the welfare of American have the distinct feeling that the Society." NEWS STAFF Bcngel, Brandt, Breach, Brownjohn. Doug Campboil, Bee is read more thoroughly by the Harloon Roiter Tod Bill "In the present state of public Jorea Campbell, Lynn Cocker, Eleanor CorHy, Tom Hlnoklay. Rohana Le.ll. students than the Buffalo Evening Donna UcDoug-all, Carol Roaenbach, Jaan Zachey. Judith lloinn. hysteria about the Communist conNews Iwould like to quote from spiracy and Communist infiltration FKATI'HK STAFF that speech Chancellor Capen's into all kinds of organizations, the Jack Bradlean, Walter Oodehaw, Robert Loewor, Marve Smith, Seymour Warnlok. definition of an American Univer- Universities are going to be the sity, since space does not allow the object of more rather than less SPORTS STAFF Kata, 81 Llberman, Kan Py», Jim Spencer. Bill Baumler, Bob Dell. Ronald reprinting of the whole speech. " Robert suspicion. Any unpopular utterMurray. "A university is an institution ance by a professor or a student COPY STAFF Marie Dubke. Nonna Enqulat, Irene Luka.lewlca, Betty McK.nlca, Donna Van- in which the advancement of is going to be made the excuse for denhalden, Dorla Young, Sylvia Za.owskl. Jeanna Moßwan. George Henfllng, knowledge is deliberately and offi- violent attacks, not only on the inEllen Summer., Marilyn Morehoum, Bob Ooellner, Bob Olana, Sky Llottl. cially fostered, an institution which dividual concerned, but also on the HK.WItITB STAFF is committed not only to the higher whole institution and its policies. Al Roiblokl, Joaeph Htnina, Larry Wlllla. forms of instruction but also to "Naturally, no university can AIrVKRTISENO STAFF research, and which rests its repu- champion or protect a member who ■art Palmar. Oerald W. yo\, Kenneth O. Helfrlck, Oeorge Ho.kln. tation on the quality of its scholarly has been proved by competent auJack Patter.on. Dick McLeron. output." thorities to be disloyal to the STAFF PHOTOOBAPHBB "In all of its departments it is United States. But the university Robert BohnabeL devoted to inquiry and to intelthis university and every other lectual creation. Hence, ail of its must stand firm in its defense educational activities, on whatever of any loyal and honest teacher or level they may be conducted and student who may be attacked betoward whatever practical ends his findings or opinions are For the past four years the student body at the University- they may be directed, are informed cause distasteful to some person or inof Buffalo has been unique, not among universities, but in by the spirit of research, are made terest." Leonardo's Can U BEEt It? Column GROTTO GAYETIES Perhaps some of you will remember a column which appeared in the Bee last year under the heading of "Through tHe Keyhole" written by that famous couple, Georgia and Grumwocker, the oneeyed Genie with the nose for news. Well, Georgia (the lucky girl) eloped with one of the bartenders Grumwocker, from Lerczaks. however, is still digging up the dirt. He's playing the part of the second grave-digger in Hamlet at New York's Palace Theater. Censorship forbids us to report the most important news from "the lake" this summer so we will start out with the "Scoop of the Week" The Alpha Sigs (using their second string) beat the A K Psi's in chug-o-lug crewraces two nights these same parties in a row (the Lamm Post after the Frosh Square. Dance and Open House) found Carole Rosenbach leading the group in that fabulous new drinking song "Chester, did you hear about Harry?" Speaking of songs, some beauts arose at "the lake" during the hot months in"The Alpha Gam's are cluding really in disgrace" "There are a million Chi Omega's in the old "Mary Lou" and maids' home" "Sam, Sam, the banana man" Free copies of these songs and many others are available for $5.00 apiece from the authors of this column. Please enclose a self-addressed stamped brief-case with your check. Some lucky girl at Alfred is now sporting Ted Wiltse's fraternity pin Upperclassmen might be able to learn something if they come down to the Grotto and watch Frosh Pete Griffin make out with that the preponderance of the students were mature indiWill a certain Frosh the nurses viduals with an adult outlook on life. For those four years Here, at last, is a step in the right direction. With an named Yvonne please look up Bob a somewhat enigmatic and nebulous phrase "school spirit" interested group of freshmen this year there will be a still Lupton, the Lancaster Lush he's was bandied about the campus. It seemed that a very large more interested group next year and so on in a progression been trying to remember your name for a week. The Independent Wonumber of the undergraduates felt that the social life of the to the point where we willhave a student body with a sincere men were in New York when the University was sorely lacking. There seemed to be no con- interest' in the fortunes of the University of Buffalo both on fleet came in 'nufF said. crete effort directed toward the integration of the student the fields of athletic endeavor and outside the University Out of respect to the Brothers body as a whole. There was no zealous group dedicated to proper. of Beta Chi Epsilon, we shall pass over the Cortland game. the promotion of campus life and activity. We had and de- The point to this editorial is that it has come to the atten- lightly They were hampered by fog before served the appelation "Streetcar college". tion of your editor that there are movements on foot on the" the Canadian forest fire was even The situation was discussed vehemently and often but as campus directed at the elinination of the "Dink" as "An heard of. Ed Ridler, drinking Old Forester, thinks that there might is generally the case in these situations much was said but insult to the mental integrity of the freshman." have been a 2nd half of the game, nothing done. was, for past good There the few years, a reason to feel but he won't swear to it. The consensus of opinion was that it was up to the sopho- that there would be a strong resentment to freshman hazing. Good for chuckles: Duke Pliss more class to initiate the move toward a more inspired stu- Men who had fought through a major war had a right to and the community sing at the Frosh Square Dance '. Andy dent body. One of the most important steps in the believe that they »«ioMlJJlwtt*«Sß^,li»c. Associated Press - .. . , , Cblle6iaieDi6est ... ... ... . .. — — ... ... —— EDITORIAL activation were above trivialities. They were aware of any such attempt by the upper classmen lies in the indoc- of the purposes and aims in life and had not enough time to trination of the freshman class. waste on these extra curricular activities. These men were The average freshman, when he enters college is a pretty mature adult individuals and their outlook on life was difbewildered child. He has just left a High School where he ferent from that of the average peacetime college student. knew a great number of people and where, in many cases, The attitude that they imparted to the campus is gone now he was respected as an individual of accomplishments. He and the rah rah days are back. arrives on campus a bewildered individual, who has a mini- This is an appeal to the freshman class: Even though it mum of friends and only a slight idea of what is expected seems to be below your newly acquired dignity, bear with of him. the trials and tribulations of the hazing procedures. Bear Orientation week has served to eliminate a large amount with them and pay close attention for next year it is your of the bewildered attitude insofar as the actual attendance turn. Whatever is being done can stand improvement. And and the academic life at the University are concerned. He Remember, it is all for the good of the University. is able to become adapted to the academic aspects quickly and easily but the social side of his college career can be neglected with the result thathe has lost a large and impor- BUY A SECURITY BOND GUSTAVE A. FRISCH tant part of the life at college. JEWELERS OPTICIANS Here is where the so-called hazingby the upper classmen TODAY ! 41 KENMORE AVENUE comes in. He is identified as a part of a group by virtue of (at University Plaza) the fact that he is wearing a hat that is unique to his class. Diamonds, Watches, Jewelry He feels that he is not alone in his misery and he has a EXPERT WATCH REPAIR common ground upon which to form acquaintances that will N.S.A. Card Honored form a large part of his future existence. Use Our Convenient Credit Once the freshman class has been introduced to the ways 3203 MAIN STREET Plan .college of life and when there is a strong integrated group. Repaired While You Wait Complete Optical Service The "Dinks" are eliminated. — Nick's Shoe Repair ... ... — — ... (Continued on .. Page 8) WATSON AGREES! .. THE FINEST SHIRT MADE THE . "C " <f SOLD EXCLUSIVELY AT THE PLAZA MEN'S SHOP 41 UNIVERSITY PLAZA (Opposite U. of B.) N.S.A. MEMBER �Friday, September 29, 1950 BUFFALO THE POEM CORNER Yet these can all be bought. He loves and hopes and lives this day, BEE 3 U. B. BAND TREES ( Where are theNuts?) Ithink that Ishall never see A college like our U. of B. If you would like to play in the University of Buffalo Band, fill Andmakes his life of naught, but the coupon below and return But think of fate and lean to this, Is not the smiling sun a farce? Whose teachers give us of their best it to Room 252 in Norton beofre Where happiness is not, Is not the moon a fool? Friday, October 6th. And all is done that we request. And what of ocean vast and deep, Where dreams and love and suns are gone, Or stenching little pool? U. B. where profs praise God all day One dreams of love and love of 'And separate from this lot. And teach the students how to pray. dreams, William T. Hicks Where books are loaned for meagre fare LEARN TO DANCE PRIVATE INSTRUCTION j Because we're trusted anywhere. NAME FOX TROT TANGO WALTZ SAMBA RHUMBA MAMBO— BATON TWRILING— TAP BALLET— ACROBATICS No place are students found more t —— — — ! I I II I I H i i iin 1I111 sane ADDRESS For honors elevate the brain. EGGERTSVILLE j , Oh rhymes are made by fools like PHONE But only Profs can make U. B. Reprintedfrom the Bee. — HEADQUARTERS FOR STORM COATS THAT ARE DIFFERENT FOSTER SCHOOL SPIRIT WEAR YOUR DINKS $49.75 $59.75 $69.75 SCHOOL AND CLASS I INSTRUMENT | oDavid oDctvis 3584 MAIN STREET 10% Tel. AM 6533 Discount Given ON PRESENTATION OF A NORTONUNION CARD DURING OCTOBER ONLY Open Thursday, Friday and Saturday Evenings ttjj^^Bl BE A LEADER! be irresistible... in VANDUROY | new corduroy sport shirts r I — Leaders of tomorrow are being made today on the college campuses of America. And the Army ROTCistraining the best of them. Prepare now for leadership innational emergency and in the competitive world after graduation. Get your U. S. Army Commission, andlearn to be a leader of men in civilian life while you earn it. m fl| ViR M| Point your path toward success in — business and industry success and leadership in the duties of citizenship by learning in Army ROTC courses to make the quick, sound decisions that count. Of such stuff is leadership made. BtiSP 1m 1 1 — — * Noneed to slalom or Christiana just bowl'em over in rugged,tough Van Heusen Vanduroy sport shirts. In bright, wide-awake colors, these corduroys do amazingthingswith skis or with the she's.Let nothing stand in your way, see Vanduroy today. FRESHMEN: ! VanHeuseD h . ! 9 * I "the world'ssmartest" 01111 LO PHILLIPS-JONES CORP., NEW YORK 1, N. Y. jI I^^ I I Register now for basic Army ROTC training! | | — me; i j COUPON ADELAID'S DANCE STUDIO 95 IVYHURST ROAD PA 7202 I Rehearsals are held in Norton Union Auditoriu .mevery Friday from 4:30 p.m. to 6:00 p.m. All members of the band are admitted to all games free of charge. I jH *J//& QUALIFIED JUNIORS: Sign up now for advanced Army ROTC training! See your faculty adviser and your Professor of Military Science and Tactics RESERVE OFFICERS TRAINING CORPS J �THE 4 BUFFALO Friday,September 29, 1950 BEE UNDERDOG BULLS OPPOSE LOUISVILLE BULL TALES By Fritz Shelgren This Saturday's struggle featuring the University of Buffalo Bulls and the Louisville Cardinals may well be the key to the former institution's pigskin fortunes inthe 1950 campaign. T'was two years ago that the Bulls humiliated the Cardinals 48-14. A lot of water has gone under the bridge since the memorable day when Frank Clair's eleven played their top game under his reign. Now the Clairless Bulls are in the unenviable position where they play, what may well be their two most rugged games, on successive Saturdays. Since the Blue and White manpower does not permit the use of the two platoon system a TENNIS hard contest might curtail their This Monday the UB netmen (Continued from Page E) will engage Niagara in search of their thirteenth straight victory. Stalwarts such as Bert Schulimson. Bill Caiman, Don Miller and Dick Guyette will lead the tennis team in this strategic fracis. TENNIS SWIMMING WRESTLING JOIN THE UNIVERSITY OF BUFFALO BAND With Bih Sanford coaching our swimming team the UB mermen eplashed their way for six victories against three defeats in the past season. Bill, incidentally, ably guided our tennis team to that twelve win string in tennis. This year finds Paul Mraz, Larry Zangerle, Ray Boro w i a k and BEAUTIFUL DRY CLEANING and PRESSING EXPERT TAILORING GRANT SCHWARTZ, Prop. (Ouff-alo c£^ r$ \-*leanerA 3366 BAILEY at LISBON PA 4037 EOnly SWIMMING The University of Buffalo football team, after scoring an unexpectedly tough warmup victory over Cortland State Teachers ColAraiiio Araujo back with US to lege at Cortland last week will lead our team on to future vic- journey to to come to tories with Zangerle and Boro- grips with aLouisville revenge minded fightco-captains. wiak as For all ing mad team. those interested in swimming It was only two years ago that there will be a meeting In the a lightly regarded, underdog Bull gym at 3:30 on October 10 with Aggregation went to Louisville and Bill Sanford. humiliated the Cardinals by a score of 47-12. The two teams did not meet last year when Louisville WRESTLING posted an 8-3 record. Last SaturLast year our Wrestling team, day the Cardinals rolled to an easy under the very capable coaching 34-14 win over St. Francis of Pa. of Warren Gregory, racked up nine Basketball Coach Mai Eiken scoutwins, three losses and onetie. This ed the' game and reports that the year finds ten meets and several Louisvile team is extremely fast tournaments scheduled for our and rangy and is well supplied with Bulls. All those men interested in hard-running backs. Bob Brewer this sport shpuld contact Mr. at 6 ft. 4 in. and 205 pounds runs Gregory on October 10 at 3:30 in from the left halfback position. the gym. Johnny Karns is a slick quarterback with lots of experienceunder fire. Mr. Eiken rated left halfback Lenny Ray as the most dangerous runner on the team. He was injured last year and did not see much action. Captain Tom Lucia plays fullback. He led the Cardinal point-getters last' year, scoring fourteen touchdowns. The line is big and tough. Louisville uses a two platoon system except for Guard Dave Gillan and center George Knap who can play the full 60 minutes if necessary. The contest should prove to be one of the Bulls' toughest of the year. Two casualties from the Cortland game will probably not see action. Mike Guercio, halfback and extra point kicker suffered a shoulder separation and Carl Markey has a twistedknee. Chevrolet lets you make such a a?/^ andwondet/fc/cAo/ee ...and at the lowest prices, too! *3fe X "*'*£&s f-**-.. %^7^r |^^^ Standard Drive and wwer^» Automatic Transmission /V \ Intramural Sports 808 BABBITT AM Choose bef ween jt^^^^^^^MMk Ae Be/ Air one/ fne Convert/6/e /^BMfi^^^-wp. ... J v%?^^3 Combination of Powerglide automatic transmission and 105-h.p. engine optional onDe Luxemodels at extracost. America's Best Seller Cardinals Seek To Revenge Previous Upset America's Best Buy! SEE YOUR LOCAL CHEVROLET DEALER Convenienr/y /isfed undbr "Aufomobi'fes" In your focal classified telephone directory Touch football and speedball take the spotlight in Intramural sports next Monday with, the opening of the Fraternity touch football league at 3:45 P. M. to 4:45 P. M. The intramural sports program is under the supervision of Tom Neil, Director of Intamural Athletics and the Physical Education Department. The objective of this program Is to afford an opportunity for all physically qualified students to benefit from participation in some form of physical activity and various diversiled sports. he sports program is seasonal and includes touch football, speedball, tennis, horseshoes, basketball, handball, squash, ping pong,'wrestling, badminton, volleyball, swimming, boxing, free throw, Softball, golf, track, and fencing. Awards will be given for Individual winners and team champions according to a point system. The Campus League will have separate champions from the Prat League but a winner will be decided between the two in post- season play-offs. Team rosters must be submitted by next Tuesday and teams ready to play according to schedule. The Prat League will run off touch football on Mondays and speedball as the on Wednesdays; whereCampus (independent) (Continued on Page 7) �Friday,September 29, 1950 BULL TALES (Continued from Page 4) strength for the all important Niagara game. It is no secret the Bulls were down in the mouth, that in the second half at Cortland while the opposition was as fresh as the proverbial daisy. This fact alone may account for more than one defeat during the remainder of the season. Barring any key injuries in the Louisville game the Niagara THB battle should be a ding-dong, contest. However the Blue waveattack will have to function more smoothly thanit did against Cortland. The offense appeared to be sluggish, but then too the Bulls were under wraps ijsing only four different pass plays and needless to say the defense showed to advantage but the loss of Les Molnar to the Marines coupled with Bob Leipler's ineligibility may hamper the Bulls in their forthcoming struggles. Astute observers claim the La Tona's passing will offset the slug- BUFFALO BEE 5 gishness of the ground game but what if it rains? Enough said. BACK ON EVERY CAMPUS! Mai Eiken is still talking about the hole-in-one he scored at Shore early in the summer Basketball practice for all new candidates will commence October 10 with returning letter men reporting about the 24th Negotiations are on the fire for a University of BuffaloFlorida State football contest November 4th at Talakasee. Mr.Peelle probably wants a well-deservedvacation hence the negotiations. Plenty ... ... WE DARE THEM ALL! i'3.65 Philip Morris challenges m m m ■ m 1 ' s-l-o-w-l-y letthe smoke comethrough your nose. Easy, isn't it? And NOW... ... ... ... Arrow dealer'snow. I | v^ 1... Light up a PHILIP MORRIS ... ■'■■idly HUNDREDS OF THOUSANDS OF SMOKERS, who tried this test, report in signed statements that PHILIP MORRIS IS DEFINITELY LESS IRRITATING, DEFINITELY MILDER! Just take a puff— DON'T INHALE— and *^^^HHBb^^^^^^^^^^^^ handsome, Qood semester starters fresh long-wearing Arrow whites. Crisp tailoredright. Incampus -approvedstyles, including the "Dart" (non-wilt collar), the widespread "Par"and the button-down Gordonoxford.On every campus the and at your favorite country over /^%^^x. any other leading brand ■ " Av" to suggest this test /f*u*i and *3.91j ARROW SHIRTS & TIES " I UNDERWEAR I HANDKERCHIEFS » SPORTS SHTRT3 ■ -J . . Light up your presentbrand 2. Do exactly the same thing— DON'T INHALE. Notice that bite, that sting? Quitea difference from PHILIP MORRISI Other brands merely make claims— but Philip Morris invites you to compare, to judge, to decide for yourself. " Try this simple test. We believe that you, too, will agree Philip Morris is, indeed, America's FINEST Cigarette! . . NO CIGARETTE HANGOVER means MORE SMOKING PLEASURE! § zPHILIPMORRIS to fheso and manyother 1950-51 Sport* Show I .- j <£*^ t^ t jk>_^ t^ ',^H^^^B^A^^|^|' ~"^B^B Wf&mm IT'SFREEI ■■■■—-Finmnw— ■^^^^-""■■""""■■■■■— ; A. G. Spaldino A Bfos., Dept. NC Ml Sixth Avwmm Mmv York 13, N. Y. Mmm Mnd waf". eopy of | *" 1980-91 Sports Snomr Book oy nhini rvtoii* Mom* . Addran ; %iuM>m mbb �— Come one, come all A general meeting of the U.B. school spirit organization, "The Salt and Peppers", will be held Tuesday, October 3, at 4:30 in Norton Auditorium. The U.B. Band will be there in full swing— The Salt & Peppers make up the main cheering section at all games. Freshmen, this is your first big chance to support your University. — KEPT HIS PROMISE just look at "Look at this this!" cried a woman, tossing a taded dress on a shop's counter. "What'3 wrong, lady?" "What's wrong!" shrieked the "When you sold me this dress you said its color was fast. And look at it now. The .color came out the very first washing." "Well." said the clerk, "wasn't tnat fast enough?" lady. "NICESPOT TO WATCH A TOUCHDOWN FROM, ISN'T IT?" . BUFFALO BEE Frank Hillburger Frosh Football New Track Coach THE 6 Friday,September 29, 1950 calling position, with Ted Boron, All High from Riverside 'at Tailback, Walter Burney of Hutch at Fullback, and George Voskerichian of Bennett at Wingback, Among other players mentioned By Bill Brownjohn Mr. Frank Hillburger has been as "slated for action" are: Tackles appointed the cross-country and The "Baby Bulls"/ U.B.'s fresh- Al Kianof of Niagara Falls High, track coach for the University ol team, travels to Man(Continued on Page 7) Buffalo. Frank, a phys. ed. grad- man football lius, New York today to avenge uate in '48, has been active in last year's 25-0 defeat. The Mantrack and cross-country for over team, unlike our frosh gridlius years was one best ten and of the ders, does not change its material 440 runners in Western New York. every year. The same line which The 1950 edition of the UniverThe nucleus of this year's cross- dominated the play last season is country team will be Ken Plumb, back in its entirety. Game time is sity of Buffalo golf squad will open number one man for the past two p.m. Saturday afternoon at their season today, journeying to years; Jerry Repetski, Ken's per- 2:15 the Manlius field. Brockport to tee-off against the sistent shadow, and Russ Leone, Head coach Victor Manz, a forTeachers of the same name. an outstanding freshman runner mer star U.B. quarterback, who so Three returninglettermen bolster on last year's team. The new guided the "Baby Bulls" Coach Mai Eileen's hopes for members trying out for the team capably as season, and Mike Rhodes another successful season. Bob are Jerry Saltarelli, Don Willert, last assistant coach, have been prepar- Smith, Herb Garner andFritz ShelLouis Pozarny, "Welly" Legters, ing the team for its first gridiron gren will lead the quest for the Ramon Alonso, and Jack Traugott. clash. Although practise ha3 been The manager of this team will be short, roughly two weeks, the team eighth consecutive Bull victory; The Emery Fisher, a Phys. Ed. major. functions smoothly off the winged- Bull shooters swept seven straight matches last fall after bowing to Other students who wish to run T formation. St. Bonaventure in the season's either cross-country or track in All of the candidates are from inaugural. the spring, should contact Mr. the local scene except Roosevelt Outstanding among the new canHillburger any day in the varsity Patterson, fullback, from Parker locker at 3:30. The students' co- High, Birmingham, Alabama. A didates are John Finck, Bernie Bowles, Roger Norton, Dick Punoperation in coming out to see, the probable starting lineup is as folGryta. home meets will be whole-heart- lows: Left end; Ed Melisz from nett, Bob Babbitt and Lefty Each man is capable of good golf edly appreciated by the athletes. South Park; left guard, Bill JohnCoach Eiken is contemplating The following is the team's sched- son from Canisius; center, Tony so an all-out fight for the six startule for this fall: Coppola from Saint Joe's; right ing positions. away Sept. 12 Brockport guard, Jim McQuaid, all Niagara Oct. 7 Gannon College home Frontier League guard from KenOct. 13 McMaster home more; tackles, Norm Layer from away Oct. 16 Niagara Kenmore and Paul Schiappa from Oct. 21 Alfred home East High; right end, Ray ChamOct. 27 Toronto away aerlin, who was All High from Nov. 4 Ontario Aggies away East. Nov. 10 Niagara home The backfield places Tommy WilNov. 17 Brockport home lard of Kensington at the signal GOLF Bolster School Spirit Attend the Games and Rallies a r-il^ri a nr\A^RESTAURANT SODA FOUNTAIN FfOWARnO/ I I I^F ~ ' f/^^^ ~f y Located on the University Plaza Next to the Amherst Theatre ****** Extra Fridays PIZZA For All-Served in Ihe Grotto �Friday, September 29, 1950 THE Bulls Down Cortland, Win First Game 13-0 The University of Buffalo Bulls< under the direction of J. B. Wilson raised the curtain on the 1950 season last Saturday by defeating a tough, well conditioned Cortland State team 13 to 0 before a crowd of some 2000 fans at Cortland, N.Y. That panacea for all ills, the Tracy LaTona to Ed Gicewicz pass, accounted for both tallies and the Bulls seemingly were picking up where they left off last season. But the standout player on the field was little Ray Dinnocenzio whose 72 yard return of the second half kickoff set up the initial tally. Dinno also shone as a linebacker on defensedespite the fact that he tips the scales at a scant 166. Dinnocenzio's spirit, determination,and drive meshed the gears in the U.B. BUFFALO BEE Guercio and Holland will keep this quartet from slowing down. ■ Impressive sophomores were, of course, Kania and Ray, along with 7 Ecoutez, Mes Enfants FROSH FOOTBALL Buzzelli and Stockwell on the line. Another sophomore Papsidero had a 35.6 average on his punting. Dinnocenzio and Co-Captain Matty Ferrintino were largely responAnd you shall hear Mme. Burrell sible for keeping Cortland's total read one of her favorite selecyardage, on the ground to a paltry tions to the French Club, "Les Copains" on Tuesday evening, Oct. 3. 49 yards. Backer will outline the programme for the eight big meetings this year, and Secretary Becky Cruty will enroll new members, who may (Continued from Page 4) pay their dues of 6Qc per semester League will kick off on Tuesday to Treasurer, John Greer. New students are especially welcome. and start speedblal on Thursday. Refreshments and an informal soOfficials Needed cial hour will follow the program. Although most of the officials Be sure to come to the Norton are Phya. Ed. majors there are Union Annex at 7:30 P.M. on Oct. openings for officials in these two 3 for an evening of entertainment sports for which interested parties flavored with French! should contact Mr. Neil in Room 201 of the gym. Any other inforWEAR mation regarding the intramural THOSE activities may all be obtained here. DINKS ed a fumble on fourth down to end the threat. After this episode the Dragons fumbled three more times. Sydlowski pounced on one 21 yards from pay dirt. LaTona handed off to Cania, Ray and Weser and even ran himself down to the 9 yard line marker where he crossed the defense by pitching to Gicewicz, his favorite target. As suspected, the U.B. attack, which is a wing T with an unbalanced line, did not function as smoothly as it will. Coach Wilson experimented with many combinations as 31 men saw action.in the fray. Itlooks as though LaTona will attack. start next week at quarterback acLaTona, who completed six out companied in the backfield by of 12 passes, tossed his first t.d. Kania,Dinnocenzio and Ray. Weser pass to co-capt. Gicewicz following Dinnocenzio'sbrilliant runback. The second payoff play covered nine yards with Big Ed using his 6-3 198 pound frame to bowl over a pair of Cortland defenders. Buffalo took the opening kickoff and sallied down the field with relative ease but the home towners stiffened and stopped the drive on their 18 yard line. Sophomores Bob X Ray and Cas Kania along with 195 pound line blaster Ray Weser showed flashes of fine running in this drive. Twice more the Bulls thundered but each time the drive was thwarted as the Blue and White approached the end zone. Cortland halting the Bulls on the 24 and 17 yard markers. LaTona entered the fray in the second quarter and began tossing the pigskin with great success. He completed his first four pitches, but as the half ended Cortland took over, when Joe Papsidero, 180 pound sophomore end, punted for U.B. Just what Jimmie Wilson said to the boys during halftime seemed to have the desired effect for the Blue Wave washed aside the wouldbe tacklers and Dinnocenzioscooted into the open only to be nailed from the rear on the enemy 17. GiceIt's easy! It's fun! No box tops to send! No essays wicz grabbed LaTona's pass two to write! Just write a simple four-line jingle, and plays later. Mike Guercio's attempted conversion was wide. you may make $25! Start today! Adopting an aerial attack, the Red Dragons struck back with effectiveness despite the sterling Write a "Happy-Go-Lucky" jingle, likethose you see on play of the U.B. defensive linemen. Pete Procops, Cortland this page,basedonsome phaseof college life.If your jingle quarterback, tossed a screen pass is selectedfor possibleuse inLucky Strike advertising, we that nearly went the distance will pay you 525 for the right to use it and your name in but Dave Runyon sifted through ouradvertising.Starttoday."Happy-Go-Luckies"willsoon the blockers and stopped the play. Henery Mucci raced to be running in your paper. Send in your jingles— as many the U.B. 18 but that defensive line as you like-right away,and $25 can be yours pronto if Buz Buzzelli, Bob Stockwell, Russ your jingle is chosen.Be the first to write a jingle in your Gugino, Les Molnar, Matty Szydlowski, and Papsidero, drove the school. Watch this paper for more "Happy-Go-Luckies." dragon back 24 yards and recover- BULL TALES (Continued from Page 6) Ron Laßocque of Bennett, and ' Frank Albano of Saint Joe's; guards Jimmy Wallace of Saint Joe's, Bob Chapman of East, and John Howt of Fosdick-Masten; ends Andy Podlucky and Dick Reynolds of Kenmore, and Bradley Kemp of Kensington; centers Tony Teresi of Amherst and Harry Mueller of Kensington; backs Bill Macris of Seneca and Quentin Steele of Bur- guard. Following in theirbrother's footJoe Amico of Saint Joe's and Norbert Walsh of Amherst. Joe's brother, Sal, famous as last season's star back, is now assistant coach at Technical High, and Vince Walsh, Norbert's big brother, has been recalled recently into the Marines. The outcome of the Manlius game will reveal to the coaching staff many interesting and helpful details. When the "Baby Bulls" enter the game tomorrow, what they lack in skill will be made up for double in spirit. steps are backs ... . vm'Z $\ /^sSL 2^^^^I Some of Our Specialties " Roast Flavorglow Turkey Baked Hickory Smoked Ham Roast Sirloin of Beef Tender Steaks Delicious Sandwiches Crisp, Appetising Salads Complete Fountain Service FAMOUS FOR OUR CHICKEN PIES " A cup of Leas' Coffee that is pleasantly remembered Canteen Restaurant Good Taste Food 1. Write your "Happy-GoLucky"four-line jingleon a plain piece of paper, or postcard, and ' send it to Happy-Go-Lucky, P.O.Box 67,New York 46,N. Y. IS/MFTrUxfy Shike Mentis Fine Tobacco W/' ?/ / | " f I L* £ f Tn/K. P^PPlr %jK) vi/^fVy |y |J<*^.l««/ _ — ... . If* tftlly "ffnC tobaCCOi fcjiJOy fc/»jOy * , , ," # ■ pCffCC't lUlldneSS 3Hd flCfl UfSte* _ READ THESE SIMPLE INSTRUCTIONS Be sure your name, college and address are included -and that they are legible. 2. Every student of any college or university may submit jingles. " i'shltt; \ su.d>j French rj Ji ''" ~ *** sT*"**«N», //^"**'^f' BB^B^ -^^^^ >j / jrfW*i£k V fMt fA^-'S-m **§£*§?%*" -X\ if rn^^M *^ COM., THI AMHIGAN TOBACCO COMPANY �THE 8 U. B. CHEERLEADERS Lisjak telling the Freshmen taking tours of the campus that Crosby Hall is a gift of Der Bingle Bosco uses Feeps. Did Bob Olans blush when one of the Freshmen chicks asked him where the goodlooking blond fellow in charge of leading tours in the library was? ... He did. Seen at Registration: Some fellow giving a certain Sigma Kap a ning. hundred dollar bill. Is he keeping We hope that we at UB may look her??? Janice Everingham forward to many more pleasant threatening to throw a "pie" at associations with these fine people. Gordo. Was it A. K. (Pye) or ... CANTEEN RESTAURANT Cyooa ZJaite Jjrooa The found Lenny Scwagler a great help that he will be there (Continued from Page 2) ... Friday, September 29, 191150 BEE Female Frosh two bottles of milk, but promises today drinkin filling out their forms for regis- ing Canandagua with the rest of tration he didn't seem to find us Frosh wear your dinks. time to help the men. Remember the chug-a-lug contest The Frosh got off to a good start in the Grotto on Oct. 6. There will at the Grotto on Wed. last. Free be a cup given to the winning team. Pizza was served, and a new verse to the song "In the Halls of Old ENTER YOUR STORY IN "For it's U. B." was introduced Grotto, Grotto, Grotto that makes you feel so Blotto in the halls of old U. B." Al Tiefenbrunner, our exchange student from Austria, brought in See Page 1 for Details blueberry? GROTTO GAYETIES Page 1) from troduced the cheerleaders and urged the guests at the Casino to attend the ÜB-Niagara game. Located at a front table, the UB group was captivated by Dick Contino's unassuming personality and the allout hospitality extended to them. The cheerleaders, therefore, extend their sincere appreciation to Mr. Lenny Paige and to the Town Casino, for a truly enjoyable eve(Continued BUFFALO — — ANNE HARTMAN MAIN ST., at THE PLAZA Ljiftd and — THE BEE CONTEST Carcti N.S.A. CARDS HONORED Campus Interviews on Cigarette Tests Number I...THE PUFFIN BIRD 7k ■ftvosfii/ife TtiostukdliitoSttomL oxomm corpus Burt 1 $3.95 1 *■-— U i!«L#^^ Bvrt— oxford button-down collar with the soft roll (the college man's staple diet).A "Manhattan,"of course. "What's all the huffin' andpuffin' about? I've been a Puffin all my life!" V J- ou may think this "bird" — is funny but he's no odder than many of the cigarette tests you're asked to make these days. — One puff of this brand one sniff of that. A quick inhale a fast exhale and you're supposed to know what cigarette to smoke from then on. The sensible pm test doesn't have to rely on tricks and short cuts. It's a day-after— ***$ day, pack-after-pack tryout for 30 days. That's the ' test Camel asks you to make! Smoke Camels regularly for imm 30 days. Your "T-Zone" (T for Throat, T for Taste) is the best possible proving ground for any cigarette. After you've made the Camel 30-Day Mildness Test, ~^^^SH~i^^| i * K we believe you'll know why , — i L'J§ / R*"i9e / $3.65 and $3.95 — RailQO fine white broadcloth with the wide-spread collar. Made by "Manhattan," whichmeans perfect fit. — Lj# ' ... More People Smoke Camels TV ManhattanShirt Company,maker*of"Manhattan" shirts,ties, underwear, pajamas, sportshtrts, beacnwear and handkerchief*. than any other cigarette! I ? % � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 bee-1950-09-29 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 9/29/1950 Extent The size or duration of the resource. The Bee Vol. 31 No. 2 The Bee Vol. 31 No. 2 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Bee student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 13:50:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/20/2009 Title A name given to the resource Bee, 1950-09-29; Vol. 31 No. 2 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/8f24369c886d5cfef024d3247aa4c7af.pdf 9e6958c8d8ef541eda21be86f4b7f323 PDF Text Text ARGUS U. B. OCT. 7 VS. Niagara BUFFALO, NEW YORK - Vol. IV No. 2. OCTOBER 2, 1950 THE DINK COMES TO UB DR. BROWN MADE ASSISTANT DEAN OF MEDICAL SCHOOL Registration Opened For Jan. Tutorial Registration Day The promotion of Dr. Roswell K. Brown to assistant If now, or by dean of the MedicalSchool of the University of Buffalo in January, you expect to have apwas announced last week simultaneously with the dis- proximately 64 semester hours of closure thai DeanStockton Kimballhas accepted a part- credit, you should now confer with time appointment with the Survey of Medical Educa- the chairman of the department in which you hope to major, and nohim of your intention to apply tify Brown, surgeon a who has been a member of Dr. the UB faculty for 12 years and has a significant war for Tutorial status in his departrecord,' will join Dr. Oliver P. Jones in thfe assistant ment. The ordinary quantitative re- tion. HHHHHHHHHHHHHHHJ in Enrollment BAREHEADED FROSH REPRIMANDED; KANGAROOS HOLDCOURT INNORTON The University of Buffalo student body last week discovered that for the first time since pre-war, "Joe College" days, a full-fledged Freshman-baiting machine had Seen installed on the UB campus. Except for an abortive attempt last fall to establish enforced beanie wearing, the University has been free of sharp class delineations. This year, however, the dink-minded members of the upper classes have been able to construct an apparatus that even includes a kajigaroo court for the purpose of punishing bare-headed frosh. In an attempt to discover the origin and source of authority of the court, the ARGUS has unearthed an extraordinary story, a story with a moral. quirement for admission to TutoriChancellor McCon- 1 Drop al status is 64 hours- Students of who made the announcement, H high standings are occasionally adsaid that Dr. Jones, who has been H also H The University of Buffalo day mitted with less if the application It begins in the Orientation Day anatomy,I heads the school enrollment has decreased by is endorsed by the department in Committee, an organization comto be for H eighteen percent, reports Miss which the student wishes to major. Guest to posed of all students who wished Having secured his preliminary the I Emma E. Deters, University Registo devote their time and services. (tentative) approval, you should as relates to the I trar. the I H| A noted French literary figure, Headed by indefatigable Lennie A total of 3,996 students had en- then call at the Tutorial Office (292 new medical-dental H Dr. Henri Roddier, hag come to the Schwagler, the committee's funcrolled in the University of Buffalo Hayes Hall) to file a formal appli-I University of Buffalo for the first tion was to chart the schedule of Brown be re- I campus divisions by the end of the cation for acceptance by the de-I sponsible the years in Htwo-day period. This total repre- partment of your choice.' Applica-H semester of this year as Visiting activities on Freshman Orientation Day. jit seems to have considered the of I Professor of Frertth Literature. sents a decline of eighteen percent tions will be processed in order ofI the affiliated I in enrollment, compared with the their receipt; and in due time, you The appointment of M. Roddier, its duties and prerogatives as wellcommunity I figure of-4,859 released at this time will be notified of its (a) accept-Hprofessor of comparative literature nigh boundless. For at the SepHat the University of Lyons and a tember 7th meeting a resolution last year- |The number of women ance, (b) rejection, or (c) of the po-'H assume on the campus has increased, how- requirements still outstanding that, H former member: of the French was passed that extended far bethe of Medical I ever, with 937 this year compared you must! fulfill in order to insure underground, was announced by yond the area of Orientation Day acceptance in the department you Education October thence- I H Chancellor T. Raymond McCon- activities. with 890 last year. the will ■The biggest drop is in the num- desire. Hnell. M. Roddier will hold the This resolution, introduced by Hchair sponsored by the Mrs. Joseph Kenneth Pye, a committee member, two weeks I ber of veterans. A total of 1,453 Kindly disregard this notice H|T. service. I if Jones Foundation which, since stated, "The Orientation Day ComT veterans registered this year repHe to the week I resents a decline of 42 percent you fall in one of these categories:BlIK;:!, has enabled the University of mittee suggests that the sophomore report I from the 2,525 veterans enrolled at 1. If you will have considerablyHBuffalo to bring the" outstanding strident councils enforce the wearother members the Survey. I less than 64 semester hours ofHFrench scholars here for courses ing of freshman dinksin any manthe same time last year. credit by Registration Day in Jan-Hand lectures. the Uni- I ner they see fit." The Arts and pointed Miss Deters out that the uary. Minnesota, beginning I Sophomore Council, whose Science M. Roddier courses giving Hr is two enrollment probably will be October members were, just by chance, part you) plan 2. If to do the rest ofIIin French and a series of six lecswelled by about, two or three The Education I I tures in English. All three are of the O. D. Committee, readily hundred students expected to reg- your work in some division of the has been by the Asso'ci- I IIopen |to the public without |fee. complied with this suggestion and ister late in the campus divsions, University other than the College of example, Medical Colleges I Arts and Sciences. For I Those desiring college credit for volunteered to contact the councils which include the College of Arts and the American Medical Associ- I the courses in French, however, of the other schools. and Sciences, School of Business if you are certain of admissionI They proceeded to set up the to the medical I Administration, School of Educa- next fall to Law School, MedicalIImust pay a tuition fee (and must schools throughout the country I tion, College of Engineering, Gra- School, Dental School, or any other register at the Registrar's Office in Sophomore Court for judging the college education, I duate School of Arts and Sciences, professional school. Note: if uncer- Edmund Hayes Hall). There will freshmen. Their authority to do about I tain of such admission, you will be be no college credit for the English so, according to Mr. Pye in an Nursing, and Pharmacy School. ('I interview with the ARGUS, is imHe wise to select a department now,I lectures. and apply for Tutorial status. members the Survey staff I The French courses are: "La plicit in the Norton Union ConstiI Newly the 3. If you plan to transfer to an-I Dr. I Philosophic des Lumieres et l'ldee tution. He did not say whether the Alan former president I other institution, or to drop out ofI Officers de Progres en France au XVIII same authority is held by the Secollege altogether. I siecle" Tuesdays, from 4 to 4:30 niors and Juniors to judge the although some considto I I p.m., Hayes Hall; "La Renaissance Sophomore, The Newman Club of the Unidean the I I Litteraire en France de 1900 a ered that as a logical extension of Meeting versity of Buffalo will hold its first position. also will I 11S50"— Thursdays, from 4 to 4:50 hisThe meeting of the semester on Wed- Sportsmen first news of their fate was as chairman of I Hayes p.m., I Hall. nesday, October 4, at 8 p.m., in on Medical I The first meeting of the Sports- I The course in English, on "A brought to the Freshmen by Mr. National Norton Auditorium. All Catholic man's Club will be held Tuesday, Century of Literary Intercourse Pye. himself. Addressing the Men's students are invited to attend. which I October 3, at 4:30 p.m. in the East Between France and America," Student Mixer in Clark Gymnasium, a regular Orientation Day acdays ago. IAt the meeting the following Room of Norton Union. All those will be given on Wednesday evenewly elected ' officers will .ake interested in huntin fishing, tivity, he informed the Frosh that Joint Committee, the tunc- I g, nings, Oct. 4 through Nov. 8, in the to henceforth they were not to appear an over their duties: Alexander Hel- match rifle and pistol shooting, and Albright Art Gallery. problems relating to on campus without their dinks, and edu- ler, president; Russell Reed, first other outdoor sports are invited to Dr- Roddier, born in 1898 in that a kangaroo court had been the and vice-president; Mary Lou Houck, attend. Paris, taught in that city's elemen- formed which would deal drasticanother second vice-president; Joan Ellen consists I The rifle range at Amherst High tary schools during World War I, ally with offenders. As a sample dozen Hickey, medical I corresponding secretary; School will be open Tuesday night, Dolores Bogulski, recording, secre- October 3,at 7 p.m. for thosepeople then entered military service. He punishment, he mentioned scrub- f deans I was wounded near Belleau Wood. tary; and Joan Corcoran, treasurer. who by the Associ- I have their own equipment and He later taught at the Higher bing down the Hayes Hall steps. Colleges Deeming Pye to be the. symbol Board the of Directors William P. ammunition. Professor Richie, forA.M.Acommittee, O'Brien, president of the Board; mer Navy Rifle Champion, will be School of Commerce in Cairo, of authority, the Freshmen hasis II Egypt, and at the University of tened comply with what to them Mary Ellen Frank, Arts and Sci- on hand to instruct those interthe to Edinburgh, Scotland. M. Roddier was labeled an old UB custom. ences representative; Whee 1 er ested. served as secretary at the British The subsequent appearance of the Schmidt, Business Administration years aHHHHHHHHHHHHHHHH section of the French ministry of Sophomore Court in Norton Lobby He representative; Bemadine Lippert, Information in. 1940: During the added to this misconception. UB Medical faculty as asso- Education representative; Lee Illig, German occupation, he was a Engineering representative; George A considerable portion of FreshWould you like to obtain a member of the clandestine organiWelch, Pharmacy representative; man sentiment concerning this is1949 I copy of ohe of the pictures zation of French teachers and sue was summed up in a statement njsH and Vincent Semintelli, Professiontaken at the Student Carnival? writers. degree from I al Schools representative. made by their bedinked Frosh Bring your Norton Union card questioned by an ARGUS reporter igig I A special welcome will be exto the Darkroom in the basethree years Assuit tended to freshmen and new memBoris and Trebor are going to last Friday, "I'm glad it's only a ment of Hall on October I Norton Egypt. He received his bers. .the U.8.-Niagara game. Get there few weeks longer," he said. "I feel (Continued onPage 4, Col. 3) I (Continued on Page 4, Col. 2) I 2 to 6 between 11:30 and 12:30. early for a good seat, boys. like a damn fool." Announced Professor Lecture in French BJ HHH^H^^^^^^^^^^^^^^^H HJ BBBBBBBBBBBBBBVj B B B Elected Newman HHHH^H^^^^^^^^^^^^^^P^ To Assume Posts — of - Planned I 8888888888888888 I 8888888888888888 { I — Sur-JI I^BBBBBBBBBBBBBBBJ theß B be-B BJ 8888888888888888 Freshmen! �THE ARGUS 2 #UniVERSITV I OF BUFFALO Official Publication of the University of Buffalo Written for and by the Students Publication Office, 305 Norton Hall, University Campus, ' Buffalo 14, N. Y. Affiliated with National Advertising Service 420 Madison Ave., New York17, N. Y. SUBSCRIPTION RATE: $1.00 PER YEAR Editor Managing Editor News Editor Feature Editor Sports Editor .< Business Manager Circulation Manager Copy Editor Secretaries Richard Jackman Kenneth K. Newton Ronald Ley Jack Wilkie Irwin Ginsberg Hubert Roy Edward Kopf Luther Burnette Mary Alice Smith and Reggie Bolla Dr. Henry Ten Eyck Perry Staff Robert Anderson, Marty Fried, Arnold Guminski, Seth Siskin, Jean Manguso, Harold Bershady, Julius O. Horvath, Charles Partridge, Gerald Helper, Edward Spector, and HerbertStern. Faculty Advisor Without Expression, Freedom of Expression Is Meaningless SCHOOL SPIRIT? With the latest manifestation of what can be perpetrated in the name of "school spirit," (see lead story) it seems evident that a dispassionate discussionof that mystical quality is in order. It is the contention of the founders of the kangaroo court that school spirit is essentiallya student's feeling of belonging, of being enveloped in a mass. Acting on this theory, they have attempted to mold a number of individual human beings into an amorphous, cohesive group. Their means of accomplishing this are based on the sound, psychological truth that the most effective methodof driving people together is by persecution. After having unified the various classes within themselves, by subjecting each to persecution during the freshman year, these theorists hope to extend this high degree of cohesion to the school as a whole. This would be the final triumph, and indeed, the very embodimentof school spirit. The ARGUS believes that this is a dangerous philosophy dangerous to some of the fundamental principles of the University. The whole concept of liberal individualism on whichUB is based is diametricallyopposedto the idea that the ultimate good is the formation of an amorphous mass of students (the beanie, which is basically a symbol of uniformityand loss' of individualityis the hallmark of such a mass). The attempt or even the desire to bring about enforced mass unity is more typical of a collectivist society than of our own. True school spirit is embodied in the respect and admiration of free, individual and mature students the school winch encourages them to remain, or towards free, individualand mature. It is a far stronger become the miserable ties of compulsory uniformity. bond than — HELP WANTED: MAJORETTES The University ofBuffaloMarching Band is in need of majorettes, experienced or inexperienced. Instruction will be given to all interested girls. |Contact Miss Dorothy Button in the lounge of Foster Hall, or come to Band rehearsal Tuesday at 4:30. for one hour. |No credit will be given, and no fee charged. The Department of English reserves the right to limit thesize of the groups. Any questions concerning this offering will be answered in Crosby Hall 121. The campus class schedule is as follows: Days Hour Room Section F T.T. 2 E-12 Section J M.F. 5 H-278 Section N. English T.T. 5 E-12 Milard Fillmore College will also Begins Oct. offer a class in remedial English Classes for students desiring or for the first time. Classes will be requested to take remedial work held on Saturday afternoon from I in English will be held the week 1:00 to 2:40 o'clock. beginnirig October 9. The course is open to all students of the Univer- MILLANE LEAVES HOSPITAL sity who feel that they are deficiPractical politician Bud Millane, ent in grammar,sentence structure, tiredrof hospital regimen, has depunctuation, and other aspects of serted Buffalo General Hospital for written communication. the peace and freedom of his LexRemedial work in English is not ington Avenue home. to be confused with the Univer"Now we may be able to keep sity s remedial reading program. our nurses on their jobs instead Students who have been sent to of lollygagging around that remedial English by their instruct- headed college kid's room," curlysnap■ . or* have been notified by mail. ped an irritable-looking Others are free to attend the first Millane was injured M.D. last summer week of classes, which action Is when attempting to blow out a tantamount to registrationmatch immediately after chug-aClasses will meet twice a week -lugging seven jars of canned heat. Remedial 9 POINT OF VIEW THE RED BADGE OFPEPPERONI I Sometimes Ithink they're carrying this advertising business just a bit too far. Infact IOFTEN think that. And Id-just as soon say so, By Marty Fried too. I- will! THEY'RE CARRYING THIS ADVERTISING BUSINESS JUST A BIT TOO FAR. Especially cigarettes. I'm getting good and Last week, almost unobserved,, tired of people shouting at me to smoke' a certain brand of something the 161st anniversary of the Bill of or other. They're driving the whole civilization nuts. Isaw a man Rights slipped by. Several daysi arrested because he wasn't a doctor and he was smoking a Camel. earlier, a document known as H.R. Another guy got picked up the same day for trying to get a treatment \ 9490, the Internal Security Act of from an Old Gold. They sent a bunch of advertising men to Egypt1950, was made the law of the land recently to see if they could get the camels to smoke doctors. But the over Presidential veto. It is no stunt that would break any dromedary's hump is the test they're wonder that anniversary celebra- giving to innocent bystanders right here in the good ol' U.S.A. Imean tions over the Bill of Rights were the one where the guy comes up to you and asks if you have ever seen not widely reported; HE. 9490 had him before and if you work for any cigarette company. Right then just emasculated some of its basic and there it would be the best thing to do to just up and run away, tenets. because you ought to know what's coming. He pulls but a pack of What is H.R. 9490, commonly foul-smelling weeds and asks to take out one of your own brand. Then known as the McCarran Bill? First all hell breaks loose- Youknow. |He wants you to smoke two cigarettes of all, it requires Communist and at the same time. It's terrible! Think of what happen if all products Communist front organizations to started advertising that way. Maybe Ican give you an idea— a la Perelregister. It does not define Com- man, of course: munist-front, but leaves the deci(SCENE: A dimly-lit bar decorated in a wine cellar motif. It is sion to an appointed three-man crowded and noisy, most of the noise coming, not from conversation Subversive Activities Board. Os- but from muffled curses uttered as the patrons continually bump into tensibly this provision is for the one another because of the poor illumination. SELBY FINGLE, a "exposure" of Communists; actu- waiter, is standing by the narrow staircase that leads down into the ally, it is known that Communists barroom as HENRY GOOFWHISTLE, slightly drunk, appears at the will not register to do so would head of the stairs. FINGLE hunches forward in readiness as GOOFmean social and economic ostra- WHISTLE descends the stairs with a breath-taking feat of balance. cism for them and so it is in real- When he reaches the bottom step and lurches into the room, FINGLE ity a method of repression. Stiff collars him.) sentences are provided for the failGOOFWHISTLE: Leave me alone. I'm not disorderly. ure to register, ranging up to $10,FINGLE: No, of course you're not, sir; you're perfectly welcome -000 fine and ten years in jail. here. Now: Have you ever seen me before? The Act makes it a crime to GOOFWHISTLE: Yeah, Ithink sho. Ain't you Max's brother-in"conspire to perform any act law?" substantially which would contribute to the establishment withhi youFINGLE:. Never mind, sir. We'll go on to the next question:. Are employed by this establishment? the U. £>. of a totalitarian dictatorGOOFWHISTLE: No, you are. Ijusht came in, remember? You're ship." Now most people in this country are opposed to the estab- all mixshed up, pal. lishment of totalitarian dictatorFINGLE: Are you a pizza eater? ships, whether of the Russian or GOOFWHISTLE: Naw, but my wife loves the stuff. Spanish varieties, but the way in FINGLE: That's all right; you'll do. Hree, take a bite of this (shovwhich the above is worded would ing a piece of pizza into his mouth)leave the way open for the perseGOOFWHISLE: Gulorough. cution of almost any critics of ofFINGLE: Fine. Now just chew- it slowly, don't inhale it. (GOOFficial policy. Said President Tru- WHISTLE frantically struggles to loosen his tie.) Good. Now blow it man in his veto message: "And gently out your nose. (GOOFWHISTLE complies and immediately what kind of effect would these begins snorting and coughing.) There we are. Now tell me honestly provisions have on the normal ex- sir m your own words. Wasn't that pizza milder than the crummy pression of political views? Obvi- ofd brand your wife eats? ously, if this law were on the staGOOFWHISTLE: Blithelup. (Begins choking.) tute books, the part of prudence FINGLE: Ishould say so. You know, doctors recommend our pizza. would be to avoid saying anything You cant go wrongby ordering it. Eat the pizza that pizza experts eat. that might be construed by some- Id walk a mile for a " one as not deviating sufficiently (FINGLE stops as from the current Communist prop- around once and drops GOOFWHISTLE, choking, turns black, spins dead. FINGLE sighs and rolls the body into a aganda line. And since no one corner. Then he returns to his post by the stairs. A few could be sure in advance what he no ices a set of minutes later views were safe to express, the he walks over and false teeth on the floor. Instead of picking them up kicks them toward the comer- He straightens quickinevitable tendency would be to ly as he sees a customer descending the stairs.) express no views on controversial (CURTAIN) subjects." —Jack Wilkie. There is another important pror visionin the Act: the authorization of the Attorney General to intern potential spies and saboteurs in By GERALD HELPER time of war. |In other words the setting up of "detention camps," They exhort the kids to give up for two shining examples. They do known inless polite circles as con- ttheir ice cream and candy with the not say that scientists, for the bencentration camps, for the "detain- 1horrible tales of vivisection. They efit of mankind, of which they, ing" of POTENTIAL spies. It is do c not tell the children, however, unfortunately, are also classed as interesting to note thatthis feature cof their "humane" treatment of members, will not give untried opof the McCarran Bill was added putting f uncaHed-for dogs in their erations and remedies to patients mainly through the efforts of the gas j chamber suffering with sundry maladies. liberal Senators, who condemned They do not tell them that ani- For them, it was perfectly all the preceding provisions as total!-, mal experimentation made possible right for r tarian. This liberal bloc, by pro- fthe work ofPasteur and of Pavlov, serve as conscientious objectors to human guinea pigs for posing the Kilgore "detention Within our fair city of Buffalo military experiments. It was also camp" Bill as an alternative to the 1has been unfolding a plot with correct, for prisoners in this counother measures of the McCarran tearth-shakingramifications- A plan try to give their lives for the cause Bill, and by attacking the McCar- < whereby a small, tight core can of wartime science. But vivisection ran Bill primarily onits "unwork- jimpress their will upon the maability" rather than as a threat to jjority, to the ultimate detriment of never! To exchange human life for anidemocratic rights,-showed their in- (the,majority. mal life for the S.P.CA. and its ability, to fight consistently against The organization which is the backers is humane; to science and police statemeasures- Most of them ifount of this intrigue has come in to all men of reason it is the height as a matter of fact, voted for the (conflict with the people, and with of And of these backcombined Kilgore and McCarran |the city, and is attempting to main- ersirrationality. a word must be said: The type Bills; some of them didn't bother jtain itself, in the face of popular of mentality which directs itself to to change their votes even after ,opposition, by any means necesr the bequeathing ofmillions of dolthe Presidential veto. Isary. Their plan, which shall now lars to pet Angoras and weiner The Bill is on the books now; be revealed, is to undermine our dogs— these certain Congressmen havehailed it society by turning the children. ing over the are the people reignS.P.C.Aas a great victory over Commun- OUR CHILDREN, against reason. This is ism. More sober realists like the The Erie County S.P.CA., under "pressureultimately a question of group versus a society. New York Times and Herald Tri- Ithe threat of having their contract The stakes are high; human Webune, not noticeably leaders in the with the city terminated,is selling aves which can't be counted, eith' fight to preserve civil liberties, "junior" memberships to anyone er those think it was largely a mistake. It under the age of twelve, for a saved pr which already have been all those which shall be is unlikely that Russia considers it Inominal fee of a dime or quarter, saved. And so, off to the wars of (Continued onPage 4, Col. 2) to "keep the good work going." vivisection with my - — — Intrigue Revealed — ' little scalpel. �THE ARGUS . 