2
100
344
-
https://digital.lib.buffalo.edu/files/original/f411d4910cace93a24fb1993833eccc7.pdf
ae96c10f03006ad19e92b6dcbd708502
PDF Text
Text
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-11-17
With references to the following additional composers: Hans Werner Henze
Note: Eastman performs El Cimmaron
Source
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Music Department
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State University of New York at Buffalo. Music Library
Date
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1973-11-17
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Music Library
Format
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eastman_242
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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564543b89dd6a1531aefd1d8361e91c9
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Text
BuFFALo EvENING NEws
------------~---
Baird Hall
Composers Concert
ADelight With
Pizza, Wi·ne, Music
By JOHN DWYER
Pizza and Labrusco wine,
tables and candles, red-check
napkins, menu on the blackboard, strolling guitar player,
shambling waiter, party • revelers in tarantella dances.
What was it? A · concert
piece, that's what, on Baird
Hall stage.
And in the middle of it, a
lecturer and soprano at a table
and mike. The lecturer ate
pizza and declaimed in a cultivated Brooklyn-shaded accent,
sof:ened by sips of wine.
--'--- TH
,....E
......,OTHER works :
The singer added paragraphs
Two pianos and two violins in
in fitful squeaks, sp_recht- "Ash Wednesday" by Andrew
stimme and a demented form Velcoff, clear and complex at
of coloratur a.
the same time, in close-worked
* • •
intervals and fine-wine texTHUS COMPOSER Peter tures.
Lee Lovallo's fragile, Ieavy
Gena's "Schoenberg in Italy,"
the big staging out of 10 works "Unter den Linden" witJh alto
on the UB Composers Work- Carol Grey, piano and percusshop Concert. The Saturday sion.
program delighted a large
A chamber Trio of Robert
1
crowd.
Brainerd, revolving hypnoticalThe role of lecturer was Jy on a two-note figure; "Air"
taken by com,poser Morton by Leslie Kleen for singer JuFeldman of international re- !ian Eastman in psychophonic
pute, current UB Slee Profes- sounds with chamber group.
"Ephemerae," a II us i v e
sor, who mas~ermined the affair. 'fihe singing commentator string quarte~ by Margaret Scowas soprano Sylvia Dimiziani. ville; a crisp, brightly fugal
Extraordinary.
March by Charles Casavant.
"Schoenberg in Italy" is
• • •
about the happiest piece I've
"NOSTALGIA" BY Yong
heard here in about five sea- Sook won, a delicate web of
sons. Composer Gena uses- a memoir with soprano Marjorie
dreary and myopic 1924 essay Rosenberg, pianos and harp;
by Italian ·composer Alfredp an electronic tape work, "MiCasella on the subject of Vien- ·thril Canticles" by Michael
nese composer Arnold Schoen- Christopher.
ber.g and his disturbing atonalA set of string quartet
ist adventures.
"Paganini" variations titled
The score with mischievous Test Pattern I by Andrew Stillp a r o d i e s of Schoenberg er, with some of his wit and
mannerisms, for keyboards and reverie.
percussion, vied with a burst of
Nothing is more vital to curItalian ballad and dance favor- rent music activity than a
ites on the speaker, and was decent forum f o r young
conducted by Nils Vigeland. It composers. This was an imporwould be a shame if it were .not , tan t project, and a highly
repeated here, somehow.
entertaining one.
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Composers concert a delight with pizza, wine, music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-11-11
With references to the following additional composers: Peter Gena, Morton Feldman, Alfredo Casella, Arnold Schoenberg, Andrew Velcoff, Lee Lovallo, Robert Brainerd, Leslie Kleen, Margaret Sconville, Charles Casavant, Yong Sook Won, Andrew Stiller
Creator
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Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-11-12
Contributor
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Music Library
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eastman_241
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
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https://digital.lib.buffalo.edu/files/original/17ead873cf555abd7fe0a22ccdd36253.pdf
ef6433029803326bb6ae1561fb1611b2
PDF Text
Text
BUFFALd COURIER-EXPRESS, Suooay, Novemlber tf, 1973
Focus on Music
'El
Cimarro11~
By THOMAS PUTNAM
ESTEBAN UONTEJO was 104
years old when he was discovered by writer M i g u e I
Barnet in 1953
in a small viiJag~ in Cuba.
Born into
slavery, Montejo became "a
Cimarron" - a
runaway slave,
"8 ·wild horse" ·
- and fought in
the war of inde p en d ence
Putnam
a g a i n s t the
S p aniards in
1895-1898.
The history was taken down:
by Barnet with 8 tape recorder,
and made into a bOOk. Eventually this "biography ~ of the
!runaway slave, Esteban Montejo" became the tiubject of a
.!!mall opera by the German
·composer Hans Werner Henze.
"El Cimarron" will be performed in an English version
by Christopher Keene on the
Evenings for New Music program at 8 p.m. Saturday in
(he Sculpture Court of the Albright-Knox Art GaJJ;ry.
JULIUS ~ASTMAN.~ creative
associate composer, will be
baritone soloist In the part of
the runaway slave, a role he
took for the U.S. premiere in
1971 at Pittsburgh.
The work which Henze cornposed In 1969-70 lasts about 70
minutes, and will take up the
entire program. 'fhere will be .
dramatic .staging by Beverly
Wideman of the University of
Buffalo's theater department.
Besides Eastman, the three
other performers also come to
this production with past experience with Henze's "El
Cimarron." Stuart Fox, retuxning guitarist for this program,
and ' percussionist Dennis Kahle
were involved In the Pitt.sburgh
production;
and
nut Is t
Eberhard Blum witnessed the
~omposer'& production in Germany.
Slave~s
Tale
included the c o m p 1 e t e incidental music to Goethe's
drama, a heroic sample of
words and music. The actor
may l: e the narrator If ·condue~<'- Henry Lewis decides to
p e d 'l r m Schoenberg's "Survivcr . rom Warsaw" later this
seasoE in New Jersey.
·
His .\JOt'k local1y with the Buf·
falo Philharmonic usually comes at the last minute, so right
now he !s, philharmonicallv
- speaking, speechless.
·
We've had part of the ":E.gmont" incidental . music . here,
Bnd Mardirosian was t h e
Into' the
Schoenberg
should lookreader.
~~~~~~~~~~~~~ , ·dramatic
Now
someone
work for ·a Buffalo program.
I
TWO INTERNATIONAL competitors in the Buffalo Philharmonic Orchestra are harpist
"EL ..CIMARRON" was pre- Suzanne Thomas and new ~e
miered' at tl1e A Ide burgh ~ond flutist Toshiko Kohno.
Miss Thomas was one of 28
Festival in England. T h e
original Spanish text by Barnet harpists from 10 countries who
was translated and adapted for COilliJeled in the International
music for the composer by Harp Contest held In Jerusalem
in September. By the time all
Hans Magnus Enzensberger.
The Center of the Creative the strings had been beautifully
Performing Arts, which pre- plucked, Miss Thomas was
fourth in the world. She Is In
~;ents Evenings for New Music,
has never performed Henze her eighth season with the
Philharmonic.
before.
Henze possibly will be here
Miss Kohno was the winning
' saturday. The production will piper in the International Combe taken to the Brooklyn petition for Musical Performers
Academy of Music Dec. 29 as In September in Geneva, Switpart of Lukas Foss's series zerland, where the winds are
there. (Henze ls in New York cold, the wind playing hot.
for the performance of his Viola Tbere wer.e 124 flutists from
Concerto by Walter Trampler.)
36 countries who played below
Other operas by H e n z e Mjss Kohno's pitch.
Include "The Young Lord" and
Joining the Philhamionic this
"Elegy for Young Lovers." ~ason, she also joins her
"El Cimarron" shows that the father, Shuntatsu Kohno, a
con'ipos~>r is also inspired by
member of the viola section.
th~> £tOry of an old man.
Born in Tokyo, Miss Kohn(>
came to this country wlth her
TOM MARDIROSIAN receivparents when she was seven.
ed good notices in New York }{er teachers include John
for his performance of "Eg- Burgess, principal of t h e
mont" with the New Jersey Philharmonic, and Doriot An·
Symphony recently in Carnegie thony-Dwyer of the Boston
Hall. "Excelle.nt" said Ray- Symphony Orchestra. She Is · a
mond Ericson of the New Ymk graduate of Buffalo's Calasanc- ·
Times.
tius Preparatory School and the
The all-Bethoven program Eastman School of Music.
Julius Eastman
•.. slave to music
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'El Cimarron' -- Slave's tale
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-11-17
With references to the following additional composers: Hans Werner Henze
Note: Eastman as performer in El Cimarron
Includes illustration
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-11-11
Contributor
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Music Library
Format
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clippings (information artifacts)
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eastman_240
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/be502c84397b5d2c7332c611787db38e.pdf
f2644a372eda83ce6f54a136df0fbc6f
PDF Text
Text
DEPARTMENT OF MUSIC STATE UNIVERSITY OF NEW YORK AT BUFFALO
presents
COMPOSER'S WORKSHOP CONCERT PROJECT I
Baird Recital Hall, 8 p.m.
Saturday, November 10, 1973
PROGRAM
Unter den Linden
Lee Lovallo
Carol Grey, alto
Margaret Scoville, piano
Will Rogers and Tom Walsh, percussion
Trio
Robert Brainerd
Eberhard Blum, flute
Ronald Mendola, trumpet
David Gibson, cello
Ash Wednesday
Vivian Hornik, piano
Richard Feit , piano
Air (text by Clark Coolidge)
Andrew V elcoff
Loren Pearson , violin
Michael Rosenbloom , violin
Leslie Kleen
Petr Kotik, flute
Julius Eastman, Voice
Amrom Chodos, clarinet
Eberhard Blum, flute
Tom Walsh , percussion
Ephemerae
Ben Hudson, violin
Delmar Stewart, viola
Margaret Scoville
Maureen Gallagher, viola
David Gibson, cello
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Composer's workshop concert project I
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-11-10
Note: Eastman as performer on Leslie Kleen's Air
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-11-10
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_239
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/aac7fd57973e97c6ebf550c074cd501b.pdf
dbfcff5e4b9fd8b8e21161e62321942b
PDF Text
Text
DEPARTMENT OF MUSIC STATE UNIVERSITY OF NID'-7 YORK AT BUFFALO
presents
INFORMANCE* WITH GWENDOLIN SIMS AND ••••••••
Petr Kotik
Yvar Mikhashoff
Marijke Verberne
and others
Amrom Chodos
Julius Eastman
Jean Hamlin
Benjamin Hudson
Baird Recital Hall, 8 p.m.
l"lednesday, November 7, 1973
PROGRAI-.1
11
Luis de Pablo
Ein Wort" (1965)
for voice, clarinet, violin
and piano on text by Gottfried Benn
Julius Eastman
"Colors" ( 1970)
theatre piece for voices and tape
Maurice Ravel
Chansons Madecasses
for voice, flute, cello and piano
on French translations by Evariste Parny
Robert Schumann
Frauenliebe und Leben
song cycle for voice and piano
* a term developed by Affiliate Artists, Inc.
* * *
Gwendolin Sims' musical edqcation took place at the Oberlin conservatory followed by concentrated study in Austria at the Salzburg
Mozarteum. She has appeared in opera, concerts, radio and television
concerts throughout Austria, Germany, and Switzerland as well as in
this country. Among Miss Sims' credits are appearances with The
Boston Symphony Orchestra, The Pittsburgh Symphony and Nashville
Symphony as well as awards from The Lilli Lehmann Society, Marian
Anderson Scholarship, the Martha Baird Rockefeller Fund and the
International Voice Competition in Montreal.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Informance with Gwendolin Sims
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-11-07
With references to the following works by Julius Eastman: Colors
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-11-07
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_238
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/44e1b92617e9b5e89838298957a2445c.pdf
dbbefb7c909fe9ed5c4bf612a9d7ef30
PDF Text
Text
BUFFALO COURIER-EXPRESS, Wednesday, Nov. 7, 1973
GWENDOLIN SIMS is remembered as a creative associate at
. the University of Buffalo. Now
she has ·returned to the university music faculty. " Inform.ance" is the name for her in~
formal performance at 8 p.m.
today in Baird Recital Hall. She
will inform, or, perform Schu·
mann's · "Frauen!iebe und Lebim" with pianist Jean Hamlin.
In addition to this major song
cycle t h e program includes
avant-garde works by Luis de
Pablo , the current Slee professor of composition at UB, and
Julius Eastman, a creative associate.
~"-
THE BAROQUE Chamber
Players feel no necessity to live
up to their name. Their program
at 8 p.m. Friday in Baird Recital Hall at the University of
Buffalo includes m u s i·c by
Haydn, Starnitz and Saint-Saens,
as well as Telemann, Handel
and ScarlaHi. Performers from
the music faculty at the University of Indiana are James Pellerite, flute ; Jerry Sirucek,
oboe ; Murray Grodner, double
bass.; and Wallace Hornibrook,
harpsichord.
They have been associated In
the past with (respectively) the
Philadelphia Orchestra, Chicago
Symphony Orchestra, NBC Symphony Orehestra, and-note this
-Fred Waring. The soprano Is
Dorothy Sarnoff. The musicians
will give a free workshop at
10: 30 a. rn,. the same day · in
Baird 101.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-11-07
With references to the following additional composers: Schumann, Luis de Pablo
Note: unspecified work by Eastman to be perfomed by Gwendolin Sims
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-11-07
Contributor
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Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_237
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/5961b5bb6fc25ce8bf2d3e550b8cbdb3.pdf
446a0188e0f4f0cd772b9face0d4817a
PDF Text
Text
GWENDOLYN SIMS, soprano recitalist and orchestra soloist in many parts of America
and Europe, will give a program at 8 ·PM tomorrow in
Baird Hall: , "Colors 1970" by
J ulius Eastman, "Ein Wort" by
Slee Composer Luis de Pablo,
both with chamber players, and
the Schumann "Frauenliebe
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-11-07
With references to the following works by Julius Eastman: Colors
With references to the following additional composers: Luis de Pablo, Schumann
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
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1973-11-06
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Music Library
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eastman_236
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, 2 November 1973
�
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Julius Eastman Clippings Database, 1968-1979
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Announcement
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Announcement
Date of event: 1973-11-07
With references to the following additional composers: Purcell, Monteverdi, Renosto, Davidovsky, Liszt, de Pablo, Schumann
Note: unspecified work by Eastman to be performed by Gwendolin Sims
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The Spectrum
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State University of New York at Buffalo. Music Library
Date
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1973-11-03
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Music Library
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eastman_235
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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MEMBERS OF THE CENTER
I
1973-74
EBERHARD BLUM, Flutist-Born in Germany, 1940. Studied with Aurele Nicolet and
Severino Gazzelloni. Mr. Blum has premiered new compositions by Stockhausen, Kagel, Alsina, Shinohara, de Pablo and Fukushima and has toured
extensively throughout Europe. He has been a member of the International
Chamber Ensemble and was co-founder of the "Gruppe Neue Musik" and
"Ensemble 4'33 ."
AMROM CHODOS, Clarinetist-BFA, MFA, State University of New York at Buffalo.
Attended Manhattan School of Music. Clarinet studies with Leon Russianoff,
Allen Sigel and Robert Marcellus. Member of the Niagara Woodwind Quintet
and the faculty of the Community Music School of Buffalo.
JULIUS EASTMAN, Pianist/Composer/ Singer/ Choreographer-Diploma in composition from the Curtis Institute of Music. Instructor of Theory at the State University of New York at Buffalo Music Department. Recipient of the 1973
CAPS Award for music composition . Co-director of the Inner City Ballet
Company.
DAVID GIBSON, Cellistj Composer-B.S. Juilliard School, M.M . Yale University. Cello
studies with Claus Adam, Aldo Parisot and composition with Jacob Druckman. Served in the Army for three years and was a founding member of the
USMA String Quartet. Member of the Choate School faculty for two years .
BENJAMIN HUDSON, Violinist-Violin studies at the University of Utah, the Cleveland
Institute of Music and the University of Southern California. Mr. Hudson has
been soloist with orchestras in California, Utah, Ohio and Mexico and was the
recipient of the Emma B. Yule "Outstanding Violinist" Award in 1968. He is
a former member of the Los Angeles Chamber Orchestra, the Trio D'Amore
and the Atlantic Quartet.
DENNIS KAHLE, Percussionistj Composer-B.F.A. Carnegie-Mellon University, M.M.
Duquesne University. Formerly percussion instructor at the University of
Pittsburgh . Founder of the Duquesne University Percussion Ensemble. Has
premiered works· of Hans Werner Henze, Richard Felciano and Richard Moore.
PETR KOTIK, Flutist/ Composer-Born in Prague, Czechoslovakia, 1942. Studied
flute and composition in Prague and Vienna. Frequent tours through
Europe and the United States since 1963 as soloist and with various
ensembles. In 1970 founded the SEM Ensemble and in 1973, summer music
program in Chororua, New Hampshire.
(Continued on page 4)
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Evenings for new music, tenth anniversary
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1973-10-27
Note: Eastman listed as member of the center
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Music Department
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State University of New York at Buffalo. Music Library
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1973-10-27
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eastman_234
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beginning at 8 PM. The program is designed as tribute
to the roots of contemporary music and will feature
the works of several American composers, among
whom is a former Creative Associate .. Co-director
Lukas Foss will conduct the program , which will begin
with the study in Sonorities for Ten Violins by
Wallingford Riegger, in which each violin signifies a
year in the life of the center. Aaron Copland's
Threnody I and Threnody 11 (1972) will receive their
Buffalo premieres;Threnody I was written as a
memorial to the late Igor Stravinsky. Following will be
a performance of George Crumb's Vox Balanae (Voice
of the Whale , 1972) for electric piano, electric flute,
and electric cello. Mr. Crumb, who was a member of
the original group of Creative Associates back in 1964,
had his work represented on the very first Evenings for
New Music concert ten years ago ; he has since been
awarded the Pulitzer Prize in composition.
theater pieces, will perform the part of the slave, with
instrumentalists Eberhard Blum, Stuart Fox (a former
Creative Associate now in California), and Dennis
Kahle, the stage direction and tneamuu supervision by
Bever!~' Wideman. Other evenings are scheduled for
Dec .• 1 6, 1973and March 31, May 4 and 5, 1974.
The present members of the Center are Lukas Foss
and Lejaren Hiller, co - directors, Renee Levine, co ordinator; Amron Chodos, Clarinetist; Eberhard Blum,
Flutist; Thorkell Sigurbjornsson, pianist - composer ;
David Gibson , cellist - composer; Dennis Kahle,
percussionist; Benjamin Hudson, violinist; Julius
Eastman , singer, pianist, and composer; and graduate
student fellowship recipients Delmar Stewart, violinist,
After intermission, Conductor Foss will direct a
performance of Igor Stravinsky's L 'Histoire du Soldat
for chamber ensemble and speakers , accompanied
by a Text by C.F. Ramu z in a translation by Lukas
Foss. County Executive Edward Regan will participate
in the role of the soldier; Seymour Knox will perform
the role of the narrator; and Max Clark will speak the
role of the Devil. Since seating will be limited,
interested persons should attempt to purchase the
$5.00 ticket in advance , either at the Norton Union
Ticket Office or by sending a self - addressed envelope
to the C e n t e r o f the Performing Arts, Department
of Music , 11 U Haird Hall, SUNY at Buffalo, Buffalo,
New York, 14214
Of almost equal importance is the second in the
series, for on November 17 in the Gallery Sculpture
Court will be presented the American premiere of Hans
Werner Henze 's El Cimarron the autobiography of a
runaway Cuban slave. Julius Eastman , who has won
much praise for his vocal performances in dramatic
and Ralph Jones, composer. The renowned composer
Morton Feldman acts as advisor to the group. These
people are all working together in that state of ardent .
expectation and desperate adventure peculiar to those
who anticipate a goal out there somewhere, yet with no
really crystalline conception of the means by which it
will be attained . This confidence is steadied by reliance
on an association designed with the resolution of their
external difficulties at its very heart.
There are more that a few who wish it continued
life and health - and a happy birthday.
'lr
for the Creative and Performing Arts
October 18, 1973 Ethos Page 21
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Happy birthday Creative Associates
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
With references to the following additional composers: Lukas Foss, Wallingford Riegger, Aaron Copland, Igor Stravinsky, George Crumb, Hans Werner Henze, Lejaren Hiller, Thorkell Sigurbjornsson, Ralph Jones, Morton Feldman
Creator
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Kelly, Clara
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Ethos
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State University of New York at Buffalo. Music Library
Date
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1973-10-18
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Music Library
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eastman_233
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Creative Associates
some nationally noted performances. Julius Eastman's
rendition of Pe ter Maxwell-Davies ' Eight Songs for a
Mad King made the work famous. The consequent
special favor for financial support it has earned is also
partially due to the administrative genius of people like
center co-ordinator Renee Levine , and to the sustaining
interest of patrons of the arts like Knox. Ever since its
organization in 1964, the Center has presented its
Evenings for New Music at the Albright-Knox Art
Gallery.
With the departure of Allen Sapp from the
University of 1969 , Lejaren Hiller , a pioneer in
computer music and a senior professor in composition
here , took a special interest in the center, becoming
its co-director with Foss in that year. He has become a
sort of guiding light and traveling scout; on his frequent
journies abroad (he is at present on sabbatocal leave in
Poland) he seeks to further the careers of young and
promising composers and instrumentalists among the
Creative Associates, as the members of the Center are
called. He also brings back fresh blood to add to the
Associate 's own roster, which this year includes people
of such diverse backgrounds as Eberhard Blum, a
fluitist from Germany ; Benjamin Hudson , a violinist
from California; and Thorkell Sigur-bjornsson , a
pianist-composer from Iceland. Many of Hiller's old
friendships from the University of Illinois , where he
worked for some years, are also profitable , to the
Center , for their friendly interest has often become a
professional one and they have been attracted by
unique opportunities prese nt here for experimentation.
The tenth anniversary c e 1e brat ion will be
particularly orientated to the music of AIIlencan
composers. There will be an attempt this February ,
during their European Tour, to concentrate on the
exposu re of American music to European audiences and other European composers. Some have said that
the European avant-garde tend s to look somewhat
askance on their fellows in the States, as they think
them somewhat eccentric and purposely abstruse.
Well-known is the remark of a noted European
conductor, who. when asked who was the best
contemporary composer in the States replied, " Hans
Werner Henze".
But the Center believes that there is an intense
curiosity about and a strong and growing
admination
o f t h e n e w -A m e r i c a n m u s i c a 11 over
Europe. They intend to show that the mainstream of
this music , from lves to Foss to Fe ldman , is carefully
conceived, eloquent , articulated an d profound ly
rationalized. They will attempt to respond with the
performan ces of a number of works which are both
respected and representative of a wi rum of American
musical activities. This to ur , whi ch wi ll last from
February 11 to March 4 , will be fund ed for the most
part by fees and receipts - to the great joy of those in
the center; they spread the work of their coming to
friends in Europe and were eage rly snapped up for
conce rts in twelve cities. Not that they have been
neglecting their American audiences, by any means. On
Saturday, Octqber 20, the the opening of its tenth
season with a concert and birthd ay celebration
Photographs are courtesy of t he Center
Page 20 Ethos October 18, 1973
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
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Title
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Happy birthday Creative Associates
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
With references to the following additional composers: Peter Maxwell-Davies, Thorkell Sigurbjornsson, Lejaren Hiller
Includes illustration
Creator
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Kelly, Clara
Source
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Ethos
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-10-18
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Music Library
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eastman_232
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WBFO
3435 Main Street
Buffalo, New York 14214
Dated Program- Do Not Delay!
Non Profit Org.
U.S. Postage
PAID
Buffalo, N.Y.
Permit No. 311
Composer M or ton Feldman with Creative Associates (I tor) Julius Eastman, Jan Williams, William Appleby and David Del Tredici.
Baird Hall, 1972
THE: ~T~FF
Mike Algu s * Babe Barlow * Dave Benders * Alen Berk * Bill Besecker * Jo Blatti * David Bloom * Midge Bork * Joe Brancato *
Joe Britton (Rock Music Coord inator) * Jim Campbell (General Manager) * Henry Cohen ·• John Conley * Amanda Cordero *
Anilda Dav ida * Susan Eastman * Paul Eri cson * Jerry Farrell * John Farrell * Liz Farrell * Joan Feinen * Pat Feldballe * Pres
Freel and * Mark Fruehauf (Production Manage r) * Walter Gajewski (Operations Director) * Ellen Gibson * Terry Gross* Peter Hall
* Bob Hill * Michael Karp * Madeleine Kaufman * Greg Ke rekes * Stephen Kirsch * Dave Kostrzewsk i * Rick Lesniak * Mike
Leuthe * Steve Levint hal * Gary Lubben * Janice MacKenzie * Julieanne Mahler * Judy Malone * Steve Mann * Joe Marfoglia *
Lou Ma ri nacc io * T ino Mejia * Leza Mesiah * Gene Nelson * Tom Newhouse * Philip Parker * John Riggs * Francisco Rivera *
M iguel Rive ra * Ma rci Rodriguez * Charles Roessler * Don Roth * Diane Rusczyk (Traffic Manager ) * Simon Salz * Ricardo
Sa rfaty * Bill Savino * Fred Sandner * Rob San George * Mona Schroeder * Andrew Schultze * Terry Charles Schwarz * Francina
Simmes * Charles Smith * Les Solomon * Jeff Sosnick * Arlene Stolzer * Elizabeth Steady * Mitch Tanenbaum (Assistant Chief
Engineer) * Judith Treible (Program Guide Coordinator) * Lenore Tunkel * Paul Wandel * Susan Wehle * Burton Weiss * Fred
Winters (Chief Engineer) * David Wolfe * Myron Yancey
T he WBFO Progr am Guide is published eleven times a year by WBFO, 3435 Main Street, Buffalo, New York 14214.
WBFO is operated. by t he Divis ion of Continuing Education, State Un iversity of New York at Buffalo. Dr. Robert F. Berner, Dean ;
Dr. Donald R. Brutvan, Associate Dean .
For advert isi ng information , please contact Judith Treible, 831 5393.
If you would like a copy of the WBFO Program Gu ide, write to (or call) WBFO (831 5393). 3435 Main Street, Buffalo, New York
14214.
Cover from ' 'Treatise," byCorneliusCordew -performed while he was a member of the Center for the Creative and Performing
Arts at the Albright Knox Art Gallery during the 1966-67 season.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Program
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
With references to the following additional composers: Morton Feldman, David Del Tredici
Includes illustration
Source
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WBFO Program Guide
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-10-01
Contributor
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Music Library
Format
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Image
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Identifier
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eastman_231
Is Part Of
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LIB-MUS024
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FRID~V
8:00 PRELUDE- with Andrew Schultze
10/5
10 /12
10/19
10/26
The Italian Baroque : Cavalli-Scarlatti
Josquin and His Contemporaries ; Obrecht and Isaac
Vocal Music by Johann Sebastian Bach
The Sounds of the Avant-Garde
11 :00 NEWS DIGEST FOR THE BLIND
Materials from the local print media not usually heard on radio
as a service for the visually handicapped in our area from
Service for the Sightless of Temple Beth Zion .
12:00 SPIRITS KNOWN AND UNKNOWN
1:00 TEN YEARS OF INNOVATION: A CREATIVE
ASSOCIATES RETROSPECTIVE -produced by Les
Solomon in cooperation with Renee Levine
In celebration of the 1Oth Anniversary of the Center for the
Creative and Performing Arts, WBFO presents highlights from
Creative Associate Concerts, and interviews with past and
present members of the Center. Highlights include :
10/5
Peter Maxwell-Davies : Eight Songs for a Mad King,
featuring Julius ·Eastman as King George Ill . Lukas
Foss conducts
10/12
Marianne Amacher : City Links, performed by
Marianne at the WBFO studios over a period of 28
hJurs . We will present a 32 minute condensation of
that work
10/19
Terry Riley : In one version of his work which has
been recorded by Columbia Records ; tonight we will
hear an all -percussion version performed by the UB
Percussion Ensemble, Jan Williams, director
10/26
Lejaren Hiller : Machine Music. Dr . Hiller is co-director
of the Center and a recognized expert on computer
generated music. "Machine Music," for viola,
percussion and tape, is a very early attempt to fully
integrate electronic music with live performers
2:00 THIS IS RADIO . . _
5:00 ALL THINGS CONSIDERED
News a nd features from a different perspective in a different
format , li ve from Washington, D.C.
6:30 CONCERT HALL- with John Conley
s:oo
10/5
S ibelius : Symphony No . 4 in a
Kodaly : Peacock Variations
10/12
Strauss : Death and Transfiguration
Berg : Violin Concerto (1935)
10/19
Mahler : Symphony No . 1 in D
Del ius : In a Summer Garden (1908)
10/26
Debussy : String Quartet in g
Ravel : Piano Trio in a
PRESENT TENSE
WBFO 's nightly program of news and public affairs. An
in-depth examination of the issues that effect our lives. We
begin at eight with a summary of the day's local and regional
news, then follow with features, debriefings of reporters,
interviews and panel discussions
Listener participation is integral to the program. Become part
of PRESENT TENSE with your criticisms, questions and
comments. Call 831 5393
9:00 CLEVELAND ORCHESTRA
Blossom Festival Concert
Aldo Ceccato, conducting; Grant Johannesen, pianist
10/5
Schubert : "Rosamunde" Overture
Grieg : Piano Concerto in a
Dvorak: Symphony No.8, in G, Op . 88
Blossom Festival Concert
Louis Lane, conducting; Alexis Weissenberg, pianist
10/12 Hansow: Symphony No . 2 "Romantic"
Strauss: Death and Transfiguration
Tchaikovsky : Piano Concerto No. 1 in Bb, Op . 23
'This evening's concert is made possible through a
grant from the Western New York Savings Bank"
Blossom Festival Concert
Louis Lane, conducting ; Penelope Jensen, soprano; Seth
McCoy, tenor ; Yi-Kwei Sze, bass; Blossom Festival Chorus
10/19 Rachmaninoff : The Bells
Ruggles : Men ancl"Mountains
Ravel : Daphnis !lnd Chloe; Suites 1 and 2
Blossom Festival Concert
Matthias Bamert, conducting ; Claude Frank, p ianist
10/26 Nicolai : Merry Wives of Windsor Overture
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Erb: Klangfarbenfunk I for Orchestra, Rock Band and
Electronic Sound
Ravel: Bolero
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'cause their folkie and funky and suit us swell
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Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Friday
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Note: Eastman performs Maxwell-Davies Eight Songs for a Mad King
Source
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WBFO Program Guide
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-10-01
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Music Library
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eastman_230
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/86d2f6cfb2d385bab60c36f788bbc3df.pdf
630a1c7976b88f32f625170466a8a8e0
PDF Text
Text
OCTOBER NOTES
The Center for the Creative and
Performing Arts enjoys an international
reputation as one of the major innovative
forces in music in the world today . Thi s
year, the Center, which is based here in
Buffalo at the State University, is
ce Ieb r a ting
it s
1Oth
Anniversary.
Throughout the coming months, and
especially during October, WBFO will be
joining in the celebration by presenting
high-lights from ten years of performances
by composers and musician s who have
been Creative Associates at the Center. A
special
program,
"Ten
Years
of
Inn ovation:
A
Creative
Associates
Retrospective ," will be aired every Friday
at i p.m. during October. In addition,
WBFO will be featuring interviews with ,
--Frank Parman
"Map" by Lukas Foss,- TV taping at Domus Theater_
and music by, members of the Creative
Associates on "Concert Hall" and during
"This is Radio . . ." Whenever possible,
special events in the celebration will be
broadcast live.
The reputation that the Center enjoys
around the world is based on an eclectic
and strong accomplishment in both
composition and performance. The famed
"Evenings for New Music" have featured
works by some of the world's best
contemporary composers, including Lukas
Foss, Lejaren Hiller, Julius Eastman, and
Morton Feldman, to name a few . CA
Performers have included a tremendously
diverse group of musicians, including
Roger Shields, Don Ellis, TerryRiley, and
Gwendolyn Sims, again to name only a
few.
In the ten years since Lukas Foss and
Allen Sapp founded the Center, it has
grown to be Buffalo's most famous
contribution to contemporary culture in
the eyes of the world, and Center
musicians will be touring Eastern Europe
in the coming months_ If you have an
interest in contemporary music, you can
hear several of this year's concerts here in
Buffalo before they go on tour around
this country and abroad . And if you want
to hear selections of past and present
works by the Creative Associates, keep
tuned to WBFO during October.
* * *
No snow yet. You'll recall that last
month we promised that you would be
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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October notes
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
With references to the following additional composers: Lukas Foss, Lejaren Hilelr, Morton Feldman, Roger Sheilds, Don Ellis, Terry Riley, Gwendolyn Sims
Note: Eastman mentioned as CA member
Source
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WBFO Program Guide
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-10-01
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Music Library
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eastman_229
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/faa77df14becbc530d8be8a3ccc91107.pdf
e562903bf15a07f5a22617a6ce5efbc9
PDF Text
Text
Would you believe setting 100 metronomes for a
performance of Gyorgi Ligeti's "Poeme Symphonique" and
then leaving the stage to their instruments during the
16-minute number?
While all Creative Associates ·have proven their mastery
of music as it is taught in the conservatories, their real
love is new music. Co-director Lukas Foss explained his
approach to new music this way to a New Yorker reporter:
"I feel that the way to advance into the new musical
territory is to ~dvance rearfirst, waving to the disappearing
past-! mean to the home I left six years ago, the tonality
I loved."
The list of present and former Creative Associate~
is a long and distinguished one and includes George Crumb,
Don Ellis, Vinko Globokar, Terry Riley, Frederic Rzewski,
David Tudor and Paul Zukofsky. The repertory of the
Center has included over 300 works by contemporary composers of all stylistic persuasions and includes Babbitt,
Boulez, Cage, Carter, Maxwell-Davies, Pousseur, Stockhaus·
en, and Wuorinen.
