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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Recorded on April 25, 2002 by Van Vorst. It was recorded on a 90 minute Radio Shack sound cassette.</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>01:22:15</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Derek Walcott interview] /</text>
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                <text>Recorded in April 2001 by Van Vorst. It was recorded on a 90 minute Maxell sound cassette.</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Peter Singer and Jay Winik interviews] /</text>
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              <elementText elementTextId="1911369">
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&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading at the Poetry Collection, University at Buffalo, August 3, 1988] / Robert Creeley.</text>
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                <text>The company --The door --Age --Echoes --Eight plus --Plague.</text>
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                <text>Recorded at the Poetry Collection in Buffalo, N.Y. on August 3, 1988 on a 90 minute Maxell sound cassette.</text>
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                <text>During this poetry reading, Robert Creeley read poems from Windows (1990) with the exception of "The door." Creeley provided commentary and the reading concluded with a question and answer session. "It was a crucial time for recognition," Creeley said in answer to a question about Black Mountain College, "and potential, of articulate potential, and it had all the more so that fact because it had no large public authority, but it wasn't right or wrong. It just had an intensive feeling of--it was dazzling." The man who introduced Creeley is unidentified.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading] / Gary Snyder, Nathaniel Tarn.</text>
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                <text>Gary Snyder, Nathaniel Tarn.</text>
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                <text>Disc 1.Gary Snyder reading from Regarding wave:Revolution in the revolution, in the revolution --The song of the taste. --from Turtle Island:The bath --The wild mushroom --LMFBR --Magpie's song --Tomorrow's song --For the children --Those who are dead and yet fully alive. --from Mountains and rivers without end:Down --[Up] --The flowing --Greasy boy --[Ah to be alive on a mid-September morn] --Work song --Home on the range --Will Dallas grow --All in the family --No shirt, no shoes, no service. --Disc 2.Nathaniel Tarn reading:first line of poem:[Piss vomit in my mouth] --The jubilation --first line of poem:[While translating scriptures] --Narrative of the readings in Chicago --Second movement on the Delaware --The fire poem --first line of poem:[Womens expressive arts crisis follow].</text>
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            <elementTextContainer>
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                <text>Recorded at the University Wisconsin-Milwaukee in the Spring of 1975 on a 120 minute Sound/Tracs sound cassette. Recorded by Allen De Loach and acquired by the Poetry Collection.</text>
              </elementText>
              <elementText elementTextId="854932">
                <text>American poet, essayist, lecturer, and environmental activist Gary Snyder reads selections from Regarding wave and Turtle Island. British poet Nathaniel Tarn reads from The house of leaves. Privately recorded during the Ethno-poetics conference, at the University Wisconsin-Milwaukee in the Spring 1975.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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            <elementTextContainer>
              <elementText elementTextId="1911367">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                <elementText elementTextId="62138">
                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading at the Allentown Community Center, Buffalo, N.Y., March 5, 1976] / Peter Orlovsky and Allen De Loach.</text>
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                <text>Peter Orlovsky and Allen De Loach.</text>
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                <text>Allen De Loach reading:Mudhead Kachina --Mudhead beckons --Pilgrimmage --The social dance --Now this was two suns passed --Concerned with paying dues --The dance of Shiva --Recognitions for my wife --Puja 2: Joan --Beginning with fingertips --Through day star seasons.Peter Orlovsky reading:Frist poem --second poem --Cat haiku --Snail poem --Poems from the subway ride --Creedmore State Mental Hospital night shift look &amp; mop --Morris --[Sex experiment poem] (Allen, I'm) --Love poem to A.J. Muste --Don't bite please --Scrambled leaves poems --[After visit to] --Good fuck with Denise --Write it down, Allen said --Down on Penny's Farm [song] --McKinley [song].</text>
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                <text>Recorded at the Allentown Community Center by Allen De Loach for the Poetry Collection on March 5, 1976 on a 120 minute BASF sound cassette.</text>
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                <text>Poets Allen De Loach and Peter Orlovsky read together for the first time in ten years. A couple of the later poems read by Orlovsky includes banjo accompaniment.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>State University of New York at Buffalo. Poetry Collection.</text>