3 Arlene, YouDahl! Short Story Sports The boy walked off the gangplank, looking cautiously around for signs of stern soldiers and raised weapons which symbolized nothing but pain to him. He saw neither soldiers nor weapons. He touched his mother's hand for reassurance and glanced up at her face which appeared older than her years. Why was she crying, he wondered. He squeezed her hand to let her know that he was there to protect her. He knew that's what his father would have done. Vague thoughts "of his father: crossed his |mind. If he tightly closed his eyes, he could picture him clearly. But then when he opened them, the image he had captured vanished. At times he had faint nightmares about soldiers, weapons and his father. But his mother said that his father was away for a little while- He believed his mother, because, he hadlearned to believe only Her. Strange people smiled down at him and hellooked at them suspiciously, waiting for the harsh words to form. But they were asking him silly questions about unheard of things. "Would you like some ice cream?" they asked. He tried to imagine what ice cream was, but his imagination couldn't stretch thatfar. Why were they all so nice? What did they expect from him? He squirmed uncomfortably. Then his mother smiled and her face looked the way it used to look. He was eight now and it was hard to remember her smiling like that in the past. Someone shoved a brown, gooey substance into his clenched hand and he put it to his wouth warily, after much insistence. He tasted its sweetness and decided that it was good. His mother hugged him and suddenly he felt that everything was all right again. He executed a neat skip and walked out into a busy street. Over his head was a huge sign "U. S. CUSTOMS" in bold print. But he didn't know how to read yet and he couldn't have understood the meaning of the words. Right now he was happy- The chocolate tasted good and his mother was smiling. Jean Manguso. SPOTLIGHT — Arlene Dahl, shown here feeling squitchy, is rumored to be planning to take a post-graduate Sociology course at ÜB. She is currently starring in "Three Little Words." If anyone is interested, the dress is "a misty bouffante of silver tissue and pale pink tulle, the full overskirt being, caught at one side by a sequin-flecked rose. Uh huh! Harry Weinberg. In this reporter's opinion the schedule is certainly not worthy of the talents of the team. Niagara, having lost its first two singles men because of graduation, ought to prove a soft touch, barring a for the other match this fall, Coach Sanford expressed the opinion that he will use his second team against the Canadians, who last year did not take a set from our racket wielders.The McMasters farce will be played Oct. 13. Prediction: an undefeated fall season and the abtennis in the future, olition °f unless a more challenging slate car. be scheduled. Sports Shorts stretch drive, fine football weekend, these are the days that delight sportwriters' souls. Apropos fight. This reporter was five years old when Joseph Louis Barrow won the Heavyweight Crown. Since that time, during what has actually been our sports- conscious life, Joe Louis has been the champ. Dempsey and Johnson, Willard and Sul- — livan, Corbett and Fitzsimmons these were great and hallowed names, but Joe Louis was more than a memory. He was the present, -big as life, deadlypinvinciblo (the Schmeling mistake was quickly and drastically corrected) and loverpowering. Now Joe Louis, the boxer, the puncher, the destroyer, the splendid fighting machine is ruthlessly and unequivocably no more. He had followed the other shining names into impotency and humiliation. Yet something of this man did not depart. This something —bigger than the transient big fights, big titles, big gates, and.big records, was a quality that extends beyond the prize ring, indeed beyond the whole of the make-believe world of sports. It was a quality, seen sometimes in the clean break, sometimes in the graciousness toward a fallen foe, a quality that can, perhaps,' be best described as decency. And it is this decency 'that has not atrophied with the lightning reflexes and the powerful muscles. Nor shall it do Inview of the Phillies'late season slump, loss of Simmons, and general weakening of the young team, look for the Yanks in six or under games, unless Oneonta's Jim Konstanty (sure bet for MVP award) regains mid season form. Yanks hold hitting edge, starting pitcher superiority, and a general all-round break, but the Phils remain national favorites. Congratulations, Al Zwolinski on recent) nuptials rugged halfback and bride have received approba" tion of the sporting world. Les Molnar's calVto the country's service a sharp loss to UB gridders. Incidentally, the latest word from the Marine Corps has Les designated as a one-man combat division. The football accent is on the inter sectional games this weekend. Many clubs are choosing to sharpen up outside the area of immediate rivals. Late weekend should have added so. - — 1 - Only Chevrolet lets you make such — a J | wideandwo/tde?/k/cAofce I ...and at the lowest prices, too! /E=s^v — «Kk. A Word of Orientation - X^, \ i7*'%silssk / ' Choose between Standard Drive ana ""#m "BTj*^ Aufomaf/c Transmission /^jr The Instructor Rating Program The rating of instructors by their students is a relatively new activity on several campuses throughout the country. Such an activity seems destined to become a permanent part of university life in thq future, The University of Buffalo, though not the originator of the scheme, has at present a workable rating system which equals (or betters) any now being used by other schools. The program at ÜB, however, is essentially student operated. Staff members of the ARGUS and other interested students succeeded in completing ratings of the Economics, Psychology and English departments in recent semesters. The amount of work involved proved to; be. almost too much for the small staff to handle.. It is the^opesof the ARGUS to see the ratmg program carried to every division of the university every semester. Such a hope connot be realized without the cooperation of the faculty and administration. This week efforts will be directed toward securing the -adoption of the Instructor Rating Program by the administration of ÜB. If these efforts are fruitful, the continued life of the program will be insured. With the coming battle between the Football Bulls and the Eagles receiving all the sports publicity these days, few people realize that another UB team will come to grips with Niagara this year not only once but twice. And that, of course, would be Coach Bill Sanford's varsity tennis team. Riding the crest of a twelve-game winning streak, the racketeers will start the fall season with an invasion of the Power City Monday afternoon. Leading the invading contingent will be Bill Kullman, former Bennett High star. The number two singles slot will be occupied by Jim Hodan, 1949 All-High from Tech. Sophomore Gene Barnett will play third singles.The remaining three singles spots are presently occupied by Bert Shulimson, Ben Celniker and "the veteran" Don Miller. Since the outcome of many matches is determined by the results of the doubles tilts, Coach Sanford must experiment until he can develop three workable combinations. At present he will pair Kullman and Hodan Miller and Celniker, and Barnett with case of sophomoreitis on the part extra luster to the number one of our relatively young team. We'll sports season of the year. Heavymeet them again on the 23rd- As weight championship bout, pennant rjMmgairW Hteftpw * jfi j?r ■ /^f^% Jv^. v sS=*\ /W^ 2 " /jg^^^So^- _ of Powerglide automatic , transmission and 105-n.p. engine op* Combination //t>/iu/ on *DeLuxemodels atextra cost. \ —. rt *^ W!^ 4edJmMrf »j —-__ N Cnoose between fjffN mWw\^mmr^^Am*********\Ww§^^ sflp^olaflß^^dSfl I _^^^^^_^^^_^_ MMzf iimmr urn m ; m~~^ss^^P^ss^^sß^^^ mT^m*T~>T~'~m^mm*\i/ ... America's Best Seller '"'vVJ lifcVv?l|^S America's Best Buy! SEE YOUR LOCAL CHEVROLET DEALER Conveniently listed under "Automobiles" in your /oca/ classified telephone directory * . s \ '. t sssssssssXK. MmmW^^m*e\\\\\\m\^ �4 THE ARGUS Out-of-Towners New members of the Out-ofwere welcomed at the first meeting of the school year in Norton Auditorium, oh Monday evening, September 25. On hand were the 1950-51 officers: Cliff Spicer, president; Joe Abraham, vice-president; Russ Leone, recording secretary; and Eric Reeb-, er, corresponding secretary. Steve Holacki, ex-treasurer, has taken a leave-of-absence which ncessltates an election of a new treasurer." Mr. Francis, faculty advisor for the club, gave a short talk, followed by the appointment of these committee chairmen: Tom Laperello, program; Mary Klahn, art; and Albert Cotriss and Sue Griffith, publicity. Vice-President Abraham suggested the formation of intra-mural activities. After the meeting a dance was held and rsfreshments were served. Future events of the organization include a get acquainted wiener roast at Ellicott Creek Park on Sunday, October 8, at 3 p.m. Buses will leave from the comer of Main and-Niagara Falls Blvd., and for those who are driving, cars will meet at this point to provide transportation for others. Towners Club - ... further push in the arms of Russian imperialism. (Continued from Page 1) But even if that were not the Entertainment at the meeting case, an Act as destructive to Amfurnished by "Robertino," will be musical toast of the Adirondacks erican democratic tradition as this this past summer. He will provide one assuredly denounces the Bill popular music on the accordion. because it gives government offi"Robertino" is the stage name of cials "vast powers" to "harass all Joe Justino, student at the Dental of our citizens in the exercise of School and Newman Club member. their right of free speech," and Dancing will follow the meeting because it would put the government "in the thought-control busiand continue until 11 p.m. The Newman Club is the Catho- ness," we can only wonder at the lic club onthe campus for the pur- supporters of this incipient totalipose of fostering spiritual, intel- tarianism who still call themselves NEWMAN CLUB lectual and social activities of the 'liberals." Roman Catholic students at ÜB. DR. BROWN Point of View (Continued from Page 2) a blow; after all, isn't this further ammunition in her international propaganda concerning the reactionary nature of American capi- talism? An American Communist ... (Continued from Page 1) medical degree from Cornell University in 1926 and was a surgeon at Roosevelt Hospital in-New York City from 1927 to 1929. The following five years he served on the surgical staff of Kennedy Memorial Hospital, Lebanon, Syria. During World War n, Dr. Brown was on the Desert Warfare Board Party, isolated from the American people, and from the American labor movement isn't much help to the Russian propaganda machine; of the Ameicarh Ground Forces, but a persecuted C.P., with leaders stationed ,in California, for one and members facing jail sentences year; served as surgeon with the and concentration camps in Aiuei- : Second Civil Affairs Regiment inica will start the machine rolling England, France and Germany, one with a new impetus. All over the year; and was Chief of Surgical world, and particularly in Asia, the Service, 165th General Hospital, A Good Habit— Read the ARGUS masses of people will be given a Normandy, the last year of his ' ,.,,..-. , :; ' :':;.;-';:';.: ■■■.->■■:■■;::iy-^ie^y: ■■■.'"■■ -.;. ':; ;.;:;■■.■:":;:■■■'■':;;;;.-'■' '■''■'.;.':'; mAw^ V * \ ■* BP^^^'^^BhP^H * * ' " -^ \ , , V-/ I B I i ,,,. * LL 7748 AUCTIONEVERY THURSDAY 11-3 Good Household Furniture, Appliances, Rugs, Etc. _ AL. LIEBBSKIND, Auctioneer ■ — ——. — — _______^__-____"___, : : ■■:-■■■■:■■■; J y; ; MS ' *?■' ''.'■■■■ ■■'■■'W ■^'■.'■-^sipi-^^H A "1 , ' ■ y::::i V ■■ \ B \i\ i\ \ B\ ___^ iH \\\\vs&s I \ !Jffi -at H^HW^R^^^^^^ m z^r^r. I H&1 B 1 m'y^'-:-| PlWm 0\ V-^ ! ,v . ^, BBj Between W. Delavan and Potomac HP^PMI BIl!^^B — J■ . IBb h ■ tnt vfly .\ ",,,1,1fin tip^^^i wc" Li JpSßjßH^ji iIj n^*~ \ \^ \l arttfriH ■■ '$ii*****^m***Wk*m^^^^/ fi "-- A.B.C. AUCTION HOUSE 120 GREENWOOD PL. vy", yyyyy- y-~yx~"yyy^: -~~':::-\-^ B-^^-y i^l ■/ I HH\ \ .:""' ry7^.■■'. ■';>'■-;■;.■■:::>'■.. — The 1951 Buffalonian is claimed to be new and"different. It will cover campus life and activities. If anyone wishes to be a part of this publication please leave your name and address in the Buffalonian mail box at the candy counter in Norton Union. |Several staff posiOmega Alpha, national honorary tions are still open. medical society. For the past two years, he has been coordinator of AOCA MEETING cancer teaching at ÜB, under a SCHEDULED grant by the United States Public Health Service. Dr. Brown is the The American Orthodox Catholic author of numerous publications. Alliance will hold its first Fall meeting of the year on Wednesday, RADIO PLAYHOUSE October 4, at 8 p.m. In the West TO MEET Club Room of Norton Hall- All The University of Buffalo Radio Orthodox Catholic students and Playhouse will hold its first meet- friends are invited to attend. Reing Wednesday, October 4, at 4:30 freshments will be served. p. m. New and old members are urged to attend. Action is said to It's Chris that makes the world be the keynote this year. go 'round. Chug-a-lug! B R^ 1 ___— A diplomate of the American Board of Surgery an honorary fellow of the Southeastern Surgical Association, Dr. Brown also is a member of the American College of Surgeons, American Medical Association, Buffalo Surgical Society, Erie County Medical Society, Buffalo Academy of Medicine, and an honorary membership in Alpha Wk \- /IKv/ A i■ j||i^^^^PWl^^^*^^^lLai^^^B ,^^^^^« HI' B B b /fl HHHiIhB b »L*^ liV JI&SUI BB M^^^^^^^jjßWHH T*l Ji^B ■ BL^AjH^^^pM '\> l 1H — BUFFALONIAN STAFF BEING ORGANIZED military service. i '**^ I HB :$ £' P*b^^jH v** Ji xj> 'w(' ' ji3^l "iii I "m*\****rm^'inm**********\ hkJI^I e-******\***\**Wm\^^i *V JBI / � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 argus-1950-10-02 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/2/1950 Extent The size or duration of the resource. Argus Vol. 4 No. 2 Argus Vol. 4 No. 2 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Argus student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 14:30:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/7/2009 Title A name given to the resource Argus, 1950-10-02; Vol. 4 No. 2 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/50276eb0824efd267d20bfb91c0fb261.pdf 83cdb7bc308d0b2a08fe4d583b927c23 PDF Text Text I j WATCH FOR OPEN FRIDAY, j OCTOBER LjlJ HOUSE THBE EE Z-460 VOLUME 31 <J^ggag§Sifr> 48 BUFFALO, N. Y„ FRIDAY, OCTOBER 6, 1950 NUMBER 3 U.B. NIAGARA TANGLE TOMORROW NIGHT While Students Cheer, Sing At Pep Rally, Dance Tonite FREE MEGAPHONES Plaza Men's Shop is donating U.B. megaphones to campus students who stop in at the Plaza Men's Shop, 41 University Plaza, across Main Street from campus, free for the asking. The megaphones can be put to good use at the U.8.-Nlagara game. For Buffalo's Game of Year, Before A Sellout Gate By DONALD R. WIESNET Tonight the city of Buffalo as well as the U.B. campus will reUniversity of Buffalo footThe sound to the cheers and war whoops ball team still licking its wounds of the U.B. partisan fans as our after absorbing its most resounding supporters gather to hold the bigdefeat in twelve years at the hands gest pep rally ever staged in upof Louisville University last week, state New York. girded themselves for Buffalo's Alumni, students, fans and game of the year tomorrow night friends are going to assemble at in Civic Stadium when U.B. tangles Wednesday night The Pan Hellenic Council Last the Board enterNorton Union at 10 P.M. and proStarting this Friday, the 6th of with an improved Niagara U. prospective sorority Managers University tained of of the of women ceed from there to Rotary field in October from 3:00 until 5:00 and Monday night. A warm welcome Buffalo held their first meeting of eleven at 8:15 P.M. a group. Then the rally will move continuing each Friday thereafter, The Purple Eagles opened their via automobile to Lafayette Square the Norton Union Coffee Hour will was extended to all by Dean Mc- the year. At this meeting the Executive Committee announced season last week with a solid 34-0 where an effigy of the Purple once more be inaugurated in the Donald. After passing through the cor- that J. Vaughn (Bud) Millane had win over the Brooklyn College Eagle will be burned and U.B. West Room and Annex. dial receiving line, each girl was resigned as president. Vice-Presi- Kingsmen and impressed many obcheers will echo from Kleinhans Free coffee and cup cakes will be invited to several luncheon parties dent Theodore Breach has assumed servers and scouts with their Tto Shea's Buffalo. served. The faculty and the ad- by the different sororities. the office of President. formation offense. The game is The Salt and Peppers U.B.'s so ministrative representatives to the Since this left the position of likely to develop into a high scoring seemed anxious Everyone ciety for the perpetuation of pep to board of managers will act as hosts form new and lasting friendships Vice-President open, the Board affair since N.U.'s Johnny Theobold urge car owners to decorate their and also pour the coffee. with the rushees. While talking held an election at which A. Ken- at quarterback showed a lot of accars and themselves with Blue and Dancing will commence at 3:00, and sampling the refreshments neth Pye was elected Vice-Presi- curacy with that oval pigskin last White streamers, signs, or even so there ought Sunday. However, Buffalo rooters to be quite a bit (which were both tasty and attrac- dent. paint. Spruce up the old man's The set-up of the Executive point with pride to the passing tive) an able explanation of the Cadillac with a fresh coat of blue of fun. Board now is: prowess of Tracy LaTona, U.B.'s The mixer committee will sponsor rules and regulations contained in President and white enamel and join in a night Theodore Breach superlative field general, who has of merry-making and rollicking this weekly function and will also the Pan Hellenic handbook was Vice-President A. Kenneth Pye completed 17 passes in 31 attempts given. When it was time to leave be in charge. fun. Secretary Shirley Allan thus far this season, five of which each rushee quite What come seemed excited kids, do on you say, In addition to this super-style Roger McNeil went for scores. acquainted with the new Member-at-Large and better your out and see if instructors have rally, Norton has arranged a square The game is rated by the exdance to entertain all from 8 o'clock those shaky nerves after a big form of college life opened before them. Rushing Rules for 1950perts as a toss-up because of its on in the Norton ball room. Dun- night just as you and Ido. -1951: traditional aspect but the Bulls garees,sweat shirts (the ladies can 1. There shall be a registration look considerably weaker for this wear perspiration blouses) and 1. Candidate must be a student period game than they did at Cortland. from Oct. 1 to Oct. 7 fbr bobby sox are the uniform of the of the UB day school. those who are interested in joining Cone are the bulwarks of the line, day. Besides, who would wear any2. The candidate cannot be a sorority. Those rushees who do 256-pound Les Molnar, now a Mathing else to a rally. Frosh dinks backed by more than two or- not register at the tea rine; Bob Leipler, 238-pounder. Coregister may are of course required of all freshganizations. in Dean McDonald's office during Captain Matty Ferrintino, one of men. Admission to the dance is 3. All publicity in Norton or this period. There shall be a rethe finest linebuckers ever to wear ten cents per person. Refreshacbuildings other must be gistration fee of $.25 per rushee. the blue and white will be sidements in the nature of soft cider cording to rules of those | Any girl who does not register canlined with an ankle injury suffered and hard donuts will be served with buildings. at Louisville. Carl Markey, gluenot be rushed. the compliments of the Union. Don fingered end, and Russ Gugino, who 4. There can be no write-in canRichards' band will provide all with 2. There shall be no off-campus plaved so well at Cortland, are didates. association, no double dating bea desire to dance both round and hobbled by leg ailments. Scathack 5. All applications must be in tween fraternity members and square. Mike Guercio, 155-pound speedster, the hands of the Homecoming rushees. Only Zims and Colonial Lee Jones, popular songleader should be ready to go. Committee no later than Oc- House are considered on Campus. and U.B. Alumnus will lead a short tober 25th at 12 noon. The Bulls are "up" for the game community sing at the rally. Guest 3. No fraternity shall have parspeakers at the rally will be James G. All voting will be done at ties or be the keynote of any offand arc certain to piny their hearts out, regardless of the final E. Peelle, coach James Wilson, basNorton Hall. A Norton Union campus association between frateroutketball coach Mel Bilsin, co-captains card must be used to vote. nity members and prospective memcome. To a man, this game is the Matty Ferrintion and Ed Gicegame they want to win! Balloting will be from10 A.M. bers during the rush season except Practice sessions on Rotary Field have been wicz. to 3 P.M. Friday, October 27. those parties prescribed by the Pan serious, rugged and full of spirit These rules are set up so that Hellenic Council. 4. Luncheon dates may be made during Home-coming Week-end ail week long. everyone will be satisfied and so there will be no confusion for the by a fraternity member only for the from Friday, October 27, to MonNever before in the history of queen's election. Let us see every- day her fraternity is to have a day, October 30, at 2:30 P.M. for U.B. have the Bulls played before one get out and make this a rip- party. all rushees. They must not speak such a crowd as is expected to witroaring election. Who will be the rushing other rushees or Spring plans any 5. will be to to other ness the meeting of the two schools. next queen? Let's all get out and announced later. student, men or women. Rushees Pre-game sales indicate a crowd of support a good candidate. during the sil- 35,000 will jam Civic Stadium to may have no dates PLEDGING ence period. see this game sponsored by the 1. Students in the University, 2. Preferential bidding shall Good-Fellows and the Courier-ExATTENTION VETERANS The Homecoming game is being the School of Fine Arts, and the take place on Monday, October 30, press. Would you please look at held on Saturday, October 28. It Short Study Plan are eligible for from 11 A.M. to 2 P.M. A run down on the probable will be a big day starting with a your receipt for the $50 Veter- pledging. Students in Millard Fillstarting lineup: parade, the game and last but not an's Deposit, and if you are more College and one year Campus Attention All Students least the dance at night. To pre- holding receipt Students are ineligible for pledgLeft End: Co-Captain Ed Gicewicz, numbers 199, ing. Interested in Dramatics side over the festivities, a queen To be initiated each girl must fi'4", 195-pound flanker, won Anyone interested in becomwill be elected to reign over all 1823, or 1853, please bring this have received a C average in the ing Little All-American Honorable a Blue Masquer should call receipt to with her two attendants. the Veterans Bursar's number of hours carried in the at the Mention last year as a SophoMasquer office. Norton Per usual the committee has set Office. 139 Hayes Hall, immedi- semester immediately preceding. more for his excellent offensive today for 212 before 5:00 P. M. up rules for the election which are ately. and defensive work. He is the Preferential Bidding a brief interview. as follows: 1. A silence period shall extend (Continued on Page 8) Norton Union Coffee Hour And Dancing Bd. of Managers Pan-Hel Lists Elects New Rushing Rules Exec. Committee — Freshman Student Committee Meeting Friday, October 13 3:30 P. M. NORTON UNION AUDITORIUM Blanks Available For Candidates For Queen Election Dancing In N. 0. Auditorium 3:30 Today �THE PAGE TWO BUFFALO BEE Friday, October 6, 1950 ************************ Mortar Can U BEEt It? | Leonardo's i * Column * and was J Pestle ! FRIDAY, OCTOBER 6 Instead of my usual ramblings, I J * want to enter in this space an open -K PIZZA J the was under pushed letter that at the I'o.t Office ot SERVED IN THE GROTTO J ■bitcred at. second class matter December 13. l»it. Acceptance for maUln. at BEE office door when nobody Buffalo N V.. under the act ol Mareh 8. 18111. eyerieI ret., of postage provlilrd for In Section 1102. Act of October 3. 1917, looking. Mthorlird l>ecember IS. 1921. My dear Mrs. Bookshop: AOVI.RTlE.INO BY Ml'mbcr Iam of that questionable specie By MPMHNTtO rOM NATIONAL Inc. p^oc^ed called transfer student. Granted I NationalAd»ertisingService, Press Allan Smith am no great brain, and together An exclusive from Chuck Pugh: Collate PMlahan Reprau.tativa niw York. N. Y. Distributor of with other fellow students, rushed the nurses and A.K.Psi's battled UOMadiionAvi. " " L0 "■"" into that section of the campus that it out in the Grotto last Friday at Pharmacists in California rake in houses your honorable establish- five. Jack Magrino, however, Igmy Publication Office Norton Hall. Uni- May except during Examination Parl- one hundred dollars a week for forty ment. After paying prices for nored the nurses, and chased anfl Thsnksglvlng. Chrletmae Campue Br-ffalo 14. N T nds. cause a hanging Lenny Swagler for two hours with Tarslty books that would time and half for hours; double Published weekly from September to Eaeter. overtime plus commissions. The on our old Illinois campus, Ihad to a broken beer bottle. Ed Rlddler EXECUTIVE BOARD union is strong, accounting for the buy some paper and other gadgets was seen sobbing in the corner Editor-In-Chlef necessary for the pursuit of my with a Beck's in one hand and Donald C. Lever. Arta '61 Managing Editor high wages and for the large numKenneth J. Knepflar, Arta '52 proposed studies. Editor clerks. elderly Newa ber of his draft notice in the other. Richard C. Wallace. Arta 'SI Business Manager Wow, Ireally got surprised, what Scoop of the week Dolorea R. Jarecke. BuV Ad. '61 Nan NelSport* Editor we honored to have year Shelgren. This are Frfls P. Bue. Ad. '5J audacity, but then Ithought well, drinking coke. on our faculty Dr. Harold Iwamoto. maybe Buffalo charges more than son seen quietly GOVERNING BOARD Pye, HelKennys Feature Editor He is from the University of MaryJoanna Hanna. Arte 51 Illinois. Therefore, for one long The three Copy Editor ■Mean Corker, Arte '6! where he taught for four years. afternoon Ibecame a comparative frlck, and Knepplar, gave up their land Advertising Manager WIUUm J. Patterson, Bus. Ad. '51 Roger McNeill. Bua. Ad. 'B! Circulation Manager,, He is a registered pharmacist in shopper, and found that there was respective bar stools and took off Les Olno, Aria '(> Aaalatant Copy Editor California. After graduating from for Louisville in a cloud of dust Bud Jung, Arta '52 Accounts Manager the University of California from little justification in the inflationand oil. A new drink was invented Plica Editor you are asking. Hobert B. -Murray, Arts '52 prices ary Pharmacy School Dr. Iwamoto two shots of the way down NEWS STAFF But even this Iwould gladly let on served one year internship in a Old Forrester chased by two Marleen BengFl. Bin Ifrownjohn, Doug, (Campbell, Joyce Campbell. Lynn Cocker, I money, if Ihad the which pass, hospital pharmacy, (a term which grapes. For t'arol Itosenhach, Jean Zaenoy, Judith Hosner. Therefore, in order to make slightly squashed many graduates entered). He is don't. some strange reason, Dotton BrenFEATURE STAFF that Iwill have to spend money the married and has three boys. The In didn't want her to go Walter UotlHhaw, Robert I.oewer, Allan Smith. Marve Smith. your bookshop, anyway please ner's mother "strange" men. doctor has published publications down with four SrORTS STAFF My me a chance do so. give to related to research in pharmacolupheld the honor of the Joy Hob Dell, Iven Pye, Jim .Spencer. Vann a worked in background having ogy in collaboration with others. campus of 1954, drink and all, by cooperative bookstore class of COPY STAFF Dr. Iwamoto is a member of Rho falling asleep with her luggage In Norma' Bnqutat, Irene Lukasiewicz. Hetty McKenica, Doris Young. Sylvia me, replace four to ZaKOWski. Jeanne McEw-an, Hob Ohine, Skip Llottl, Hud Jung. Chi and Sigma Xi honorary so- surely qualifies Louisville baseball park. Dolto six of your 16 or 18 employees, the Jarecke cieties. ADVERTISING STAFF lost her cheerleading up the profits anyway. ly who eat (icrald Patterson, il'ox. Jack Al Tlsluck. The faculty also started the year This is certainly the first school tights but cheered anyway. REWHITB STAFF off with a bang. Dr. and Mrs. Ihave ever entered that fails to Ted Matthews looked a bit IHTttin Ambrosia, Bob Schnabel, I>on Welsnet. Lemon entertained Foster's faculty hire students to help in the admi- raw at the Alpha Gam dance. in their summer home at Cedar Bay, nistration or running of a cam- He decided to play the drums much to the dismay of the drumCanada. Dr. Lemon was outfitted pus book store. appropriately for the occasion; he But Iguess after having been ten mer, a creep from way back. The wore the traditional chef's garb days on the campus Ihave found band was slightly confused, While the the reason for this scandalous lack showed up at 8:00 PM; of course, At the present time there is a resounding argument go- while serving supper. the ten, women men played croquet, of consideration for those of us who the dance didn't start until ing on in the offices where this is being written. It con- sunned themselves on the beach. try to work their way thru school. so then serenaded the waiters Dr. Swisher attempted to prevent The only and most feasable explan- until the crowd showed up. Lee cerns the recent announcement of the rushing rules for Mr. Beal's son from eating too ation naturally is that you do not Gino flatly refused to cross the much sand. Dr. Kleber took honors like to have us see too clearly what creek to the No. twelve tee off. 1950 to 1951 by the Pan-Hellinic council. in croquet. Dr. Gaugeir was the is going on, which enables you to At the breakfast following the champion canasta player. Farmer ask prices that would make Tiffany dance. Joanne Hanna pooped out took honors at horseshoes. blush. in fine style, having succeeded in The core of the argument lies in the fact that the mem- Lockie Ingersolum as usual was outstand- Since my fellow students have talking her date out of ditching bers of that worthy organization have made what appears ing in the hot dog eating contest. told me that Iam not the only one her and taking Nan Dossert's This week the School of Phar- who gets slightly excited over that mother. to be a grave mistake in that the silence period that they macy was inspected by the Ameri- sore spot of an otherwise beautiful Art Yeate's mother won the SAN Council on PharmaceuticalEdu- campus, and that many members of raffle. Ahem! have designated conflicts with the activities1 of Homecoming can By the way, Frosh, contrary to cation. This is the crediting agency the faculty as well as students are conditions, about these thrumad the somewhat twisted teachings slightly pharmacy for the schools of weekend. out the nation. Itis the first time Isuggest, that something be done. of a local chronicle, dinks are Iam too new here to know the welcome with open arms at all since 1938 that this school has been and maybe, somebody is try- campus 'functions. With all of the recent efforts toward the promotion of inspected. The committee has re- ropes viewed the faculty, load and size of ing to buck the "System" already, Dick Wallace finally broke down school spirit meeting with a degree of success and with a classes, curriculum and degrees, ad- if so he has my best wishes. and pinned Cody Orcutt. Dan Iknow you won't print this letter, Carlson Is still trying to suck up requirements, attendance, mission minimum of opposition to these efforts on the campus, student load, instruction, library, but I just had to let off steam a quarter a of barrel of beer, left ac- somewhere. extra curricular from finances, and over the mixer committee this is a grave mistake on the part of it would seem that A Transfer student, who's mad. tivities. party. Duck Pliss, alias Sam Mutthe council. terfield swears up and down that he'll stay potted for the semester if he doesn't have to play pole sitThe homecoming weekend is, or should be, one of the ter for the pep rally. Huble Hollar lost In an alcohighlights on the agenda of the fall semester, at least as holic fog while roaring home from far as the extra-curricular activities of the students are Canada. Dick Davies tried to coax Libbie Foels down to a local brewery for a quick one, but Mrs. Foels concerned. The effects of the Pan-Hellenic council's upheld her dignity. decision is to eliminate from participation in these actAndy will serve pizza on Friday at the Grotto. All this plus aj Chug ivities all of those students who need these outlets the a-lug contest makes it sound like a good party. See you there. Subscription glrcutatlon t»H»> tl.oo Par Year GROTTO GAYETIES CblleBiate """ ZIX Colle6ioteDi6est — — - — . EDITORIAL It does not seem logical or necessary for this state of affairs to exist. There is absolutely no reason why there cannot be some sort of coordination between the various factions in Norton so that this sort of situation can be avoided in the future. Perhaps even now it is not too late to correct the situation. If the proper people were to get together they might be able to either change the date or perhaps modify the regulations so that the rushees could participate in the festivities of the weekend. "HE'S GOOD BUT DUMB." MED. SCHOOL APPLICANTS All students who expect to apply for Medical School in the Fall of 1951 should arrange to have an interview with Mr. Gratwick in the Personnel Office at the earliest opportunity. This applies to students who had an Interview last year but did not enter Medical School this Fall, as well as to students applying for the first time next Fall. Since many Medical Schools stop taking applications by the middle of the Fall, an early appointment is advisable. �THE BUFFALO Friday, October 6, 1950 Program Notes — Ready for another fling on the campus another Open House or a Square Dance? Tell you what we're gonna do. We've got just the thing to suit your fancy this Friday Nite in Norton. BOTH ROUND AND SQUARE DANCING to your heart's content. Read about it on the front page of the Bee. Now, brace yourself! Ready for a strenuous Tiddlywink Tourney? Yup, it's coming....November 2 and 3, that's a Thursday and Friday.... enter now, by applying either in Room 252 or by seeing Ray Gillman. P.S. THE PRIZES ARE BEAUTIFUL! In addition, the campus winner of this glorious event will be presented with his winning Tiddly and THE CUP that brought him fame. Dink's will, now be placed across the heart. All kidding aside though, the Tournament Committee is really on the ball and they're looking forward to having you take part in their events. If you haven't applied for any of the Union Committees, don't waste time....sign up now in Libbie Foels' Office, Norton 252. The Movie Committee has really a swell treat in store for those of you who want to earn a little extra money this year. Dick Rogalski is teaching a course in proector operating so any of you who want to learn....see Dick Or Pat Morton, who is the Chairman for the Committee. CAN YOU DO THE G0M80?.... Austrian Student Speaks Alfred Tiefenbrunner, already well known campus figure, an exchange student from Austria, will talk about the Austrian school-system and his first impressions of American university life next thursday at 4 P. M. in the East Room of Norton Union, when the GERMAN CLUB will have its first meet- Attention All Organizations All organizations are urged to send their representatives to the first meeting of the OAC committee to be held on Thurs., Oct. 12. SORORITIES, ) ORGANIZATIONS! MONOGRAMMED CARDIGANS ( SHIRTS and SWEAT SHIRTS ( GIVEN INDIVIDUALATTENTION ) *, WHOLESALE PRICES Call PA 5447 (after 6:00 P.M.) ( T 4:30 invited. J FRATERNITIES, IN THE GROTTO ing. Everyone, especially stucordially — 3 CHUG-A-LUG CONTEST TODAY dents of German, is I thought not? No reason to end it a11..... ju5t show up for Dancing Instruction on Tuesday Evenings, in the Norton Ballroom, beginning jector operating so any of you mand Saiia, you remember them from the Frosh Open House, will save you from becoming just a piece of wallpaper. Just a reminder Football movies are shown Wednesdays at noon in the auditorium, and on Tuesdays and Thursdays there are movies of other events. Watch for them. N.E. Body BEE Campus Interviews on Cigarette Tests Number 2...THE BLOW FISH ATTENTION: All Fraternities and Sororities With the Greeks, regular feature of the Bee. died a painless death at the last staff meeting. It will no longer appear. Important information may he submitted lo the Bee Office for publication as a news itom. Gossip may be forwarded through the office to our columnists. Ileadline is Monday at t :00. VERSATILE PAIR FOR WEAR EVERYWHERE Surretiill suit -IjSJjr HARMONIZING SLACKS SP yk% s t .^T | Definitely the smartest wardrobe investment for any campus man! IHSS |H H traditionally fine Rose Brothers manner ||P IS i frdm an exclusive, allwool fabric by Pacific Mills thatlooksand feels [ '■. li likegabardine.Don'tcut i .f 8 classes, butget yours soon! j I g ■Blllf > ? A 0(,it) iSa^ IjIIHTOrHJ '..., I "* '"" ""<>,„ MmmW „>« 5 J awwww^l aaaaaa^j^ 1business " sportswear " WEEK-ENDING i EVENING Wk f ;.' i^li 7 7 Wrti^^ *SO T^ggl Hk ml j H § in 1 I'll M\ (eSS^e^^^i PERMANENTLY MOTHPROOFED SurretwillSuits now only $45 Contrasting SurretwillSlacks "Shucks— l blew in whenI should've blown out!" A ity the poor Piscis! He'sbeen making allthose trick cigarette tests you've been reading about! He's taken one puff of this brand — one sniff of that. A quick inhale of cigarette "A" a fust exhale of cigarette "B" andhe's still confused! Seriously,isn't the sensible way to test a cigarette to smoke pack after pack, day after day? f^ — !""*! That's the test Camel asks you to make pi k«N«J the 30-Day Mildness Test. Smoke Camels and "» ftp** only Camels regularly for 30 days. Your ''T-Zone" t jAt *A "'tat (T for Throat and T for Taste)— is the real proving -*$ia E VM *^^kmAm%^iamW cigarette. ground for any After you've tried Camels as your regular smoke, you'll know why X> «t^ — — — — rib . .. $139S IN BUFFALO SEE SURRETWILL AT More PeopleSmoke Camels JACOBI BROS, and MOREY'S fhan any other cigarette! " IOPfeJ? u\ �THE 4 BUFFALO Friday, October 6, 1950 BEE LOUISVILLE DEFEATS UNIV. OF BUFFALO BEAUTIFUL DRY CLEANING and PRESSING EXPERT TAILORING GRANT SCHWARTZ, Prop. VSuffalo -^'''J 3366 BAILEY LISBON (^-leanerA at PA 4037 Louisville Tops Bulls 48-19 Latona, Gicewicz Sparkle Attention All Students The Greek Ball held by the Interfraternity Council in conjunction with the Pan-Hellenic Council will be held on Nov. 4, and not on Nov. 10 as, previously stated. University of Buffalo foot■fballTheteam came-a-cropper last Sat- bowing to the powerful Harriers Meet Gannon urday, Louisville Cardinals by a score of Lose To Brockport ing 48-19. This was the second meetof the two schools, the Bulls i WE DARE THEM ALL! Philip Morris challenges any other leading brand to suggest this test / /^W?^x M^ Sf/^f^*"*%%W/ HUNDREDS OF THOUSANDS OF SMOKERS, who tried this test, N\,Sr report in signed statements that PHILIP MORRIS IS DEFINITELY LESS IRRITATING, DEFINITELY MILDER.' 6 Hr''v^» Wk 2 sp W. H^^^B :^i^HHil^^ WW^'^^Vff-' ■^■BLiiys.v-'- ir^iH M ..>i;: WMMmw \j*Kjc&-;;fIBn>H«>WH>9>iRUHBK.iM "ASSESS; J — X. .. Light up a PHILIP MORRIS puff -DON'T INHAtE and s-l-o-w-l-y letthe smoke come through your nose. Easy, isn't it? And NOW... Just take a VH ifff having downed the Cards 47-12 two Nineteen members of the Louisville team that absorbed the 1948 drubbing, believing, evidently, that turnabout is fair play were on hand to gain full measure of revenge. Louisville, reportedly heading for big time football, held Buffalo to 23 to 32. Ken Plumb lost for the fifth no gain on the ground while they time to little Walter Norris from were grinding out a convincing toBrockport, but this time only by tal of 336 yards. The one bright two seconds. Ken's time for the spot for Buffalo was the accurate passing of Tracy La Tona, brilliant 4'i-mile course was 23:02. Coach Hillburger, though slight- quarterback who starred at Seneca ly depressed by the team's defeat, Vocational High School. Tracy, was greatly pleased with the run- given scant protection most of the ning of Jack Trougatt, a fresh- time, completed 11 out of 19 passes, man. Jack finished 20 seconds be- three going for touchdowns. La hind Plumb, the closest any U.B. Tona, pitching mostly to the ends, runner has come to Ken in over hit Ed Gicewicz with two T.D. two years of cross-country. tosses and Joe Papsidero for one The runners and the place they marker. Inthe first two games the finished are: Bulls have scored five times, all on Ken Plumb 2; Jack Trougatt La Tona's heaves. Ed Gicewicz 3; Jerry Repetski— B; "Welly" Leg- has been on the receiving end of ters—9; Don Willert 10; and Lou four of the scoring aerials. Pozarmy The loss of U.B.'s two first string tackles, .Les Molnar and Bob Leipler, and the absence of Matty FerPATRONIZE rentino doubtlessly minimized the OUR Bulls' chances against the Cards ADVERTISERS! who were two touchdown favorites. — seasons ago. — — —. I^^% tttm^'M-' mW^^^^tAwAii^xK* y A s&At HH:.' f University of Buffalo's X-country team will try to regain their winning ways when they meet Gannon College, from Erie, Pa., on U.B.'s course this Friday aftei'noon. The team hopes to be in better shape for this meet than they were for last Saturday's meet with Brockport S. T. Brockport won k,\trWmm ■'"^^BmmmWm '■ <%&$& iB ..Light up your presentbrand 2. Do exactly the same thing— DON'T INHALE. Notice that bite, that sting? Quite a difference from PHILIP MORRIS! Other brands merely make claims— but Philip Morris invites you to compare, to judge, to decide for yourself. Try this simple test. We believe that you, too, will agree Philip Morris is, indeed, America's FINEST Cigarette! . .. NO CIGARETTE HANGOVER major subject... OXFORD button-down JQ9S Q Tailored to a college man's taste— oxford ... button-downs. Casual, comfortable nonchalant—no wonder they're the most popular shirts on campus. Van Heusen button-downs come in whites and colors with average length collar for that always correct look.Be an Oxfordian with Van Heusen button-downs. A new shirt free if your Van Heusen shrinks ... means MORE SMOKING PLEASURE! &sPHILIP MORRIS &^^" out of size. 0 VanHeusen . the worlds smartest" Ollli I>U PHILLIPS.JONES CORP., NEW YORK 1, N. Y. �Friday, October 6, 1950 THE BUFFALO BEE 5 Shulimson on top to preserve the perfect score. Ben Celniker easily overpowered the cataract's Bob Ripley with a 6-3, 6-2 setback. The University of Buffalo golfThe red-hot UB netmen opened Don Miller clinched a perfect recers made their season's inaugural the 1950 tennis season last Monday ord in the singles department by a success when they drubbed Ni- handing the Niagrians a searing really turning on steam and slashingNiagara's Bob Campbell with a agara University 12-6 Monday at 9-0 whitewash. 6-0 set and a 6-2 set. Niagara. Bill Kullman started the ball rollOn the opening doubles affair John Finck, Bob Smith and Fritz ing by defeating Joe O'Connor of ÜB's Kullman and Hodan racked up a 6-3, 6-2 victory over O'Connor Shelgren led the assault, each the NU with a 6-4, 7-5 match. and Rodney. winning the nassau points. Bernie Next man to blaze to victory was Barnette and Harry Weinberg 6-4, Jim Hodan with a 6-0 score two and Bole collected a half while also came thru with an identical Rodney Niagara. Dick of over Bob Babbitt added the remaining score to batter Bockar and Dick Gene Burnett followed suit with Prince of the Falls into submission. half point. a 6-1, 6-3 victory in the third single With the meet well lop sided in Finck and Shelgren tied for affair with Niagara's Dave Bockor. ÜB's favor one might think the medal honors, each carding a five Ralph Dollingse of NU and Bert over par 75, while Smith and Boles boys would ease up. But not Celengaged next in a thrilleach had 7S's. Babbitt negotiated Shulimson er which lasted the entire three the course in 82 blows and Tom \ sets. Incidentally this match was Krieger required 84. the only affair being comprised of The Bulls next match is against three sets. At the end of two, the Agricultural College at Ontario score stood at 3-6, 6-4 with the Cuelph Ontario on Oct. 13. The match resting on the outcome of match against Brockport State on the following set. The wham-bam September 2!) has been cancelled. set wound up 10-8 with our Bert Intramural Sports Golfers Beat N.U. U.B. Netmen Win By 12-6 Count Defeat Niagara 808 BABBITT nite saw -the kick-off ot League Touchfootball the intramural sports program with several well played games giving a display of potential stiff competition in the future. Several forfeits slowed down the opening of the league, as SAN won a forfeit over Alpha Phi Omega, KSK forfeit to Alpha Sigma Phi and KN failed to appear against Theta Chi. Tallying 6 points in the first quarter and another touchdown and extra point in the final quarter gave the SAN a hard-fought 13-0 victory oyer BST. The BXE rambled over the Beta Phi Sigma as they scored seven points in the first two stanzas, 6 in the 3rd and were held scoreless in the last for a 20-0 final score. Another 20-0 victory found the loaded Beta Sigma Phu over the Alpha Kappa Psi as a combined running and long passing attack gave them 7 points in 2nd frame and 6, each in the last two. Several other fraternities are scheduled to appear in the league next to get touchfootball in full Monday Fraternity nikerand Miller. They took the final match 6-0, 6-1 over Ripley and Dick Mahahan to make ÜB's 13 consecutive victory a perfect shut-out. ' LOST Gold tie-clip with University seal, on Tuesday, October 3, between parking lot and Biology Building. If found, please turn in at Director's Office, Nor- — — ton Hall. REWARD. Nick's Shoe Repair 3203 MAIN STREET Repaired While You Wait CANTEEN RESTAURANT Ljooa FROM THE WORLD'S FOREMOST PEN MAKER- ■ swing. In the next reporting we will have results of the newly formed campus league as well as results of speedball in both leagues. Officials are still needed for intramural games and are paid for their efforts. The Monday night league at 3:45 is especially in need of good officials. A new phase of the intramural athletic program which starts November Ist but which many are already training for is the "Down the River Swim." ' Instituted to encourage slower swimmers to compete and also presenting an opportunity to improve swiipming techniques this FOR THE FIRST TIME YOU CAN BUY A MODERN, PRECISION-MADE PARKER PEN AT JUST ABOUT ANY PRICE YOU WANT TO PAY. CHOOSE NOW-START SCHOOL WITH A BRAND NEW PARKER! NEW PARKER 3l|C fl — fl -"'i <-"£S "pj|" the Phi .Epsilon in the spring to the team having the greatest number of points. This should also 'condition swimmers for a better intramural swim meet points " mMme—^^^^^^tfF n1 n y\\M SiliErri _i _ " fl fl 9 fl H/ flj '"I ... AWU K^jfl °E^^^^g^= flj fli>3 = B.^a»^^gg^^M!yXwy fl swim will allow teams and organizations a chance to accumulate Kappa . /% dll With the !JUk!-W(Rk " The worla s most-wanted pen now equipped with the new exclusive Aerometric Ink System. Designed to farout-lastordinary pens. A real invest; men!in writingpleasure I 8 rich colors. IflV Ammly'^^rT^^mmmm toward trophy, donated NEW, PARKER next April. More intramural news coming your way next issue but if any of our Bee readers have any suggestions for this column let's hear from you via the Bee box in Norton. "51 '/2V€OgX 1 * ml IB^mg^mmm\mm'^TTmmmmmmm mm^^f^- 11^ fllHl "nr^rrD, —' 5 \\> "" M _3^ Typical "51" precision flka I■Hsiflfl fl JlhE^Bl B features. Fastest-action e'- Vls|l'l° ml< supply. Pli- glass reservoir. (No flj smooth Oclanium point. 4 colors. Lustraloy caps. 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YOU NEVER NEED A BLOTTERI (Tlwy will alio usa ordinary Ink.) Ask for Parker Superttiroma. /JmA^mXmm^A. 1 LAW u AA 9mr"^MMMm^^^ �6 — — PRIVATE — INSTRUCTION — — THE ADELAIDE'S DANCE STUDIO 95 IVYHURST ROAD PA 7202 Friday, October 6, 1950 BEE ATTENTION ALL CANDIDATES FOR DEGREE LEARN TO DANCE FOX TROT TANGO WALTZ SAMBA RHUMBA MAMBO— BATON TWIRLING— TAP BALLET— ACROBATICS BUFFALO To All Candidates For the BachIfnow, or by Registration Day in elor of Arts Degree Who Have January, you expect to have apNot Yet Been Admitted to Tuto- proximately 64 semester hours of rial Status credit, you should now confer with EGGERTSVILLE J. Pan! Sheedy* Switched to Wildroot Cream-Oil Became He Flanked The Finger-Nail Test AMHERST DINER "WHEAT CAKES ANYTIME" SPECIAL DINNERS DAILY FOR 75c 38 KENMORE AVE. (near University Plaza) campus SHEEDY WAS NEEDYI He was the worst neck on campus, and everybody looked down on him the minute they spotted his messy hair. Poor Paul was gonna zoo somebody until he herdaboutWildroot Cream-Oil. Now,he'sheadand shoulders above every guy at schoolINon-alcoholic Wildroot with Lanolin keeps hair neat and well-groomed all day long. Relieves annoyingdryness,removesloose,ugly dandruff. Sodon't over- <^y look Wildroot Cream-Oil hair tonic. Necks time you visit the (V SamSmSi \ nearest drug or toilet goods counter, get a bottle or tube of |v> Ejjjjjß \ Wildroot. Andgiraffe your barber for professionalapplications. 17 \ For a generous trial supply, free, send this ad withyour name b p— mmf i andaddreSBtoDept.DC,WildrootCo.;lnc.,Buffaloll,N.Y. <{ J**""! * ef N.Z££ $27 Burroughs Dr., Snydtr, N. Y. yßfS^^^cß-^^Jfei'l " ** WUdroot Company,Inc., Buffalo11, N.Y. rfl■fUk * Burt 3'95 V V Tutorial status in his department. The ordinary quantitative requirement for admission to Tutorial status is 64 hours. Students of high standing are occasionally admitted with less if the application is endorsed by the department in which the student wishes to major. Having secured his preliminary (tentative) approval, you should then call at the Tutorial Office (292 Hayes Hall) to file a formal application for acceptance by the department of your choice. Applications will be processed in order of their receipt; and in due time, you will benotified ofits (a) acceptance, (b) rejection, or (c) of the requirements still outstanding which you must fulfil in order to insure acceptance in the department you desire. FULL COURSE DINNERS o%(m the chairman of the department in vhich you hope to major,and notify him of your intention to apply for ,i,^TT' KINDLY DISREGARD THIS NOTICE ENTIRELY IF YOU FALL IN ONE OF THESE CATEGORIES:— 1.If you will have considerably less than 64 semester hours of credit by Registration Day in January. 1.If you plan to do the rest of your work in some division of the University other than the College of Arts and Sciences. For example, if you are certain of admission next fall to Law School, Medical School, Dental School, or any other professional school. Note: If uncertain of such admission, you will lie wise to select a department now, and apply for Tutorial status. ".. If you plan to transfer to another institution, or to drop out of college altogether. Richard Jl. Drake Director of Tutorial InstMiction rln4 llfl^**^ Burt— oxford button-down collar with the soft roll (the collegeman's staple diet).A "Manhattan,"of course. — #^~wf> k/ti of, ...because L it brings you the news the way you want it complete, accurate, unbiased, interesting— every day! — The Times has more correspondents covering the news centers of the world than any other publication tn make sun you get the essentia] facts you need aboul what's happening. / M **"*ijfl ml -j Range $3.65 $3.95 I/ and Ra»9o— fine white broadcloth with the wide-spread collar. Made by "Manhattan," which means perfect fit. in* Manhattan Shirt Company,makersof"Manhattan"shirts, ties, msdtTwcar, pajamas, sporUhirts, beachuxar and handkerchiefs. \ Yon gi ! a daily book review, too. in Tho Times- reviews of new plays, movies, ami other entertainment--complete sportspages including Arthur Daley's colorful "Sports of The Times"— and important news of business for future important businessmen. You'll find it all good for your mind, good for your marks, and easily the biggest news value for the money. So let's have a loud locomotive, are you ready? H .'I - ~T 1..».«-*""'" "' f/M'r' -/*"^^^** tfmw 1 J ky* -.. ■ Jmi. **""">ii*'4»i\ jff?m\w<, aMW^^ *-X( V a KM.\ \ \\ r VV Vfc vi Tr^ NtWS THAT'S F.IT TO PRINT" Now a cheer for your New York Times representative, whom you should see today to arrange for regular delivery of The Times to you : '" V/' ;i \^s < \yf 'T^tSU yy y ■ifltffc W^Vt \T xX .***£..... j T-h-e N-e-w Y-o-r-k T-i-m-e-s AIL THE I\ j3B>^ ew*^ �THE Friday, October 6, 1950 INTER-VARSITY CHRISTIAN FELLOWSHIP Everyone is invited and welcome to attend the October 10 meeting of the Inter-Varsity Christian Fellowship. Dr. Post, our advisor, will speak on the timely topic: "Is By Fritz Shelgren It Peace or War?" Inter-Varsity Shape tells in the long run. The meets every Tuesday evening in the fresh team is the- best team. The West Room of Norton at 7:30 P.M. University of Buffalo-Louisville Plan now to attend. grid fracas seems to substantiate this statement. With the Cardinals Attention Girls using the two platton system Tom Breach is looking for a throughout the contest the Bulls new singer. All girls with singsimply ran out of gas In the final ing talent who have a genuine stanza Saturday and subsequently interest in singing, are asked were ground into Kentucky's blue to contact Tom at VI 3865. BULL TALES grass. Exactly what will happen this Saturday night remains to be seen. Fortunately, Jim Miller's Purple Eagle outfit does not have the necessary depth for the un- limited substitution rule. They a much faster outfit than Buffalo. Niagara's ground game packs more breakaway power than does Jimmy Wilson's winged T. In John Theobold the lads from Monteagle Ridge have a better than fair passer and this year they have ends that can catch that pigskin. Judging from the Louisville game the Bulls have been hard hit by the loss of the bulky forms of Les Molnar and Bob I«ipler. Don Beitleman ,is the 'biggest tackle they have, and he is hampered by a bad knee' This coupled with the possibility that Matt Ferrentino may not be ready for action will do much to curtail the Bulls defensive effectiveness. The fact that all of Buffalo's scores have been via the aerial route leads me to assume that the Blue Waves ground game is not what it should be. So pray that it doesn't rain come this weekend. The Blue and White will have to show a good deal more than they have in their two previous encounters if they wish to pull this game out of the fire. It would be a fitting gesture to the Courier Express Good Fellows if there is a capacity house tomorrow night. Needless to say it would go far to replenish the depleted athletic funds at the two institutions. The forty-eight points scored by Louisville is the largest number of points scored against the Bulls since Kent State shellacked Buffalo 54.0 in 1938. In 1901 the Blue and White suffered their most humiliating defeat at the hands of Michigan by a 128-0 count.... The Buffalo Frosh's game with Manlius was a carbon copy of the 1949 contest. Vic Manz's stalwarts were definitely not ready for what will be their toughest have, however, STARTS Tues., Oct. 10 THE MOST POWERFUL FILM EVER MADE...It will-*. A sear yourmemory .m^ja game and it would not be surprising to see the Bulls go undeafeated during the remainder of the campaign. Coaches Wareen Gregory and William Sandford have announced the all wrestling and swimming candidates should report to Clark Gym at 3:30 October 10. BUFFALO BEE Out-of-Towners Hold Wiener Roast Sunday All those who are interested in the chug-a-lug team for the out-oftowners are asked to meet at the Grotto at 2:30 P.M. Friday afternoon for preliminary eliminations. The gals will be allowed to compete with the fellows. Don't forget the get-acquainted wiener roast which will be held Sunday afternoon at Ellicott Creek Park. This will inaugurate a new year of social activity for the club. Here's a chance for the Freshmen to meet and mix. And a chance for the upper-classmen to renew old acquaintances. The buses will leave Niagara Falls Boulevard and Main Street at 12:49, 2:19, 3:49 P.M. Membership cards are all that will be required. Be sure to attend as this promises to be a gala affair. The regularly scheduled meeting for October 9th has been cancelled. Albert Cotriss. The Newman Club, Catholic organization for students on campus, announces its Annual OpenHouse which will be held at Newman Hall, 15 University Avenue, (in the shadow of Hayes Hall) on Sunday, October S, from three to nine P.M. At this time Newman Hall will be open for inspection of all po- tential members. Father Murray, and former members will be on hand at that time to welcome new members and show them around. The entertainment promises 'refreshments, games, music, and a good time for all. On Saturday at 10 A.M.. Mass will be said at Newman Hall chapel for members of the football team. Team members are invited to attend. ANNE HARTMAN GUSTAVE— A.FRISCH Newman Club — It's easy! It's fun! No box tops to send! No essays to write! Just write a simple four-line jingle, and make $25! Start today! you may ' Write a "Happy-Go-Lucky" jingle, like those you see on this page,basedonsome phase of college life.If your jingle is selected for possibleuse in Lucky Strike advertising, we will pay you 525 for the right to use it and your name in our advertising. Start today."Happy-Go-Luckies" — will soon be running in your paper. Send in your jingles as many as you like-right away,and $25 can be yours pronto if your jingle is chosen.Be the first to write a jingle in your school. Watch this paper for more "Happy-Go-Luckies." READ THESE SIMPLE INSTRUCTIONS — 1. Write your "Happy-Go- Be sure your name, college and Lucky"four-line jingleon a plain address are included and that piece of paper, or postcard, and they are legible. send it to Happy-Go-Lucky, 2. Every student of any college P.O.Box 67,New York 46,N.Y. or university may submit jingles. officers, OPTICIANS JEWELERS 41 KENMORE AVENUE MAIN ST., at THE PLAZA (at University Plaza) Diamonds, Ljifti and Watches, Jewelry EXPERT WATCH REPAIR N.S.A. Card Honored Use Our Convenient Credit Plan i^ardi N.S.A. CARDS HONORED Complete Optical Service "#> m " i'sW t!*/ VvX'aZ <\ »/ /^sjSL <;/ t stu<M Fr^nc^n hear / u? 6u^V^;K^^ SYjL^JT J.J A^S S . > TT*SLI \ too iieKU U»*» Are I JVIE"*E ''/ mm^ mm ll'twill/"* J | la* t /J \\\\w& _ P^PP/- C3O m^U^S.y _ W "^^■■^■■t^^^" _ # # fc/ljOy tfUly "Wig tOD&CCO IUJjljOtj , .it " I f , pCrteCt miUMeSS ZtUl OCT) taSte. /^tTV^s eßb?* ■■'"feyC^ A. /^^^"SPB! '''■-■"£r*atr.m.mamammmm yi/ /A /' .....,...,_ / W/JP J ■ J /^r // ■<mm.MA%PAl?mms \ \l# 'ol 7s '**%WZZmA'^m,^mmiFms tft W A^a\Xtmm^ V ! PBS?!. LEW AYRES ■#*■ CmMaltmmt louis wolheim j-z. — ytTESrJa ftl Hlff«f*' 7 "»^"* I tlvmcfA k-HWII M»tSTO*l MERCURY THEATRE 565 MAIN STREET LS-/M FT-Lwd<y Strike Means Rne Tofeacco C^-^u.Jf SOPH., TNI AMINICANTOIAOCO COMPAN* �U.B. Niagara (Continued from Page 1) team's leading scorer with 24 points in two frames. Left Tackle: Don Beitleman, 6 1", 228 pounds, is a heavyweight wrestler who has won three major football letters at U.B. Ix>ft Guard: (doubtful starter) Co-Capt, Matty Ferrintino, husky 195-pound Senior, who backs up the line on defense. He was awarded U.B.'s most Valuable Player award in 1949. Center: Dave Runyon, 6", 180 pounds, was the most efficient offensive linesman on Frank Clair's 1949 eleven. Right Guard: Peter D'Airigo, 5 9", 175-pound former Lafayette high school star who played last season, is a fierce blocker. Right Tackle: Buz Buzzelli 510", is a strapping 193 pound lineman who starred for the North Tonawanda Steelers two years ago. This is his first year on the varsity. fit Jm Vkl^P BUFFALO THE 8 * Right End: Matty Szydlowski 6,1 170 pounds is perhaps the mort spirited player on the team. }li> determination and wegged live j play make him a terror to the Friday,October 6, 1950 BEE pounds is amazingly fast for a HEADQUARTERS FOR STORM COATS THAT ARE DIFFERENT man of his size. He averaged better than 6 yards per try last season as fullback last year. opposition. Quarterback : Tracy LaTona 5 10", 166 pounds is a superb passer worthy of national recognition. Left Half Back: Cas Kania, 5 9", 183 pounds won the Bee award as U.B.'s outstanding freshman athlete in 1949. He was the leading scorer on last season's frosh. Right Half Back: Ray Dinnocinzio, 510", 166 pounds is a product of North Tonawanda. Besides being a shifty clever runner, Dinno backs up the line with neatness and dispatch. He returned a kickoff 72 yards against Cortland. Fullback: Ray Weser, 6 1", 195 $49.75 $59.75 $69.75 THE FLORETTE FLOWER SHOPPE GREENHOUSE AND (KATHLEEN MADDEN) Dial PA 9696 ORCHID CORSAGES $1.89 — Discounts on Both N.U. and — N.S.A. Cards WE DELIVER 3236 MAIN ST. (opp. U. B.) BUFFALO 14, N .Y. 3584 MAIN STREET AFTERTHE N.U. SQUARE DANCE MEET THE GANG AT LEONARDO'S (GROTTO) jf^WAA^MW^^^L^^ m » Discount Given ON PRESENTATION OF A NORTON UNION CARD DURING OCTOBER ONLY Open Thursday, Friday and Saturday Evenings IfflmfgW / 10% Tel. AM 6533 m^l^[»V'/ ' v xIl S 3 l*m>S^ "~**^ B'KLYN DODGERS Copyti^hi 1950, Liggett & Myths Tobacco Co. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 bee-1950-10-06 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/6/1950 Extent The size or duration of the resource. The Bee Vol. 31 No. 3 The Bee Vol. 31 No. 3 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Bee student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 13:50:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/20/2009 Title A name given to the resource Bee, 1950-10-06; Vol. 31 No. 3 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/596c1af6534aa97b1e8aef077f9964c8.pdf daf93163715ecbf9979ccb3f72cd7df1 PDF Text Text THEUNIVERSITY OFBUFFALO ARGUS NEXT WEEK Vol. IV BUFFALO, NEW YORK i BEAT ALFRED OCTOBER 9, 19S0 No. 3. i UB BOWS TO NIAGARA New College Formed W. N.Y. to Mark For the first time in the history UN Week Millane Resigns Presidency of the University of Buffalo, a twoyear curriculum leading to an Associate in Arts Degree and an Associate in Applied Science Degree is being offered through the facilities of the newly formed Division of General and Technical Studies. The new Division will be supervised by John A. Bean, Director. In Rn int.prvipw witVi Mr Assistant to the Director, it was learned that the creation of the new Division was due to the increasing demand upon the University to provide for those students who desire certified credit for studies not leading to a four-year Loss of Key Linemen, Weak Pass Defense, Doom U.8.; Dinnocenzio Shines on Offense All of Western New York will1 J. Vaughan (Bud) Millane, popThe University of Buffalo Bulls went down to defeat have an opportunity, to join in the ularly elected president of Norton Saturdaynight before a crowd of 25,000 spectators. WeakWeek, celebrtion of United Nations Union Board of Manage rs, has an- ened by the Joss of key players, UB was consistently outbeginning Oct. 17, in support of the nouned his resignation from that playedby.an inspired Niagara University team, obviously organiaztion that holds the world's post. His decision to do so was up for the game. peace hopes. Highlight of the local based on the fear that a summer Although Buffalo drew first scoring blood with quarobservance will be a large U. N. accident (see The ARGUS, Oct. 2) terback Holland bucking over to cap a sustained 82-yard meeting on Saturday, Oct. 21, at would prevent him from fulfilling drive, the Eagles werequick to retaliate with two first half 8:30 p.m. in the auditorium of the the duties of the office. He will, tallips, inelnrlinp; : P.A.T.'s. Buffalo State Teachers College, at' however, retain a seal un the The fatal weakness of the Bulls lay in lack of pass 1300 Elmwood Ave. Board. defense. The outstanding Niagara The speakers will be Sen. John Millane will be succeeded by Ted gains were made through the air REACTDATED J. Sparkman of Alabama, one of Breach, former vice president. PIC as the Eagles' receivers regularly the five American representatives Breach's former post will be filled The Political Issue Club will hold managed to get behind the UB to the United Nations and Dr.Karl by Kenneth Pye, who was elected its first meeting on Wednesday af- secondary. The most effective BufGruber, minister of foreign affairs by the Board members. Shirley ternoon, Oct. 18, in Norton Union. falo back on pass defense proved of Austria. Allen will continue as secretary.. The topic under discussion] will be to be Ursetti, but even his perdegree. Sen. Sparkman, one of the prime "Civil Liberties and the McCarran formance failed to halt the brilliSomestudents are financially inAct" and the discussion will be ant, sharp-throwing Niagara quarcapable of paying for four years movers in America's governmental peace, will disled by Professor Donald Bullock of terback, Johnny Theobold. of college; other students do not effort toward world The Newman Club will hold its the Psychology Department. The Bulls air attack was also feel the need for a four-year de- cuss the U. N. from the American gree; while others may not fee! point of view. Dr. Gruber, who first Communion breakfast of the In line with its traditional policy, clicking with Latona and Holland capable of gaining a four-year de- was a resistance leader during year on Sunday.Oct. 15, at St. Jo- the PIC will take no stand on the completing 15 out of 24 attempts. gree related Mr. Spears during World War IIand later was gover- seph's Church, Main St. Monsignor issues involved but provide a for- This was rather remarkable in nor of Tyrol, will speak from a Albert Rung will say the Mass at the interview. um for the airing of issues of cur- view of the fact that they were point of view! of a nation which is 10 a.m. at which Rev. Raymond P. rent interest. The PICbelieves that being rushed practically off their The Associate in Applied Science not a member of the United Na- Murray, moderator of the club, all University students should be feet by the hard-charging Niagara Degree offers a choice of two mations. will give the sermon. encouraged to her and discuss all line. jor fields: Business Administration The observation marks the fifth The UB running attack was led Among the honored guests will points of view no matter how conor Engineering. In the Business anniversary of the establishment of be Mrs. Helen K. Signer, faculty troversial. The club is primarily a by halfback Ray Dinnocenzio, who field, Administration the student advisor of the Newman Club, and student discussion group and wheftN scored the second Buffalo touchmay choose General Business, Re- the United Nations. Joseph C Dehulery, Ph.D., Voca- presentations are made by various down on a 28-yard run in the tailing, or Secretarial and Office tional Director of McKinley High invited guest speakers, they. serve second quarter. The tally was set Administration. In the Engineering Shutter Bugs School. Dr Dehulery, an alumnus the purpose of stimulating these up by Latona who passed to Gicefield, the student can pursue either The UB Camera Club announced and former faculty member of the discussions. wicz and Papsidero for sizable Tool and Die Design or Structural that it will offer a basic course in University of Buffalo, will address Following the first discussion, gains, and carried the ball, himself. Technology. several others are being planned, His running gain was the result of The Division of General and photography which will be open to the club. all students ,on campus. The' intent Breakfast will follow at 11 a.m. notably a talk by Professor Barton a beautiful block by Ursetti that Studies, Technical which has enBean of the History Department upended two Eagle gridders and rolled 90 students, extends its fa- of this program is to give the nov- in the St. Joseph school hall. cilities to the Millard Fillmore ice a working knowledge of the Tickets may be purchased at on the Oath Controversy at the drew the applause of the crowd. The defeat was the first for BufCollege, where forty students are camera and the basic darkroom Newman Hall, 15 University Ave., University of California, among techniques including developing, across from the campus, or from others. ■ falo, at Niagara's hands, since postenrolled. printing, and enlarging with the Harry Newton, chairman cf the war football was resumed. UnAll students are urged to attendI The Administration expressed prospect of progressing to the most event. these meetings which will be ade-l doubtedly, the Bulls have been enthusiasm concerning the future recent developments in color work. quately advertised on campus bul-lseriously weakened by the loss of development of the new Division. their stellar linemen Les Molnar, The class, conducted by Mr. letin boards andin the ARGUS. Lang Injured Stanley Nixon, will meet regularly Bob Leipler, Matty Ferrentino ScholarSpeaks in the East Room (who saw limited service) and Don of Norton Union Patricia Lang, popular UB graAppointed Beitelman. ■ Dr. Emil Roddier, noted French on Tuesdays and Thursdays, from duate of last January and, at pres3:30 to 5:00 p.m. The first meeting ent, a main desk librarian at Lock"scholar and visiting professor In a post-game interview, AthDr. Erwin Mahler's appointment of of th,is class is scheduled for Tues- wood, was seriously injured last as Assistant Professor in the Psy- letic Director Jim Peelle opined, f French literature at the University day,'October 17. Friday night as a result of an chology Department and seven without detracting from Niagara's of Buffalo, will give a series of At the first meeting of the club automobile accident at the corner other appoinments in the School of fine play, that the presence of the lectures in English. Social Work and Business Armini- missing players might have The lectures, which are open this -semester, the group decided to of West Ferry and Elmwood. The accident occurred when two stration were nno.unced by Chan- wrought considerable difference in without charge to the public, will conduct a field trip Sunday, Octothe final result. having collided in cellor T.Raymorid McConnell. be held at 8:15 p.m. on Wednesday ber 22. A committee was appointed automobiles, - street, careened toward the Inthe School of Social Work, Dr. evenings until Nov. 8, in the Al- to determine! the destination and mid corner on which Miss Lang and a Lloyd A. Clarke was made Profesbright Art Gallery. M. Roddier's other details of the trip. to The club will sponsor a campus- friend were waiting for a bus and sorial Lecture in Social Psychiatry. first topic will be "The Most SucSaturday, Nov. 4, the fraternities wide contest on pictures taken, by of "col- struck them. She was Kenneth W. Kindelsperger, work- and sororities from the Buffalo cessful Francp-American Team of the 19th Century: Edgar Allen Poe lege life." Members and non-mem- ambulance, to Columbus Hospital. ing with the University of Buffalo- area are sponsoring a dance at the bers will be eligible to submit At press time the extent of the Syracuse cooperative program in Kleinhans Music and Charles Baudelaire." Hall to benefit M. Roddier, who holds the pro- prints. Prizes, dates and judges will injury was unknown, pending the social work, was appointed Assist- the Athens College Scholarship X-rays. results of ant Professor. fessorship sponsored by the Mrs. be announced at a later date Fund. The affair, appropriately Joseph T. Jones Foundation at ÜB, named the "Greeks for the Greeks NOTICE TO SENIORS Ball," is to raise money to enable is a member of the faulty of the Exchange University of Lyons. He is giving Greek war orphans to attend this Speak Civil Commissions Offered Student to Service two other series of lectures, both school which is in Greece inFrench, at the University. Alfred Tiefenbrunner, a Vien- staffed, primarily, by Americans. The New York Civil Service Commission announces opportunities for college seniors. You must file for examinations no later than Oc- nese exchange student at the UniIn connection with this project, tober 30, 1950. The written exams will be given December 2. 1950. Ap- versity will talk about the Austri- the Interfraternity Council of the C. Dlication forms and special blanks for reporting may be acquired at an School System at the next University of Buffalo is holding a is invited and welcome the Placement Office. The examination is intended for Seniors who meeting of the German Club. Mr. meeting this Wednesday, Oct. 11, attend the Oct. 10 meeting of will be graduated by June 30, 1951 in the fields of Engineering, Biology, Tiefenbrunner will also talk about at 8 pjn., in the Park Lane, to disthe Inter-Varsity Christian Fel- Chemistry, Math, Economics, Statistics, Library Science, Law, Psy- his first impressions of "Life at the cuss final plans. Presidents of lowship. Dr. Post, I.V.C.F. advisor, chology, and Accounting. Literature describing the requirements neces- American Universities." known Greek letter societies and will be speaking on the timely sary, plus the proper forms, may be securedfrom the Placement Office: The meeting, which will be the Alumni associations have been intopic: "Is It Peace or War?" The average starting salary is around $2,800. first of the German Club this term, vited to attend. Representatives Inter- Varsity meets every TuesMr. Fprest McCann will be on the campus October 18, 1950, in will be held Thursday, Oct. 12, at" from other interested organizations day evening at 7:30 p.m., in the Hayes 192, to discuss the Civil Service Program. Two group meetings 4 p.m. in the East Room of Norton are welcome. Anyone wishing furWest Room of NortonUnion. Plan arp scheduled, one at 10:30, the other at 3:^0. It is advantageous for Hall. Attendance is free every- ther information should- contact now to attend! anyona who meets the basic requirements to take this examination. body is invited, the UB Interfraternity Council. - Newman Club ... — 1 to Meet I Pat French Psch.Prof. Greeks Present Ball . Viennese I.V. tlveryone F. — �THE ARGUS 2 #UniVERSITV OF BUFFALO POINT OF VIEW By RONALD LEY A MODEST PROPOSAL, OR ON DIVORCE IN NEW YORK STATE By SATIRICUS The struggle of the United States armed forces, under the banner of considerably long period of time any efforts to, revise the a For the United Nations, has been sue-, divorce laws of our state will be doomed to failure. Infidels, liberal oessful in driving the NorthKore- Protestants and Jews, and disgruntled Papists have painfully come to Publication Office, 305 Norton Hall, University Campus, majority of the citizens of this state favored :n army back to the 38th parallel. realize that even if the Buffalo 14, N. Y. revision of the divorce laws our politicos would be reluctant to buck Advertising Service Affiliated with National If the North Koreans receive no Catholic and Conservative Protestant opposition. 420 Madison Ave., New York 17, N. Y. ' further help from neighboring SUBSCRIPTION RATE: $1.00 PER YEAR The revisionists have been filled with despair, but this despair is countries, it can b^e reasonably as- unjustified and reflection a on the ingenuity of the Yankee spirit. What Editor Jackman Richard sumed that a cease-fire order will Iwish to suggest is that there should be an amendment to the ConstiManaging Editor Kenneth K. Newton be realized in the very near future. tution of the State of New York providing for the incorporation into News Editor Ronald Ley With the advent of peace, the the civil law of the Canon Law of the Roman Catholic Church conFeature Editor :..Jack Wilkie prodigious problem of reorganizing cerning marriage. Sports Editor Irwin Ginsberg Iciin well understand the shock of the average reader and IreBusiness Manager Hubert Roy Korea looms before us. The United Circulation Manager Edward Kopf States, through the United Nations quest that he have the patience to bear with me while Ipresent the Copy Editor arguments for this paradoxical suggestion. Luther Burnette Korean Commission, will play a Mary Alice Smith Secretaries Ferhaps by way of introduction this writer wonders whether the large role in formulating the fuand Reggie Bolla reader is familiar with the fact that if a Catholic man and woman were Faculty Advisor tura Korean governmental system. Dr. Henry Ten Eyck Perry to marry, and one or both should entertain a mental reservtion conIt is therefore imperative that the cerning the indissolubility of their marriage bonds, or whether they Staff United States should 'not repeat would deliberately refrain from begetting children, such' a marriage is Robert Anderson, Marty Fried, Arnold Guminski, Seth Siskin,' Jean Manguso, Harold Bershady, Juthe mistakes made in its attempt null and void. Thus a'Catholic could then contract a theologically valid marriage even though according to state law he would get an "A" for lius O. Horvath, Charles Partridge, Gerald Helper, to construct aj provisional governadultery. Edward Spector, and HerbertStern. ment in Korea following World If the reader is intelligent it is probable that he will perceive the War 11. Without Expression, Freedom of Expression implications of- what this writer has said. The Catholic system of anapparent It should be that dia Is Meaningless vided Korea is not a satisfied and nulments is an extremely lax system, while it prohibits divorce, it peaceful Korea. The artificial allows the annulments of "marirages" with an ease that BertrandRusboundary of the 38° parallel has sell, in his advocacy of companionate marriage, would heartily admire, or indeed, which would turn the inhabitants of the State of Nevada done nothing but create hostile green with envy. factions within a country which is These marriages are invalid according to the Canon Law of the highly nationalistic in its social While we've had our backs turned, preoccupied as we've been with Dinkism, Fascism, Communism, Kan- makeup. The United Nations Com- Roman Church: (l)Mixed marriages involving a Catholic and nongarooism, and Arlene Dahl, a noxious plot has been mission on Korea reported in 1949: Catholic without dispensation from the Church. (2) Mixed marriages a Cathoilc and non-Catholic before a justice of a peace or a nonhrewed by the policy-making, higher brassof the Norton "The people of Korea are remark- of Catholic clergyman. (3)Catholic marriages in which both parties at Cafeteria Staff a plot that has had a tremendous and ably homogeneous. Ethnically and ,the time of the marriage entertain mental reservations concerning the devastating affect on the health, happiness, and peace culturally they are one. They have of mind of cafeteria patrons. We refer to the Great ■x passionate longing for unity and indissolubility of marriage 6r-deliberatelyi intends to refrain from proindependence, and profound desire creation. It is not necessary to mention other circumstances which Pickle Gouge. for the peaceful unification of their render a marriage null and void. Doubtless realizing that the time to strike was country. The division of Korea has Thus, if the canon law were legalized the unhappiness of "many while the attention of the ARGUS, doughty champion of the students' interests, was focused elsewhere, the caused bitterness, frustration, and legally married couples would be terminated. There would undoubtedly Barons of the Back Pantry suddenly announced to a mutual distrust. There is no justi- be a great amount of perjury practiced in ecclesiastical courts but it is startled and dismayed clientele that henceforth the fication for the separation of the unlikely that thi< people will be very concerned. While it is true some touchy problems concerning the legitimization of infants would exist, customary pickle accompanying and enhancing the Nor- two parts of, the country." If what the hamburg ton would be considered a separate and disUnited Nations Com- those difficulties would be liquidated) in the course of time. mittee' says is true, it should reasOne can reasonably expect that Catholics, Protestants, Jews and tinct purchase. At a penny a pickle, yet! We have often had the uncomfortable feeling that onably follow that any provisional infidels will reach an unanimity of opinion unparalleled in American the cafeteria staff's attitude toward the dining studeni "joverrimend which the United Na- history save when Prohibition was passed and when it was repealed. is one of disapproval, if not outright antagonism. Cour- tions might) construct will fail if it For the empirical justification of this revolutionary proposal one has tesy must be as dead as chivalry. The white - aproned is contrary to the needs and aims but to observe the high correlation between legal promiscuity( monowomen seem to feel that they are doing the students a of the Korean people. The major gamous, albeit) and happiness in Brazil and other Latin nations. objective of the United Nations, Perhaps this program which is humbly suggested as a traditional favor by letting them eat in the students' cafeterias Yet this latest blow seems to transcend mere mal- with the United States as the pro- state will remain permanent because of the well-known love of the ice. Could it be that the pickle outrage is part of a larger minent spokesman, should be to ridiculous on the part of the plebians. But it will be an interesting plan to foment student revolt in order that certain inter- form a united and indepent Korea experiment if carried through, and, like nothing else, will make the ested parties might then profitably fish in the ensuing in which all of the Korean people American people homogeneous and happy. troubled waters? Just what HAS happened to John can democratically choose those people they resire as leaders. Reed? If the United Nations Council, ' with the United States playing a major role, sets up a government By GERALD HELPER with Syngman Rhee at the head, but two The loss of Bud Millane as President of the Norton another major catastrophe will be It was weeks ago that gloomy there, that no one noticed Union Board is a severe one to the University. M-illane's in the making. Syngman Rhee, the the shroud enveloped us in its inky any difference, anyway. sincerity, personableness, and obvious ability combined current president of the Korean folds. At 2:30 p.m. the lowering of The possibility of forest fires to.make him an extraordinarily well-endowed individual Republic, was not eleeted by popu- illumination was responsible for causing this blackout is neglible. for such an office. His resignation was inspired by doubt 'ar vote. He was chosen by the the city's street lamps shining The amount of timber necessary to that he could faithfully fulfill the duties of president First National Assembly, elected in brightly In Cleveland, stadium cause so much smoke and dust in because of injuries received in a summer accident. 1948. This fact is of great impor- lights were turned on for an after- the air, probably never existed. This sacrifice of the most important political'office tance, because of the strong na- noon baseball game. Various por- Granting that these alleged fires that a University of Buffalo student can hold is an ex- tionalistic spirit of Korean people. tions of the Northeast were simi- were responsible, why have two ample of conscientiousness that pays great credit to It is tremendously important that larly engulfed in this "black Sun- whole weeks passed by without Millane. We hope that his devotion to duty and the the top national figure be a highly day.*' news photos or news reels of the responsibilitiesof office will beshared by his successsor. regarded man in the eyes of the Late in the morning of this me- thousands and thousands of timBe that as it may, we feel that Millane has earned th'e Korean people. Rhee is not this morble day, as all observers recall, bered areas burned out? Why are approbation of the entire student body. man. Syngman Rhee is very un- the air became a sickly yellowish there no reports .of the halocaust popular with the Korean people color, which Iattributed to my created by these fir^s, which must much too numerous to mention. and for good reason. Rhee and his glasses being dirty. The yellow be- havereached astronomical proporIs it irrationality, IASK YOU. political cohorts are the landlords gan to fade out and to be replaced tions? When "the news is filled Mr. Helper, to want to silence the who emerged after the Japanese by the clinging raiment of evil and with pictures and reports of a cries of dogs and cats emanating occupation ofKorea. Their purpose of death. warehouse fire anywhere in the from the operating tables in the. is to retard land reform attempts This phenomenon was hastily ex- States within hours" of its discovlaboratories of the depraved and and to keep Korea in a semi-feudal plained, by official sources as the ery, why have two weeks passed Dear Sir: vicious vivisectionists? These ani- state thereby reaping the profits smoke from forest fires in Alberta, Without a picture of the area, an Iwant to condemn vigorously rnals who gladly go to their death of the unorganized Korean farm- of which, more follows below. account of the destruction, or an the stand taken by one, Gerald for their masters would, if Mr. ers. These landlords are able to seSucceeding days brought news estimate of the loss? Helper, laft week on.the issue of Helper were in charge, go to the cure their vested interests by spon- reports from England; Switzerland Why? Because there was no fire! vivisection. laboratories at the mere whim of soring and controlling a pseudo- and Denmark, concerning unique If there were no fire, you ask, to ■Is it .necessary for me to again some unhumane scalpel wielder. democratic gov«rnment with Rhee atmospheric goings on which were what can "black" Sunday be atrepeat the stories of how* man's Neither I, nor anyone who as a at its head. also explained away, presumably, tributed? (Ed. Note: The best friend, the dog, has been of child grew up with a dog, would The United Nations must aid the by the same forest fires. The exramifications of benefit to him through the ages? sacrifice that pup's life for inhu- Korean people in gaining the nec- tent of upheavals caused interna- this article have so shaken Mr. The stories of "wiener dogs" and mane experimentation. It again re- essary land reforms. This can only tionally, will never be fully known, Helper that he was unable to contheir countless fellows giving their iterates my condemnation of .Ger- be achieved through a democratic since all is non-committal on the tinue. We hope that he will be able lives for their masters whether ald Helper and his ilk. process which will allow all Kore- side of the Iron Curtain facing to conclude in another week or they be aristocrats or outcasts are Antid Oto. ans to freely choose their leaders. away from us, everything is so two.) Official Publication of the University ofBuffalo Written for and by the Students The Great Pickle Gouge — IT'S LATER THAN YOU THINK Millane's Resignation — MAIL BAG THE �3 THE ARGUS Sports SPOTLIGHT eran letterman, and John Finck, a transfer student from Colgate, each of whom carded a 75. Krieger's 85 and Babbitt's 86 rounded out the UB scores. In the present analysis, the team It's not as tricky as St. Andrews, you'll agree, but those of you who needs much more seasoning if it have played the Transit Valley is to rate on a par with last year's ANIMALS IN THE NEWS Golf 'CoUrse will admit that it's sextet. Coach Eiken, no. duffer pretty rough in its own right. And himself, must restore balance to yet, according to the latest statis- the team by getting those men in tics, each of the first seven mem-. the number five and six slots right bers of last spring's golf team was up there with the. first four men capable of stroking 80 and under so that each starter will be capable at T.V. and elsewhere! .Incident- of annexing points for the team ally that was the team which was core. Only four more matches regood' enuogh to cop seven vyins in main in the schedule this fall ' a row after suffering a disastrous cancel that Brockport match from 15 to 3 beating at the hands' of St. your book store schedules. Bona's Brown Indians at Olean. Note here that Sammy Urzetta, the Sport Shorts current National Amateur champ, carded a 66 in that first meeting, Riley, Dick North Tonawanda's and Sam's a pretty good golfer, as star athlete, has been seen practicanybody will testify. ing with the high-riding tennis Coach Mel Eiken had to find re- team of late. He'll certainly help placements for the first five varsity out next year. ..Rumor has it that men who graduated last year, and one of Coach Sanford's swimmers that was no easy task. Yet, in their has already broken training by first match this fall," the boys ex- dating a prominent burlesque star. tended their win streak to eight In touch football, interfrat style, by trouncing Niagara at the Falls, .BSR d. AKP 20-0; BXE d. BPS 12 to 6. 20-0; and SAM d. BST's four old Leading the UB scorers last men 3-0. iAlso KN, KSK, and Monday were Fritz Schelgren, vet- APO forfeited to Theta X, ASP, — ... Angry because her name wasn't listed in "Red Channels," Miss Claudia Twirnittle has gone into exile at Sherkston IJuarry, Ontario, despite inclement atmospheric conditions. She is shown here mauling her pet mephitis-mephitis between turns at her trampoline. At the time this picture was taken, the animal was heard to remark, "Dis broad always makes me feel so.uitchy when she pets me." . and SAN respectively. Come on, boys, let's get on the stick. ..In the campus league, Tom Neill wants to know what happened to everybody. Only threeteams showed up last week. Lack of support from the Engineers and Bus. Aders was especially noticable. In tennis, the boys chalked up wins No. 13 and 14 at the expense of the Purple Eagles, winning 9-0 at Hyde Park and 9-0 at ÜB. ..Frank Hillburger's UB Xcountry team lost a toughie to Brockport the other day, 23 to 29. .As usual, Ken Plumb paced our harriers, finishingsecond to Brockport's Walt Norirs in 23:02. ..Norris negotiated his home course in 23 flat. Pretty close race, we'd say. .Biggest birthplace controversy since that of The Carolina's Andy Jackson is that of the Phillies' Jim Konstanty. Current rer ports place this cherished birth somewhere within the confines of New York State. Some cite Delevan, others say Strykersville or Perry; and one veteran reporter swears it was Oneonta. This reporter backs Black Rock's bid to fame and will even place conception as somewhere in the vicinity of the Sherwood Inn. .. . . .. APROPOS BOP By Oil K Lesson 1: The Blowhards and Johnny One-Notes Of course, it's music; the term envelops anything that has pitch, intensity, quality, duration and rhythm, but what some tenor sax men are getting away with under that heading is little short of disgusting. It could only be done on a sax, but the alto men have left screeching and honking pretty much alone. It doesn't have to be done at all, as those who have heard sax men like The Bird. Charlie Parker, and The Sound, Stan Getz will testify. The most famous of the weird effects boys are Illinois Jacquct (correctly pronounced "Jacket"), Joe "Flip" Phillips and Lester "Pres" Young, who is, ironically, the daddy of all the "cool" boppers of today. "Pres" has been making those sounds ever since that swinging Basie band of the thirties. Illi' nois got. on the harmonic kick while flyin' home with Hampton. And Flip— but that's a story in it- /jF /{ \ — A Good Habit-Read the ARGUS j ?*li»ki JSmcSF ' <^T^/ . it II; JIF It / ./ ' > T|fc|l lB: JiP * ; /mil* .Jr -"^^ jW Jr^ Jr* STUDENTS! #J _ JjT / k^tjj///// 7\.Mr^' / ' /" taste in one great cigarette Lucky Strike! j—* jkv '^jjT 1 iliat combines botfi perfect mildness - and rich Jr jf j^^Ktsw&jgLz^ i^^ "" E^oy y01 cigarette! Enjoy truly -fine tobacco M I \. \T$L self. Flip Phillips got his first acclaim with one of the most exciting musical organizations ever to blow up a storm namely the great Herman Herd of 1945-47. Listening to all of Flip's solos on all of Woody 's wonderful records of that period won't reveal a note of the kind of exhibitionistic booting that the peop'e are screaming for him to play al JATP these days. What it all amounts to is that Flip Phillips is a crowd -■ pleaser. A grandstander. Just as commercial as Vaughan Monroe. His records of late show that he CAN play great horn, just as some of the sides Illinois and Pres have recorded "will indicate that they, too, have the ability. But the sum of whathe's doing at jazz concerts nowadays is musically worthless He's just inciting mob jazz hysteria. The aim of Norman Grnnz. mentor of Jazz at the Philharmonic, it to educate the public in the ways of jazz,but by featuring such men as Flip, Pres and Illinois, he is defeating his own ends. By taking the art out of jazz and retaining the unmusical sounds and trick effects, these three are aiding the progress of jazz about as much as Louis Armstrong is. Jr jr The jingles onthis page eager to pay you $25.00 for every jingle we use. Send as manyasyoulike toHappy-Go-Lucky, P.O. Box 67, New York I Perfect mildness? You bet. Scientific tests, confirmed by three independent consulting laboratories, prove that Lucky Strike is milder than any otner principal brand. Rich taste? Yes, the full, rich taste of truly fine tobacco. Only fine tobacco gives you bothreal mildness and rich taste. And Lucky Strike means fine tobacco. So enjoy the happy blending that combines perfect mildness with a rich, true tobacco taste. Be Happy-Go Luckyl A*■ !B|| J|jL #¥Sl JL* \§l|J^ ** Jtlaa<**e^ldO* 0 __il«i« pf0 |fc« £>"rjr» UO" ,W u~.«**«*" "TLta***5 1 J** Z*<&"£? £r««* rW f^'|JJ«»>***' ~ Means fine Tobacco W^r «"■.».„ THI*MMI«*M TMACC*MMMOT �THE ARGUS 4 AF RECRUITERS TO VISIT UB The eligibility requirements also wings of a pilot. Outstanding graduates receive are the same, except for the physiRegular commissions. All others, cal examination which is less strinwho receive Reserve commissions, gent for those^ seeking careers as have: opportunity to compete for navigators, Regular commissions while on 3, Air Force Officer Candidate three years of active duty in flying School. Ye-ung men and women assignments with the Air J>^>rce. seeking non-flying careers in the To be eligible for pilot training, Air Force receive military leadermen must be single, between the ship training at Lackland AirForce ages of 20 and 26^4, citizens, must Base near San Antonio, Texas. have completed two years or more Classes begin in January, April, of college, and meet high physical July and October. An Air Force officer team wiH arrive here this week to interview college men and women interested in careers as officers in the United States Air Force. The visit to the University of Buffalo is part of a nation wide program being conducted by the Air Force to build up an officer corps composed in large part of college graduates, said Major Wil- and moral qualifications. Classes liam R. Morhous, here to make begin every six weeks. 2. Aviation Cadet N'avigator advance arrangements. Students will have opportunity, Training. To meet an increasing he said, to learn about the various need! for navigators, the Air Force officer training programs, the re- has opened an Aviation Cadet naquirements and processing proce- vigator school at the Ellington Air dure. Those qualified may submit Force Base,Houston, Texas. Qualapplications and be examined by ified young men are trained for the Air Force officer team so that one year in the latest techniques they can begin training soon after of radar navigation. Classes begin every month. they finish college. The team members, with local Graduates receive Reserve comheadquarters at Norton Hall will missions as seconds, lieutenants, explain three types of training: with aeronautical rating as naviga1. Aviation Cadet Pilot Training. tor. After a 30-day leave with pay, Young men selected as Aviation they are assigned to navigation Cadets receive one year of flying, duty on the new long-range bombacademic, and military training. ers and transports of the Air Force. Graduates are commissioned as Opportunities for Regular comsecond lieutenantsin the Air'Force missions are the same as for AviReserve and awarded the silver ation; Cadets taking pilot training. - Bp j^l MSmW9^ !■■■ \ \\ * <4mWP^^^ " -*: .... Frank. have been leveled; one Kim, while giving her child the breast, was machine-gunned. Students of ÜB, awake from your lethargy! Find' John. Only he has the facts and the skill to expose this latest capitalistic calumny. Time is of the utmost importance. Act quickly; he my be drafted. Charles Partridge. This fall the returning student found UB essentially the same. Greener grass does suggest old paths. White beanies mark the soon-to-be-changed innocent element in the student body. Obviously, the Norton commandos are struggling with their customary Club heavy schedules.Older instructors, perceptably older. New instructors Les Copains, the French Club, is old(?).' planning a program at Hartman's But, many realize that something Restaurant, 14TNorth St., Oct. 12. vital is missing. Those hornDr. Olga P. Ferrer will speak on rimmed, flag-waving defenders of her recent travels through Spain, American Democracy the Young after which a dinner will be' Progressives are not to be seen. served. Where is John Reed? At the last meeting, Madame This could be his finest hour. Helen Burrell read one of her fa» American imperialists have inva- vorite comedies, followed by re" ded Korea! Led by that arch-ogre, freshments. John Foster Dulles, they descended All students interested in attendupon the peace-loving, peaceful ing next Thursday, at 6:30, are ininhabitants of peace-loving, peace- vited to call Mr. John Heffley, ful Korea. An evil design was soon (HU-3216) or Mr. Marc Penther evident. Note how quickly the (PA-7393). Tickets cost $1.65. tools of Wall Street bankers seized the Pusan beachhead. Only base LOST treachery and the most inhumane Golden tie-pin with University and criminal tactics permitted their seal between parking lot and Biadvances against the defenders of ■ ology Building, on Tuesday, Oct. 3. the Naktong. Innocent Koreans Finder please turn it inat Direchave been slain; soy bean factories tor's Office, Norton Hall. Reward! — French — *B9 Ml' m*V faBBSy .^^mm^^ 11 ■■■■■" PHILA pullijcc B6&&3sfe :;: Si^^^Er^H §8bs&& **" to Meet — — ■■W 'tJi-'-'v.:-;.;-- : r.-: iK^P / jfei GET WELL, PAT! jiH wpy jftyjL/, - T^r vbs ; jMgs^ ■ Graduates receive Reserve commissions as second lieutenants and areassigned to three yearsof active duty in junior executive positions in administrative and technical fields. While on aitive duty they have opportunity to compete for Regular commissions. To be eligible, men and women must be between the.ages of 20'/z and 26'/z, either married or single, citizens, must have completed two years of college, must be in good physical condition, and meet high moral and personal qualifications. In any of the training programs, the Air Force officer said, students who for any reason fail to complete the work are returned to civilian life* Where Is the John We AllLove? UsssssssssP^mHss^H^ 9H0%&3^ ■■■ /a, jbrSR ' '^^Sbl^ /5bV 4hbu^ JL ' ' : tpy^y j BS^^S^M - '":,: : a aßstek. ■■ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 argus-1950-10-09 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/9/1950 Extent The size or duration of the resource. Argus Vol. 4 No. 3 Argus Vol. 4 No. 3 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Argus student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 14:29:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/7/2009 Title A name given to the resource Argus, 1950-10-09; Vol. 4 No. 3 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/39917a91e1f77e81d8e9d037df603aee.pdf acea72412e3edd2ff5eded553686c5c1 PDF Text Text ACQUAINTANCE DAY ISSUE OF ____£_i_________~v WATCH FOR j - -__=__.__■__— FRIDAY, OPEN OCTOBER HOUSE 14 Z-460 VOLUME 31 BUFFALO, N. Y.,FRIDAY, OCTOBER 13* 1950 <*jgg>*>«* NUMBER 4 PROSPECTIVE STUDENTS SEE CAMPUS Tommie Vern's Orchestra Featured at N.U. Open House — The schedule ATTENTION for Buffalonian pictures is posted on the bulletin board in Norton lobby. Chancellor McConnell, Ted Breach To Speak Come one, come all tonight to If during the course of today you this year's presentation of the Norshould happen to see crowds of ton Union Open House which will comparatively ypung students wanfeature an extravaganza of enterdering on campus without books tainment heretofore unequalled in or "dinks'' don't be too surprised. Open Regardless Houses. of past By STEVE SEARS individual interests, there will be Acquaintance Day brings with it was now free to develop and ex- These groups will be seniors from entertainment furnished for any an influx of prospective college pand in any way it wished. The local high schools who are giving and all who will be there. Under the sponsorship of the students. The purpose of their Department of Arts and Sciences the campus the once over and who Featured on the agenda for the Pan-Hellenic and Interfraternity visit to the University of Buffalo was formed in 1913 and grew ramay constitute the potential freshevening from eight to twelve will Councils, and in conjunction with is to become better acquainted with pidly to include German, Romance man chiss of 1951-52. sociology, economics, hybe dancing in the ballroom to the Buffalo's Greek Societies and busi- University life in general and the language, musical strains and vocal rendi- nessmen, the annual Greek Ball will life at the University of Buffalo giene, music, fine art, and finally For these visiting students the tions of Tommie Vern's twelve- be held Saturday, November 4, in particular. To assist them in engineering. day will begin at three o'clock piece orchestra. 1950, at Kleinhans Music Hall. This this effort, this is a brief story of Once in full swing, and under in the afternoon when these stuIn the event the individual hap- dance is held with a most note- the University of Buffalo. the direction of Chancellor Capen, dents will register in, the lobby of pens to be inclined towards gamb- worthy project in view, namely the On May 11, 1846, the Legisla- the University expanded with light- Hayes Hall. From there they will ling, he or she should find games raising of funds for Athens Colproceed upstairs to the Auditorium ture of the State of New York ning-like rapidity. In 1927 the of chance to their hearts' content lege, Greece. granted a charter to the University School of Business Administration to attend a General Assembly. in the Monte Carlo Room (formerAthens College was founded of Buffalo, which at the time was was formed; 'the School of Educa- They'll be given a welcome adly the Card Room). Upon entrance twenty-five years ago for the ex- composed only of a medical school tion in 1931, and the School of dress by T. Raymond McConnell, to the room, the guards will shove perimentalapplication of the Amer- with no permanent home. Buffalo's Social Science in 1936. Tommle Van Ted Breach and twenty-six dollars of play money ican educational system in Greece. first citizen, Millard Fillmore, was As the University of Buffalo was Arsdale will also speak to the into your hands and youll have Its student-body is composed of chosen the University's first chan- expanding scholastically, it was gathering and will provide then] the privilege of betting it on rou- approximately one thousand stu- cellor and remained so after being also growing physically. Foster with interesting Items as to camlette, blackjack, "craps", and male activity. dents from every strata of Greek elected President of the United Hall, the first building on campus, pus life and or female poker. If those who are life. Almost one-half of them are States. In 1889 the community was constructed in 1922 and was At three forty-five the groups lucky or have figured out a "sys- scholarship beneficiaries who owe joined with the University and followed by Edmund Hayes Hall, will be divided as to their coltem" can raise their ante up to a their opportunity for an education financed the erection of a medical the Biology Building, and Science legiate interests and will be dele"grand", they'll be eligible for one in the American way to the interest building High Street. In Hall. In 1931 William H. Crosby gated to attend conferences at 24 of the tremendous prizes being of- of friends in Greece and the United 1886 the pharmacists of the com- donated Crosby Hall, and Loekwood which will provide them with Infered. Even the horse race bettors States. Studentcooperation inmak- munity expressed the need for a Memorial Library was donated by formation as to their respective should find an interesting pastime ing the Greek Ball a success will college of pharmacy, which was Thomas B. and Marion Loekwood I'ii'lds of ambition. Following this, in the betting on, or watching of, go far in augmenting this plan. formed when the University Coun- in 1935. Clark Memorial Gymna- the students can get an inkling of the turtle race that will take place sium was constructed in 1938 and their possible campus life by takIn today's world of two dominant cil agreed to such a need. in the lobby. Norton will furnish and conflicting ideologies, Ameriprevious to this time the Univer- ing u tour of the buildings with building Construction of the new the turtles so don't be'surprised if cans would do well to disseminate on High Street and organization sity constructed the Bookstore, Bob Oluns. they offer turtle soup later on in their ideals and methods wherever of the Department of Pharmacy Service Building, and Central the evening. Heatopportunity the presents itself. Incidentally, the cafeteria will be Greece is finishing a ten-year per- stimulated the thinking of those ing Plant. The Engineering Buildforward-looking citizens and Unirecently constructed, is a reiod of war, enemy occupation, and versity authorities who believed (Continued on Page 2) internal strife. The time is ripe that the institution should be en- sult of a financial campaign for the continued maintenance of larged to meet the needs of as launched in 1944. Chancellor Noran institution dedicated to the ad- many professions as possible. On ton made Norton Hall possible by a vancement of the American way. this note the Buffalo Law School bequest in 1924. Since then, NorWith this year's ball, the Uni- was founded in 1887, and the ton Hall has become the center of versity of Buffalo hopes to play a School of Dentistry five years Student Social activities. These On Thursday, Oct. 19 at 1:30 and larger and more vital part in this later. In 1896, a building was social activities have developed 7:30 "Tillies Punctured Romance" Lucky Strike Tobacco Company venture. Consequently, the dance erected on Goodrich Street to ful- along with the rest of the Unifill the needs of this newly versity. fail. Let all do our formed ah must not us old time comedy starring a sponsoring Happy is "Be Go Lucky" advertising Charlie Chaplin. Don Browne will campaign, part by our ticket purchases and Dentistry Department, and in 1909 The social is thrown into year which is appearing in 257 college our presence in large numbers at a library was acquired to aid the full swing at the very opening of play the piano. A "Flapper Dance" the dance, thereby reflecting U.B.'s Law School students. newspapers. the Fall semester by the various evening movie at worthy cause. After the turn of the century, football games. In the middle of will follow the Any student from any college or interest in a which the Charleston will be university is eligible to send in a The tickets are $2.40 per couple the University took several strides this season come the homecoming jingle. For each jingle, entered and the affair is semi-formal. Come which were to have a significant day period, game and dance. The taught. Refreshments and a teraround "Be Happy Go Lucky", one, come all have a good time effect upon its growth and devel- next regular social feature is the rific time are expected. Come and which is accepted, twenty-five dol- and be secure in the knowledge opment. In 1904 the endowment of Christmas Dance which sends ev- get into the Charleston swing. lars in cash is paid. You are al- that youare doing your part for the a chair in English literature, fol- eryone home for the vacation in the Charleston will be taught by prolowed to send in as many four- struggling youth of distant Greece. lowed by lectures in government, proper spirit. Basketball takes up American history, and German lit- most of the Winter session, and fessional instructors. Event is lined jingles as you like. erature preceded the formation of as Spring emerges, so does the stag or drag. No previous knowlReap yourself a fair exchange in a school of Arts and Sciences. Junior Prom, the social highlight edge of the Charleston necessary. easy cash for a little effort and a lot of fun. Remember, it's "first In 1909, Chancellor Norton ar- of the year, and the Home Concert. It's the latest thing! come first served" so send your ranged for the purchase of the The year comes to a grand climax Go Lucky, P.O. Admission 5c Donation to th. jingles to Happy present University location. With with a moving-up day, Senior week, Campus Barrel. Box 67, New York 46, N. Y. a permanent home, the University and finally graduation. Prospective Students Hear Greek Ball University's Past History To Be Held Saturday, Nov. 4 ling, Happy Go Lucky Jingle Contest — — — — — Tilly's Romance At Movie Bance — COFFEE HOUR TODAY-3:30 — �THE 2 BUFFALO Friday,October13, 1950 BEE -»»""*""*■"* ******** *""""»* Mortar "Gershwin Entertains" | Leonardo's I found . .. CARLO NIGHT. j | Column * and ... J race t *? * Pestle ... a way At last Norton has for me to make a living. The MONTE lead story is on the front page but FRIDAY, OCTOBER 13 the the little known fact is Subscription <1.00 Pir Year IWU turtle has been FIXED. So PIZZA __nt«-fd »» wwhi ("!»■■ matter IlNvmhfr 13. Ui'iZ at the Post OITIe* '»* if you want to win a few RasbuckSERVED IN THE GROTTO A Acceptance for mailing at Buffalo N V. uncln the not of March 8. 1879 specssJ mt*- nf poeta*** provided for In Hertlon 1102. Act of October %, 1911. ins bet on the long shot with Mtborlxcd Dftvmbfr IS, Hi,i the skinny neck and green back. That's the straight scoop from by By Member mrmiiiNTiD pom national advkntibino the Boys. Natch Icould give Inc. AdvertisingService, National p^ocjafed GoUefiide Allan Smith you all the scoops but then how ttiknuttlaliv ColUfPmUttktn Last week-end was marked by So, would Imake anything? N-w yohk. N. Y. 420 MtDiioN Av«. Distributor of Mortality rate averaged for the if you're hankering to have some cheering, drinking and terrific -4i.j <_blle6tcne last four years in the School of fun cheap (not over 1000000Q0.67) hangovers. Pharmacy, that is, those who did drop in on the NU OPEN HOUSE Four brave souls led by Kenny [TnllMay during Publication Office Kxamlnntlon Perlexcept Norton Hull Friday, October 13th. There is no Helfrick had the eerelty Cimpim Rv/fnlo 14 Chrletmae and not complete the four-year course, N Y I od*. ThenkmrtvlnK honor of warming intended, just n'onkly September Published from to Eaater. in need of. the first stools at the Grotto 41.5%. In Engineering it is about collusion at The Music Comm. here at 10:30 A.M. By late afternoon 59%. EXF.CITIVE BOARD Norton makes its 1950 debut with the Chug-a-Lug organize Lever, Donald C. Arte '51 Edltor-In-Cblef Contest was in full Seeing that attempts to Managing Editor Kenneth J. Knepflar, Art* '52 football have failed, an early plea a terrific program lined up for swing, led by Alpha Sigma Phi, Newi Editor Richard C. Wallace, Arte 'h2 Monday, October 16th. Don't bring who won players is now in the cup by downing their Doloree R. Jarecke, Rue. Ad. '62 Business Manager for basketball your violin because itisn't that long brew in 16.9 seconds. Sports Editor effect. Frits P. Shelgren. Bu», Ad. "52 Any interested please conBXE was a hairish. GERSHWIN ENTERclose second. tact me or Mabel Brown. The sororities OOVHKNINO BOARD TAINS from 2-3:30 in the Music Feature Editor also ran fast. Joanne Hanna. Arts '52 Those that want to take exams Room. All his best. <'opy Editor Eileen Cocker. Arts '52 Advertising Manager in foreign states for licenses will William J. Patterson, Bus. Ad. '51 Ken Knepflar spent the afterFor WOMEN ONLY! ! ! DancRoger McNeill, Bub. Ad, '!"i2 Ctr<ulfttlnn Manager find that most states require you ing instruction began last week noon playing detective. Aasietant Copy Editor Lee Olno. Arte '62 to lie a resident for at least one Tuesday AND there were more Carol Bud Jung, Arte '62 ...Accounts Manager Rosenbach celebrated her Hobert B. Murray, Arts "■>_ Files Editor year. MEN, yes MEN. Big ones, birthday early by out free NRWH STAFF The new walk between Foster small ones, tall ones, etc. (cute in- kisses to all. A passing Chi Theta Marleen Hciißfl, 'itill Btrownjohn, Doug Campbetl, Joyca Campbell, Lynn Cocker, and Norton is appreciated and structors) SOOO. man Need I was heard to remark that it !arol Roaenbach, .ionn Zacney, Judith Rosnor, seemed welcomed sincerely by all who use say more? Why let the Arthur that they were being taken I'l'iVniiM STAFF rather Foster. Murrays steal the show? Every than passed. Walter Qodehaw, Robsrl Loewer, Allan smith. Mnrve smith, Basil Soofldlo, Foster was the first new building Tuesday in the Norton Aud. from SPORTS STAFF The square dance, led by a on U.B. campus. It was erected 7:30 to 9:30 See you there Bob Doll, Kan Pye, Jim Bpenoer. in 1922, at a cost of $700,000 with Movies, Movies, Movies Wednesday, square band, proved a convenient COPY STAFF $100,000 worth of equipment. The Thursday. All the time Movies. time for workingoff the afternoon's Norma ESnqulst, Irene Lukaalawlcs, Hetty McKenloa, I»orin Young, Sylvia Football, Shorts, first Full length fea- indulgences. The cheerleaders folpharmacy building CHans, Llotti, skip Jung. was erected McEwan, Jeanne Bob Bud Donna Vandefbelden. Baaowskl. tures in 1849 on Main the works. Check your lowed up by giving school spirit a and Virginia CIRCULATION STAFF shot in the arm at the bonfire. NU calendar for the times, etc. Streets. Pun Knocks, Assistant Circulation Manager; Ann Williamson, John Dslottera, to say the cheerleaders Mill l_oni.li. The three-year course in Phar- Nice word that, etc., but it doesn't Needless also had a few shots. Constitution tell about you TILLIE'S was PUNCTmacy changed ADVERTISING STAFF to four in 1936. crumbling was continued at TomOnrald J-'ox, Jack Patterson. Al Tlnluck. The two-year course was thrown URED ROMANCE, Hollywood's my's Schuper 1910 version of "Ishot Lover". House where the hero my REWRITE STAFF out in 1925 next ? Will he live? (of course) but come of the week was found a man Dottla Ambrosia, Bob Schnabel, l>»n Weiane't. anyway Thursday, October 19 at who could out chug-a-lug Don Lever. 1:30. Norton Aud. Something new has been added. Although we lost the Niagara A NEW, ABSOLUTELY NEW game on the field, the fans in secCOFFEE bean to the coffee pot for tions 16 and 22 thoroughly enjoyed the next COFFEE HOUR on Fri- the event. Circulating among said day, October 20th It has long been the policy of your editors, when a deadline 3:00 p.m. fans were several bottles of rye, anywhere in upper Norton. Women wine and few was breathing hotly down their necks, to dig up one or more odd thermos jugs of kindly requested are of the perennial campus gripes and wax hotly and enthusiasto wipe off Manhattans. Janet Mulholland all lipstick BEFORE imbibing. was seen tipping up tically over the many things that were wrong, and what could Who is he? Who's the fantom Several Frosh have volunteered to Chanel No. 5. As a a flask of usually be done to correct the situation. The tirade lasted as faculty figure with result of all the long cheroot act as finger bowls. Is that the this impromptu cheerleading was long as was necessary to All the required space. who stood at the end of the line word? led by Jim Schultz, Howard Kine We are today mourning the loss of a favorite topic, one what line? Want to find out and Well that's the week as we see and Joe Campbell in a pink clown time win $100. worth it. If this column seems unneces- _uit. which has given us much editorial meat in the past, namely at the sameprizes? Tell you what sary you can end it all the muddy paths that were, for a long time one of the sights of valuable At the Lamm Post brawl folto do. First of all, head for the by reading your Norton calendar (sore) on our.campus. Beta Sigma Rho ticket booth in the BEFORE the week begins. Good lowing the game Jack Keller was seen giving Anna Williamson the Sometime during the summer the work was started, and as Main Lobby of Norton. Carefully 'Nough. N. E. BODY. handle of an umbrella as a token of now it seems to be complete save for a few minor details. read the rhyme posted above the of his undying affection. Where, last June, there was nothing but mud, now there is desk, and draw your conclusions as figure's identity. to the fantom Jack Walters was seen but not green new grass and lovely wire fences. Then bend down a few inches so seeing at the Kappa Sig party. We are no longer the carefree students who are able to take that you can see the man behind Bob Adams put over the BXE the path of least resistance to our destination. No longed can the counter, and ask for a ticket to shindig by consistently using the the Autumn Nocturne Dance, be to we wait till the last moment in the card room, the game room women's "John". Who was the at the Hotel Statler Niagara or any other favored spot before we dash off to our classes. held lucky girl who had two dates at the Room immediately following the Now we have to gauge our time more precisely so that we U.8.-Alfred party? Seems as if Jim Rich Football Game. How brought her, but she went home will be sure to have plenty of time to take the circutuous can you miss? You're not paying (Continued from Page 1) with John Deletera. routes that have been fenced off on the campus. for a raffle ticket you're not transformed into the intriguing throwing pennies at a dish all Cafe de la Rouge and Chi Omega is having a beer If this is the only way that the grass on the campus can you're is paying $2.40 for a music by a combo, a will feature party soon. To celebrate this be maintained, why then this is the way it must be done, and 4-hour doing candle-light evening of unique event, Andy will serve free we will be in support of it. We do feel that there is another with dancing to the entertainment music of Jay atmosphere, headwaiters, charming pizza at the Grotto on Friday. way to accomplish the same results 'that would be neater Maran. Plus this, if you know the waitresses and sultry looking cigarYou made it, Swagler! and considerably less unsightly than the fences that are there identity of the Fantom, you stand ette girls. And if that won't suffice, all to win the $100 in prizes. P.S. now. games in the game room will be This is an informal affair. Our idea would be to plant some sort of hedge similar to free of charge, and as an additional many that are already in existence on the campus. They would diversion, penny pitching will be in vogue. To round out the enterserve the same purpose as the fences and be much more attainment, Duke Pliss will try his tractive. hand at weight-guessing. Who Students who have reading probPerhaps we are being premature in the foregoing criticism. knows, N.U. might even let you lems may enroll for special classes. Plans of a similar nature may already be in progress. There The classes are one hour in length, bet on that. is one aspect concerning the appearance of the campus that once a week for six weeks. Those people behind the scenes who The does need remedial procedures. All of the neatly kept grass wish to improve their speed who should take bows for arrangand hypothetical hedges will go for naught if something is not ing this event are Chairman Bob may choose one of the following times: Monday 10:30; Monday done to control the litter that is always strewn from one end Lupton, Assistant Chairman Don 3:30; Tflesday 9:30; 10:30; 2:30 Lever, John Magrino for the Cafe or of the campus to the other. 3:30. Those who wish to imde Ia Rouge, "Gambler" Kenny Pye prove their reading comprehension We have a solution for that too. It would involve the AND for pulling in the take from Monte judicious placement of baskets or simlar receptacles Carlo, Donna Vanderheidenfor the may choose one of the following for the disposal of this waste paper. There is no reason to conclude turtle race, and Ray Gillman for times: Wednesday 10:30; Wed3:30; Thursday 9:30; that these would, in themselves, serve to correct the situation, refereeing the game room. Sev- nesday eral who worked as a group, name- 10:30; 2:30 or 3:30. but they would be a step in the right direction. Classes are open to freshmen or ly the Dance Committee, can also THE We are sincerely proud that these steps toward the beautitake a well-earnedbow for arrang- upperclassmen. Those interested fication of our campus have taken place, and we hope that in ing the dancing in the ball-room. should contact the Personnel Office immediately since classes begin the the future more will be done to continue the progress. See you all there tonight. week of October 16. ... ... Press .. . GROTTO GAYETIES Di6est ... ... ... ... .. . ... ... . . . " ... — EDITORIAL ... ... — — ... Fantom Contest ... Ends Saturday Hotel Statler ... — ... — — Feature Tommie Vern's Orchestra N. U. Open House Remedial Reading SEE 'TILLIES PUNCTURED ROMANCE" LEARN CHARLESTON To Begin Oct. 16 �Friday, October 13, 1950 THE BUFFALO BEE 3 WATCH Right Combination AFTER OPEN HOUSE MEET THE GANG AT FOR LEONARDO'S . (GROTTO) LEARN TO — — — PRIVATE — — "OUR TOWN" PLAZA SHOE REPAIR DANCE ADELAIDE'S DANCE STUDIO N.S.A. CARDS HONORED AM 9377, 52 University Plaza With the addition of Bob Hope'snew radio show for Chesterfield cigarettes on Tuesday nights overNEC, the famed ABCtrio (Arthur.Bing and Como) became a quartette, as shown above.Hope's joining the combinationmade it the greatest linenp nnder one sponsorship in the history of radio and television.As heretofore, the friendly redhead is heard everCBS every weekdaymorning: and seen on CBS-TV every Wednesday night Wednesday night also remains Bing's night on radio, via CBS, and Perry Como has a brand new show en CBS-TV Monday, Wednesday and Friday nights. INSTRUCTION FOX TROT TANGO WALTZ SAMBA RHUMBA MAM BO— BATON TWIRLING— TAP— BALLET— ACROBATICS 95 IVYHURST ROAD PA 7202 WE DARE THEM AIL! Philip Morris challenges any other leading brand J^S^Jj/^. to suggest this test jAHkht ' " '^ HUNDREDS JB THOUSANDS OF H ]wJP SMOKERS, who tried this test, M FRESHMAN COMMITTEE MEETING TODAY OF N. V. 3:30 P.M. signed statements that PHILIP MORRIS IS DEFINITELY LESS IRRITATING, DEFINITELY MILDERI " ■"V v ___rf#^s ""iHRf'-J-"^^ — _^_K ■"*. AmTm*T^m\ B_n _ **° ___ __ F^ti^^__ Hf^M^. _____^^^^ _B BBS _f ' : _iSL*— 1 U \ /mm see this" — Jimmy it1_ ■'' Ji m mm ■Am%ik^ _M_B"^B ■ s-l-o-w-l-y letthe smoke come through your nose. Easy, isn't it? And NOW... .-j. W .wwm __■__ ■>■■■-' y-AmmW K-.v'^v'-^B *' __H_W mWlV^A^Jfc' "" " WW '"^iWW :v- __g-,_M .. 2. Light up your presentbrand Do exactly the same thing— DON'T INHALE. Notice that bite, that sting? Quitea difference from PHILIP morris/ Other brands merely make claims— but Philip Morris invites you to compare, to judge, to decide for yourself. Try this simple test. We believe that you, too, will agree Philip Morris is, indeed, America's FINEST Cigarette! .. . NO CIGARETTE HANGOVER means MORE SMOKING PLEASURE! LEW AYRES LOUIS WOLHEIM Starring HI WA. "If the younger generation will take my advice they'll make It «____, nHi|)ntiijK^ ; : ; :::iiKBr^l^a___i«W: ::; :: :':' :'' 1... Light up a PHILIP MORRIS -"___ __«____________ ' # __l_k_L-___ to _Js______i l \W^m\l^!mHJP^1 ~^ ■■<*—***' **o*mZjJ JK&mM — .^R B___H R^ f '^|_J_} .j-t'^»_EjC " >**^^_|Hk V^B <£mW^ ***t*~*^^ __D"W?' _9wt '',' I Bf ft _fl __F^s'" 8. .; ■ _»* l Wl^mmTW *$^W*mmmm\ l .^H^^^m* Just take a puff— DON'T inhale— and ___k Aw* i "ik^mmW v^_MSiJOr^BT-l s:!^^^f ■""■■'> W&tWv SE* ■'■'"'j^mmm'^%X^^^.MWm '^\'^mm^^aT >"W — Fldler. J. ~."*~f- *"*_fcffl "»T : ffi3_liv-_aß_* ""'■" " wgtz&:*Amm _B_ ':-4__H_t^__i__l ' ' Wmt mmm\VMk?W9 Mm I K.__P#_KPL': fl H___ a point __[ 3^MmmT' __H_hi K. '■■.■■^ ""V- JBr ?W : report in SJBJB r^M >agiHßjy< .a?7>^— ~- EGGERTSVILLE with JOHN WRAY SUM SUMMERVILLE WILLIAM BAKEWELL NOW SHOWING MrDPII_BV IVll-IIvUIII 565 MAIN STREET §z PHILIPMORRIS �THE 4 BUFFALO Friday, October 13, 1950 BEE SAXONS TO PLAY AT CIVIC STADIUM Frosh At Alfred Seek First Win Alfred, New York, tomorrow with spirited determination. 