The Center gets some of its funds from the University
at Buffalo Foundation. The University provides logistic
and moral support and the Center also cooperates closely
with the Buffalo Philharmonic Orchestra and the AlbrightKn ox Art Gallery.
The Center's Creative Associates study new music,
perform publicly and occasionally teach.
Members of the Center are Eberhard Blum, flute; Amron Chodos, darinet; 1ulius Eastman, ~ompose r-pianist ;
David Gibson, composer-cellist; Benjamin Hudson, violin;
Dennis Kahle, percussion; Petr Kotik, composer-flutist;
George Ritscher, electronicist; Frederic Riewski, composerpianist; Thorkell Sigurbj ornsson, composer-pianist. Graduate fellows are Ralph 1ones, electronicist-hornist-composer,
and Delmas Stewart, violist.
On February 12, Center artists will open a 21-day,
10-city European tour (see U/ BAN for October-November
1973). When they return on March 4, they will play
concert dates in Long Island; at the Carnegie Recital Hall
and Albri ght-Knox Art Gallery, both familiar sites, and
will be featured performers during the State University
_ Convocati on of the Arts, April 25-27 in Fredonia.
The Center of the Creative and Performing Arts is
now co-directed by Mr. Foss and Lejaren Hiller, with composer Morton Feldman as advisor. and Renee Levine as
managing director.
photo by Frank Parman
Composer Morton Feldman with Creative Associates (I to r)
Julius Eastman, Jan Williams, William Appleby and David Del
Tredici ( 1972).
Iiiier's "Three Rituals for Two Percussionists and Lights,"
<nox Art Gallery. (I to r) Howard Zwickler, Jan Williams.
wn to be Buffalo's most
:ontemporary culture in
WBFO Program Guide
FALL, 1973
1970 at
the
Honored with 1973 ASCAP awards (American
Society of Composers, Authors and Publishers)
were two well-known members of the University
at Buffalo Music Department. Lukas Foss and
Lejaren Hiller, co-directors of the Center for the
Creative and Perform ing Arts, are among a select
group sharing in the $629,000 cash awards in
recognition of their unique contributions to music.
13
-+
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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A decade of new sounds
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
With references to the following additional composers: Lukas Foss, George Crumb, Don Ellis, Vinko Globokar, Terry Riley, Frederic Rzewski, David Tudor, Paul Zukofsky, Babbitt, Boulez, Cage, Carter, Maxwell-Davies, Pousseur, Stockhausen, Wuorinenk, David Gibson, Petr Kotik, Thorkell Sigurbjornsson, Ralph Jones, Lejaren Hiller
Note: Source date more accurately "Fall 1973"
Includes illustration
Source
A related resource from which the described resource is derived
UB Alumni News
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-10-01
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_228
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/a346ae29ab3bc9ff98caed7534460a1a.pdf
694e996ee4d8242abef066985b36acaf
PDF Text
Text
Buffalo Evening News
Sept. :;)1;
!973
Baird Hall Recital
ToOpen10th Year
Of UB Arts Center
The lOth anniversary season
of the UB Center for the Creative & Performing Arts opens
with a Baird Hall recital on
Tuesday and goes on to a busy
home and traveling schedule
capped by a 21-day European
tour starting in February.
These a r e t h e young
composer-performers
fr om
several countries called the
Creative Associates.
Their annual Evening for
New Music series in AlbrightKnox Art Gallery, repeated in
state campus tours and in
Carnegie Recital Hall in New
. York, has earned them an
international reputation. The
gallery series opens Oct. 27.
The opening Baird Hall reel·
tal at 8 PM Tuesday will give
a new view of David Gibson as
composer, following his wildly
dramatic coup of last season as
cellist-astor in the Ben Johnston "Casta David."
The Baird Hall program will
offer several Gibson premieres
with assisting artists. The Gibs on
Fragment • N o .
4,
Embellishments No. 2 for
string quartet, 1973 percussion
trio · "Shadows" and 1973
"Lion's Head" w i t h the
composer on solo contrabass
will be performed. Works of
Joel Chadabe and James Drew
will be included.
T h e Creative Associates
European tour will open Feb.
12 in London and go on to
major music centers of Scotland, Spain, Italy, France and
Germany.
The opening gallery program
of Oct. 27 will be supervised by
Lukas Foss, noted composer,
co-director of the center and
former Buffalo . conductor. A
birthday party with cake and
champagne will follow in the
Sculpture Court.
Associates in the coming
year will be Eberhard Blum,
Am rom
Chodos,
Julius
Eastman, David Gibson, Benja·
min Hudson, Dennis Kahle;
Peter Kotik, George Ritscher,
Frederick Rzewski, Thorkell
'Sigurbjornsson. Graduate Fellows are Ralph Jones and
Delmar Stewart.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
A name given to the resource
Baird Hall recital to open 10th year of UB arts center
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-09-25
With references to the following additional composers: David Gibson, Joel Chadabe, James Drew, Lukas Foss
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-09-21
Contributor
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Music Library
Format
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Image
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eastman_227
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/9e57419c1582e76b8bf8c52596197bf3.pdf
a627432112a918110cdb229324840f43
PDF Text
Text
Europe Tour Will Crown UB Arts Ceriter's lOth Year
By THOMAS PUTNAM
A 10-city European tour will
be the crown of the lOth
anniversary season of the new
music Center of the Creative &
Performing Arts at the University of Buffalo.
The·· Center opens its 1973-74
season Sept. 25 with a Creative
Associate recital by composer-cellist David Gibson. The first
Evenings for ·New Music program Oct. 27 at the AlbrightKnox Art Gallery will be supervised by co-director Lukas
Foss.
Blooms in West
Renee Levine, managing di·
rector of the UB Center, said
the European tour grew from a
seed dropped, in Poland, where
Center co-director Lejaren Hiller is currently in Warsaw as
a Fulbright lecturer. The State
Dept. became interested in having the American musicians
tour Eastern Europe.
But State Dept. nurturing was
long if tender, and the little
seed bloomed in W e s t e r n
Europe, where Foss, Hiller and
Center advisor Norton Feldman
have musical connections.
The 21-day tour begins with
concerts Feb. 12 and 13 in London, and includes programs in
Scotland (University of Aberdeen and Edinburgh), Lisbon,
Portugal (two concerts sponsored by the G u I b e n k i a n
Foundation) , Barcelona, Spain
(part of "New Music Week"),
Perugia, Italy (for Amici della
Musical, Rome, Italy (Rome
radio: RA!), University of
Strasbourg, France and West
Germany, where tapes will be
made for South German Radio
in Karlsruhe, and, R a d i o
Bremen. The 12-member company returns to Buffalo March
4.
Snap Up Fees
Once the idea of a tour was
established, as Mrs. Levine explains it, "We started writing to·
all our friends that we're coming.'' Well, the friends ended up
"snapping us up for fees" practically unheard of to hear
Mrs. Levine say it with pride while State was exploring a tour
to the east. (The State Dept.
still could book concerts for the
Center.)
Tour expenses are simplified
by the fact that the CA's are on
salary from the Center. The Atlantic crossing is paid for by
booking fees, which leaves per
diem and hotel expenses to be
picked up - Mrs. Levine hopes
- by a $4,000.$5,000 supplementary grant.
American composers w i I 1
populate the tour repertory.
"They all want Ives," Mrs . Levine f.aid, adding that a cham·
ber piece by Charles will be included. Also, works by George
Crumb ("Voice of the Whale"),
Morton Feldman ("For Frank
O'Hara," composed this year
especially for the tour), Lukas
Foss ("Paradigm" l, Lejaren
Hiller (Algoithms I, new this
year) and possible works by CA
composers J ulius Eastman and
Frederic Rzewski.
The birthday party for the
Center will follow the Oct. 27
Evenings for New Music pro·
gram, with cake and cham-
pagne In the Sculpture Court of
the Albright-Knox Art Gallery.
There will ·be musical candles,
too, when ,Wallingford Riegger's
"Sonorities" for 10 violins · is
performed, each violin sounding
a year of history.
Foss wants to use eminent
persons from the community as
speakers for a performance of
Stravinsky' s "L'Histoire du Sol·
dat.'' The program will include
a work by Geerge Crumb ("our
Pulitzer Prize winning graduate"), perhaps "Lux Aeterna"
or the whale music ("Vox
Balaenae"), and a recent piece
by
Aaron Copland,
' • In
Memoriam Igor Stavinsky."
Evenings for New Music are
scheduled also for State University at Plattsburgh, m i d •
November; Albright-Knox Art
Gallery, Nov. 17, Hans Werner
Henze's "El Cimarron," with
Julius Eastman as the Cuban
slave; Carnegie Recital Hall,
New York, Dec. 5; State
'university . at Albany, early
December; Albright-Knox Gallery, Dec. 16, music by new UB
Slee composer Luis de Pablo
from Madrid; and Brooklyn
Academy of Music, Dec. 29.
Final Evenings
Following the European tour
the remaining Evenings for
New Music are Suffolk County
Community College, L . I . ,
March 22; Albright-Knox Art
Gallery, concert of the tour
music, March 31; Carnegie
Recital Hall, April 10.
The Creative Associates will
be featured performers during
the State University . C o nvocation of the Arts April 25-27
at the State College at Fredonia
campus.
The final Evenings for New
Music at the Albright-Knox Gal·
lery will feature' the Pennsylvania Ballet May 4, and young
Baird Hall composers, Ma.y 5.
Members of the Center are
Eberhard Blum, flute; Amron
Chodos, clarinet; Julius Eastman, composer-pianist ; David
Gibson, composer-cellist; Ben-
jamin Hudson, violin; Denni!!l
Kahle, percussion; Petr Kotik,
c o m p o s e r -flutist;
George
Ritscher, e I e c t r o n i c i s t ;
Frederic Rzewski, composerpianist ( s e c o n d semester);
T h o r k e II
Sigurbjornsson,
composer-pianist. G r a d u a t e
Fellows are Ralph Jones, electronicist-hornis.t-composer, and
Delmar Stewart, violist.
There is an air of optimism
around the Center office in
Baird Hall, even though for the
time being the Center has
moved to the basement.
BuFFALo EVENING NEws
Wednesday, September 5, 1973
Blackearth Ensemble
Opens New UB Season
The UB Concert Series opens
with the Blackearth Ensemble
in ultramodern music for
percussion, Monday at 8 PM in
Baird Hall. Note the new curtain time, a half-hour earlier
than previous seasons.
Works
of
Stockhausen,
Bartok, Crumb, Cage, Berio
a nd others will be performed,
tickets at the box office.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
A name given to the resource
Europe tour will crown UB arts center's 10th year
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
With references to the following additional composers: Ives, George Crumb, Morton Feldman, Lukas Foss, Lejaren Hiller, Frederic Rzewski, Stravinsky, Aaron Copland
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-09-06
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_226
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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-
https://digital.lib.buffalo.edu/files/original/ff17eba5a886723fc17ec1e3c99b64c3.pdf
bc4d213d9182df16fd65721a84755e85
PDF Text
Text
--~--~....~FALO EVENJ~G
Baird Hall
NEWS
Thursday, August 9, 1973
Percussion Beat Pulsates
In Latin American Concert
By HERMAN TROTTER
A towering mountain of a
canta.ta for soprano and 16
percussionists brought to a
simultaneous close Wednesday
evening's Baird Hall program
of Latin American music and
the State University at Buffalo
·Music Department's extended
summer series, "Music of the
Americas."
The tour de force was "Cantata Para- America Magica,"
written in 1961 by: Argentinian
composer Alberto Ginastera.
With Jan Williams conducting
a formidable percussion army
and Patricia Oreskovic as
soloist, the rather cozy confines
of Baird Hall were given yet
another acoustic stretching.
Texts for the five vocal
movements invoke the memo1·y
of pre-Columbian America in
settings whose simplicity of
line and lack of overt
sensuality had a ·hard pagan
ring.
. MRS. ORESKOVIC gauged
this well, singing with a kind of
passionate detachment, expressive inflections of voice but :
always a cool aloofness of tone.
Throughout, percussive contrasts were struck between the
rhythmic impa·ct of the myriad
drums
and
the
melodic
capability of the celeste,
glockenspiel and other tuned
instruments.
In songs of dawn and war the
voice was often enguLfed in a
percussive avalanche, becom-
ing only a textural element.
Quieter moments depjcting
love and desolation found
plaintive cantillation backed by
melodic chirpings, while in the
finale
of
prophecy
Mr.
Oreskovic ascended to a·
scream and trailed off into
sprechstimme and a closing
gasp . .
* * *
MR. WILLIAMS led a
smaller ensemble in Carlos
Chavez' exciting 1942 Toccata
with its strongly· a·ccented,
recurring rhythms and gently
pinging _o.stinato in the . slow
movemnet.
Argentinian Hilda Dianda's
1960 "Estructuras I-II-III" was
played by cellist David Gibson
and pianist Julius Eastman,
and quite ably, but the work
seemed to have more dramatic
gesture
than
musica I
substance.
Far more interesting was the
1971 ' • D u a 1 i s m o s ' ' by
De 1
Venezuelan
Alfredo
Monaco, with flutist Susan
Stenger, .trombonist . Donald.
clarinetist
Edward
Miller,
Yadzinski and pianist Eastman
playing around, under and
through an intriguing tape
whose . range · of timbre.s
overlapped those of the instruments to form an extended
sound continuum. The composer was unannounced, but
nonetheless
on
hand
to
acknowledge the warm applause.
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Percussion beat pulsates in Latin American concert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-08-08
With references to the following additional composers: Alberto Ginastera, Carlos Chavez, Hilda Dianda, Alfredo Del Monaco
Note: Eastman as pianist
Creator
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Trotter, Herman
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-08-09
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Music Library
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eastman_225
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/f1a7cc3bafa629adfaca02088e4ffdf3.pdf
bef26e9accfd3dcc44b59d409c13c088
PDF Text
Text
PROGRAM
INTERMISSION
Carlos Ch~vez
Mexico
Toccata (1942)
Robert Bolt
Dennis Kahle
Paul Mouradian
Robert Previte
William Rogers
Andrew Ziemba
Cantata Para Am~rica Mcl'gica (1961)
AI berto Ginastera
Argentina
Preludio y canto a Ia aurura
Nocturno y canto de amor
Canto para la partida de los guerreros
Interludio fantastico
Canto de agonfa y desolacion
Canto de la profecfa
Percussion
Jan Williams, Conductor
Patricia Oreskovic, Soprano
Jesse Kregal, Timpani I
Paul Mouradian , Timpani II
Lynn Harbold, Temple Blocks
Dualismos ( 1971)
Alfredo Del Monaco
Venezuela
Susan Stenger, Flute
Donald Miller, Trombone
Edward Yadzinski, Clarinet
Julius Eastman, Piano
Estructuras I-II-Ill (1960)
Hilda Dianda
Argentina
David Gibson, Cello
Julius Eastman, Piano
John Rowland
Andrew Ziemba
Dennis Kahle
Albert Furness
Bruce Yonkers
Robert Previte
Robert Bolt
William Rogers
Thomas Walsh
Edward Meirs
Julius Eastman, Piano I
Fran Kushin, Piano II
John Landis, Celeste
Jan Williams, Conductor
Percussion
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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A program of music from Latin America
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-08-08
Note: Eastman as pianist on Alfredo Del Monaco's Dualismos and Hilda Dianda's Estructuras I-II-III
Source
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University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-08-08
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Music Library
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eastman_224
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/2dcc95c9bb1537b8917a1c2303deb20f.pdf
6ce2adf6e1248447c18f1f36be02885a
PDF Text
Text
I
Tuesday, August 7, 1973
JluFFALO EvENING NE"~s
"LATIN A~ERICA" is the
title of the program on the UB
Music of the Americas series
tomorrow at 8 PM in Baird
Hall, the dosing event.
The grand opus occupying
the entire second half will be
the Ginastera "Cantata para
America Magica" with mezzo
Patricia Oreskovic and several
percussion
players,
Jan
Williams conducting.
The 1942 Toccata of Chavez,
Due Lismos of Alfredo del
Monaco, Estructuras I, li & III
or Hilda Dianda also will be
performed.
· Players inclu.de flutist Susan
Stenger, clarinetist Edward
Yadzinski, trombonist Donald
Miller, pianist Julius Eastman,
cellist David Gibson.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Latin America
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-08-08
With references to the following additional composers: Ginastera, Hilda Dianda
Note: Eastman is pianist
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-08-07
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Music Library
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eastman_223
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
-
https://digital.lib.buffalo.edu/files/original/7ed20a74341f5870813c8bfd77e1b5e2.pdf
a37c9212b6e913208d2961fd97620766
PDF Text
Text
10
BUFFALO COURIER-EXPRESS, Thursday, August 2, 1973
Black Music, Dunce
Floster Trio Adds
By THOMAS PUTNAM
effective counterpoint. The danFunky soul pervaded Baird cers are automatons - or are
Recital Hall for the program of they?
black music and dance Wednes- Dancers Strut
day night at the University of
Young dancers of silk 'n' soul
Buffalo.
strutted with style through "Pa"Ronnie Foster and Energy pa," with choreography by Si&
Two," a high-powered jazz trio, gletary. Christopher Hughes was
played two sets which included Papa, seated and clutching his
one interesting original compo- cane, and Paula Hall, a bright
sition with microtonal droning little ballerina, was Papa's Wom
by the guitarist, Gregory Millar. an. Colored lights spelling the
name of this g a me w e r e a
No Help from Organ
· Foster had no consolation from "Pap"-out; only the final "a"
the o.rgan, which was buried by followed the script.
Two dances by Singletary
electric guitar and drums. Marvin Schppell was the drummer, opened the program. "Strange
playing behind three cymbalic Fruit" with haunting music by
halos, knocking time with fired Nina Simone was a solo meant
to express "the pain and suffersticks.
The remainder of the program ing that blacks endured during
was dance, including Julius slavery." The dance opens with
Eastman's "Wood In Time," Singletary standing on his neck,
which he composed for metro- a static posture "which was denomes and choreographed for veloped with agonized tempo.
the Buffalo Inner City Ballet
In a pas de deux from "A
Company. Jan Williams manned Quiet MoveJllent," choreographthe metronomes, which tocked ed hy Singletary to music by
fuzzily; the two dancers were William Fischer, Singletary supDonna Farkas and Karl Single- ports Donna Farkas in movetary, the company director.
ment of tortured classicism.
"Wood In Time" is not origi- .She hangs on him, drapes her
nally a pas de deux, even in body around his, but there is no
reduced form the dancing has' an passion.
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Foster trio adds movement to soul
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-08-01
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: Ronnie Foster, Nina Simone, William Fischer
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-08-02
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Music Library
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eastman_222
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
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https://digital.lib.buffalo.edu/files/original/213b0fb3cdb810fa26fd08e3e8a88124.pdf
996469fb700aefc35eaebc2623d2e5d6
PDF Text
Text
Buffalo Evening News
Thursday, August 2, 1973
Baird Hall
Inner City Ballet
S~ows RareTalent
I~ VariedStyles
By HERMAN TROTTER
An absorbing cross sectian of
black music and dance was
Weanesday evening's fare in
the: continuing B air d H a II
series entitled Music of the
Americas, featuring the Buffalo
In11er City Ballet Company.
·Aithougi1 interest was sustained throughout, there was a
ha\1nting pervasiveness to Karl
Singletary's opening solo dance
interpretation of the searing
Nina Simone r e c o r d i n g of
"Strange Fruit," both words
and dance eloquently expressive of the agony of slavery.
With head a nd shoulders on
the floor and body bent over
backwards behind, the commashaped form of Mr. Singletary
slowly unfolded and described
a pathos-touched, ne ar-classic
adagio, return ing to the inward
tw·ned and defensive comma
pci$:ition at the close'. Beautifully done.
OUT OF context and seemingly too abrupt, tile Pas de
Deux from William Fischer's
"A Quiet Movement" a 1 s o
maintained the classic . ballet
postures and body relationships
in strong and lithe performance
by Mr. Singletary and Donna ------~ ~-··.:~---
MR. FOSTER performs rapFrakas. Later the same duo
danced to Julius Eastman's turously and inventively on the
"Wood In Time,'' a counter- organ and mini-Moog synthepoint of amplified, cross-timed sizer, us ing tb'em both lyrically
metronomes interpreted by me- and percussively with telling
chanical body movement with effect. Drummer Marvin Scbgraceful edges, graduall y be- pell, who provides a hard-drivcoming more abandoned and ing, continuous ~onic backdrop,
and guitarist Gregory Millar,
freely expressive.
Striking choreography by tastefully but pretty well-subMr. Singletary to the Tempta- merged _for the most part, 'comtions recordino- of "Papa" was plete th1s group of Buffalo mudanced by six"' Company mem- sicians, which is fresh from a
bers,
a
semi-strobe-lighted European tour, will soon junket
stylized strut in black and the orient, has a couple of rebright si lk y satin costumes , cordings under its belt and is
otherwise appearing at the
rn::~rred only by the failure of
the title, inscribed in Christ- Club Soul.
They made the strongest imrn as tree lig hts on the stage
pression in their own numbers,
wall, to operate properly.
"Lamb Rudi" a·nd "Boocrie
The solely musical porti.on of Ju ice,' where Mr. Foster's k~y
the evening was provided by board flights of fancy took full
Ronnie Foster and Energy wing. It's promising group that
Two, who filled both sides of has the rare capability to enthe intermission with an imag- compass styles from electronic
inative amalgam of jazz, rock, cocktail music to bard, funky
blues and a dtash of Latin rock. ·
American seasoning.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Inner city ballet shows rare talent in varied styles
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-08-01
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: Nina Simone, William Fischer, Ronnie Foster
Creator
An entity primarily responsible for making the resource
Trotter, Herman
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-08-02
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_221
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/7b8de2c7709951d279cbeababd899963.pdf
9c595a5286a29bde6fa590f3c64c3ab0
PDF Text
Text
Buffalo Evening News
YOUNG ARTISTS Competition under Philharmonic auspices will present the finals at
8 PM tomorrow in Wick Center
of Rosary Hill College. The ·
contest for pianists and string
players offers a first prize of
$1000 and a Philharmonic concert appearance, a second prize
of $500. The finals are open to
the public.
May . 17
t973 /
UB COMPOSERS Ramon
Fuller, Lejaren . Hiller, Petr
Kotik, Robert Mots and Julius
Eastman will present their
works at 8: 30 PM next Tuesday in Baird Hall, tickets.
"J1he UB Strings and oboist
Ronald Richards will be featured among other participants.
VOCAL RECITAL by Sheryl
ANDREW S T I L L E R, UB Kessner will be admission free
composer and bassoonist, is the Sunday at 4 PM in Baird Hall,
guiding spirit and one of the works of Purcell, P e p u s c h ,
principal players in an admis- Brahms, Bernstein.
• * ..
sion-fre e recital tomorrow at
8:30 PM in Baird Hall. The
LEJAREN HILLER, UB Slee
Mozart Trio K498, works of Professor, will present chamGabrieli, Obrecht, Frescobaldi , ) ber players in works of Berio,
composer Stiller's. Musica Un- Johnston and Hiller at 8:30PM
getutscht and Pierrot Solaire Sunday in Baird Hall, tickets.
to texts of Diane di Prima will Soprano Kai-Nan Chang, harpbe performed.
ist Suzanne Thomas, percus* * "
sionists Dennis Kahle and Jeffery Kowalski will perlorm.
UB CHOIR · under Harriet
* * *
Simons, mezzo Patricia Oreskoyic, organist Wilma Reid Cipolla will present a spring program at 8:30 PM Thursday in
Baird Hall, admission free,
works of Zi elenski, Palestrina,
Pachelbel , Liszt.
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-05-22
With references to the following additional composers: Ramon Fuller, Lejaren Hiller, Petr Kotik, Robert Mols
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-15
Contributor
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Music Library
Format
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Image
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Identifier
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eastman_220
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/5faec4eb370d5d4b276bb89ac5091631.pdf
e5ede8bf92b24078a45b056ed58694c0
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Text
BUFFALO COURIER-EXPRESS Wednesday, May' 2, 1973
LUKAS FOSS'S "Map," a mu-
sical game for '"contestants"
and tape, will be played with
Virgil Thomson as referee today
in New York City at the Whitney
Museum of American Art. Performers are Petr Kotik, winds;
Jan Williams, percussion; Jul~
ius Eastman, voice and keyboards, and J e s s e Levine,
string~. This is the first performance in New York of the
definitive version of the work,
which was presented earlier in
Buffalo at Domus. E<tstman's
"Trumpet" for ·seven trumpets
will introduce the program, part
of the Composers Showcase series at the museum,
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-05-02
With references to the following works by Julius Eastman: Trumpet
With references to the following additional composers: Lukas Foss
Note: Eastman as performer in Foss' MAP
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-02
Contributor
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Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
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eastman_219
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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State University of New York at Buffalo
DEPARTMENT OF MUSIC and CENTER OF THE CREATIVE AND PERFORMING ARTS
present
U.S.A.:
BLACK MUSIC AND DANCE
Directed by
Karl Singletary and Julius Eastman
August 1, 1973
Baird Recital Hall
8:00p.m.
~'1ednesday,
PROGRAM
Nina Simone
Strange Fruit
Choreography - Karl Singletary
The movement in this dance expresses the pain and suffering
that Blacks endured during slavery.
Pas de deux from A Quiet Movement
~'Jilliam
Fischer
Choreography - Karl Singletary
William Fischer, one of the most impressive of younger
black composers is thoroughly at home and accomplished
in all phases of contemporary music. Currently living
in New York City, where he is musical director for
Atlantic Records, he has composed a large body of works,
including three operas, orchestral pieces, vocal and
instrumental works, electronic music and jazz. A Quiet
Movement was composed in 1966 and there are two
deceptive things about the peice: at first one is tempted
to associate the work with Vienna - or hints of
Schoenberg's milieu - but the work unfolds into something purely individual, something dynamically American.
Ronnie Foster and Energy
~~o
Ronnie Foster
Gregory r-1illar
Marvin Schppell
I N T E R M I S S I 0 N
Ronnie Foster and Energy Two
Temptations
Papa
Choreography - Karl Singletary
Julius Eastman
't'Jood In Time
Choreography - Julius Eastman
Jan Williams at the Metronomes
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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USA: black music and dance
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-08-01
With references to the following works by Julius Eastman: Wood in time
Source
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University at Buffalo
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State University of New York at Buffalo. Music Library
Date
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1973-08-01
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Music Library
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eastman_218
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BUFFALO COURIER-EXPRESS, Sunday, luty !2, 1973
Focus on Music
Inner City Ballet Making Leap to Own Home
By THOMAS PUTNAM
KARL SINGLETARY is most
proud of his ·sabre Dance boys,
so-called because they actually
do a dance with the swords.
These Sabres are dancers, ages
12-15, all members of Singletary's classical ballet company,
Buffalo Inner City Ballet Com·
pany.
Inner City Ballet Company
("But remember," says Single·
tary, "Buffalo is part of the
name") is making the big leap
into a home of
its own. The
company, which
has been working
.out of the Allentown Community Center
on Elm wood
Ave., is getting
ready its new
studio at 728
Putnam
Main and should
have classes there by August
(the five-year lease is partly
subsidized by Leon Sidell) .
With a contingent of boys,
Singletary ihas what other ballet
groups frequently need. In addition he has manpower, which
is put to work and not only
In choreography.
FROM THE MODEL Cities
program administered by the
city Singletary has received
funds which will go toward fix-
ing up the new studio. Between
13 and 20 young men will be
employed for 20 hours each
week, with the time divided between work (manual labor in
the studio ) and work (ballet
technique).
Not surprisingly Singletary
thinks highly of Buffalo Mayor
Stanley M. Makowski, fQr It
is the mayor's
summer program which has
put these dancers on their
feet. In fact,
, ' Anthony Nelle,
' S 78-year-old for' mer teacher of
Singletary who
lives In Gowanda, and who has
assisted SingleMakowski
tary recently in
putting together. a .dance pro·
gram, h8S'-re-choreographed a
polka - Johann S t r a u s s ' s
"Thunder and Lightning Polka"
- and Inner City Ballet d·ances
it as "Makowski's Polka."
"Makowski's Polka" 11 part
of the- ,hour-long program by
Inner City Ballet Friday !It One
M&T Plaza, on the noon series.
INCLUDED WILL be a
segment of Singletary's "Quiet
Movement," which be says was
thought to be controversial
- ~when it was presented on the
Buffalo' Philharmonic Orchestrayouth concerts.
which will be presented Aug. '
1- at Baird Recital Hall on a
program of black music and
dance (with composer Julius
Eastman), part of the University of Buffalo's "Music of the
Americas" series.
· Karl Singletat·y
••• works of dance
He and Donna Farkas will
dance the opening minute of
the work, which, Singletary
says, "gets the girl in a position
wrapped around my body."
Music is by Arthur Cunningham. Miss Farkas is a student of Ginger Burke at the
Royal Academy of Ballet.
'l'he snip from "Quiet Movement" Is meant to arouse interest In the full 13-minute work
THE UB PROGRAM at 8 p.m.
includes music by Scott Joplin
·and William Grant I Still, and
Eastman's " Wood In Time,"
music for knocking me~ro
nomes, with choreography for
Inner City Ballet.
Singletary Is getting- together
an operation. He has a staff,
including IV technical director,
Joe Kessler (formerly with
Kathleen Crofton) and an ad·
ministrator, Lui Rawal <Dr.
Rawal was director of the Allentown Community C e n t e r ) .
Kessler will teach Singletary
and Farkas the parts of the
Prince and the "Swan fLake,"
which is technique indeed.
Inner City, then, is moving
- ahead, gaining a foothold in
th~ establishment.
The Sabre Dance boys are
Marvin Askew, William Bland,
Leon ·Hughes, Robert Townsel,
Carl Askew, ChrIstopher
Hughes and Charles Townsel.
They are students at Clinton
Junior High School.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
A name given to the resource
Inner city ballet making leap to own home
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: 1973-08-01
With references to the following works by Julius Eastman: Wood in time
With references to the following additional composers: Johann Strauss, Scott Joplin, William Grant Still
Includes illustration
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-07-22
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Music Library
Format
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clippings (information artifacts)
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eastman_217
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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-
BUFFALO COURIER-EXPRESS, ThurSday, June 14, l!rl3
IJiusie Review
'Mad~
Eastinan
Show S!atisfies
By THOMAS PUTNAM
Julius Eastman wears several
coats, the m o s t frequently
.shown being those of composer
a n d avant - garde performer.
Sometimes these are clownish
coats, worn with great style.
Thus his dramatic role in Peter
Maxwell Davies's "Eight Songs
for a Mad King," in which Eastman actually does wear the
coat of character, is a splendid
tour de force, providing you are
willing to accept nonsense madness - delivered with virtuosity.
"Mad King," which Eastman
has performed here before (and
recorded with the composer),
was conducted by Jan Williams,
for the final work on a program Wednesday night in the
Conference Theater of Norton
Union at the University of
Buffalo.
Rich Tone, Inspiring
But Eastman's vocalism
itself a coat of many colors-is
not displayed to full advantage
in new music nonsense. It was
satisfying therefore, ·to hear his
performance, with upright pianist Kathy Pagel, of Vaughan
Williams's "Five M y stic a I
Songs," romantic profusions o£
love for the Lord. The voice
was rich in tone and inspration,
and words - those carriers of
sense which so often are jettisoned in favor of vocal tonewords were sung with special
articulate care.
"Stay On It" by Eastman is
redundant, its short phrase repeated by pianist (Eastman),
soprano saxophones (Phil DiRe
and Jay Beckenstein ), f I u t e
(Peter Kotik ), two vibraphones
(Williams and Dennis Kahle)
and soprano Georgia Mitoff. The
phrase changes gradually, growing by a beat, or taking on .the
color of an added foreign tone,
sustained by soprano sax, or
hammered by vibes.
Parlor Game for 8
The piece avoids the obvious
.plan of only playing a circular
route, and instead of "staying
on it," it doesn't. Dissonance becomes central ; disjunct phrases
fracture the monotony, and bent
pitches introduce mystery if not
mysticism. A final homage to
the South America of Darius
Milhaud percussive shaker and
tambourine for a rhythmic counterpoint with piano, eight against
three.
Kotik's "Aria'• was a parlor
game for eight dancers who
change and swap clothing in the
dark, and freeze in. humorous
poses when the lights come on.
The dark side of the dance has
its own humor - a tape which
was made by bugging a baby's
musical crib babble. Mozart supplied the aria for the lighted
part. The piece ends with real
social dancing, from the 1920s,
but an attempt to bring the audience into the swing fizzled in
the aisle.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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'Mad' Eastman show satisfies
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-06-13
With references to the following works by Julius Eastman: Stay on it
With references to the following additional composers: Peter Maxwell Davies, Vaughan Williams, Darius Milhaud, Petr Kotik
Note: Eastman as performer of Maxwell-Davies' Eight songs of a mad king
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-06-14
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Music Library
Format
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Image
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Identifier
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eastman_216
Is Part Of
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Tues'day, June 12, 1973 _
BuFFALo EVENING NEws
~ ~ ·M us
· .1c Notes:'\ E a~MtmadnKt? R;PteNat Htis Role
~.I •
· .
"MUSIC OF AMERICAS"
series of UB concerts opens
this evening in Baird Hall with
"American Indian Music and
Dance,'' a pane\ at 7, the con·
cert at 8 by Running Deer's
Singers & Dancers of the
Allegheny Singing Society,
Richard Jonnny John director.
Field songs and ritual dances
of the Seneca Nation will be
featured. The panel will be
moderated by Marvin K. Opler,
professor of social psychiatry
and anthropology. It will inRamona
clude · Mr. John;
Charles,
director
of
the
Tonawanda Indian Comml.!nity
House; Ed Lawrence, executive director of the African·
American Cultural Center, and
graduate
student
J oh n
Mohawk,
specializing
in
American Studies.
B~FFALO Cpam?er
Soctety annual meetmg
held tomorrow at 4:30
the Buffalo residence '
and Mrs. John Priebe.