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                <text>[Poetry reading at the University at Buffalo, July 20, 1967] / Michael Rumaker.</text>
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              <elementText elementTextId="854945">
                <text>Michael Rumaker.</text>
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            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
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                <text>To a nineteen year old Marine killed near Da Nang --The pipe.</text>
              </elementText>
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            <description>An account of the resource</description>
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              <elementText elementTextId="854947">
                <text>Recorded at the University at Buffalo on July 20, 1967 on 7 inch reel-to-reel tape.</text>
              </elementText>
              <elementText elementTextId="854948">
                <text>Michael Rumaker performs his story and a poem in an afternoon reading at the University at Buffalo. Poet is introduced by John Logan. Reading occurs in a very noisy hall at the University at Buffalo.</text>
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            </elementTextContainer>
          </element>
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            <name>Date</name>
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                <text>1967</text>
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                <text>PCR284</text>
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            <name>Publisher</name>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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            <name>Audience</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1911365">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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            <description>Actual filename of the video on the video source server</description>
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                  <text>Poetry</text>
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                <elementText elementTextId="62138">
                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading] / Clifford Burke.</text>
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                <text>Clifford Burke.</text>
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                <text>Jam making --Blues for the season --Early Sunday --Lesser at point no point --Salmon --Chinook --Dangerous flower (excerpt)</text>
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            <name>Description</name>
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                <text>Recorded on a 5 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in 1968 in San Francisco.</text>
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                <text>Clifford Burke reads his poetry.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>State University of New York at Buffalo. Poetry Collection.</text>
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                <text>[Poetry reading at the Poetry Collection, University at Buffalo, November 14, 1990] / Clark Coolidge.</text>
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                <text>And make a trance like pass --Registers (People in all), Number 31 "Every eighteen minutes there is something waiting" --Number 32 "Have you seen it knock all out" --Number 33 "Come from the middle" --Number 34 "Do you continue" --This time we are both.</text>
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                <text>Recorded at Poetry Collection in State University of New York at Buffalo on November 14, 1990 on 90 minute Maxell sound cassette.</text>
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              <elementText elementTextId="854964">
                <text>Mark Wallace introduces Clark Coolidge for a poetry reading at the Poetry Collection. Coolidge reads from This time we are both, Comes through in the call hold and Registers (people in all).</text>
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                <text>1990</text>
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                <text>PCR057</text>
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              <elementText elementTextId="856469">
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            <elementTextContainer>
              <elementText elementTextId="1911363">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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        <description>Elements needed for streaming video for the VideoStream Plugin</description>
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            <name>Video Filename</name>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading at the University at Buffalo, April 1, 1988] / Gustaf Sobin.</text>
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                <text>Gustaf Sobin.</text>
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                <text>Dominion --Signs --Isn't this almost --Effigy ultimately the sister --Helix --Breath's reflections --Troubador --Thus --Draft for Santa Cruz --Madrigal --Girondeau --Irises --Les a pieds --Of neither wind nor anemones --Along lines, the lines move --IIdyll --Nile --What the music wants (In memory of George Oppen) --From a motel on the outskirts of Cleveland, Ohio --Nantasket --Rochester --Ferrara unleavened --Lineage --A portrait on the self --An instrument of its syllables.</text>