11. of Buffalo Loses through To Niagara 27-13 play Because of a loss of copy, some mysterious process, Iam unBILL BROWNJOHN able to give you the desired Taking advantage of the UniAfter dropping their opener to by play description of the Manlius Manlius, 81 -0, the Baby Bulls game, but perhaps that is just as versity of Buffalo's unwary secondary the Niagara University should have regained enough en- well. It may be noted, however, Purple Eagles took to the air ergy to enter the playing field at that the U.B. team was not on a lanes to score a convincing 27-13 win last Saturday night at Civic par with the Cadets. U.B. Meets Alfred I TENNIS I'Sat. Civic Stadium JIM SPENCER The U.B. netmen, ably coached by The .undefeated Saxons fnom Bill Sanford, made it fourteen vicinto Civic tories in a row last Friday by Alfred University move downing the Niagara aggregation! stadium Saturday night at 8:16 to with an 8- 1 count. It was lossi meet the U.B. Bulls in the 28th number two for the Cataract Boysi meeting of the two schools. Buffalo hasn't lost to Alfred since by our men within a week. opener, Bill Kullman and 1941 but the Saxons are always In the Stadium. Joe O'Connor waged a three-set pointing to beat Buffalo. It is a In the second half of the game, match, After with Niagara's O'Connor game the Blue wave can hardly the Bulls drew first blood Baby perk the Bulls did up in form with an 86 yard touchdown drive emerging victorious for the only afford to take for granted. until it was too difficult for the quarterback John Theobold set- U.B. loss of the day. The score in Last year, the Bulls journeyed Cadets to score. Coach Manz hopes tled down and proceeded to pitch this thriller was 5-7, 6-4, and down to Alfred and came back OPTICIANS JEWELERS that the team will begin the Alfred Jim Miller's boys to victory. In 6-4. with a neat 32 to 6 win. This 41 KENMORE AVENUE Jim Hodan of U.B. slashed his helped to even the score with the game in the same style that they all Theobold completed 15 of 27 (at University Plaza) heaves, a good effort In any way to victory by overpowering Purple and Gold but the total terminated the Manlius game. Diamonds, Watches, Jewelry Dick Rodney 6-3, 6-1. league. overall picture gives Alfred 13 The Frosh have a good chance Next to be whipped for Niagara wins to Buffalo's nine. Four games EXPERT WATCH REPAIR The loss of Bob Stockwell on a was Dave Bochar by Gene Barnett to win, but it depends largely on personal ended in ties. foul was a crushing blow N.S.A. Card Honored Alfred's three victories thus the team itself. Tomorrow at 2:15 to the Blue and White forces. with a 6-4, 6-3 tally. emerged Bert Shulimson victori- far this season have been over on the Alfred field, pre-game esti- Stockwell was ejected for supUse Our Convenient Credit 7-5, ous over N.U.'s Bob Ripley Brackport (33-0), R.P.I. (14-0), Plan mates will be disclosed. Remem- posedly roughing Theobold. This 6-4 for another Bull win. and Clarkson (7-6). The Saxons ber, Alfred beat the Baby Bulls has been a controversial dssue Ben Celniker followed suit by Complete Optical Service a veteran line and backfield 13-6 last year, let's not let history ever since. drubbing Bob Campbell of the Falls boast sophomore Ralph Dimicco with repeat itself. It was apparent from the outset City 6-1, 6-0. pressing the regular backs for a that the Bulls secondary was unMatt Monahan of N.U. met first string berth. Coach Alex able to cope with Niagara's pass strong competition from Don Miller Yunivitch's charges operate from patterns. Had the Eagle's long and went down to defeat with a a winged-T. passes been hitting their mark set score of 6-0, 6-1. The Bulls' injury list should be score Kullman and Hodan the could have mounted to teamed up FULL COURSE DINNERS Matty. Ferrintino, in the opening double affair and at low ebb with horrendous proportions. Russ Guglno, Tracy LaTona and Niagara's battered O'Connor and Mike Guercio fully recovered. Even in defeat, several Bulls gave performances which drew Rodney into submission by 6-2, Sure to see plenty of action is 6-3. rave notices from the observers George Ursetti, a rough 185 pound U.B.'s Barnett and Bill Castle in the press box. Ray Dinoncenhalfback who doubles as an interzio, offensive tailback, was* the also powered their way to glory collegiate wrestler, pole vaulter, by handing Bochar and Ripley a shining light of Jimmy Wilson's bicycle rider and stock car pilot. 6-3, 6-4 setback. winged T attack as he gained His excellent running and blockWith the match well in Buffalo's yards 50 in nine trips with the favor, Harry Weinberg and ing were noted by press men as Joe pigskin. quarterbacks, Tracy 38 KENMORE AVE. (near University Plaza) The DeCarlo certain of a U.B. well as coaches after he bowled LaTona and Don Holland managed romp by made smashing to a 6-1, 6-2 over two Niagara defenders with complete to 14 of 25 aerials. victory over Campbell and Mona- a bone crushing block applied Coach Wilson was pleased with han. directly in front of the press box. George Ursitti who entered the i game The next meet will be at home Ray Dinnocenzio and Iron Man late in the second half and with Kania are expected to pick, up immediately made his presence day, McMaster of Canada on Fri- Cas October 13. where they left off last week, in felt. His devastating blocking set the ground gaining department. up the Bulls second score. The loss made the Bulls record ed party usually appears for the one and two. Niagara has won two voting; his unqualified votes can straight but shrtuld [have their cause presumptive and Improper skeing broken this Sunday when By BRIAN HERDEG actions that would otherwise be they meet Eddie Leßaron and the The words prejudice and dis- impossible. Quantico Marines. 3) Because a fraternity or sororcrimination have thoughtlessly and fruitlessly been footballed ity is supposedly a unified and The UB Marching Band needs around the campus for quite some close-knit association of people. twirlers. Any girls interested time. Many statements and insin- Unless the individual personalities should contact Miss Dorothy uations have been made by certain of its members of harmonious, the people. In this article, organization can neither be unified Button in Foster Hall Lounge. unthinking Iwould like to present by personal nor close-knit. It is this point that Those without experience will be interpretation of the meaning of may be most often misinterpreted. given instructions. _Band meet- the word discrimination. When an individual Is rejected, it ings Tuesday 4:30 (i:00 P.M. DISCRIMINATION; TO HAVE does not indicate any imperfection .... or failing in that Individual. RathDISCRIMINATED The word itself contains no re- er, it merely shows that that indiligious or racial connotation. When vidual could probably find a better you select a specific brand of cig- matched group with whom to asarettes, you are being discrimi- sociate. The exception to this rule nant. To discriminate is to choose is when a person is so sloppy or ill mannered that he or she is a by preference. AS COMFORTABLE FEEL- WHY DOES A CLUB OR GREEK- discredit to himself and his school. LETTER ORGANIZATION DE Fortunately this is not a frequent ING AS AN "A"IN ANY occurence. SIRE TO DISCRIMINATE? 1) Because people are judged by IS SUCH A PRACTICE RIGHT OR COURSE those with whom they associate. WRONG? A sloppy or rude member can BOTH. Discriminate selection cause general degradation for his of members Is a necessity for the gals ■ Now the willbe giving you the wolf call. Finer-woven | STOP IN AND TAKE A entire organization and that mutual benefit of the organization lustrous soft— man! you've got everything. and its members. Prejudice in disgroup s entire membership. PEEK AT THESE Washable? andhow! stays size-right and every one 2) Because a lazy or disinterest- criminating, for any reason, is of the 27 he-man colors is color-fast. California Lo-No wrong from both ehtical and moral BUY-ON-SIGHT BEAUTIES ■ points of view. model (shown) is smart with or without tie. And famous Van Heusen styling will open any babe's eyes. $4.95 At The WHAT IS TO BE DONE ABOUT MISUSE OF DISCRIMINATION? NOTHING. Fussing, fretting, and fuming will accomplish nothAND GREENHOUSE ing. The only way (KATHLEEN MADDEN) this can be fought Is for non - discriminate Dial PA 9696 groups to prove the uselessness of ORCHID CORSAGES racial and religious partiality by $1.89 41 UNIVERSITY PLAZA |fO "the world'ssmartest"THEIR OWN EXAMPLE. (opposite U. of B.) Discounts on Both N.U. and SHOULD NATIONAL JEWISH CORP., 1, .HILLIPS-JONES NEW YORK N. Y. N.S.A. Cards AND CHRISTIAN ORGANIZAWE DELIVER TIONS BE FOUGHT AS UNDEM3236 MAIN ST. (opp. U. B.) OCRATIC? 14, BUFFALO N _.— .Y. _._-_._____J By . GUSTAV —A. FRISCH AMHERST DINER "WHEAT CAKES ANYTIME'' SPECIAL DINNERS DAILY FOR 75c r—————— ————— Dissertation on DISCRIMATION Van Gab, Brother ... ...... ... I »- 9 ' VanHeusen hi — —— . Ullll ! Plaza THE FLORETTE FLOWER SHOPPE Men's Shop N.S.A. Member — — (Continued on Page 6) �Friday, October13, 1950 THE BULL TALES By Fritz Shelgren They just didn't have it. That in a nutshell sums up the University of Buffalo's performance against Niagara. The prerequisites of a winning ball club are the combination of a good aerial game coupled with a bruising ground attack and an alert defense. There is still no doubt that the Bulls' air arm is above par but the rushing attack is sadly lacking in that one important item, versatility. For 85 yards at the outset of the contest the Bulls' running attack functioned with brutal effectiveness but then came the return to normalcy as the Niagara stalwarts got "on" to the Bulls' weak side reverses and slants. Then the roof fell in. Niagara's attack displayed a great air arm coupled with a good sound ground game. The former's presence brought back nostalgic memories of the Buffalo Bills. It is noteworthy that the only unsuccessful passing attempts by the Purple Eagles were the result of overthrows, and not because of the play of the Bull secondary. What is there to justify this? Is it the fault of the Bulls' coaching policies or the inadequacies of the defensive personnel? Coach Wilson's operatives concentrated on pass defense prior to the game but the BUFFALO BEE 5 patterns wererun mostly from the well as "Fantom Faculty Figure" for only four games should make wing-T and not from the straight- is of the opinion that the Bulls a record-breaking season a cerT, a factor which may well explain will finish with a five and three tainty. Shades of Canisius. Orithe futility of the pass defense record. "We'll be awfully ginally twenty-seven games were strong this year," says Basketball scheduled. Only twenty remain. men. All in all it was apparent that Coach Mai Eiken, as his round- Where the seven went is a deep, Lou Correire, allN.U. had the better team last Sat- ballers started practice Tuesday. dark secret. urday. The loss of guard Bob This year's edition will be the tall- time basketball and football great, Stockwell early in the proceedings est U.B. hoop group in the school's will return to his alma mater this hurt the Bulls immeasurably. Even history with the possibility of a year in the capacity of Freshman in defeat Ray Dimoncenzio, Caz starting team averaging six-three. Basketball Coach replacing Hermie This year the Bulls should Cohen. Bill Sanford's tennis Kania, Ed Gicewicz and George break their all-time win mark of team goes to the post today against Ursitti shown to advantage. Cy Kritzer ably called his shots fifteen for a single season. The McMaster in quest of their six- ... Soudan 5 .. . . .. COME TO ... cLeslie 6 FOR SMART FASHIONS PRICED TO FIT YOUR BUDGET 3199 MAIN STREET Open Every Evening Use Parking Lot at Rear of J '1 Store. BEAUTIFUL DRY CLEANING and PRESSING i%_' ♥ A 0 J ■ \ ■ i-N. "r _T^^^»__f A_HmP^ 3366 BAILEY at LISBON NJ3.A. CARDS HONORED I Campus Interviews on Cigarette Tests I I 4 Number 3...the flicker EXPERT TAILORING GRANT SCHWARTZ, Prop. V^uj-j-aio =&rty L^ieanerd Apparel _ I'.: :2^mmm^mmmmkl^..^.. .. Junior and Misses ... in last week'sNews when he stated fact that the Bulls are on the road teenth victory. that the Bulls took the Louisville defeat too lightly and were not on the rebound, but then let's hope that the season is not over after three games. Notre Dame lost Saturday, too. Here and There: Tomorrow night Alfred at Civic Stadium. A good turnout might soothe some of the . Jim Peelle, Athletic wounds. Director, and Backfield Coach as 42 UNIVERSITY PLAZA ■' f y^fS 6mi-#B^^^^_^m Ammmm%^^"^^^mmW Jk^^^^mSf'-art" *Wr ,-gjf 1, *v^-- ______r^^fe?:^sl__^^^-^_^_L_ *■"" m^mu "' ■-!?: L v PA 4037 fmmWf *■ -0 " jfIHHBI , STAR PERFORMERS ON SRIOIRONAND COURT __*_3_l_fc ]N 1919.A-«u> _„_ « POR A SCOREback... AHD was called S^^^nrniiai. AW^^Wm J__W BALLTHATS OFFICIAL /fa*? _WEa BT CHOICE IN THE 810 JKC? »-_.-.._._> Ifc-V ?,-«"« .__€S_PH___ H THBSPALD«H©J6^rooTBAU.^^ tAMOn^IN fi""RW aM_»ji®^£ COLLEGE 6AMES... AT ,vin-rue (4K-AI THE. AWT AND fIOWL CONTESTS — -— — -Tl *.-#// JWW > "- ■^ ftisi&->U-■■■'/'SrmW 9jmT Ijtfjf'^.s. fK?~*i. ! [|gp^ THE SPALD/NS % LAST-BUT® K STS? #\ BASKETBALL... gpy over a r_*r_cr #Sf^MAPE SPHERICAL LAST... WmWt&iSkr^ "^^m fOR. w\WM4ym I«» GUARANTEED ROUNDNESS, m ___^___iy '4mW PERFECT fuoht, balanced Amy TopflitE ■ * JmrMvL wl Jy £J yK » V&S'&_& f^^~^—- mm/ iftwi_v _____^ B__r^ \Wf i WISCONSIN ,HE TO(. pASJ - Ntn* . fk/M/fC " CPALI/l"* 1 . ef) More People Smoke Camels //s'' 1-ApE?/ TRUE REBOU ND in 'sq-'si rules| f)pAl£' ■ ... ,a y than any other cigarette! I ""_____ -i^^^^^"^ shape doesn't know the score! He's plenty all those tricky cigarette tests! If you're in the groove, they're not fooling you, either. You know, from your own smoking experience,that just onepuff of thisbrand then one puff of that brand isn't going to give you the answer you want. What can you possibly tell by a quick inhale and exhale, a whiff or a sniff? '.JA//P ,ilClfY"U* --" "f^T . ■■ ________ the drapeJDon't think our neat-pleated friend withhep to The sensible test the one that gives you the proper answer -is a day after day, pack-after-pack tryout for 30 days. It's the Camel 30-Day Mildness Test! inyour own "T-Zone" You judgeCamels for 30 days (T for Throat.T for Taste) the real proving ground for a cigarette. Once you've tested Camels as a steady smoke, you'll knotv why mfvt pi _v hf rav KO TO THE GOAL »uni_A<; lALLLP Ofltfc. AND WAS called back' cn uv Yirwm ■ --— B^^ ... — i^S ,_„ . - "l^i £3 m ml ""fc^ |£9| HJ '' |fe|:|| C^Kl*^ £ » T}% j M||g^ �THE BUFFALO 6 Dissertation on Discrimination Friday, October 13, 1950 BEE Prof. Larrabee Ribs Profs. U.B. Goli Team Intramural Sports Harriers Journey To McMaster U. Meets Aggies (Continuedfrom Page 4) WHY? If a group of men and women with a common belief feel that they can co-operate better if they are of a common race or religion, who are we to say they are wrong? As long as non-discrimi- Malcom Eiken's golf team journeys to Guelph, Ontario, today where they will tee-off against the Ontario Agricultural College. Having won eight straight, Coach Eiken is hoping that his sextet is primed to stretch the victory skein. Finck, Bob Smith, Bernie nate organizations do exist (Beta John Boles, Fritz Shelgren, Tom Krieger Sigma Psi, Sigma Alpha Nu, etc.). and Bob Babbitt are the lads makand as long as those who are se- ing the trip. lecting their members from one specific church are doing so be- peoples, we should be forced to cause of common interest rather criticize them. WHY THEN ALL THIS FUSS than prejudice who are we to say AND FURY? that they should not? I don't really know. Some peoIf, on the other hand, any group ple may be earnestly trying to aclimits its members to one race or complish something they feel Is necessary. Or there may be other religion because they feel their reasons for creating tension among choice of Faith superior to other groups of people. 808 BABBITT Between bad weather and lazy students not signing up for the leagues on time, there is little to report this week from the intramural department. This column will have schedules and team standings ready as soon as they are com- The X-country meet scheduled for Oct. 6 against Gannon College was called off. In order to keep the team in peak competitive form, Coach Hillburger decided to hold an intrasquadrace among the team members with an incentive of medals to the winning team. Ken Plumb led the Blue team and Jack Traugott led the White team. Traugott, the sensational Freshman, beat Plumb by ten yards, and covered the 4.6 mile course in the good time of 25:23 as he led the White team to a 17 to 19 victory. The White team was greatly aided by Blue runner Benny Sultz who got lost on the course. Incidently, this was the first time Plumb was beaten by a U.B. runner in over two years of competition. The X-country team will play host to the team from McMaster University this Saturday at 1:00. All students are invited to attend. The results of the intrasquad Harold Larrabee, the American Association of University Professors bulletin, says about the individual colProfessor writing for lege professor: If he's brand new at teaching, he lacks experience. If he's been teaching all his life, he's in a rut. If he dresses decently, he's trypleted. ing to be a fashion plate. In the only touch football game If he thinks about something beplayed in the Campus League, the sides clothes, he's a bum. If he seldom admits a mistake, Hoopsters showed mid-season form he's arrogant. as they submerged the Beagles by If he ever admits a mistake he a 35 6 score. Most of these men ought to go back to bricklaying. are members of the U.B. varsity If he plants an occasional joke basketball team and were led by in his lectures, he's a comedian. Johnt and Chalmers. Their objecIf he never condescends to an academic nifty, he's duty dull. tive seems to be a basketball score If he writes books, he's neglecteach game for them. ing his teaching. The Fraternity League is now If he never publishes, he never lined up with the Alpha Sigma had a thought worth printing. Epsilon, Alpha Phi Phi's Beta Chi If he hands out plenty of high Omega, Beta Sigma Psi, SAN, and grades, he has no standards. Kappa Sigma Kappa ready to roll race are: If he hands out plenty of low in the 4:45 league. The 3:45 diviWhite grades, he's a butcher. "THE SOCIALIST ANSWER TO WORLD CRISIS" sion will comprise SAM, Alpha I—Jack1 Jack Traugott If he uses notes, he's unoriginal. Kappa Psi, Theta Chi, Beta Sigma 3 Jerry Repetski If he gets along without notes, GIVEN BY Rho, and BST. 6 Louis Prozarny he's an ad-libber. If he sticks to his specialty, he's Of the two games played in this 7 Jerry Saltarilli got a one-track mind. division Monday, the Beta Sigma Blue (If he tours the encyclopedia, Rhos took high scoring honor as CANDIDATE FOR U. S. SENATOR he's a show-off. they scored in each period for a 2— KenPlumb If he can't identify Fritzie Zivic 26-0 win over Beta Sigma Tau. 4— "Welly" Legters SPONSORED BY In the other game, Phi Epsilon s—Rus 5 Russ Leone and Jack Kramer, he isn't human. B—Ben y8 Benny Sultz If he listens to sports broadcasts, Kappa scored a lone touchdown giving them a win over the scorehe's illiterate. less Alpha Sigma Phi's. If he gets paid for outside work, \ he greedy. The speedball league was won If he does outside work for SUNDAY, OCTOBER 15 at 3:30 P. M. by old man weather, as so often ADMISSION FREE nothing, he's a.sucker. happens in this lovely climate. Parlor B, Hotel Lafayette ALL WELCOME If he stands up while teaching, These games were scheduled to get he's oratorical. mtm^mmmmwmmmm^mmm^mtmm^mmwmmmmtmMmtmmtmmmmkicking Wednesday and Thursday. If he sits down while teaching, To the Bee: Team managers should make it his feet hurt. The Student Christian Associa- If he's young, he needs more a point to see Tom Neill before cancelling out because of weather. tion, formerly known on the U.B. seasoning. This will prevent losing by forfeit campus as the Credo Club, an- If he's old, he's seen better days. as has happened in the past. SUCCESS FORMULA ON CAMPUS OR OFF! nounces the first Fall conference. If he gives a lot of quizzes, he's We might add in closing that 'It will be held at Cornell Univer- a slave-driver. If he seldom gives a test, he's more interest could be shown by sity, Ithaca, N. Y., October 27 29. too lazy to read papers. the students in playing intramural "The theme for this conference If he gets his name in the newssports. This program should become an essential part of every is "What it means to be a Chris- papers, he's publicity mad. Resources for Christian If he never appears in tthe pubstudent's life, as a spectator or tian Living and Growth". The major lic prints, he's so much deadwood. participant. addresses will be by Dr. RuthIsabel If he takes an active part in facSeabury of the AmericanBoard of ulty business, he's a politician. Commissioners, Congregational If be never serves on a comChurches, and by Professor A. T. mittee, he's a work dodger. Mollegen of Episcopal Theological Seminary, Alexandria, Virginia. TO THOSE WHO HOLD Costs, including registration, ATHLETIC BOOKS housing, and banquet, will be $7.00. It will not be necessary for Application blanks, can be ob- students or faculty to buy ticktained from Rev. George Crandall, ets to any of the remaining Chaplain, in his office, football games. Just present your athletic book at the gate after2,!1:,,His hoT rs are at Civic Stadium. and Wednesday Ristration blanks should be i._,ji j by October 20, to Prank Murdock, NOTICE TO ALL Conference Registrar, Barnes Hall ORGANIZATIONS Ithaca, New York. The schedule for Buffalonian pictures is pasted on the Bulletin board in Norton Union lobby. Please consult schedule for your appointment. Please endeavor to have yo_r group all present and on time. i PUBLIC LECTURE — — — — STEPHEN EMERY —— Section Erie County, Socialist Labor Party ... S.C.A. Announces Fall Conference / - Arrow Cordon Oxfords ) — x^ r ... Eaay formula that never mfaaest Buttoodown abirt- are of cri_p white oxford, Sao- foriaed-labeled. of eoacn. AM eOk. atriped hVeo knot and drape to pTfrilitT. Sea than now at your favorite Arrow dealer^. Kpp "mmt^QnmmmWM ( ahbto «t_K tU."_ f 1 I I ARROW SHIRTS 417*3 / * MH_KV___e m ll___ol___X___DS -POSTS SH-KXS —^ "He limply gow to plaeMwhan Iforget tha Angostura*ia his ManhattansIn jrftt%L AIOMATIC BITTItf MARIS lITTII DIIMKf "Tssbmwwsmm* smd ImxtAMmmm,. amh mMmmmtm, mm,isms SmmAs ptamm, smsmsnr,makm m mmps, mlUsf ttisrmm ... Monday' ""**' , . mornufj. ANNE HARTMAN MAIN ST., at THE PLAZA \jijfti and L^ardi N.S.A. CARDS HONORED MONDAY, OCTOBER 16 IN NORTON UNION MUSIC ROOM One and one-half hours of recorded music for your enjoynent starting at 2.00 P.M. and continuing until 3:30 P. M. All itudents are Invited to attend. CANTEEN RESTAURANT C/ood ZJadti 3626 MAIN STREF.T �Friday,October 13, 1950 THE BUFFALO BEE 7 Sitzmarkers Begin This Year's Season Now that the fall weather with its colorful beauty is here, you will find the happy gang of Sitzmarker's out at their hill gnawing down trees like eager beavers. This year .we are going to extend the slope, already one of the longest in the area, by removing a few more of the trees which have an uncanny attraction for novices. These friendly and informal trips take place every Sunday from now until we start losing shorter members of the party in the deep snow. Cars leave from the Colonial House across from the U.B. Campus every Sunday at 11:30 a.m. Mode of dress will vary according to your reason for coming to the hill. Girls that want to j work wear dungarees. Girls that want to pose ???!!! We I don't give a darn what the fellows "YOU KNOW, DEAR, THIS CONSTANT PRACTICE IS GOING TO wear. HELP ME GO A LONG WAY IN THE HOG CALLING CONTEST." "WELL, ITOLD YOU I'D NEVER WORKED ON A FARM BEFORE." Sometimes walking up and down our hill, (it has been done before), produces hunger pangs, so bring a few sandwiches. We generally quit work on the hill around 5:00 p.m. and race over to the Roycroft Inn in East Aurora to have dinner served in the exclusive Sitzmarker Room. It's the room that's exclusive not the dinner. We get a big 50c roast beef dinner with all the coffee you can drink for 50c! Believe me, even the only paper plates taste good after you've been working on the hill all day. After this, the management runs inspection for missing silverware. Then everyone settles back in their chairs for the real enjoyment is about to begin. John Doyle, Pres. of our Alumni Club Sitzmarker's, -tiSat Inc., exemplifies the festive spirit A as with beaming face he passes Strike; " ci arette ~ aste n one the plate around for your dinner ir " money. With your pockets considPerfect mildness? You bet. Scientific tests, /\~_^-'erably lightened, your spirits soar' /js?' by three independent consulting *y^l confirmed ing, the voices respond to the Jar ~*<i*S^ laboratories, prove that Lucky Strike is milder _l_r strains of the accordion, swelling in harmonious dischord.- (Someone than any other principal brand. Rich taste? has just sneaked a piece of pie J Yes, the full, rich taste of truly fine tobacco. " x from the kitchen and won't share W Only fine tobacco gives you both real mildness II it.) The song is started once again < 1| and rich taste. And Lucky Strike means fine and this time it's the customers ; tobacco.So enjoy the happy blending that comof the Roycroft who raise the disthey'll perfect mildness with a rich, true tobacco chord. But never mind bines / STUDENTS! , the season has get used to it <- Happy taste. ,_" Mi imT// ".--".-. Be » cKh.j. Go Lucky! j page > jingles The on this kWM. £_JPV:■: just begun! When the evening of singing is over, you will have made new friends and will be looking foreager to pay you $25.00 ward to the next week. You might Jrm stM**" / f ' S Tp-I PlSfc for every jingle we use. Tn, _-H_a« r*** ._;,l aq*** u^ roP*5 f "_/-' even find yourself looking forward a,many as you like Send W 0^ t*° to the skiing season. "\ Does it sound like fun? Just get yourself to the Colonial House we'll do the rest! on Sunday fjjfbblA* 4ff%n IjlAci/l R* Qc P^PrK 01 W **^*m& — — — /* \ % _r"^ if_ — — OTraP^ J^ W iß^^^^m^m^^ Tr</^ — SmW ' - *^F ■Msf' J|F ~~J> ,^r^ J& f _ '■ '^ — _#^ toth perfect mildness and rich * combines ' 3^ Lucky 9 /'t/jr *#►* 7 — .. JM-A J-'/// A^RST^^I _2* ,„. - - Math Club Holds OpenHouseOct.l6 The Math Club of the University ot Buffalo will hold its first meeting of the year on Moil., Oct. 16th at 8:00 p.m. In tha West Room of Norton Hall. The meeting Is open to all those Interested in math. Movies, which were takenInEurope by an alumnus this past summer, will be shown. Refreshments will be served after the meeting. Let's make it a big turn-out. SORORITIES, ORGANIZATIONS! MONOGRAMMED CARDIGANS T SHIRTS and SWEAT SHIRTS GIVEN INDIVIDUAL ATTENTION FRATERNITIES, WHOLESALE PRICES Call PA 0447 (after 6:00 P.M.) Nick's Shoe Repair 3203 MAIN STREET Repaired While You Walt ml J -mmf X U.S/M-F.T ludtyStrike Means Rrte Tobacco COUP.. THB y*^ AMIMICAN TOBACCO COMPANY �,»p —^ "Xw/^ll Fl >—. fl TW_^^^_i" " 1 AQ L i xff r%t<OU »(w ,ll * For what can they use to measure And how can they When man is Ilie tell? to "^ \\\\%± |H _Kil__lP: : v^ -' *m '■'"' -&_l_k'V __l BI^P <mmms II ___r ■ IMB JM Bar M BBfa 1 If r i 111Dn L _____- : '" ■ r :<: ■' :< ''': — :^v __p^.l / I ■ I ___" "^ Hi __Pw _-■■ U V*B B^ m\ H? AH% _l ___._l _#"► -Hgi *^ Vl____u_i__»_r ___________^^W*^^^^__S__B H - __B_i^cn^T^M^^^______---^_______i ~ '^_E' " ___■ ___^^__v»___rae^ Bf : _(i_iin?W _____t_flKUt^ . I PUk _-^ _-^P Wmm. I:La II I p __" 9% 9 _L. m M ll'ltH■__Ht l _M __■__ __ s Hr _K_3_. 7y / :■:■■■■■r-I^ML __# " vx:: >; x^L "^B^H^^B^^ v ■ __■ __N%- __* '] Ww '^P|^^:: B BB _H _k _i BjSij^ hlot B >'#!_H_f__P H ''■' Hk:^9b___b """1 __*> __" H ___fett___. _F*__at Jr '■'< ____! "V' B^ WWT PS Ww __t_a_B ' "-_-_"--"____________ *W WW - __^ _"^ _CL__ V' ___B'^ £■■■;4___[4-___l '■■ ' '~&-■~'<~': Li J^ H I 1^ __t__t '__M__' vnII n Ulllf I W ___ '*'"~^^__w_l"lI j_H P^ Sr Jm f^_^ l^'wfew _|_H_^__> J_l Bp&*^r«-. vH _S^P:' v^^b i^ I II ■■■"■ ■ J *^^^ 111 111 / "FIRST IWOULD RECOMMEND THAT YOUR WIFE LEARN HOW TO MAKE LIGHTER BISCUITS." William Hicks. Hbh_____> -Ih H-^^lfl '■ /^*Sm~"^^^ml _■ li^_^_^_) __hß____M_N__9^ WmiWß*MwW -^ "'-' tl?4 j»^*-. j II MJ_sii^^___j^Pl _H« ___■ I_B only one —by i-"ii| fli W^'^W^S^k always fl% "~ Can tool judge another well? "HUNGRIEST BUNCH OF HIRED HANDS IEVER SAW." fWjtifm__B__TiMffilnv Friday, October 13, 1950 BEE jf'jp* | POEM CORNER j DO *=» BUFFALO THE 8 : : ■'Jmmsm*^' ___i_^^ ■ fit?M^: _J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 bee-1950-10-13 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/13/1950 Extent The size or duration of the resource. The Bee Vol. 31 No. 4 The Bee Vol. 31 No. 4 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Bee student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 13:50:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/20/2009 Title A name given to the resource Bee, 1950-10-13; Vol. 31 No. 4 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/40cd894fd789d326542a7e6bfe93ff57.pdf 63348bc195e0f830298250e175833ff5 PDF Text Text HenryTen Eyck Perry ARGUS THE UNIVERSITY OF BUFFALO BUFFALO, NEW YORK Vol. IV UB PLAYS PROMINENT ROLE IN U. N. ANNIVERSARY CEREMONY WESTERN NEW YORKERS FETE U.N. ANNIVERSARY Readi Tha ARGUS ! : OCTOBER 16, 1950 No.4 BUFFALO BULLS BLAST SAXONS Citizens of Western New York will have an opportunity to show their loyalty to the United Nations the week of October 17, when the peace-loving citizens of the entire world will celebrate the fifth anniversary of the founding of the UN. Locally, theoccasion wiil be marked by a large meeting, open to everyone, Saturday, OctoHard Scoreless by an ber 21, at 8:30 p.m., in the auditorium of the State College for General Semantics Charging Teachers, 1300 Elmwood Ave. j^^^^^^^^^^^^^^^^^^H Group By IRV GINSBERG figuresH Two Choral The Buffalo Study-Group in to Buffalo for, the meetingH TheUniversity of Buffalo passing attack came to Concerts General Semantics will hold the life twice last Saturday night- to spark the Bulls to a are John of Ala-B one the American1HThe Choral Ensemble of the Uni- next meeting Monday evening, Oc- 13-0 victory overpreviously undefeated Alfred in a hard to the Na-Bversit yof Buffalo will present its tober 16, from 8 to 10 p.m., at the fought battlebefore 3700 fans at Buffalo Civic Stadium. the UNI first in a series of "Choral Pop New York State Technical Insti- Quarterback LaTona performed excellently. tute, 1685 Elmwood Ave. A review from the' American point view,■B Early in the first quarter a 19Concerts" Monday, October 30, at of basin principles and methods of Austrian1B -yard pass from Don Holland to 12:0 p.m., in Norton Union auditogeneral* semantics will be presented pre- B rium. Cas Kania brought the ball to the by the older members, and will be Offers the a that B Course Alfred one.Fullback Bob Ray then concert, which will last one- followed The by group discussion: a member the UN. plunged over to cap the 68-yard hour, will feature all-time fahalf Fifteen members of the bar will the be I This will be the second Fall touchdown drive. The Bulls wrapvorites including several of Victor B take! part in a new course entitled ped the Hon. Philip of I meeting of the Group, which was it up late in the final period Herbert's best loved songs. by B'"l'lii. Law and You" offered Supreme president I formed February 1949, by the local quarterback Tracy LaTona when College Millard Fillmore of the Hp Dr. Wallace Van Lier, the di- members of the Institute for Genthe on World I University of Buffalo on alternate hit halfback Phil Smolinski for 24 rector, has said that this I group of the I eral Semantics and the Interna- Thursday evenings, as begun Oc- yards and then found Carl Markey one hudred voices presents an unthe many I tional Society for General Seman-II Sponsored jointly by the for 8 and a score. George Gallino's Mt tober 12. array campus usual of talent tics. The latter publishes the discus- I Quar-I moulded UB Law School and Erie County kick finished up the scoring for, into a fine choral group. terly the formal addresses I "ETC.— A Review of GeneralI Association, Tho Bar this non credit the evening. concerts are admission free. will be led by two Buf- I Semantics." The previous meeting course is designed; for laymen and Outside of these two flashes of I falo was devoted to discussion on a W. I I will cover practical problems of brilliancy, however, the game dethe program coming_year. Buffalo Credo Club for the every-day living and current poli- veloped into a see-saw contest to I Rapp State The Group plans to alternate The Student Christian Association I tical and economic issues all from see which team could best frusof the University of Buffalo cordi- discussion meetings with speaker-Inlegal and non-technical point of trate the 3700 onlookers. Twice the same Sen. I discussion meetings. To the latterI ally view. Robert O. Swados is oo- Saxons were able to smash deep Judge I invites all Protestant students are being invjted specialists in the on the campus to attend the Credo I ordinator of the course, which will into the Blue and White territory, appear on a special I Club meetings every Thursday several fields of science, psychiat-Ibe given at the UB Law School. and twice they failed to capitalize. program of the University of Buf- I ry, accident prevention, law, linLate in the first half a 70-yard 77 West Eagle Street. falq discussing ."The evening at 7:30. guistics,and perhaps labor. The alscoring thrust came to an The will Alfred subject range I from labor UN in the The ternating meetings, except two reproblems ,from inglorious I to divorce free end when the ever alert on teleSchedule served for discussion of books onI speech to suburbanitis. Following Smolinski recovered a DiAnetti be 7:30 I the subject, will concentrate on ■Tare the lectures: fumble in theendzone for a touchon WBEN, WBEN-FM and [8888888888888888training general in semantics methJudgeI Oct. "Introduction: back. The other very serious Saxon 12 [8888888888888888 Attention, campus wben-tv. carieton seniors and scoods. Current techniques in Group II Made Law and Jury-Built Facts," threat which fizzled out was early organization members who wish to Dynamics will be utilized as the Psy- I much in the fourth quarter when the Albe the have pictures published in the as possible in conducting the meet-IIMr. Swados. I Oct. 26 "Lawyers and Judges— |fred workhorse, halfback Ralph Di "Buffalonian," student yoar book. ings. IISolomon and the Devil's Advocate"!Mico, seemed about to cap a 46The schedule for pictures will be General Semantics is the name -yard drive by plunging over the I the Hqn. Alger A. Williams, justiceI displayed on the Norton Union Registration of the system formulated by "the right side of the UB line. He was I of the New York Supreme Court. I bulletin board. Figures hit hard on the 4 by safetyman ■ Nov. 9 "Crimes and Criminals.I It is imperative that the seniors late Alfred Korzybski and presented in his book "Science and SanI Sane and Insane," the Hon. John I Kania. and both were forced to Tentative enrollment figures for check on their picture appointment ity," 1933, now in its third edition. I S. Marsh, judge of Niagara County.I leave the game due to injuries. the University of Buffalo an- date. . Consult the Buffalonian Of- Its methods for training for humanINov. 23— "The Jury, the Insur- I there on in Alfred was beatFrom fice, Room 365, Norton Union. adjustment and maturity havebeen nounced today by Miss Emma E. en and the Bulls were able to wrap I ance the ■ Company and Automobile White shirts must be worn for the explained Deters, registrar, reveal a total and simplified by I. J. Accident," William J. Flynn. up the game. I I senior pictures. student population of 99G4. Lee's "Language Habits in Human Dec. 7— "The Law of the Strike First Quarter: UB tallies upon This figure is incomplete, Miss Affairs," WendelliJohnson's "Peo-I gainingpossession. Holland, directthe Bargaining Table," in- I and Deters noted, because some of the Cost ple in Quandaries," Anatol Rapo-I ing the team, handing off to Weser structor to be announced later. I divisions, especially Millard Fillport's "Science and the Goals of I 21 "Big Business andTrust B and passing to Kania. Team gains to Dec. more College and the Graduate Man," and S. I. Hayakawa's "Lan-I I 67 yards in 12 plays before Ray J Busting," Frank G. Raichle. Jr. School of -Arts and Sciences, are The Buffalo Chapter, National cruage in Thought and Action," and goes over from one yard out. GuSpeech in a Half- fl Jan^ll--"Free still accepting registrants Association of Cost Accountants, other students of Korsybski. orcio's attempted conversion fails Communislt World," John B. Leach, II The total of 9964 is only 887lower will hold the third session of their Students and faculty -ÜB. 6; Alfred ,0. president oKthe Erie County Bar II " than last year's official total of discussion forum at Hayes Hall. interested are invited to member Association. I Second Quarter: Teams see-saw attend. 10,851 on November 14, 1949. Miss Thursday, October 26th, at 7 p.m. back and forth downfield, penetraJan. 25— "The UN and the "Development and Selling of Deters listed the tentative registraAmong Nations," Mason O. Damon. Bting the other's territory but failtion figures as follows:. Ideas-" the theme for this meeting Out-of-Towners Club ing to score. Holland completes Feb. 8 "Private Religion and B presented College of Arts and Sciences. .1741 will be by Mr. Joseph P. Highlighting the regular meeting Public Education," Prof. Jacob D. Bfive quick passes; a sixth is. interHealy of James V. Vevirit & Asso- of the Executive School of Business Adminicepted by DiMico who returns to Board of the Out- Hyman, UB Law School. H stration : 696 ciates, industrial designers. of-Towrfers' Club, held on Wedthe UB 36. Alfred gets the first "Making Your Local I Feb. 22 School of Dentistry 234 . Each year the Buffalo Chapter. nesday, October 11, was the ap- Government Work," George W I down on the 2. DiAnetti fumble cjf School Education (day only) 255 N.A.C.A., presents a series of dis- pointment of Larry Ayers as chair- Wanamaker, director of the recovered by Smolinski in the end Erie I School of Engineering 561 cussion forum meetings consisting man of the finance committee and County Sales Tax. H zone. Half ended with Alfred in School ofLaw : .*. /.'. possession on the UB 40 ÜB, 6; 319 of several sessions on some phase acting treasurer of the Club. Mar. B—"Your8 "Your Bus Fare Fnmi.H School of'Medicine. 267 of industrial accounting.These prothe PSC to the NFE," instructor to Alfred, 0. School of Nursing (day and' grams are conducted much like be announced later. HThird Quarter: LaTona in at Lafayette Theatre Offers evening) 668 seminars with a discussion leader Mar. 22— "Wills, Estates and To- quarterback. A 25-yard pass to School of Pharmacy.. , Lafayette Theatreoffers the presiding at each meeting. He recom- morrow's Children," instructor to I 323 Kania fizzles. Afred takes over on School of Social Work , 204 views the subject of the meeting plete version of the film, "Hamlet" be announced. UB 43. Holland now playing deH Graduate School of Arts and and brings out various controver- to students for reduced rates. April s—"The5 "The New Secret Weap- fensive RHB. Alfred makes UB de" Sciences 284 sial ideas, encouragingall members The matinee prices up to 6 p.m. on: The Power to Tax." Prof. Al- fenses look bad in quick thrust to Division of General and to participate in the general dis- will be 25c and the evening per- bert C. Mugel, UB Law School. the 16. Cameron breaks through Technical Studies 84 cussion. Thus an intensive cover- formance, 50c tax included. These April 19— "Reno Divorces-, Buf- and drops Harris, for an 18-yard Millard Fillmore College (inage of a specific area is provided same prices are effective on Sat- falo Annulments and the Unstable I loss. Ursetti picks up 15. Two cluding School of Social and there is an interchange of ex- urdays and Sundays when the Family," the instructor to be an- I easy passes are dropped, and La Work) perience changes p.m. and viewpoints in indus- price at 2:30 / ........4328 Student nounced. MM Tona punts to Alfred 33. DiMico trial ,accounting matters not pos- tickets are available at the Union May 3— '-'Suburbanitis," Paul P. picks up 47 in two running plays .j , TOTAL 9964 Office. 1 (Continued on Page 4, Column 3) U.B. Ensemble ToPresent Alert, Alfred Held Buffalo Defensive Line Meets ' MillardFillmore New - — I I Meets — I I I I Watch for For 'Buffalonian' Pics — I — I — Listed I I Accountants Forum Be Held — . Lawffl — .. — . ......... — — — I I . — ■ 'I H I ... 1 I ' �PAGE TWO y$^X THE ARGUS UniVERSITV Of BUFFALO '■'<ri—» ISffi'lP / *i POINT OF VIEW By isynsj> MARTY FRIED AN OPEN LETTER TO THE ARGUS STAFF It usually isn t the prerogative Dear Students: of this column to review films, but The ARGUS in their October 9 issue printed an article entitled in this particular instance an ex- "A Modest Proposal, or On Divorce in New York State." The article ception must be made. The film was written by Satiricus, obviously a pen name to hide the identity under consideration is no ordinary of the author. It apparently was an attempt at humor which struck Publication Office, 305 Norton Hall, University Campus, Buffalo 14, N. Y. one in. that it has profpudn mean- any number of people as anything but humorous. It was a definite Affiliated with National Advertising Service ing for all of us today. When Erich offense to Catholic 'students and regretful' to say was evidently 420 Madison Ave., New York 17, N. Y. Maria Remarque's "All Quiet on prompted by a spirit of bigotry against the Roman Catholic Church. SUBSCRIPTION-IATE: $1.00 PER YEAR the Western Front" was published The use of the expression "disgruntled Papists" gives evidence of Editor Richard Jackman after the First World War, it ach_. Managing Editor Kenneth K. Newton ieved international success as a However my purpose in writing has a two-fold object. First to News Editor Ronald Ley best-seller, reflecting as it did the those who are not familiar with the Canon Law of the Roman disillusionment that followed the Catholic Church concerning marriage, Iwish to correct the erroheFeature Editor Jack Wilkie , Sports Editor first holocaust. As a movie it alto ous opinion concerning Church law and marriage that the article ..Irwin Ginsberg established itself itself as one of would convey. Secondly, Iwould like to make a suggestion that I Business Manager Hubert Roy the all-time "greats"; and now,- feel would be of great benefit to our University, the faculty, and Circulation Manager Edward Kopf come decades and, a world war the student body. Copy Editor Luther Burnette later, it has been revived and is Mary Alice Smith Secretaries Regarding my first object: The statement made in the article currently showing at the Mercury that "the Catholic system of annulments is an extremely lax system and Reggie Bolla Faculty Advisor Dr. Henry Ten Eyck Perry Theatre. etc." whether intentional or not is a lie. To have an annulment First of. all, it should be stated granted by the Church court is a far more difficult thing to do than Staff that the film has stood the test of to obtain an annulment in the civil court. The investigation and inRobert Anderson, Marty Fried, Arnold Guminski, remarkably well, losing none terrogation made of both parties before contracting a marriage in "Seth Siskin, Jean Manguso, Harold Bershady, Ju- time of its emotional impact with the the Catholic Church practically makes it impossible to have grounds lius .0. Horvath, Charles Partridge, Gerald Helper, passing years. Today, when we are for annulment based on mental reservations, as the written consent Edward Spector, and Herbert Stern. apparently on the brink of a Third, of the contracting parties would stand in a Church court over a and what may well prove to be declaration of mental reservation. The entire article completely Without Expression, Freedom of Expression the Final, World War, the film has misrepresent^ the Catholic position in regard to marriage, and is Meaningless Is more significance than ever before. indicative that the writer knows little about Catholic teachings, and For here is graphically depicted apparently is only concerned with insulting Catholics under the the horror, degradation and futility guise of satire or humour. ofmodern world wars. The central Regarding my second object, Iwould like to suggest that the figure, a young German soldier, staff of the ARGUS inaugurate a policy of not printing articles Dear Father Murray: appealingly played by a youthful under pseudo behind which a writer can hide to escape identYour letter of consternation concerning "A Modest Lew Ayres, takes the audience ification with names a narrow bigoted attitude. In the past similar articles Proposal, Or On Divorce In New York State" was re- with him into the Army, through by authors unwilling to disclose their identity have resulted in the and published by the ARGUS. The publication his initial combat experience, back University being greatly misunderstood and criticized for what apf your letter is within the framework of the ARGUS home on a disillusioning furlough, parently was a reflection of student opinion which in reality was iberal policy the same policy which permitted the and finally back to the front where only the reflection of a diseased mind behind the fence of a pen publication of the article which you reprimand. Your he dies for his Fatherland. name. letter of criticismis enthusiasticallyaccepted,.There are, The natural simplicity, forthIknow for a fact that last,year at the time of our University however, several points in your letter to the ARGUS rightness and the uncompromising drive thousands of dollars intended.as donations to the University which we consider in need of defense.manner in which the sequences were withdrawn because of objectionable articles appearing in the suggest inaugurate You that the ARGUS should a are presented more than make up pages of the ARGUS; Iknow many citizens who made the mistake policy of not printing articles under "pseudo-names be- for the somewhat primitive photo- of judging the University by the type of article written by students hind which a writer can hide to escape identification graphic techniques and exagger- that far from representing student opinion were objects of diswith a narrow bigoted attitude." Whether or not the ated facial expressions strongly re- gust and anger on the part of the vast majority associated with the author 'of the disputed article has a "narrow bigoted miniscent of the silent flickers. The University. attitude" is of no importance with respect to the use of effect is nothing short of devTherefore I call upon all those who would prevent the evil pseudonyms. The ARGUS reserves the privilege, as doe<* total astating modern war, stripped of serpent of intolerance and bigotry from reigning on our campus every news publication, to use pseudonyms whenever all its tinselled glory, and spurious to join with me in at least taking this one step preventing the author so requests. The only stipulation governing slogans stands revealed for what such a tragedy by doing what they can to puttowards an end to articles publication this reservation is thatthe should know the really is: the meaningless appearing in student papers under anonymous authorship. I reidentity of the author. The ARGUS meets'this qualifi- it slaughter of man by man. quest the staff of the ARGUS to print this letter, giving it the cation. We appreciate your suggestion but -find it im- One must bear inmind that this same space alloted to Satiricus and his ignorant discussionto of the possible to comply. was the portrait of the First World Canon law of the Catholic Church regarding marriage. You further state, that: "In the past similar articles War; that the Second with its Sincerely yours, by authors unwilling to' disclose their identity have re- increased of depersonalization and REV. RAYMOND P. MURRAY. sulted in the University being greatly misunderstood mechanization, with its more modand criticized for what apparently was a reflection of ern methods of destruction student opinion which in reality was only the reflection obliteration, remains yet to and put of a diseased mind hiding behind the fence of a pen on celluloid. The refusal of be Hollyname." Your implication that "diseased minds" are wood to film Norman Mailer's By U. NASH OWEN writing the ARGUS is a generalization that demands and the Dead" as the auclarification. No specification is made in your letter as "Naked eyes While the ofi the world are j last war, needed to win a majority teT which articles manifest "diseased minds." If you are thor wanted it to be filmed is an focused upon the sessation of civil in the Union legislature. indication that we will have an not making reference to articles of controversy which you When Malan ousted Smuts from to see a similar type liberties in the USSR and in those consider to, have but one point of viAv, do you,consider opportunity area$ under its domination, and the government, but two years ago, of film dealing with the Second opposing hose of the view to minds" ? World upon the curtailment of civil liber- he immediately replaced the policy War. f this is the case, your generalization is obvious. despite the disparaties be- ties An Spain and in the United of moderation,advocated by Smuts, But The assertion that thousands of dollars intended tween the two wolrd Mvars, to say States, thereh_Ve been little,if any, with the brutal repression of the ts donations to the University were withdrawnbecause recognition; of the rise of a regime . blacks. Smuts, no liberal himself, >f objectionable articles appearing in the, ARGUS is un- nothing of the!' prospect of the third pledged to racism, and of this re- regarded the Negroes as children "All on the Western Front" Quiet bunded.If the assertion is true, the only way in which gime's rebuke of the UN. The na- who needed education. Malan conportrays the he misconceived notionsof tho reluctant donators could more than adequately upon effect the lives tion in question, on our side of the siders them to be serfs to be exbe corrected would have to be through a thorough devastating of the men and women who are Iron Curtain, is the Union of South ploited. epistomology. orientation in Often times, not too overly Africa. Apartheid an generous people will rationalize their true reasons for caught up in the savagery and An election in Windhoek, South- Jim Crow at isits extreme form of worst. All-Negroes futility of modern wars.not contributing money. This possibility should be inWest Africa, several weeks ago, in the city must live in compounds vestigated more thoroughlybefore accusations are made. gave a majority to the white su- (ghetto is more apt). They have Plays premacy The ARGUS does agree with you," Father Murray, CBS government of Daniel no rights, no freedom; they merely that "the evil serpent of intolerance and bigotry" must Trans-Canada network starts fall Malan, the Prime Ministe'r of the- exist at the whim of the whites not reign on our campus. We pledge our full support presentations of their popularplays USA.This election, for whitesonly, for the dual purpose of amusement to your cause. There seems to be, however, a difference and novels on October 22. was held in full defiance of the and exploitation. This, despite of opinion as to what "the evil serpent of intolerance These programs are well directed UN, which ruled that SWA is still fact that even in the cities the the and bigotry" is and the ways of dealing with it. and provide an aajoyabl* hour ior a mandated territory of tke First whites ar* outnumbered, and on The ARGUS feels that intolerance and bigotry is those people who want to haar an World War, not a province of the the veldt, by astronomical proporfostered by the suppression of expression. We further excellent play without having a Union. There now seems no bar tions. feel that anonymous authorship is necessary forfree- commercial blast their ears. to the fanatic Nationalist program Since beating Smuts, the only dom of expression.We are therefore pf the opinionthat There are five remaining pro- of full apartheid, racial separate- person of note in the opposition, any plan to destroy the right of anonymous authorship grams of the first seven weeks ness. Malan has won is a step in the direction of suppression of expression schedule beginning Sunday, Octo- German South-West Africa was strength; and now,several tests of is dead— and thereby enhances bigotry and intolerance. "With- ber 22 from 9:00 to 10:00. The pro-' placed under the British mandate and with him, diedSmuts any organized out expression,freedom of expression is meaninglesss." grams are as follows: when the German colonial' empire opposition to this virile racist The ARGUS thanks you, Father Murray, for your Oct. 22— The Diary of a Nobody. was destroyed by.the League of Some of the best Stalinist propaardent interest in our paper. We hope your letter will Oct. 29— All Quiet on the West- Nations. The status of the colony ganda has its origin on the demoset an examplein encouraging others to openly criticize ern Front did not, however, affect the 13,000 cratic, free side of The Curtain. the ARGUS whenever they feel the need. strong German populace. It was How do we explain away Malan Nov. 5— Main Street Sincerely, yours, Nov. 12— Love on the Dole. this 13,000 that Daniel Malan, who to the other colonial peoples of the The ARGUS. | supported. Hitler throughout the i^*fs£__?__5»^__r Official Publication of the University of Buffalo Written for and by_ the Students _ - OPEN LETTER (eived — , — — LEST WE FORGET I have^'diseased I Presents — ■ . * �THE ARGUS ... Sports SPOTLIGHT 3 That team would be Steve Owen's Sport Shorts New York Giants who accomBy MARY ALICE SMITH For those of you who could not plished the unbelievable by stopIt is unfortunate that an article such as the one written by ping the Browns without a point find the score of the ÜB-Niagajm "Satiricus" was ever written, let alone ever published. Its topic while racking up six themselves. game after reading the account in proved to be offensive, not only to the general public, but it ap- "YOU CAN'T LOSE All of which now brings us to the last week's ARGUS,-4tr was 13-27. .The cross country (team will be peared, that the person who wrote was very narrow-minded. DON'T SCORE" present edition of the UB football seeking We are living in a world of constant turmoil today, <ene which IF THEY a win over Niagara today, team. Potsy Clark needs the assistance of every race and religion. Human nature Again we must arrive at the con- a Niagara team which looked most would indeed be very funny if we were all to think .in the same The.e is an old saying that "the clusion that there is nothing so impressive in wins over McMaster manner. Exclusion of a group of people because of their religious best defense is a strong offense"; wrong with its scoring potential and the Ontario Aggies last week. views is one of the worst forms of "intolerance" known, for "in- but what happens when your that the work of a strong line could Sparking our harriers will be the tolerance" corrupts the mind to such an extent that .the person vaunted offense is suddenly throt- not bring forth. The starting back- new one-two punch of Kenny eventually can not even bare to live with himself, let alone his tled by an inspired underdog team field is directed by soft passing Plumb and Jack Traugott, speedy performer. .Correction: fellow gives no indication whatso- Tracy LaTona at quarterback who' freshman which Perhaps there are a many I big We erred in stating the last score Office ever of having read your press can always find the range with unbelievable toI clippings? Do you suddenly fold Ed Gicewicz and others on the re- of the tennis team to be 9-0 over Niagara. If. turned out to be 8-1 the Protestant and Jew concerning I up and collapse, or do you dig in ceiving end. The Ray boys, DinnoRoman Catholicism, but to Ro- I This is the first of a series of and try to prove to one and all cenzio, Weser, and Bob, along with when first singles Bill Kullman man Catholic, the and I articles that will appear on Places that you can take itas well as dish speedy Cas Kania, are always cap- lost a heartbreaker to Niagara's Jew are truly as complex and I able of racking up six pointers. In Joe O'Connor in a lengthy three ment Activities. it out?, ■',' probably as radical. We re- I Considering all all the stress that addition to LaTona, quarterbacks set match. Billy, however, had The Placement Office has been member that no is infall- I in existence since the establish- is placed upon offense these days Holland and Shannabrook both can drawn first blood in the Hyde Park There are re- I match two weeks ago. ment of the College of Arts and we sometimes wonder if enough be heady signal callers whenunder points that seem I Sciences at its present site. Its football coaches are taking time pressure. If there be a weakness Five-foot ten, 185-pound George to be bases for momentous dis- I just about oneof the best functions are to assist students and out from touchdown thoughts to on the team, one must look to the Ursetti is agreements among religious groups. I all-around athletes seen on campus line and the defensive backfield. their the basic squads employment alumni to secure and school in seems very these I by the loss of, and in- in a long while. George, in addito participate in the student voca- fundamentals of defensive play. Weakened controversy ever be I tional guidance program of the Remember those ill-fated Buffalo juries to key men, the line has. tion to being a back on the football faith- I University Personnel Office of Bills? Certainly there was nothing undergone a terrific strain in re- team, can pole-vault with the best fully embraces a religionI trackmen, has wrestled in which part. Its activities are wrong with their attack; it was cent weeks. The lack of depth in of the because deep in his heart, I it is a intercollegiate competition, and carried on principally for graduates just that their defensive halfbacks experienced reserves does an alexistence and I of the College of Arts andSciences, didn't know enough to keep them- ready poor situationlittle good. As even pilots those stock cars down to whole-"heartedly I and the Schools of Business Ad- selves between the opposition's to the defensive backfield, there is at the Civic Stadium. With such ministration and Education,but the pass-catching ends and the goal- a definite weakness on pass de- wonderful coordination and reflex compels I There no fense which soon must be corrected action, the opinion is that George graduates of other campus schools posts. man woman to become al are welcome to use the facilities Football of late has been marked by the coaching staff. The employ- could do a better than average job If the Catholic H at any sport he'd care to take up. offered should they so desire. with quite a few surprising upsets, ment of the "7 diamond" defense ... laws are distasteful Mel Eiken's golfers extended to our goal line led to when close and in each case lack of adequate our writer see no H All Engineering Placement is spelled their win streak to nine in a row an aerial bombardment that play defensive on the of the part handled by Mr. Charles Fogel, Asreason why he him- I every time in Friday by trouncing the Ontario sistant Dean of Engineering. All loser played a most important role touchdown almost with the of their ex-I Aggies 13'/2 to 4'/2 at Guelph, Onthe Niagara game. the final outcome of the game. in Engineering students who wish to istence. They are probably no H tario. Pacing the UB team over the Furthermore,, judging Take Notre Purdue for the Dame and in job be considered for opportunties way influencing his life. He not H gale-swept course was John Finke team, were must take cognizance one of should register with Mr. Fogel in' instance. For once the Irish as sword's point to H fielding a team having no really the fact that ours is not a very who carded an 80. One stroke bethe Engineering Office. hind was Fritz Shelgren, and the All Teacher Placement is handled great linesmen to inspire it. All young team insofar as playing ex- Aggies best was an 87 turned In privilege I one they had were ten men and one perience is concerned. Coach Wilby Miss Gloria Ortner. Those who to fault with anything as per-I Bobby Williams. Purdue, led by a son, a master of the.single wing, by Jack Hanna. are interested in teaching positions for H - sonal as Leading the tennis team into its upon coming to campus was conshould register with Miss Ortner sensational 19 year old quarterwho are we to say only Prot- I fronted team thoroughly in- final fall match against McMaster Samuels, completely back in Dale with a in the Personnel Office. or Catholicism I outplayed the SouthBenders in all doctrinated in the intricacies of Saturday afternoon was Jim Hois H All Other Full-Time Placement are the true dan. Competition for position was aspects of the game. Their line the T-formation. The result of this one person to antago- I is handled through the Placement consistently outcharged the Irish, conflict of systems between players so keen that Hodan was the fourth a because of I Office which is organized as fol- and their pass receivers at times and coach was the winged-T with squad member to occupy the No. 1 one he has all I lows: singles slot since the season began. were able to outwit and outjump an unbalanced line, a system which only the I sense MEN Placement Director, Mr. the Irish secondary almost at will. obviously would take great .St. Bonaventure looks to be the a deal person who can toI Robert C. O'Brien; Assistant Di- The alert Purdue defensives,1how- of time to master. class of the district these days . in this rector,' Mr. Wilbur R. Bradigan. To be I ever, completely hamstrung the It was anticipated and the early at least on the basis of past perwith the inI WOMEN— Assistant Director, highly touted Notre Dame ground results seem to confirm this that formance. Pacing the undefeated itself disastrous, to be war H Mrs. Margaret Felice. and air_a$tack a far cry.from the it would take at least a year's ex- Brown Indians is quarterback Tedyourself Hell." PART-TIME (Men and Women) result of previous years' meetings perimentation until the team would dy Marchibroda who managed to —Assistant Director, Mrs. Margaret On the other hand, .a team not be thoroughly grounded in the complete 11 of 18 passes for 210 especially noted for its offensive Wilsonian system and before much yards in their brilliant win over Felice. Boston Friday. ...The Baby Bulls, Steps to follow in registering ability, but one which always ex- desired victories would emerge. good grooming Meanwhile, get hibited evidence of let's out there and coached by Vic Manz, journeyed with the Placement Office: to Alfred Saturday to meet the 1. Pick up at the Placement Of- on defense, suddenly'dug in and support these boys who are doing Saxons fice, Hayes 192, and type out neat- upended Paul Brown's much- their best to enhance the school's game. in 'a freshman football At the time this column ly and completely the following praised Cleveland-Graham team reputation. It means a lot to a Dear Editor: went to press no score had been over in the National Pro League. team. Many thanks for the fine article forms: received. ..Late tennis result: (a) Two copies of Interview on the two-year curriculum. It was Racketmen rack up 15th straight at .spots these and success crop has expense a pleasure to talk to your reporter Blank. FOG of McMaster, Sat. 9-0. . been illustrated. (b) Two white 3x5 cards. about our plans for the Division By GERALD HELPER If many of you Tecall, during the (c) Outline of courses. of General and Technical Studies. 