:;t
:;:
ORGANIST James Kosnik
will present an admission-free
faculty recital 'a t 8: 30 PM Sund;~y in Villa Maria recital hall,
works of _Buxtehude, Bach,
Franck; Hindemith and Gerald
Near.
YOUNG
M U S I CI AN S
Chamber Festival, UB event
June -23·30 will bring 40 gifted
string players from eastern
colleges and high schools to
Baird Hall · for intensive study
under noted experts. They will
be coached by conductor '\
Pamela
Gearhart,
cellist
Mischa
Schneider,
pianist 1
Stephen
Manes
and
the
Cleveland Quartet.
* .;:
~
certs under Joseph Wincenc in
Clarence Town Park, all Sundays at 7:30 PM, will have
these highlights:
June
24
Saxophone
virtuoso Michael Ried, the
Erik-Larsson Concerto, light
classics and operatta favorites.
July 8 - Baritone Ralph
Griffin of Rochester and
C h a u t a u q u a productions,
Prologue from "Pagliacci" and
Largo al Factotum from
"Barber of Seville," with songs
from popular musicals.
July 22 - Violinist Harry
Taub, Philharmonic associate
concertmaster, the Vieuxtemps
Concerto No. 4, orchestral
works of Tchaikowsky, Mancini
and others.
Aug. 5 - Soprano Gwendolyn
Sims, touring artist in return
appearance, "Depuis le Jour"
.
and "Un Bel Di, Gershwin
~ustc , songs, orchestral works of
wtll ~e Verdi and Strauss.
PM m
of Mr.
SOPRANO Ann D'Amico and
mezzo carolyn Jolley will be
accompanied by. Betty A.
Riehle and J6hn Laridis in
works of Vivaldi, Mozart,
Gounod, Brahms, Faure, Saint·
Saens, Copland and Rorem, at
4 PM Sunday in Lafayette
Presbyterian Church .
:;: .
.
::C
CLAR E N CE
Summer
Orchestra series of four con-
1
n
a · 1ng a .·or on
Actor-singer Julius Eastman,
whose unnerving portrayal of a
deranged monarch in the Maxwell Davies "Eight Songs for a
Mad King" earned high critical
praise in New York City, Buffalo a nd other music centers, is
going to do it again.
The Buffalo-based artist will
pre~ent it at 8 PM tomorrow in
Union
Conference
Norton
Theater, a nominal admission
fo r expenses.
The text is taken from random, pathetic comments of
British King George III, who
_reigned at the time of the
j
1
I
American
revolution.
The
111usic by British composer
Peter Maxwell Davies is for
singer-actor and six players. ,
Mr. Eastman, a gifted bass
baritone, also will sing the
Five Mystical Songs of Ralph
Vaughan Williams, with Kathy
Pogel at the piano.
Mr. Eastman's "Mad King"
role was singled out for exceptional approval a season
ago by the New York Times,
and earlier won the year-end
citation by The Buffalo Evening News · as Best Performance by a Home-Based Artist.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Music notes
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-06-13
With references to the following additional composers: Peter Maxwell Davies, Ralph Vaughan Williams
Note: Eastman to reprise role in Eight Songs for a Mad King
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-06-12
Contributor
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Music Library
Format
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eastman_215
Is Part Of
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LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
summer
activities
•
'73
mUSIC
consecutive evenings, the first performance
being preceded by a panel discussion on the
area of American Folk music covered in the
performance .
The Department of Music of the State
University of New York at Buffalo is
pleased to announce MUSIC OF THE
AMERICAS, a special series of concerts to
be presented by distinguished faculty
members and visiting artists. The programs
will feature music of the Seneca Nation,
Latin America, Canada, Appalachia, Black
Music and Dance, and America : The Lighter
side.
The programs will take place on Wednesday
evenings at 8 :00 p .m. PLEASE NOTE
CHANGE OF TIME . (Double performances
wi II
be presented on Tuesday and
Wednesday with a Panel Discussion at 7 :00
p .m. on Tuesday). Tickets will be available
at the Norton Hall Ticket Office at $1 .50
for General Admission; $1 .00 for Faculty,
Staff and U/B Alumni; and $.50 for
Students . The American
Indian and
Bluegrass programs will be $3.00 for
General Admission; $2.00 for Faculty, Staff
and U/B Alumni; and $1.00 for Students .
The American Indian and Appalachian
concerts will each be presented on two
Music ol the Americas
TUESDAY, JUNE 12
MUSIC OF THE SENECA NATION. The
Appalachian Singing Society under the
direction of Mr. Johnny John in a program
of Indian song, dance and folklore .
Panel Discussion: 7:00p.m.
Concert : 8:00p.m .
WEDNESDAY, JUNE 13
MUSIC OF THE SENECA
(Concert only at 8 :00p.m. )
NATION
TUESDAY, JULY 3
AMERICA: THE LIGHTER SIDE. Music by
Stephen Foster, Gershwin, Bernstein and
others .
TUESDAY, JULY 24
APPALACHIA. The Mclain Family Band.
A program of the folk music of Appalachia
and Bluegrass Music of yesterday and today.
Panel Discussion : 7 :00p .m.
Concert : 8:00p.m.
·
WEDNESDAY, JULY 25
APPALACHIA (Concert only at 8:00p .m .)
WEDNESDAY, AUGUSTS
LATIN AMERICA. Performances by the
U /B
Percussion Ensemble under the
direction of Jan Williams will include
Ginastera's "Cantata Para Ameri ca Magica"
for 53 percussion instruments and dramatic
soprano .
CANADA (Date to be announced). Music of
Canada by Canadian composers, performed
by Canadian artists.
BLACK MUSIC AND DANCE (Date to be
announced). The music of Scott Joplin,
William Grant Still, Julius Eastman and
other Black composers . The program is
under the direction of Julius Eastman.
Other Faculty and
Student Concerts
WEDNESDAY, JUNE 20
CHAMBER MUSIC RECITAL Works for
oboe and voice performed by Ronald
Richards and Rachel Lewis with assisting
artists. Program will include Heinichen Trio
Sonata, Graupner Cantata, Vaughan
Williams Blake Songs, Fortunati Three
Romances.
FRIDAY,JULY6
AMERICAN MUSIC CONCERT . A program
under the direction of Lejaren Hiller.
(Works to be announced).
FRIDAY, JULY 13
GRADUATE RECITAL/GARRY FISHER,
Piano st udent of Stephen Manes. Works by
Mendelssohn, Schumann, Debussy ,
Granados, and Prokofiev .
TUESDAY, JULY 31
GRADUATE
RECITAL/GEORGE
SWI ETLICKI, Piano student of Stephen
Manes. Works by Beethoven, Bartok and
Mu ssorgs ky .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer activities
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-08-01
With references to the following additional composers: Scott Joplin, William Grant Still
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-08-01
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
The nature or genre of the resource
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LIB-MUS024
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https://digital.lib.buffalo.edu/files/original/44010cecc1068fc26b8bb0df4c327e4f.pdf
1c1e1dcacab665ed43c68c42449aabdd
PDF Text
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TUESDAY, JULY 24,1973
APPALACHIA
THE McLAIN FAMILY BAND
of Berea, Kentucky
Panel Discussion at 7:00p.m.
Concert at 8:00p.m.
WEDNESDAY, JULY 25,1973
(repeat of the above program)
Concert only at 8:00p.m.
An authentic presentation of
"Bluegrass" music by Raymond Mclain, guitar, and his
three children: Ruth, 15,
bass; Alice, 16, mandolin; and
Raymond, 19, banjo and
fiddle. They will present a
program tracing Bluegrass
music from its beginnings to
its present form as a fluid
folk expression demonstrating traditional principles of
folklore.
The Mclain Family Band performed in twelve festivals in
twelve states last summer. In
July, 1972, they performed
seven times at Gian Carlo
Menotti's Festival of Two
Worlds in Spoleto, Italy.
Following that, they performed throughout Germany
and for the Belgium Radio.
Tickets: $3.00/$2.00/$1.00
WEDNESDAY, AUGUST 1,1973
U.S.A.: BLACK MUSIC AND DANCE
Under the co-direction of CARL
SINGLETARY and JULIUS EASTMAN
Performed by Guest Artists and
the INNER-CITY BALLET CO.
Co-sponsored by the Center of the
Creative and Performing Arts
The program will include
Piano Rags by Scott Joplin;
works by William Fisher and
William Grant Still ; and Julius
Eastman 's recent composition, Wood In Time.
Tickets: $3.00/$2.00/ $1.00
Concert at 8:00p.m.
WEDNESDAY, AUGUST 8,1973
LATIN AMERICA
Under the Direction of
JAN WILLIAMS
Performed by Guest Artists and
the U/ B PERCUSSION ENSEMBLE
Co-sponsored by the Center of the
Creative and Performing Arts
Concert at 8:00p .m.
Works will include Alberto
Ginastera's Cantata para
America Magica for 53 percussion instruments and dramatic soprano. Other works
by Latin American composers
will be performed by various
soloists and ensembles.
Tickets: $1.50/ $1.00/ $.50
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Title
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USA: black music and dance
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-08-01
With references to the following works by Julius Eastman: Wood in time
Note: Eastman also co-director
Source
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University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-08-01
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Music Library
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eastman_213
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/dd4c3292dabdce4ec0e4df5635925d0c.pdf
3eeb3be3e56044c2eb5f9e2b952922fa
PDF Text
Text
BuFFALO EvENING NEws
"".• _Wednesday,
--
May 3·0, 1973 · ·
----------- ------------------------~~--~--~----~-------------
UBto Host Music of Americas.Series
Songs and dances of the
Seneca
Nation,
S a Ion
Am e r ic a n a ,
Kentucky
Bluegrass performers, ancient
ragtime, Canadian and Latin
American mo.derns will make a
most unusual UB Concert
Series opening in mid-June in
Baird Hall.
The overall title is "Music of
the Americas."
Some o'f the programs will be
preceded by panel discussions,
with well-known educators and
specialists on hand.
They're all on Tuesdays
and/or Wednesdays at 8 PM,
and panels will be at 7 PM:
June 12, panel, "The Seneca
Running
Deer's
Nation,"
Singers and Dancers of the
Allegheny
Singing
Society
under Richard Johnny John.
E~planation
of Indian instruments
and
ceremonial
music and dance . Repeat, June
1~
~"The Lighter Side,"
Am encan salon favorites including two-piano settings of
Gottschalk, Copland, Gershwin,
the Bernstein Clarinet SonataJ
songs of Stephen Foster, Gay
Nineties, Tin Pan Alley.
July 17, "Canada," the Lyric
Arts Trio in works of Canadian
composers.
J uly 24, panel "Appalachia,"
the McLain Family Band of
Kentucky, hits .of a dozen
festivals in 12 states and the
Spoleto Festival in Italy.
Repeat, July 25.
Aug. I, "Black Music &
Dance,"
co-directors
Carl
Singletary and Julius Eastman,
ragtime of Scott Joplin, works
of William Fisher, William
Grant Still and Eastman.
Aug., 8, "Latin America,"
director Jan Williams and the
UB
Percussion
Ensemble,
Ginastera's
"Cantata para:
America Magica" for 53
percussion
a
instruments
·highlight.
Ticket
information
is
available in · Baird ·Hall. Other
concerts on the UB summer
schedule:
June 20, 8 PM, chamber
recital, soprano Ra•chel Lewis,
oboist Ronald Richards and
others, works of Heinichen,
Graupner, Blake, Fortunati.
July
6,
' 'Musica I
Americana," works of Lejaren
Hiller with guest artists and
faculty performers, "Ballad of
Jesse James," settings of Appalachian folk ballads, "Spoon
River, Illinois," Amplification
for Theater Band and Tape,
and the wild and garish
''Avalanche.''
July 8, 3 PM student recital,
pupils of Frina Arschanska
Boldt, admission free.
July 13, pianist Gary Fisher,
graduate recital , admission
free.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
UB to host music of Americas series
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-08-01
With references to the following additional composers: Scott Joplin, William Fisher, William Grant Still
Note: unidentified piece by Eastman to be played
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-30
Contributor
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Music Library
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eastman_212
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/c9e021a29aab0d68bf3008e36a0f9997.pdf
b694067b247b252e7ec67f5b2499179d
PDF Text
Text
Baird Hall
Computer Composition
Enlivens UB Concert
By HERMA,N TROTTER
The unseen actions of a computer in Illinois tipped '
the balance of Thursday evening;s Faculty Con1posers
Concert in Baird Hall towards the conservative. But
-more of that later.
One of the big centers of interest was
the premiere
performance
of
Ra mon
Fuller's String Quartet No. 1
by The Cleveland Quartet. Its
flavor is one of dark-hued,
atonal,
late
romanticism,
opening with an inward-turned
meditation of minor cast,
becoming more argumentative
and ruminative.
Cello, violin and viola solos
form a pivotal point in the
structure and a good textural
contrast to the tightly knit
ensemble fabric that prevails
elsewhere.
Afterward
the
music becomes even more intensely probing, ending with a
twice-repeated,
questioning,
descending interval. A wellcrafted and absorbing work in
an exemplary performance,
and well wor th additional
hearings.
* * *
RICHARDS was
featured in Robert Mols' Cantilena for Solo Oboe, Harp and
Strings, the composer conducting the University Strings.
Wide-spaced
and
sonorous
string chords form a firm
anchor for the rhapsodic
peregrinations of the oboe, with
a brief, contrasting, rapid interlude over mostly pizzicato
support. A warm hand both for
Mr. Richards' performance
and Mr. Mols' atmospheric
evocation.
Balancing the scales were a
couple of "now" pieces which
shared very little ex'i&Pt a
strong orientation towarcfs onedimensional single-mindedness.
Petr Kotik's 1964 Spontano for
Piano
and
Ten
Wind
Instruments consists mainly of
a series of changing piano
chords to which the wind instruments respond with held
tones in varying combinations,
dynamics and duration.
RONALD
There were some interesting
sonorities created by the
unusual selection of winds,
most of which were in the low
end
of
their
respective
families, but the piece was
rather long for its content.
* * *
JULIUS EASTMAN'S "Stay
On It" was something else
again. Coming on like an
emcee, Mr. Eastman introduced his group from the
keyboard and swung into a
strong mock-jazz riff, joined by
a couple of crooning soprano
saxes,
flute
and
vibes.
Periodically vocalist Georgia
Mitoff monotoned the title and
Mr. Eastman pitched in with
whining lalsetto. Thus it went
for seeming ages, slight to
moderate variations on this
theme from time to time, with
its obvious put-on keeping the
audience amused. Lustry applause at the close.
That computer in Illinois? Oh
yes , it's called Illiac and in
1957 it composed a suite of the
same name for string quartet
in response to programming
setups and input by Lejaren
Hiller and Leonard Isaacson.
Mr. Hiller now calls it his
String Quartet No. 4; "Illiac
Suite."
It may sound like a formula
for the wild and wooly, but it
was just about the most conservative, cleanly structured
work on the program, with
bouncy fugatos, hymnlike sections and copiou.s counterpoint,
and
only
occasional
mechanically
r epet it ive
phrases suggesting the computer's lack of imagination. It
was played with fine intonation
and generally good ensemble
by a student quartet of J acquelynne
Leonard,
Loren
Pearson, Delmar Stewart and
Wendell Haver.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Title
A name given to the resource
Computer composition enlivens UB concert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-05-22
With references to the following works by Julius Eastman: Stay on it
With references to the following additional composers: Ramon Fuller, Robert Mols, Lejaren Hiller
Creator
An entity primarily responsible for making the resource
Trotter, Herman
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-23
Contributor
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Music Library
Format
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eastman_211
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/673e1b60ad16cc3b87bbe39582e42485.pdf
9b095400f87b1a6eaf44266fcb54ca09
PDF Text
Text
BUFFALO EVENING NEWS
Tuesday, May 22, 1973
UB COMPOSERS CONCERT
is presented t~is evening at
8:30 in Baird }:lall, tickets at
the door.
The program:
Premiere of String Quartet No.
1 by Ramon Fuller, Cantllena
for
Solo
Oboe
(Ronald
Richards) with harp and the
University Strings by Robert
Mols, the composer conducting; String Quartet No. 3
by Lejaren Hiller, "Spontano"
for chamber group by ·Petr
Kotik and "Stay on It," new
work by Julius Eastman.
CHOPIN
young
pianists
competition ausp1ces of the
. Chopm Singing Society, finals
Saturday at 8 PM in Baird
Hall.
* * *
LAURENCE
8 0 GUE ,
baritone soloist in many Buffalo Philharmonic and UB
Opera programs and former
UB faculty member, has been
appoint~d to the New England
Conservatory faculty in Boston,
announcement by conservatory
director and noted composer
Gunther Schuller. Mr. Bogue
* * •
UB RECITAL, w iII be will teach private classes in
presented by pianist Marcel~a voice and diction, and evenFaine on Friday at 8:30 PM m tually undertake an advanced
class for choral and opera conBaird Hall, admission free.
.. .. *
u tors.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-05-22
With references to the following works by Julius Eastman: Stay on it
With references to the following additional composers: Ramon Fuller, Robert Mols, Lejaren Hiller, Petr Kotik
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-22
Contributor
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Music Library
Format
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eastman_210
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/19bd146574726783875c324867b550e1.pdf
108f23bea15cfe45fb673bde63812aea
PDF Text
Text
-2-
Lejaren Hiller
and Leonard Isaacson
String Quartet No. 4
"Illiac Suite" (1957)
Experiment One (Presto: Andante, Allegro)
Experiment ~~~o (Adagio, rna non troppo Lento)
Experiment ~nree (Allegro con Brio)
Experiment Four (Tanto Presto che Possibile)
Jacquelynne Leonard, violin
Loren Pearson, violin
Delmar Stewart, viola
Wendel Haver, cello
INTERHISSION
Spontano for Piano and Ten 1i7ind Instruments (1964)*
Petr Kotik
Jay Hersher, piccolo
Petr I<otik, flute
Allen Sigel, clarinet
Amrom Chodos, bass clarinet
Darlene Reynard, bassoon
Ronald Daniel, contrabassoon
Ralph Jones, French horn
Lee Lovallo, trombone
Donald Ivliller, tuba
Robert Laduca, tuba
Julius Eastman, piano
Julius Eastman
Stay on It*
J.E. and the Sunlights
Jay Beckenstein
Julius Eastman
Phil DiRe
Petr Kotik
Georgia IVIitoff
Jan Williams
*First Performance
�
Dublin Core
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Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Comic gallery concert beds down bass fiddle
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1975-02-15
With references to the following additional composers: Luis DePablo, Arne Mellnas, Yannix Xenakis, Eric Richards, Robert Moran
Note: Eastman as performer in Luis DePablo's Berceuse
Includes illustration
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-02-16
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_209
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/74c34306cfed4d9b09febb1535980209.pdf
108f23bea15cfe45fb673bde63812aea
PDF Text
Text
-2-
Lejaren Hiller
and Leonard Isaacson
String Quartet No. 4
"Illiac Suite" (1957)
Experiment One (Presto: Andante, Allegro)
Experiment ~~~o (Adagio, rna non troppo Lento)
Experiment ~nree (Allegro con Brio)
Experiment Four (Tanto Presto che Possibile)
Jacquelynne Leonard, violin
Loren Pearson, violin
Delmar Stewart, viola
Wendel Haver, cello
INTERHISSION
Spontano for Piano and Ten 1i7ind Instruments (1964)*
Petr Kotik
Jay Hersher, piccolo
Petr I<otik, flute
Allen Sigel, clarinet
Amrom Chodos, bass clarinet
Darlene Reynard, bassoon
Ronald Daniel, contrabassoon
Ralph Jones, French horn
Lee Lovallo, trombone
Donald Ivliller, tuba
Robert Laduca, tuba
Julius Eastman, piano
Julius Eastman
Stay on It*
J.E. and the Sunlights
Jay Beckenstein
Julius Eastman
Phil DiRe
Petr Kotik
Georgia IVIitoff
Jan Williams
*First Performance
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Faculty composers concert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-05-22
With references to the following works by Julius Eastman: Stay on it
Note: Eastman also performed Kotik's Spontano on the same program
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-22
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_209
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/3f6d23d70eea06ff8b919eaf9ae24924.pdf
df7a9b9ae833f03663b62db5ca0ddc25
PDF Text
Text
BUFFALO COURIER-EXPRESS, Monday, May 14, 1973
New Music
Albright
Finale Is
Varied
Funny Situation
By THOMAS PUTNAM
Chodos assembles his instruNew music has many faces, ment on stage, while the tape
as the Season's final Evening is going ; he is very calm, licking
for New Music at the AlbrightlJis reed , takin ghis time. His
Knox Art Gallery demonstrated. music fa st an dshort intricate
Some were pretty to behold, or phrases, does not really fit with
amusing, or tiring.
the. tape music, although he
David's Gibson's Fragment seems to want ot belong to the
No. 5 for Viola and Vibraphone, electronic environment. At one
despite its dry name, is attrac- point he delivers a silent lecture
tive in melodic and rhythmic about his instrument.
patterns. Henry Rubin and DenHe ihas a microphone behind
is Kahle were the performers. him, and while playing he beams
Rubin 's opening viola cadenza selected tones into it, thus crequivers with double-stop tremolo ating a cadenga which suddenly
glissandos, trills, while vibra- 'enters the electronic world. In
phone punctuates with murmur- one effective section, Chodos being harmonies, or a sudden comes part of the glissando
metallic shatterig.
electronic landscape.
Kahle's vibraphone assumes
Finally he seems to fall apart,
prominence with music that an uncomprehending soul con·changes speeds naturally, and fronted by the tape. He leaves
eventually he and Rubin are the stage, defiant, blowing a
toying with the same nine-note low tone into the speakers.
phrase, which they play in con- Own Composition
flicting speeds to produce a
Rocco DiPietro played h i s
happy effect. Gibson, a Creative o w n "Acoustic Poems" for
Associate, composed the music piano, in which nature 'l'hythms
for these performers.
prevail. The technique employed-such as cluster chords
On Buffalo State Faculty
Anton Wolf, composer and or r~eated figurations-are
flutist on the faculty of Buffalo used to express sonic (acoustic)
State College wrote his Three ideas well.
The final "poem," "Wave,"
Studies for Flute Alone in 1966.
Petr Kotik played the music is a kind of French boogiewith and good feeling. It is woogie at first, but even this
melodious, alive in rhythm, at- association is only momentarily
tractive in its clear lines. No felt. DiPietro is Buffalo-born, a
flute · tricks, either, which is former student of Lukas Foss
refreshing. Even the final 12- (he once led the "Phorion" imtone study is lyrical and open.
provising ensemble while a stuWolf closes each study neatly, dent here). His music is honestly
with a flutter burr (the first), felt, and makes a good impres,
or a staccato dot (third).
sian.
Jacob Druckman's "Animus
Gardner Read's "Haiku SeaIII" for clarinet and tpae is a sons" is long-Haiku, tiring,
parody of the fusion technique which is too bad; for the inwhich unites live performer and
strumental sounds are clean
electronic tape. Druckman's lit- and interesting. The 16 poems
tle comic-drama concludes with were read in split form by
the collapse of the live player,
Georgia Mitoff, Cynthia Hadley,
Amrom Chodos for this per- Donald Hillard and J·ulius Eastformance. The tape is a trans- man. The final look to the East
formation of the voice and play- was Richard Felciano's "Crasis"
ing of clarinetist Arthur Bloom, j for instruments and tape, conC!Uite unrecognizable.
ducted by the composer. The
music eventually joins live and
electronic sounds in moods and
·colors.
I
I
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Albright finale is varied
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Concert review
Date of event: 1973-05-13
Note: Eastman as performer in Read's Haiku Seasons
Creator
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Putnam, Thomas
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1973-05-14
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Music Library
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eastman_208
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/51acff463c7526a4f308255db515e146.pdf
833b61ee99964ec37019e355682927de
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BuFFALo EVENING NEws
Monday, May 14, 1973
Albright-Knox Auditorium
New-Music Evenings
Appear t~ Be Aging
By JOHN DWYER
"I think maybe the avant-garde is getting a little
old," said composer Lukas Foss with a wryly goodhumored smile.
'i'HE TWO young composers affinity
with
20th-Century
We were chatting briefly at
were lively and interesting, but French style and its grace and
the "Evening for New Music"
equally on the side of the f!u;dity, and now I'm sure of it.
intermission on Sunday eve- - known and explored.
ThesE> were finely shaped
ning in Albright-Knox Art
David Gibson's Fragment miniatures, fulfilling their own
No. 5 of~ered. a furious, forms in spare pastoral lines
'Gallery auditorium, the series
melqdrama~Ic d1sturb~nce _by and subtle decor, especially
·
finale.
H~~ry Rubm on t'he VIola w1th · pleasing to the applauding auMr Foss, the former Buffalo s!Jmng
double
stops,
an dience.
Philharmonic conductor now ostinato ·inventively passing
Gardner
Read's
"Haiku
the string to vibraphonist
dividing his time between the from
Dennis Kahle, who took it up as Seasons"
presented
singBrooklyn Philharmonia and
speech performers Georgia
an
accompaniment
to
a
new
M'itoff.
Cynthia
Hadley,
Donald
orchestras in Israel, is co- lament in sighing cantillation.
ad mira b 1 e Hi 1liard and Julius Eastman,
director of the series with DB- Veru n'r~.
with a chamber group conbased composer Lejaren Hiller.
performance.
ducted by Jan Williams in
'ro1.u:P
,;uffalo composer t'lnal versions of the short,
I'd been telling composer
Foss that I thought it was Rocco DiPietro played his own allu~ive haiku, Japanese poetic
.
going distinctly conservative, Acoustic Poems, three of them form.
now, after the earlier, fresher in recurring figures, something
Read is one of the most acclose t<' a passacaglia in the
years of carefree anarchy.
center, hypnotic repetitions of . comp1ished orchestrators alive,
* * *
the same kind of chordal and his use of color and space
BUT I don't think it's a
is absolutely*sure.
., ,.
question of age. A couple of mai,ses but with very slight
A SINGLE word might pass
older and naturally con- changes in a slow surge to big
servative composers on the sononty. Clear, well-defined through all four voices., and
ideas and a good, fresh sense
program, Gardner ~ead and of
tonal theater.
harp, open . piano string~,
Anton Wolf, sounded right at
celeste, harpsichord, mandolin
home in lyric veins under .
Buffalo-b~sed com P. o s e r gave symbolic impersonations
Amon Wolfs Three Studies for , of Eastern timbres
mastered control.
There were 16 h·aikus, and r
You noticed it more in com- Flut~ Alone w~re played with
poser Jacob Druckman, for in- con~~de~able mtentn~ss and thought he'd run through most
of his repertoire of sounds and
stance. An old-timer, true sensitiVIty by Petr Kotlk.
010
"'
•
,
notions by about the halfway
enough, but considered an
electronic insurrectionist and
I THOUGHT in previous Wolf ma rk. But then artistic redunfirebrand in his way. Yet here works that the composer had dancy has its own force, as you
he seemed to be trying to an easy rapport and phychic would know from Schubert.
"Haiku Seasons" is riot in
relight an old fuse left over
any real sense a modern piece,
from the earlier days of joyful
but it may well catch the atcon-;piracy against the prevailtention
of
some
modern
ing forms.
listeners, who like to be lulled
Thi!> was the Druckman
by faintly reminiscent imAnimus III with clarinetist
, agerie~ in Oriental dress.
Amrom Chodos in an actor's
role, silent exhortation with
gestures, mugging and posturing and some brilliant playing
in quite listenable, former innovations.
Composer · Richard Felciano,
at 43, conducted his own 1967
"Crasis" for seven instruments
and tape, this one inspired by
~;ounds and mannerisms of the
Japanese Noh Theater !payers.
Instant episodes, scatter-tone
patterns, vocal brays and
glides and yelps, it still seemed
rather contained . and evenminded to me, at the heart of
1t, for all the esoteric decor.
i
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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New-music evenings appear to be aging
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-05-13
Note: Eastman performed Gardner Read's Haiku Seasons
Creator
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Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1973-05-14
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Music Library
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eastman_207
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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01433d1796a7ca6f3b60a64edc54f53a
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Text
~
EVENINGS FOR NEW MUSIC
~,
P R 0 GRAM
Fragment No. 5 for Viola and Vibraphone (1973) ........ David Gibson
Henry Rubin and Dennis Kahle
Haiku Seasons (1970)* ....... . ... . ...•..... . ... .. . Gardner Read
Claudette Brown, Cynthia Hadley, Donald Hilliard, Julius Eastman
Richard Trythall, Paul Tydelski, Mario Falcao,
Dennis Kahle, Jeffery Kowalsky, Michael Wellen
Jan Williams, conductor
INTERMISSION
Three Studies for Flute Alone (1966) * ............. .. ... Anton Wolf
Petr Kotik
Animus Ill (1969)* ............ ... . . ........... Jacob Druckman
for 8 flat clarinet and tape
Amrom Chodos
Acoustic Poems (1972) * ....... . ... . .... .. .. . ... . . Rocco DiPietro
performed by the composer
Crasis (1967)* . . . . ........ ... .............. . . Richard felciano
for instruments and tape
Petr Kotik, Amrom Chodos, Henry Rubin, David Gibson,
Mario Falcao, Dennis Kahle, Richard Trythall
conducted by the composer
*First Buffalo Performance
The Center is supported in part by grants from the National Endowment for the Arts
and the New York State Council on the Arts.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
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Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1973-05-13
Note: Eastman performs Gardner Read's Haiku Seasons
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-05-13
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Music Library
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eastman_206
Is Part Of
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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b3aae87a195ca7b208bc5de474c1e8c7
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Text
the village VOICE, May 10, 1973
to be paying much !tttmtion to.the
IT'S A BEAUTIFUL SPRING
background music, ·but it seemed
evening here in the Whitney Muimportant in that round.
:. .
seum, and it is still a close contest.
I (Sever'al · r~unds later) ·That
Jesse Levine is now launching into
makes the Uurdpenalty·for Kptik,
some tricky violin passages that
so
he is out .of .the game now,· but
Jan Williams is trying to imitate
it's still a close contest between
on a recorder. Petr Kotik, who is
the other three. Now 'Levine· is
primarily a flutiest , is following
playing bass, and . Willialll.$· is
along as best he can on another vi- continued f r om page 51
olin but ... No. Referee Virgil JuliusEastinanwasstickingatoy crouched on the floor, trying to
Thomson has decided that it whistle into his mouth and deaden the sound of his inwasn't good enough and has taken I Williams was bolding down some strument by placing seat cushions
Kotik's violin away from him. of his keys. But .he is falling . over ·.the front ..of it. · Eastman
There were a few jeers from behind now. Scorekeeper Lukas look~ · as if he couldn:t think · of
Kotik fans on that decision. Foss chalks up a penalty for Kotik , ariythmg to · dO·c there for a
Things were looking good for him , on the large scoreboard, and now . moment, ·but now ·he has begun
especially a few rounds ago, when Williams will have a chance to unscrewing the pegs on the bass.
he managed to play his flute challenge Levine, who appears to Levine is still playing, but he will
without breaking, even though .be going into this round with a nof be able to continue for long,
cello... Ye,s, · he's starting to · judging from the speed- · with
Continued on pag e 58
play sustained tones on the cello which Eastman is .untuning his
now, and it ,looks like Williams is i pe~s. It looks to me like a clear
hanging something onto Levine's : pomt for E~tman, but Thomson
bow. Wait ·~~ minute. It's a little has not dec1ded yet. The referee
hard to see. It appears to be some · crouches down to .get.a better look
kind of rings. Yes, they are little at . what Williams .i~ doing,
metal rings. Williams has looped · deliberates a moment, smga:ls the
them around the tip of the· bow, endof.the -round and ... awards
and they are giving Levine a good the pomt to Eastman.' That puts
deal of trouble. He is still playing, Eastman o1,1t in front now, with
though; and it looks as if Williams . · three points and only one penalty.
hasfailedt-ostophfm.Yes. There's But Jhe game could still go to
the decision.. Levine gets the Williams; with no points and one
point. I . think one reason why penalty, or to Levine, with one
Thomson gave the point to Levine point and two penalties. Kotik, inis because his cello tones blended cidentally, is still allowed to make
so well with the prerecorded in- sounds, even though he is now
strumental sounds which are eliminated from the contest. Acbeing played in the background , cording to the Whitney Museum
Most of the time no one appears ground rules, he may either bow
I
•
UJUStC -
ori the many bells suspended from
-the eeiling, or vibrate superball
mallets on the floor. But be has
not been very active. I can't say
that I blame him. I would probably not feel .much like doing those
things if I had been eliminated either.
..
(Several rounds later) Eastman
is -still ahead; despite , the additiona! penalty he received when
he dropped a mallet, in an
unusually clumsy moment. But
Levine i~ moving up, thanks to
that ,. nic.t maneuver when he
thwarted Willianis;s Vibraphone
playing by clanging a big chain
across the vibes. Now Le'Vi.De and
Williams are confronting each
other in one of the most intense
challenges of.the game. The audience is quite still now, listening to
the triclcy patterns they are
tossing back and forth. It is quite
remarkable. how Levine, with his
violin, seems to be able to imitate
anything Williams plays on his
vib~aphone. Williams, in turn, has
been doing some . fine imitating
himself. But now. Wait a minute.
Williams has just ended one of his
vibraphone phrases with a soft
cymbal crash. How will Levine
ever manage to imitate that on
his violin? The audience is
hushed. Levine takes his bow and
plays. Will he make it? ... No.
Thomson's decision is immediate.
Levine's cymbal imitation was
not good enough: and that, unfor-
lunately, gives Levine his third
and final ., penalty, leaving only
Williams and Eastman to battle it
out in another round of imitation
and .. . Williams wins the point
easily. Thomson declares WHIiams the winner, and there is a
nice round of applause. But wait.