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                <text>Recorded at the University at Buffalo on April 1, 1988 on a 90 minute Maxell sound cassette.</text>
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                <text>Robert Creeley introduces the poet Gustaf Sobin. Sobin reads poetry from his works: Celebration of the sound through (1982), The earth as air (1984), Nile (1984), and Voyaging portraits (1988). Sobin reads poems in honor of George Oppen, Robert Duncan and his family members.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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                  <text>&lt;p&gt;In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York&lt;/li&gt;
&lt;li&gt;personal recordings that poets made of their own readings over a period of time&lt;/li&gt;
&lt;li&gt;and libraries of tapes collected by various individuals and groups.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky.&lt;/p&gt;
&lt;p&gt;Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;promote the study of poetry’s performance&lt;/li&gt;
&lt;li&gt;provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning&lt;/li&gt;
&lt;li&gt;function as audible manuscripts testifying to the composition and revision habits of poets&lt;/li&gt;
&lt;li&gt;document the social contexts and literary communities in which poetry takes place&lt;/li&gt;
&lt;li&gt;and offer an effective resource personalizing the experience of poetry for students of all levels.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them.&lt;/p&gt;
&lt;p&gt;Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Anthony Ostroff Collection&lt;/li&gt;
&lt;li&gt;Carolyn Stoloff Collection&lt;/li&gt;
&lt;li&gt;Curators’ Collection&lt;/li&gt;
&lt;li&gt;George F. Butterick Collection&lt;/li&gt;
&lt;li&gt;Hand and Flower Press Collection&lt;/li&gt;
&lt;li&gt;Helen Adam Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Intrepid&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Jargon Society Collection&lt;/li&gt;
&lt;li&gt;John Logan Collection&lt;/li&gt;
&lt;li&gt;Just Buffalo Collection&lt;/li&gt;
&lt;li&gt;Kenneth Rexroth Collection&lt;/li&gt;
&lt;li&gt;McGraw-Hill Sound Seminar Collection&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Moody Street Irregulars&lt;/em&gt; Collection&lt;/li&gt;
&lt;li&gt;Paul Hogan Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Festivals Collection&lt;/li&gt;
&lt;li&gt;Poetry Collection Recordings Collection&lt;/li&gt;
&lt;li&gt;Radio Program Collection&lt;/li&gt;
&lt;li&gt;Tenth Muse Collection&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;More collections will be digitized and added in the future as funding allows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Streaming audio and copyright&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Help us improve the catalog records&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you have any suggestions for correcting or improving these catalog records please contact &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt; and we will do our best to update the records in a timely manner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Additional audio donations&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at &lt;a href="mailto:lpo-poetry@buffalo.edu"&gt;lpo-poetry@buffalo.edu&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>[Poetry reading at the Poetry Collection, University at Buffalo, November 11, 1993] / Rosmarie Waldrop</text>
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                <text>Rosmarie Waldrop</text>
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                <text> introduction by Peter Gizzi.</text>
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                <text>Shorter American memory of the Declaration of the Independence --Shorter American memory of Salem --Shorter American memory of the American character according to Santayana --Salutations --Of eating and entertainment --Concerning sleepe and lodging --Of their numbers --Of their relations of consanguinitie and affinite, or, blood and marriage --Of the family and the businesse of the house --Of their persons and part of body --Of discourse and newes --Of the time of the day --Of the season of the yeere --Of travell --Concerning the heaven and heavenly light --Of the weather --Of the earth and the fruits thereof --Of the sea --Of their nakednesse and clothing --Of religion, the soule --Of their warre --Of death and burial.</text>
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                <text>Recorded at the Poetry Collection at the University at Buffalo on November 11, 1993 by the Poetry Collection on a 90 minute Maxell sound cassette.</text>
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                <text>Following a 03 min., 24 sec. history and introduction, contemporary American poet, translator and publisher Rosmarie Waldrop performs a traditional poetry reading. Recording cuts off before the end of the last poem, Of Death and Burial.</text>
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                <text>The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant.</text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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                    <text>Photographs