2. Attend the meeting scheduled May I,however, call your attenThe fog, allow this writer to as- last wtar,Allied scientists were busy PIC to tion to the caption "new qpllege for the group similar to you in vo- sure you, had a cause.It, the cause, devising schemes to harness and Civil form." As Ipointed out to your cational interest or academic back- is what is questionable. Therefore, utilize the sun's rays. After the The first meeting %/0tPolitical representative, ours is a "division," ground. As often as possible post this week, you shall be given but war, we discovered that the Ger- Issues Club" will be held Wednesnit a college. This academic dis- card notices will be sent of meet- one of the possible answers and. mans were considering this also. day, October 18, in the West Room tinction may seem a mnior one to ing times and places. Inaddition, God and the ARGUS willing, in They had even proceeded to the of Norton, at 3:30 p.m. Professor you, but it is- rather important ad- announcements will be posted on succeeding issues will be unfolded blueprint stage. Their not too ab- Donald Bullock of the Psychology surd idea was to send an airship Department will lead a discussion ministratively. Itell you this so the bulletin board. the rest of the ghastly tale. that if the Division's name ever 3. Read and comply with the folScie ntists the world over, and of high above the earth with a giant on "Civil Liberties and the McCarfinds its way again to your news lowing suggestions which heve all ages past, have always been reflector mounted on it and to cap- ran Act." stories, it will not be referred to been designated by a national interested in the sun and its en- ture some of the rays before the Following the brief presentation, as a college. board of employers and educators ergy. The Bible speaks of the sun earth's heavy.atmosphere could re- the floor will be opened for George J. Spears, Co-ordinator. as being the responsibility of the and of its power. Evidence dis- fract, weaken, and disperse them. discussion. All students and memstudent. covered among primitive peoples The reflector could be utilized in bers of the faculty are invited to (a) Be prompt for all interview reveal their awe concerning it. one of two ways, and possibly in attend and participate in the Dear Editor: disIhave read some issues of the appointments. Great umpires such as the Inca and both: by directing this beam upon cussion. ■ (b) enemy emplacements, they Be sure to secure before- the Aztec have been built and could U.B. ARGUS, and was very much burn them out and/or they could arrive at one conclusion. That the impressed with the quality and' hand, knowledge of a company maintainedabout tie sun. quantity of your editorial opinion which is holdinx interviews. In more recent time*, tie delib- channelize the rays to run giant Soviet Union has managed to per(c) Always keep the Placement erators of the focal point of the turbines and other equipment, the fect a method of capturing portions, on current issues. Iam editor of the newspaper here, the "Tower Office posted on your employment earth's energy, have been econo- power for which could not be ob- of the rays of the sun before they ■' Times," and should-like very much status. reach the earth! It was not a fog mists and other social scientists. tained in the present way. (d) After accepting a position do They have'theorized upon the ef& Itis well known that most of the that caused "black" Sunday, but to infuse our sheet with some of not continue to "shop around" by feet of the sun and its energy upon German scientists were captured an absence 6f sunlight! The reasons the vitality of yours. /Therefore, Ishould very much signing for more interviews. societies and upon business cycles. by the Russians and were put to for doing this are many: to create pppreciate it if you would put the (e) Realize that you must sell Recent natural scientfic inquiries workby them to help them perfect panics, to freeze us out (recall the "Tower Times" on your mailing yourself to aprospective employer. concerning the sun have been on their war potential so that their cold spell which accompanied the list, and if we could receive the Be neat and courteous and don't the effect of sunspots upon the enslavement of the world might be blackout), are but a few. give the impression that you are earth, and about cosmic energy and realized. paper every week. Three weeks and one'day have " Thank you very much for your out to revolutionize industry. its source. We know, for example, If you have been reading the now passed without any official attention. that sunspots affect radio trans- above with the same logic' that it explanation, except the original Helen S. Drew. A Good Habit— Read the ARGUS mission and a correlation between was written with, you could only one of forest fires. REPLY TO SATIRICUS .. — - .. Placement Activities . '"I — — — — — THE MAIL BAG . THE Discuss Liberties . �THE ARGUS PAGE FOUR Reading Classes Offered Students who have reading problems may enroll for special classes. The classes are one hour in length, once a week for six weeks. Those who wish to improve their speed may choose one of the following times: Monday 10:30 and 3:30, and Tuesday 9:30, 10:30, 2:30 or 3:30. Those who wish to improve their reading comprehension may choose of the folowing times: Wednesday 10:30 and 3:30, and Thursday 9:30, 10:30, 2:30 or 3:30. Classes are open to freshmen or upper-classmen. Those interested should contact the Personnel Office immediately since classes begin the week of October 16. scholar and visiting professor of French Literature at the University of Buffalo, on the general topic of "A Century of Literary Intercourse Between France and America." The lectures, which are delivered in English, are open to the public without charge and will be held on Wednesday evenings until November 8. M. Roddier, who holds the professorship sponsored by the Mrs. Joseph T. Jones Foundation at ÜB, is a member of the faculty of theUniversity of Lyons. He is giving two other series of lectures, both in French, at the University. FOOTBALL GAME ÜB-ALFRED (Continued from Page 1) Come In? - DID YOU HEAR IT? Imean the faint cheer from Row InIstead of megaphones and shoe lea:: ther the cheer leaders should have been equipped withradar and V-2 rockets. The Salt and Peppers had quarter ends UB, 6; Alfred 0. a very large cheering squad out Fourth Quarter: Alfred now last week. But their line was chives from the UB 46 to the 4. stretched out so far that one UB Kania saves all by-stopping DiMico I student passed out while attemptand bothleave the game hurt. UrI tag to help eut with the "Grrrrrr setti hangs on and intercepts a Fight!" The poor fellow turned fourth down desperation pass, and purple and toppled over- before he brings ball up to his own 35. Holcould say "fight." : Markey land to twice. LaTona on Last year this writer attended all a nice play to Gicewicz for 24 on of the football and basketball the Alfred 9. Ursetti's fumble stops games and kept silent about the the drive. Alfred punts'out to her June Christy to Sing terrible seating arrangements. The 32. LaTona directs a score in two At Norton Wednesday money obtained from the sale of pass plays; Markey makes falling The General Activities Commit- catch over tickets to the general public may goal the line. Gallino's , tee of Norton Union will present important but it's small combe On good. Final score: UB, June Christy, former vocalist with conversion pensation to the dividends to be 13; 0. Alfred, "The Poe-Baudelaire Team and Stan Kenton's orchestra, in Norton .reaped from strategically located victory was dur fifthstraight French Symbolism" will be dis- Auditorium on Wednesdaly at 12 The rooters. The effect that a lusty over Alfred in which succession we cussed by Dr.Henri Roddier, Wed- noon cheer has on a hard-pressed team up 113 points to their haveracked nesday evening' at 8:15 o'clock, in Miss Christy, who is appearing 1 can be fully appreciated by an the Albright Art Gallery. This will at the Town Casino, is rated as one 25. The Bulfs will seek their third athlete. win of the season against Brooklyn ie the second in a series of lec- of the best popular singers of toThe money-hungry czars of the next Saturday afternoon. . i ures by Dr. Roddier, notedFrench day.. The face looks familiar, but we stadium and the auditorium can Paris est la capitale de la France. can't seem to place the body. Oh, be appeasedin some manner. Other Paris est situe sur la Seine. La ;yes! It's Ann Miller, shown leaving nearby colleges have^proven this. Seine traverse Paris. Bebe est situe Iher dressing room on her way to The plight of UB rooters is even worse in Memorial Auditorium sur la Richmond Ave. ithe cameras. If you wish the ARGUS mailedyou regularly, than it is in Civic Stadium. Did you ever try to cheer with a perfill out this Blank. Enclose $1.00 and send to: son so far away that the sound of Union, U. of Buffalo. ARGUS, c/o his voice reached you 30 seconds 120 GREENWOOD PL. LI. 7748 late? You cannot expect anyone to ', Name Between W. Delavan and Potomac wax enthusiastic over a B-U-F-FA-L-O under those circumstances. Address AUCTION EVERY THURSDAY 11-3 Our teams are beginning to play Good Household Furniture, Appliances,Rugs, Etc. ; City & State larger schools with a resultant inAL. LIEBESKIND, Auctioneer crease in the quality of opponents. Every effort should be made to create a large following of students loyal to the Royal Blue and RIDING EASE White. An athlete cannot give his all, if he doubts that anyone cares if he wing or loses. Last year UB had one fan who could always be depended upon to yell, "Come on, Buffalo, whip that ballout." Without this zealous student to bolster their spirit in critical moments, our boys may go to pieces. The following song was composed to prevent the football and basketball players from thinking that the studentbody has forgotten them. " Ican't begin to tell you How much you mean to me, My voice is much too weak To reach that far 111 take a three-cell flashlight To all the games with me And use Morse code To cheer for olde ÜB. Luther Burnette. to the UB 21. He then loses 23 I999 Seat 1005_at the stadium. attempting to 'pass. Weser gains 15 and Kania finally hangs on to one to bring the ball to the UB 40. flarris intercepts a pass as the — Dr. Roddier Lectures FrenchLiterature ARGUS Subscription Blank A.B.C. AITCTION HOUSE Norton ... Jl/cfye // 0/7 DRIVING EASE — your Best Buy-6y M'Octets It rides more smoothly It operates more economically You'll glide smoothly, steadily, safely You'll enjoy extra-fine performance and save money, too; for Chevrolet is the only low-priced car with a Valvein-Head engine-trend setter for the industry. over most roads in Chevrolet-only low-priced Car combining -the Unitized Knee-Action Ride and airplane-type shock absorbers. . It drives more easily You'll enjoy finest no-shift driving at lowest cost Vith Chevrolet's famous Powerglide Automatic Transmission* or finest standard driving at lowest cost with Chevrolet's Silent SynchroMcsh Transmission. ... It lasts longer, too Chevrolet is built to outlast other cars. That's one reason why there arc over a millionmoreChevrolets on the-rqad " than any other makc-and why Chevrolct is America's most popular car. year after year. Come in-sec it now! It's better looking— all around You'll know it's more beautiful from every angle, inside and out; for Chevrolet is the only low-priced car with Body by Fisher-the standard of styling. It offers more for less— throughout Think! Center-Point Steering; Curved Windshield with Panoramic Visibility; Fisher Unistccl Construction; hydraulic brakes withDubl-Life rivetless linings. You get all these and many other featurcs in Chevrolet at lowest cost. *Comhinatioti of Powerglide Automatic Transmts'sion and JO5-h.p..Erij;ineoptional on De Luxe models at extra cost. r AMERICA'S BEST SELLER! '"' /j^ll^^Wiiil^ /^ERICA'S £EST BUY! — U.B.Round Table Speaks in Jamestown The University ofBuffalo Round Table will present a special program before the Jamestown Civic Forum, Wednesday, October 18, at 8 p.m., in the Lincoln Junior High School auditorium, Jamestown. The panel will discuss "The Effect of theWorld Crisis on Our Economy." The University of Buffalo Round Table is a weekly radio and television feature on WBEN, WBENFM and WBEN-TV. The panel that will appear in Jamestown will consist of the following members of the'University faculty, al! veterans of theRound Table: Dr. Carleton F. Scofield, head of the Psychology Department, moderator; Dr. Claude E. Puffer, Dean of Administration, economist; Dr. Harold M. Somers, Dean of School of Business Administration, economist; and Dr. Milton G. Albrecht, associate professor of sociology. OFFERS GERSHWIN SEE YOUR LOCAL CHEVROLET DEALER . Convenienf/y listedunder "Automobiles"in your localclassified telephone directory One and a half hours of recorded Gershwin music will be offered from 2 to 3 p.m. today at the.Music Room, Norton Hall. All interested students are invited to attend. �THESE ARE THE FACTS 1) The Board of Managers of Norton Union has withheld University funds fromboth newspapers. 2) They have set aside the funds that were formerly aliocated to the BEE and the ARGUS for the foundation of a new newspaper. 3) Their stated purpose for this move was to combine the journalistic quality and writing ability of the ARGUS staff with the efficient advertising and business staffs of the BEE. , , r.. ,,_._. „ 4) lhe Student Acuities Council and the.Finance Committee, which are sub-committees of the Board of Managers, were instructed to set up the staff of the new paper. __ 5) On Tuesday, October 24, the SAC andi Finance Committee met, WITHOUT INVITING THE EDITORS OF EITHER PAPER TOATTEND. , .. ,' 6) Among other things, the SAC recommended to the Board that they appoint an editor-in-chief, a managing editor and a business manager who are to select the rest of the paper staff. , -.-,,. proposed the establishment of a BOARD OF C " consisting of: GOVERNORS, Vice President of the Board of Managers Chairman of the b ina nee Committee Chairman of the SAC 1 member of the Board (elected at large) The three appointed officers of the new newspaper Director of Norton Union neither a student nor a faculty member. „ u . . ... .. PJK° ... ... . - ... Faculty Advisor " THIS IS WHAT THEY MEAN" The recommendations of the Student Activities Council constitute a direct departure from the tradition of the University of Buffalo. Previously, the student newsp,aPer were free of any censorship' or control other than ? "le 8ta" members themselves. Under these recommendations, the Board of Managers has the right to appoint or REMOVE the editors or other e paPer' and' in effect » CONTROL OF S***" T?E ""?" POLICY OF THE PAPER. This means that anv clique which gains control of the Board of Managers will be able to dictate the policy of the publication, _,, Tnus IS a refutation of any concept of freedom of the press. , __.„ , . -_ The SAC recommendation to establish a BOARD OF GOVERNORS for the purpose of supervising a future elect» on oi the staff of the new newspaper and presumably with other unspecifiedpowers mfeans a drastic limitation on the right of independent expression. , "ne view these recommendations and the philosophy that underlies them with decided alarm. We believe that the students' right of free expression is an essential part of academic freedom. While recognizing the desirability of professional advice, this must positively exclude control of expression by a board of managers, b oard of governors, or any other censorship body. "e ur6e a11n "tudents and faculty members to join with n u m Prot08t a8ai nst these measures. STUDENT-FACULTY GROUP FOR FREE EXPRESSION and ARGUS STAFF . ' °' " . " | (NOTE: This leaflet, financed by voluntary contributions, was the only means at our disposal to inform the entire University of the above developments. ) STUDENTS AND FACULTY ARE STRONGLYURGED TO ATTEND THE BOARD OF MANAGERS MEETING TUESDAY, OCT. 31, 6:30 P. M. .WHEN THE SAC PROPOSALS WILL BE PRESENTED TO THE BOARD. �!)'_- . . .■ jrrrI.^SSu .-' Life? L^J^N^^ ____. I rf? 0£ fi (fikm HfFFfrT ■ WHAT THIS MEANS '.HAT THE BOARD OF MANAGERS HAS DONE l) 'At the Board meatIng last TuesiVhile the Board' s 'deletion of day, the proposal to set up a bo"rd the proposal to set up a governing of governors, which vas presented boara Appears to end the danger of by the Student Activities Committee censorship) freedom of expression, was turned down by unanimous vote, in reality, will by no means be 3y virtue of its asThis decision was obviously motiva- syaaranteed, aumlhg power by ted the to appoint and highly unfavorable student reaction to the potential censor- reject the officers of the new ship board. newspaper, the Board Itself can be considered a ootentlal censorship 2.) The Board of Managers' did, how- body. A logical extension of this ever, apppint . the editor, managing concept would find the Board in a editor and business manager of the position to select or remove the new paper. Of these men, the man- officers of pny student organiza^aging editor was formerly news -di- tion. tor of the now-defunct BEE, while As the situation now stands, the other positions were filled by the previous editorial ARGUS has been completely exStudents with no experience, eluded from any policy formation 3) The Board refused to consider an ARGUS proposal to allow the staffs to choose their own sffio'ers by a democratic election. of the. new newspaper. THAT THE AR&U8 PROPOSES TO DO THE ARGUS WILL CONTINUE PUBLICATION WITH OR WITHOUT FINANCIAL SUPPORT FROM THE BOARD OF MANAGERS, The University .of Buffalo ARGUS CLUB has been formed for the' . purpose of establishing a publication based ut-on the traditional ARGUS concept of freedsm of e: pr- '(.sion. It is the aim of the Club to;ia:-,ue the ARGUS in the form of a magazine- which will Include art, poetry, humor creative v wri- ting, controversial articles, etc. . , ALL STUDENTS AND FACULTY MEM3SRS WHO ARE INTERESTED IN AN UNCENSORED PUBLICATION ARE INVITED TO ATTEND THE MEETING OF THE ARGUS-CLUB WEDNESDAY, NOV. 3, 19 <0 A? 3:BC PM IN THE WEST RCOM _. OF NORTON UNION. * . , ��______[ I 111 I I *_____ I J LETTER SERVICE 602 ROOT BUILDING 70-86 W CHIPPEWA ST. VARITYPING AND OFFSET REPRODUCTIONS Advertising Literature Book! Broadsides Bulletin. Circular! THE MOST ECONOMICAL WAY TO REPRODUCE VOUR: Fathlon Bulletins Facsimile Lettert Giant Letters i Manuals Diagrams House Organs Drawings Folders Factary Catalegs Charts Forms Illustrated Letters Instruction Sheets Office Forms Pictures Promotional Literature neprlnts Sale* Bullatlaa Sales Letters Salat Manuals Typawrltten Matter Tracings DIRECT MAIL SPECIALISTS For Business, Club and Association Mailings Try our plant is available for your mail advertising. Addreeeing and Mailing Service Complete Varityping Service with Paste Up. and Art Work Our Oiroct Plata Service (or That Economical and Quick Reproduction ot Thoio Form Letters. Bulletins. Instruction Sheets. Intor-Otllca Forma. Price Lists. Etc. TYPING OF MANUSCRIPTS ANO LETTERS Phonea: Mohawk S720 or Cleveland 1385 I �ARGUS ■ITMQUT EXPRESSION. FREEDOM OP EXPRESSION IS BEANINBLESS _MK BAD PINNY f This is the first issue of the ARGUS magazine. Prior to this time we existed as a weekly newspaper, distributed free to the students of the University of Buffalo. The publishing costs of that paper were met by an annual allotment from the Student Activities Fund as were the expenses of every Student Union organization. This fund derives its income from an assessment levied on every undergraduate student on campus, but is doled out, usually in a patronizing manner, to the various student activities by the Board of Managers. This year the Board, some of the actions of which had previously been criticized by the ARGUS, voted to withdraw all funds from that paper and add them to the allotment to be given to the rival newspaper, the BEE. (Though both were weekly newspapers, the ARGUS and the BEE performed separate functions, the ARGUS concentrating on Campus and World news> and political, cultural, and humorous articles, while the BEE concerned itself mainly with Fraternity and Sorority affairs and social gossip). After considerable protest, the Board withdrew this patently unfair proposal for one equally unjust but I ess obviously so". This was to set up a new paper, whose editorial staff f*as to be appointed by the Board, and upon which staff the ARGUS was to hold no responsible or policy-making position in effect, the BEE under a new name and with a few new trimmi ngs. — This was the final decision of the board; immediately following its adoption, the ARGUS staff was informed that its paper no longer existed. The lock was changed on their office door and the ARGUS members were not allowed to enter it unless accompanied by a member of the Norton Union staff. These visits were permitted only in order to al low the ARGUS members to collect their personal belongings. This done, the office was turned over to another organization. The Board, by its actions, established the principle that the officers of any campus activity hold their positions at the pleasure of the Board and can be removed at the discretion of that body. The editorial staff members of the new paper, were appointed directly by the Board. That they were we I I aware on which side bread was buttered was effectively demonstrated by the printing of an attack on the supposedly-dead ARGUS in their first issue. The ARGUS considers the Board's position to be unjustified. We maintain that the officers of any organization should be chosen by the membership and that the Board's assumed right to remove an official gives it the power of censorship and the ability to determine the policy of any organization. This Js contrary to the liberal tradition of the university. Though the format of %t\e ARGUS has changed from that of the newspaper, the principles will remain the same. We st iI I be I i eve that the freedom of expression which the University of Buffalo encourages is meaningless unless it is put to use. Our policy of keeping our columns open to all sentiments, whether popular or unpopular, and of presenting each side of a controversial issue, will be continued and strengthened. We shall fight bitterly against attack from any quarter on that core of — -^ 9 : �the American philosophy, freedom of thought. If we fall short'from that ideal we shall expect and deserve chastisement from our readers. We hope the magazine to be an interesting, amusing, and enlightening one, and, God willing, that it make enough money to pay expenses. As things now stand, the University of Buffalo is over a barrel. This unhappy state of affairs owes its existenr.n tn .-_ mmbination of shrewd snideness by the Air Force and fantastic bungling on the part of the college administration. Since first submitting a request for a campus ROTC unit, the administration has maintained a cringing, hat in hand policy, kowtowing to every Air Force demand, no matter how detrimental it may be to the University's interests. Consequently, the AF brass have adopted an air of arrogant coyness. "It's a damn lucky school that gets one of our units", ■ they mutter ominously, glarind darkly at the quivering suppliants, "one that'll play ball". The criterion of UB's readiness to "play bal I", to the mi Iitary mi nd, was the willingness, or rather the enthusiasm that could be engendered for compulsory ROTC. The administration, realizing that such measures were f comp Iete I y antithetical to the University's tradition, had requested that the unit be— established on a voluntary basis, but pale with fear at the prospect of offending the military, accepted the proposal for compulsion and proceeded to whip up the required enthusiasm for it. This process wasn't as difficult as might have been imagined. Two different courses were pursued, one designed to convince the faculty and the other aimed at the student body. The faculty was informed that compulsory ROTC, though regrettable, was the only way to obtain a unit and thus save the school by maintaining enrollment. This was sufficient persuasion for the teaching staff. The administration then turned its attentions to the student body. Technical ly, its opinion was immaterial as the issue had already been decided, but the Air Force, as we mentioned, had demanded enthusiasm from the student body, too. In- a* hurried meeting, marked by the administration's refusal to rr>r.ngni7P n nnmh. r nf <-_-r___dents on plea of saving time, the undergraduate men were told, in effect, that here was a way to beat the draft. That was enough nt g ar ume — . 1 1lie Argus Vol. I February 1991 No. 1/ PUBLISHED BY STUDENTS, FACULTY, AND ALUMNI OF THE UNIVERSITY OF BUFFALO Represented for National Adver timing by Bradbury Inc. Editor Literary Editor Huaor Editor Caapus Editor Political Affairs Editor Art Editor Photography Editor Business Manager Richard Jacknan Herbert stern Jack lllkle Ronald Ley Oerald Helper Brigltta Nonne Fred Thornton Hubert Roy Irwin Ginsberg Advertising Manager Henry Tea Eyck Perry Lyaander Reap Nancy Brown, Arnold Gualnski, Hurray Brown, John Loga, lilllaa Yates, Harold Burshady, Lather Burnette, Al D'Arcangelo, Dolores Peal. George Hartaaa, Robert Burns Adans, Robert Anderson, Edward Spector 10 ' As we see it, the Air Force s professed reason for demanding that ROTC be made compulsory here, i .e. that this was the only way to insure that they would not be spending money and getting no turnout, is not a legitimate argument. If ROTC is as good a deal as was claimed to the students , and a majority of ' ■ �undergraduage humor has retained an air of happy cynicism, a penchant! for punctu rn i ng p om po s i t y , and a marked aversion towards humbug. These qual it ies are those of the American spirit at its best and are part and parcel of the heritage of Mark Twain and Will Rogers, The youthful genius who first / conceived the notion of I satirizing the pedestri an ism are; Univer^= of So here we the the staid, regular news-^= sity is on record as wi IIing paper of his college town to sacrifice its principles was a lineal, literary deat the demand of the miliscendant of these men, who I tary. If the Air Force were the living incarnations \ of the American comic spirit. accepts the school's bid and establishes ROTC here, it Perhaps the major ingredient can meet any future criof this spirit has been a ticism by pclv.ing out that leery attitude towards authey only came here after thoritarianism. The American, tremendous and heart-breaking his been more best, at has pleading on the part of UB. inclined towards ridicule The ARGUS is deeply worried rather than awe at the pre.all in favor that the administration's tensions of office and staimitation of Al ice Ben Bolt, tion. The presence of this healthy state of mind on the tremb Iing w ith fear at the the Ski-U-Mah, the Cornell Air Force's frown, wiM lead American Campus is made most Widow, the RPI Pup , the to even more drastic demands evident by a comparaion of Michigan Gargoyle, the Wisfrom thejj«nerals. The m iI our attitude toward that consin Octopus, the Arizona potential despot, the inis undoubtedly Kitty-Kat, and the other structor, with that of, say, to be displeased with outstanding campus magazines the German. In the Land of ilements of the hitherto across the nation. We hope free .and liberal atmosphere , Bock Beer and Beethoven, the that someday the University at UB. The possibilities teacher is sacrosanct. Woe of Buffalo ARGUS will rank betide the student who levels of what can happen to the among the leaders of that a satiric barb at Herr Proremainder of the University se Iect company. fessor 6r who even fails to " " of Buffalo tradition make a demonstrate to a sufficient highly unpleasant prospect. Ho- t girlm attain their enddegree his having been imby not taking enough exerciae. pressed with the power and /TjV NEof the most pleasant " " " that accompanies that v^ features of editing a glory office. In an American colcollege magazine is the "May I take you home? lege on the other hand, or I opportunity it provides to in that has to take experienced at least one like become acquainted with the " girls home. more than merely a geographhumorous and literary publito that title, the "I'm not experienced." ical claim cations of our sister uniinmember with the "You're not home yet." faculty versities. Some o f their Pruscl inations toward such material has appeared puerile sian tyranny would be, and and amateurish ( as we dare has . been n i pped in the bud Firat: Who' a your tight, say our own will to many . the the by satire of underlipped friend over there? -but taken as a whole, we graduate body, using their Second: He' a not tightwere delighted with it. From col >ege publ ication as an lipped. Be' a juat waiting the great days of Benchley ive med ium. effect for the janitor to come back and the Harvard Lampoon down with the api t toon Lampoon, the through Minnesota's .Max- And so we salute should be no fear that- enough volunteers could not be found to support the unit. It would appear that the Air Force is rather uncertain as to how attractive the students will actually find their campus training. Does this uncertainty stem from experience at other universi- i — Rmind " - """ . ■ 11 �t Hubbard appears to have .grasped a few essentially correct notions of what occurs in the treatment of mental disorders, but these truths are imbedded in a mass" of fanciful speculations. The legitmate ideas are those which can be found in most elementary psychology texts; the "revolutionary" aspects consist primari ly of questionable, terminology based on analogies be tween the mind and a cal culatingmachine. In this respect, descriptions like that of the schizophrenic as an individual who is "off his time track" are about as meaningful as slang characterizations of the same Individual as "a guy who's " off his t ro Iley Although space does not permit an extensive review of dianetics, two of Hubbard's assumptions deserve comment. The first of these is based on the distinction Freud originally introduced between the conscious and unconscious aspects of men- MR. HUBBARD'S CUPBOARD BY HAL VETTER In recent years, popu- larized accounts of psychology, psychiatry, and psychoanalysis have enjoyed an increasing commercial success. The intelligent layman, repej led by the formidable vocabulary of technical jargon that psychologists employ, has been forced to rely upon books of this sort to satisfy his curiosity about those aspects of psychology in which he has a personal interest. Within the past several months, one such — account Diane t ica: The Modem Science of Mental Health by L Ron Hubbard — . has attracted considerable attention. For in it, the author claims to do more for the reader than merely present, in di luted form, an orthodox description of the psychologist's activities, he purports to offer a "revolutionary" theory and technique of treatment for mental disorders that even the layman can successfully app Iy The response of the professional public has been somewhat less than enthusiastic to Hubbard's claim that "the creation of Dianetics is a milestone for Man comparable to his discovery of fire and superior to, his invention of the wheel and arch." Far from being impressed by such . statements, psychologists have dismissed his volume with what, to Mr. Hubbard, must seem a galling air of superiority. The attitude of the scientific world is clearly revealed in the fact that not a single pro- fessional journal has bothered to review Dianetics. One might hazard the prediction that Hubbard will shortly be inviting comparisons with Galileo and other martyrs to originality. Certainly his own comments leave little room for doubt that Hubbard regards himself as a slighted genius. Aside from its dubious claims to validity, some of the reluctance on the part of the prof ess iiona I public to take dianetics seriously may be attributed to the author's previous reputation as a writer of science-fiction. Readers of Astoundjng Science Fiction; the magazine in which the f-l rst article on dianetics appeared, will readily identify Hubbard as the author of ingenious and entertaining tales. His ability however, to extrapolate beyond the facts seems to color his more se r i ous efforts. . tal experience. Hubbard's formulation is somewhat different. According to him, in addition to the conscious mind whose concontinned on page 18 Nature Morte In brown rooms taking grapes they ait a while, Now speaking of Matisse in quiet cries Half stillness, couchant, eloquent in style, One warms his glass between his hands and sighs, Another turns a button as he speaks Of "cubes and cones'1 "infinities of lines'' , (Warm petal drops of light descend to streak Reticent windows with unseen design; Toute blanche et verte la lune se met a nue) "The transcience of color", "emphasis On- form" (couvert encore de rosee bleu The shrouded trees make tactile sounds). Encyst, Insisting silence! but a button glows And pushed anew replies, "Picasso knows , -- -- Peter Lang Paris, November 1950 12 �DEAN JONES REPORTS ON THE PHILIPPINES Dean Edward S. Jones graduated from Oberlin College, and took hia Ph. D. in Psychology at The Univeraity of Chicago, 1917. He served in the first group of commissioned psychologists in World War One, and waa alao a technical advisor for the AGO office in the late war. In 1945 he aerved in France aa head'of the Psychology Department in Biarritz American University. In 1931 he publiahed a atudy for the Association of American Colleges on Comprehensive Examining in Amer ica; and also di rec ted a five year study on The Articulation of High School and College, under the General Education Foundation. In addition to publications resulting from these studies he haa written "IMPROVEMENT OF STUDY HABITS", and "OCCUPATIONS UNLIMITED", which poses various suggestions to students inquiring about jobs or promotiona Aa Dean of students he supervise- the varioua activities of the centralized personnel office, including testing, counaeling and . . placement It was a privilege for me In fact Manila was one of to serve as a Ful bright prothe worst bombed cities in fessor at the national Unithe world, devastated largely versity of the Phi Iippines, by our American bombers in where both my wife and I the effort to dislodge the taught for two semesters. Japanese. The once-beautiful During our stay we met many Manila dock is a crumbling charming Filipinos, and had platform, held together by the opportunity of visiting wooden piles. The old walled various parts of the islands. city of Intramuros, historic The Ful bright Act was set up relic of the Spanish regime, to fulfil I a dual function. is just a rubble heap. Many In part it allows various churches and public buildings countries to pay their inwere destroyed, but before we debtedness to the United left some of these had been States for materials left rebuilt through funds allothere after the war, by paycated by the U. S War Damage ing for exchange professors Commission. It surprised us to their institutions and that more rebuilding had not the expenses of students been accomplished. This from their country to the seemed to be due, in part, United States. It is a satto indecision on the part of isfactory arrangement for the Quirino administration, these debtor nations, as and to political bickering. attested by the fact that But we learned later that more than 40 national groups money which had been allocahave asked for this aid. ted seemed to have disapSecondly, this Ful bright expeared, usually into the change gives Americans an pockets of important poliopportunity to know the peotics. Thirty million pesos ple in other lands, and to which had been ear- marked to interpret American democrabuild new government buildtic ideals to their people. ings on the outskirts of The first impression one Manila seemed to have vanreceives on landing in Maished entirely, "used in nila is one of desolation other important ways", it was and ruin caused by the war. sa id The University of the Philippines has an enrollment of about 5000 students attending the schools on the main campus in Diliman, a suburb of Manila, with about five hundred more in the agricultural school at Los Banos and in the medical school iin Manila. The curricula were similar to those of an American university, with some^e^ceptions Relatively few of the men were studying medicine or dentistry; a much larger number were interested in law and political science; only a few were interested in business. Nearly every pharmacy student was a girl, and fully half of the dentists were women, as well as ninety-five per cent of the teachers. I was surprised to find a . . . 13 large group in fine arts, at least half of whom were men. The Filipinos are very fond of music and painting and they seem to be very proficient in these arts. Their chorus singing and dramatic performance seem to be on a high level They are excellent dancers; they are equal ly graceful and . �rhythmical in -their folkdances and in the dances imported from the Western Hemisphere. Most of their dance music was of the South American variety. The average intellectual quality of the students at the University was hard to gauge, because no tests were quite fair since Tagalog has been made the national I anand Engl ish has been elegated to second place, ven to third place in some chools run by the Spanish ominicans. However, in a air samp I ing of students who were given the same ACE test which has been given here for many years, the of P. students were not ar behind the U. of B. stuents, age for age. They were actuaj/fy more and icapped in mathematics han in language and idioms. In the class room I noticed that the girls were far He i3 not supposed to work around the home; he is given candy or money to spend which his s-p ster never receives. He is taught to be ~ courteous and charming to women in general, but not to way. Iuage (. better than the men. I discussed this with other American Ful bright teachers and they agreed, with the exception of one teacher who had a class of pre-1 aw students. There were at least five girls as good as any boy in each of my classes. The greater effort put forth by female students was clear al I through col lege and into graduate school. Several teachers who were my graduate students reported this to 'be' true even in the elementary grades. Apparently it is an outgrowth of the typical Filipino parental attitude to adore the male child to the point of spoiling him. smile at each other than to swear. The rule seems to be that the fellow who honks the loudest has the right of way, but the driver who is the boldest about worming his way ahead is really the one who takes the right of take them seriously. As a consequence he is adept at dodging the demands of female teache rs, espec ial ly. | suspect this family attitude has much to do with the fact that Filipino men look down on manual labor and prefer to become lawyers or politicians, rather than businessmen or scientists. The many impressions wh ich we received of the country and the people can be reported here only in brief. Manila is a bustling city, with her streets jammed with a multitude of buses and "jeepneys" (American army jeeps which have been converted -to transport six or eight passengers for a few centavos). Little attention is paid to stop signs, unless a pol iceman is standing on the corner, and the driving seems to- a Westerner quite reckless. Whenever a bus stops, smal I chi I dren clamber on board to peddle cigarettes or chewing gum, hopping off at the next stop. How they escaped death was always a mystery. But accidents are "rare, compared to traffic here in the States. Perhaps this is because whenever there was a near crash— and there were many such— the 14 Pi Ied up on the Mani Ia docks were large numbers of boxes, loaded with machinery of textile mills sent by Japan for war reparations. They had been* standing there for several years,- and so far no effort to utilize them seems to.be made. Also "in the harbor we saw the half-submerged hulks of many Japanese battleships, with thousands of tons of steel rusting away. There was also plenty of scrap metal in the war-material dumps in various parts of Manila, but so far no entrepreneur has come forward to utilize all this scrap by setting up a steel mil II Eighty- five percent of the business in the Philippines is run by the Chinese. For some reason, the Filipino has no interest in productive in-' dustry and lacks the daring to start something new, although new industries are sorely needed to take up the slack in employment, now that the rehabilitation projects are tapering off. Perhaps during the American regime, our government officials were not sufficiently interested, in helping them create this indust r ial urge and in teaching them the "know-how." A part of the difficulty, however, goes back to the old Spanish traditions, still very strong, �which put the lawyer and the politician far above the business man in the social seal e. There is an amazing lack of unity among the Filipinos. ThLs may be partly because they are family-minded, rather than nation-minded, and partly because of the language differences. Tagalog has been made the "national language", but as one gets away from Manila and its environs, one encounters a different dialect every thirty miles or so, for there are several different languages in the Mountain Province where Baguio, the summer capital, is situated, and still another language spoken by the Negritos of the northeast section of Luzon, to say nothing of the languages in the Visayan Islands and Mindanao. Much of disunity is due to politics, and to social-economic class differences. The Spanish mestizo, (one of mixed Spanish and Malay origins), is still very much in the saddle, and for the most part is very conservative He owns 70% of the in some provinces land as much as 90% though he resides in the cities, and makes no provision for his tenant farm hands to become independent, to own at least a share of the land. In fact by a system of keeping his tenants in debt, and through ruthless managers.and the aid of the Phi Iipp ine-constabulary, he sees to it they are serfs i n al I but name. No wonder that these tenant farmers have no hope for better living conditions or a rise in the social scale; hence, many of the boys run off into the mountains and become "Huks". . The term Huk is shortened from the longer word Hukbalahap, which means I iteral ly "citizen army against .— — the Japanese". The Huks number many thousands perhaps a hundred thousand out of the 20 mil.lion population and they include several types of people. The nucleus is made up of toughs guerilla fighters who are disillusioned and now set against the Ph iIippi nes government. Other members are just bandits and criminal adventurers willing to pounce on villages, or on wealthy Chinese merchants merely for plunder. Only a few — — seem to be out-and-out communists, although the Quirino government continually tries to classify all Huks in this category. Many people have asked us, "Wi II t he Filipinos fight on out side against the Chinese?" The answer, though important, is not an easy one. There are I iberal citizens in the Philippines who might recruit a large percentage of the present Huk elements, and build up a strong national unity. However, they are not how in power. According tc Hernando Abaya, author of "The Betrayal of The Philipines", Gen. MacArthuron his 15 return was largely responsible for pi ac ing pol it ical power in the hands of the Spanish mes tizos, many of whom had been Japanese collaborators, during the Japanese occupation. This type of al I iance on our part with the wrong side has been too often repeated throughout Asia. it is the obvious approach when taking over, a conquered area to look for people who have been leaders in the past, with experience in management, and to ignore those who may be more representative of the common people. The attempt to create a strong national army under the present administration would be of dubious value. Chinese communists could make landings in many places with the help of Huk elements, and easi ly swamp the Islands— unless the Philippines have help from the United States, or the United Nations forces. Yet I, for one, would be opposed to establishing a strong American army in the Philippines, unless the Filipinos strive in the direction of this unity so deficient at present. It would probably end up with greater power and wealth to the politicos at the expense of. the American taxpayer. The ideas of democracy are still only half accepted in practice, although in theory they are widely taught. For example, on a visit I made +o the Island of Cebu we were entertained by the fiscal. The fiscal is a man of great importance on that island with a population of a million, perhaps more important than the governor himself. Although he is actually the prosecuting attorney, he is.a I so in ch arge of .t he Phi Ii pp i ne constabulary in the provinces, and has much to do continued on page 16 — — �THE CAT'S-PAW BY JACK lILKIE I was lazing back toward the hill top when I saw Henry Atwater laying on the hard mud with his brother's pump gun and touching the sights with his fingers and peeking across the creek at something high up in a wi I low tree. They say he was twenty, which was way de r than me. I never did ay "Ho, Henry", because he ave me to keep quiet as oon as he spied me, so just sat down and watched im touch the sights on his brother's new pump gun and nk at me. I asked him a couple hree times what it was ir. he wi I low because lt was ue to rain in a bit and t he louds made it dark as if t were almost night time ailing and I couldn't make he anima! out (I could see y the big form that it was ii g enough to be a cataount but Lafayette County 'new ' . tl Ii never did have catamounts since when my folks was kids), but all he would do was wink and touch the sights and put the butt up and pretend he was going to shoot and then he would take the pump gun away from his shoulder and look at it with a funny look. I kept wondering why he did not shoot because the animal would.not stay there all day specially with the rain which was going to start. Then he passed the pump gun to me winking and smiling and showing where Moses Folts had knocked out three of his teeth. He motioned for me to take the shot and I don't know why, but I laid down on my belly like he was and took aim. I started to squeeze the trigger but it would not go back so I remembered the safety and took it off. Then I took aim again and as the animal had started moving slow back in on the branch l aimed at the head. The pump gun went off and it started to rain and Henry jumped a mile beside me and thing did not jump at a . J but just f e II out of the tree and landed on the rocks in the shallow water because it was not a catamount but a little girl with long shiny black hair and overa IIs on. Henry was look ing Iike he had seen a ghost and his eyes were wider open than usual and his jaw was hanging all the way open and it made 16 usual. Then he just let a moan and just took off into the woods like he was being chased. It started raining real hard and thare was no sense doing nothing but cross over and see if the Iitt Ie girl was dead, and she was because I hit her right through the neck. She was Sam McKay's little girl named Josephine and I knew he would be mad and want to kill me so I threw the pump gun away and went home. They al I thought that Frank Atwater who was Henry's older brother had done it be ing that i t was hi s pump gun. but he ran away cause I guess he thought that Henry had done it and he took the blame for his brother. I saw Henry at a dance across the river in Webb County and he was outside looking in a window and his nose pressed flat and just looking in at the dancers with his eyes shining funny. He said he did not'think I would be able to fire the pump gun because he had the safety on but I knew from the funny look he had that day that he didn't know about safeties on guns then and I left him and went about my danc ing. �Nobody Iiked him, they all hated him but Felix Bumpnagle was a great star on the horizon of t ime. Like trains that pass in the night he had many love affairs but they all ended in disillusionment as if the Great Stat ionmaster above had purposely made the tracks bumpy and crooked We were sitting in the Brown Derby when he told me how he felt. "| wonder why people can't think of us artists as humans." He said, thoughtfully adding sugar (He took to his coffee. over the world. The hairs in his nose. They were dainty curling little bluishblack hairs that hung down and blended into his darling mustache. Soon after marrying Sonya, the Buirpnagles knew that they would never make a go of it. it was after Penelope, his wife's half- sister's . so uncommon in the Brown Derby, somehow sensed that I hated her. How he knew I was to learn twenty-eight years later, when Sonya, who bore him no children (I had a boy by him), and was the first of his lovely but untamed wives, ended it all by jumping from the hat band of the Brown Derby, a restaurant in Hollywood, that fabulous city where the stars carry on so. No one wi I I e.ver forget the way he lavished gifts on his precicus Tanya, his third wife. Felix returned from a successful tour of Europe with the elbows of all his suits worn out from rubbing them with royalty. He presented Tanya with a $20,000 streamlined con' vertible upholstered in ham- Laughter Love and BAGELS ANOTHERbrother-in-law's HOLLYWOOD EPIC had three lumps.) "If one must be love's lover who must be loved, one must be love's lever who is foved for loving love." I quoted the sonnets from the Ukrainians. As we were fitting there it came to me why this man was loved by everyone al I aunt come out to California, that beautiful place that has such a wonderful climate and where all the movie stars live. "Two can play at the same game as cheap as one." I said, quoting Shakespeare. "That 's exact ly what I mean," Felix Bumpnagle said to me in person in the Brown Derby that day. We were old friends. I agreed heartily wi th him. But that was thirty-five years ago, when movies were in their infancy and all the stars were carrying on. I ike heaven knows what all. I didn't like Sonya. And she didn't like me. It was sort of mutual, and Fel ix, even though he Icved her with a wild exotic passion 17 ster fur. "It was only a little gesture to show my love for my little love flower." He said, thoughtful ly stirring his coffee. "It's an ill wind that makes a $20,000 convertible a " I said, Iittle gesture. quoting from Metcalfe. When he died, the thousands upon thousands who attented his funeral stood for four hours in the rain. "The Flaming Andiron" and "The Son of £he Beach". Who will ever forget these great photoplays. "Stop, Look and Love" and "Harry's Heavy Heart." He was wonderful in them. NEXT WEEK by popular demand, the AMERICAN WEAKLY will discontinue Miss St. Di Ik's story of Hollywood. �THEY GET THE CREDIT My name is Melvin. lam a member of the Psychology Department at The University of Buffalo, where 1 assist my fellow members with their alleged experiments. This shot doesn't really do justice to my dimples, but considering the steamfitter who took it, one can't expect a. professional job. Home sweet flea bag. This a post card view of thet Hotel Ratz-Carleton, overlooking the beautiful scenery of the attic of Crosby Hal1 My room doesn't have any windows, so it overlooks the scenery completely. If you're in the vicinity, don' t stay here; besides being overcrowded and poorly furnished, the cuisine is lousy and the stench abominable I wouldn't be surprised if they imported it from the Chicago Stockyards. . . 18 No, I'm not supposed to be a forest ranger looking for fires; some idiot misplaced my breakfast and I found it up here. Incidentally, the act of climbing that ladder was fraught with Freudian a ignificance Mhat will these misguided Behaviorists think. up next/ . �BUT IDO THE WORK This obviously was an. at tempt to set Psychology back twenty years. A colleague of mine is at the controls, and Well, here goes nothing! I ran this maze five times without a hitch and all the guy gave me was a hunk of that swill they hand out as if it was pheasant-under-glass , or something. Too cheap to buy a ten cent beer. out between runs. According to the chart, Iwasn't doing so well at this point- It didn't matter to me one The psyway or the other, though. chologist who was running this one was Time about as scientific as a fortune teller reading tea leaves. He ought to have . his head examined 19 that's me on the fence. When this shot was taken, I was shouting, "For Pete's sake, Hyman, turn off the juice!" �AWG'S BOOK: A REVIEW - BY VILTON C. ALBRECHT STUDIED IN LEADERSHIP. Leadership and Democrat ic Action. Edited by Alvin W. Gouldner. 736 pp. Naw York: A Brotharm , 1930. $5. 00, Iarper In times of crisis, whether domestic or international, people become alert to the problem of leadership. With the rise of totalitarian states in Europe ana Asia the problem has assumed new proportions. Social awareness has sharpened to.the implications of these events for our democrat ic society, in spite of persistent attitudes that "it can't happen here." What social and psychological conditions give rise to dictatorships and what means exist to best preserve, if.not to extend, our democratic processes become questions of basic concern to thoughtful people. Studiem in Leadership. edited by Alvin W. Gouldner for Harper's Psycho legical Series, brings together those analyses of leadership by social scientists "which might prove useful to democratic-action groups." Nurtured in a democratic culture, the social sciences can in turn, the editor believes, contribute to the maintenance and development of a democrat! c way of IIfe. Acknowledging the scientific inadequacy of the various disciplines, he feels that our times are so critical as tb justify social scientists in assuming the "calculated risks" of applying their knowledge in its presnet state to specific leadership problems. They must continue at the same time to improve thel r techniques, multiply research, and ref ire their concepts. The contents of this collection was primarily determined by this dual purpose. Of the, thi rty-one selections (not thirty-three as the publishers claim) nearly two-thirds are original articles. The contributors are members of research bureaus and institutes as well as university and college faculties; they represent fields of political science, philosophy and anthropology as well as psychology and sociology. They include wellknown social scientists such as Leonard W. Dobb, Alexander H. Leighton, Kurt Lewin, Robert K. Merton, W. Lloyd Warner, and William Foote Wnyte. AFTER HOURS 5:30 They left about two by two by two. And now they sleep warm, Secure in their togetherness Unwanted we are left to smoke to drink to urinate at 5:30 BAY HABTELL The emphasis of the book Is on a variety of approaches and applications to leadership rather than on more specialized aspects as in Enrich Fromm'S Emcape From Freedom or in G. M. Gilbert's recent analysis of the litehistories of Nazi leaders, The Paychology of Dictatorahip. Part I of Studies in Leadership in t rodu ces th ree of leaders, the bureaucrat, the agitator, and the informal leader. These types, however, are not formally defined in terms of traits, 20 as one might expect, but analyzed in relation to their behavior. Operational contexts are explored rather than personality characteristics. This approach is further elaborated in Part II, where leadership is discussed in relation to social classes, to minority groups, and to political organizations and movements. Social classes, however, do not constitute specific action-groups, so that leadership is studied only in terms of representatives: managers, owners of industry, and labor union One misses the leaders. kinds of leadership which function in communties, directing not only tne customary political groups but also bus! ness associat ions and schools. The minority groups, Jewish, Negro, and Italian, are probably sufficiently characteristic for the studies to be generally useful, except for th« special group, women, which is given separate treatment. In the political realm, the articles deal with shifts in political power, the changing relationships of leaders to groups, the growth of governmental bureaucracies, the nature of leadership in a new political party, and leadership problems in collective settlements of Israel. Cvertly and implicity, all the studies show a concern for the improvement of democratic control, for the interests of the rank and file in organizations. This concern takes broader form in the articles on authoritarian and democratic leaders i n Part III, where not only these types and their effects on groups are differentiated, but also their modes of operation and manipulation. Part IV contains seven studies elaboracontinued on page 17 �MID-SEASON The transition from winter to spring is a bastard season. It is the spawn of a weak sun and the damp bitter winds; winds not cold enough to freeze and sun not strong enough to warm. Damp leaves lie exposed where the snow BY ART GRANT has retreated in dirty piles to the gutter to make a last stand against the thaw. Limp bits of paper and soggy cigarette wrappers jut out of grimy mounds of dissolving ice. Cinders and sand, ground to a mush under the wheels of cars, snake towards the gutter in long gritty st reaks is an unhealthy sean. Children sneeze and ugh out of cocoons of wool and rubber. They, most of all, feel the oppression of this dirty mid-season. Clumsy in their heavy casings, they play at games of spring, as if to bring it nea.rer by observing its traditions early. They stand with muddy feet in little groups on the sidewalk. Like chessmen, their movements are limited to the squares of the concrete. Like chessmen, each has a particular role he is assigned according to size. The older boys, conthe street. Each, crouched fident of their power, dispunishment on its muddy lawn, seems reward and gods, shouting resentful of the others. ke small she turns again and Now the scale of the bottom the side street goes down status, at the edge of where white skeletons of he group, stand the pawns, partially constructed houses move that figures ittle sit uncomfortably on their forward eagerly, yet are too new foundations. smail to enter the actual The wheels of the Iittle tricycle become trapped in a One Iittle golden-hai red ricycle space between the planks wn sits on her t laid across a deep ditch and with wide eyes, watches bi-secting noisy the sidewalk. the acti v ity of the down, clumsy gets The child group. Final ly, she turns garments. heavy in her winter and pedals down the street trapped at the pulls She followed by a small dog with sideways slips it but wheel a solemn face. At the corand lodges firmly between ner she hesitates and looks the planks. She becomes back at the I ong row of and crouches down bleakly distracted houses. Each stares between the boards across look counterpart to at its STORY CThis . «nse «f Kntest. 