Scorekeeper Foss is intervening:
Apparently.there is some techni:
cality which I do not understand
.as Foss · has declru:_ed that they·
must have another play play-off
round. Eatmaq1 wins that hands ·"
down, arid now'lte is declared the
winner. And so,' after an hour and
20 minutes, the game ends with
Eastmari the winner. Most of the
audience seems to feel that the
referee was right and that the
prize, which is a small bell, should
have gone to Williams, but there
is not much point in arguing with
Foss, not only because he is the
scorekeeper, but also because he .
is the inventor of this .curio~ and j'
~totally , involving game called "Map."
-Tom Johnson
Hoofers at Town Hall
A concert of jazz tap dances
with the Hoofers will be presented
on Wednesday, May 16, at 5.45 p.
m. at Town Hall, featuring Chuck
Green, Jonathan Nicol, Rhythm
Red, Raymond Kaalund , and Leticia Jay. Admission is $1.75.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Concert review
Date of event: unknown
With references to the following additional composers: Lukas Foss
Note: Eastman performs Foss' MAP
Creator
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Johnson, Tom
Source
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The Village Voice
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State University of New York at Buffalo. Music Library
Date
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1973-05-10
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Music Library
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eastman_205
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Albright-Knox Art Gallery
Saturday , May 5 1973
ARIA, FONTANA MIX AND SOLOS FOR FLUTE ,
ALTO FLUTE PICCOLO AND VIOLINCELLO (1958) ......... John Cage
Julius Eastman , David Gibson , Petr Kotik Jan T,Jilliams
LES MOUTON DE PANURGE (1969) ....... . ... . ..... Frederic Rzewski
Julius Eastman David Gibson , Dennis Kahle , Petr Kotik ,
Jeffery Kov1alsky , Henry Rubin , Jan Williams
DIRECTORS
LUKAS FOSS
LEJAREN HILLER
State University of New York at Buffalo, Baird Hall, Buffalo, New York 14214
(716)831-3411
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-05-05
Note: Eastman performs John Cage and Rzewski
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-05-05
Contributor
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Music Library
Format
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eastman_204
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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EVENINGS FOR NEW MUSIC
PROGRAM
Songs, Drones, and Refrains of Death (1962-68)
George Crumb
Spyros Sakkas
David Sussman, Louis Bruno, Richard Trythall , Jan Williams, Dennis Kahle
Theodore Antoniou, conductor
INTERMISSION
Second Round (1972) * .
for harpsichord and tape
Richard Trythall
Performed by the composer
Parodies (1970) *
for voice (actor) and piano
Theodore Antoniou
Spyros Sakkas and Jeffery Kowalsky
Anaparastasis Ill ( 1969) *
.
Jani Christou
Julius Eastman and Ensemble
Theodore Antoniou , conductor
* First New York Performance
The Center is supported in part by grants from the National Endowment for the Arts
and the New York State Council on the Arts. Assistance for ton ight's concert from
the Office of Cultural Affa irs, SUNYAB, is gratefully acknowledged.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Evenings for new music (Carnegie Hall)
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1973-04-18
Note: Eastman performs Christou's Anaparastasis III
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Music Department
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State University of New York at Buffalo. Music Library
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1973-04-18
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Music Library
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eastman_203
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/24775385edf032c6a268e5e6489d4135.pdf
b387053ea5c78cc7f9188a8f4d11bee7
PDF Text
Text
Buffalo Evening News
Apr.
11o, /9 73
Albright-Knox
Music by SEM Ensemble
An Exercise in Futility/
1
attended. Julius Eastman, Jan
Williams and· Director Petr
Kotik of the ·Ensemble were
joined by guests cellist David
Gibson, percussionists Jeffery
Kowalsky and Will Rogers,
trombonist Lee Lovallo, and
metronome manipulator Georgia Mitoff.
By HERMAN TROTTER
Over the week-end I was
trying to read the label on my
necktie, and sadly found that
no longer can I get it far
enough away from my eyes to
focus properly without taking it
off.
This exercise ·In futility was
acted out during a portion of
the SEM Ensemble's week-end
bash in the lower level of the
Albright-Knox Art Gallery.
There was little else to do at
the time, since I'd thrice
scrutinized every " objet d'art"
within eye-shot. Simultaneously
a few othe.r attendees rummaged idly in pocketbooks,
more just left, a prominent
visiting composer slept, and a
small child avidly devoured a
chocolate bunny.
It was a doubleheader for
g r o u p,
this avant•garde
simultaneous presentation of
four John Cage works Sunday
afternoon on a come-and-go-asyou-will basis, and a regular
sit-down presentation Saturday
evening, which this reporter
•••
1
VISITING UB Slee Professor
Morton
Feldman's
1967
"Intervals" saved the day, the
full group sans metronomist
bearing down intently on this
essay in pianissimo. Even the
bass drum and orchestra bells
were played at this low
dynamic level, as Mr. Eastman
hummed quiet tones or a low
cantilena, answered by the
other musicians. The interaction and overlay of supersubtle tones was most a ppealing, but requires an
absolutely silent environment
for full effectiveness. The
normally unobstrusive sound of
the heating system blowers
prevented this.
Mr. Kotik played a live flute
In consort with several channels of self-taped flute In his
own "How Empty Is My
Wilderness," a . hollowly impressionist piece built mostly
of piled-up, long-held tones.
Early arrivers heard the composer putting together the
multitrack tape, a rather interesting insight.
Mr. Eastman's "Wood In
Time'' explored the rhythmic
interplay of eight highly
amplified metronomes going in
and out of synchronization and
phase with each other with occasional interjections grainy
groans and other of nonbeating sounds. There were a
few humorous hitches and halts
of rhythm, but it grew
tiresome.
•• •
IN CHRISTIAN Wolff's 1964
"For 1, 2 or 3 People" three
guys did a bunch of things to a
bunch o f i n s t r u m e n t s ,
noisemakers, and a voice.
Beyond that, no comment. This
is not an indictment of Mr.
Wolff, who was In town for a
Baird Hall program devoted to
his
works,
well-reviewed
elsewhere on these pages. It is
only a criticism of this type of
work, where w h a t e v e r
organization or structure exists
is apparent only to the
performers, making it a sort of
"inside joke" from which the
audience is excluded.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Music by SEM ensemble an 'exercise in futility'
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: unknown
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: John Cage, Morton Feldman, Petr Kotik, Christian Wolff
Creator
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Trotter, Herman
Source
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1973-04-16
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Music Library
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eastman_202
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/44c93dd335617348c5cdc8142ab26ce7.pdf
f98206bf41576bbac77254d19655351b
PDF Text
Text
STRAIT 4 APRIL 1973
New Music Becomes New Theatre
(I realize I have a tendency to gush all over when
something· affects me strongly. I've been known
to excessively rave and praise a work of art when
it especially moves me. I frequently yell, weep
and jump around in incoherent ecstasy when I am
very taken by something. I've also been known to
stare blankly into space ... mind you, I recognize
that I have a tendency to do this . .. )
Saturday evening, March 31 , at the Albright -Knox Art
Gallery, was an "Evening for New Music." Five recent
compositions were performed; four of them incorporating
some aspect of theatre.
The final work-Anaparastasis III ( 1969) by Jani Christou
(1926-1970) (a composer "unique for his dramatic expression
related to the subconscious") was a musical/theatre piece in
which an instrumental ensemble is crowded onto one side of
the stage, and a soloist is alone on the other side.
The soloist (Julius Eastman) enters stage in a very, very
slow pantomime, very eventually reaching his position at
piano. Through this there is a relentless machine-like musical
ominous hum background (provided by tape) through
stereophonic speakers placed around the auditorium. The
sound is not at all annoying, it has very soothing qualities in
many respects. It is reminescent of the hum of a giant
generator. It grows louder and louder throughout the work,
eventually adding a continually repeated rhythmic theme. This
provides the sound foundation of the composition.
The soloist, meanwhiie, goes through spastic movements
trying desperately to perform on the piano, and succeeds with
only a few anguished, dissonant chords. He also croaks out
garbled, unintelligible sounds. It is a pathetic sight.
The ensemble punctuates his "successes" with loud
noise-beats, and occassionally emits shouts or instrumental
accompaniement during the piece.
As the tape slowly continues its very gradual, but
overpowering, crescendo, the soloist collapses under .the piano,
slides through sensual contortions, and emerges facing the
audience. As the music becomes louder, the soloist attempts to
communicate witht he audience, but as the ensemble adds
more and more noise, building to an awesome, loud,
screeching ROAR, the man gives up; he cannot re~ch us. The
ensemble stops its roaring, and the tape, slowly, sound by
sound, winds down to its generative hum , which gradually
fades out of existence. Finis.
(here it comes:)
Ladies and gentlemen: This was an overwhelming work. My
description does it no justice, for I can only describe the
theatre aspects; but it is the musical content which is the most
m·wing. I cannot possibly convey to you the feelings it
gives . .. but it is so fantastic, so totally oblitterating. The
tension it generates is unbelievable. I had chills for 90% of the
twenty minutes, and I was· wrecked at its close. I have never
been more affected by a work of art. At its conclusion I felt as
incredulously, startlingly aware as I did when I'd completed
The Brothers Karamazov, when I heard Mahler's Ninth
Symphony. People! This is an incredibly beautiful work of
Art! The intelligent, controlled use of the tape surpassed any
other utilization of tape sounds within music I have yet heard.
This, along with the evocative performance by Julius Eastman,
creates a horrifying composition. Musically, everything is with
purpose, and everything works together . All sound and action
focus on one immense expression of deep ~xperience. I was so
fa1· drawn into what transpired that I was left , for hours
afterward , with that peculiar sensation we have deep in our
chests when we are truly moved . It was an intellectually jarring
experience.
The audience, it seemed, was relieved at its conclusion.
Indeed, the ominous tension is virtually unbearable. Applause
was not great , but the composition drains you to such a degree
that is is hard to applaud. But also , in talking with many of
those attending, I found that though most were impressed by
it , no one else responded as strongly as I.
I maintain , however, that Anaparastasis III is a masterpiece
of music , and that as music/ theatre it will endure as long as
any other artistic work I can think of.
I do not get this outraged often. Dear reader, I am not
fooling around - this is a masterpiece ! I wish I could show
you .. .
All I will say is, if ever in your life you have the
opportunity to see this performed, do not pass it up . It is an
experience you may never forget .
Preceding Anaparastasis III were four works of contrasting
qualities. Two were humorous escapades in music-theatre.
Casta David ( 1968) by Ben Johnston involved a technician
(who operated 4 tape recorders) and cellist David Gibson
(dressed in 18th century wig and costume) . David emitted a
series of grotesque and scatological sounds while " playing" the
cello - eventually moving to typewriter, and then back to cello,
performing fragments of standard repetoire compositions
while the tape accompanied him with instant replays of his
yelps and moans. It is quite outlandish , and very funny .
The importance of the performer in this work cannot be
overestimated. He becomes as much the composer as Johnston
himself (if not more). Ben Johnston recognizes this, and can
become very app,rehensive concerning the ability of the
virtuoso to interpret his work . In this case David Gibson may
well have provided the musical performance of the year. He
uninhibitedly went about his work/ play, and the audience
·
loved it.
The composer considers the work a satire which includes
many aspects of self parody. His role in the composition is
" the importance of creating a good plot ."
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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New music becomes new theater
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-03-31
With references to the following additional composers: Jani Christou, Mahler, Ben Johnston
Creator
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unknown
Source
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Strait
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-04-04
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_201
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/d57f4228e4f177eaccb7d576cca41d1f.pdf
44794972bb3a9646c6c96ba830361969
PDF Text
Text
I
1
BuFFALo EVENING
NEws
1-\ or.
I, I ~ 73
Albri·ght-Knox Auditorium
Mad Cellist ·David Gibson Flips His Wig and Steals the Show
I didn ' t mention Bert Lahr
lightl y, though I have no il' lusions th at a gifted modern
one-tim er could sustain the late
actor's wondrous level.
Still , th ere was th a t sa me
fearful,
kind
of
crav en,
paranoiac rage, moun tainous
Lahr, and I Gon't th ink he ever pride, in vol ve ment with a
did anything like it before. private world of raptur e.
He's a regular, serious cellist
* * *
and composer. Or he was.
THE AUDIENCE loved him,
Anyway,
he
screamed, and his career may never be
whimpered, imitat(!d the sound the s'a me again. General Castof his own cello and sundry ing may have him on the wire
birds and animals, went into a right now.
kind of aphrodisiacal ecstasy.
I think one could fault the
He moved to a typewriter program design, to follow this
and played to an inner drum, a bit later with another
while the complex tape setup portrayal of demented virtuoso
recorded him and played back a.nd accompanist, this time
mixtures of his own tantrum as visiting Greek-born baritone
a
f o u r - s p e a ke r
ac- Spyros Sakkas and Buffalopianist'
J e ffe y
He
moved based
·c ompaniment.
across stage and played snip- Kowalsky.
They did the 1970 "Parodh:> s"
pets of every s,alon and symof Theodore Antoniou, Athensphoni c cello favorite.
By JOHN DWYER
The funniest stuff in town more often than not is
found in the "Evenings for New Music" series by the
UB Creative Associates in Albright-Knox Art Gall e ry
auditorium, and this latest one was a mind-fr acturing
aelight.
·~-----------It was a wor k by com poser
Ben Johnston called " Casta
David,"
for cellist David
Gibson as a freaked-out 18thCentury performer in wig and
courtly swallow-tail, and electronicist George Ritscher as a
bearded, white-coated, mad
scientist ·at the dials of a deranged tape machine.
Mr. Johnston, a nationally
known and much-performed
composer, was in here from
the University of Illinois to
watch
his
own
cultural
mayhem on the Saturdayevening program .
Cellist Gibson seemed to
me one of the most wildly
comi c pol troons since Bert
r
born composer who was on the
scene to take part in other
works.
Mr .
Sakkas was h n1l'y,
engaging, expressive, and the
was
an
e xcellent
piani st
straight man, but the audience
had pretty well spent its
response to the comic impluse
by this time.
They enjoyed the parody or.
the over-mannered, old-time
pompous recitalist to a Dadastyle text by Hugo Ball in
phonetic nonsense. But for all
the considerable skill anJ corn~
ic sense shown by Mr. Sakkas
and his aide, it seemed
stretched out and overplayed.
MR. ANTONIOU conducted
the
"Songs,
Drones
and
Refrains of Death" by George
Crumb, with Mr. Sakkas as
singer with a chamber ~ n,Jp.
Composer Crumb is a m nd8l of
taste and tone-sure <;raft, but I
found this rather monoch rome
a nd de corously static.
Ri·chard Tryth a ll played his
own "Se cond Round" at the
harpsi cho r d, a deftl y woven
fantasy on Scarl a tti sona tas to
a t2.pe accom pa nim ent c.,i the
sam e materials multi pli ed <:and
overl a id in rolling .::loucis of
sound.
Julius Eastman, testimable
actor-musician who has JJn.pressed New York and Euro·
pean centers with his forc.<·ful
roles, had a just-fair vehicle
here in the Anaparasta;;is III of
Jani Christou, Mr. Antoniou
conducting a tight-dustered
ensemble
of players
and
shouters, Mr. Eastman movmg
slowly and · agonizedly to the
keyboard for adagio convulsions at and uhli er the
pia no. This, too, migi1t hav e
been saved for anot.her tirne.
The crazy cellist had wrapped
it up in the Cl!rtain r aiser.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
A name given to the resource
Mad cellist David Gibson flips his wig and steals the show
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-03-31
With references to the following additional composers: Ben Johnson, Theodore Antoniou, George Crumb, Richard Trythall
Note: Eastman performs Christou
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-04-01
Contributor
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Music Library
Format
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eastman_200
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/7c2f55ac94091a2e24c6a35698f49ec4.pdf
542b4396ead5a0704dc95eb3e7e75160
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
Casta David (1968) * *
.
Ben Johnston
David Gibson and George Ritscher
Songs, Drones, and Refrains of Death (1962·68)**
George Crumb
Spyros Sakkas
David Sussman, Louis Bruno, Richard Trythall, Jan Williams, Dennis Kahle
Theodore Antoniou, conductor
INTERMISSION
Second Round (1972)* .
for harpsichord and tape
Richard Trythall
Performed by the composer
Parodies (1970)**
for voice (actor) and piano
Theodore Antoniou
Spyros Sakkas and Jeffery Kowalsky
Anaparastasis Ill (1969) * * .
Jani Christou
Julius Eastman and Ensemble
Theodore Antoniou, conductor
*First Performance
**First Buffalo Performance
The Center is supported in part by grants from the National Endowment for the Arts
and the New York State Council on the Arts. Assistance for tonight's concert from
the Office of Cultural Affairs, SUNYAB, is gratefully acknowledged.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-03-31
Note: Eastman performs Anaparastasis III by Christou
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-03-31
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_199
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/e1745db2b243ad2bac38059a45677586.pdf
96937540bebdb61c4d8730cd15ebcedd
PDF Text
Text
BuFFALo EVENING
Baird Hall
NEws
Tuesday, March 6, 1'973
UB Choir Gives New Lilt
To Idea of Choral Program~
1
By JOHN DWYER
A hushed rapture for voices
and a few instruments by
Morton Feldman and Julius
Eastman's mystic geometry
for dancers and metronomes
showed us all that the UB
Choir and Director J:Iarriet
Simons intend to_ give a whole
new meaning to the rather
routine idea of "choral program."
The select 30-voice mixed
choir, in formal black and
grouped Qn rising tiers, also
offered the more customary
tributes· to tJhe Venetian
Renaissance and American
present. Monday ·evening in
Baird Hall. But the character
of the program was defined by
its departure\
The 1972 work titled "The
Rothko Chapel" by visiting
Slee Compose.r Feldman was
inspired by the penumbrous
canvases of the artist Rothko,
gathered in what you might
call'a Western meditorium, in
Houstvn.
Philharmonic p r i n c I p a 1
violist Jesse :Levine, wlho may
be
composer
Feldman's
favorite ·musician in all the
world,
played
the
contemplative and long-dwelling
lead voice. Mr. Levine has
figured' in several Feldman
works here.
• • •
SOFT-HAMMERED
bells,
bars
by
gongs
and
percussionist Jan Williams and
counter-tones of cellist Richard
Trythall colored the texture
and posed an antiphonal mix to
humming voices, tale intervals
in thread-thin widths.
The close-<clustered voice
tones and the major-s'eventh
bread'tih of the viola line make
the p-rime valence of the wor
with an almost visual effect,
though the composer disclaims
any idea of repainting his
model.
This was very difficult
performance .as controlled· flow
and infinite g.radation, ver
well done. It was hurt as a
listening experience by a
chronic cougiher, a 30-time
coug'her wtho might have
earned universal gratitude by
leaving. But no,
"'
..
INNER CITY Ballet dancers
Karl Singletary (the director),
Donna Farkas, Steven Majewicz and Lisamarie Benedetti
offered
the
Eastman
choreography to iihe Eastman
score, which coiliSisted of
amplified
m et r onomes
· operated at various speeds in a
high-decibel rhythmic dispute.
The dance was Greek-f.rieze
and Euclid in motion, and
rather
while
it
seemed
rudimentary as ballet and
theater, it had a fairly
persuasive sense of patte.rn and
resolution of its own quandary.
The performers were quite appealing, and came t:hrough on
strenuous
demands
for
balance.
The c;hoir hasn't been }ust
avant~-gardmg
it
around.
Three
little
ballettos
of
Gastoldi and an anthem lament
of Moneverdi showed an excellent sense of those wonderful early styles of Mantua
and Venice. .
.The Emily Dickinson poem
"Musicians Wrestle
Everywhere" in the 1945 setting by Elliott Carter was a
brief but many-level dhallenge,
filling the air with dissonant
. Yankee sublimity and winding
up in the jolting innocence of a
C Major Triad. A fine evening.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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UB choir gives new lilt to idea of 'choral program'
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-03-05
With references to the following works by Julius Eastman: Wood in time
With references to the following additional composers: Morton Feldman, Gastoldi, Monteverdi, Elliott Carter
Creator
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Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1973-03-06
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Music Library
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eastman_198
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/71cb39f0623068651da3f72b6f23ad5b.pdf
c752d671a7a49b9cace03446944d93d7
PDF Text
Text
Baird Hall
BUFFALO COURIER-EXPRESS, Tuesday, March 6, 1973
UB Choir Attuned
To 'Rothlio Chapel'.·
By THOMAS PUTNAM
Coming out of " The Rothko
Chapel" one hears soft campus
bells tolling the hour, a con·
tinuation of Morton Feldman's
music. T·he performance of
Feldman's piece by the University of Buffalo Choir under
Harriet Simons (who inserted
a few solos with her back to
us), with Jesse Levine (who
continues to be the violinist in
Feldman's music ), Jan Wil·
Iiams (low, dark vibraphone ;
soft mallets on wood; rolled
timpani-a murmur ) and Richard Trythall (whose celesta
was somewhere ), concluded a
program by the choir Monday
night in Baird Reclbil·. Hall at
the University of Buffalo.
Feldman's music is ;intendect
to evoke or accompany "those
large, dark canvases of Rothko's
installed in the chapel," for the
composer feels he shares with
the painter the "abstract experi·
ence." The music was premiered
in March last year at the Rothko
Chapel, which was built solely
for the display of the paintings,
in Hou ston, Texas.
He Could Use Chapel
If Rothko 's paintings belong in
a chapel, where does the music
of Feldman belong? He could
use his own chapel, a place of
meditation, where his ethereal
sounds would be safe.
As in much of Feldman's
nmsic, " The Rothko Chapel" is
a work of spiritual suspense.
There is -almost no tension in
the slow, spaced viola line, in-
tervals drifting; or in the gentle
triumph of long, 'sustained hum~
ming chords which almost hide
the -chime strokes. Feldman introduces near the end a melody
(viola) he wrote when he was.
15 and impressionable; and ' this
move$ slowly against a regular.,
beating undercurrent, a . four- ·
note motive played in melodic
thirds by vibraphone.
It is startling, this recapitulation to an earlier time in the
composer's life, which is the
one composition.
The choir sang \~ords earlier
on the program, including tbose
belonging to a poem by Emily
Dickinson which Elliott Carter
used for his "Musicians Wrestle
Everywhere." The choir was
well coordinated , and alert to
the muscular rhythms.
One non-vocal work was Julius
Eastman's "Wood In Time" for
four dancers (Inner City Ballet
Company) and metronomes with
contact mikes.
The choreography is attractive,
more mechanical than fluid, but
this was the idea. The metronomes tock in and out of phase,
like so many ' clocks that don 't
obey time and eventually it
gets to . be' quite a racket. . One.
. \von'dered -about' the appro'p!·ai-'
ateness of sound and dance together, for sometimes the dancers looked to be humming some
other music to themselves (not
Feldman, though).
Yet in the final mechanized
scene an intensity of robot-like
activity by the dancers, who
were alertly nervous, made the
tocking tick. The four were
Lisamarie Benedetti, Donna
Farkas, Steven Majewicz and
company director Karl Single·
tary.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
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UB choir attuned to 'Rothko Chapel'
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-03-05
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: Morton Feldman, Elliott Carter
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-03-06
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Music Library
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clippings (information artifacts)
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eastman_197
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/2dd2d4543166482c86d0adf3b1c7fcd7.pdf
e4c97b8c875ca9ac77a49043997c7b5f
PDF Text
Text
WOOD IN TIME - mus:t c and
cho~eo~raphy
by Julius Eastman
Inner City Ballet Company of Western New York
Director - Karl Singletary
Dancers:
Lisamarie Benedetti
Donna Farkas
Steven Majewicz
Karl Singletary
Metronome players:
Donna Bernstein
Fred Kirisits
William Rogers
Anne Stair
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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University Choir
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-03-05
With references to the following works by Julius Eastman: Wood in Time
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-03-05
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Music Library
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eastman_196
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/28412d45720465724fbe1594339f87bd.pdf
e6c255753e77f8d635c8418c7b09fb51
PDF Text
Text
-
· -~ - - -- -
;
·--
- .-
BUF:WALO COURIE}l;EXPRESS, Sullday. ~ar.0h ~. 19'73 P.
Julius Eastman
Jan Williams
Morton Feldman
University Choir offers more than a song
... metronomes, dancers, and music for dark paintings
'Rothko Chapel' Slated
Local Pre1niere Set for Monday
By THOMAS PUTNAM
MORTON FELDMAN'S "The
Rothko Chapel," which the
composer says was inspired by
the "large, dark canvases of
Rothko's installed in the Rothko
Chapel" in Houston, Tex., will
receive its local premiere on a
program by the Unisersity
Choir of the University of Buffalo, directed by 1I a r r i e t
Simons, at 8:30 p.m. Monday in
Baird Recital Hall.
Dr. Simons, director of
choruses at the university, will
direct the choir in " The Rothko
Chapel," assisted by violist
Jesse Levine, percussionist Jan
Williams, and Richard Trythall,
celesta.
THE ROTHKO Chapel, dedicated about two years ago in
Houston, is attached to the Institute of Religion H u m a n
Development, part of the Texas
Medical Center. The donors of
the chapel were Mr. and Mrs.
John de Menii, who also commissioned Feldman to do the
music for the paintings.
Feldman says of his music:
"My attempt . . . was to recreate my own musical life,
bringing together a ·· muf.ic of
identifiable emotions w h I c l1
occasionally and s u d d e n l y
merges into the 'abstract experience' which I felt I shared
with Rothko." The work was
composed in May, 1871 in Pontpoint, France. ("The Rothko
Chapel" will be recorded by
these performers under the
direction ·of Lukas Foss for
N{)nesuch.)
The University Choir will
open its· program with 17th century works by Giovanni Gastoldi and Monteverdi before
singing Elliott C a r t e r ' s
"Musicians Wrestle E v e r ywhere" (1945), a setting of
poetry by Emily Dickinson.
ONE NONCHOIR piece also
will be presented when Julius
Eastman conducts his "Wood in
Time" (1972), SC{)red for eight
metronomes and four dancers.
Eastman co~pposed beats and
steps for this choreographic
metronomy.
Dancers from the Inner City
Ballet Company of Western
New York are Lisamarie Benedetti, - Donna Farkas, Steven
Majewicz and Karl Singletary,
their director. Metronomists
are D{)nna Bernstein, Fred
Kirisits, William Rogers and
Anne Stair.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
A name given to the resource
'Rothko Chapel' slated
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: 1973-03-05
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: Morton Feldman, Giovanni Gastoldi, Monteverdi, Elliott Carter
Includes illustration
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-03-04
Contributor
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Music Library
Format
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clippings (information artifacts)
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Identifier
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eastman_195
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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-
https://digital.lib.buffalo.edu/files/original/dc076a9c1e64e071d502cbc2a070c1c6.pdf
438399e279654ce5e8639aa9638b4152
PDF Text
Text
Music
Baird Recital Hall: Harriet Simon d i r e c t s the University
Choir at 8:30p.m. Works by Gastoldi, Monteverdi, Carter, Eastman and Feldman. Guest artists
are Jesse Levine, viola; Jan
Williams, percussion; Richard
Trythall, celesta; and Julius
Eastman, who will conduct his
"Wood in Time," a ballet for
the Inner City Ballet Company.
Free admission.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1973-03-05
With references to the following works by Julius Eastman: Wood in Time
With references to the following additional composers: Gastoldi, Monteverdi, Carter, Feldman
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-03-04
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_194
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/99a0945ccba8b39c49962405d45b57b6.pdf
3ab5444182fa0d756b13e56aa058fe95
PDF Text
Text
BuFFALo EVENING
Monday, February 26, 1973
NEws
Albright-Knox Auditorium
/
SEM Is Something Else, With a Lively Future Ahe.ad
By JOHN DWYER
Nothing in Buffalo, not the
paintings of Burohfield or· the
baton of Michael Tilson
Thomas or the Sabres or Bills
or Coffee Rich, has had the in.temational effect of the UBbased touring group, the SEM
Ensemble.
The rest of them have carried the name of Buffalo to far
places. The SEM Ensemble has
brought it back in the worst
shape it's been in a long time.
Their ultra-modern concerts
in Europe have brought impassioned urgings in several
languages that, once they got
back to Buffalo, the city should
be declared in some kind of
artistic quarantine.
How do we know this? The
four composer-players proudly
document It themselves In their
brochure announcing
availability for f u r t h e r
carnage.
The memlbers are Petr Kotik,
flutist ;
Julius
Eastman,
keyboards and voice ; Clifford
Stoll, various electronic roles,
and Jan Williams, percussion.
The new ones are dwelling
impressions in brooding hypnotics on a few half-steps, with
amplified viola, bass flute,
electronic organ, trumpet and
trombone.
For al'Uhe shock expectancy,
this particular work was quite
romantic,
moody
and
sometimes misty, as if a
pleasantly deranged
Racitmaninoff had returned to
rescore his falling two-tone
preludes of 7•0 years ago in
modern temns. I found it graceful and gently mesmeriz1ing,
except Wihere the organ overrode the texture in some episodes.
"Second
Structure"
by
Frederic Rzewski set up a
complex array of sound equipment and tape, apparently giv. ing a delayed playback through
two huge side-wall speakers.
Thus the players and singer
Eastman \ in his remarkable
falsetto were provided counterpoint out of their own
materials, a bunch of rappings
and strung tone-clusters with a
very complicated rhythmic effect.
•
ljl
•
"OLYMPIA" BY Rudolf
orous p u t MeSISers
and Williams at a small
of small instruments -
KomKotic
table
bells,
bird
whistle,
harmonica,
whirly, ratchet - for a bright
and amusing duo of tiny,
spurting motifs.
Eastman's
"Lines
and
Spaces" should have been
further explained to the audience. Some of the soundsystem mixtures were by two
performers downstairs at the
stairway entrance out of sight,
Mr. Williams rubbing a wired
gong and Mr. Kotik OI"f an
amplified fiddle.
1
The
work
involved
a
scrambled
recorded
talk
session on life and times in
fragmented takes, the !Whole
thing probably to be resvonded
}
THEIR
PROGRAM
in
Albright-Knox Art Gallery
auditorium brought out quite a
fair attendance, considering
the damp cold and the options
of a Saturday evening. Their
guest
performers
were
Philharmonic principal violist
Jesse Levine and principal
trumpeter Dawd Kuehn, and
trombonist Donald Miller.
Composer Kotik has an
ongoing sequence of works
called "There ' is Singularly
Nothing."
They are a series of panels
much like the Japanese watercolor books by old masters
which can be untied and
regrouped in any way, since
they are re-sketches in subtle •
variants along guided lines. He
offered five new ones and three
earlier ones.
Buffalo Evening News
l="eb.
:JfD; /973
•RoGER SHIELDS, pianist, And Allen
N,lsbet, cellist, Polish ComPosers R•·
cotel, 8:30, UB's Baird H•ll.
as a tonal mosaic. Not to be
analyzed too closely, that is,
or you'd be dealing with just
chips and pieces.
The finale was a collaboration, but I didn't stay.
My idea of a program of such
hypermodern density is that it
should be over by about 10 PM,
Which was when they were .just
getting into the second half.
Anyway, the SEM Ensemble
is singularly something. Just
what, no one may ever know,
but as long as they continue to
upset critics in Cologne , Berlin,
Geneva, Paris and New York,
they appear to have a lively
f.uture.
to
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
A name given to the resource
SEM is something else, with a lively future ahead
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-02-24
With references to the following works by Julius Eastman: Lines and Spaces
With references to the following additional composers: Petr Kotik, Rachmaninoff, Rudolf Komorous
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-02-26
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Music Library
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eastman_193
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/7c23fc87556a39f78c634d189a8fc9b6.pdf
b23c544a8bc9c2272a9f6760591b690b
PDF Text
Text
PETR KOTIK
THERE IS SINGULARLY NOTHING
(1971/72) No. 4*,5,7,8,11*,14*,15*,16*
*
FREDERIC RZEWSI<I
first performance
SECOND STRUCTURE (1972)
first ensemble performance
RUDOLF KOMOROUS
OLYMPIA (1967)
intermission
J U L1 US EASTMAN
S.E.M. COLLABORATIVE WORK
LINES AND SPACES (1972/73)
JUEA PEKOJAW (1973)
first performance
�
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Julius Eastman Clippings Database, 1968-1979
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Title
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S.E.M. ensemble
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1973-02-24
With references to the following works by Julius Eastman: Lines and Spaces
Juea Pekojaw (SEM collaborative work)
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Music Department
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State University of New York at Buffalo. Music Library
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1973-02-24
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LIB-MUS024
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Spectrum
f=eh.
JtiJ, 191 3
Evening for new mu$ic
Concert presents new works
by Martin Kalve ;
Spectrum Music Critic
Concerts of new music are rare events in
Buffalo, and consequently people that are interested
in observing new currents in music are bound to
attach a certain precious aura to any live
performance of new music that they are able to
attend.
·Outside of any value judgments, which sooner
or later must be made, the excitement derived from
the exploration of unfamiliar grounds and
unexperienced relationships allows a suspension of
opinion-making and an increased participation in the
search for a new beauty. This is the "perauditive"
through which I listened to the "Evenings for New
Music" concert this past Sunday at the
Albright-Knox Gallery Auditorium.
The concert began with "And Then, Toward the
End," a work for trombone and tape by Donald Erb.
The taped parts consisted of trombone sounds
altered by simple electronic means. Above all else
the piece revealed to me how humorous and amiable
the sound of the trombone could be .
Audio-comic relief
The gestures evoked by the sounds of the taped
trombone and those produced by Stuart Dempster
all seemed to share in the light-hearted quality of the
music of a Saturday morning cartoon show. Long
and slowly climbing passages end in a laughable
cascade of notes downwards, splatting on the ground
in a pile of blurps and blats.
The composer likes to think of this work as a
miniature concerto and indeed there did exist a
lengthy lyrical passage for solo live trombone which
might be considered to be a cadenza.
The first United States performance of David
Bedford's "The Sword of Orion" was next
performed by Petr Kotik, Jeffery Kowalsky, and Jan
Williams, who also conducted the performance. Mr.
Bedford's program notes consisted mainly of the
phenomena he observed in the night sky through his
telescope.