�H-1326

Across From Grand View Point. Grand Canyon. Arizona

H-1525 Sunrise in Grand Canyon, Arizona

COPR Detroit Publishing Co.

�[1]
[California Pictures
Jan. - Feb. 1918. ]

[Navaho Indian Children of Grand Canyon of [?Arizona?]]

�[2]

[Hopi House, where Indians Live.

[Navaho Indian [?druid] to the ninety-nine years ]

Grand Canyon ]

�[3]

[A Typical home of the Inidan.]

[Bear at the Canyon.]

�[4]

[Happy view of the Grand Canyon]

[View from Hopi Point.]

�[5]

[Garden of the [illegible] Grand Canyon.]

[Frontage of
U. S. Grant

Hotel. San Diago.]

�[6]

[View from [?Morrison?] Cliff.

[Japanese Garden San Diego
Cal.]

San Diego Cal.]

�[7]

[Antlers at Balloa Park.

San Diego.]

[The Top of Grosemont]

�[8]

[View from top of Grosemont

[illegible]ehumen - Hundo

[[?Pursie?] leading Donkey.]

home in on this MT.]

�[9]

["Puss" and Sat Venice]

["Puss."]

�[10]

[Mather and Puss

at Venice.]

[Canal of Venice.]

�[11]

[Opening of
[Ano their Canal]

Canal System.]

�[12]

[Highest bridge in California,
cost to build #
3,000,000 near Pasadena.]

[Sea Birds on the Ocean]

�[13]

[Grape Fruit Tree.]

[Pier at Long Beach.]

�[14]

[A corner of the beautiful
home of Wrigley

Pasadena]

[Hotel Del [?Cornado?]

[?Cornado?] Beach.]

�[15]

[15 A]
["Jackie"]

["Moris.."]
[15 B]

�[16]

["David"]

["Dad"]

�[17]

[Teddy
Teddy]

[1918]

�[18]

[?Joabelle Hart?]

�[19]

["Ted"]

[?"Slivas?]

�[20]

[1918]

�[21]

["Ted" and the "Stud"]

[Mathor 1918]

�[22]

[The "Stud"]

[?"Ich"?]

[Teddy in [?Porch?]]

�[23]

[My "Cat" Coat]

[Dad

and the

Violets]

["Tedo" Coat]

�[24]

[Elle, Evee, and the hound]

["Evee", Mister Glenn and Elle]

�[25]

[Years ago]

[Evee, Elle, + [?Son the [illegible]?]

�[26]

[LetchwortPak]

[Ri, [?Tecl?], by the Falls.]

"Ri"

[On the road to Letchworth]

�[27]

[Museum at Letchworth]

[Two "cig" friends]

[On our way to Letchworth]

�[28]

[Indian council house at the Park]

[Letchworth
Hotel]

[Glenn Iris Hotel]

[Indian
women at
the park]

�[29]

[Mary + Ri]
[[illegible] Morris and Rowen]

[Ted]

�[30]

[[illegible] Ed.]

�[31]

�[32]