21 in the ditch. Her blonde curls nearly touch the thick muddy paste that coversthe wood. There is a man standinc over her now. He smiles at the Iittle figure beside him. He is an elderly man and a streak of gray at his temples adds to the respectability of his clothes. He wears a gray coat and a dark Homberg hat. His eyes are small and bright, and wrinkles crease the edges of them. He speaks to the child. She looks up at him and smiles. She points to her tricycle and says something to him. He nods and lifts the little machine over to the sidewalk. He stoops and pets the little dog who lashes the mud excitedly with his tail The man talks to the child again. She points to the skeletons which are now casting long shadows into the street. The man ri.sed smi Iing and takesone of the child's small hands. They cross a bridge of planks laid over a ditch parallel with the sidewalk. The pi anks cont i nue up to the cement-block foundation of the half constructed house. There is a gap in the foundation and through this the man and the child disappear. A small piece of white paper is caught by a quick gust of wind. It wheels like an off-center hoop across the gutter and down the. street where it is caught at the intersection and crushed beneath the wheels of. a passing truck. The man reappears in the opening and crosses the planks. He bends over the dog, pets him for awhile and walks down the street. The . little dog sits^and waits, the piece of paper lies crushed at the intersection. And the houses stare bleakly at each other. �Fragment If one could take the two ends of the day in one's hands and stretch it, like wax warmed in the heat of your palms: twist it to some fantastic shape, an abatract sculpture that aervea as a private symbol locking everyone out asperate,and apart from the remainder of time... Yours only to hang on the wall next to the boaomy girl with the overlong legs... colonial inn B.H, „ 6BEENBAUH „;,! a "1gave my g'rl . " "*'" r* .*FimtfZj"* *- " " 0 nt tu <"> * cor ***** last night." «I gave mine a prese." " wonderful w _a-t(m\ oast." wonderfulJJ^ **'.*."""' ""'"""nee*.. " MAIN w % TRANSIT _________________________^ ALLIED HALL PARTIES DINNERS ,AvV* mssmmmmmmmmmmmmmsmL ***** Friday senior g*l: "How about a date „. r; n'ght?" .v cant go t with a baby." „ Senior girl (md.gnanly).Oh,Ilm sorry, Frosh (embarrassed): Unique Freshman *>m\ . to _ PrOf-m roue'**' t In , wt DANCES A 30 Abbott Rd. *e Joe: A woman's greatest attraction is her hair. Moe: Isay it's her eyes. Ike: It's unquestionably her teeth. Mike: Hell, fellas, what's the use of sitting around, lying to eachother. University of Minnesota Ski-U-Mah — WO 6441 22 �THE BROTHERS BY Alan Tuttle looked about his once-happy home. He sighed and entered the library. Henry was there with a glass in his hand. "Enter dear brother", he greeted. "Old Shepherd Tuttle had sheep three, but only the one called Alan was pure white". "Dad buried only three days and look at you. He wouldn't want you to take it this way. Try to get hold of yourself, Hank". Hank chuckled. "Poor naive Alan. Been away bathing in the fountain of knowledge. What was it the old man used to say? Oh yeah, 'Alan is the only one of you three with the propensity for for learning'. Leave it to the old man to pluck a good HOWARD BROCK "What do you mean?" asked Alan sharply, Hank seemed to ignore the question. "You're right. The old boy wouldn't like this display of weakness. Always strong and stern. But you should have seen him at the end. Weak, pit ifulsight. And the pleading in his eyes. I can still see them11 Hank's voice broke fo r a moment. Then he lifted his glass and performed to his imaginary . "Yes", said Alan slowly. "I never realized what an ordeal you were going through, Cal vir.." "No matter," said Calvin. you'll want to be suppose "I hurrying back to school." "No I've decided to quit school ?"' "Quit school ?" "Yes, the rigors of a formal education are begin' ning to bore me. I d Iike to get" into the practical wo r Id Calvin's eyes narrowed in . anticipation. "What do you have in mind?" he asked cautiously. "Why the business of course. There must be a pi ace for me." ' "Why uh— I ve I ve made some changes there Alan. " — ' "" " I I audience. "The great ship was finally sinking and he was sending out the S.O.S. But he couldn't get past Gibraltar who stood f i rm with the key to life in one hand and my trembling arm in the ! other. " term from economics". "Hank I" Hank I i fted hi s g lass above his head. "Oh brother, brother beware. I drink not to drown my sorrow, but my conscience". " "Henry!" The voice boomed from the doorway. It was —. Cal vi n "At. speak of the devil Here comes Gibraltar floating this way now." "You drunken fool," snapped Calvin. He turned to Alan. "You see what I have had to put up with? He's deteriorated into a drunken p Iay boy . ." 23 V "You were always a fast worker, Calvin." "School is the place for you. Father never meant for you to be in the business. He expected great asthetic accomplishments from you." "I Insist.M sa id Alan. "But if you wish to make a point of it, let's plead both our cases to Hank and let him decide arbitrarily." He turned to Hank who was with his head in his hands muttering incoherently. "Hank," said Alan. "Nevermind," interrupted Calvin. "Of course you can come in the business if you if you insist." insist — " �I Deep in the liquid flowing of the night--The silent snowfall of the stars into The dawn pinned writhing in the east, and you, Whiter than dawn. O, aee the flaming flight Of the meteor and the phoenix, high Beneath the dark. One may fall, the other were only brother la reborn. If I To the bird lam anared, and fall, and die. l II Once Icarved a dream, an unbuttressed thought Of silence upon a base of cold stars. O God of Night! why these festered scars have never sought And bloodless wounds, when I The day? The old caverns of duak are chill, Unlit by affronting flame. It is slow Of life these twilit stairs where only go The wails of a wayward train across the hill. The blonde sun and the blue eyes of the dawn, Fade the soft whiteness of the plenilune Is five years too long? The echoes have gone, And memory ardent on the grass. Soon The fugue of day in its ever sameness Will pour upon blonde, blue eyes and whiteness When raw winds blow out the flame of the year Into a snow-smoking stump, the gutters Of dawn run red over a world grown sere. The sewers are stopped, a thick bubble mutters carved a dream, a wisp of sadness; Once I A stray waif of hot abortive gladness. . BO6EB 6. KNUTH Philippines with the budget. He is appointed by the President, and is actually a sort of manipulator for the President. One of his functione is to act as official entertainer of guests. He appeared to be enthusiastic about the relations between America and the Phil ippines. However, we learned from faculty members of the Central University there that this man was actual ly opposed to a fair election; in fact, a few people were killed, and many others intimidated so that they dared not vote in the election which had taken place only a couple of weeks previously. There was no such thing as a secret (Austral ian) bal lot; if you di d not vote openly for President Quirino, you had better not vote at all. I should say that many of our friends among the Phil ippine faculty members and the student body were terribly chagrined about the corrupt voting system still prevalent in many parts of the Philippines. They would say to us: "If only the governor and the fiscal of a province can agree to hold fai r el ections, this- can be done." On the island of Bohol, where there was an American-educated Filipino governor with a strong personal ity, the fiscal did not seem to be important at all. Elections were secret, and came out against Querino. Wi th a mo re I iberal political group in power than the present so— called Liberal party, there could be much greater unity, especially if it accompl ishes the absorption of the dissident Huks, now carrying on depradations on many peaceful communities. A strong, I iberal leader would also start textile and other factories, to reduce the amount of unemployment. More up-to-date farming would raise the standards of Iiving of at-L^people. Most needed is a new tax system which would close the wide gap between the very rich and the poor masses of the people. The Bel I report, made by American experts as a basis fo r more financial aid from the United States for the Philippines, poi-nt's up this need of a revised tax program in no uncertain terms. There are plenty of intel li24 gent, middle class people in the Islands who agree with this heartily and who would back up such a program. The greatest need of all, then, is for the Philippines as a whole to clean house, to get rid of an oligarchy which is fascist minded and does not represent the will of the common people. If really fair elections could be assured, this change of leadership might become a reality, and might wean away all but the die-hard communists from the growing Huk movement, thus dissipating the dissident forces. Some people feel that if the United States had held on to the Islands for another ten or perhaps twenty years, a new group of democratically-trained leaders would have emerged, displacing the older vaniety of Spanish aristocrats and their stooges. For the sake of the thousands of idealistic, educated people of the middle classes, strongly glared to democratic vie^s*. let us hope that this change, in part fostered through the United States, as. suggested by the Bel I report, can still take place. �Ask.' s Book ting further on techniques of leadership, dealing with problems of group apathy, of leadership planning, innovation, and succession. The final section includes three studies of more general and historical interest. A word should be said about the role of the editor in this volume. He has not contented himself with using the customary two-page preface for waving the reader perfunctorily into the room where the d Isjoi nted drama of the experts is played. In his fifty-page introduction he has provided him w;th a scholarly survey and an analysis of the scientific literature on leadership that forms the background, the setting against which the present studies can be appreciated. In addition, each small group of articles Is preceded by "contexts," which are brief preparatory lectures by our professional guide on what readers may wish to know for critical examination of the items to be encountered on their next short excursion. If one then includes Mr. Gouldner' s paper on "The Problem of Succession and Bureaucracy," one finds his total contribution amounting to approximately one-seventh or an the material in the book. Yet his name does not appear on the IIst of contributors. Besides perspective and critical evaluation, the editorial comments serve to give far greater unity to the collection than would otherwise exist. Without them readers would undoubtedly miss some significant points and probably be less aware of the extent to which, in spite of the diversity of individual treatment, the studies rely on concepts derived from Max Weber, Freud, Marx, Durkheim and Mannhe im. It is certainly conceivable, however, that many interested laymen and students, as well as some specialists, would like a more relaxed atmosphere and prefer to follow their own bent. Not al I serious readers, surely, wi I I have the endurance of a cross-country runner to susta i n him over the varied and often difficult scientific terrain of the entire work. For them also an oversol tcitous guide may become a nuisance. This is a matter of taste, a matter of purpose. Some, like the reviewer in the Buffalo Evening News, may wish to explore the materials on the shifting position of the city boss. Some may prefer to start with the general studies in the last section before proceeding to specialized articles. Still others may be Robin: What's that apotted edg doing in the nest? Mrs. Robin: Oh, Ijust did it for a lark. He: "I've loved you more than you attracted by more purely local interests, such as Norman Mi Iler's analysis of Jewish leadership in "Lakeport," or the posthumous appearance of the article by "Jerry" Wo Ipert, to whose memory the book is dedicated. Whatever one's special interest, the fact remains that in a period of urgency such as our own, one can gain some perspectives, some Insights from the analyses and research studies available from the social sciences, scientifically immature as they may be. Studies In Leadership presents one means of achieving a partial understanding of the crisis of our time and provides some basis for a more systematic attack on a number of concrete problems which prevent the realization and preservation of democratic values In our soc iety. First Drunk: "Shay, you don't open the door with that; it's a cigar butt." Second Drunk: "My God,l've smoked my key ." don't like your First Girl: I boy know." She: "How dare you take advantage of me when I'm drunk !' Mother (entering room unnever...! expectedly): Well I Daughter: Oh mother, you must have. I know a fellow who built a house without a bathroom Would you call that unsani- . tary? friend. Second Girl: Why not? First Girl: He whistles di rty son gs . He: "Do you neck?" She: "That's my business" He: "Oh, a professional" The world's greateat optimist is the old maid who sets up a folding bed and then looks under it . No, just uncanny. Well my little man, and do Godfather? you have a fairy we're No, but I've an uncle of. suspicious a little 25 "Are you a till engaged to that girl with the wooden leg?" "Naw, she got mad and broke it off" �THE GOLDEN SCREW A doctor waa consulted by a woman who complained of a number of myater ioua paina in all p^ts of her body. After a thorough examination, the doctor came to the conclusion that the woman's paina were more psychological than organic. He waa completely convinced of thia when the woman confessed to him that ahe had a golden screw imbedded in her navel, and he haatily gave her the name and addreaa of the neareat psychiatrist. The paychiatriat liatened patiently to the woman's atory of the golden screw in her navel and then gave Hubbard's Cupboard tents are immediately accessible, there is a "cellular, sub-l eve I mi nd" which records "with diabolical accuracy" a II events which occur while the conscious mind is temporarily inoperative through anesthetic, shock, or illness, in this state, not only sounds, s i ghts, sme I ls, words, and even pain, are recorded, but also conversations that take place in proximity to the unconscious person. Thus, any painful experience in the Ind ividual »s I i f e is permanently retained within this sub-level mind. This notion is used to explain such things as psychosomatic illnesses ( ie. physical disturbances whose origins lie in emotional conflicts). Since this sub-mind cannot reason but only "command", when the body disobeys these commands the pain content is turned against It. In the actual treatment or "clearing" as it is called, the therapist ("auditor") Induces in the patient a IIg ht hy pnot ic trance, according to the her detailed instructions. She waa to a tare at the ceil, ing of her bedroom every night after retiring until a golden screwdriver appeared The screwdriver would a lowly descend to her navel, take one turn of the golden acrew and then rise to the ceiling and diaappear Thia waa to continue from night to night until the acrew waa finally looaened and removed. The woman went home and retired to bed to follow the psychiatrist's ina t rue tions She a tared at the ceiling for a long while before the golden acrewdriver appeared It descended slowly, aa the psychiatrist had predicted, . . . . and after making one counterclockwise turn of the golden screw returned to the ceiling and diaappeared This procedure continued every night until the final evening when the woman retired to have the golden acrew removed entirely. At the instant when the golden screw was free from her navel, the woman felt a complete releaae from all of her bodily paina. She waa overjoyed at the thought of being returned to a normal, healthy life, and ahe hopped out of bed to do a dance of celebration When ahe atood on her feet, her rear end fell off. . . descriptions given. While in this state of heightened suggestibility, the patjent is encouraged to explore along his "time track" the span of time from birth to the present on which are arrayed the events of his life and by reliving the traumatic or painful incidents that constitute the source of his present disturbance, the pain associated with such occurrences is assumed to be relieved. When this release has taken identify the whole process, place, and the pain has however, with this Initial been diminished, tNie pain>phase is hardly justifiable. fuI episode now becomes The discharge of emotion part of the individual «s under conditions in which "conscious experience bank'l. the individual is "unconThis process is carried on, scious" (as in the case of up and down the time track, hypnosis) only affords temunt i I all such painful eporary re Ilef. Its use i n vents have become desensithe therapeutic situation tized. The individual is is to permit contact to be now 't Ieared. established between the Divested of its gaudy therapist and the patient terminology, psychologists by removing the initial rewill recognize in this dessistance^ owing to the precription the old notion of sence of intense emotion. cathars is,, ie. the exAnother basic notion of pression, by the patient, Hubbard's is that prenatal of negative, emotionally memories ("engrams"! a loaded feelings. For any term synonymous with the brand of therapy, this reolder term "memory traces"lease of feelings constiexist throughout the intutes the first step. To dividual's life. Events,- — — " — 26 �illnesses, and experiences of the mother during pregnancy are presumably retained in the cellular, sub-mind of the fetus, and Influence the subsequent course of the child's de-" velopment. Even pains accompanying child birth are assumed to be recorded a notion which would interest those who claim adherence to Rank's theories of birth — trauma. . All of this makes entertaining reading, but how justifiable are its pretensions to scientific val id lty? Unfortunately, we must conclude that, for the scientist, Mr. Hubbard's cupboard Is distressingly bare. At best, he has described, in a curious fashion, a limited technique for dealing with the initial phase in the treatment of mental disturbances. It snould be mentioned again that the oniy thing original about this formulation is the type of language by which it is described; dianetics sounds somewhat like psychoanalysis might sound had Freud been a second-rate engineer, rather than a first-class physiologist. At worst, Hubbard's use of ambiguous terms to conceal the basic fallacies of dianetics, and his oversimplification and distortion of respectable concepts are inadmissible in an enterprise which is represented as the "modern science of mental health." Although cures are claimed for 270 disorders ranging from arthritis, allergy, sinusitis, coronary di fflcu Ity, and al Iergy, to "psychoses, neuroses, compulsions and repressions" these, and many other, discrepancies, dianetics is rightfully precluded from any serious consideration by the scientific public. But there are grave moral and ethical implications in the use of a therapeutic method which demands no training on the part of the therapist beyond "a careful examination of the contents of the handbook." In these days of unsettled world conditions, when economic, social, and personal pressures of all kinds contribute to a rising incidence of insecurity and maladjustment, all the motivation is.present for. persons under severe emotional stress to seek rapid cures. Charlatans, fakers, and opportunists are quick to capitalize on tho respect "scientific" that the label confers on a product or activity. Scientists are all too prone to ignore such quack methods of treatment in the bel ief that the! r inherent fallacies will inevitably expose them to public indignation. In the meantime, however, an unsuspectiing and gull ible public is susceptible to exploitation. The treatment of mental disorders is, admittedly, a lond, arduous, exceedingly complex process, and one in which every skill at the therapist's command must be brought to bear. In the hands of an unskilled person, a minor disturbance might be aggravated into a serious disorder. And .in the treatment of the psychotic patient, irreparable damage could result. As Dr. Sachs has pointed out, "The danger of a layman, however intelligent, treating such a case after readone book is as horrifying as the idea of a psychiatrist taking apart an atom bomb after reading the curon rent science-fiction " the su bj ect . CAIN My mother was of sweet and comely mien, and blushed like morning in the joys and father shired with her of nights, which I when Abel spake with God and with the beasts. And with his airs and offish ways, oh yet Iknow he was the stronger, and feared him for it, and envied him his God, as he did not my mother life. For even she, she loved him more, although he would not near her in the night. She came to me upon a day, and with her was the slim deceiver, who wore such alien eyes. She life and he evil spake unto me death, and on that day Ifelled my brother in the field. Iwander now in Nod, and dwell not in the city that Ibuilt. For there the people looked on me am cursed with vengeful eyes, and I and oh my lord, shall never die. nothing resembling adequate criteria for judging the thoroughness of the cures are provided. In view of BY HEBBERT STERN 27 �CAMPUS CROSSWORD BY HI) BOY DOWN 1. 2. 3. 4. 6. , 7. 8. B. 11. 12. 13. 14. DB reeks with this. The first R. What hoaework is. 2/3 of Trusmn's vocabulary. The title of the Governor of Algiers before the French conquest In 1830. Where the heart la. Hoae of the Stair Slttera. t "-Jo, Jap. naae for Soeal. A cherr with the H taken ont of It. The valley between two ■oontalns. without a total, figures are like this. 01 checka hardly allow Ol'a to do this. 18. Recently a popular aop. 17. Dr. Gordon's Initials. 20. A doctor' s degree froa Norton. 21. A fairy. 25. Answer, (abbr.) 27. Auto Club's Initials. 30. And/--. 31. Abbr. for kind of thoroughfare. 35. What every young girl ahould have. 38. One who titters. 37. The Honor -. 39. Hakes aountalna out of aolehills. 41. Russian title. 43. Pat in the can. 46. Little Orphan Annie' a white-bearded protector. 48. I've got debts. 51. Interfere with student, social life. 52. Intuition. 56. Couples with blankets allowed here. 57. A draftaaan's tool. 59. Restaurant In Kenaore. 61. Not hard. than a witch's tonsil. 62. 63. Prostitutes. 64. You're In debt. 65. The Oardner all aen want. 68. A pot. 70. Tree Haven's cuisine. (Ab. ) 73. A aeaber of the Society of Autoaotlve Engineers 74. The stronger sex. 76. Chowderhead. (Abbr.) 77. Definitely a negative arm. 80. Pish eggs. 81. Past tense of "I eat". 84. Norton greeting. 86. Quietl —-— ACROSS I,*. Pictured unneceaaary crowning glory. 10. 1000-eyed "one ter. (Or. ■yth.) Citj of Tha Great Dl.lde, 15. ie. Oao who ion to bo. is. IS. Completely aodem (phonetic. IS. French for water. SO. OR* day trip ln a car. _2. "Honeat---" a little ■lied ap. 3S. What Kdaard did la tha Choir, 38. ThU la ltl ae. Account for dlffaraaoaa between boya and girls, as. A half-atap abora do. 39. Slgaa Alpha —. SO. It atlaka. S3. Oat off yoar big— (abbrat) SS. Half-atap below ra. 34. Unlta. SO. Straaa ln tha air denota. SS. S of tbaaa nake a good hand. 40. Hy goodnaaa aakaal (Ab. ) 41. Tha aana H 43 i Toang aon'a lnltlala. of Dafaaaa Tranap. 44'. Offlea 48. Slrla go for nan with thia 47. Should be dona at top of Mountain 48. Booawata arary othar 80. neeeaaary pace between Eng. m Poster 51. A word aeny atndenta will learn to uae ere long. 53. Aaent. 84. What say? I 88. Oversized tonsils. (Ab. i 8a: Two nice tonsils. (PI. Abbr.) 60. This la the end. 66. Should be kept out of the panta. 66. More important than then. 67. It st lnks l aater, Persian prophet. 69. 70. Soon to be colored. 71. The hell with ltl Just put AQ. 72. Which era did you done break? A lady known as A clnb at 781 Wllllaa St. Association of grocers. Backward children. Thla la the Official Indestructible Argus. 83. A double eh, 85. Sang Chrlataaa carola. 86. Whlakey 87. Girls who tease- like thla faaclnate aen of al ages. 88. Poraerly. (Archaic) 89. Elicits "Tea, you" 75. 76. 78. 79. 82. . lattar 28 " " " .■ "They shot poor old Fido" "Was he mad?" "He wasn't very pleased about it." �GRADUATION NEEDN'T MARK THE END OF . * _ - . FRATERNALISM THE LOYAL ORDER OF MOOSE OFFERS THE SAME OPPORTUNITIES FOR FRIENDSHIP, BROTHERHOOD, AND CONVIVIALITY DURING POST-GRADUATION DAYS THAT COLLEGE FRATERNITIES PROVIDE FOR THE UNDERGRADUATE.. FOB FURTHER INFORMATION CALL SECRETARY RALTER HOLTZ GAr field 6658 MOOSE LODGE AND CLIB ROOMS 910 RAIN ST. - BUFFALO, N. Y. �\L Campus Interviews on Cigarette Tests Number 5.".the opossum ji J^B^i^BWBBBBBwk mM - - l" I" " '''' class clown went out on a limb and tried to prove cigarette mildness by the quick-trick method!He tried tbe fast puff and buff test— a whiff,a sniff— and they still left him up in the air! But then be got bis feet on the ground. He learned that there is a reliable way to discover bow mild a cigarette can be! And that test is THE .. .. The sensible test . the 30-Daj Camel Mildness Test which simply asks you to try Camels as a steady smoke— on a pack after pack, day after day basis. No snap judgments needed. After you've enjoyed Camels and only Camels for 30 Ai\\^ in your "T-Zone" (T for Throat, T for Taste), we believe you'll Avion; why ... More People Smoke Camels than any other tigarettel . .>s. msws\ J pes* (—*■. afa"**-i y^% 1W (T § ' Sn?3?^a#l*' «^ y 'j! »l ?, J J|^^r, fe^ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 argus-1950-10-16 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/16/1950 Extent The size or duration of the resource. Argus Vol. 4 No. 4 Argus Vol. 4 No. 4 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Argus student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 14:29:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/7/2009 Title A name given to the resource Argus, 1950-10-16; Vol. 4 No. 4 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/040265e8b626d843ab5c203f34652425.pdf d8bfa11be74e7cc9924f6f2773ce2d71 PDF Text Text I ■aafxsnuC ifsPOU^kj^^njtw WEDNESDAY, OCTOBER 25 FOOTBALL j THURSDAY, OCTOBER 26 THE INFORMER" MOVIES-1:30 Z-460 VOLUME 31 <*$m*- *» BUFFALO, N. Y., FRIDAY, OCTOBER 20, 1950 NILMBERS Jo Stafford Likes Folk Lore, Homecoming Plans Chancellor Will Attend Offers Cash Prizes To Students List Parade, Queen U.B.'s First Retailing Day And Football learn Next Wednesday at Norton su-« Singer Jo Stafford, long inter-' ested in the encouragement of the collection of American legends, perstitions and folk songs, is, for the third consecutive year, offering prizes of $125, $75, and $50 for college student collectionsof American folklore in the year 1950. Hector Lee, folklore professor at Chico State College, Chico, California, is chairman of the national committee that has been appointed by the American Folklore Society to conduct the contest. In publishable form, these student collections of folklore should be in Dr. Lee's hands before January 15, 1951. Theses and dissertations meeting the requirements are eligible. In addition to Chairman Lee, the committee includes Professors Samuel P. Bayard of Penn. State, Viola Garfield of the University of Washington, Mary Haas of the University of California, and Frances Gilmor of the University of Ari- This ■Wednesday, October 25, will The University of Buffalo ann.ark the first Retailing; Day to be nual Homecoming festivities are held at the University of Buffalo stated to take on vast proportions in Norton Union. The object Of this liny,will be mainly to present this year according- to Ed O'Reilly a situation) wherein it will be pos, chairman of the Homecoming Day sible for U.B. students to become : Committee. Here we go again with Alpha better acquainted with store execuI Mr. O'Reilly revealed that an Phi Omega's "Ugly Man Contest" tives of the Niagara frontier. I auto parade would precede the which will start Monday, October The day will start with individual conferences with representatives football game between the U.B. from several of the larger depart23rd. Bulls and Rhode Island State U. ment stores, for a period of two and that prizes would be awarded For the benefit of the uninform- hours beginning at 9:00 A.M. to the two organizations with the ed and the misinformed, the con- Prom 11:00 until 12:30, a lunchmost cars in their section. The test is run along these lines. First eon of all store representatives and "Cadillac Caravan" will assemble of all, any organization which is faculty members will be held. Among those faculty members atat Memorial Auditorium and pro- planning to enter a candidate tending will be Chancellor McConto ceed from there the Stadium. should have their notification and nell and Deans Beane, Puffer, SomO'Reilly emphasized that indipicture of their candidate in the mers and Macdonald. This luncheon viduals as well as organized a is being conducted by Miss Jennie groups should enter the parade APO mailbox today. JO STAFFORD advisory committee, Graham's with their automobiles to make Next week, voting on the ugliest which includes Miss Ruth diapin this a huge success. campus will be (Hengerers), Mr. Herbert Ullne zona. Along with the parade will be "Ugly Man" on the (A.M.&A.) and Mr. Bradley Fiske The rules are simple in that the the usual campus lovelies vieing held in the lobby of Norton Union. (Flint Kent). & judges request only that the colfor the distinction of being named Each vote for a candidate will cost Inthe afternoon, starting at 2:00, queen. The actual selection of the one penny, with the proceeds golections be gathered from primary the program will consist primarily regal beauty is to take place Satsources and be submitted as origiing to the APO Service Fund. of Panel Discussions by the repnal research. Manuscripts are to urday nite at the Homecoming This fund provides packages dur- resentatives of the stores. The topbe accompanied by letters setting dance. ing forth when, where, and how the the coming holiday season for ics of discussion will be Inrelation On Saturday afternoon between opportunities in Retailing material was collected, together third session of the Discus- the halves of the game the three needy families, and a party for a to the and there will be a speaker on each with a listing of scholarly assistiForum being conducted by the finalists in the Queen selections group of orphans at Christmas. functional division. Mr. Charles ance, suggestions, bibliographical be honored and introduced to Falo Chapter of the National As- will The winning,candidate, the one McCain (Hengerers) will discuss information, etc., supplied by the public. Personnel, Mr. J. M. Sanford (J.N'e) others. ation of Cost Accountants will Organizations wishing to enter with the greatest amount of monControl, and the diThe manuscripts are to be typeheld Thursday, October 26 at candidates for queen should get ap- ey, will lie presented with a hand- will deal with vision of Publicity will be handled any written on good quality paper, and member plication blanks from es Hall. The time for the meetsome trophy during the half time by Mr. White of Kleinlians. Epsilon Kappa (formerly double spaced. Winning entries will will be 7:00 o'clock and the of Phi ceremony, during which time the The concluding affair of the day become the property of the Amerieligible so be for the PEM'si as to can Folklore Society; other manu- subject "Development and Selling the popular election, of the three Homecoming Day Queen will also will be the Coffee Hour at which pouring will be done by Mrs. Pilfscripts will be returned only if of Meat," will be presented by Mr. finalists which will be held Friday, be crowned. er, Mrs. Beane, and Dean Macdonpostage is supplied. Send the man- Joseph. P. Healey of James V. Ve- October 27, in Norton Hall. week, get next So, let's all out ald. uscripts to: Estimates as to the number of virit and Associates, industrial demay the best, or the Among those who have taken Dr. Hector Lee cars that will appear should also and vote and signers. part in arranging this event have man win. ugliest, campus by organizations. be made Chico c/o State College been the Publicity, Hospitality, This forum, presented annually by Chico, California Luncheon, and Property Committhe NACA as a service to its memtees, and they are to be commendbers, is open to students of the ed for their efficient arranging. University who are majoring In Business Administration. At present, the membership is in excess of 27,000 and although cost accountNewest addition to the bright' >it that Bhe Bings soprano in her ing constitutes the most important corner of NU reigned over by our church choir. At 3:30 P.M. (A.M. too!)) everyHer interests vary from bowling body needs a pick-me-up! And Nor- past problem, the forum" also pre- smiling Program Co-ordinator is Ruth MacMurray Gray. Those tennis and horseback riding to ton Union offers a good one In the sents its membership with various Miss of you who bother to round the the spectator sports of baseball, ""The Pan' Hellenic Council has form of Coffee and Donuts this problems of industrial pose of dev- corner on the second floor of the basketball and hockey. (Any mem- announced that preferential bidvery afternoon in the west room eloping a better understanding of union have probably seen the ber of the Sportman's Club inter- ding will take place, Friday Octoof the Union. brown-eyed blonde behind her ested in a soul mate?) Also, her Miss Dottie Haas, director of the true nature and value of ac- desk, typing industriously, or more kilidheartedness is manifested in ber 27, from 11 A. M. to 3 P. M. the Union has extended her per- counting; to study and improve likely, exchanging reparte with that she collects dogs stray ones In Dean McDonald's office. The silence period will extend from 8 sonal invitations to those few ico- technical methods and to establish Rog Me Neill or one of the other but not all kinds just cocker A. M. to 3 T. M. During the rinoclasts who have as yet not sound general principals; to hangers spaniels. about. study habitual lence period, the rushee is not to taken advantage of this weekly Ruth, as she is familiarly And dogs are not the only thing the relation of the accounting dewith any other student on phenomenom. known, graduated this fall from she discriminates in,; she drinks talk campus. This will require the the partment to the other departments guzzler's This informal session the dim depths of the Registrar's the champagne of ginger ales co-operation of all sorority and industry business, rapidly has become one of a grow- of and and to Office in Hayes to take over the Canada Dry; the champagne of fraternity members, as well as all ing list of U.B. traditions and from develop the most effective means job of Mimeograph Superintendent beers Miller's High Life, and the upper classmen. the looks of the collegians in at- of supplying usable information to and Ass't to the Program Co-ord- champagne of all drinks chamThe reason for this change from tendance, it is here to jtay. these departments; to supply its inator, formerly held by Beth Cas- pagne. 30, the to the 27 is to make It Many of you remember her bro- possible Why don't you come along next members with information on the sidy, who deserted for the better for the KVeshmen to atup-to-date methods and as- or worse estate of marriage. most ther, Gray, Daniel H. who was one week? It's free! Bring a friend tend the annual Home Coming solving sist them In you're their indiviJack Keller remarks'* that she of you happen while at it. If the best lecturers in economics football gam* and dance, a big to be friendless, come anywav, you dual problems. is a consistently sharp dresser, and ever to hit ÜB. He is now attend- day for I'.lt. ' Chapter The Buffalo piece of the NA wears a one royal ing blue MIT on a fellowship working may meet one. Remember bidding, Friday, Oct. OA, with a membership of 380 bathing suit. All of which proves tor his doctorate. 21 in Dean McDonald's office. I men, provides its members with a that Jack's interest in her, as has All who have come in contact I Last week for Senior Bufseries of monthly meetings, a dis- been rumored, is beyond the field with her will agree that Kuth -1 falonian pictures. Photographs cussion forum program, social af- of publicity. is a real addition to Norton, both FRESHMAN Born in Rochester, N. Y., in as decoration and as a mighty are taken daily between 9:00 fairs, plant visitations, a month by Friday, Gray Oct. newsletter, and an opportunity to 1923; Miss attended School competent worker, and hope that Committee Meeting A.M. and 6:30 P.M. participate in other special activi- 22, Bennett, aad Central Park her stay at Norton will be long 27 is absolutely the last day. TODAY 330 ties. Business School. Also, rumor has and successful. Ugly Man Contest To Start Monday Accounting Forum Issues Invitation To Next Meeting 1 !he Coffee Hour Today At Norton Blonde Collects Spaniels And Works at Norton, Too Bidding Dates Are Changed By Pan Hell — — — — — — - �PAGE TWO THE Mortar and Jlroalat.or SUOO Friday, October 20, 1950 BEE BUFFALO "a********************** N. E. BODY'S I Leonardo's Column COLUMN X Subscription tl.m) Per Ye.t i Km""mi «"■ riats mutter December 13. IOM, (It the Tom Offire of 8uffR.lt. \ \ under the mi oi March S, is~*#. Acceptance for mulling tit «pecUti rule of poMtajte provided for In Section 111)2. Act of October 3. 1017, "iiittmri7.il Irccfinhrr 1" IBM isHniii) Pestle FRIDAY, OCTOBER 20 PIZZA { ** \ I* J should have a column SERVED IN THE GROTTO to tell you what gives at Norself-respecting every ton when TIBINQ BY MfHSINTID FOB NATION**- ADVKR Member By student bus a N.U, Calender, I Inc. AdvertisingService, National /'miliilim ftssocialed CoUe6iafe Press w don't know. But, since the BEE Kmrtittilaltv N. Y. Allan Smith ColUf The SAN's were relieved to note given us space to fill and even new York. 420 madibon avi. has Distributor of . that Art Yeates has given up his r-c.co ■ bostos Lo. ABaitts s«» f»«bcisco spelling, goes. here suite at the Erie County Jail. He The following are instructor and corrects the Every Tuesday gives dancing in- was welcomed back to the fold with professor promotions: H. M. Beal, Puhllnition office Norton Hull. Unl May excflpt during Examination Perl Thanksgiving. ramus Campus. Hn-ffalo 14 N V ..ds. Christmas and to full-time instructor in Phar- .slruction Learn to dance and be the strains of "If Ihad the wings Published weekly from September to F.aater. macy; Dr. H. K. Iwamoto, added popular, charming and broke. of an angel." EXECl"TIVK BOARD as Assistant Professor of Pharma- Home-grown football movies on Alpha Sig with their old standLover, Donald 0. Aria '61 Editor-in-Chief Kenneth J. Knepflar, Arts '52 Managing Editor cology; Dr. L. C. Keagle to Assist- Wednesday are followed by Holly- bys: Lever, Olans, Schultz and , Richard 0 Wallace. Art* '62 News Editor ant Dean; O. Shomsky, appointed wood competition on Thursday. If Wangler, downed their beers and, , Dolore. H. Jarecke, Hub. Ad. '62 Business Manager to Instructor in Pharmacy; E. K. you've Frits P. Shelgren. Hub. Ad. '62 Sports Editor had a hard day at the card at the same time, BXE in a chugRusch, to Assistant Professor of (or even classes) and it's a-lug race at the Grotto on MonGOVERNING BOARD table Joanne Hanna. Arte *52 Feature Editor Pharmacognosy; Dr. Moe. added Friday, there is "Coffee Hour" day. Youth will try to win over ; Arte Copy Eileen Cocker. '52 .' Editor from 3:00 on. A cup o' "moke" and experience on Friday when the InWilliam J. Patterson, Bus. Ad. '61 Advertising Manager to Intructor in Inorganic. Roger McNeill, Hue. Ad. '52 Circulation Manager dependent Freshmen take a stab There seemed to be no major a kruJler for free , Asalatant Copy Editor Lee Olno. Arts '62 out chug-a-lugging the present Bud Jung. Arte '5J from Accrediting Saturday, University Manager criticism the On the of at ...Accounts cup-holders. Robert B. Murray, ArtH "52 Files Edi'tor Board present last week. Official games. Buffalo has football AlNEWS STAFF Len Swagler was seen in the lfarleen B»ngfl. Bill Isrownjohn. Doug Campbell, Joyce Campbell, Lynn Cocker. results won't be known until Feb- though students seldom come to ruary. I'nrol Rosenbaoh, Jean Zacney, Judith Rnsner. Doesn't them, watch the team continues Grotto as usual Friday FEATURE STAFF to play, hoping for just one feeble he ever go home? year The enrollment this in Walter tlmlehaw, Robert Lncwrer. Alliin Smith, starve Smith, Bajril Scofidlo, The N.U. Open House was a Pharmacy School Is 316, last year cheer from the deserted stands. Jolln Wallaoa, John Dillittera 322. The number admitted each SPORTS STAFF If you have nothing better to do rousing success Bob l>oll. Ken Pye, Jim Bpanoar, Bob Babbit. year was dropped from 200 to 85. Saturday, the 28th, why not go to succeeded in swiping approximately COPY STAFF Last year 420 sought admission. the U.B. Rhode Island game? two grand from Frank Marrisolo Norma Bnqufst, Irene Lukasiewicz, Botty McKenlca. Dorla Young, Sylvia ZasowBkl. Jeanne McEnan, Boh (liana. Skip Llotti, Bud Jung, Donna Vaiiilcrhelileu. Beta Phi Sigma will hold its It's HOMECOMING DAY, you at the Roulette wheel while Chuck I'IKf'I'I ATION STAFF Annual Fall iDance Octoberi 27, know. (For the benefit of fresh- Pugh plucked a sizeable sum out Bon Isn.tcke. Aseistant Circulation Maniii.Tr; Ann Williamson, John I»elettera, 1950, at the George Lamm Post, men and those who are here for of the pocket of Chairman Lupton Hill Ron;,n Donna Vanderheiden's Wherle Drive at Union Road. It's an education; Homecoming Day himself. A1>VERTISTNG STAFF O.Mrald Fox. Jnck Patlerson, Al Tialuck. informal from nine to one and is that day upon which denizens turtles looked like they need a trip to the Grotto more than any of our RKHitlTB STAFF tickets may be obtained from any of Universitatus Sigillum Buffalo- local Dottla Ambrosia, Bob Schnabel, Don Welsnet. lushwells. Howie Daly sucnensis, parade down Main Street, member for $1.80. attend the football game, go to ceeded in making out with one Jan Everingham who, under the influthe Homecoming Dance and get questionable quantities of potted. All in all, a very quaint ence of whiskey sours and stingers promcustom.) ised to do her famous rendition of em the Dirty Boogie for him at a more appropriate time. That same night Occasionally, from our vantage point of the steps of Norton Listen, my children, and you shall found Lou Buboltz the most popuhear. Union, we can see small groups of people traipsing around the lar person at the Theta Chi party About a special time of year. she was the only one who knew campus. They seem to be following a leader and studying the The gal's talk may be Benseless Pre-viewing "The Glass Men- the last verse of every song. various phenomena, biological, geological and so forth that is the whole year round, agerie" last Saturday, I went there The Alfred game and ensuing exhibited on the campus. At least that is what our informants But when rushing arrives this is with an unprejudiced point of parties were scenes of much mayhow they sound. view, but was accompanied by hem. Jack "Halleluia" Magrino would have us believe. somebody who had seen the oriand company gave the Salt and "Oh, I say Margie, have you met ginal version with Laurette Taylor Peppers a lot of competition We have a few questions to ask: Can these various classes Jane? with Dowling. Not knowing cheers they dragged get all of the information that they need for their studies on up from unYou say you haven't that's and Eddie play Tennessee Williams' has the known sources. At the A Sig the campus itself? If not then where do they have to go to quite a shame." distinct advantage that you can party, George Henfling was seen "You know that blonde with the approach something story the as they find further data? If do have to leave the campus how blushing and flapping his ears in twelve room house? rhythm to the risque songs of do they get to where they are going. She's ugly as hell but quite a new. However, when, viewing the MaxineH! Don Brown lost his souse. movie, one is constantly aware fraternity pin and has been spendWe also have the answers to these questono. First of all, in presence of Williams' orig- ing the week casting glances at all the majority of instances they cannot get all of the information She can drink any man under the of the table— inal script and also of the benign the sweater-clad figures on campus campus. they that need on Secondly the maximum radius that And thinking of drinking,have you presence of Laurette Taylor, in hopes of recovering it. they travel from the university is about forty miles. Lastly, met Mable? somewhere in the background who With the brothers of Beta Chi, the transportation is provided by members of the class in their She hit the last fraternity party made the stage version the one- we found Rog Richards and Andy Came with Joe and went home woman success that it was. Th9 Hilton solemnly sipping milk. private vehicles and is paid for by the student on a pro-rata movie, though, was intriguing The with Artie. Beef Staff takes this time to » enough to prompt me to read the wish them a speedy recovery. basis. Jim "And remember the red-head that play, and only now Irealize what Hyland spent the evening keeping Now we ask why this condition must exist. If it is necessary knew every song, Hollywood did to Tennessee Wil- his luscious morsel from the Never done right but she never to the completion of the course that field trips be taken then liams. clutches of overly friendly brothers. done wrong!" While I Can easily visualize the why does the University not make some provisions for trans- Oh, hello, Gwendolyn, see you toBenny Sultz, famous for getting play as a light, fragile, illuslonary lost on the X-Country court, night— has portation? It would seem that busses could be acquired at great thing stage, on the I have just purchased a pedometer. Better We don't want her her sweater's seeing a nominal fee and that some graduate members of the various difficulties in Jt as that it should have been a compass. too tight." kind of play for the screen with- (Thank you, Harry Cohen.) departments could be assigned as qualified drivers. Now, just one word on how the out going into rather sophisticated Remember October 20 is a big abstractions, which would go over day at the Under this system the problems of insurance and of costs gals choose Grotto. It's Friday. you give the secret, so you big at the Art Cinema in N. Y. C, See you thereafter the Coffee Hour. could be cared for under the finances of the University rather We'll just can't lose. but which would be hailed with than imposing the risks and costs on the students taking part It all depends on standards or horror in the provinces. No doubt. Hollywood tried to walk the midin those courses. taste. Perhaps on your bridge game or dle path, and even injected a note Given even your waist. of optimism into the ending, which Murray the more realistic Tennessee By Some like the wholesome type, Williams so wisely left out. But cute, others the Father Murray, Catholic stueven more disturbing than the Once in a while, not very often, we find that some of the re- Some demand money and brains "happy" end are the quasi dents' advisor, announces that humorforms that »t advocate in these columns are effected. When to bootthree non-credited courses will be ous and sometimes nearly slapthis happens we feel that we should give credit to the powers So don't worry gals, if you have stick interludes that in typical offered at Newman Hall to all pefection students interested. A schedule of Hollywood fashion have been inthat made the reformations. Without a doubt, you'll get your serted to give classes is as follows: comic relief. Monday, 3:30 P.M.— The Church Two weeks ago we pointed out the fact that there was a selection. With the clear intent of the proand Sacred Scripture. conflict between the "silence period" imposed by the Panducers not to make the screen verThursday, 3:30 P.M.— Marriage silence period from 8:30 A.M. to sion Into a carbon copy of its and Family Problems. Hellinic council on the rushees, and the Homecoming day 5:30 P.M. on Friday October 2.7. much praised sister from BroadFriday, 3:30 P.M.— General Ethfestivities. It seems that the various fac- way, they have succeeded in makics and Moral Problems. tions in Norton Union can live in this a well-acted movie which, Any student desirous of taking We are pleased to note that a change has been instituted harmony. Jt is a great gesture on ing though leaving much to be de- these courses is welcome to drop whereby the rushees are able to attend the homecoming day the part of the Pan-Hellenic sired, still is an interesting film in at Newman Hall, 15 University game,dance and etc. This has been accomplished by moving the council and we wish to give them and will be the source of many- Avenue, on the days that the classes all the credit that is due them. discussions. . Why we just *£ GROTTO GAYETIES ■ ">b Golle6iaieDiftest — ... . 1 — — — — EDITORIAL Let Ride POEM CORNER Can U BEEt It? — — — ... — — — — — — Catholic Courses To Be Dr. Thanks To Pan Hell — are scheduled. — �Friday, October 20, 1950 THE Fencing Class Starts Thursday Freshman Facts BY 808 TOFFOLO This week's question: What do you think about the of freshmen wearing dinks? Coach Sidney Schwartz announ- idea Paul Archambeau: "A good thing, ces the formation of a beginners if everyone else would wear class in fencing to start Thursthem. Next year the idea should be enforced." day, October 26, 1960, 7:00 P.M. Practice will be held every Thurs- Ed Weisenheimer: "Wearing dinks is a good idea next year." day night in the fencing room, Carol Rea: "I think it's a swell Gymnasium, Clark and all male idea because it promotes school students are invited to try out. spirit on and off campus." There is no experience necessary Hessa Sagenkahn: "Fine thing very clever but don't tell anyone I for aspirants to the varsity fen- haven't worn one since Orientacing team. Coach Schwartz andhis tion Week." staff will teach all the needed fun- Merwin Climan: 'The only way wearing: a little cap on my head damentals. You need not be a affects me is to make my head strong man to fence, all you need is physical fitness and a willing- slightly warmer." "They're all ness to learn. Size and weight Toscia Winiarski: if one would wear riprht every sport. no advantage have in this them." There are a few openings on the Joseph Mattlna: "Well, it all defencing varsity team for this year on how you look at it. In pends beginners, may and a few of these make the team. Freshmen are all invited to attend at this time with the possibility of forming a Fresh- — — man team. Fencing, in addition to offering a swell form of relaxation and body building, is fun. The team this year will travel to Toronto, Cornell, Syracuse and Illinois. During the 1951-52 season they will travel to Michigan State, Detroit and Cleveland. Come out, come on out you aspirants who handle the sword and try it; you may be the one to make these swell trips. GUSTAV A. — FRISCH JEWELERS OPTICIANS 41 KENMORE AVENUE (at University Plaza) Diamonds, Watches, Jewelry Use Our Convenient Credit Plan other words 'No comment' ". Column's opinion: Most of the freshmen aren't wearing their dinks even though many say they are not against them. So their purpose whatever it may be is destroyed. And therefore unless all freshmen do cooperate there is no sense in forcing a few to wear them through the action of the sophomore court. Next week's question: What do you think of the freshman supporting a Home-Coming Queen as a class? 3 date, for the purpose of this dance, as indicated in its name, is to bring the students together, to meet new students, and really get acquainted. Stags are, therefore, happily included. Miss Mary Lou Houck, vice president of the Newman Club, is head of the committee in charge of the dance. The admission is 75 cents a head, and this price includes a warranty of a good time. Remember that's 0:00 p.m. on Saturday " Oct. 21st, at the Norton Union ballroom. a Newman Dance Tomorrow Nile The Newman Club of the University of Buffalo is holding its annual "Get Acquainted" Dance in Norton Union this Saturday, Oct. 21st, at 9:00 p.m. The melodious mode will be set by Joey Wolfe and his orchestra. 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We believe that you, too, will agree Philip Morris is, indeed, America's FINEST Cigarette! ... 11 I [ Arrow Sports Shirts For all-round campus wear ... best choice is an Arrow. They're made to fit comfortably longrugged wear. Corduroys, and to give gabardines, colorful checks and plaids ... all washable!See Arrow dealer. ) / you \ I your »3.95 t» »I0 ." ARROW SHIRTS & TIES jj NO CIGARETTE HANGOVER means MORE SMOKING PLEASURE! §z PHILIPMORRIS �PAGE FOUR THE BULL TALES its share of pigskin, thrills. Indeed, BUFFALO U.B. Golfers Win Buffalo Meets Brooklyn U. Over Ontario At Civic Stadium Tomorrow it was well worth watching, but then too, were the Bill-Brown battles of another era. The only difference between the two is about 30,000 paying customers. There's an old saying in golfing A diagnosis of this situation is a one. simple What Buffalo needs circles to the effect that when the By Fritz Shelffren is the material and strategists who wind blows the men are separated They shoulda stood in bed. It could meet the demands of a boys. The wind blew at was hardly worth the time and ef- tougher schedule. The Bulls at from the fort expended by the two elevens present do not have the depth Guelpb, Ontario, last Friday but who conducted their hostilities in necessary to meet a more arduous Mai Eiken's operatives were men semi-privacy, of the :i.snn spec- slate and it is doubtful that there enough to bring home a 13% -4% tators that were present at the will be much improvement come victory over the Ontario AgriculAlfred-Buffalo fool ball game it is next autumn when the Bulls will doubtful that 800 paid cold cash l.ii e sin li opponents as Lafayette, tural College. A forty-mile an hour gale swept the course throughfor admittance, Lehigh and the like. In older for football to be a payThere were a few raucous fans out the match and caused several ■ ralle amount of coning proposition it is necessary for in attendance Saturday night who men a coi many mine than see (Ins II. Fans chanted. "We want Clair." It may sternation, ach i stated that to pay cash for the privilege of be well to poini ou| at this .junctlie course was a1 leas! six shots ah ture hlng grid (rai v. a as. hi Buffalo thai the failure of the Bulls ould be under nor"<1 attendance is dependent to impress to date is not solely harder thai il primarily on a winning team and the result of the Inadequacies of mal conditi : i :n Finek toi a high i aliber of play. Willi the the i oachinj staff but the overall Buffalo Bills gone thi j now have of the team in adjust it.■ll as winning three a and strains neither. True the Bull-Saxon af- ilself to the ith an 80. fail was productive (if mere than of modi in day football. An obi . i off the lack of manpower is the under- Pi . Jack Hanna was paci lying factor. This institution i fo O AC with an ST. Par for no longer rely on the generosity tlow the (>,2.",1 yard Cutten Fields layof Uncle Sam tor a supply of ca- i mil is 35 37-72. pable men hut must realize that The Bulls' next match will be in this day you have to go get '. Monday when they tee-off against AND GREENHOUSE them, hearing in mind that it takes t the Purple Eagles of Niagara U. (KATHLEEN MADDEN) more than eleven men and a i at Transit Valley. Dial PA 9696 good coaching staff to have a ■ ■ THE FLORETTE FLOWER SHOPPE ORCHID CORSAGES — j winning campaign. $1.89 — Discounts on Both N.U. and N.S.A. Cards WE DELIVER 3236 MAIN ST. (opp. U. B.) BUFFALO 14, N .Y. There will be a BEE meeting Wednesday, October 25, 1950, for all members and those who Iare interested in becoming memI Ibers. VERSATILE PAIR FOR WEAR EVERYWHERE M~- |r^ traditionally ? > Niirii'liiill < mVmt $ Ar\ L^"^^"*"* I \Z\y I BUSINESS " SPORTSWEAR " WEEfcEND.NG EVENING i j PERMANENTLY MOTHPROOFED Surretwill Suits i Though I .B. had four runners in the first five, they didn't their fiftli man until Lou Pozarny rolled in at the number twelve spot. Don Will, i and Jerry Saltarelli finished 16th and 17lh to round out the rest- of U.B.'s team. The results are as follows: U.B. Jack Traugott 1 Ken Plumb 2 Jerry Repetski 4 "Welly" LegterB 5 Lou Pozarny 12 NIAGARA Al Zielonka— 3 Damick 6 Conlin 7 Moore 8 Ferguson 9 — — — — ' ) 3203 MAIN STREET While You Wait )j Repaired i The IMS.. Radio Playhouse in- ) vites prospective members to ) attend regular meetings every ) Wednesday at 4:30. Script read- ) ings and recordings will be ) made. Election of officers, Oc- ) ) tober IS. not using enough Angostura* in thcOldFashioneds!" _ "°" <"'h' AMHERST DINER FULL COURSE DINNERS \jOntrasTtnp j^^,,, g,*^ $1395 ■ Nick's Shoe Repair "Obvious!He was murderedfor $ ski, who i i no of his giate j rs in Ihe s] ort. Next, in U.B.'s a 300 and "Welly" Legters ' Dami I i without mak- 808 BABBITT (?i j y Repel The second round of intramural The U.B. close the doors touchfootball and speedball was on a very netmen successful season last again won by the weather. Unless Saturday by handing McMaster the usual elements prevail, both Ontario a 9-0 whitewash. leagues will have started by press ofIt was win number fifteen in a time with the results published row for the Bulls. Hearty congratnext week with team standings. ulations are in order for the team only games In the played last fine coach Bill Sanford week, BXE ran over the Theta and its splendid record estabwith the 12-,'! by CJii's a score as BXE year. employed all available men. The lished this past One of the U.B. stalwarts, Bill Theta ("his, however, showed good Kullman, was chosen as team cappromise and a hard running attack. for the 1851 season. Bill Is a SAN turned speed merchants and tain fine choice for the position due outran and passed the Beta Sigma no) only in bis fine personality and Psi by a H' -li score. Highlight ei' the game was a 40-yard kickoff sportsmanship but because of his admirable record. In the singles by Bernie Thorn. department Bill has fourteen wins The ether two teams which will and four comprise the Fraternity speedball also 1ms losses lo his credit. He fifteen wins and one loss leagues will lie run at -1: m in i lie doubles affairs. The Campus touchfootball league Jim'Hodan, the ball rollis new formed with the Engineer- ing for* {-.];.started last Saturday by ing school showing the most inwhitewashing Bob Adams of terest. They have a team entered McMaster with a set score of 6-0, (Continued on Page 6) 6 ». : H H ■ i Intramural Sports Bull Tennis Team Wins 15 Straight tine Rose Brothers manner from an exclusive, allwool fabric by Pacific Mills that looksami feels like gabardine.Don't cut classes, but get yours soon! - Kingsmen. will enter his second ~'V^ for any campus man! ■ ■! eleven invades Western New York for the second time this year when the Kingsmen clash with Jimmie Wilson's Wing-T Bulls in Civic stadium tomorrow afternoon at 2:15. The Kingsmen were dumped by Niagara in the Purple Eagles home opener to the tune of 34-0. Buffalo and Brooklyn have never before met on the gridiron. The U.B. Bulls are favored to down (lie hopeless T>i ooklyneers who were walloped by Hugh Devore's Improving N'.Y.U. team last week. , ji'iA which, has hamd the Blu ' Wave this year may '.<■" p Al Zwolinski, Ray Wescr and ( as ; backfield itai .-, from seeing action. All h i,... | n addition Matty Perrintio, defensive ace, who sat the entire Alfr d tussle may nol be ready. UVsi t and Kama are impo . Ible to replace offensively since they are bhe backbone of the ball toting corps. Kiinia who won the Bee Trophy as the outstanding freshman athlete of 1949, has not failed to impress fans and coaches alike with his slam-bang style of play. Without Zwolinski and Ferrintlo the line backing department suffered last week. Russ Gugino, 197 pound tackle has had an ailing leg ever since he played a great game at the Cortland opener. If these men are ready to go, and Dr. Tom Marriott, team physician, thinks they may be, U.B. might really trounce the Brooklyn a wrestling enthusiast, ' V The minor sports continued their dominance over Niagara University as the cross-country team beat Niagara, at Niagara, 24 to 33. Jack Traugott led the way and finished 5 seconds in front of Ken ib in I of 23:10. \ eteran ." : lie lonka w ; the '■ i! Niagi Bev 3: His — — — year of wrestling for U.B. in Among his other December. athletic abilities, George includes pole vaulting, which he won for the Blue and White last year, as well as bicycle and stock car racing. George, a member of BXE fraternity, should maintain a prominent place in the U.B. Sports Spotlight during the next three Is "'SMM U.B. X-Country Men Down Niagara U. — years. Definitely the smartest wardrobe investment i> Ted Rosenquit's Brooklyn College — received word Tuesday that he is the winner of the Kleinhans Football - Popularity Poll of the U.B. Niagara game. George, a sophomore at U.8., playing his first year of college football, has received excellent publicity as a result of his reckless and carefree playing thus far. George t»j| HARMONIZING George Vrsetti, defensive halfback on the U.B. football team, Also Surretwill suit Friday, October 20, 1950 BEE IN BUFFALO SEE SURRETWILL AT AROMATIC BITTERS MAKES BETTER DRINKS JACOBI BROS, and MOREY'S 'There are many Icindi el Old Faihitmrds, but every one's better when you're generous with the Angostura. And u-hnt zett and flavor Angoituraaddi to taunt and laludt! "WHEAT CAKES ANYTIME" SPECIAL DINNERS DAILY FOR 75c 38 KENMORE AVE. (near University Plaza) �Friday, October 20, 1950 THE Ted Boron Paces U.B. Baby Balls To Handy 27-13 Win Over Alfred The Baby Bulls, the University into U.B. territory, scores on a 12 of Buffalo's freshman football yard pass. Their P.A.T. is not team, scored a smashing victory over a hard playing Alfred eleven, last Saturday, at Alfred New York. The 27-13 victory was the Baby Bull's first victory in two starts. In the opening Quarter, Alfred's kick rolled over the U.B. goal making it first and ten on their twenty yard line. On the first play of the game, Teddy Boron, at tailback, scores a T. D. on a sensational SO yard run. The P.A.T. is no good, and U.B. leads own G-0. In the second good. Soon after the kickoff, an alert Alfred back intercepts a U.B. pass and advances to the U.B. 25 yard line. An Alfred pass is completed to the U.B. 12, where their ground attack smashes to the three yard line. The Baby IJulls' resistance stiffens and the Saxons are held for three goalline plays until the half ends. 1n the second half, t!ie Baby Bulls score a safety as Bill Johnson tackles a would-be Alfred passer behind the goalline. This giving the Baby Bulls a decisive edge, 14-6. Teddy Boron sets up a third U.B. score by advancing the ball from the Alfred 40, to the Alfred quarter, an atAlfred is intercepted on the U.B. 45 yard line by Ray Chamberlin, who runs 35 yards for a tally. Again the P.A.T. is not good, and the score stands U.B. 13, Alfred 0. IS on a pass. Andy Podlucky Alfred, slowly moving the ball gathers in a pass to score for the tempted pass by yfi^S V:^^ fcl i^lßLr^Jr *Ji BUFFALO BEE 5 The P.A.T. is no good, must be mentioned. Andy Podlucky, at end, played superb ball and U.B. leads 20-6. Walsh intercepts a Saxon pass, and Rained 113 yards on three later in the game, to run 25 yards ! passes. Teddy Boron made a 10.9 for a touchdown. The P.A.T. is yard average on each attempt. good, and U.B. pushes their lead Wlllard (lipped excellent passes, completing l-i out of 20. Chamberup to 27-6. lin, Knott, Walsh ami Bteele tally Alfred's final comes in the played excellent ball, Steele perlast quarter, when Alfred recovers forming particularly well on dea U.B. Fumble on the U.B. 32 yard fense. Tony Coppola stopped a posline. Alfred goes the distance (or sible Alfred score when he Intera score. Their P.A.T. is good, and cepted a Saxon pass on his own Alfred jacks the score up to 27- j ten yard line. 13 where it remains for the rest of| The statistics are as follows: the game. Yards gained rushing. U.B. 162, The B*aby Bulls played top notch Alfred 160. ball with the exception of some Yards gained passing. U.B, ISS, minor blocking and tackling difAlfred 97. ficulties. Almost all of the players Punts (average in yards) U.B. 25, saw action and were distinguished, bill some of their acts i Alfred 37. First downs. U.B. 13, Alfred 10. Baby Bulls. PLAZA SHOE REPAIR N.S.A. CARDS HONORED AM 9377, 52 University Plaza — LEARN TO DANCE — TANGO — Passes attempted. I'M. 20. Alfred 1% I'ansun completed. U.B. 14, Alfred r.. s in-'l . ;ill kicks returned! U.B. 1)7, t Alfred 139, Interceptions. U.B. :!. Alfred 2. Fumbles. U.B. I. Alfred 3 Penalties (in yards) U.B. 