In describing .t he Pleiades, to the naked eye a
cluster of six stars, he mentioned that on November
14, he was able to count 67 through the telescope.
(There ar.e actually over 300 in the cluster) . If one
substitutes the perception of sound for the visual
perception of the Pleiades, a certain relationship
between the performance and program notes evolves .
Abstract textures with complex rhythmic
relationships were contrasted with clearly defined
percussive punctuations, linking indefinable realm
with indefinable realm.
Near the end of the piece all the performers
moved about in a circle, playing on a variety of
percussion instruments including four triangles, four
cymbals, six flowerpots, four drums, six bottles, four
gongs and four bells, ending the piece in a crystal
cloud of fading sonorities.
It is at this concert that for the first time I was
fully able to appreciate the faint music of Morton
Feldman. Perhaps it was the absence of a vibrating
ventilator or uncomfortable chairs, or perhaps it was
the intimate environment of the Gallery Auditorium.
In any case it was the first time I was able to
experience the long-held tones and super-soft
without
being
interrupted
by
dynamics
(comparatively) grossly inarticulated externalia . The
dynamic level of Morton Feldman's "Voices and
Instruments II" is the dynamic level of the beginning
and ending of all things, distant in space, highly
intense in its presence, the first and last glimpse.
The work was well performed by Julius
Eastman, Sylvia Dimiziani, Harriet Simons, Petr
Kotik, David Gibson, Shannon Shapp, Louis Bruno
and was conducted by Jesse Levine.
Beyond prestissimo
Mr . Levine also conducted the next work,
"Piece in Two Parts" by Stefan Wolpe. In contrast to
Feldman's work, which had a relatively low rate of
delivery of surface information, the Wolpe work was
a high -tension wire of events, demanding a focus of
attention, yet so quickly shifting that my mind
became incapable of the feat. Mr. Feldman describes the work in the program
notes as a fragmented lyricism in which the energy
and clarity of all its parts arrive at one of those
endings where we suddenly realize the extraord inary
gifts of this composer. I join Mr. Feldman in
admiring the gifts of Stefan Wolpe, and also the gifts
of the performers, Henry Rubin, Gerald Soffer,
David Gibson, Suzanne Thomas, and Stephen Manes.
"Rendez-Vous" by Carlos Alsina ended the
program. This work, a complex of sound textures
(some rather unusuat violin bow pulled across a
plastic egg carton, double tones on the trombone,
the sounds of a Yugoslavian flute) was performed by
Edward Yadzinsky, Stuart Dempster, Jan Williams
and Richard Trythall.
Undoubtedly the reflections of this concert will
change in time. My only wish is that I have
transmitted some of the initial excitement in the
experience of new sound .
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Concert presents new works
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-02-11
With references to the following additional composers: Donald Erb, David Bedford, Morton Feldman, Stefan Wolpe, Carlos Alsina
Note: Eastman as performer in Feldman's Voices and Instruments II
Creator
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Kalve, Martin
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Spectrum
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State University of New York at Buffalo. Music Library
Date
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1973-02-16
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eastman_191
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LIB-MUS024
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Text
F'-=fs
I
YJ 1973
EVENINGS FOR NEW MUSIC
PROGRAM
... And Then, Toward the End . . .
for trombone and tape ( 1971)
Donald Erb
Stuart Dempster
The Sword of Orion ( 1969) '~ '~
David Bedford
Petr Kotik, Amrom Chodos, Henry Rubin ,
David Gibson , Dennis Kahle, Jeffery Kowalsky
Jan Williams, conductor
Voices and Instruments II ( 1972) ~,
Morton Feldman
Julius Eastman , Sylvia Dimiziani, Harriet Simons ,
Petr Kotik, David Gibson , Shannon Snapp, Louis Bruno
Jesse Levine , conductor
INTERMISSION
Piece in Two Parts ( 1961 / 62)
for Six Players
Stefan Wolpe
Henry Rubin , Gerald Soffer, David Gibson ,
Suzanne Thomas , Stephen Manes
Jesse Levine, conductor
Rendez-Vous
(1970) ':"~
.
Carlos Alsina
Edward Yadzinsky, Stuart Dempster, Jan Williams, Richard Trythall
* First Performance
** First U. S. Performance
The Center is supported in pa rt by grants from the National Endowment for the Arts
and the New York State Council on the Arts . Assistance for tonight's concert from
the Office of Cultural Affairs, SUNYAB, is gratefully acknowledged .
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Evenings for new music (Carnegie hall)
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1973-02-14
Note: Eastman performs Feldman's Voices and Instruments II
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-02-14
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Music Library
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eastman_190
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Courier Express
Feb . J~ 1973
~
....
HENRY R U B I N , Creative
Associate Violinist, will present
a recital at 8:30p.m. Monday in
Baird Recital Hall, University
of Buffalo. Assisting artists are
pianists Stephen Manes, and
percussionists J effery Kowalsky
and Dennis Kahle. Admission is
free.
~
....
MUSIC OF Polish composers
will be performed by pianist
Roger Shields and cellist Allen
Nisbet on the C o p e r n i c u s
concert at R::«< n.ni. FPb. 2.~ in
Baird Recital Hall, University
of Buffalo. The program includes music by K r a u z e ,
Chopin, L u t o s I a w s k i and
Szymanowski.
~
....
S.E.M. ENSEMBLE, fresh
from Europe, will present a
program of avant-garde music
at 8:30 p.m. Feb 24 in the audi. torium of the Albright-Knox Art
Gallery. Petr Kotik, flutist, is director of the ensemble, whose
members include vocalist Julius
Eastman and percussionist Jan
Williams. Admission is free.
•······
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Announcement
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Announcement
Date of event: 1973-02-24
Note: SEM ensemble
Source
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1973-02-14
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Music Library
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eastman_189
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LIB-MUS024
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UB Only
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Monday, February 12, 1973
--
6_
____,_
~
~
5 Bun~ ALO _E~~NING
---
NEW I
·Drama
Albright-Knox Auditorium
UB Mod Group Returns
To Its Wild Old Form
--~-
By 'JOHN DWYER
most extraordinary slide-horn
When · one ' bell~imd-bottle · man, I think, of them all.
With an array of mutes,
piece is about Orion (the constellation,' not the Irish poet) sometimes the mouthpiece
alone, eerie double tones and
and another is . a demented growls and a superb open-horn
trombone concerto and then cadenza
against
a
tape
composer Morton Feldman elaborated from basic tromhums us into frostbitten bone sounds, Mr. Dempster ofone of the outstanding
Nirvana, you know the UB fered
virtuoso performances of the
Creative Associates are back in season. It was received with
form:
conside•rable enthusiasm and
They'd
had
a
relapse the visiting compose·r was
recently, offering pieces with called for a bow.
scales and keys and words
* * ¥
from languages. They were
"SWORD OF Orion" by
back into the primal babble British composer David Bedhere, and a good deal more in- ford was a joyful celebration of
teresting.
.psychic and
sidereal time,
The· program Sunday evening violinist Henry Rubin leaping
in AIOright-Knox Art 'Gallery over to help cellist David
auditorium attracted a near- . Gibson _play his instrument,
capacity audience in · some of percussionists Dennis Kahle
the coldest weather , of · the and Jeffrey Kowalsky playing
.
winter.
on cowbells; strung bottles,
And they . paid to get . in, triangles, cymbals, every last
which . is one of. .the really percussive' thing in a big ring
startling innovations of this around the chamber group.
"Evening for New Music"
Eventually every performer
series. If you can find two
other ticket-selling avante- but one left his instrument and
garde series in the country raced around the percussion
outside of New York, I'll be ring, slamming everything in
sight. A touch of finale
surprised.
·
Well,
perhaps
composer slapstick, but quite musical all
Morton Feldman first, since in all. Jan Williams conducted,
ihe's the visiting UB Slee pro- making it seven performers.
fessor and has already charm- Orion has seven stars, east of
ed or mesmerized us with . Taurus over the Equator. And
other dream-p1;1intings in mo- I'll bet they didn't even know
that.
tion.
• * •
A lovely Piece in Two Parts
THIS
WAS
a
first by a beautiful man and artist,
performance of his Voices and the late composer Stefan
Instruments II, Jesse Levine Wolpe, explored a wide-angled
theme and ripple and its inconducting. Three hummers Julius Eastman,
S y I v i a versions, Jesse Levine conDimiziani ·and Harriet Simons ducting a mixed chamber sextook part with an odd tet including Piano and harp.
chamber quartet: Flutist Petr
"Rendezvous" by the imKotik, cellists David Gibson aginative Argentine · composer
and Shannon Snapp, and double Carlos Alsina, also a former
bassist Louis Bruno.
associate, was a high-spirited
The piece is strangely jam session for saxoph'Onist
eventful, for all its -quiet poise, Edward Yadzinsky, trombonist
as thin lines cross slantwise Dempster, percussionist Jan
and thin colors are laminated Williams and Pianist Richard
into deepened hue1s, and a form Trythall. They added vocal
unaccountably is developed out bleeps, shouts, yelps, bobbed
of what seems to be allusive and weaved, seized other in·m eandering.
struments for quick variations,
It's <!Jiixotic that such a and generally cleaned up the
thoroug h1y radical composer place and the evening in
should offer us restful beauty, outlandish style .
. but I ·notice that my mind,
So that drift to the right and
under
the
somnambulistic decorous civility last time out
overcast, rem~ins very active was just a momentary lapse.
and inquiring through several We all make mistakes.
Feldman works including this
one. Vitality is one thing, we
see, gymnastics another.
"And Then, Toward the
End" by Donald Erb is very
like a concerto for tape· and
trombone, and this was the
return of trombonist and composer Stuart Dempster, former
Creative Associate and the
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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UB mod group returns to its wild old form
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-02-11
With references to the following additional composers: Morton Feldman, Donald Erb, Stefan Wolpe, Carlos Alsina
Note: Eastman performs Feldman's Voices and Instruments II
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-02-12
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Music Library
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eastman_188
Is Part Of
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Review
BUFF/t.LO COURIER-EXPRESS, Monday, February 12, 1973
'Voices and Instruments II' Audience Listens-or Drowse~
By THOMAS PUTNAM
behind the hummed tones it vine conducted the performance. modulated· and filtered, in proJan Williams conducted Da·
cesses which to the engineer vid Bedford's "The Sword of
Morton Feldman's new piece, was the ~· Aanus Dei." The en· unobtrusively.
"Voices and Instruments ll," · semble Includes · flute <Peter . One rutted repetition of a may i>'e "very simple means" Orion," · whloh was equipped .
which he wrote this season for Kotik), two cellos <David Gi!r particularly misty harmony. but which lead to dazzling hi· with star-gazing program notes ;
the Uhlversity ~ o~ Buffalo's ~en· son and Shannon Snapp) and a with only the flute producing a sci ends.
all about what can be seen .
·_,t er of the Creative and Perform- dou'ble bass <Louis llruuo>. The . sharp articulation, sounded like
This "miniature concerto for through a four-inch telescope. :
··ing · Arts; and which premiered Instrumental sound also hums, ·a stuck celestial auto horn. Feld· trombone" was composed with What can be heard at the start ;
Sunday · on the · Evenings for sings softly and smoothly, the man's presence · at UB as Slee Dempster's sound and talent in of this entertainment is metro• :
New Music program at the Al· only ·attacking sounds being professor of composition, his mind, and behind its sound-ef.
nomes t i c k i n g at different .;
·bright-Knox . Art Gallery, is · flute <an instrument hard put talks, and the many perform· fects surface are virtuoso ·em- speeds, while flute, clarinet; eel· .:,
. quiet, quasi-religious, harmoni· to make a drifting entrance, ances this season of his music, •belllshments, such as Demp- lo and violin follow their signals. ·
cally drifting, ego-less music. although if Feldman had want· 'have brought an audience c:loser ster's clear "double-stop" inter·
The twittering score Includes
vals, which he manipulates in a bleating clarinet cadenza; a
It engages the ear submissive- ed a more easily disguised voice to his very personal music.
ly; one either takes to it, or he could have chosen the c!ari· · Stuart Dempster, remembered . counterpoint aud in p a r a 11 e 1 two-m<tn cello solo, with Henry ,;
Rubin leaving his violin to bow ·
net) and pizzicato double bass. for his remarkable trombone glissando.
sleep~.
!Jke Feldman's "Pianos and And the double bassist had the performances when he was a
The live performer and tape along with David Gibson; and a .,
Voiceli," also composed in 1972, closest thing a melodic state· member of the UB Center In share articulative gestures, yet finale in which the two percus.- ·
there are humming parts in ment In his pizzicato, slow, 1067-68, returned for a perform· Dempster for all that kept his sionists were joined by the ,
"Voices and Instruments," al· chord-rooted solo near the end ance of Donald Erb's "And Then, identity as a living s<iurce of others (all save clarinetist Am·
though whereas the pianists of the piece.
Toward the End." for trombone perctlating nervousness. He Is ·a rom Chodos, who twittered> for
more classical, refined perform- a canonic circle game, a pa- .
High • pitched , instrumental and tape.
performed a "hum-along" with
their soft percussive music, in chords blend with the voices, and
Erb Introduces his music with er than recent Center trombonist rade around the stage, follow ·
this work there are three so- there Is a certain ambiguity of the note that "there is not a James Fulkerson, whose style the leader, going through the ·
pranos who do nothing else but sound source, especially between single electronic sound in the en- was more delightfully uninhibi· entire repertory of percussion ·
sounds.
·
hum. <In this performance, the strings and voices. Pitches tire work," a sure warning that ted.
baritone Julius Eastlnan did his emerge from silence, and cross electronic sounds will seem to
ciustomary falsetto role, the the threshold of perception, abound. And so they do. For al·
()ther, sopranos being Sylvia Di· spirits ascending. Feldman's though "the source sounds for
tnusie may not be vigorous, but the tape were all taken from the
miziini ..and ~arriet Simons. l
If tbere ~·· a~ imagined text it stimulates peace. Jesse Leo trombone," they were ~ltered,
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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'Voices and Instruments II' audience listens--or drowses
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1973-02-11
With references to the following additional composers: Morton Feldman, Donald Erb, David Bedford
Note: Eastman as performer in Feldman's Voices and Instruments II
Source
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1973-02-12
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Music Library
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eastman_187
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
-
https://digital.lib.buffalo.edu/files/original/ccf754b40c16120d0164a8c3e9107fd2.pdf
9ea16cc5f470ccdeac7f4399ca184390
PDF Text
Text
BUFFALO COURIER-EXPRESS, Sunday, Febrmry 11, 1973
Focus on Music
5
UB Lively Arts· Center, Brockport Dancers to Join Talents
By THOMAS PUTNAM
IT IS A BUSY week for the
Creative Associates : Evenings
for New Music today at the
Albright-Knox Art Gallery (8:30
p.m.), and a dance-theater
program with the visiting
Brockport Resident Dance Company, Friday and Saturday in
Upton Hall, Buffalo State Col·
lege (8:30 p.m. both days).
Evenings for New Music includes the first performance of
a new piece by UB Slee composer Morton Feldman, "Voices
and Instruments II," which
ll.'ecalls the earlier work, "Pianos
and Voices" for humming
pianists that Feldman performed
with Lukas Foss, David Del
Tredici, Julius Eastman and
William Appleby in October.
FELDMAN WROTE about
"Pianos and Voices" that he he·
gan "by finding myself humming
tones while improvising on the
piano. The vocal or humming
sounds were quite short, and as
the piano sound lingered, I began to hear other pianos, other
humming." He added a celeste
for occasional color, a brightening sound.
The new piece js scored for
three voices (Julius Eastman,
Harriet Simons, Sylvia Dimizianil, flute-piccolo, two cellos,
and double bass, a grou:}ing
which goes l;leyond the usual resources of the UB Center of the
Creative and Performing Arts, although Feldman wrote the music ·this year for the Center.
(Composers never should be ex.'
pected to fit their imagination to
a limited ensemble.)
The program with the Brockport Dance Company also includes a work by Feldman, "Between Categories," composed 1n
1969 but danced for the first
time in January at the State
University College at Brockport.
The music is for two mirror ensembles, each including piano,
cello, violin and percussion, each
playing completely different music independently of each other.
DANCERS IN the Feldman
work are Susannah Payton, Diane Woodruff, Santo Giglio and
James Payton, the company director. Musicians are from the
UB Center.
A larger musical ensemble is
used, however, for Lejaren Hiller's "A Triptych for Hieronymus," a dance-theater piece ·
which was premiered on the
same January program by the
Center at Brockport. Hiller
composed his score in 1966, but
the work Is a collaboration of
three authors, including Webster
Smalley, who did the scenario,
and George Talbot, who made
the film and collected the slides.
(Film and slides are absent
from this production.)
Brockport Resident 'Dan,ce Company
•.. wm peTform to music by Hi!ler and Feldman
Hiller based his "Triptych" on
the painting, "The Garden of
Earthly Delights," by the Flemish painter Hieronymus Bosch
(1450-1516). The painting itself
is a triptych which is interpreted
as a 'parable of man's fall from
grace, with visual depictions of
the Garden of Eden, existence
on earth, and hell; but Hiller
says his work is not a literal
transcription of the painting.
THE MUSIC is scored for full
symphony orchestra, but for
this performance Hiller-lacking space and money-will use
"the bare hones." Jan Williams
will conduct about 30 musicians
in the Upton Hall "pit," with
musicians from Brockport and
the Eastman School of Music
joining those of the UB Center.
The music i n c 1 u d e s twochannel tape, which Hiller used
alone for a slide-show presentation of "Hieronymus" at the
Electric Circus in New York.
"A Triptych for Hieronymus"
may be done in three ways : As
a dance-drama, which is what
the present production is; as a
multi-media show with film and
several thousand slides; or as
"walk-through theater," which
Hiller said would present different scenes in different parts
of a building.
Hiller says his music is contrasting and chronological, presentin~. perhaps, the fall of
music from primitive to modern
disarray, passing through innocent and pseudo-medieval
states. Some of the music is
described by the composer as
"carnival-like."
THE DB-BROCKPORT collaboration puts to the service
of a large multi-media piece
artistic resources which have
previously worked successfully
alone. The joining of forces is
an active expansion of .regional
activities, also, on the part of
the UB Center, which looks forward to collaborating with Fredonia, Geneseo and Buffalo
State. More is accomplished
than merely taking the Creative
Associates on the road. In residence, the CA's are able to
communicate more fully the
"Center style," as Jan Williams puts it.
And, as the saying goes, two
are better than one. Hiller's
dramatic conceptions need more
than the Center can give, and,
apparently, Brockport has something to give.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
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Title
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UB lively arts center, Brockport dancers to join talents
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
With references to the following additional composers: Morton Feldman, Lejaren Hiller
Note: Eastman listed as performer in Feldman's Pianos and Voices
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1973-02-11
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Music Library
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eastman_186
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/c58543b211f7f11ce8ca0dd20105f96a.pdf
e5484e4cf9e35766921f314366eb94fa
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
... And Then, Toward the End ...
for trombone and tape (1971)
Donald Erb
Stuart Dempster
The Sword of Orion ( 1969) '~ '~
David Bedford
Petr Kotik, Amrom Chodos, Henry Rubin,
David Gibson, Dennis Kahle, Jeffery Kowalsky
Jan Williams, conductor
Voices and Instruments II ( 19 72) *
Morton Feldman
Julius Eastman, Sylvia Dim iziani, Harriet Simons ,
Petr Kotik, David Gibson , Shannon Snapp, Louis Bruno
Jesse Levine, conductor
INTERMISSION
Piece in Two Parts (1961 / 62)
for Six Players
Stefan Wolpe
Henry Rubin , Gerald Soffer, David Gibson,
Suzanne Thomas, Stephen Manes
Jesse Levine, conductor
Rendez-Vous
(1970) ':'~'
.
Carlos Alsin a
Edward Yadzinsky, Stuart Dempster, Jan Williams , Richard Trythall
* First Performance
** First U. S. Performance
The Center is supported in part by grants from the National Endowment for the Arts
and the New York State Council on the Arts.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-02-11
Note: Eastman performs Feldman's Voices and Instruments II
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
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1973-02-11
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Music Library
Format
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Image
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Identifier
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eastman_185
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/a3995c6c81d43fbbcae7c0cd61d9830a.pdf
63686aafdacf1740f7313fef9607010e
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
Postlude for Horn, Violin, Piano (1964)
.
Robert Helps
William Lane, Henry Rubin, David Del Tredici
Five Pieces for Violin and Percussion (1963)
George Andrix
Henry Rubin and Jeffery Kowalsky
Fantasy Pieces for piano solo (1960)
.
David Del Tredici
Performed by the composer
Computer Music for Percussion and Tape (1968)
Lejaren Hiller and
G. Allan O'Connor
Jeffery Kowalsky
INTERMISSION
Aria, Fontana Mix and Solos for Flute, Alto Flute,
Piccolo and Violincello (1958)
John Cage
Julius Eastman, David Gibson, Petr Kotik, Jan Williams
Les Mouton de Pan urge ( 1969)
.
Frederic Rzewski
Ensemble
The Center is supported in part by grants from the National Endowment for the Arts
and the New York State Council on the Arts.
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
A name given to the resource
Evenings for new music (Suffolk county community college)
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1973-01-12
Note: Eastman performs Cage
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-01-12
Contributor
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Music Library
Format
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Identifier
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eastman_184
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/95642ab0ea860d0196605fd5a97aef19.pdf
5b53d9871ed5de6c8ac252950c717445
PDF Text
Text
MUSIC OF ANTHONY PHILIP HEINRICH
under the direction of Lejaren Hiller
PROGRAM
Elegaic Quintette Vocale (I 846)
Vocal Quintet:
Winifred Black, Ellen Lang, Keith Daniel, Andrew
Schultze, Julius Eastman
INTERMISSION
Scylla and Charybdis,
Capriccio Erratico for the Pianoforte and Violin (1851)
Henry Rubin , violin
Bronislava Melandinidis, piano
Robin Pearce, organ
A Voluntary for the Organ (1854)
Otetto, for String Octet, Flute and Triangle (1851)
David Fuller, organ
The Columbiad (No. 1 of Artistic Perplexities) (1837)
A Chromatic Ramble of the Peregrine Harmonist, for Piano
(from The Dawning of Music in Kentucky) (I 820)
Frina Arschanska Boldt, piano
Violin
Henry Rubin
Donald Weilerstein
Jacqueline Leonard
Loren Pearson
Viola
Leonard Matczynski
Diane Williams
Multum in Parvo, for Piano (ca. 1830)
William Appleby, piano
An Offering of Song (I 848)
The Rose of the Sea
The Broken Heart
Winifred Black, soprano
William Appleby , piano
Flute
Petr Kotik
Oarinet
Amrom Chodos
Dwight Decker
Horn
Ralph Jones
Beye Fyfe
Cello
David Gibson
Wendel Haver
Trumpet
Thomas Dee
Bass
Edwin Gordon
Triangle
Jeffery Kowalsky
Lejaren Hiller, conductor
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
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Title
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Music of Anthony Philip Heinrich
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-12-17
Note: Eastman as performer
Source
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University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-12-17
Contributor
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Music Library
Format
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Image
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Identifier
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eastman_183
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/159eea797513ee808213c72fd5b0ef04.pdf
a7b5a1ef6d9569eba0b86e16aaa9ab85
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
Serenade ( 1960-64) *
Fantasy
Nocturne
Postlude
Robert Helps
David Del Tredici, David Gibson, William Lane
Frank Reilly, Henry Rubin, Marie Yadzinsky
De Novo (1971)
Yehudi Wyner
David Gibson
Frank Reilly, Henry Rubin, Petr Kotik, Amrom Chodos, Louis Bruno
Three Airs For Frank O'Hara's Angel (1972)
Lukas Foss
Sylvia Dimiziani, Julius Eastman
Lukas Foss, Oswald Rantucci, Guy Klucevsek, Dennis Kahle
S.U.N.Y.-Stony Brook Chamber Chorus
David Aurelius, Conductor
Prepared by Sonja Neblett
INTERMISSION
Seasons (1970)* _
Toru Takemitsu
Lynn Harbold, Dennis Kahle, Jeffery Kowalsky, Jan Williams
Night Conjure-Verse (1965)
David Del Tredici
Simples (J_ Joyce)
A Memory of the Players in a Mirror at Midnight (J_ Joyce)
Sylvia Dimiziani, Julius Eastman
Henry Rubin, Marie Yadzinsky, Frank Reilly, David Gibson,
Eiko Ito, Petr Kotik, Amrom Chodos, Edward Yadzinsky,
Eugene Steinberg, Nelson Dayton, William Lane
Conducted by the Composer
*First New York performance.
The Center is supported in part by grants from the National Endowment for the
Arts and the New York State Council on the Arts.
�
Dublin Core
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Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Evenings for new music (Carnegie hall)
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-12-13
Note: Eastman as performer on Foss and Del Tredici works
Source
A related resource from which the described resource is derived
Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-12-13
Contributor
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Music Library
Format
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Image
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Identifier
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eastman_182
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/e6210e38d916c33d0a110407844beab6.pdf
caf8f7c7f75d2e6d6bce988e7724fb61
PDF Text
Text
Buffalo Evening News
Dec . ~ /97;;
Albright-Knox
Foss Goes Along With Swing
To the Right -If Only Briefly
By JOHN DWYER
Where have all the young Turks gone?
They've gotten older, for one thing. And then the
giant, rightward swing of the pendulum in life and
arts has swept a number of composers along with it.
Including Lukas Foss, if only for the moment.
The UB Creative Associates'
"Evenings for New Music"
program Sunday in AlbrightKnox Art Gallery auditorium
was so listenable, appealing,
instantly
understood
and
sometimes soothing that you'd
wonder what the complaint
was.
None at all , really. E~cept
that the original idea of this
series was to explore new ideas
in composition, and provide an
arena for composers young
enough and inve-ntive enOl\g!h to
be vastly ignored, if an arena
were not found.
HERE WE had a lovely,
ruminating Serenade by Robert
Helps, three pieces written
separately but seemingly with
a subconscious inclination to
the same feeling. Violin-piano,
string quarter, trio of horn,
piano, violin breat'hed through
Fantasy,
the movements Nocturne, Postlude - in a
spirit of what you might call
intelligent reverie.
"De Novo" by Yehudi Wyner
conceivably could have been
composed for the nostalgic
delectation of a high-grade
supper club, a cello and five
instruments
in
a
smoky
memoir including elements of
Doc Watson and Sibelius.
T-.e one piece with the oldtime netherworldly swing was
Japanese
composer
Takemitsu's "Seasons," for
some quiet innuendo on tape
and four ·light-touch percussion
batteries, one at each corner of
the hall.
Mooning and noodling in the
near-<iark, they brought back
fond memories of the dear old
anar chy years on this series.
The score says the performers
should play just about any old
thing, not too loud, guided
mostly by "personal time."
That's more like it.
..
+ •
SOPRANO
SYLVIA
Dimiziani and baritone Julius
Eastman sang ~ettings of
James
Joyce
verses,
elaborated by a string quartet
and winds septet in the "Night
Conjure-Verse" of David Del
Tredici, the composer conducting.
The notion was high-pitch,
glassy reflections as in a ·mirror, the true soprano voice at
tihe same angle of incidence as
the reflected voice of baritone
Eastman, in his freakishly
artful falsetto .
Extremely complicated .and
close-worked canons and a ton
of well-ordered tonal fragments
suggested a composer of very
high craft and control. A first
hearing directed my mind
more toward the elevated
engineering than it should,
though there were moments of
lyric light and a graceful feeling for song.
"Three Airs for Frank
O'Hara's Angel" is Lukas
Foss' tribute to the late poet,
soprano Dimizian! !n a strong,
expressive role with a small
ife male chorus, 1Jhe Fredonia
Chamber Singers, Mr. Foss at
the piano, accordionist Guy
Klucevsek, mandolinist Oswald
Rantucci. ·
* * *
THE CHORISTERS sang,
perhaps
whispered, trilled,
hissed and whistled into the
open piano soundboard with
unusual, reverberant effects.
In an elegiac passacaglia on
tape, the voice of the composer
dwelled on O'Hara verses, and
a large chamber group onstage
was used sparely but with incisive effect in emotional
punctuations.
Intense delicacy, if you can
put those notions together, and
the idea of infusing a work of
mourning with a persistent
yea-saying to life might be a
wholly invented program for
the work, but it was the one
suggested to me.
Moments of it are playful,
some of it sheer gamesmanship
in a late-era Foss manner, the
soprano line often tenderly
beautiful.
It had few ideas newer than
the Foss "Time Cycle:• of .
nearly 20 years ago, but then it
was a work of memory and the
transfiguration of a personal
loss. Composer Foss should be
back in again, soon, with his
sardonic fencing..
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Foss goes along with swing to the right - if only briefly
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-12-03
With references to the following additional composers: Lukas Foss, Robert Helps, Yehudi Wyner, David Del Tredici
Note: Eastman performed Tredici
Creator
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Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1972-12-04
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eastman_181
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/3d4e43e538a6d9a1d0ed2498dea656b8.pdf
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BUFFALO COURIER-EXPRESS, Monday, December 4, 1972
',
Revietv
'O~Hara~s Angel' Salutes Poet
By THOMAS PUTNAM
Each of Lukas Foss' "Three
Airs For Frank O'Hara's Angel"
has a different word source, all
finally overlapping at the end of
the work (the form is A-B-shortA
wit.h C overlay) .
Foss played slightly at !;he
piano, directing the seven Fredoni a Chamber Singers who
were huddled around the piano,
·soprano Sylvia Dimiziani ·and
the ensemb1e of mandolin, accordion and percussion, in the Buffalo premiere Sunday night on
the Evenings for New Music
concert at the Albrig,ht-Knox Art
Gallery Auditorium.
Foss set the three poems (one
of which, although printed in
the "Collected Poems" of
O'Hara, is actually by Violet
Lang ) as a sincere homage by a
friend · of the poet. They are
honored in the simple, clear
setting. Foss does not get in· the
way of the poetry, and he enhances it with his light rhythmic reading of Lang's "Words
To Frank O'Hara's Angel," performed by the seven ladies in
two parts. The words dance il}
five-eight.
The middle poem is beautiful
music for soprano, with weird
accompaniment by vibrating percussions and voices reflected in
the body of the piano. O'Hara's
"air" has pollution-"soot"-but
it is rarefied by ' 'a Chinese
cloud" .which Foss enlightens
with shimmering sound. Miss
Dimiziani delivered the song
with a sense of beauty.
During her performance Foss'
taped voice with electronic ghosting read "I am no longer going
out into the world," and although
this was intended to be read
live by Julius Eastman, the disembodied voice was terribly
effective.
Musioal Links
Robert Helps' Serenade is a
group of three pieces which,
when he had finished them, the
composer decided would form a
unity. They utilize different instrumental combinations, which
explains their interesting diversity; but they have musical
links, too, which explains their
coherence, (One such link is the
use of tremolo as a means of
establishing tonal balance.)
Henry Rubin and David Del
Tredici gave a fine performance
of the lyrical and dynamic Fantasy for violin and piano, which
is the opening "movement;" the
violin tone was small but· incisive, and b o t h performers
brought the music to a musical
boil before they were finished.
The middle Nocturne for String
Quartet is more refined, but
powerful in its mood and color.
The final Postlude for horn, violin and piano begins with offstage horn, played beautifully
by William Lane, with the dis·
tant effect emphasized by his
"echo" dynamic. The horn joins
the others on stage for the remainder. The Postlude is warm
and · melodious, and again the
horn shines, with Lane providing vibrato gold.
Music in Dark
Toru Takemitsu's "Seasons"
for tape and four percussionists
at the corners of the auditorium
was played ·in the dark, with
dim lights over the stalls in
this exotic marketplace. Somewhere in the distance, thoughtful words were uttered, whispers
of truth, a des·perate attempt to
redeem the music , give meaning
to the sound of quiet indigestion
and someone loading the dishwasher.
David Del Tredici's "Night
Conjure-Verse·· is an ambitious
setting for soprano (Miss Dimiziani), counter-tenor (Julius
Eastman ) and 11 instruments,
of two poems by James JO',Yce.
It is difficult music, but the
activity is diverting, and the
dexterity in the writi:ng is
worthy of attention. The · tone
is somewhat Viennese - passion
controlled by technique. The
high voice writing made the
microphones necessary, but even
so the perfo·rmers seemed uncomfortable. Eastman, never
mind his amazing agility, is
after all a bass. The music is
logical and beautiful, but word
sense is often destroyed by
reading backwards. Music, however, sounds good ill either
direction.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
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Title
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'O'Hara's Angel' salutes poet
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-12-03
With references to the following additional composers: Lukas Foss, Robert Help, Henry Rubin, David Del Tredici, Toru Takemitsu
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-12-04
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Music Library
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eastman_180
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/497c395e97bf0e67df8106af9c69b05c.pdf
dfacdd0baff12a28a8aa72f8366347c8
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Text
Music
AJ.bright ·Knox Art Gallery:
vebings for New Music by the
Center of the Creative and Perfont\ing A r t s;
8:30' p.m. Lukas
Fos, will be plianist
in area
FJ!qllere of his
j';glree Airs for
Fr. O'Hara's
:i.dgtl,''
the
~onia · £bam·
ber Singers, so;~>raliO Sylvia Di·
lmizfA!nl and baritone Julius East•mad. The pro·g r am includes
Robert Help's
Serenade for .piano, string quar~ lind horn; Yehudi Wyner's
·"De Novo"· Toro Takemitsu .-s
- "S"easons" for percussion, tape
I ~nd ·Jive electronics; and David
·llel Tredici's "Night Conjure, Verse'' on texts Qf Joyce for
e voices and 11 instruments.
st. Paul's Cathedral: Christ'!IIas portion of Handel's "Mes·
siah" performed by the Cathedial Choir of Men and Boys, di··rected by Frederick Burgomaster, 5 p.m. Soloists are Daniel Yox, Kenneth Ferrie, Gor·
don Salisbury, John Priebe Jr.,
Donald Greatbatch. With harpsichord (Jeanne Lawless ) and orchestra.