�</text>
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                  <text>Josephine W. Hewlett was a graduate and donor to the University of Buffalo. Born in Buffalo in 1900, she worked as a case supervisor for the Erie County Department of Social Welfare. Before her death in October 1944, Josephine and her sisters, Theodosia C. Stickney and Ruth V. Hewlett, traveled widely, frequently taking trips together around North America and Europe. This album features photographs of the Hewlett family around Arizona, California, and New York State. The photographs were taken by Josephine and many are dated between January and February 1918. The sisters traveled to Flagstaff, Arizona; San Diego, California; Los Angeles, California; Pasadena, California; and Genesee Falls, New York. They visited the Grand Canyon, Balboa Park, Venice Canal Historic District, and Letchworth State Park, among other tourist destinations.</text>
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                <text>Ruth V. Hewlett and Theodosia Stickney papers, 1900-1998 (MS 85)</text>
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                <text>MS85_2_2_001</text>
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                <text>Josephine W. Hewlett Travel Photograph Album (LIB-UA029)</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;. If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0033_1.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). &lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The collection contains 30 photographs from the personal collection of violinist and conductor, Pamela Gearhart. She was a member of the music faculty at the University at Buffalo 1957-1975, teaching violin, chamber music performance, and conducting the university's orchestra. While in Buffalo she also conducted the Community Music School of Buffalo's orchestra, building it from an ensemble of ten people to one hundred. After she left the University at Buffalo she served on the music faculty at Ithaca College until 1993. The collection contains images of Pamela Gearhart, her husband Livingston Gearhart, Budapest String Quartet members Mischa and Alexander Schneider, and conductor Skitch Henderson.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0033_1.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>Pamela Gearhart (2nd row, 2nd from right) with Reverend Luke H. Rhoads and members of the 1946 communion class at First Lutheran Church in Altoona, Pennsylvania</text>
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                <text> Lutheran youth</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>1946</text>
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                <text>Gearhart, Pamela</text>
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                <text>Black and white </text>
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                <text> Group portraits--1940-1950 </text>
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                <text> Photographic prints--1940-1950</text>
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                <text>Mus. Arc. 33.1 </text>
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                <text> ubmu0033_1_031</text>
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                <text>Pamela Gearhart Collection of Photographs, circa 1955-1983 </text>
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                <text> LIB-MUS022</text>
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                <text>First Evangelical Lutheran Church (Altoona, Pa.) </text>
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                <text> Pennsylvania </text>
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                <text> United States</text>
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            <description>An account of the resource</description>
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                <text>Left to right, top to bottom: Ellsworth Ammerman, Joanne Begalke, Robert Beaver, Virginia Lind, Donald Stevens, Carolynn Little, Ruth Rice, Patricia Long, Rev. Rhoads, Pam Gerhart, Olla Ann Horton, Kenneth Kelley, Carmen Griffith, Merle Slemmer, Shirley Rice, Jack Ardry, Audray Anderson.</text>
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                <text>A group of people stands in rows on stone steps in front of large, dark wooden doors. The young people wear formal attire such as white dresses and light-colored suits, while an adult in the center wears a suit and overcoat. Text on the bottom step identifies the group as the "FIRST LUTHERAN CHURCH CONFIRMATION CLASS OF 1946."</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). &lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                    <text>A person in a long dress plays a violin on a stage in front of dark curtains.</text>
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&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0033_1.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>Pamela Gearhart playing violin at Keith Junior High School, Altoona, Pennsylvania</text>
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                <text>Violinists</text>
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                <text>circa 1947</text>
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                <text>Gearhart, Pamela</text>
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                <text>Black and white </text>
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                <text>Image </text>
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                <text>Mus. Arc. 33.1 </text>
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                <text>Pamela Gearhart Collection of Photographs, circa 1955-1983 </text>
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                <text> LIB-MUS022</text>
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                <text>D. S. Keith Junior High School (Altoona, Pa.) </text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). &lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                <text>A person wears a floor-length, light-colored dress and plays a violin while standing on a stage. They hold the instrument against their left shoulder and a bow in their right hand. The background is composed of dark curtains, and the entire scene is rendered in sepia tones.</text>
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&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0033_1.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>Mus. Arc. 33.1 </text>
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                <text>Pamela Gearhart Collection of Photographs, circa 1955-1983 </text>
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                <text> LIB-MUS022</text>
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                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). &lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The collection contains 30 photographs from the personal collection of violinist and conductor, Pamela Gearhart. She was a member of the music faculty at the University at Buffalo 1957-1975, teaching violin, chamber music performance, and conducting the university's orchestra. While in Buffalo she also conducted the Community Music School of Buffalo's orchestra, building it from an ensemble of ten people to one hundred. After she left the University at Buffalo she served on the music faculty at Ithaca College until 1993. The collection contains images of Pamela Gearhart, her husband Livingston Gearhart, Budapest String Quartet members Mischa and Alexander Schneider, and conductor Skitch Henderson.&lt;/p&gt;
&lt;p&gt;Complete details about the collection can be found in the &lt;a href="http://purl.org/net/findingaids/view?docId=ead/music/ubmu0033_1.xml"&gt;finding aid&lt;/a&gt; for the collection.&lt;/p&gt;</text>
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                <text>Gerhart, Russell, 1902-1972</text>
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                <text>State University of New York at Buffalo. Music Library</text>
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                <text>1949</text>
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                <text>Gearhart, Pamela</text>
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                <text>Black and white </text>
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                <text> Photographic prints--1940-1950</text>
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                <text>Image </text>
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                <text> Still image</text>
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                <text>Mus. Arc. 33.1 </text>
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                <text> ubmu0033_1_083</text>
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                <text>Pamela Gearhart Collection of Photographs, circa 1955-1983 </text>
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                <text> LIB-MUS022</text>
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                <text>Chautauqua (N.Y.) </text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1926812">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). &lt;a href="https://library.buffalo.edu/music/about/copyright.html"&gt;Copyright Statement for Digitized Materials from the Music Library&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>A shirtless person with short hair and glasses sits on wooden steps, looking toward a wooded area and a body of water. They wear light-colored trousers and white shoes and hold a cigarette in one hand. A wooden railing is on the left side of the frame, and lush foliage fills the background.</text>
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                <text>The description and alternative text may have been partially generated using an AI tool and may contain errors or omissions. </text>
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