'i.',. fred 2". « This Saturday, :u 2:00 p.m. the Baby nulls meet the Statesman of llobart at Geneva, New York. IFRATERNITIES, SORORITIES, ORGANIZATIONS! I MONOGRAMMEO CARDIGANS \ T SHIRTS and SWEAT SHIRTS ( GIVEN INDIVIDUALATTENTION ) WHOLESALE PRICES ) Call PA 0447 (after 6:00 P.M.) — — PRIVATE INSTRUCTION FOX TROT WALTZ SAMBA RHUMBA MAMBO— BATON TWIRLING— TAP— BALLET— ACROBATICS ADELAIDE'S DANCE STUDIO 95 IVYHURST ROAD Al- PA 7202 l^^\j^^l' EGGERTSVILLE PHOTOS TAKEN �THE 6 Economics Students Special Price To Stump Professors To See "Hamlet" In Club Quiz Show For U.B. Students The first meeting this semester of the Economics Club will be held Tuesday, October 24 at 7:30 P.M. in Norton Union Card Room. At this time there will be a general organizational meeting and an election of officers for the first semester. Following this meeting, at 8:00 P.M., there will be a quiz program in the general field of economics. Questions will parallel those of the radio quizshows and will cover both fact and theory in all relevant fields. Any and all students are urged to attend this meeting and also to submit any questions (together with answers). They may be submitted to Mr. Collery in the Business As. Office, his office C340, or to your present economic instructor. The panel of experts will consist of Drs. Sumner, Hamovitch, Shister and Epstein. The qi'iz-master will be Dean Somers. Here is a chance for all business and economic students to see the "orals reversed." This occasion presents to the students the opportunity for a beneficial and highly enjoyable time. These questions may be in any field of economics, history, theory, etc. They should be paralleled along the lines of popular quiz shows. Example: "Who said this," etc. Questions must be of such a nature that they can be answered in a short and exact manner. Answers must be submitted with questions. The deadline for questions will be Saturday, October 21 at noon for faculty and students. Through the the 1 to offer to the students reduced rates to the complete original version, of the film Hamlet. The matinee prices up to 6:00 P.M. will be 25c and the evening performance, 50c tax included. These same prices are effective on Saturdays and Sundays when, the price changes at 2:30 P.M.These student tickets are available at the Union Office and I would appreciate it if you would include some kind of a notice in The Bee concerning this movie. The film begins Wednesday, October 18th. Faculty members may also avail themselves of this opportunity. HERE AND THERE The Bulls had best watch out for the Ohio University eleven that to date has lost but one contest, a 28-2 decision to a strong Illinois team. Ohio submerged Western Reserve 35-0 Saturday... The 695 yard fifteenth hole at the Cutten Fields golf course presented more than its share of difficulty to the University of Buffalo golfers last Friday. With the wind directly in their face most of the boys were lucky to get off with a bogey. Not so Bob Smith, who required 12 shots to negotiate the distance. Mai Eiken used eight Credo Club Goes Waikiki MAIN ST., at THE PLAZA (-jifts and i^-aras N.S.A. CARDS HONORED the . will^ 42 UNIVERSITY PLAZA Junior and Misses Apparel N.S.A. CARDS HONORED \ *** f3Kmmt& sear your memory .- t ... J not a stitch in sight OL.f(,J H@^ UWAYRES lOUIS WOIHEIM JZ~, MERCURY THEATRE 565 MAIN STREET ; SOME CHICK! I AND WE MEAN I DO "VANJHICK" FEEL SMART and CLEAN-CUT AS A FRESH SHAVE. So Choose from a Wide Selection of Whites and Colors I ' _ AT THE Plaza Men's Shop 41 UNIVERSITY PLAZA (opposite U. Of B.) N.S.A. Member L£_fflp_iLj Jl hBL on the new | Van Chick ' e stl'rt w'^ e secret st tches It's what you don't see that's the sensation. Not a stitch to be seen on the wide-spread collar, cuffs or down the clean-cut button front. In white, colors, guaranteednot to shrink out and novelty weaves of size. $3.95 ... "the world'ssmartest" ■ ... . | °VanHeusen h. I 4) Chest organized school. The Bus. Ad. School, the only organization to have entered drives and there is none that de- aFrosh team as did the Pharmacy Prosh serves more praise than that of in the past. This was a surprise the students of Sigma Alpha Mu, as the Pharmacy school has usually who are busy receiving calls from showed more interest. all over Buffalo, for. their"DlaperThe Fraternity League has 11 squatting" service. This fraternity came up with the recommendable teams ready to get under way when weather breaks. idea to turn over their free time theOfficials are still needed by Prof. to the community chest. Any reader of this column is invited Tom Neill who may be contacted in Room 202 in the gym. to call RI 8516 and a handsome member of the Sammies will turn up for an evening of baby-sitting. All fees will be donated to the Community Chest. The college baby sitters like plenty of food, a good television program and do NOT stipulate that the babies have to be under 17 years of age. Community LEONARDO'S (GROTTO) On ANNE HARTMAN With Campaign in full swing various organizations have their private EVERY FRIDAY AFTERNOON MEET THE GANG AT events, event of the day for the thirtieth will be the "Choral Pop Concert." It's a "must" on the musical calendar, and everyone who attends is assured of a half hour of beautiful musical arrangements, which will long be remembered. Fellow music lovers, see you there! (Continued blows on the same hole ..Rumor has it that there are four games to be added to the Buffalo basketball schedule for the 50-51 court campaign,pending on action by the Athletic Council. Siena, Brooklyn College, New Britain State Teachers and Connecticut State are all under consideration. If scheduled all will be road games. LAST 3 DAYS THE MOST POWERFUL FILM ,4 EVER MADE. .It U.B. Choral Ensemble To Give Pop Concert body. So, the Baby Sitting Sammies Intramural Sports from Page Aid Community Chest from each class showing us a well Does the famous beach at Waikiki stir up visions of voluptuous maidens lolling in the shade of stately palms? Does the mere mention of the word "Hawaii" conjuure in your imagination the spectre of lovely maids dancing the hula by the light of a beach fire? Do you believe that the Hawaiian Islands are a romantic land full of the culminations of the destinies of romantic lands? Thursday evening, October 26, at 7:30 P.M. in, Norton Union, you will have a chance to discover if your previously conceived ideas have any basis in fact or whether you have been the unconscious dupe of the men who draw and write the travel folders. That evening the Credo Club is sponsoring an exhibit of colored slides by Miss Bettie Kainuma, a native of the Hawaiian Islands and a Graduate of the University of Hawaii. She is at the present engaged in graduate studies at the University of Buffalo. HELD OVER k forever! the calendar of coming there is listed a "Choral Pop Concert" which undoubtedly has been looked forward to by many musically Inclined students. This concert, by the University of Buffalo Choral Ensemble of one hundred voices, will be presented in tho Norton Union Auditorium on Monday, October 30, from 12:30 to 1:00 P.M. Since the prime purpose of the concert Is for the pleasure of the faculty and student body, there will not be any admission charge Involved. The Chorus and Its director, Dr. Wallace Van Lier, have planned a program featuring Victor Herbert melodies and other works of popular interest which shoi.ld appeal to all who attend, and help to foster unity and spirit within the student management of Lafayette Theatre we will be able Friday, October 20, 1950 BEE BUFFALO UlllltU PHILLIPS-JONES CORP., NEW YORK 1, N. Y. ■ ! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University at Buffalo Student Newspapers, 1921-1950 Description An account of the resource <div> <p>This collection provides access to two student newspapers published at the University at Buffalo between 1921 and 1950. The Bee (1921-1950) focused almost entirely on student activities, often with humor. There was almost no coverage of events beyond the UB campus or on how those events impacted the lives of UB students. With veterans attending the university after the end of World War II, UB enrolled an older and more diverse student body. It was then that the Bee’s sometimes frivolous style came under attack. The Argus (1947-1950) was established as an alternative to the Bee by a group of more “liberal, progressive” students. Editorial warfare intensified by 1950 to such an extent that funding was withheld from both papers. In the same year a new newspaper, the Spectrum, began publication.</p> <p>There are numerous missing issues. The digital collection was produced from microfilm of all available issues.</p> <p>Funding for the creation of this collection was received from the <a href="http://www.wnylrc.org/" target="_blank" rel="noreferrer noopener">Western New York Libraries Resources Council</a> through the <em>Regional Bibliographic Data Bases</em> and<em> Interlibrary Resources</em> <em>Sharing Program</em>.</p> <p>Please see our <a href="https://library.buffalo.edu/specialcollections/about/policies">rights management information</a> for policies regarding use.</p> </div> Identifier An unambiguous reference to the resource within a given context LIB-UA007 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LIB-UA007 bee-1950-10-20 Is Part Of A related resource in which the described resource is physically or logically included. University at Buffalo Student Newspapers LIB-UA007 Date A point or period of time associated with an event in the lifecycle of the resource 10/20/1950 Extent The size or duration of the resource. The Bee Vol. 31 No. 5 The Bee Vol. 31 No. 5 Publisher An entity responsible for making the resource available University of Buffalo State University of New York at Buffalo Description An account of the resource An archive of the Bee student newspaper from the University of Buffalo in New York. Image was scanned by OCLC at the Preservation Service Center in Bethlehem, PA. Archival image is an 8-bit greyscale tiff that was scanned from microfilm at 300 dpi. The original file size was Subject The topic of the resource University of Buffalo Student Newspaper Archive Language A language of the resource English Source A related resource from which the described resource is derived Microfilm Type The nature or genre of the resource Student newspaper Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant United States, New York, Erie County, Buffalo Date Created Date of creation of the resource. 8/21/2008 13:50:00 8/21/2008 Format The file format, physical medium, or dimensions of the resource JP2 Date Modified Date on which the resource was changed. 1/20/2009 Title A name given to the resource Bee, 1950-10-20; Vol. 31 No. 5 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/124ba3764be3f1d40cd6af5c4ab3ab2b.jpg f27d7ab301b6169fdf3afe709a2e70ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 10, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Grand Canyon (Ariz.) Hopi Indians Cameron Trading Post Description An account of the resource This page features three photographs. The first photograph is of the Grand Canyon in Arizona. The second photograph is of Cameron Trading Post in Arizona. The third photograph is of a group of Hopi Indians. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p10 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/ef6131ebae9c91582db89330053173f4.jpg 9525adf182924bb0ac88c92f01f9209c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 11, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- Mexico Photograph albums -- Arizona Magdalena de Kino (Mexico) Stickney, Theodosia C., 1903-1997 Hewlett, Ruth V., 1906-1998 Hewlett, Josephine W., 1900-1944 Sabino Canyon (Ariz.) Description An account of the resource This page features two photographs. The first photograph is of Ruth Hewlett, Josephine Hewlett, and an unidentified person outside a bar in Magdalena de Kino, Mexico. The second photograph is of Theodosia Stickney in Sabino Canyon near Tucson, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p11 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/434fa762614002cf3811e7c3032fb7d5.jpg e8f7b5fe4d2bf9186a4857d4c9409129 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 12, July 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Stickney, Theodosia C., 1903-1997 Patagonia (Ariz.) Grand Canyon (Ariz.) Description An account of the resource This page features two photographs. The first photograph is of Theodosia Stickney riding a horse in Patagonia, Arizona, dated July 1933. The second photograph is of the Grand Canyon, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933--07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p12 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/a38b1a7e4ef27c7cb6d1cff4d0ffc970.jpg 34816ec6abf372ee54acb355bad7847a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 13, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Mission San Xavier del Bac (Tucson, Ariz.) Tucson (Ariz.) Sabino Canyon (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of San Xavier del Bac, a Catholic Mission church near Tucson, Arizona. The second photograph is of a woman named Alice Butts at Sabino Canyon, near Tucson, Arizona. The third photograph is of a woman in a yard. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p13 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/1d4199c8d9d2092e2cdd330a9e0e69d4.jpg ca3628f7fc265c5c2d915cbdb00dcb09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 14, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Grand Canyon (Ariz.) Mission San Xavier del Bac (Tucson, Ariz.) Description An account of the resource This page features three photographs. Two photographs are views of the Grand Canyon in Arizona. The third photograph is of San Xavier del Bac Catholic Mission church near Tucson, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p14 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/372d33f5abd20a18bcaa7c2979a031cc.jpg 6213803fcb2f8001494de10f857e0aad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 15, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona San Xavier del Bac (Tucson, Ariz.) Casa Grande National Monument (Ariz.) Hohokam culture Description An account of the resource This page features three photographs. The first photograph is a side view of San Xavier del Bac Catholic Mission church. The second photograph is the façade of San Xavier del Bac Catholic Mission church. The third photograph is of the Casa Grande Ruins National Monument in Coolidge, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p15 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/cce59ecc2d07a24fe04792661c6997b5.jpg 47276bf4fcddf81433611334bd0846eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 16, July 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Navajo Indians Grand Canyon (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of a Navajo family, dated July 1933. The second photograph is of a woman on a mule. The third photograph is of the Grand Canyon in Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p16 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/0f86eeb19df87210edeb566394a3175a.jpg 08ff6c261ba5e8241651962be7165298 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 17, July 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Grand Canyon (Ariz.) San Xavier del Bac (Tucson, Ariz.) Hewlett, Ruth V., 1906-1998 Hewlett, Josephine W., 1900-1944 San José de Tumacácori Mission (Santa Cruz County, Ariz.) Description An account of the resource This page features three photographs. The first photograph is of a woman on a mule at the Grand Canyon, Arizona. The second photograph is of Josephine Hewlett and two unidentified women outside of the Mission San José de Tumacácori in Tumacácori National Historic Park, Arizona. The third photograph is of Ruth Hewlett outside the San Xavier del Bac Catholic Mission. They are dated July 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p17 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/233072bfed364955e423c5ae2282c5b0.jpg f1fdf17a8e4289d9a67e1d5cd2bb0189 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 18, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Airplanes Hopi Indians Description An account of the resource This page features two photographs. The first photograph is of three women standing outside an American Airways airplane. The second photograph is of a crowd watching a Hopi Indian ceremony. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p18 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/52dac59be4968ba7daf5179d6b25797f.jpg 6c580209757eea83a5209b10a4895d62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 19, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hopi dance Hopi Indians Casa Grande National Monument (Ariz.) Hewlett, Ruth V., 1906-1998 Description An account of the resource This page features three photographs. The first photograph is of a Hopi Indian dance. The second photograph is of Ruth Hewlett at the Casa Grande Ruins National Monument in Coolidge, Arizona. The third photograph is of a woman riding a mule. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p19 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/83d1b5d0fe96b41ad7d166c86f4b3c30.jpg e8a0aa06e84d7f1a2390c3a7cb8f7ad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 20, March 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Airplanes Saguaro Desert Botanical Garden (Ariz.) Description An account of the resource This page features two photographs. The first photograph is of a woman and a man standing by an American Airways airplane. The second photograph is of Ruth Hewlett's mother and Alice Butts standing by a saguaro cactus at the Desert Botanical Garden in Phoenix, Arizona. It is dated March 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p20 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/b1e9485192e9253ba7b253fc3265ab81.jpg 808667406fff1fbc7fa48735a36565ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 21, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Ruth V., 1906-1998 Granite Dells (Ariz.) Grand Canyon (Ariz.) Oak Creek Canyon (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of Ruth Hewlett by a rock formation at Granite Dell near Prescott, Arizona. The second photograph is of Oak Creek Lodge in Oak Creek Canyon, Arizona. The third photograph is of Pip on a mule going down the Bright Angel Trail at the Grand Canyon, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p21 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/b4e997fbd7748df640c932d0702d5df7.jpg 08ee1b0543844daeb8f47e8bda644d62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 22, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Horse racing Moeur, Benjamin Arizona. Governor (1933-1936 : Moeur) Description An account of the resource This page features two photographs. The first photograph is of a woman standing outside a building. The second photograph is of a horse race and the back of Governor Benjamin Baker Moeur's head. He was the fourth Governor of Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p22 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/03193040a6a6f733ccfdebccf177ec7f.jpg 31e0f80f0ba2461760b3834f90d63fcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 23, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Sheep Tuba City (Ariz.) Hopi architecture Hopi Indians Description An account of the resource This page features three photographs. The first photograph is of flocks of sheep at Tuba City, Arizona. The second photograph is of Ruth Hewlett and her mother on a bench. The third photograph is of a Hopi House in Moenkopi, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p23 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/836ef39f9fa535c127f15fab2e4db7db.jpg a6d92def4fb7557515c3bbb67e225537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 24, March 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Coolidge Dam (Ariz. : Dam) Salt River (Gila County and Maricopa County, Ariz.) Description An account of the resource This page features two photographs. The first photograph is of a woman on top of Coolidge Dam in Arizona. The second photograph is of a gentleman and three unidentified women along the Salt River in Arizona. It is dated March 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p24 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/02588f77a629958aedced488879f6d3a.jpg 8f54d353bb75e0ce982fb1fecba7ed53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 25, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Tuba City (Ariz.) Trading posts Hopi dance Hopi Indians Grand Canyon (Ariz.) Stickney, Theodosia C., 1903-1997 Description An account of the resource This page features three photographs. The first photograph is of the Tuba City Trading Post in Tuba City, Arizona. The second photograph is of Theodosia Stickney at Moenkopi, Arizona. The third photograph is of a Hopi Indian dance at the Grand Canyon, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p25 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/8d8a6131f1bbded4074b5c3afd30d316.jpg b976c5453e66d80b1423c4964b239203 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 26, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Ruth V., 1906-1998 Description An account of the resource This page features two photographs of Ruth Hewlett sitting "in the court." Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p26 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/406cacda12e093d416c8e3b32307b11d.jpg e20daff14126ebefd7a94c0eebef1432 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 27, July 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hopi Indians Hassayampa (Ariz.) Stickney, Theodosia C., 1903-1997 Description An account of the resource This page features three photographs. The first photograph is of a Hopi jeweler at Moenkopi, Arizona. The second photograph is of the Hassayampa Canyon, Arizona, dated July 1933. The third photograph is of Theodosia Stickney sitting by a lake. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p27 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/e4a4a0ba900e2f9248466d03c2624bd2.jpg 4efb523c985346f4142600a78b232ae4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 28, February 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Ruth V., 1906-1998 Coolidge Dam (Ariz. : Dam) Description An account of the resource This page features two photographs. The first photograph is of Ruth Hewlett and an unidentified woman standing atop the Coolidge Dam in Arizona, dated February 1933. The second photograph is of Ruth Hewlett. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-02 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p28 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/4f532e2620410ae9a6e8ef246f313a01.jpg 94ed039d78966110d661ccd1b1ee1924 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 29, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Mules Cameron (Ariz.) Tuba City (Ariz.) Grand Canyon (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of a mule blocking the road outside of Cameron, Arizona. The second photograph is of a woman by a hut in Tuba City, Arizona. The third photograph is of the Bright Angel Trail in the Grand Canyon, Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p29 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/c3d1cb08398fe30531026546cab1a798.jpg 16c00a83ad8df51f4be68fafe45498c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 30, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Buildings Description An account of the resource This page features a photograph of a large building. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p30 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/fe9f0cbd6dc28454e88f728803f6cd7f.jpg f882f1669d62508af0a7f683d8ba2a2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 31, circa 1933 Subject The topic of the resource Scrapbooks Photograph albums Hewlett, Josephine W., 1900-1944 Description An account of the resource This page features three photographs. The first photograph is of Ruth Hewlett's mother. The second photograph is of Josephine Hewlett, two unidentified people, and a dog. The third photograph is of Josephine Hewlett. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p31 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/b23f5204fb7a16ef482c283466b5a29d.jpg 6bd03583745388b4e80263bd5c4b30ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 32, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Palms Description An account of the resource This page features two photographs. The first photograph is of a street lined with palm trees. The second photograph is of an unidentified woman. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p32 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/346e57b7a0726d0c06cc03e6d798bb19.jpg 7f4fac0eefac59b3600aa2b6d9a847b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 33, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Picnics Hewlett, Ruth V., 1906-1998 Description An account of the resource This page features three photographs. The first photograph is of a group of four unidentified people picnicking. The second photograph is of Ruth Hewlett. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p33 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/d46432306010ca11373598fdc583a46f.jpg ffe75d09ffcdb8a74c18026651770c09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 34, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Josephine W., 1900-1944 Cactus Arizona State Route 177 (Ariz.) Description An account of the resource This page features two photographs. The first photograph is of Josephine Hewlett at Coolidge Dam, Arizona. The second photograph is of cacti along "Superior Highway" or Arizona State Route 177. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/93f6e100446d76a5fbace9e4d183de26.jpg cae78ec5cbcc998d47b44c3f91eaf0c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.1], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Description An account of the resource This is a loose photograph. It is of a woman standing by a body of water. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-1 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/7facb71c54940dacaa31192a412c999a.jpg 6906abc059a35247bedef4fe19e0b07d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.3], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Description An account of the resource This is a loose photograph showing a woman standing near a body of water. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-3 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/312adb06780eb964723863809ad06eae.jpg 2315df85b6892f6af2a83d74780fffb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.4], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Trees Forests & fields Description An account of the resource This is a loose photograph showing an older woman and young girl standing in a forest. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-4 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/a42c78f40526a793023664e42b6d2436.jpg bced714df216d2b3693b54054126d659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.5], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Beaches Description An account of the resource This is a loose photograph showing a woman standing on a beach. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-5 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/fc7bac7135c390390b4acf217e63d285.jpg 5ac5b15f42e1c8d9ce1a3c1b33059573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.6], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Beaches Description An account of the resource This is a loose photograph showing a woman standing on a beach. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-6 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/bd21fdfdf2d51707b862a9d6deb85efa.pdf 58f1796bea37ce8d55c5014e8d8d7b5f PDF Text Text ������������������������������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Ruth V., 1906-1998 Description An account of the resource This is the entire photograph album. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/5cb4312449844295e45853232d2a4c4b.jpg 02a929326d17474c68997701c3da3a25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 1, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography Photograph albums Saguaro Description An account of the resource This page features three photographs. The first and third photographs are of a building. The second photograph is of a saguaro cactus. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p1 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/a53e712230ec82ebfc45394ff014a881.jpg 3af21733ddccede878a3ff292e19c2bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 2, March 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Hewlett, Ruth V., 1906-1998 Apache Trail (Ariz.) Description An account of the resource This page features two photographs. Both photographs are of Ruth V. Hewlett, her mother, and Mr. and Mrs. Butts on the Apache Trail in March 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p2 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/ffc5d9e9bd290c71a1d99c341b12047e.jpg cb3c6312fa559085c5f0beab4ee83d41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 3, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Hewlett, Ruth V., 1906-1998 Hewlett, Josephine W., 1900-1944 Description An account of the resource This page features three photographs. The first photograph is of Ruth Hewlett and Josephine Hewlett sitting under a tree with two women. The second photograph is of Josephine Hewlett. The third photograph is of Josephine Hewlett and three women sitting under a tree. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p3 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/59503d8597917091ffd788d931a273e1.jpg 5932dc959415bc1891dbde7f4df4b969 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 4, August 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Stickney, Theodosia C., 1903-1997 Hewlett, Ruth V., 1906-1998 Sabino Canyon (Ariz.) Tucson (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of Ruth Hewlett's mother on a porch. The second photograph is of Ruth Hewlett's mother, Theodosia Stickney, Bob, and Mrs. Marsh at Sabino Canyon in Tucson, Arizona. The third photograph is of Theodosia Stickney sitting on a rock near water. The photographs are dated August 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-08 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p4 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/7a2c0981303d3f8fa29cbf52ae0825b5.jpg bb221ff951c4d382cf21af4b2b8957b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 5, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Stickney, Theodosia C., 1903-1997 Hewlett, Josephine W., 1900-1944 Sabino Canyon (Ariz.) Description An account of the resource This page features three photographs. The first photograph is of Theodosia Stickney, Josephine Hewlett, and an unidentified woman. The second photograph is of Ruth Hewlett's mother at Sabino Canyon in Tucson, Arizona. The third photograph is of Ruth Hewlett's sister Theodosia Stickney, and their mother at a canyon. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p5 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/4fb7c405147cf9f136e3559d9e34cd13.jpg 635e2b63ce7782591efa043a4afbed7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 6, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Grand Canyon (Ariz.) Hopi Indians Tumacácori National Historic Park (Ariz.) San José de Tumacácori Mission (Santa Cruz County, Ariz.) Description An account of the resource This page features three photographs. The first photograph is of the Grand Canyon in Arizona. The second photograph is of a Hopi Indian Village, Moenkopi, Arizona. The third photograph is of Mission San José de Tumacácori in Tumacácori National Historic Park in Arizona. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p6 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/21c2ec1613289ce13969fd02f9400da4.jpg a2c82ba482f41e43ce7b41ca1767bfa0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [6.1], circa 1933 Subject The topic of the resource Scrapbooks Photograph albums Description An account of the resource This is a photograph of an unidentified woman. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p6-1 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/5f3c34e25276c6f99b931451ffec6577.jpg a09b834591114d0d8365ed9beeee17d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [6.2], circa 1933 Subject The topic of the resource Scrapbooks Photograph albums Description An account of the resource This is a photograph of an unidentified woman. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p6-2 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/bc05f071d36a40b266772e91c61e6c16.jpg bda2416d4d413dd56ce47de2f4b6b406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [6.3], October 15, 1944 Subject The topic of the resource Scrapbooks Photograph albums Description An account of the resource This is a photograph of an unidentified woman. It is dated October 15, 1944. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1944-10-15 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p6-3 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/8ae6bbb912ad8c4cb3749a324c5df42f.jpg 67058ced4d2d16d6879d6505b31c7aab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 7, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography Photograph albums Description An account of the resource This page features two photographs. The first photograph is of Ruth Hewlett and three other women at a picnic table at "white house canyon" in Arizona. The second photograph is of a rock formation in Mexico. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p7 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/f495ee3449fb99e614eae297ad51d1d9.jpg 30b1c0fd60b57af2c7b9d3c444c27967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 8, August 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums -- Arizona Grand Canyon (Ariz.) Hopi Indians Description An account of the resource This page features three photographs. The first photograph is of a Hopi Pueblo in the Grand Canyon, Arizona. The second photograph is of Hopi children washing their hair in Moenkopi. The third photograph is of a gated road, dated August 1933. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1933-08 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p8 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/837cf12b8a3730b7a6f54719e79c527a.jpg 5ee6ab83ab80aa6e81dd7b17be6060bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page 9, circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- Mexico Photograph albums Hewlett, Josephine W., 1900-1944 Magdalena de Kino (Mexico) Mantillas Hewlett, Ruth V., 1906-1998 Description An account of the resource This page features three photographs. The first photograph is of Josephine Hewlett in a hotel in Magdalena de Kino, Mexico. The second photograph is of a girl wearing a mantilla. The third photograph is of Ruth Hewlett in a garden. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p9 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/e97669047c6eec2fcddc85a201b31e4e.jpg 99e6b50b601f13d5a0b1b1e4304a5915 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, circa 1933 Description An account of the resource Ruth V. Hewlett was a graduate and donor to the University of Buffalo. Ruth and her two sisters, Theodosia Stickney (née Hewlett) and Josephine Hewlett, traveled extensively around the world and kept numerous scrapbooks of their journeys. This collection consists of a 34 page scrapbook curated by Ruth Hewlett of her family trip around Arizona and Mexico. Ruth, Theodosia, Josephine, their mother, and a few family friends traveled to Tucson, Arizona; Moenkopi, Arizona; Magdalena de Kino, Mexico; Patagonia, Arizona; Coolidge, Arizona; and Prescott, Arizona. They visited many attractions, such as the Grand Canyon, the Apache Trail, Sabino Canyon, Tumacácori National Historic Park, and San Xavier del Bac Catholic Mission, among others. The trip took place in 1933, as many of the photographs are dated throughout 1933. Identifier An unambiguous reference to the resource within a given context LIB-UA030 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth V. Hewlett Arizona Travel Photograph Album, page [34.2], circa 1933 Subject The topic of the resource Travel Scrapbooks Travel photography -- United States Photograph albums Description An account of the resource This is a loose photograph of a woman. Creator An entity primarily responsible for making the resource Hewlett, Ruth V., 1906-1998 Source A related resource from which the described resource is derived Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85) Publisher An entity responsible for making the resource available State University of New York at Buffalo. University Archives Date A point or period of time associated with an event in the lifecycle of the resource circa 1933 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. University Archives Format The file format, physical medium, or dimensions of the resource scrapbooks Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context MS85_3_3_001_p34-2 Is Part Of A related resource in which the described resource is physically or logically included. Ruth V. Hewlett Arizona Travel Photograph Album (LIB-UA030) Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/CNE/1.0/">COPYRIGHT NOT EVALUATED</a>. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the <a href="http://library.buffalo.edu/archives/">University Archives</a>. If you believe material in our digital collections infringes copyright or other rights, please review our <a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html">Notice and Takedown Policy</a> for information on how to report your concern. https://digital.lib.buffalo.edu/files/original/8313ed4487e8fdd261590bceb2909651.jpg 0e15c0cfe537d1958986a955413f781f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White envelope addressed to Mike Belt at 240 East 25th Street, New York, NY, with a 28-cent stamp and August 1979 postmark. https://digital.lib.buffalo.edu/files/original/773943b44878cd234c327e8b76b6557f.jpg 51b395d43efdb875f9e36e72c6ca564d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Back of an envelope with handwritten note and taped flaps. https://digital.lib.buffalo.edu/files/original/9ff7c5247d135732cd5235c5f99dc459.jpg aba3c5da7eb860de0492d69260e7cece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Folded paper decorated with dried flower petals, fabric, and the word “BELT.” https://digital.lib.buffalo.edu/files/original/d006d72e0a5021819574a76111cb244c.jpg 0f2443169442830d7912f6d37de5dab9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textured paper with black mesh strips gathered in vertical and diagonal lines, framing a cluster of dried petals at the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9.5 x 4.5 x 0.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No longer able to write letters only poetry Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1979-08-01 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_8_25 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 4 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. envelope, paper, chiffon, dried rose Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White envelope containing trifold sheet of paper bearing “star love M Belt flower” written on recto. Black, frayed, chiffon fabric strip wrapped around middle with dried flower on stem glued carefully over “M” written in center of a heart. Chiffon and paper cut in radial pattern center back, recto of front flap bears “flower” handwritten.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage black band collage concrete poetry correspondence art fiberwork found objects mail art mourning poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/c495af3a8a1a5339ad247c1c82932c48.jpg 5a22e28f647d3090e6162f78556ce7fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Folded paper with a typed poem and a collage of dark fabric and lace at the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 5.5 x 7.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poem for Lenny Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1978-01-01 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_21_59 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Relation A related resource typewriter paper, chiffon, plant material, envelope Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Envelope wrapped in wax paper containing white card, poem typed in long column on left hand side of page of 8.5x11 typewriter paper folded top to recto, bottom to verso around card and wrapped in black chiffon band. Leaf in square of chiffon inside. Poem in honor of Amelia's brother who committed suicide.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage black band collage concrete poetry correspondence art fiberwork found objects mail art mourning poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/bd861971ab54ce9810063decebbd7c14.jpg d382b8e791c7f936be7353e1b5ca1819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Heavily textured handmade envelope with string, button, and dried flowers. https://digital.lib.buffalo.edu/files/original/ef75748b32c9a94a0803c12c49f5a3ee.jpg 1f32e12a320e412e2e3361adf9b828ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Worn, handmade book cover with torn paper layers and a message reading “With love, Amelia.” https://digital.lib.buffalo.edu/files/original/8fa22ee957d0265e273770895b212de4.jpg 1efeb475e15956203ad50f24a62e5cca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of a handmade book with the handwritten text “I have found my heart in the earth.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 6 x 4.5 x 2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I have found my heart in the earth. I have seen the first robin of spring Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1982 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_15_43 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Medium The material or physical carrier of the resource. handmade paper, cardboard, ceramic heart button, white string, dried flowers, plant material, muslin Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Book-like object created out of handmade paper and reconstituted cardboard held together with white string and glue keeping it from fully opening. Ceramic heart shaped button and dried flowers tied to cover and “To Ellen Marie Helinka” handwritten on front cover, “With love Amelia” on back cover. Inside contains pine needles, muslin, and “I have found my heart in the Earth. I have seen the first robin of spring.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage book object collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/e176ea9a02c69cf86d8b08803a1bcae6.jpg 8d53209c76e717bd9da6b38caf43afa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Envelope addressed to Ellen Marie Helinka with gold tape, a heart sticker, and two stamps. https://digital.lib.buffalo.edu/files/original/f235635c897b6b6551fd1262a92c9efd.jpg 874562e6e4e74389e251a6fe67e305ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorated letter wrapped in mesh addressed to Ellen Marie. https://digital.lib.buffalo.edu/files/original/5e39b8d87276cbe5a2ef76d1efe47cfb.jpg 970e5764f74e5ba6fa49154ce403789b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorated letter opened to reveal mesh, fabric, dried flowers, and embroidery. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 5.25 x 7.25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flower Love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1982-11-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_21_56 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Medium The material or physical carrier of the resource. envelope, gold and pink stickers, paper, netting, postcard, fabric flower, buttons, rose petals, thread, gold butterfly and heart Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White mailed envelope with gold tape and pink heart sticker containing book-like card with 3 pages, entire piece wrapped in netting. Center page is a postcard collaged with gold butterfly, heart, fabric flower, rose petals, buttons, and pink thread.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage book object collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/700b88a8c8343100212ca94c15051c6c.jpg 4698e583e4252db9d7603d975b337967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Square package wrapped in paisley-patterned paper with brown tape and handwritten instructions saying “open this side up.” https://digital.lib.buffalo.edu/files/original/71bba2bc75025d14e71e25775faefa2c.jpg 18a0558cc0de751800f1a34587ed0814 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Wrapped book with torn pink paper, and red handwritten text partially obscured by a navy blue ribbon. https://digital.lib.buffalo.edu/files/original/6f2054d01cdf48f6cb6ad45e12ba5599.jpg 24034372740e7fc542959e989095b5d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open book with navy ribbon, dried plants, and "SILENT LOVE" text with a red heart. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10.25 x 8.5 x 2.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silent Love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1978 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_23_70 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Medium The material or physical carrier of the resource. bound blank book, department store box, chiffon, plant material, construction paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box with printed green paisley cardboard taped to box lid and bottom, top piece bearing “open this side up” written in felt tip marker. Box contains layers of tissue with Lenny’s memorial poem under first layer of tissue and “Silent Love” beneath the second layer. Silent Love book is green with pink construction paper and dark blue chiffon and red string tied around center. Center page has rose leaves and petals inside, signed. Lenny’s poem envelope is wrapped in neutral chiffon containing white card. Poem typed in long column on left hand side of page of 8.5x11 typewriter paper folded top to recto, bottom to verso around card and wrapped in black chiffon band. Leaf wrapped in square of chiffon inside card. Paisley cardboard loose on bottom of box.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage book object collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/899b15d444fe74cabf3fe74471b90097.jpg bb8d457cbefbd480969950db355b11e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Closed, textured greenish box with worn edges. https://digital.lib.buffalo.edu/files/original/892502bbfe2008dcc5f5cd141dfa3fd5.jpg f8f09f9cd70e6b611ce69533449dc7cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open box with a handwritten note on lavender paper, bordered in red. https://digital.lib.buffalo.edu/files/original/cd526386bb83ad2fe953f053eb3a2ec9.jpg 1ca21f0981676a7b48833f7eaa3a9a70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box filled with natural materials, glittery fabric, and textured paper cutouts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 6.75 x 4 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dear Mike / in a small bowl in a little water place one by one materials and thread Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_2_3 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, cellophane, paper, chiffon, pipe cleaner, thread, beads, feathers, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box, gold lid, damaged, containing purple cellophane laid on top of a white card with note "Dear Mike/ in a small bowl in a little water place one by one materials and thread / Amelia" laid on top of chiffon, pipe cleaner, thread, beads, feathers, leaves, seed pods, flowers, and 2 small pieces of paper bearing “e,” “o.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/f6315bb2a1797d124dc7ce54abe5be4e.jpg 619541a96596b147358429a359211825 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Patterned Denby’s envelope with cut-out text reading “There’s a package for you from Amelia.” https://digital.lib.buffalo.edu/files/original/50827a3a065eaf22ef16f7748d03c6e3.jpg b73d055547c47a17dd4fba17aa765378 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorated box containing lace, handwritten note, and paper labeled “There’s a package for you from Amelia.” https://digital.lib.buffalo.edu/files/original/c028d74995050e3d4194b097835757db.jpg 76845474c9f138761a3d25028f3d8bd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box with layered paper, dried flowers, fabric, and a purple pouch containing a small object. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10 x 7 x 0.75 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring Love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_2_7 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, paper, plant material, cardboard, tissue, chiffon, cellophane, fabric flowers, postcard Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Tan and gold printed Denby’s department store box with pieces of paper bearing “there’s a package” “for you” “from Amelia” typed and taped to recto of box top. Box contains long red grasses curved along edges of box with glued and ripped cardboard covered in pink tissue paper cradling a packet of postcard, white chiffon, purple cellophane, silk purple flowers, yellow silk flower pin with “Mike” written in felt marker. Postcard bears note to Mike, and title.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/e1cc0c4e0f40f55cd5c31e6efcbf8ce8.jpg aa71807e27521c9a0e00bd890e17750d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brown paper-wrapped package labeled “First Class,” tied with white string and decorated with green and orange yarn embellishment. https://digital.lib.buffalo.edu/files/original/fc9b6c348915b0a3e34d37bca640f8d5.jpg 239ab076b60058e98a443a79360b9bf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open white box with lid removed, revealing pink tissue paper and strands of pink threads with colored beads inside. https://digital.lib.buffalo.edu/files/original/4b82020c0d3cef5705dba2993c984bec.jpg 7c05d7f98642a03cfb8243405f60186c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box filled with pale fabric strips, red strands, and pink tissue paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9.25 x 4.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Happy Birthday Mike Belt Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-11-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_4_12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. padded mailer envelope, twine, tassels, fabric flower, department store box, yarn, shells, beads, woven fabrics, chiffon, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Large padded brown mailer envelope wrapped in twine and green tassel rope, fabric flower pinned to verso. Envelope contains white department store box, crushed, wrapped in variegated pink, white, blue yarn, signed inside lid in pink ink. Box contains pink tissue wrapped around packet with dark pink threads holding tassels of shells and beads. Inside packet consists of pieces of Japanese tissue paper with whole leaves pressed into paper sewn with pink thread, handwritten “Happy Birthday” Mike Belt” “flower” “love” sitting on top of tan and cream sateen, woven off-white fabric bundled under paper and long group of chiffon threads tied to packet folded around tissue and red fabric flower.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/fad45e11d4e31bf73c3cd3a429dc5351.jpg c9375b9ce68da63dd105f779216d167a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brown wrapped parcel with Priority Mail labels and handwritten address to Mike Belt in San Francisco. https://digital.lib.buffalo.edu/files/original/b33705794bd8b91e030c69c27ae26e44.jpg bfb614d7367646e6d60ea718724e047f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorative envelope with pressed flower petals and textured materials, addressed to Mike Belt and sent from Amelia Etlinger in Clifton Park, New York. https://digital.lib.buffalo.edu/files/original/082ee4603bc13ddb315d7a099a269d48.jpg cc9467cf1b3873cdb8385fd79d26126a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of a decorated envelope showing a handwritten note, dried flowers, and red yarn. https://digital.lib.buffalo.edu/files/original/0fc3edbda0dca6d90dfbdf08588db0f2.jpg a77d23e6e092ebe10d1cff1280318452 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Long, wrapped bundle containing shredded pink and white material, dried flowers, and a heart-shaped “Love” decoration. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 14.5 x 12.5 x 2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dear Heart Mike Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1985-06-07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_13_40 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 4 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. padded mailer envelope, cotton cord, department store box, tissue, glue, waxed paper, rose petals, plastic toy jewelry, plant material, yarn, fabric, plastic flowers Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Large padded mailer envelope wrapped in cotton cord containing white department store box wrapped in white tissue stained pink and layers of gray tissue both glued to bottom of box, “dear heart Mike” written on gray tissue inside drawn heart, lace in window cut out of gray tissue on other side. Lid of box has flower petals glued into shape of heart bearing “dear heart Mike,” tissue taped around petals, pink yarn and other collage elements all glued to layers of wax paper, message under layer of wax paper that has been cut and lifted to be revealed. Inside of box contains tissue wrapped around collage of seeds, beads, plastic toy jewelry, plastic flowers, fabric, yarn, string, and tissue all completely saturated in glue. Collage folded to fit in box and resting on tissue.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/5a0c5d47482c04b859f597fe5f884e05.jpg dc15f3c1ae9285f7b64b6157e8a65da7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Bundle of colorful fabric, dried plant material, and blue string on a textured surface. https://digital.lib.buffalo.edu/files/original/5c74724688636558418ac7e8cae44409.jpg 637d45e93adb10e65bc19cee771a8a1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collaged box interior with gold mesh, printed fabric, and a pink fabric flower on yellow background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8 x 12 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [untitled: 13th Moon silver box] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_16_47 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, plant material, velvet rope, gauze, paper, chiffon, string, fabric flower Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Nest of twigs, leaves, velvet rope, metallic gauze, strips of paper, and blue, pink, and green chiffon loosely resting on top of silver department store box. Box contains strips of shredded tissue paper on top of blue chiffon wrapped around yellow paper with rainbow floss tied to yellow string sewn tightly through whole piece. Piece opens like book and contains pages of gold metallic cable knit fabric and blue chiffon wrapped around ripped up cover of 13th Moon and a pink fabric flower. “For Ellen and June love Amelia" written on back cover.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/79572f9a17f7336856b510eda571cb77.jpg 1718ebd1d4d54ed79383234dd6a222a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textile bundle with pink satin, multicolored threads, and curly beige fabric. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.5 x 11.5 x 1.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June Flower Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_19_54 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to June Rook, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, tissue, paper, crepe, novelty yarn, fabric Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box with silver Flah’s lid, damaged. box contains tissue wrapped around work with large pink crepe tied into bow with “June” and “Flower” written on pieces of paper and tied to pink silk strip. Folded pieces of fabric wrapped in loose novelty yarn knit fabric.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/7c753b7ac15edc5a1cf5f7c436aa0740.jpg d6cbdb3e617ecce8882f9cee51bcf033 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered textile bundle with mixed fabrics, ribbons, and fringe. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 11.5 x 8.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 13th Moon Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_20_55 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by, Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, tissue, woven linen, paper, thread, chiffon department store box, tissue, woven linen, paper, thread, chiffon Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box with silver Flah’s lid, masking tape, edges damaged. box contains tissue wrapped around loosely woven linen like fabric folded french-door style around paper and other fabric bundles all tied with pieces of deconstructed thread and chiffon strips. “13th Moon,” “Ellen” written on pieces of paper and tied in middle with purple thread.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/7028189d8715dbaa2a6d78f148b8bc86.jpg 6c92756cc9cb94c49d51ad4e2094a4da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two open boxes, one with red and purple fibers on purple paper, the other with closed green tissue wrapping. https://digital.lib.buffalo.edu/files/original/128aa89a296a12bd6419c9911186155a.jpg ad85aeeca7cb5a6f281879dad014e86d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Two open boxes side-by-side, arranged vertically. The top with red and purple fibers, the bottom with multicolored textiles and threads. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.75 x 6 x 1.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June Ellen flower love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_23_69 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Ellen Marie Helinka and June Rook, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, string, cellophane, chiffon, tissue, plant material, rope Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box with yellow string tied through lid holding leaves and string under purple cellophane to verso. Box contains green, pink, and blue tissue, purple and yellow silk rope, folded fabrics and strips of chiffon, and “Ellen” “June” “Flower Love” written on pieces of paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/07ca466d6606f1bc0aaccaa8c10c4db5.jpg f94052bc3a3e1de2b4768772708e0d3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White package tied with twine and silver ribbon. https://digital.lib.buffalo.edu/files/original/abe8325a6b6ff413f8c2e297e54b10b2.jpg 7488b1577fc361df00fd9087d390f86a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box containing layered textiles and ribbons in white, pink, and metallic tones. https://digital.lib.buffalo.edu/files/original/b364ea45436599f42cd767956f9a09e3.jpg e26dc58f170d968949253a4ad73bec69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box with gray and pink textiles, dried flower petals, and a white satin ribbon. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 12.25 x 9.75 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [untitled: silver, black, roses] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_26_73 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries. Medium The material or physical carrier of the resource. department store box, plant material, rose petals, thread, crepe, silk, costume jewelry, construction paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box with stem tied with silver and black metallic thread, and silver plastic raffia. Box contains tissue on top of a white and pink folded paper tied with thick silver crepe bow, black deconstructed fabric thread, maroon silks tied with white deconstructed threads, costume jewelry and rose petals tied with red thread. White paper package in center unopened.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/5f0e21260d8c68b04451b8e8cecfd848.jpg c467e9afc9acdea87609f0c2aba09ce2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Square package wrapped in translucent paper with faint blue thread pattern at the center. https://digital.lib.buffalo.edu/files/original/cf0a73bc773706b4f4203b74f21a1656.jpg 6480828d7d95436dbe1c065b1452a759 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White package wrapped with blue thread and a central stitched patch reading “HOW MANY THREADS IN A BLUE LOVE.” https://digital.lib.buffalo.edu/files/original/1a6fd79682953ed32147f6447624687d.jpg 78ad0904a8b3ca034bdc96915a2978bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open beige box lined with blue tissue paper. https://digital.lib.buffalo.edu/files/original/93a15e05f449d4e803b01dead4bf93cb.jpg d919ec90f913004952d3e01cfa4adc8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Bundle of straw-like material tied with string and covered by a folded blue paper strip. https://digital.lib.buffalo.edu/files/original/8ede3d35168cc9a91e388a93e2ae2d58.jpg e966eea3b329549731afd427e5e5745f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Crumpled blue paper tied with string over a straw-like woven bundle. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.5 x 11.5 x 2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karl in a blue love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_26_74 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 5 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries, Karl Gay. Medium The material or physical carrier of the resource. department store box, waxed paper, yarn, tissue, paper, woven raffia, embroidery Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White department store box wrapped in wax paper. Box wrapped in blue metallic string tied around blue paper glued to lid of box partially folded tied to small plastic pearl, “Karl in a blue love” written in ink on paper. Box contains blue tissue wrapped around Japanese tissue tied shut with blue string and small pearl wrapped around loosely woven raffia machine embroidered with yellow and orange string, blue metallic string tied around blue Japanese paper bearing “Karl in a blue love” signed by Amelia.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/42e751aad00f69681dbcda69cfedc9d9.jpg b614c46b1fddb9f8a6b91e93848158f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Yellow paper-wrapped bundle tied with pink ribbon and decorated with a leaf and dried flowers. https://digital.lib.buffalo.edu/files/original/619cab14ee0379fc5c7da1359c1fde5f.jpg 258aba8a67728b0bf63b67ccd723ae9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Yellow-wrapped package tied with pink ribbon and decorated with blue paper flower and dried buds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 12 x 9 x 1.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The leaf is in the tree Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1979-09-19 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_28_77 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries. Medium The material or physical carrier of the resource. department store box, fake leaves and flowers, waxed paper, tin foil, ribbon, cellophane Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Fake leaf and flat stone masking taped to wax paper with “The leaf is in the tree” written in blue ink on the tape. wax paper is wrapped around a yellow department store box wrapped in yellow foil with pink and white ribbons wrapped around center of box holding blue fake leaf, fake orange buds, and fake white stems. “The leaf is in the tree” written on lined paper covered with blue cellophane and yellow foil tied on top of arrangement of fake flowers. Box is unopenedThe description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/16d63e6c77004b160c5df6472027731b.jpg 3e64eba8ef3768e18db9dab8507d637d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Translucent folded package containing layered materials and colorful plastic strands. https://digital.lib.buffalo.edu/files/original/8198e9bd672a443bd2a80d7786f1c7eb.jpg 81aa83c59efa6ad003d055e138e6ea76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorative cluster of multicolored plastic strands and tinsel on a white background. https://digital.lib.buffalo.edu/files/original/6dcb90dca7514aad7332fb5140ba1798.jpg da48506d5a28391cbeb03914ca8f00d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorative object wrapped in red and silver netting with a label reading "Lockwood Memorial Library." https://digital.lib.buffalo.edu/files/original/de231622115f95f6624cd696d84cdd84.jpg e81c90117d5fbbbbf69a89399d61bcd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box filled with red, white, and silver mesh and lace textiles. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.25x5.75 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From the burning bush Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-12-19 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_29_79 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 4 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries. Medium The material or physical carrier of the resource. department store box, paper, waxed paper, tinsel, pom pom, tin foil, crocheted netting, lace, thread, beads, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Wax paper wrapper bearing sticker with received date added by poetry staff upon receipt wrapped around white department store box with title typed on gold paper taped to top of box lid; blue, green, red, and gold tinsel pom pom and string tied around middle. Box is lined with pink foil and contains white Japanese paper wrapped around book-like card wrapped in green lace, silver crochet netting, red and white threads, and red and white beads. “Lockwood Memorial Library” is collaged on back of card with note of front of car. card filled with dried berries.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage book object box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/f851642926ac10bec931252a0c1b817f.jpg 945503cbf26c9f16c4ef358839f9252b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Parcel wrapped in Denby’s branded paper and secured with brown packing tape. https://digital.lib.buffalo.edu/files/original/d75aa8e41492ff060c62cf55cd960843.jpg a245b1a65dc61759f8940f29d2088af5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Unwrapped package revealing colorful fabric, a green translucent sheet, and textured materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 15 x 10.5 x 2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring flower Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-06-21 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_32_95 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries, Karl Gay. Medium The material or physical carrier of the resource. department store box, cellophane, chiffon, construction paper, waxed paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Gold and white Denby’s department store box covered in brown paper tape, crushed and damaged. Box contains green construction paper, green cellophane, loosely folded and tied fabrics, “flower” “spring” “Karl” written on small strips of fabric. Flowers folded into wax paper under fabric, bottom lined with yellow construction paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/a13d06dad5f5d33fc591b09397e5ec88.jpg 4fd6d622c72e875c980f34833bb78649 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered textile collage with yellow and black stripes, braided rope, and red borders. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 12.5 x 10 x 2 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource for please love Mike Belt Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_11_37 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, cellophane, chiffon, plant material, cord, woven ribbon, buttons, paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White box lid on blue and white striped department store box, lid taped with brown paper tape bearing “open this side up” written in black felt tip marker on lid. Box damaged, all corners ripped on lid, box crushed. Box contains flat piece with two white plastic rings on verso head edge to hang piece. Work consists of 2 pieces of purple cellophane pressed around leaf in center, yellow and white chiffon layered over gold paper base, yellow and gold, twisted tassel, and white cotton cord, a bed of twigs and dried grasses, brown chiffon over pink, white and gold woven 1.5 inch fabric ribbon folded over work lengthwise. Gold and pink buttons are sewn to edges with pink and yellow thread and thread continues loosely through piece. “For please Mike Belt” collaged on small ripped piece of white paper between yellow fabric.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects hanging poem mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/cd78ad0ef3caf0d238e9a44e451a5c3f.jpg 08b0f4c9ae728e33676881cbb0f8259b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Pink textile with brown organic patterns, red fabric strip, and multicolored thread. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.5 x 8.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Earth poem for Ellen Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_22_67 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, chiffon, confetti, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White Japanese paper with green and red chiffon tied with green, orange, and red threads. “Earth poem for Ellen” written in green ink on paper tied to red moon confetti, and “13th Moon” logo is printed on thin paper. Natural material under fabric.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects hanging poem mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/46d4b4893f2de7666424a59b9bde3362.jpg 9f410aee730ac047999927fdafeca860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textile artwork with curved gold trim, pink and white yarn, and a sheer flower embellishment at the top center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9 x 11 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wish together every flower Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_22_157 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, string, hair net, lace, fabric flower, ribbon Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Piece had been arranged and framed by Helinka, removed from frame by archivist. White paper backing with 2 plastic rings tied to top with white string, poem written in pink ink for Ellen, signed Amelia, covered in pink cellophane, white 2 inch ribbon, pink and white striped lace, yellow decorative edging, a white lace flower, and a white hair net, tied down intricately with pink, gold, yellow, and white threads.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects hanging poem mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/b95806be4673d8bfa48f056a985c3cbf.jpg e35df236bea41384944dbd1164876480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textile collage with abstract stitching, wire, and layered materials in gray, gold, and red tones. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 19 x 15 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [untitled: pink, yellow, cardboard, butterfly] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_24_71 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. cardboard, burlap, paint, thread, lace, costume jewelry Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Painted reconstituted cardboard-like substrate glued to backing of open weave burlap painted brown and curled at edges. thin lace is glued to top layer with gold and pink threads tied through substrate held with beads on verso and long ends 2-5 inches loose on recto. Leaves and petals glued to top of lace. Plastic butterfly, plastic pearls, lace, and sticks, collaged thickly with glue and paint to form body of butterfly. Two black threads tied to head corners in a loop for hanging.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects hanging poem mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/a6641cd739ad59fd7039c44703c1f676.jpg c16ef5bde30c37b029bf3a5cff3fc49e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorative birthday-themed envelope addressed to Mike Belt, covered in red and pink “Happy Birthday” graphics. https://digital.lib.buffalo.edu/files/original/35c731b6768ef73b02fd8607dc25c3e9.jpg 2710bb46782841104f2f6cc6ca8ef87c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collaged envelope with red and orange layers and beige tape strips. https://digital.lib.buffalo.edu/files/original/3ac2875904ca7a1df821a78c5645359b.jpg 92ea9e451e23de74ea921313cd29be5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Wrapped parcel with a wooden snowflake ornament and decorative string. https://digital.lib.buffalo.edu/files/original/ca7447f539451c2589b7da93a1233dbd.jpg 2d78794eca4545e2f560ee9d5cc0564e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered materials with moss patch, purple paper flower, and paper pieces. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9.25 x 4.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Happy birthday Mike Belt flower love [small] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-11-03 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_4_11 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 4 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. tissue, wooden snowflake, cellophane, costume jewelry, paper doily, astro-turf, paper flower, plastic cord, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Mailer envelope wrapped in pink cellophane over collage of “happy birthday” containing a broken wooden snowflake, costume jewelry, thin pink printed paper doily folded around white plastic cord, paper flower, small square of astro-turf like material, folded around paper bearing “happy birthday” written in fading ink containing a small envelope containing another small envelope reading “11/7/47” on outside and “Mike Belt” written on inside. Larger paper wrapped around dried fern-like grasses.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/ccc4e4378e61ebafb1cd0b4d5473646d.jpg f3626eee4ddb99ce50c52ed02e5fce22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textured square with knotted pink, red, and green fibers tied in a geometric pattern over light purple and white background. https://digital.lib.buffalo.edu/files/original/ea3b37421fd020ad5004f56985067afd.jpg 2f07558c654979b55e07f0d333b292cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Folded paper and fabric structure with pink and green thread, centered around a small collage featuring a floral image and text reading “BIRTHDAY” and “LOVE a flower MIKE.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10.75 x 23.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Love a flower birthday poem Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1979 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_6_15 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, chiffon, thread Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Pink floral chiffon strands wrapped woven and tied around folded sheet of off-white Japanese tissue paper. Outside of packet has dark pink and light pink sheets of chiffon on front flaps tied with unraveled strands, metallic gold, and pink threads. Inside contains chiffon strands suspending layers of floral chiffon strips nesting a paper collage of a flower painting and birthday wishes, signed.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/bf9a90ba593d7025399b3e1b717389b9.jpg 4a4432b9b41d91366a8d40eb41389f66 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brown envelope addressed to Mike Belt in New York City with handwritten “First Class” labels and multiple stamps. https://digital.lib.buffalo.edu/files/original/be5c649d4d0d71d631fdd4a66982647d.jpg 700f401284d71ddafed54bf3c55592ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed-media collage with blue and yellow yarn, layered translucent papers, and a label reading “MIKE” on a blue background. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 7.25 x 12 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Just thinking of Mike Belt Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1976-11-01 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_6_16 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, tissue, string, chiffon, plant material, gold stickers Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailing envelope containing a tri-folded sheet of Japanese paper with small gold sticker. Paper folded around blue Japanese tissue paper French-door folded with multiple strands of blue floss on left side. Paper opens to collage of leaves, dark blue chiffon, thin yellow tissue, green thread, metallic purple thread, gold stickers, and text from Mike’s work “just thinking of Mike Belt.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/01db6f3a505c09902f7c62fbb2419933.jpg f5f19819f2936bb8f6030a984bf580bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Rectangular orange-red panel wrapped in textured white paper with gold thread and small tags. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 5 x 7.75 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wonderful Wood Poem Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1976-07-05 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_6_18 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. orange painted paper, yarn Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Small manila mailer envelope, with title on verso, containing white Japanese tissue paper painted orange, folded around metallic gold and orange yarn. Paper opens to reveal yarn pulled tight across middle pulling a small piece of blue paper reading “Mike” tied with yellow thread. “(K)(E)(E)(P) (P)(O)(E)(T)(R)(Y) (F)(R)(E)(E)” typed along center of smaller sheet of paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/0d887199cff6ab38ebaf0c8027f083e6.jpg 7dd2e61f8261774bb17eb6c19fa75152 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered textile collage with green, black, and turquoise fabric strips tied in the center. https://digital.lib.buffalo.edu/files/original/6081bb9a2ff198fa00fb8f9b3be53930.jpg 69706bfdea13d15958ca8fdf25789686 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed-media collage with a typed poem on layered fabrics and paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8 x 5.25 x 0.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Packet Poem, love for poem spring a butterfly Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_7_19 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. tissue, cotton rope, cardboard, paper, chiffon, crepe, ribbon, parchment paper, metallic thread Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope containing tissue wrapped around packet poem held together with soft cotton rope, wrapped around cardboard printed with green and white paisley print with title written on bottom corner. Paisley board wrapped around black paper wrapped in thin chiffon strip, paper unfolds to white paper, gold paper, blue ribbon, gold ties and black chiffon strips. Opens to layers of green and black woven silk, black crepe, white, crepe, parchment paper, cut up peach chiffon, and thin metallic blue thread holding folded poem in center, signed.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/68c227ea4889d784405295f5cec443d2.jpg 54d770a8a38e45a614360f50efa80855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Handwritten envelope addressed to Mike Belt with “First Class” and “Please Do Not Bend” written on it. https://digital.lib.buffalo.edu/files/original/37b73ccf7b727fa07ebcc4fab083a0a4.jpg 08460e6efe67703daf381c309003bb60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Folded handmade paper wrapped with patterned blue and gold fabric and decorative fringes. https://digital.lib.buffalo.edu/files/original/b73463ba5f6d68b8f2fbde8b1c3c49d4.jpg 447f813afb8f954525b185754eff8d22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Ornate blue and gold fabric wrapping with red ribbon ties and exposed paper flaps. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.5 x 6 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Petal castle time and love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1978-06-29 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_7_20 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, jacquard fabric, quilting cotton Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope and tissue wrapped around a French-door folded Japanese paper with jacquard strip around middle to inside fabric with 2 tiger eye stone beads and white thread. Inside packet made up of yellow and blue jacquard wrapped in multiple strands of red, green, and pink threads with paper packet inside. Title is written on outside sheet of marbled paper wrapped and folded multiple times around a bundle of squares of floral printed quilting cotton and a piece of ripped envelope bearing “for you” “Mike” “packet poem” “Amelia.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects French-door fold mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/d7866fb5f8b863239dff4343f03fc259.jpg c141899d6924bb2fec71247d426d8b09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Tan envelope addressed to Mike Belt in New York City, labeled “First Class” with multiple U.S. stamps and visible tape. https://digital.lib.buffalo.edu/files/original/1f5146e89a8786e7bd4005693f777ac5.jpg 284e3f68ab9fb4426ee9aeb4b9dbb6c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Square of green floral lace fabric tied with white string. https://digital.lib.buffalo.edu/files/original/97b48ef937d5d2b1e7d63dfc4b83d361.jpg f30a3699e913c866a84b17f249101143 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered lace fabric and a handwritten note on sheet music paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8.75 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dear earth / let good rise Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1976-10-07 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_7_22 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. green lace, cellophane, twine, paper, organza, musical score paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope containing a sheet of Japanese paper folded with a piece of twine tied around middle. Piece opens to a square piece of green lace folded and tied loosely with white string. Green lace is folded around pink lace and floral printed organza folded accordion around piece of music score paper with ripped edges folded French-door around a piece of purple cellophane with a poem written in black ink, “Mike” in purple ink, signed.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/7ee5ea4bde17278cf2d127d17c6224dd.jpg 7bee648c5d30fc4d544eb02b72f852f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Red envelope containing folded white lace paper wrapped in orange brocade fabric with floral patterns and decorative ribbon. https://digital.lib.buffalo.edu/files/original/e6a8b17602297b5b7bc61c13e6bcd1a1.jpg 3da22a44003b8832919f66a7f200fd6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Red folder opened to reveal white lace-like paper and two gold fabric strips with orange and white embellishments on either side. https://digital.lib.buffalo.edu/files/original/b81e84c637b9d74625c09901b17eb96d.jpg c2a37071e8f0741da96483f384841786 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Square sheet of fibrous translucent paper with colorful ribbon and faint pink text radiating outward from the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9 x 9.75 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As if a sweetness we did smell of apricots and joy Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-16 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_7_23 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, jacquard fabric, chiffon, buttons, string Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Mailer envelope containing orange paper French-door folded and tied shut with light orange torn crepe fabric, tied in a bow. Orange paper folded around pinkish gray paper, 2 layers of white lace Japanese tissue paper, all folded around orange chiffon fabric wrapped around tri-folded paper with poem text written in a radial pattern in different colored ballpoint ink. Small gold sheet of paper with poem text typed in center is tied with gold thread under the chiffon strip running across the center of the page. Whole piece is nested in orange and yellow jacquard fabric folded to resemble a book cover, with 2 orange buttons tied to 2 small pieces of paper reading ”Mike” and “Amelia.” Frayed strands from jacquard, chiffon, and crepe bundled between cover spine and poem paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects French-door fold mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/885aeca2876f4134f35d9b2b1c5d06ba.jpg 8a4a74deda974b52f71925b3b199f0b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Envelope addressed to Mike Belt with handwritten notes, postage stamps, and visible tape repairs. https://digital.lib.buffalo.edu/files/original/9a11736b73b0e46f6f1ad5e67f48cd29.jpg 437e66825940783d255d46ab5a565c55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Cream-colored envelope wrapped in textured paper with a white ribbon, pink strings, gold glitter dots, and a gold chain accent. https://digital.lib.buffalo.edu/files/original/1341ccf7caad490c068d9d2ea80f30d3.jpg 3f796030a8cfb614b0c9aa88818a0a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Open envelope lined with handmade paper, containing layered purple, silver, and maroon fabric scraps tangled with gold thread. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10.5 x 8 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource This for you petals spring love for Mike Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-01-17 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_7_24 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, fabric, glitter, metallic string, rose petals Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope with a small burn hole through multiple layers of piece contains butcher paper wrapped twice around wax paper wrapped around thick off-white paper French-door folded wrapped in pink paper ribbon and frayed white fabric ribbon with gold glitter irregular polka dots. Inside is a folded sheet of Japanese tissue paper with leaves embedded, cut from original envelope opening. Inside Japanese tissue paper is gold metallic string knotted around purple, white, and silver fabric and strings, and rose petals. Title along bottom of Japanese tissue paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects French-door fold mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/6f65187f8636f2ce32338f32d144bb85.jpg 7750e7a47ac743172bcbe14317f4924b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collaged envelope with “THANK YOU” and “MIKE” written on brown paper strips. https://digital.lib.buffalo.edu/files/original/5ea5cd6a60d8f7766ad0fba09cb78bbd.jpg 4bc3d2c33648c98da33f9a49ea412360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Opened envelope lined with silver paper and a sheer pink textured fabric stitched with red thread. https://digital.lib.buffalo.edu/files/original/45fe4996ce3ac836ae34fe2a5f706a2a.jpg 8b438ed11f8022b6455f8019d6541ec3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Envelope interior lined with patterned silver paper and layered with fabric, yarn, and netting over a printed grayscale image. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 7.75 x 4.25 x 0.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thank you Mike Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_8_26 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, chiffon, wrapping paper, musical score paper, knit lace Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Decorated brown envelope, not mailed, covered in collage elements of black paper and red chiffon bearing “thank you Mike” on recto. Envelope contains silver wrapping paper wrapped around musical score paper bearing a note written in blue ink. Score paper covered in thin knit lace and chiffon threads held together by chiffon threads and gray chiffon bearing 1 inch cuts. Note thanks Mike Belt for his gift.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/d2cbd1c77fdeb3c5b7e72ccd38529f5c.jpg a4d10fca9b62bb0a35142f642f74ec93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Unfolded paper wrapping with pink ribbon, red fabric scraps, lavender fibers, and a sealed envelope. https://digital.lib.buffalo.edu/files/original/73edea713747b3e4ed408870f59117c4.jpg 1cddff3bc6bfa8a1fa7f2e659f8d9d73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Peach ribbon, red and lavender fibers, and an open envelope with a lined card. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 3.5 x 5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thank you for silver canvas painting Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1976 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_8_29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. chiffon, tissue, rose petals, envelope, paper Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Mailed small white envelope with small piece of pink chiffon taped over “Mike” in address, and white waxed linen thread taped to envelope. Envelope contains tissue wrapped around nest of rose petals and purple chiffon threads tied to pink chiffon strip of fabric wrapped many times around small white envelope containing a note “my dear Mike today i received the silver canvas painting “just thinking of you” my love Amelia.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/3ff4363b07073dacc105dc47e7b00017.jpg f8201821fec4d5f814c146d623b0d11f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Small folded purple card partially wrapped in white lace-textured paper and tied with green yarn. https://digital.lib.buffalo.edu/files/original/f6c9a9dd3f7795aa879cea72b431bb08.jpg fb735eda4631604a1d433320ad8738e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Unwrapped card with handwritten message, green yarn with fabric tassels, and white lace paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 3 x 2.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [untitled: wedding invitation decline] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_8_30 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, silk cord, woven fabric, seeds Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Small book-like object consisting of matte purple paper wrapped in white thin Japanese tissue paper and thick, loose, silk, green cord with heavy weight, white, plain weave fabric on verso. Inside is a small card covered in dandelion seeds, and text that reads “My friend Mike / your wedding / negative card / has arrived / Mike Belt / you are right / and the summer / has returned / to feel / your tire heart - / love Amelia.”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/332ce442e4523260560f4389bd38cf93.jpg 73e26ebc1777d2a2f6b15e08b7c6d732 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Yellow envelope marked "First Class" addressed to Mike Belt in New York City, with handwritten labels and multiple postage stamps. https://digital.lib.buffalo.edu/files/original/eb2b82d470c426fb87a1983d1b26d8c4.jpg 491e9a1ab28dd5ce0a62e6b28693afa5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Crinkled aluminum foil wrapping tied with a beige fabric ribbon. https://digital.lib.buffalo.edu/files/original/56c5de19906123ad23c65049910cc343.jpg caa8d5c7d367e68127d8aca823ca75bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered fabric and tissue wrapping with blue, green, and red patterns and textures. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10.5 x 7.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What is a poem but a gift Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1976-09-30 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_10_36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. tin foil, paper, tissue, chiffon, string, feathers, rose petals Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope containing packet wrapped in tin foil. packet consists of white frayed 1/2 inch fabric ribbon tied in middle around layers of gold foil paper, tissue, red and white striped wrapping paper, another layer of gold paper, green construction paper, pink, purple, and blue tissue, rose petals, feather, frayed chiffon ribbon, blue and green chiffon, polyester twill, red string, and yellow deconstructed threads. Nested in the packet is “flower love” written on ripped, purple, matte paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/6637c1fda63f9c8a9a6199ab0f1da012.jpg f24e3f01d2b38a8735c40d34f413ddb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brown paper-wrapped package labeled "First Class" addressed to Mike Belt in New York City. https://digital.lib.buffalo.edu/files/original/aaf737a6ae3842e4ae25040346d25188.jpg 12bbb33af7e7b8519b48f3e05139f05c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White rectangular box with "DENBY'S" printed on it and tan tape applied in multiple places. https://digital.lib.buffalo.edu/files/original/afdc6f819ce43919cb25c98029a8469b.jpg 6b9052643ee53095fbc4e4aeb178dd2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Box interior with a yellow fabric-wrapped item tied in a bow, surrounded by white tissue paper. https://digital.lib.buffalo.edu/files/original/0213023d0cdbcaece7e94171431ec5eb.jpg b05ae950bcffee67b5f625bcd484dda2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Object wrapped in pale yellow fabric with frayed edges, concealing colorful materials underneath. https://digital.lib.buffalo.edu/files/original/343c8629e4524c11943eee2168ebf648.jpg fdacdf7cb4466460de4b42397211a30b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Colorful layered textile bundle with metallic threads, ribbons, and patterned fabrics. https://digital.lib.buffalo.edu/files/original/753871ad4de047b74367f390635e2746.jpg 0ea0896b9dc6c107e7aad99298ac4c85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of layered textile collage with red thread, glittery ribbon, and blue floral fabric. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 12 x 5.5 x 1.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A little spring love for Mike Belt Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1977-03-16 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_12_39 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 6 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Mike Belt, donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, cotton fabric, bundle of various fabrics, tree bark, eggshell Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Butcher paper wrapped mailed package with loose paper tape containing a white Denby’s department store box taped with masking tape that has been sliced open at bottom. Box contains white Japanese paper wrapped in thin, woven, yellow cotton tied with same yellow cotton. Inside contains thick packet of fabric that have not been opened. fabrics include thick woven, jacquards, chiffon, organza, and quilting cotton. Inside fabric packet is a nest of yellow deconstructed threads, bark, and crushed eggshell.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage box poem collage concrete poetry correspondence art fiberwork found objects mail art poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/2b447cf33d7a07e478d7d7747d397c7f.jpg 09b8d4104bef9669e760dc7354f3ca14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Envelope addressed to Ellen Marie Helinka with stylized handwritten words “FLOWER” and “LOVE.” https://digital.lib.buffalo.edu/files/original/88222f55d5317a0e655eb6858f2e7ea1.jpg bb9380687e94ee78a62aaac28262ac4c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorated card addressed to "Ellen Flower Love" with gold ribbon, tulle, and a floral brooch. https://digital.lib.buffalo.edu/files/original/26e24fec91bd122ff5718066e66c4c86.jpg 205b7f9ebb96f3792d89c88009e153ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Decorated card with blue netting, gold ribbon, and handwritten text referencing Ellen Flower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 7.25 x 5.5 x 0.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ellen flower love Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1984 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_15_45 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper card, ribbon, button, fabric flower, netting, fabric, lace, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource White mailed envelope bearing “flower love” handwritten in purple ink, covered in tape. Envelope contains white card bearing “Ellen flower love” written under ribbon with button and fabric flower tied to outside. Note in card pertaining to visit from Gloria Oremstein and Helinka’s dedication poem to Amelia. Small bundle of blue lace around gold metallic fabric, lace, bits of handwritten note, and flowers.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/e36348b26ae74362f6d6a295154f3dbf.jpg 38086778ac6f0ce1a2ea85e893140331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Brown paper folder wrapped with metallic silver ribbon and dried plant material. https://digital.lib.buffalo.edu/files/original/2f9f8729d4a89dd5b148a90e0e817391.jpg 0eec130ec799781d8b81945a31c141b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collage with dried plant, paper scraps, and metallic string on torn tissue paper. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 11 x 8 x 1 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Song of Praise Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_17_49 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, plant material, clear tape, silver paper, ribbon Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Folded large sheet of white drawing paper containing folded pink paper with sage-like dried plant and silver and black strings wrapped around folded paper. Paper opens with black and silver springs tied to a rose petal and “ellenjune” written on piece of paper suspended above large paper. “Song of Praise” and poem typed onto ripped silver paper and taped with clear tape to large paper vertically down page. More dried sage-like plant taped to poem.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/4936393d1b77ba78c9825942d7e43c5f.jpg d8bdf06dea0ef29df3fa85492e456414 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White envelope with handwritten address beside a small textile bundle wrapped in red mesh ribbon. https://digital.lib.buffalo.edu/files/original/a4808510803f2ea23b10be868a0d888c.jpg 59e682a6c3512e1fd3835ed0ee5078b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Red mesh-wrapped fiber bundle with two torn handwritten notes below it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 4 x 7.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Winter Solstice Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1981-03-09 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_17_50 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. lint, plastic ribbon, string, cardboard Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Mailed white envelope containing dryer lint, red plastic ribbon, red and white string all bundled around handwritten note on two irregularly ripped pieces of cardboard painted pink. Part of note reads “no longer able to write letters because cracked foundation in soul….Winter Solstice”The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/fbf6b5ee934dcb966c97eb4e1da04224.jpg 3e780c1f75d98aacfa0509780650f5cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Folded lace-covered booklet with label reading “Ellen Marie” and address “30 Seaman Avenue, New York, NY 10034.” https://digital.lib.buffalo.edu/files/original/db7aac14c99e44c6086fa9d71ce7c49e.jpg 8fb502704ad78f9072f21cd2c6bcb6f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Lace-covered booklet with stitched fabric, dried leaves, thread, and beaded ribbon decoration. https://digital.lib.buffalo.edu/files/original/5f84084b4a8ec2a16d988d1810707a1c.jpg 45d2b10aa37770056e07103df1a02015 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of dried leaves, stitched fabric, beaded ribbon, and text fragments on textile artwork. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 9.5 x 15 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter has touched my heart Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1982-11-29 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_17_51 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. lace, buttons, paper, embroidered fabric, velvet leaves, beaded ribbon, rose petals, seeds Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Piece had been arranged and framed by Helinka, removed from frame by archivist. Multiple layers of cream colored lace folded like book with address and “Ellen Marie” glued to beaded ribbon with decorative button, beaded ribbon wraps around back of book and into the piece. Piece opens to hand embroidered cream fabric, velvet leaves and deteriorating silk flower stems, dandelion seeds, bits of typed text, rose petals, silver colored heart button, “your letter has touched my heart” hand written in ink.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art embroidery fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/be7e021d5cf9d39e3463d2384ec78d4c.jpg b4b260cbf8429ffe1cd5bd9cf502b03e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed-media collage with layered fabrics, string, and a “13th Moon” label. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 7 x 11.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [pu]blishing women, 13th Moon Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_18_52 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. department store box, chiffon, lace, crepe, plant material, paper, rope Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Open department store box containing three-dimensional collage of dark blue and gray chiffon on top of red lace, blue and orange printed crepe, purple and white polka dot chiffon, and grasses with 13th Moon pages cut up and tied with thread to fabrics. White rope and gold paper line the bottom of the box.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/23cfa06d63e1284a57657a1decdd7371.jpg a918a75656e474d00bc65abcdd1ded14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Collage with purple polka-dotted mesh, dried plant matter, red string, and a label reading “13th Moon.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8 x 11.5 x 0.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Response to Ellen's 13th Moon poem: Another Menses as Muse Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_18_53 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. chiffon, metallic fabric, paper, lace, thread, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Purple and white polka dot chiffon has been cut at 1 inch intervals and wrapped around dried flowers, yellow and red threads, parts of Helinka’s poem, and multiple layers of different fabrics with lace and metallic fabric folded inside. Gold foiled paper backing is signed by Amelia, center fabric bunch unopened.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/89982a74046b8053fc2c7827ac28c52c.jpg e2d411063598dc1beeef287c5bd8e0b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Yellow envelope addressed to June Rook in New York, marked "First Class" in red ink. https://digital.lib.buffalo.edu/files/original/71f94af37d7682c22fa32391d5ec6a68.jpg d15c8a5c38d8aa9ac08312fecda4481c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Red textile-bound object wrapped with gold chain and thread. https://digital.lib.buffalo.edu/files/original/e1f32fd8f7c597c589e193efa86a0ccb.jpg bb4d569a7a39b0a874d47fb79b7ee503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered fabric composition with white and red cloth, thread, and sheer material. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 6 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose flower Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1979 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_21_58 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. jacquard fabric, thread, paper, metal chain, chiffon, rose petals, seed pods Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Manila mailer envelope containing tissue wrapped around red jacquard french-door folded fabric with gold chain glued around middle and yellow thread stitched in X patterns along fore-edges. Inside contains white chiffon and 3 layers of other white fabric folded around green and pink chiffon, rose petal and seed pod tied delicately with yellow red, white, and pink threads. “Rose,” “flower,” “petal,” “Amelia” written on pink chiffon.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects French-door fold mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/5ef5d316137bbb7ca8c55d2fddb4deae.jpg ad80507b16679ec4e8e2cdb1ebcbc0ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Textile assemblage with layered fabrics, netting, threads, and textured materials in pink, blue, yellow, and dark tones. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 10.75 x 10.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In a butterfly all flowers for June Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_22_64 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. knit fabric, paper, twine, chiffon, feathers, plant material Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Piece had been arranged and framed by Helinka, removed from frame by archivist. Piece consists of black paper, metallic blue and purple fabric, blue chiffon, pink lace, white loosely knit fabric, twine, organic material, feathers, black metallic yarn.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/ec210f6de444d456b061694c2c1b4523.jpg 361358add8b62d9f1b5eba718b879136 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed-media textile piece with layered fabrics, gold sequins, red and gold threads, and visible typed and handwritten text fragments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 8 x 15.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Touch again soon [yellow sequins] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_22_68 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to, and donated to the Poetry Collection by Ellen Marie Helinka. Medium The material or physical carrier of the resource. paper, sequin fabric, twine, chiffon, thread Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Piece had been arranged and framed by Helinka, removed from frame by archivist. Piece consists of layers of tan and brown papers, twine, red ribbon, and yellow and gold metallic ribbon. Center contains piece of white Japanese paper folded around yellow and gold sequin fabric, blue chiffon, red deconstructed threads, and part of note from Ellen and June with 13th Moon logo, held together with yellow string.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/e5d6c6b195e64b21f3879df02df6ef4d.jpg a15e78d88460a954b9f75c00fdb19b7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Layered cream and off-white textiles with handwritten text on a card and purple thread arranged across the center. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 11.5 x 7.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource And go where the grasses go in winter Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_28_78 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries. Medium The material or physical carrier of the resource. waxed paper, paper, chiffon, woven fabric, thread Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Wax paper wrapper taped around white french-door folded paper tied intricately through the piece with purple and black chiffon ribbon. Packet opens from back to reveal woven white fabric, yellow chiffon, purple string and deconstructed chiffon strings, paper tri-folded with poem written in purple ink. Intricately tied deconstructed purple chiffon threads make an X over the middle of the poem when opened.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/9c50c1cbb3b7a01b73f61b7cea12223b.jpg 2058446f7cf08deaa1187b6adcf6008b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Light blue paper with stitched copper wire and metallic thread in zigzag patterns. https://digital.lib.buffalo.edu/files/original/de3c5ee6a02d1574745ced992988ef5e.jpg 06bf67210727efb9a8d9244dcd99c1a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource White paper with lace edges, featuring a blue sheet with typed text, translucent fabric, and a dried flower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 6 x 10 x 0.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Love for poem spring a butterfly Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_29_81 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 2 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries, Karl Gay. Medium The material or physical carrier of the resource. cellophane, waxed paper, paper, chiffon, copper coil, dandelion, rose petals Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Blue cellophane wrapped multiple times around deconstructed blue chiffon threads, eggshell, a feather, and a packet wrapped in wax paper taped to end of cellophane. Wax paper contains white and blue tissue, shredded chiffon ribbon, tissue wrapped around gold metallic thick paper taped shut with rose petal, blue french-door folded paper bearing “a packet poem” written on tail edge wrapped in a stretched copper coil and metallic blue sewn embellishment. Japanese tissue paper containing leaves as part of paper, blue tissue wrapped in delicate chiffon wrapped around orange tissue tied with loose knots of blue chiffon threads. Japanese tissue paper wrapped around card tied with metallic blue thread bearing “for Karl with love Amelia” folded around blue chiffon and blue cellophane and thread around pressed dandelion and poem tied to center of work.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/7bbe8c5c67121f8cab64416d8093254a.jpg 494b08ebc1b4d9786a84ebf456c24803 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed media artwork with orange paint, fiber tufts, thread, and embedded objects on a folded surface. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 6 x 9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource As if a sweetness we did smell of apricots and joy Keep poetry free Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_29_82 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 1 image Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries, Karl Gay. Medium The material or physical carrier of the resource. paint on paper, seeds, yarn Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Orange paper french-door folded and tied shut with light orange torn crepe fabric, tied in a bow. Orange paper folded around pinkish gray paper, 2 layers of white Japanese tissue paper, all folded around orange chiffon fabric wrapped around tri-folded paper with poem text written in a radial pattern in different colored ball point ink. Small gold sheet of paper with poem text typed in center is tied with gold thread under the chiffon strip running across the center of the page. Whole piece is nested in orange and yellow jacquard fabric folded to resemble a book cover, with 2 orange buttons tied to 2 small pieces of paper reading ”Karl” and “Amelia.” Frayed strands from jacquard, chiffon, and crepe bundled between cover spine and poem paper holding down another poem consisting of white handmade paper painted orange, folded around metallic gold and orange yarn. Paper opens to reveal yarn pulled tight across middle. “(K)(E)(E)(P) (P)(O)(E)(T)(R)(Y) (F)(R)(E)(E)” typed along center of smaller sheet of paper.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork found objects mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry https://digital.lib.buffalo.edu/files/original/00b21a9a006ff7779940b8a63533f913.jpg 92a76c0f60880a1d00248c08bafac421 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Crinkled green and silver foil wrapping with a torn opening revealing tan lace fabric underneath. https://digital.lib.buffalo.edu/files/original/499642d2a1885280e0997b0df2bdbacd.jpg cd61b76bf1ff18dc1fec000377d2484e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Tan crocheted lace centered on a crinkled sheet of silver foil. https://digital.lib.buffalo.edu/files/original/81d28882b4eece8cbaa5e4a3cdaa232e.jpg 2baefb650975acf0cec9481be8bb969e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Mixed media textile with lace, metallic foil, fabric scraps, and small shells. https://digital.lib.buffalo.edu/files/original/4a22356b49e6b9f2ea3781f041d02309.jpg 2269b8ab7009820053bbfb261ef62f56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Close-up of mixed media with shells, fabric, yarn, and lace. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amelia Etlinger Collection Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry -- Female authors American poetry -- 20th century Description An account of the resource This digital collection aims to give an overview of the wide range of work created by Amelia Etlinger, 1933-1987. Etlinger was born in New York City and moved with her family to Clifton Park, New York in the late 1960s. After reading ee cummings, Etlinger started to create visual poetry that evolved into elaborate and collaborative works of natural material collected in the woods behind her house as well as fabric, thread, beads, costume jewelry, Japanese papers, and other found material. Etlinger was relatively unknown in the United States during her life time, but her work has been exhibited widely internationally, and most notably in Italy, where it was well received by concrete theorists and the Italian Poesie Vivisa community. Throughout Etlinger’s career, this community of avant-garde artists, curators, and critics including Mirella Bentivoglio, Franca Zoccoli, Betty Danon, Paula Claire, and Ugo Carrega befriended her and supported her work. While she has been critically assessed within the realms of Fluxus, Poesie Vivisa, mail, fiber, book, conceptual, and feminist art, Etlinger was adamant in correspondence and interviews that she was a poet, not an artist, and that “art is the danger to the visual poem.” By the 1970s, her poetry had evolved away from words as her primary medium and she began writing her poetry in her language of threads. Etlinger’s work in this collection ranges in size from 4 foot by 5 foot tapestries to 2 inch bundles of lint, paper, and thread. The most common formats found include “packet poems,” which consist of department store boxes with the poem inside and sometimes out, and book-like structures created from manipulated paper and fabric sent in manila mailer envelopes. In addition to personal fragments associated with each recipient, common material includes frayed chiffon, organza, jacquard, Japanese tissue papers, facial tissue, colored cellophane, different weight thread, yarn, and cord, and always natural material. The most prevalent natural material are rose petals, but Etlinger also uses other flower petals, ferns, leaves, dried berries and seeds, and delicate dandelion seeds usually found at the center of her work. She frays the edges of almost every piece of woven fabric, and the frayed warps and wefts are also incorporated into her work and often tied or bundled and nested around other material. Tin foil and wax paper are often found wrapped around the department store box poems, and pieces in the boxes are often wrapped in multiple layers of tissue. The majority of the Amelia Etlinger Collection, consisting of over 100 works, correspondence, and criticism, was donated by Ellen Marie Helinka [Bissert], who has been instrumental in preserving Amelia’s legacy. Helinka founded 13th Moon: A Feminist Literary Magazine in 1973, and it was the poems in Ellen’s interview with Etlinger that won her the Fels Award in 1976. Helinka and Etlinger maintained their relationship and correspondence up until Amelia’s passing in 1987. Helinka was also corresponding with Mike Belt and preserved and donated his collection of Amelia’s work to the Poetry Collection along with her personal collection. Other material was donated by Mirella Bentivoglio, with whom Etlinger had both a personal and professional relationship, Paula Claire, and others, and additional items were sent directly by Etlinger to the Poetry Collection curators in the 1970s and 1980s. This digital collection showcases some of the techniques used and the variety of Etlinger’s work from packet poems to box poems to book objects as well as her use of such materials as rose petals, sea shells, and black chiffon bands. Each piece consists of multiple layers, and some pieces or elements remain completely unopened. Images in this collection have been carefully selected to show these layers in depth, but cannot reveal the pieces in their entirety. For more information about the artist and the Amelia Etlinger Collection, please see the full collection finding aid. Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource 1974-1986 Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. For more information contact the Poetry Collection at lpo-poetry@buffalo.edu. Format The file format, physical medium, or dimensions of the resource Fiber art Assemblage Language A language of the resource en-US Type The nature or genre of the resource Physical Object Identifier An unambiguous reference to the resource within a given context LIB-PC010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970-1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection State University of New York at Buffalo. Poetry Collection References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Finding Aid for the Amelia Etlinger Collection (PCMS-0060) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection donated from the personal collections of Ellen Marie Helinka [Bissert], Mirella Bentivoglio, Paula Claire, Gloria F Orenstein, and Michael Basinski. University at Buffalo, Poetry Collection received pieces directly from Amelia Etlinger. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data fiber art assemblage Physical Dimensions The actual physical size of the original image. 5 x 4 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [untitled: green foil, lace, shells] Subject The topic of the resource Concrete poetry Visual poetry Mail art Correspondence art Assemblage (sculpture technique) Textile art Fiberwork Poetry--Female authors American poetry--20th century Creator An entity primarily responsible for making the resource Etlinger, Amelia, 1933-1987 Source A related resource from which the described resource is derived Amelia Etlinger Collection (PCMS-0060) Poetry Collection Manuscripts (State University of New York at Buffalo) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Poetry Collection Date A point or period of time associated with an event in the lifecycle of the resource undated Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Physical Object Still Image Identifier An unambiguous reference to the resource within a given context PCMS-0060_31_93 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Clifton Park, New York 1970 - 1986 Is Part Of A related resource in which the described resource is physically or logically included. Amelia Etlinger Collection (LIB-PC010) Date Created Date of creation of the resource. 2015-10-05 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Collection open for research. Extent The size or duration of the resource. 3 images Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Sent to Curator of the Poetry Collection of the University Libraries. Medium The material or physical carrier of the resource. green tin foil, lace, chiffon, seaweed, shells, sand Rights Holder A person or organization owning or managing rights over the resource. Estate of Amelia Etlinger Rights Information about rights held in and over the resource Copyright the Estate of Amelia Etlinger and used with permission. Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. <a href="">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Description An account of the resource Green crinkled tin foil wrapped around off-white lace folded around chiffon, fragments of shells, sand, and seaweed.The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. assemblage collage concrete poetry correspondence art fiberwork mail art packet poem poetry poetry -- female State University of New York at Buffalo. Poetry Collection textile art visual poetry