Baird Recital Hall: Graduate
recital by soprano Kai-Ning
Chiang and p i a n i s t G~orge
Swietlicki, 3 p.m. Music by! Bel·
lini, Brahms, Chausson, Puccini,
Debussy, Stravinsky, Chinese
folk songs. Free admission.
Buffalo and Erie County Public Library Auditorium: P iano
recital by Ireneus Zuk, 7 p.m.,
sponsored by the Ukrainian Student Club of the University of
Buffalo. Zuk currently studies
wi'h Leon Fleischer at the Peabody Conservatory. The program
is works by Beethoven, Chopin,
Lys4Dko, Revutsky, .Kos·Allatol·
sky. DebUSSY .and.J:lci
_
-.
• bird RedtiJ lid: ~
SimQliS directs the University of
Buffalo Choir, 8:30 p.m. Assisting artists a r e
Charlotte R o ederer, organ , and
duo-pianists Frina and Kenwyn
Boldt. Music by
B a c h, Richard
Deering, Kenneth
Leigllton, Britten
and Brahm s.
Free admission.
Fredonia State
College: Cleveland String Quartet performs a~ 8:30 p;.m. in the
Arts Center Concert Hall.
e
....
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-12-03
With references to the following additional composers: Lukas Foss, Robert Help, Yehudi Wyner, Toro Takemitsu, David Del Tredici
Note: Eastman as performer on Foss piece, MAP
Source
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1972-12-03
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Music Library
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eastman_179
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/0167034d1355e39df8c749c3980b90ae.pdf
2c746e3a66290fa883ccdcdc82040885
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Text
BUFFALO COURIER-EXPRESS, Sunday, D2cember 3, 1972
Preiniere by Del Tredici
Is Based on James Joyce
By THOMAS PUTNAM
"HE'S MURDERING the
time! " the Queen of Hearts rem arks about the performance of
the Mad Hatter
in the tea party
scene from
Lewis Carroll's
"Alice in Wonderland. " In his
musical sett'ng
of the scene,
U n i v e r sity of
Buffalo Creative
Associate composer David Del
T. P utnam
Tredici also murders the time, by
composing the song ("Twinkle,
twinkle, little bat") at different
speeds, simultaneous ly.
" Off
with his head!" the Queen comm ands. But Del Tr edici is
spared, for the COil) poser' s art
is the art of killing time. He
needs no permit,- only the ability to distort beautifully.
" 'Murduring the time,' in
fact, !becomes a creative image
throughout the entire piece,"
Del Tredici explains in the program notes for "Vintage Alice,''
the third of four pieces which
he is completing which comprise
the complete verse and many of
the scenes from "Alice in Wonderland ." "As different episodes
that follow the Hatter's Song
unfold . . . all are treated to,
and affected by, this idea of dis·
tortion and scrambli ng.~ ·
DEL TREDICI will have another Buffalo premiere when his
"Night Conjure-Verse" on texts
iby James Joyce is performed
on the Evenings for New Music
program at 8:30 p.m. today in
the Albright-Knox Art Gallery
Auditorium. Julius Eastman and
Sylvia Dimiziani are the vocal
soloists (Miss Dimiziani sang
and spoke the parts of Alice
the Mad Hatter, March Har~
and Dormouse in "Vintage
Alice" ); and the composer will
conduct the instrumental ensemble.
"I'm horribly addicted to
poetry," Del Tredici said recently. For the last ·seven years,
be has composed music that ineludes voice. Moreover, the
composer has long been fas-
The mirror idea extends to
the technical means of the piece.
"It is a symbiosis in which the
poetic image and the technique
become in my mind the same,"
Del Tredici explained. "To be
specific: Musical passages are
followed by their mirror (backward) versions in both small details and over long sections."
THE INSTRUMENTAL ensemble also is designed according to this mirror plan. "Two
opposing sonority groups-string
qu a ~tet versus wind septet-are
employed behind the two opposing voices," Del Tredici said.
"High tessitura 'range ) fn the
parts is meant to suggest flashes
of light from a mirror," the composer explained. "There is frequent splintering of syllables of
the text, and retrograding of the
text."
An example of poetic retrograde (a procedure used in 12·
tone counterpoint) would be
"Gnash the 13 teeth-teeth 13 the
gnash." The technique of mirror
_reversal ~he meaning here.
The use of retrograde causes re·
flections in the music.
"SIMPLES,'' WHICH was composed last, is described by Del
Tredici as "another 'light' poem
although a much softer mor~
mysterious moonlight.
too
abounds in much retrograded
motiOn-rhythmic and melodicand canonic chasing of similar
lines, though here with a more
playful, delicate moonli O'hting 1
quality."
o
!
"I like pyrotechnical voice a~d ·
odd instruments,'' Del Tredici
sa1d, recalling his use · of a folk
ensemble-including two soprano
sa::ophones, accordion and mandolm-in "Vintage Alice."
1i'or example, he might use a
rock group, associated with a
partiCular kind of music, and be
fOJ:cect to write music which
bnngs the rock instruments into
a new sound world.
Del Tredici's scores are all
hand made by him. He has
never used improvisation in his
music, and when he writes for a
pop group he composes difficult
music. "I've never done. it much
myself," the composer said
about improvisation. "As a
pianist I have played a lot of
classic contemporary music."
Lately he has found less time
for performing as a pianist.
it
David Del Tredici is addicted to vocal music
... composer uses James Joyce po etr11
"I DID A whole bunch of Joyce
-- -before I got interested in 'Alice
by the New York Philharmonic
and Michael Tilson Thomas conin Wonderland,' " Del Tred ici
ducting the Encounter program;
it is scored for soprano and 20
said. His Joyce setting, "I hear
instruments.
an army," for soprano and
string quartet, was performed
on a Creative Associate program several seasons ago. "You
remember that?" he asked.
"Joyce is passionate, and I like
the Catholic sentiment in his
poetry, and in his life. I've always identified with that."
He does not feel a continuity
of spirit between Joyce and
"Alice." "They're different,'' he
said. "The €arly Joyce poems
are serious, intense and vivid;
'Alice' is humor and whimsy."
Another setting of Joyce texts
Is "Syzygy" (pronounced "seezee-gee" ). "I made up the title.
It's an English word, believe it
- cinated with the poetry of Joyce. or not, which refers to that second of time when things line
up." "Syzygy" was performed
earlier this season in New York
"NIGHT CONJURE-VERSE"
is made from two poems by
Joyce-"Simples" and "A memory of the players in a mirror at
midnight." The key image is
that of the mirror, which is musical as well as poetical. Del Tredici describes the work as "an
odd singing complement for soprano and counter-tenor" (Julius Eastman is a singer of
nearly unlimited range and effect).
Del Tredici opposes the two
high voices in mirror reflection.
"Both have the same range of
notes," he says, " although a
very different tone quality. The
soprano is the real voice, the
actual events before the mirror,
and the counter-tenor is the false
voice, the reflection in the mirror."
HE WILL PERFORM, however, on a CA recital with Julius
Eastman Dec. 15 at Baird Recital Hall, presentinO' some of
his "small" works "for modest
groupings" composed around
1960.
Included will be his first Joyce
song for piano and voice, and a
fom· -ha~d piano piece, as wen
as music by Robert Helps. Del
Tredici's vocal obsession may
be broken-who knows?-by this
revisiting of those times long
ago when the composer was content to compose music without
the aid of poetry. But he's not
sure when he'll come out of his
addiction for words and voice.
Is there a cure for his artistic
habit?
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
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Premiere by Del Tredici is based on James Joyce
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: 1972-12-03
With references to the following additional composers: David Del Tredici
Note: Eastman as singer
Includes illustration
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-12-03
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Music Library
Format
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eastman_178
Is Part Of
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LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/ed05b9dfde06f9a08ed00b35ce7bbf76.pdf
622913acf1c2fea0c9befdb3fe2afec9
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
Serenade ( 1960-64) ':'
".
Fantasy for Violin and Plano
Nocturne for String Quartet
Postlude for Horn, Violin and Piano
Robert 1=-Jelps
David Del Tredici, David Gibson, William Lane
Frank Reilly, Henry Rubin, Marie Yadzinsky
De Novo (1971)
Yehudi Wyner_
David Gibson
Frank Reilly, Henry Rubin, Petr Kotik, Amrom Chodos, Louis Bruno
Three Airs For Frank O'Har.a's Angel (1972)~'
Lukas Foss
Sylvia Dimiziani, Julius Eastman
Lukas Foss, Ozwald Rantucci, . Guy Klucevsek, Denni!; Kahle
Fredonia Chamber Singers
William Graf, Director
INTERMISSION
Toru Takemitsu
Seasons (1970)* .
Lynn Harbold, Dennis Kahle, Jeffery Kowalsky, Jan Williams
Night Conjur:e-Verse (1965)*
David Del Tredici
Simples (J.)oyce)
A Memory of the Players in a Mirror at Midnight (J. Joyce)
Sylvia Dimiziani, Julius Eastman
Henry Rubin, Marie Yadzinsky, Frank Reilly, David Gibson,
Eiko Ito, Petr Kotik, Amrom Chodos, Edward Yadzinsky,
Eugene Steinberg, Nelson Dayton, William Lane
Conducted by the Composer
*First Buffalo performance,
The Center is supported in part by grants from the National Endowment for the
Arts and the New York State Council on the Arts.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-12-03
Note: Eastman as performer in Three Airs for Frank O'Hara's Angel by Foss and A Memory of the Players in a Mirror at Midnight
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-12-03
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Music Library
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eastman_177
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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50534be9b27df71b7461a6d8c128e249
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Text
: J
musicounci I presents
the center of the creative and performing arts
of SUNY Buffa Io
in
Lukas Foss'
xxxxxxxxxxxxxxxxx
X
X
X
tv1AP
X
X
X
xxxxxxxxxxxxxxxxx
the combatants
jan wi II iams, percuss ion
jesse levine, strings
petr kotik, winds
julius eastman, voice and keyboard
wi I I i am novak, tape operator
Iukas foss, referee
MAP
for the performer it's a game
for the spectator it's a piece of music
The musicians derive their I ive sounds from tapes they made
according to the composeris specification.
They do not play from a page of music, they play from the tape.
They interpret the tape s the ~ttay one interprets a score.
react to and interfere with one another.
They a I so
The "Game" was an afterthought, designed to make the "piece of music"
happen.
The game -insures the constant grouping and regrouping of the
musicians. Solos, Duos, Trios, etc. happen of their own accord in
different corners of the performance space I ike invasions of territories.
MAP is an interplay of chance and ski I I, a game without props,
extraneous, non musical eleme nts. No dice, no cards, no numbers.
The traditional gamesmanship of musicians (to play the right note
at the right time) is replaced by plain gamesmanship (to play so that
you come out ahead in the game).
funded by student tax
state university of new york at albany
december I & 2 at 8:30
performing arts center
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Lukas Foss' MAP
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Date of event: unknown
Note: Eastman as performer *exact date of performance unknown*
Source
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University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-12-01
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Music Library
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eastman_176
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/a5326cd9838c3ea451a05fa59af3d772.pdf
8884e257d127d55e24f746fa57a25415
PDF Text
Text
Buffalo Evening News Nov. .:)~ /tf7.J
MUSIC
NOTE~
I it;taonl .v;asel i*3cl' I P -GJ;II
)C VIOLIN-PIANO duo of considerable note, Jaime and Ruth
Laredo, appear this everJng at
~: 30 in Kleinhans Mary Seaton
Room on the Buffalo Chamber
Music Society series, performing the Fanck Sonata in B
· Minor, Mozart "Helas" Variations, Stravinsky Suite Italienne, Schubert Fantasy in C..
x
* * *
SIGURD RASCHER, the
Y world's most famed concert
saxophorJst,
will
give
a
lecture-recital tomorrow at 8
PM in Clarence Junior High
School and a concert on
Thursday at 8: 15 PM in
Clarence Senior High School
the
Clarence
Wind
with
Ensemble.
* "' "'
POST 264 American Legion
Band under Herbert Ludwig,
National Legion Champions,
will perform tomorrow at 8 PM
in East Aurora High School, a
Lions' Club Music Scholarship
Benefit.
* * *
A. ROBERT KOCH, former
opera singer and teacher now a
Buffalo resident, writes: "Your
article on great voices of the
past in recordings brings back
fond memories. Also, of my
own singing in and out o'f New
York. I am 80 years old. I
iheard Caruso and talked with
him and others. Gigli was one
of my favorites."
• * *
Miss Ross
Miss Fargnoli
X "NUTCRACKER" by the
Festival Ballet of New York
with the Philharmonic under
Melvin Strauss will be given
Friday at 7:30 PM for the
general public, Saturday in
shortened versions for children
at 10:30 AM and 2:30 PM in
Kleinhans Music Hall. Paul
Sutherland of the Jaffrey
Ballet, Donna Ross and Donna
Fargnoli will be featured, with
specialties by Paul Hall and
Thomas Kinney. Nationally
known
director
J ames
Starbuck is in charge of the
production.
* • *
PIANIST Ireneus Zuk, young
touring performer, will be
presented by the UB Ukrainian
Club Sunday at 7 PM in Central
Library
auditorium,
Chopin Ballades in F and G
Minor, works of Ukrainian
composers, a Liszt group and
the Debussy "Pagodes."
* * * C ll e g e
"P.N." OF BATAVIA writes:
VILLA MARIA
0
"Your record review of Nov. 13 Chorus under susan Slaven wUl
was utterly incomprehensible give a Christmas program
to me. The Odyssey recording Sunday at 8 PM in the recita'l
of the art of Lauritz Melchior
must rank as one of the fine hall, admiss~on
vocal issues -~f
~he*year."
;re:.
UB CHOIR under Harriet
-----~~---~---.,..j ' Simons,
organist Charlotte
\1
"HUMOROUS MOZART" is Roederer, duo pianists Frina
'\ the theme of the recital Satur- Arschanska and Kenwyn Boldt
day as 3 PM in Central IJibrary will give an admission-free
auditorium by singers Heinz concert Monday at 8:30 PM in
Rehfuss and Suze Leal, pianist Baird Hall. Works of Bach,
Carlo Pinto, double bassist Deering, Leighton, Britten,
James Van de Mark, the UB Willcocks and Brahms will be
Chamber
Orchestra
under performed, several on the
Pamela Gearhart. Admission is Christmas theme. ,
* * *
free.
;( BAROQUE* "p· R*O· GRAM on
NIAGARA Civic Ballet will
present Floriday Ballet Arts
Saturday at 8:30 PM in Bai•r d director Jane Spear in a
Hall will feature Robert Don- workshop Sunday at Niagara
ington,
gambist,
w i t h University, registration at 9:30
harpsichordist Gloria Rose, AM. Auditions for the comorganist
David
F u 11 e r, pany's "Swan Lake" Act 11
violinists Donald Weilerstein will be held Friday in the
and Peter Salaff of the basement studios, 217 Falls St.
* * *
Cleveland Quartet, works of
Handel, Pur;el~ Vlvaldi, Bach. x HASSIDIC SINGER Sch<lomo
UB OPERA STUDIO under - Carlebach will _appear SaturJ( Muriel Hebert Wolf will hold day ~t 8:30 P!"f m Norton .Hall,
an open rehearsal, admission , auspices of Hillel FoundatiOn.
free, next Tuesday at 8 PM in
Baird Hall. The Vaughan
Williams "Riders to the Sea"
and Pasatieri "La Divina" wi'll
be performed.
X
* * *
NEW MUSIC SERIES by the
UB Creative Associates will
feature a new work by Lukas
Foss Sunday at 8:30 PM in
Albright-Knox
Art
Gallery
auditorium. "Three Airs for
Frank O'Hara's Angel" is the
Sylvia
title,
the
soloists
Dimiziani and Julius Eastman,
Mr. Foss at the piano with
ensemble. Wor!(s of Robert
Helps, Yehudi Wyner, Toru
Takemitsu, David del Tredici
will be included.
-\ ST. PAUL'S Cathedral Choir
"ld
,
Ch
·r
of Men & Boys, Frederick
01
KOREAN Ch ~ :e? 5
Burgomaster conducting, will
and yo~thfu~ vwllmst _Young present the Handel "Messiah"
Keun Kim will offer their pro- S d
t
PM
with
* *
5
gram "To the World With
un ay a
'
)( SOPRANO* Kai-Ning
, Chiang,
Love" tomorrow at 8 PM in orchestra.
pupil of Heinz Rehfuss, and
KleinhalliS MuSlic _Hall, touring
CANDLEL;G~T * V e s p e r pianist George Swietlicki, pupil
auspices of World Vision
of Ruslana Antonowicz, will
International,
and
1 0 ~a 1 Program, 17th annual event
present works of Bellini,
auspices
of
Metropolitan sponsored by the Martin
Brahms
and
others
and
School
PTL
and
Chapel of Buffalo. Yoon Hak Luther
Chinese folk songs, admission
Won is director.
Valparaiso Guild, will be
free, Sunday at 3 PM in Baird j
presented Sunday at 7:30
* * ..
Hal1.
PM
in
Kleinhan's
Music
!X PIANIST Bronislava Melan200-voice
choir,
HaH.
The
dinidis
pupil
of
Frina
Arscha'nska Boldt, will give a massed children's voices, brass
candlelight prorecita1 tomorrow at 8: 30 PM in ensemble,
Baird Hall, admission free, cessional will be featured.
works of Beethoven, Bartok, Director and co-ordinator is the
Rev. Richard E. Blemaster,
Debussy, Scriabin.
assisted
by
Mrs.
Julius
l( BEETHOVEN CYCLE pro- Kovach.
* * •
grams Friday by the Juilliard
FREDONIA Concert Series
Quartet, Dec. 6 by the Lenox
Quartet, Dec. 8 by the will present the Cleveland
Guarneri Quartet in Baird Hall Quartet Monday at 8:30 PM in
are sold out. A waiting list will Rockefel·l er Arts Center.
* * •
be sta.rted at 7:30 eadh evening.
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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Music notes
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-12-02
With references to the following additional composers: Lukas Foss, Robert Helps, Yehudi Wyner, Toru Takemitsu, David del Tredici
Note: Eastman as soloist
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-11-28
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Music Library
Format
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eastman_175
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/ca0645827acae1266bba80b9e49c00df.pdf
5005447de148e0ab0cc731b2392a46be
PDF Text
Text
State University of New York at Buffalo
Department of Music
STUDENT RECITAL
Tuesday, November 28, 1972
Baird Recital Hall
12:00 Noon
PROGRAM
George Gershwin
(1898-1937)
Prelude No. 2
,
~
Bela Bartok
(1881-1945)
Ostinato
from "Mikrokosmos"
Andrea Gilbert, piano
Chansons de Bilitis (Pierre Louys)
La Flute de Pan
La Chevelure
Le Tombeau des Naiades
Claude Debussy
(1862-1918)
Adrienne Tworek, soprano
Julius Eastman, piano
Der Schwanendreher (1935)
Paul Hindemith
(1895-1963)
I "Z"t.:rischen Berg und tiefem Tal"
II "Nun laube, Lindlein, laube";
Fugate: "Der Gutzgauch auf dem Zaune suss"
III Variationen: "Seid ihr nicht der Schwanendreher''
Sonata in F Minor, Op. 120, No. 1
for Viola and Piano
Allegro appassionata
Andante un poco Adagio
Allegretto grazioso
Vivace
Delmar Stewart, viola
Karen Vogelsang, piano
Johannes Brahms
(1833-1897)
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
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Student recital
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-11-28
Note: Eastman accompanies Adrienne Tworek, soprano
Source
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University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-11-28
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Music Library
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Image
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Identifier
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eastman_174
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Slee Professor Morton Feldman (seated) and members of the Creative Associ ates.
An Associates' concert is set for Saturday at 3 at the Downtown Li brary.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Announcement
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-11-11
With references to the following additional composers: Morton Feldman
Includes illustration
Source
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Reporter
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-11-09
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_173
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/db4fcf02abf267bb40c2251bcbb8d6c4.pdf
3071fabc1a541e69636da76df9dd0050
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Text
At Albright-Knox
Delightful_Variety of-Clever Music
By JOHN DWYER
series
co-director
and
Philharmonic
a Ium nus ·
William Appleby, Mr. De'r
Tridici, Julius Eastman and
the composer himself.
This kind of thing is in the
- - - - - - - - - - - - - air, I would guess from the
hypnotics
of
hats on accordion, clarinet and circular
"Stimmung"
banjo would have been Phil Stockhausen's
DiRe, Andrew Frech and Guy and various visions of Kagel,
Lucevsek, maybe not in that Cage and others. A single motif
in delicately e l a b o r a t e d
order.
variants of time, distance and
"' "' *
IT WAS AS clever as you can inner relationship, in a quiet
imagine, by one of the most trance. All right, just this once.
"Alice" went on in the
polished
and
d e ta iI e d
"Pianos
and
craftsmen among composers, auditorium,
Voices" in the Sculpture Court,
and geniunely funny.
There's no reason to indict it where the five up-wing pianos
striking tableau
for being so very conservative. made a
But for us
ear-stretched against the Greek columns and
veterans of the series it did statuary.
sound a little closer to
IN THE lower gallery at insprightly Haydn than we
usually hear. Or, the other way termiss·ion the strollers heard
around, a 1972 modern-series the broadcast Tape Piece No. 6
piece staying for s o m e by Ralph Blauvelt and Egerya
stretches in an actual scale of by Peter Gena, a nice idea but
E flat might be regarded 'as an hardl y to be commented on,
buzzing crowd and all.
·
inverse wild adventure. ·
I
can
tell
yo
u,
however,
that
Mr. Del Tredici, a new
Creative Associate and former the score for the Gena work
Harvard composer, conducted. was a rug woven by hi s wife,
Miss Dimiziani soared, rant~d, and it was on exhibit in the
caroled ill air y roulades to corridor. There are things in
flute and pop-group <ibliga,tos. this series you can't get
anywhere else.
admirable.
At one point, after 113 variadOL
tions on "Twinkle Twinkle"' to
dunningl y familiar pop-style '
intervals, she suddenly stopped
and as narrator said to the audience: "Perhaps you know
this tune?" A nice moment.
First, Alice in Wonderland by composer David del
Tredici as a concerto for coloratura soprano, pop c-ombo and orchestra in the zingy ariemics of Conservatory
Modern and American Supper Club Jazz.
Then, a dream work by
Morton Feldman, a somnambulant Riddle of the
Pharynx for five humming
pianists at five grand pianos.
the
Noodling
around
keyboard in augmented thirds
and gossamer tone clusters,
they went mmmm, mmmm as
they voiced their amphorous
dreams. The composer caught
the essenti·al spirit of the thing
in the title. It's called "Pianos
and Voices."
And so the annual "Evenings
for New Musi.c " · series by the
UB Creative Associates and
guest performers opened to a
near-capacity
audience
in
Art
Gallery
Albright-Knox
auditorium. The Saturday attendance is especially worthy
of comment because they're
charging a small ticket fee, as
they should, and still getting
almost as good houses as when
they were free.
* * ..
IT MEANS, beyond argument, -that modern music
under this admirable project is
building a committed audience
of repeaters, and you can't say
that about more than four
other music centers in the
country.
14 "Vintage Alice" is composer
Del Tredici's fantasy, involved
entkely with the zany Tea
Party from the immortal book
by Lewis Carol!, and centering on his satirical version
of "Twinkle Twinkle Little
Star, "which goes "Twinkle
Twinkle Little Bat, How I
Wonder What You're At."
· Soprano Sylvia Dimiziani
took all the Tea Party roles Alice, The Mad Hatter, The
March Hare, The Dormouse
and general narrator - and
gave about the best and biggest performance I've ever
heard from her.
In the pop combo I recognized the Philharmonic's Oswald
Rantucci in natty beret on
and
Edward
mandolin
Yadzinski. on tenor sax. Three
dudes in beards and floppy
. . ..
* * *
MORTON F E L D M AN' S
"Pianos and Voices" is a little
on the far side of artisti•c
monomania for me, though I've
admired
this
composer's
sensitive, fine-line work for
some years and. believe he
figures in the account of his
musical generation. He is now
the UB Visiting Slee Composer.
He certainly had one of the
highest a v a i I a b I e concentratio_ns of talent at the
keyboards
Lukas Foss,
NE
n
~
R
p
G
PI
tl
8
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Delightful variety of clever music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-10-28
With references to the following additional composers: David del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-10-30
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Music Library
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Image
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Identifier
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eastman_172
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
6
BUFFALO COURIER-EXPRESS, Sunday, Octob~r 29, 1972
Revietc
Wall-to-Wall Piano
Music I~ Hum'-Dinger
Parody is a way of going home
By THOMAS PUTNAM
'
Yawn ... but contented yawn again.
The idea of "Alice" is time,
from listening to music of Morton
Feldman for five pianos softly more precisely, the distortion of
droning and five pianists softly time.
"I have to beat time when I
humming. "Pianos and Voices"
might have been written for learn music," Alice remarks,
some insomniac monarch hoping and the Mad Hatter or the March
Hare or the Dormouse, at the
for a good doze of music.
scene of the mad tea party,~ re
It was performed by the composer and four other composer- marks that time won't like that.
pianists: Lukas Foss, William The Hatter, in his song for the
Appleby, David Del Tredici and Queen of Hearts, was "murderJulius Eastman (who also played ing the time," and that is what
celesta) on the Evenings for ·Del Tredici does in his "Hatter's
New Music program Saturday Song,' ' with its Ivesian scramble.
night at the Albright-Knox Art
There is some confusion in
Gallery in the Sculpture Court.
having the soprano sing each
The seats were uncomfortable. character. Miss Dimiziani was a
How often while listening to fine voice, but it was a woman,
music do you wish you could no male Hatter: Her mouse was •
lie down on a soft rug and close wee enough. But what technique
your eyes?
can a soprano use to simulate
The music is floating clouds, maleness?
spaced out voices which are
(Julius · Eastman, the bass,
intended not to cohere, but sang a soprano role once using
drift in separate slow times. The falsetto, nor was it a comic inmusic is triadic, with a minor terpretation.) Miss Dimiziani
tonality implied, and in a long also was heard through a loudsection the pianos release slow speaker, which put a limit on
scaler motives which ascend the effect of her singing voice,
like heavy balloons.
although it was fine for her narThere are near unisons, as ration.
when celesta and another piano,
The chamber orchestra ·inwhose sound was disembodied cltitles a "folk" group comprised
in the court, canonized the _lazy of two sopr"ano saxophones, mantheme. tThe Sculptur~ Court dolin, banjo and accordion. The
has bewitching acoustics. When H a t t e r ' s• Song, "Twinkle,
the pianists started humming- twinkle, little bat,'' moves at
and it was no surprise that they different speeds, the instrument
would hum - the voices seemed twice as fast as Miss Dimiziani.
to be all around, as if members The music is busy, amusing, out
of the audience bad caught to of phase but in the control of the
to Feldman's idea of filling out composer.
his harmonic piano tapestry with
There were two corridor
human sounds) .
pieces heard ·during intermisThe other work on the pro- sion - Ralph Blauvelt's Tape
gram was David Del Tredici's Piece No. 6, which is a version
"Vintage Alice,'' one of four of "Little Liza Jane,'' and
pieces by the composer based Peter Gena's computer piece,
on Lewis Carroll's "Alice in "Egerya," whose buzzing uses
Wonderland."
for score a Swedish rye rug
"Alice" was performed in the woven by his -wife, very pretty,
gallery auditorium by soprano too <the rug) ..
Sylvia Dimiziani, who also told
The ·performers are from the
the story, and 20 instruments University of Buffalo Center of
conducted by the composer.
the Creative and Performing
Like so many contemporary Arts, which is co-directed by
composers, Del Tredici uses par- Lukas Foss and . Lejaren Hiller,
ody technique, quite effectively Admission is no longer free to
in this humorous work, but also these events, but a public is
it allows him to use traditional willing to pay a couple of
harmonies, pop sounds.
dollars,
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Wall-to-wall piano music is hum-dinger
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-10-28
With references to the following additional composers: Morton Feldman, David Del Tredici, Ralph Blauvelt, Peter Gena
Note: Eastman as performer in Feldman piece
Creator
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Putnam, Thomas
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1972-10-29
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Music Library
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eastman_171
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
-
https://digital.lib.buffalo.edu/files/original/8b027687898f7925a4745a1ab452a97a.pdf
511b1d7ffd4eb1b9afc05e33ae658283
PDF Text
Text
EVENINGS FOR NEW MUSIC
PROGRAM
PART I Auditorium
Vintage Alice (1972)*
David Del Tredici
Soprano: Sylvia Dimiziani
Folk Group: Edward Yadzinsky, Phil DiRe, Oswald Rantucci,
Andrew Frech, Guy Klucevsek
Chamber Orchestra: Petr Kotik, Amrom Chodos, Andrew Stiller,
Ronald Richards, William Lane, Beye Fyfe,
Dave Kuehn, Donald Miller, Dennis Kahle,
Jeffery Kowalsky, Henry Rubin, Jacqueline
Leonard, Len Matczynski, David Gibson,
Edwin Gordon
Conductor: David Del Tredici
INTERMISSION Gallery Corridor
Tape Piece No. 6 (1972)
Ralph Blauvelt
Egerya (1972) .
Peter Gena
PART II Sculpture Court
Pianos and Voices ( 1972) * ~'
Morton Feldman
William Appleby, David Del Tredici, Julius Eastman,
Morton Feldman, Lukas Foss
*Buffalo Premiere
**American Premiere
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Evenings for new music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1972-10-28
Note: Eastman performs Feldman's Pianos and Voices
Source
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Music Department
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State University of New York at Buffalo. Music Library
Date
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1972-10-28
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eastman_170
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/7a125e4074ca569ac68ce040dc48d6e0.pdf
6d97f4159a2400e93d3428e0f7d3f378
PDF Text
Text
Buffalo Evening News
Oc..t.
/97J.
':J..JI
:-::::
MUSIC
- ~~!~,!~ f
NEW MUSIC series by the
UB Creative Associates will
open Saturday at 8: 30 PM in
Albright-Knox
Art
Gallery
auditorium. " Vintage Alic-e" by
David Del T redici , a witty
version of the Mad Hatter's
Tea Party for soprano and 20
instruments and UB Slee
Professor Morton Feldman's
Pianos & Voices I, will be
performed. The Feldman work
calls for five pianists. They
will be center co-director and
composer Lukas Foss, Julius
Eastman, William Appleby,
Mr. Del Tredici and Mr.
Feldman. Electronic works of
Ralph Blauvelt and Peter Gena
will be played in the lower
gallery at intermission.
,. *
*
ANTON KUERTI, highly
esteemed pianist born in Vi~n
na trained in the United States
and now a Canadian resident,
will appear in recital at 8: 30
PM Monday in Baird Hall. The
artist has played with vir tually
every leading orchestra of
Europe and Americ-a, and ttas
made notable recordings. The
Buffalo program will include
Bach Ricercare, the Beethoven
·~es Adieux" Sonata, and
s!veral works of Scriabin, including the Sonata No. 5.
-
PHILHARMONIC
unde
Michael Tilson, Thomas offer
the second program in the cur
rent concert pair, this evenin
at 8: 30 in Kleinhans Musi
Hall: All-Beethoven , pianis
Stephen Manes and Fredoni~
Festival Chorus in the Choral
Fantasy, the orchestra in th~
Fifth Symphony, Elegiac Sonl
and "King Stephen" Overture.
......... ..-....-..............,
PANIAGUA QUARTET, an.
cient-music group from Spain,
will appear on Friday at 8: 30
PM in Baird Hall, in a program of Spanish music from
t!le 12th to Ii_th Centuries.
UB CHAMBER Orchestra
under Pamela Gearhart will
give its first concert of the
season, admission free, tomorrow at 8:30 PM in Baird Hall,
with a special bonanza for a
fe atu re. First violinist Donald
Weilerstein of the UB-based
Cleveland Quar tet, national
touring group , will be soloist in
the Mozart Adagio & Rondo.
The Bach Overture from the
Suite_in D and the Stravinsky
"Apollon Musagete" will be included.
• • •
1
CONDUCTOR Micnaei tu::.v
Talmas will offer \.an all
Fl:ench program on the second
of
the
concert
pair
Philharmonic series, Sunday at
2:30 PM and next Tuesday at
S.-30 PM in Kleinhans Mu ~i c
Hall: Pianist Gilbert Kahsi;
with tihe orchestra in the
Messiaen "Colors of the
Celestial
City,"
clarinetist
James · Pyne in the Debuss)i
First Raphsody, the Debussy
"'L a Mer," Berlioz "Kin~
Lear" Overture and Mouret
"Music for the Hunts of Louis
XIV."
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Music Notes
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-10-28
With references to the following additional composers: David Del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena
Note: Eastman to perform on Feldman piece
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-10-24
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Music Library
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eastman_169
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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-
https://digital.lib.buffalo.edu/files/original/27614d681341260e84ef1a37196fb5d3.pdf
12d007703e1a4ad897918e246999540a
PDF Text
Text
BUFFALO COURIER-EXPRESS, Sunday, October' 22, ~
Happening Saturday
Music
Allnigbt-Kllox 1\rt Gallery:
The Cr:1 er Gf lhe Creative and
Performing ' Ar ts of tbe University of Buffalo
presents E v e nin gs for New
Music at 8:30
p.m. The program : D a v i d
De 1 Tredici's
-@U
" Vin tage Alice,"
conducted by the
composer; Morton Feldman 's " Pianos and
Voi ces 1" with vocal pianists
Feldman , Lukas Foss, Del Tredici, JiLJlius Eastman and Wil·liam Appleby ; Ralph Blauvelt's
Tape Piece No. 6: and Peter
Gena's " EGERYA ."
�
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Title
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
A name given to the resource
Happening Saturday
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-10-28
With references to the following additional composers: David Del Tredici, Morton Feldman, Ralph Blauvelt, Peter Gena
Note: Eastman performs Feldman piece
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-10-22
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Music Library
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eastman_168
Is Part Of
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/366527c9ce5a02d0429b4984dcbf1405.pdf
d5f5a1a9fef835c966acaea029a46acd
PDF Text
Text
Buffalo Evening News
Oct .
J91 I q 1 J
BAIRD HALL
Monistic Music Is Decorative/
Puts Audience in Bondage
"I have composeu-.:ms worK By JEFF SIMON
with this particular combinaTe explain someWhat hi's tion of chants in order to give
electronic tape piece "Bolhor courage to those Gay brotlhers
I," Iannis Xenakis said it was and sisters Who may need
essentially "monistic" rather! power to become one's srelfthan pluralistic. In other words, ness." The capable dancing of
that it was concerned witlh one Karl Singletary, Mamie Lipke
element which may or may not and Jaime Nesbitt was dearly
slowly change.
Gay Lib at' the piece's close
Hacking away even further when Miss Lipke and Mr. Nesat the claustToohobic syntax, bitt ~ch performed the same
you could say tha~ the opera- amatory motions with Mr.
tive...law of •:mo~tsm" would Singletary.
~e If som.e~mg IS wor:tJh doThe music wa!J rolkish and
mg once •. tt s ~orth don~g. 27 decorative but little more than
times with mmor vartatwn that
(although that re·ally isn't
·
• • •
"THERE WAS Singularly
necess•ary)."
Monistic music ig clearly Nothing No. 1" by Kotik was
what flutist Petr Kotik is
"into" judging from the first an extensive, boring piece in
recital of the Creative Associ- Which virtually the same
.
· rhytlhm and phrase structure
ates Wednesday evenmg m was emotively played over and
Baird Hall. With the exception over by Kotik into a kind of
of John Cage's "Atlas Eclipti- echo chamber. The eoho becalis" and tape piece "Fontana came a kind of tormenting
Mix" played simultaneou!Jiy, double for the music after a
all the pieces on the program
were single-minded and un- while, until the piece came to
mean almost what the title
varied, to put it mildly.
said.
• • •
Cage's "Atltas Eclipticalis" i9
IT'S EASY to put an audience essentially a bonding piece
in bondage when you meant to \written to be performed simultransport fuem to Nirvana, taneously with sometlhing else
and I'm afraid that seems to tJhe way electrons aren't really
be what happened. The trouble supposed to go oH by themhere is that this music (pl_ayed ~elve!J but are supposed to
this way) doesn't lend Itself ang around a nucleus ("Atlas
to a concert situation but Edlipticalis" is usually perrathe·r to a recording-whe~e ~ormed witJh Oage's ll81Je piece
it can be picked up at will ['Winter Music").
when the mood strikes-or to a
It was decently done, though
casual sprawling communal the glorious, ferocious noises
bf the taped "Fontanta Mix"
rite.
The first piece on tJhe pro- ventually swallowed up Ko. gram was Julius Eastman's ik's piping of the well-sp·aced
''Comp I" Wihidh Eastman's Atlas Eclipticalis".
program notes describe as a The recital ended with Mr.
bringing together of two chants ~otik performing La Monte
the composrer heard from a roung's "·Composition 1960 No.
"very strange tribe" in E~st \" and "Composition 1960 No.
Africa with accompanymg ". No. 9 entailed incense, an
choreog•r aphy by East_man.
riental rug, one note interrupted only by breath. I'm
afraid I didn't stay for No. 2
Mea culpa.
I
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Monistic music is decorative, puts audience in bondage
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young
Creator
An entity primarily responsible for making the resource
Simon, Jeff
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-10-19
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Music Library
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eastman_167
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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https://digital.lib.buffalo.edu/files/original/0fe341cead500fd9f59a8c07891c77a8.pdf
a1522a4b2e50d4183226d0d8728b5632
PDF Text
Text
- - BUFFALO COURIER-EXPRESS, Thursday, Octoper 19, 1972
Review .
l(otil{~S
Recital
A Study in Sound
By THOMAS PUTNAM
A definition of music as
sound which gets our attention
was suggested during Petr
Kotik's Creative Associate
recital Wednesday night in
Baird Recital Hall at the University of Buffalo.
Following intermission, the
audience returned to the hall
to find Kotik on stage playing
his flute sotto voce, as if he
were warming up. Conversation
sprang up all over. Kotik might
as well have not been there.
Then the lights went down, and
what he was playing suddenly
became "music."
Interesting Situation
Probably noe even the composer John Cage would have
cared if his music ("Atlas
Eclipticalis") had continued to
be little noticed. An interesting
,situation developed that was
certainly not called for in any
plans of the composer. From
that point on, after "listening"
became a part of the performance, the situation was less interesting, less experimental perhaps, even when Cage's fourchannel tape music, "Fontana
MLx," was turned on to produce
a collage of live and tape music.
The tape music was percussive, a splicing together of fragments of pitchless sounds and
garbled spoken messages, communication being no object.
Tape can make disjointed reality
cohesive, but the effect is not
enlightening.
· Tape Fills in Gaps
What the tape music also did
was take away the silence from
Kotilr's solo flute music. The
tape filled in the gaps fol"merly
occupied by other sounds in the
environment (such as the very
quiet music from another part
of the building).
Works by Kotik and fellow
C r e a t i v e Associate Julius
Eastman · explored simplicity.!
Eastman's "Comp I" has an
entertaining program note whiclj
explains its genesis, the musi~!
being " made up of two chants,"
although the perfonner (flutis~
Kotik ) seems to be improvising
!J1e piece from the composer's
raw materiaLs. <!n his note 'East.ll
man tells of a tnp to East Africa
where he and his guide " came
upon a very strange tribe," and
were introduced to "the chief
who was the witch doctor and
the keeper of the magical chants.
We were to stay in his tent fo
the night, but 1 ended up staying
there for six months." But that's
anollier story.)
Dancers Perform
Three dancers moved in inde-;
pendence against Eastman's music, which is largely triadic and
interesting for the rhythmic permutations of the performer
Kotik. In automatic, jerky, machine-like movements, the dan·
cers sometL.'Ues worked together
in coordinated choreography,
sometimes danced in isolation,
although the total effect was
refreshing visual counterpoint.
The fine dancers were Marni
Lipke, Jaime Nesbitt and Karl
Singletary.
Kotik's "There Is Singularly
Nothing" is solo flute music
which is taped and played back
immediately in several layers to
create a web of canonic noodling,
although the counterpoint is
homogenized and .seems · more
"with-it'' than "counter" ("withit-poillt"? ). The simple legato
flute music is sustained from
beginning to end, quite breathless. The smooth texture is
broken at times by accented
points, staccato barbs, whic'h are
points of identification in the
tape relay. Kotik casts a spell;
his aim seems to be not to
awaken the mind but to put it ii}
a trance.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Kotik's recital a study in sound
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
With references to the following additional composers: Petr Kotik, John Cage
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
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1972-10-19
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eastman_166
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State University of New York at Buffalo
DEPARTMENT OF MUSIC
A ME R I C A N E X P E R I ME N T A L MU S I C
WEDNESDAY, OCTOBER 18, 1972
BAIRD RECITAL HALL - 8:30P.M.
P R0 GRAM N0 T E S
Julius Eastman, Comp 1 {1972)
(Azuleli)
While traveling in East Africa, my guide and I came upon a very strange tribe.
I was attracted to this tribe because of the drumming which we heard from a
distance. Strange, because to me it was very atypical of what I considered to
be African drumming.
When we neared the village, we were suddenly surrounded by a hostile people.
And we found ourselves being interrogated. When I explained to them that I
was a musician from the west, they were very awed, and suddenly welcomed us
as if we were relatives. We were finally brought to the chief, who was the
witch doctor and the keeper of the magical chants. We were to stay in his
tent for t he night, but I ended up staying there for six months. While I was
at the village, I wrote down the various rhythms and melodies, unbeknownst to
the natives. If they had found this out, I am sure that I would have been in
deep trouble.
And this brings us to the work that you are going to hear tonight. It is made
up of two chants. The rosin one is called the One's Selfness Chant (literal
translation). The doctor said that man lets himself to be drawn into events
and patterns of life which are not true to one's self. Therefore the natives
teach this most important chant to their children at a very young age. This
instills strength in them to become ones own very self. The second chant is
a love chant that impressed me very much for it's natural beauty, and therefore
I have composed this work with this particular combination of chants in order
to give courage to those Gay brothers and sisters who may need power to become
one's selfness. Although in order to gain real power from the chants, one must
repeat these chants over and over again, to gain power from their essence.
Julius Eastman
Petr Kotik, There is Singularly Nothing #1 {1971)
"There is Singularly Nothing is a large work containing many independent solos.
Any combination of solos may be performed together."
John Cage, Atlas Eclipticalis (1961 & Fontana Mix (1958)
LaMtlnte Young, Composition 1960 #9 & Composition 1960 #2
''What makes a work classical'?
Recognition of its beauty."
Petr Kotik
�
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American experimental music
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program notes
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
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University at Buffalo
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State University of New York at Buffalo. Music Library
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1972-10-18
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b3b3536fb8e63bf49fd18a686ab517af
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PROGRAM
Comp 1 (1971)
Julius Eastman
(b. 1940)
There is Singularly Nothing# 1 (1971)
Petr Kotik
(b. 1942)
INTERMISSION
Atlas Eclipticalis (1961) and
Fontana Mix (1958)
John Cage
(b. 1912)
Composition 1960 #9
LaMonte Young
(b. 1935)
Composition 1960 #2
Young
* * * * * * * *
Dancers
Karl Singletary
Jill Spengler
Jaime Nesbitt
George Ritscher , Technical Assistant
*Courtesy of Kathleen Crofton
�
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American experimental music
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
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University at Buffalo
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State University of New York at Buffalo. Music Library
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1972-10-18
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B~I'FALo EvENING NEws
Taeada7, October 17, 1972
QUARTETTO Dl ROMA, one
of the finest European cham-
ber groups, will be presented
on the UB Colfeert Series on
Friday at 8:30 PM in Baird
Hall. This _is a piano quartet,
and works .m that lesser-heard
richly resonant form will in:
elude tpe Mendelssohn Op. 2
No. 2, the Dvorak Op. 87 and
Quartet No. 1 of Martinu. The
group is on its seventh American totV. It has made notab!e
recordings for Deutsche Grammophon .
PETR
flutist and
featured in the openmg
Creative Asso ciates program
tomorrow at 8:30 PM in Ba!rd
Hall admission free. Julius
Eastman's Comp I, the ~oti~
"There is Singularly Nothmg
and works of John Cage and
LaMonte Young will be performed by the flutist and associate artists.
PIANtST Jane ·Cary, student
of co11cert pianist Frina Ar·
chanska Boldt, will give a recital of works by Bach , Mozart Brahms, Ives and Griffes
on ' Sunday at 3 ~M in Baird
Hall, admission fre e.
�
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Announcement
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Announcement
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-10-17
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c8ed4aebed508568621ec92e261e29a2
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COURIER·EXPR_ESS, Sunday. trtober 15, 1972
Musie_ __
Baird Reeitalllalh Petr Kottk,
composer and fiutist, .presents -a
Creative Associate recital at
8:30 p.m. at the ~
Un i v e r s i t y of .· · ·
,· ·
Buffalo, works of
··
K o t i k, Julius
·
Eastman, J o h a
'
and La· '
.
· Mente Yo u n g.
1
Adm 11 11 o.n 11 .
cace
ffree.
�
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Music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Announcement
Date of event: 1972-10-18
With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-10-15
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20
BUFFALO COURIER-EXPRESS, Monday, October 9, 1972
Music Notes
Flutist to Give Recital
At Baird Hall on Oct.l8
I'ETR KOTIK COMPOSER
and flutist, will present a CreaAssociate recital Oct. 18 at 8:30
p.m . in Baird Recital Hall, University of Buffalo. This is the
first in a series of recittals by
members of the Center of the
Creative and Performing Arts.
The rec itals are free.
Kotik's program of
• ' A m e r i c a n Experimental
Music" will include music by
himself, Julius Eastman, John
Cage and LaMonte Young.
Kot.ik's "There is Singularly
Nothing No. 1" is described by
the composer as "a large work
containing many independent
solos. Any combination of solos
may be performed together."
IN EASTMAN'S "COMP 1"
Kotik will be assisted by
dancers . Karl Singletary, Jill
Spengler and Jaime Nesbitt.
Other works on the program
are "Atlas Eclipticalis" and
"Fontana Mix" by John Cage,
which will be performed simultaneously, and -1 a lVI on t e
Young's Composition 1960, No.
9, arid Composition 1960, No. 2:
Kotik was born in Czechoslovakia in 1942 and was
graduated from the Coru;erva·
tory of Music in Prague in 1962.
He has formed several experi·
mental music groups, including
"Musica Viva Pragensis,"
QUAX and S.E .M. Ensemble, ·
the last in 1970 when he was a
Creative Associate at UB. This
is his fourth season here.
Petr Kotik
. . . singular
�
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Flutist to give recital at Baird Hall on Oct. 18
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
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Type of clipping: Announcement
Date of event: 1972-10-18
With references to the following works by Julius Eastman: Comp I
With references to the following additional composers: Petr Kotik, John Cage, LaMonte Young
Includes illustration
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-10-09
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e329b58a35c61bb729a7ce1d03fe256d
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VENING NEWS
Following Attracted
By SEM Ensemble
Membership in the brand-new Center for New
Music is almost exclusively limited to its headquarters
city, New York. The only outside groups invited to
join are both from Buffalo: The Center for the Creative
& Performing Arts at the State University of Buffalo
and the SEM Ensemble.
In two short years since its
founding the SEM Ensemble
has built an attractive reputation for itself in the new music
of
Europe
and
centers
America.
There has been some shift in
personnel, but the two founding
members remain, Petr Kotik
and Jan Williams, both of
whom are associated with the
university and the C')nter for
the Creative & Performing
Arts.
Another member is Julius
Eastman, associated with the
university and the Center. The
newest member is Jay Beckenstein, an undergraduate student
at the university.
The ensemble devotes itself
to new music, and the works of
composers such as Cage,
Carnelius
Cardew,
Rudolf
Komorous, Frederic Rzewski,
La Monte Young, Emmett
Williams, as well oas works by
Eastman and Kotik. This year
new pieces by Eastman and
Gordon Mumm<~. will be introdu ed int t
rtoire.
SEM will tour Belgium and
Germany Jan. 12-22, will
perform a major concert in
New York's New School, one at
Dartmouth College in the
spring and will participate in
the John Cage Festival planned
for early December at Albany
State University College.
Locally SEM will perform
three concerts in the Albright·
Knox Art Gallery and in
Lockport's
Kenan
Center.
Dates are yet to be set.
Friday, 22 Se1
Available at the Ticl
�
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Julius Eastman Clippings Database, 1968-1979
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Following attracted by SEM ensemble
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Eastman, Julius
Music--New York (State)--Buffalo
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Type of clipping: Feature article
With references to the following additional composers: Petr Kotik, Jan Williams, Jay Beckenstein, Cage, Carnelius Cardew, Rudolf Komorous, Frederic Rzewski, La Monte Young, Emmett Williams
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-09-22
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�
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Julius Eastman Clippings Database, 1968-1979
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SEM Ensemble
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
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Type of clipping: Announcement
Includes illustration
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Evening News (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-09-22
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eastman_159
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BUFFALO COURIER-EXPRESS, Friday, September 1, 1972
jl Evenings for New Music
· To Start Series Oct. 23
The Center of the Creative & toodwind Quintet, also joins the
Performing Arts at the Univer- Center this season.
Returning CA's are Richard
sity of Buffalo will present the
first of five Evenings for New Trythall, pianist-composer, for
Music Oct. 28 at the Albright- the second semester only ; Henry
Rubin, violin ; Petr Kotik, flutKnox Art Gallery.
The Center also will present ist-composer ; Julius Eastman,
10 recitals by Creative Associ- singer· composer- pianist; and
ates during the 1972-73 season.
Jan Williams.
The two returning graduate
·
However, the Evenings for
! Music Theater is being discon- fellows are Jeffery Kowalsky,
tinued after one season "be- percussion, and Andrew Stiller,
cause of money problems" ac- composer-bassoonist. The eleccording to Center Coordinator tronicist once again is George
Renee Levine. "We will go back Ritscher.
The CA recital series begins
to the old format and try to include theater on our regular pro- Oct. 18, probably with a program by David Del Tredici.
grams," she said.
Once again Lukas Foss and
Lejaren Hiller are co-directors
of the Center, and Jan Williams,
percussionist, is the asistant director.
There are 12 Creative Associates, including four musicians
new to the Center.
David Del Tredici, pianistcomposer, will join the Center
for the first semester. His " I
Hear An Army," a setting for
soprano and string quartet of a
poem by James Joyce, was performed under hls direction in
B
1968 OJ) the Evenings for New
Music series.
Satur
Other new CA's include Dennis
Kahle, percussionist from Duquesne University, and David
Gibson, cellist from Yale University.
Amron Chodos, clarinetist,
who is a member of the Niagara
I
\l
1
�
Dublin Core
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Evenings for new music to start series Oct. 28
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-10-28
With references to the following additional composers: Lukas Foss, Lejaren Hiller, David Del Tredici, Richard Trythall, Petry Kotik, Andrew Stiller
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-09-01
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Music Library
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eastman_158
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
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https://digital.lib.buffalo.edu/files/original/31950c77f7f5e4eb985a87ebd0e01363.pdf
946111e8db15febb51319c8141227f28
PDF Text
Text
-Musi·c of the Week
THE BUFFALO Philharmonic
Orchestra will play two community concerts this week Monday at the Marygold Manor
in Cheektowaga, and Saturday
at Villa Maria College. Also this
week Josephine Kr akamp will
give a harpsichord r e c i t a 1
Monday at the University of
Buffalo. Here is the music
calendar for the week:
TODAY
S.E .M. Ensemble with Petr
Kotik, Julius Eastman, Roberto
Laneri, ·Jan Williams, guest
performer Jay 'Beckenstein and
electronicist Clifford Stoll will
present a concert of avant. garde music at 2 p.m. in the
Sculpture Court of the AlbrightKnox Art Gallery. The program
will include E a s t m a n ' s
"Tripod" and Kotik's "There is
Singularly Nothing." Admission
is free.
GEORGE KELVER'S piano
students will give recitals at 2
p.m., 3:30 p.m. and 5 p.m. in
the recital hall of the Villa
Maria Institute of Music.
MARGUERITE McCARTHY's
piano, organ, guitar and voice
pupils will present a recital at
2:15 p.m. at Warsaw High
School in Warsaw.
~~ RLO PINTQ will conduct
the Kenmore-Tonawanda Symphony Orchestra at 2:30p.m. at
Benjamin Franklin Junior High
School, Town of Tonawanda.
Frina and Kenwyn Boldt will be
two-piano soloists in SaintSaens's "Carnival of the Animals," with narration by Bob
Wells. The program includes
Rossini's "Seige of Corinth"
overture; Stravinsky' s "Song of
the Volga Boatman" and
Rachmaninoff's Piano Concerto
No. 2, with Karen Vogelsang as
soloist. Admission is free.
HERBERT HOOVER Junior
High School Band and Chorus
under Carmen Hughes and
Grace Millward · will present a
concert at 3 p.m. In the Boland
Memorial theater at
Lackawanna
Senior H i g h
School. Admission is free.
CHROMATIC CLUB will hold
auditions for the Leon Trick and
summer camp scholarships at 3
p.m. in the Snyder home of
Mrs. Fred Whaley Jr.
INTERNATIONAL IN STITUTE will present a concert by
Edit_h Lenar Horowitz, soprano,
and pianists Eva Rautenberg
and Persis Vihar at 3:30p.m. at
the institute, 1260 Delaware
Ave. The program is songs by
Schubert, Wolf, Malotte, MillerJackson and Dungan; and piano
works by Grieg, Handel, Chopin
and Llszt. The program is open
to the public.
CRESCENDO CLUB will hold
its annual Green Tea at 5:30
p.m. at Lincoln M e m o r i a 1
Methodist Church, 641 Masten
Ave.
·
JANIECE EPKE, soprano,
and Suzanne Thomas, harp, will
be soloists in a concert at 7:30
p.m. at Kenilworth United
Church of Christ, Kenmore.
Wallace Van Ller is the organist. The program i n c I u d e s
wm:ks by Purcell, Karg-Eilert,
Guilmant, Handel, B a c h ' Gounod, Glinka, D e b u s s y ,
Salzedo, Falla and Ravel.
CLAUDIO YASZUEZ will iive
a tHano recfl:al at 8:30 p.m. in
the Wick Center of Rosary Hill
College. The program includes
the Jirst performance of Vlahopoulos's "Sonata 1971" and
works by Angles, H a y d n ,
Mendelssohn and Villa-Lobos.
-~-
...
MONDAY
MAY ETTS will conduct the
Guy Maier workshop at Rosary
Hill College in sessions at 9
a.m. and 1 p.m. The workshop
is sponsored by District 13 of
the New York State Music
Teachers Assn.
BUFFALO PHILHARMONIC
ORCHESTRA will present a
community concert at 8 p.m. at
the Marygold Manor, Cheektowaga.
OSEPHINE KRAKAlVIP wlil
give a harpsichord recital at
8:30 p.m. in Baird Recital Hall,
University of Buffalo. Mrs.
Krakamp is director of the
summer music festival in Staufen , Germany, and an editor of
harpsichord mus1c. She will
p-Jay music by :Bach, Locke,
Mozart and other composers of
the baroque and rococo periods.
~-···
TUESDAY
ANNE PAOLINI, piano pupil
of Irma Kordinak, wlll give a
recital at 8:30 p.m. in Livingston Hall of Kleinhans Music .
Hall.
~
..
FRIDAY
FREDERICK BURGOMASTER
will ·give· an organ recital at
12:30 p.m. at St. P au 1 's
Cathedral. He will play Jan de
. Macque's ' ' C an z on alia
Francesa," three chorale preludes by Max Reger, Leo
Sowerby's Sonatina (first move~
ment), and Marcel Dupre's
Prelude and Fugue in G Minor.
The public is welcome.
~
...
SATURDAY
DAVID CASSIDY will present
a popular program for young
people at 8 p.m. at Memorial
Auditorium. The · event is
sponsored by Buffalo Festival.
BUFFALO PHILHARMONIC
will continue its invasion of the
communtiy with a concert at 8
P.m. at Villa Maria College
auditorium.
~-··
MUSIC NOTES
MARILYNN KREGAL, principal second violinist 1n the
Buffalo Philharmonic, has received a grant of $1,000 from
the Oregon Arts Commission to
present a series of summer concerts with her group, the Portland Chamber Players. The
concerts 1n the Northwest will
involve various ensembles composed from string quartet,.
piano and voice.
DAN SCHROEDER, aon of
Mr. and Mrs. Fred J.
Schroeder, 112 D!rkson Ave.,
bassoonist at North Texas State
University, has won a scholarship for study at the Sewanee
Music Fesival in Sawanee,
Tenn . Schroeder, while a bassoonist with the 4th Army 'Band,
wrote a song, "Comln' Back"
which placed first in its division
1n the All-Army Composers-Arrangers Showcase. He is a
graduate of the University of
Buffalo.
1
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music of the week
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-05-21
With references to the following works by Julius Eastman: Tripod
With references to the following additional composers: Petr Kotik
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-21
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_157
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/e3f9ed261b3377161ddf64e971896ff8.pdf
ac742bb36260dff361eb6fe579db4888
PDF Text
Text
MUSIC NOTES
KEN-TON SYMPHONY
under Carlo Pinto will feature
duo pianists Frina Arschanska
and Kenwyn Boldt and. solo
pianist Karen Vogelsang m the
seas'On-closing -concert on Sun·
day at 2:30 PM in Benjamin
Franklin , Junior High School,
admission free. The SaintSaens "Carnival of Animals"
with the pino duo and narrator
Bob
Wells,
and
the
Rachmaninoff Concerto No. 2
with pianist Vogelsang will be
performed, with a~ded works
of Rossini and Stravmsky.
* * *
SOPRANO Janiece Epke
with pianist May Go~hler Oddie will present selectiOns from
Romberg and, Victor Herbert
operettas tomol"row at 8 PM m
Parkstide Lutheran Church,
with costumes and commentary.
* * *
SEM ENSEMBLE, UB-based
composer-performers, will give
concerts on Saturday at 2 and
8:30 PM, and Sunday at 2 PM
,in the Sculpture Court of
Albright-Knox Art Galle~.
Peter Kotik, Roberti Lan~ri,
Jan Williams and Jul!us
Eastman will be joined ~y Jay
Beckenstein, guest perfo~mer,
and Clifford Stoll, electrontcs.
Several works of John Cage,
Kotik's "Singularly Nothing,"
Eastman's
"Tripod"
and
Cardew's "Treatise" will be
performed.
in Windermere ·Blvd. Schocil,
Eggertsville. The Telemann
Flute Concerto, works of
Boyce, Elgar, Delius and
Mozart will be included.
* * *
WILLIS PAGE, former Buffalo Philharmonic associate
conductor,
will
take
his
Jacksonville (Fla.) Symphony
Orchestra on spring tour in·
eluding appearances Thursday
Cent er ,
in
Kennedy
Washington, and Friday in
New York's Carnegie Hall.
• * *
PIANIST Claudio Vasquez
will give a faculty recital on
Sunday at 8: 30 PM in Wick
Center of · Rosary Hill College.
Sonata 1971 of Vlahopoulos,
composed for the soloist, and
works of Haydn, Mendelssohn,
Villa Lobos will be performed.
* * *
DEERHURST Presbyterian
Church of Kenmore will
present a sacred concert by
students of Vivian Girard, admission free on Sunday at 7:3.0
PM, organist Betty Bissonette,
pianist Betty A. Riehle.
* * *
CHROMATIC CLUB auditions for Leon Trick Sobol&·
ship and Sumrmer Camp·
Sclholarships will be !held Sunday at 3 PM in the Snyder
residence of Mrs. Fred R.
Whaley Jr., who is available
for information.
* * * .
RECITAL by piano, organ,
* * *
guitar and voice pupils of Mrs.
RECITALS by piano pupils Rex McCarty wiH be given
of George Kelver will be given Sunday at 2:15 PM, admission
on Sunday at 2, 3:30 and 5 PM free, in Warsaw High School.
in Villa Maria Institute recital
• * *
hall. National Piano Gu~ld
KENILWORm
Unite d
diplomas will be presented, ~n Church of Christ and organist·
cluding an award to semor director Wallace Van Lier will
Karen Huntley. W!ho will con· pres'9nt a ..Spring-Musicale-on
tinue studies iilFredonia State Sunday at 7:30 PM, soprano
College.
Janese Epke and Philharmonic
Suzanne
Thomas
harpist
* * *
SYRACUSE S y m p h o n y soloi9ts. A wide range of works
Orchestra boasts a new opera from the Renaissance to
Spanish
will
be
company
and
will
offer modern
"Pagliacci" and "Amelia Goes pe11formed.
to the Ball" tomorrow through
* * *
HARPSICHORD recital by
Friday evening at 8: 3'0 in t!he
Josephil;e
European
performer
University Regent Theater.
Nationally-known
conductor Krakamp, admission free, wtll
Frederik Prausnitz and stage be presented on Monday at
director James de Blasisr are in 8:30 PM in Baird Hall. The
s'Oloist is a graduate of Cologne
charge. 1
* • •
Conservatory in 'Germany and
SOUTHSIDE Junior High editor of rare and ancient
School spring concert will be works for the instrument. She
un~er
di.rectors has recorded for Deutsche
presented
Daniel L. Pteczynskt and Gratnmophon. Works of Bach,
Reynold Scott on Friday at Locke, Mozart ·a nd others will
7:30 PM, a varied program by be performed.
band, orchestra, ohorus and
* * * --~--ra soloists.
ERIE
COUNTY
Music
Educators Association annual
CLARENCE Senior High picnic will 'be held next TuesChorale, Mixed Chorus and day at The Embers, Davis Rd.,
Chamber Singers under Robe_rt Colden.
Vehar will give a spring con* * *
cert on Friday at 8 PM in the
PIANIST
Anne
Paolini,
auditorium.
award winner and soloist in
area orchestral concerts will
* * *
AMHERST
Symphony give an admission-free recital
Chamber Orchestra directed next Tuesday at 8:30 PM in
by Ronald Richards will Klein·hans Musk Hall. Miss
feature Philharmonic flutist Paolini, a pupil of Irma
Eiko Ito in the admission-free Kordinak,
wiU
play
the
program Saturday at 7:30 PM Schubert Sonata Op. 120, a
Chopin group, works of S-aclat1 ti, Liszt and others.
* • *
ST. PAUL'S Cathedral organ
recital series will present host
choirmaster
Fr eder ick
Burgomaster in the Mendelssohn Sonata II and works
of Buxtehude and Durufle on
Friday at 12:30 PM.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Music notes
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-05-21
With references to the following works by Julius Eastman: Tripod
With references to the following additional composers: John Cage, Cardew
Note: Sub-heading: SEM Ensemble
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-16
Contributor
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Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
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eastman_156
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
-
https://digital.lib.buffalo.edu/files/original/e9fc318e0e83d0d8e237a37eb20b2736.pdf
eb2df8af80cb408c4fb162290fceb0ee
PDF Text
Text
"omposers
By THOMAS PUTNAM
The five faculty composers
from the University of ~uffalo
who presented their music
Wednesday night in Baird Recital Hall do not belong to one
school of composition.
Most successful in its divertis·
sement air was Robert Mols' "3
for 8," a bright piece with
strong melodic writing and a
good ear for the instruments.
he composer conducted.
Mols gives solo cadenzas to
the players in the middle movement, "Exhibition," and these
ere smartly played by the ense!1lble: John Burgess, alto
flute; Ronald Richards, English horn; James Pyne, clari·
net; Dave Kuehn, trumpet;
pianist Carlo Pinto; timpanist
Jeffery Kowalsky; and, sharing
a cadenza with the timpani, .
Lowell Shaw and John Park,
horns. J azi glisses lightened
the spirit nicely,-and in the final
movement this spirit dominated
in the harmonies and melodic
.
riffs. .
Julius Eastman has many
musical talents, and he also
is a good choreographer. His
new work, "Mumbaphilia" is
a mechanical ballet for three
dancers, automatons, mechanical dolls, toys which move
their limbs in herky-jerky fash·
ion. There is humanity too,
in the small embraces, although
arms encircle without touching.
Ballet Style
Machine gesture suddenly
gives way when Carl Singletary
lifts Kimberly Dye in ballet
style, but this is further com-
ment on ~anical numan activity. Sanson Candelaria was
the third dancer, all of whom
were very good. Easman performed his o'Wil music on ampli·
fied violin, and he sang some
ritual incantations; he is many
talents, but his fiddling is
unique.
Lejaren Hiller's new piece
was "A Cenotaph" for two
pianos, performed by Frina and
Kenwyn Boldt. Hiller bucks current disdain for perfect fifths
and ·triads,_ and has written
music "comprised of nothing
but perfect fifths, chains of
parallel fifths and triads." It
is a long piece, redundant,
without conflict in its reinteration of polytonal chords, a non·
dissonant harmony.
Stage Setting
The stage setting by Ed Cox
was a graveyard, left-over
from the camp. romanticism of '
Hiller's "Rage for the Lost
Beethoven." The work seems
;m experiment that grew be·
yond itself; the composer exhausts · his material and his
audience.
.
Completing the program were·
Ramon Fuller's Three Improvisations for Tape, made with
the Moog synthesier, a lot of
turmoil and violence, as the·
composer suggests in his notes;
and William Kothe's "Two Bod·
hisattvas," with erudite texts
by the composer, performed by
the choir of the Unitarian-Universalist Church under Barbara
Wagner.
Kothe's music is tonal, optimistic, ana pleasant. He is not
given to tricks in composition,
and it may be that his peaceful
choral music is appropriate for
describing the state of the soul.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Composers offer music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-05-10
With references to the following works by Julius Eastman: Mumbaphilia
With references to the following additional composers: Robert Mols, Lejaren Hiller, Ramon Fuller, William Kothe
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-11
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_155
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
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https://digital.lib.buffalo.edu/files/original/c07070667b6225336b79fa823ffb173f.pdf
1a1aa9b922df6004bc0901dc67b3a218
PDF Text
Text
Baird Hall
Thursday., May 11, 1972_y-BU!FALO
EvENING NEws
'Cen·otaph' Compelling but Overlong
By HERMAN TROTTER
A mock-up gr.a veyard stood
between the two grand pianos
for the opening of the Faculty
Composers Concert in Baira
Hall Wednesday evening, and
for a very good reason.
It's like this. Taking a jovial
jab at authorities of the ul tra:ultra who decry the use of
fifths, parallel fifths and triads
"in three" and, conventional
intervals notwithstanding, it
hews the inodern line by avoid:
ing any ·fixed key. As a surfa ce
impression, the sonorities of
t his commanding but overlong
work lie somewher e between
Messiaen and Shostakovk h.
With continuall y thickening
texture, Ramon Fuller's Three
Improvisations for Tape evolve
from a single whooshing, whisin today's music, composer tling, gr.inding voice to a
Lejaren Hiller responded to a dense three-voice counterpoint,
request by duo-pianists Frina most interesting in the threatand Kenwyn Boldt for a two- ening middle section puncpiano work by writing one tuated by peaceful, humming
which contained nothing _; but ·synthesizer ·chords.
·
the heinous fifths and triads, •· An octet of Philharmonic and
calling the piece "A Cenotaph university musicians played "3
for Two Pianos." Now, a cen- For 8" by Robert Mols, a ·
otaph is an empty tomb ·of pleasant, wind dominated work
s~ri<ctly monumental;
r ather d;ispJ.aying s hifting color. planes,
than .burial purpose, and in ···a series of. fast, vi rtuoso solos,
this case the deceased are .,... and a jazzy finale. The comyou guessed it, the fifths and poser conducted.
triads.
Dancers Carl Singletary, SanAt any !'ate, "Cenotaph," son Candelaria and Kimberly
played by the Boldts, is a long, Dye were evi dently set in rooarching, plodding, chord-upon- ti-on in J ulius Eastman's "Mumchord structure, which gen- · baphilia" by- the sound of two
erates cop.siderable plaintive . violins, one scratched by the
power. Its rhythm is doggedly composer and the other see-
sawed by Daren Watson, wllo
must be all of 5 years old. U
was one of those do-your-o~
thing pieces, and;. the da:ncers
did just beautifully, highly stylized, mannered and measured:
movements with many comic
overtones, in patterns far more
circumscribed and mechanical
than the music ·suggested. Even
when he is making awful
sounds, and these were, Mr.
Eastman is just too full of
music for a few pleasing effects not to appear, and they
did .
Also on the program were
"Two Bodhisattvas" by · William Kothe sung by the Choir
of the Unitari·an-Universalist
Church of Buffalo, directed by
Barbara Wagner. Soprano Ruth
Mohn was soloist in "Erotion"
and was joined by alto Marlene
Badger and bar-itone William
Wagner in the second work,
"V:ttorino da Feltre." Due to
the unusual circumstaces that
your correspondent was also a
performer in these two choral
pieces, he feels disqualified to
make any further commentary
than the above.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
'Cenotaph' compelling but overlong
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-05-10
With references to the following works by Julius Eastman: Mumbaphilia
With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe
Creator
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Trotter, Herman
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-05-11
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Music Library
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Identifier
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eastman_154
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/48b07856acea6d353ffdfcbe59e16335.pdf
2bb35d0f957033ee7aa6f55e3c1ff6e4
PDF Text
Text
PROGRAM
**A CENOTAPH FOR TWO PIANOS (1971)
(Dedicated to Frina Arschanska Boldt
and Kenwyn Boldt)
Lejaren Hiller
(b. 1924)
**TWO BODHISATTVAS (texts by W. Kothe)
William Kothe
(b. 1932)
I Erotion
Frina Arschanska Boldt and Kenwyn Boldt, duo-pianists
Stage arrangements by Ed Cox
Erotion : Ruth Mehn, soprano
II Vittorino da Feltre
**THREE IMPROVISATIONS FOR TAPE (1971-72)
Yksi
Kaksi
Kolme
Ramon Fuller
(b . 1930)
Choir of the Unitarian-Universalist Church of Buffalo
Barbara Wagner , Director
2-track tape
3 FOR 8 (1970)
Robert Mols
(b . 1921)
I Slow
II Exhibition
III Fast
John Burgess, flute, alto flute , piccolo
Ronald Richards , oboe , English horn
James Pyne , clarinet
Dave Kuehn , trumpet
Lowell Shaw, French horn
John Park , French horn
Jeffery Kowalsky, timpani and percussion
Robert Mols , conductor
INTERMISSI O N
Vittorino : William Wagner , baritone
Maria : Marlene Badger, alto
Anna: Ruth Mehn, soprano
**MUMBAPHILJA (1972)
*Dancers : Carl Singletary,
Sanson Candelaria,
Kimberly Dye
Performer: Daren Watson
Score Realization : Jeannine Dent
*courtesy of Kathleen Crofton
**first performance
Julius Eastman
(b . 1940)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Faculty composers concert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-05-10
With references to the following works by Julius Eastman: Mumbaphilia
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-05-10
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Music Library
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eastman_153
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/8950dbc7f371dfa213f7d9dd8ec51f92.pdf
0401591d05ce03d1d4f0f4895764ae72
PDF Text
Text
BuFFALo
EvENING NEws
MUSIC NOTES
I lOQ'!DI ·94*4°1 P~ot I n'¥'\11!1i
UB COMPOSERS will range
from
electronics
through
chorus and piano duo to mod
dancers in the admission-free
program tomorrow at 8:30 PM
in Baii'd Hall. Works of Slee
Lejaren
Hiller,
Composer
Ramon Fuller, Robert Mols,
William Kothe and Julius
Eastman will be presented.
Duo
pianists
Frina
and
Kenwyn
Boldt
and
the.
Unitarian Universalist Choir
and
soloists
directed by
Barbara Wagner are among
the performers.
* *
lit
MUSIC FORUM for Piano
Teachers wiN present its annual scholarship to East
Amherst student Carolyn G.
Fiegl, a pupil of Anne Moot,
and hear a performance by the
winner, tomorrow at 10 AM in
Denton, Cottier & 'Daniels.
PIANIST Robert Winter will
give an admission-free recital
on Thursday at 8:30 PM in
B'aird
Hall,
works
of
Beethoven, Bach, Schumann.
JAZZ TRUMPETER Marvin
Stamm, formerly with Stan
Kenton and Woody Herman
and
currently
m a king
recordings
with
leading
ocaUsts, wil~presented b
the Hamburg High School
Band on Friday at 8: 15 PM in
Hamburg Senior High School.
* * *
WNY MASTER CHORALE
directed by Carl E. Druba will
pres.ent works for chorus ,
solotsts and orchestra in the
program on Saturday at 8:30
PM in Cheektowaga Central
High School. The Handel
Utrecht Te Deum , Mozart
Solemn Vespers and Regina
Coe.li and three works of
Robert Washburn will be
performed.
·
• * *
JUDITH BURGANGER,
former Western New York
pianist ·a nd Leventritt Award
winner, and her violinist husband, Erich Ekhhom were
warmly received in a' recent
Cleveland recital, including the
Mendelssohn
1838
sonata
discovered only a few years
ago by Menuhin, and the Big
Max Reger Sonata in C Minor.
ROMANTIC FESTIVAL,
elaborate and colorful celebration of neglected i9th-Cent,ury
works, is under way for the
fifth year on the .Indianat1olis
campus of Butler University,
with . pianist and educator
Frank Coope.r as producer. The
concluding extravaganza on
Thursday will be Adolphe
neglected
Adam's
vastly
Parisian ballet of 130 years
ago, "Beatrix, the Beaijty. of
Ghent."
'
* • "'
POLISH
SINGERS
of
America new officers: President, Thaddeus J . Zolklew~
Polish Singing Circle; vice
presidents, Frank Oliwiecki,
Singing Society of
Echo
Niagara Falls, and Adeline
Wujcikowski, P ad e r e w s k i
Singing Society; secretary,
Gladys M. Zolkiewicz, Kalina
Singing Society;
treasurer,
Stanley Dziemianczyk, Polish
Singing Circle, and librarian,
Mary Gal·as, Kalina Singing
Society.
*
lie
POP MUSIC
THIS EVENING
1J'EPHEN STILLS and h_is
..,group Manassas at 8 m
~emorial Auditorium, aus'pices of Harvey & Corky
- Productions.
MUSIC
TOMORROW
VB COMPOSERrS, works of
. ,.Ramon, Fuller, Robert Mols,
William Kothe, Julius East. man, Lajaren Hiller, at 8: 30
.,PM in Baird Hall, admission
tree.
f.
MOVIES
•
TOMORROW
~LES OF THE CRYPT, PG,
friaht flick with Ralph Richardson, Joan Collins, Peter
ushing, Amherst and downtown Cinema Theaters.
*
TREBLE CLEF Society will
hear soprano Patricia Yannello
with pianist Betty Riehle in
Menotti arias, and soprano
Banbarn LaRou wibh accompanist
Mary
E 11 en
""BUrgomaster in Mozart arias,
tomorrow at 8:30 PM in the
North Tonawanda residence of
Mrs. Edward F. Smistek.
.. ..
"'
ANTON WOLF, composer
and Buffalo State College
faculty member, will be ~-honored by the performance of
CHRIST UNITED Methodist,
his two-piano and percussion Amherst
Community
·and
work, "Why I Live on a Moun- 1 North Presbyterian Choirs will
tain," on Thursday evening in , be conducted by Cyrus Hamlin
Bennett College, Greensboro, on Sunday at 8 PM in Ohni9t
N. C.
Church, Snyder, admission
* * *
free, no offering. Works of
SOPRANO
Edith
Lenar Scarlatti,
Christoph
Bach,
Horowitz and pianist Eva Brahms and spirituals will be
Rautenbe.rg
will
give
a
included, coffee hour to follow.
Mothers Day program on '
* • lrf:
Saturdruy at 7 PM in Oarlton
KENNEDY
CENTER
Home. A piano recital by , "American Youth Performs"
Christopher Brzuza will be
concert in Washington this
presented on May 18.
evening by a countywide
selection of student singers and
"' * *
PIANO RECITAL by pupils -..: players will include Bufof Mrs. Robert Nagel will be , falonian Susan A. Nichols.
presented on Monday at 7 PM ' Morton Gould is the featured
in Kleinhans Livingston Hall.
guest maestro.
CALVARY E PIS C 0 PAL
Church, Williamsville, will
present an aU-Britten choral
concert on Sunday at 5 PM,
Thomas }'oster conducting,
Ken List organist, the Britten
Hymn to St. Cecelia, Hymn to
St. Columba, Hymn to St.
Peter.
~
* *
"SPECTRUM OF DANCE"
will be presented by area
dance teachers Ginger Burke,
Norma
Ferrar,
Beverly
Fletcher, Doreen Jones and
Sonia Tuttl-e, on S-unday at 3
PM in Upton Hall. Director Ed
Lawrence of the African
Cultural Center will be guest
speaker.
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Music notes
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-05-10
With references to the following works by Julius Eastman: Unnamed work
With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe
Note: Sub-heading UB Composers
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-09
Contributor
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Music Library
Format
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eastman_152
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
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https://digital.lib.buffalo.edu/files/original/aa6380ac299829bc1b7223ccdaf0b34d.pdf
135fd75d9680067eff426f6ff50100bd
PDF Text
Text
Courier Express
Music This Week
HARP CONCERT- Marcela Kozikov a and Lucile Johnson, duoharpists, will present a conce~t
at 4:30 p.m. today In the audiflorium of the Albright-Knox
Art Gallery. The program Is
music by Handel, Vjvaldi, Brixi,
Debussy and Ravel.
DUO-HARPlSTS M a r c e I a
Kozikova and Lucile Johnson
will present a concert today at
the Aibright-Knox Art Gallery,
Also tl!is week, Robert Schulz
will lead the Buffalo Choral
Arts Society today at Kenmore
Presbyterian Church, and Carl
Druba will direct the Master
Chorale of Western New York
Saturday at Cheektowaga High
School. Here is the music calendar for the week:
TODAY
JOHNNY GIBSON and Jazz
Company will present a concert
as part of the Community Music School's faculty recital series at 2:30 p.m. in the auditorium of the Buffalo and Erie
County Public Library. Performers include the blues singer, Miss Allie B, saxophonist
Phil DiRe, bassist J i m m y
Pleasant and drummer Maurice
Sinclaire. Admission is free.
JAZZ DANCE WORKSHOP
from Buffalo State College and
the jazz-rock group, Thermopylae, will present a program
at 2:30 p.m: and B:30 p.m. in
Upton Hall Auditorium at the
college. Jean Sabatine directs
the dance workshop. Members
of the rock group are Richard
Shuman, keyboards; William
Savino, bass; and Robert Previte, drums.
FRANK COLLURA directs
the Buffalo State College wind
ensemble at 3 p.m. in the StudEr.t Union Quad. Rain moves
the program to the lobby of the
Student Union.
BUFFALO PUBLIC SCHOOLS
music department presents its
!May Music Festival at 3 p.m.
in Kleinhans :Music Hall. Performing groups are School 67
Chorus, All-City Intermediate
B a n d , All-City Intermediate
Orchestra, Southside J u n i o r
High Festival Choir, Bennett
High School Choir, and All-City
High School Symphonic Band.
Carroll C. Geiger directs the
symphonic band and combined
choirs in the finale, "America
the Beautiful."
ROBERT SCHULZ directs the
Buffalo Choral Ar"ts Society in a
concert a t 4 p.m. at Kenmore
Pre,sbyterian Church. The program is Peloquin's "Missa
Samba" and Rossini's "Missa
Solennelle." Soloists are Sylvia
Dimiziani, soprano; Marlene
Badger, alto; Warren Hoffer,
tenor; and Edward Bogusz,
bass.
ROBERT DUERR Jr. will
give an organ recital at 4 p.m.
at Westminster Presbyterian
Church. The program includes
works by Bach, Franck, Vierne,
Manz, Bender, Huzella and Felcia:Qo. Duerr is a senior at
' North Tonawanda Senior High
' ·school .and organist at Salem
'Lutheran Church in Buffalo,
DUO-HARPISTS M a ·r c e I a
Kozikova and Lucile Johnson
will 'p resent a concert at 4:30
p.m. In the auditorium of the
Albright-Knox Art Gallery.The
program is Handel's Concerto
in F; Vivaldi's Concerto In D;
Francescum Xaverius Brixi's
Concerto In F; D e bus s y ' s
"Danse Sacre and Danse Profane"; and Ravel's Introduction
and Allegro. The duo played at
the Ml\l'lboro Music Festival in
Vermont in 1970.
M A RJORIE ROSENBERG
will give a graduate voice recital at B:30 p.m. In Baird Recital Hall, University of Buffalo.
~····
MONDAY
ROYALE DANCE THEATER,
directed by Bernadine DeMike,
will present a program at 1:15
p.m. at Akron Senior High
School. Guest artists are Keith
Martin and Michelle Lucci from
the Pennsylvania Ballet.
MARCIA GOLD, soprano, will
present a program of opera
arias with pianist Carlo Pinto
and a chamber ensemble at
B:30 p.m. In Livingston Hall of
Kleinhans Music Hall. Included
are selections from "Dido and
Aeneas " ' ' D o n Giovanni "
"Der Freischuetz," •• peter
Grimes, "
"Turandot"
8 nd
"Carmen."
ROMANTIC .MUSIC . will be
presented by graduate students
of Lejaren Miller on the program, "Oddments of Romantic
Music," at B:30 p.m. in Baird
Recital Hall, University of Buffalo. The program includes
music by Beethoven, Robert
and Clara Schumann, Glinka,
Robert Schulz
CHORAL ARTs.-,Robert Schulz
will direct the Buffalo Choral
Arts Society In works by Rossini and Peloquin .at 4 p.m.
today at Kenmore Presbyterian
Church.
:i
Reyer, L!szt, Bruckner, Chopin
and Brahms.
TUESDAY
BUFFALO PHILHARMONIC
OROHESTRA, conducted b y
Melvin Strauss, will present 8
concert at 9:45 ·a.m. at Akron
Central Scl!ool. The program is
music by Mozart, Ravel, Proko·
flev, Ives and Bartok.
STEPHEN STILLS will prelent a concert with Manassas at
8 p.m. at Memorial Auditorium.
~
....
WEDNESDAY
FACULTY COMPOSERS f..1r:n
the University of Buffalo will
present a program of their music at B:30 p.m. in Baird Recital
Hall. The composers are Lejaren Hiller, Ramon Fuller,
Robert Mols, William Kothe and
Julius Eastman.
.......
THURSDAY
ROBERT WINTER w!ll give a .
graduate piano recital at B:30
p.m. in Baird Recital Hall, University .of Buffalo. He will play
music by Beethoven, Bach and
Schumann.
~
....
SATURDAY
MASTER CHORALE of Western New York under Carl Druba
will present a concert with soloists, brass ensemble and orchestra at B:30 p.m. at Cheektowaga Central High School.
The program includes Handel's
"Utrecht Te Deum," a performance made possible by a
grant from the Handel Assn. of
America. Works by Mozart and
Robert Washburn complete the
program.
OHOPIN YOUNG PIANISTS
COMPETITION will present
,finalists in concert at 8 p.m. in
the audttorium of the Campus
School, Buffalo State College.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Music this week
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-05-10
With references to the following works by Julius Eastman: Unnamed work
With references to the following additional composers: Lejaren Hiller, Ramon Fuller, Robert Mols, William Kothe
Note: Sub-heading: Wednesday
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-07
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_151
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/43445b4d41eb86d6dfbbcf9c293c0579.pdf
d79d470859426683f227ac385df2d894
PDF Text
Text
Works Performed by the Center of the
Creative and Performing Arts on
Evenings For New Music and Evenings For Music/Theater
1971-72 season
Albright, William
Belglarian, Grant
Salvos (1964)
Synthesis (1971)
Of Fables, Foibles and Fancies (1971)
Bortolotti, Mauro
Grazie per essere venuti! (1970)
rloulez, Pierre
Sonatine (1946)
Brant, Henry
Chadabe, Joel
Ice Age (1954)
Rounds {electronic score)
Shadows and Lines {electronic score)
Eastman, Julius
Macle (1971)
Erickson, Robert
Concerto for Piano and Seven
Instruments (1963)
Foss, Lukas
Ni Bruit Ni Vitesse (1971)
Co-ordinative Systems, No. 1 (1971)
Patterns II {1971)
Antoniou, Theodore
Fulkerson, James
Globokar, Vinko
Gri.ffes, Charles
Correspondences (1969)
Kairn of Koridwen (1917) (In progress)
Hiller, Lejaren
Machine Music (1964)
Rage Over the Lost Beethoven .(theater)
(1971-2)
Kagel, Mauricio ·
Match (1964)
Kolb, Barbara
Solitaire (1971)
Matthews, Justus
Milhaud, Darius
Four Miniatures (1967-68)
Concertino de Printemps (1934)
Perle, George
Sonata quasi una fantasia (1972)
Reichman, Richard
Nocturnes (theater)
Rzewski, Frederic
Les Moutons de Panurge (1969)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works performed by the Center of the Creative and Performing Arts on Evenings for New Music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
With references to the following works by Julius Eastman: Macle
Note: Exact date of document unknown
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-05-05
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_150
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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8
BUFFALO COURIER-EXPRESS, Monday, May 1, 1972
Revietv
Sahl Relaxes Mind
With 50s Pop Traits
By THOMAS PUTNAM
There is a comfortable 1950s
pop music ambiance in the Symphony by Michael Sahl which
was performed for the first time.
with the composer playing organ
in an ensemble conducted by
Jan Williams, on the season's
final Evenings for New Music
program Sunday night in the
auditorium of the Albright-Knox
Art Gallecy.
Sahl is not the first explorer
in the retreat from intellectual
density, but he is a pleasant
guide, a good composer of what
at times sounds like film music
or music for the theater. His
Symphony, composed this year,
reflects the new simplicity as
composers tire of modernismand the effects of the avantgarde.
An<>tller composer on the program, Darius Milhaud, also is
known for his simple, popular
musical style. Milhaud's. "Concertino de Prjntemps," a chambe-r concerto for violin, opened
the program in a bright and
happy performance, with Henry
Rubin as the very capable soloist, and Jan Williams conducting the chamber ensemble. Milhaud is celebrating his 80th
birthday this year, the unnecessary reason for playing his
music.
Mind Relaxation
Milhaud -and Sahl were played
in order, which was a dose of
double mind relaxation. Sahl
dedicates his Symphony to the
French composer, and indeed
his music shares with the Concertino jazz darice rhythms, although Sahl makes "his popular
source less personal. Sahl's ear
is very good but it does not hear
striking sonorities. His music
does not stimulate, but it
pleases. Milhaud perks and
brightens the air in his own
French voice.
Sahl, who was a Creative Associate at the University of Buffalo in 1966, was one of two as. sociates returning for this
program by the Center of the
Creative and Performing Arts.
The other was Vinko Globokar,
who also was here in 1966.
Globokar was born in France,
resides in Cologne and is a citizen of Yugoslavia. He is an experimental trombonist, whose
technique is novelized by various multiphonics, and the adaptation of speech effects to
trombone sound. He often plays
in a kind of growling speech.
Harmonious Blend
Two works by Globokar were
presented. "Correspondences" is
an exercise in decomposition;
it is group music from the start,
but by the time it is over the
performers are free. Yet the
common tone of this performance was notable, and whether
it was pain or Tage or groping,
the musicians felt similarly,
and their sounds blended in a
theatrical harmony.
A contingent of young people
provided an unsophisticated response to this music which, hon·
estly, was refreshing; one an·
gry listener "Shhh'jshed in a
tone which would 'tlave been
more effective only if it had
been heard through the filter of
a muted trombone.
'
The slapstick is offered seriously, however, although that
could be doubted. Jan Williams
sawed on a cymbal, and caressed a length of chain on the
floor. Globokar moaned some
unclear cry for help through
his trombone. (Roberto Laneri
played clarinet and bass clarinet, and Stuart Fox played gui. tar, both amplified by microphones.)
Whooshing
Globokar's "Discours II" for
five trombones was played by
Globokar, using a tape for the
other trombones. The attention
fixes on the live performer in
such an arrangement, which
must chat~ge the 'nature of the
piece.
Vocal utterances
become
trombone tones as the mouthpiece is engaged. The sound is
of big boats, and there is an
electronic atmosphere in - the
wooshing, popping vocabulary
of this artist. The music expresses a search for expression; it is inarticulate speech.
Completing the program was
R. Murray Schafer's "Requiems
for the Party-Girl," with Julius
Eastman singing falsetto, speaking, sometimes using his natural voice in the effective conclusion to the monodrama about
suicide. The chamber ensemble
evoked mood with decaying consonanceli.
�
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LIB-MUS024
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Sahl relaxes mind with 50s pop traits
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-04-30
With references to the following additional composers: Michael Sahl, Darius Milhaud, Vinko Globokar, R. Murray Schafer
Note: Review of Eastman as performer in Schafer's Requiems for a Party-Girl
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Putnam, Thomas
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1972-05-01
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Music Library
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eastman_149
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Music Calendar
b
Courier Express
Final Evenings for New Music Set Today
iEVENINGS FOR New Music
will be presented by the UB
Center of the Creative and Performing Arts for t!he final time
this· sea soil today at the AlbrightKnox Art Gallery. Vinko Globokar and Michael Sahl, former
Creative Associates, will return
to perform in their own compositions. Here is the music call endar for the week:
I
TODAY
IROQUOIS Pops Orchestra, di' rected by Richard Zona, will present a concert at 3 p.m. at Iroquois Central High School in
Elma. Martha Zona will be piano
soloist in Gershwin's " Rhapsody
in Blue."
I
THOMAS GUTOWSKI will lead
the choir of Gethsemane Lutheran Church in a concert of
sacred music at 4 p.m. at Gethsemane Church, 427 Goodyear
· Ave.
JOHN HOFMANN will give an
organ recital at 4 p.m. at St.
James United Church of Christ,
Hamburg. The program will be
Bach's Prelude and Fugue in A
Minor; Vierne's "Carillon de
Westminster"; and, with assisting soprano Ruth Gleaves, Samuel Barber's "Prayers of Kierkegaard" and. Mozart's "Alleluia."
ST. P A u·t 'S CATHEDRAL
CHOIR of Men and Boys will present a concert at 5 p.m. at the
cathedral. Frederick Burgomaster · will direct the program,
which will include music by Purcell, Daniel Pinkham, Michael
Tippet, Vaughan Williams, Josquin and Handel. The organist
will be · Carol Foster, and assisting trumpets will be David
Kuehn and Charles Gleaves. The
featured work will be Britten's
"Rejoice in the Lamb."
VILLA MARIA COLUEGE music department will present a
concert at 8 p.m. In the college
auditorium. Miranda Currie will
direct the choral program, Including music by Peloquin, Persichetti and Mendelssohn; and
Eugene Hale will direct the college wind ensemble in music by
Cacavas, V au g h an Williams,
Nestico and Madden. Also on the
program will be the Niagara
Frontier Brass ;Ensemble in selections ranging from Gabriel
to the Beatles' "Sun King."
EVENINGS FOR NEW MUSIC will be presented at 8:30
p.m. at the Albright-Knox Art
Gallery. The program will be
Vinko Globokar's "Correspondences" for four soloists, performed by the composer with
Jan Williams, Roberto Lanerl
and Stuart Fox; Michael Sabl's
Symphony for 11even players; R.
Murray Schafer's "Requiems
for the Party Girl," featuring
Julius !Eastman · aa vocalist;
Theodore Antoniou' 1 "Synthesis" for oboe, percussion, hammond organ and bass; and
Darius Milhaud'fl Concertino de
Printemps, with Henry Rubin
playing the violin aolo and Jan
Williams directing the chamber
ensemble.
LIGHTHOUSE, a Canadian
rock group, win appear with the
Mahavishnu Orchestra in a concert at 8:30 p.m. at Kleinhans
Music Hall.
u··..
MONDAY
"DAISY: A Concert Sculpture" by composer Joel Chadabe
will be presented In half-hour
shows between 8 p.m. and 10:30
p.m. in Room 100 of Baird Hall,
University of Buffalo. "Daisy"
is live electronic music produced
on Moog equipment. There are
30 pillars of plexiglas designed
by Dennis Byng, apd colored
lights projected by John Roy.
Chadabe is director of the electronic music studio at the State
University at Albany.
~
..,
TUESDAY
NICHOLS ENSEMBLE, Nottingham Ensemble and the Nottingham Ballet _. will present a
program at 8 p.m. in tile Nottingha)n Gym at' the Nichols
School, part of Fine Arts Week.
AMROM CHODOS, clarinetist,
will present a graduate recital
at 8:30 p.m. in Baird Recital
Hall, . University of Buffalo. The
program will be Walter Piston's
Three Pieces for flute, clarinet
and bassoon; Lee Lovallo's
Etude; William 0. Smith's Five
Pieces; Louis Spohr's "Sechs
Deutsche Lieder" i and Mozart's
Clarinet Quintet.
WEDNESDAY
ROBERT CANTRICK will present his compositions, including
a score written in symbolic logic,
on a program celebrating the
centennial of Buffalo State .College at 8:15 p.m. in the auditorium of the Campus School.
Pianist Kenwyn Boldt will perform the symbolic music for solo
plano, "Person at the Piano:
Forms for pianist to interpret,"
the first performance. Other
works will be ''Acoustical Music" for brass, conducted by
Frank Collura; Woodwind Quintet, performed by the Niagara
Woodwind Quintet; and the song_
cycle, "The Friendly Beasts,"
with soprano Janiece Epke and
pianist Paul. Homer. Admission
is free.
'
MARSHA HASSETT, cellist,
will present a graduate recital
at 8:30 p.m. in Bair<! Recital
Hall, University of Buffalo.
MARY LANE, cellist in the
Buffalo Philharmonic, will gather some, of her best musical
friends for a program at 8:30
p.m. at the Jewish Center, 787
Delaware Ave. Sylvia Dimiziani,
Karin Reuthe, Marilyn Kregal,
F:gmces Bugdol, Inti Marschall,
James Pyne, William Lane and
Lowell Shaw will be on hand
for music by Brahms, Debussy,
Beethoven and David Del Tredici.
~
THURSDAY
ALEX TAYLOR with friends
and neighbors will present a
conceit of popular rock music ·
at 7:30 p.m. in the College Center at D'Youville College.
ANDREW STILLER, bassoonist, will present a Creative Associate recital at 8:30 p.m. in
Baird Recital Hall, University
of Buffalo.
.,
FRIDAY
RUTH KOVACH will give an
~
organ recital at 12: SO p:m. at
St. Paul's Cathedral. The program will be music by Dandrieu,
Franc~\, Messiaen and Jongen,
She is organist regularly · at
Nazarene Lutheran Chllt'ch. The
public is welcome.
KAREN BERNSTEIN, pianist1
will give a senior recital a'
8:30 p.m. in Baird Recital Hall,
University of Buffalo. •
DANCE THEATER OF HAR·
LEM, directed by Arthur
Mitchell, will present a program
with the Buffalo Philharmonic
Orchestra on the pops aeries at
8:30 p.m. in Kleinhans ' Music
Hall.
~
...
SATURDAY
MELVIN STRAUSS will conduct the Buffalo Philharmonic in
a cabaret concert at 9 p,m. at
the Main Place Mall. The orchestra will salute the Buffalo
hockey team with the "Sabre
Dance" from "Gayne" ballet by
Khachaturian. Other works are
Rossini's "La Gazza Ladra''
Overture; Tchaikovsky's "Romeo
and Juliet"; Ellington's "Black,
Brown and Beige"; Lowell
Shaw's ·arrangements of the
theme from "Romeo and Jullet' 1
and "Mrs. Robinson," as well
as music from "No, No Nanette"; and "Summer Knows"
from the film, "Summer of
'42."
~
...
MUSIC NOTES
Susan Nichols; a senior f. ·· ~
South Park High School, 1 .. 1
sing as part of the. American
Youth Performs concert May
9 at the Kennedy Center in Wash·
ington, D.C. The soprano is the
daughter of Mrs. Frances
Nichols. The vocal selections are
Randall Thompson's "Alleluia"
aild the first movement of "Sea
Symphony" by Ralph Vauehan
Williams.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Final evenings for new music set today
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-04-30
With references to the following additional composers: Vinko Globokar, Michael Sahl, R. Murray Schafer, Theodore Antoniou, Darius Milhaud
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-04-30
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Music Library
Format
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clippings (information artifacts)
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eastman_148
Is Part Of
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LIB-MUS024
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EVENINGS FOR NEW MUSIC
PROGRAM
On the occasion of the composer's eightieth birthday
. Concertina de Printemps (1934)
.
Darius Milhaud
Henry Rubin
Petr Kotik, Ronald Richards, Roberto Laneri, Andrew Stiller,
William Lane, Dave Kuehn, Garry Kvistad, Marie Yadzinsky,
Jon Shallit, Jesse Levine, Wendell Haver, Louis Bruno
Jan Williams, conductor
Correspondences ( 1969) ~, ~,
Vinko Globokar
Stuart Fox, Roberto Laneri, Vinko Globokar, Jan Williams
Symphony (1972)"'
Michael Sahl
Petr Kotik, Henry Rubin, Garry Kvistad, Jeffery Kowalsky,
Stuart Fox, Richard Trythall, Michael Sahl
Jan Williams, conductor
INTERMISSION
Discours II (1970)*
Vinko Globokar
for trombone and pre·recorded tape
Performed by the composer
Requiems For The Party-Girl (1966) * ~'
R. Murray Schafer
Julius Eastman
Petr Kotik, Roberto Laneri, William Lane, Richard Trythall,
Mario Falcao, Garry Kvistad, Henry Rubin, Jesse Levine,
Wendell Haver
The Center is supported in part by grants from the National Endowment for the
Arts and the New York State Council on the Arts.
*First Performance
*"First Buffalo Performance
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Evenings for new music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Program
Date of event: 1972-04-30
Note: Eastman as performer in Schafer's Requiems for the Party-Girl
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-04-30
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Music Library
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eastman_147
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Buffalo Evening News
April 25, 1972
M USIC. NDTE·s
.ll!l•A I . vi # 111 P~or I P -G!:Ii '
MITCH MILLER, nationally
known broadcasting opersonality, will be guest conductor
and s•ing-along guide on the
Philharmonic pops concert,
Friday at 8:30 PM in Kleinhans
Music Hall. Mr. Miller will be
narrator of the witty Ogden
Nash verses to the Tchaikowsky "Nutcracker," and conduct the Wagner "MeisterS'inger " Overture, Ravel! Bolero, Rossini "William Tell"
Overture and music from
"Oliver."
POLISH SINGING CIRCLE
and the guest Kalin<a Singing
Society directed by Peter Gorecki wi'N feature soprano Kazia
Wojciechowska of Poland in the
75th annual concert and ball on
Saturday at 8 PM in the Buffalo Trap & Field Club, Cheektowaga, Felix Galas general
dairman. Songs of Ohopin,
Moniuszko and folk airs will
te included, Roy Wi·lhelm accompanist.
• * *
ci, who also iJS a .Ahilhammonic
"COPPELIA" by the Empire State Ballet, Barbara
Striegel director, principal
iroles by Nancy Jo Scalice,
Thomas Banascak and Frank
Moltz, willl be presented tomorrow at 8 PM dn Villa Maria
College auditorium.
* * *
GUITARIST Oswald Rantucviolinist, has been invjted to
tea<fu cl·a ssic guitar tJhis summer in the National Music
Oa·mp, Interlochen, Miclt.
LIBRARY RECITAL will pres e n t Philhanmoni·c· violinist
Marilynn Kregal, mezzo Emilie
Berendsen-Bloch and pianist
John Landis on Saturday at 3
PM in Central Library auditorium, w o r k s of Mozart,
Dvork Haieff, Ravel, Blaoher and Bach.
* * •
ORGANIST John Hofman o•f
Trinity Episcopal Church and
Fredonia faculty will give a recital on Sunday at 4 PM in
1 St. James United Church of
Christ, Hamburg, with Mrs.
Ohar!es Gleaves a!SI sop·r.ano
soloist, works of Butler, Vierne
and Mozart.
~VOICES, INC., New York
music and repertory troupe,
will appear Sunday at 8 PM
in Bennett High School auditorium, auspices of Gamma
Kappa Chapter of DeHa Sig·
rna 'Dheta Sorority.
* * *
* * *
NEW MUSIC concert by the
ST. JOSEPH'S Collegiate In- UB Creative Associates will
stitute Glee Club and Swing bring back two well-known
Choi·r attended a music workcomposer alumni for the proshop on the week-end in Alfred
"'
gram Sunday at 8: 30 PM in
TONA WAND AS POST 264 University.
Albright-Knox Art Gallery audAmerican Legion Band Schol* • *
' itorium. Trombonist Vinko
PIANO
and
organ
pupils
of
arship Concert, d·i rector HerGlobokar of Yugoslavia will
bert Ludwig, co-featuring tlhe Mrs. Petrina Paoletti will give
take part in his own "CorresMorgan St. Seven, will be a program on Saturday at 7:30
pondences ," and Michael Sahl,
given tomorrow at 8: 15 PM in PM, 43 Marne Rd.
now active in New York, will
Tonawanda Senior High School.
* * ..
present his 1972 Symphony,
ST.. PAUL'S .CATHEDRAL Jan
Williams
conducting.
"' "' *
"MUSIC A LA CARTE," lOth annual Choir Concert will
Works of .Murray Schafer,
spring concert by the Clarence be ·directed by Frederick BurgTheodore· Anton<ious and MilJunior High Concert Band omaster on Sunday at 5 PM,
baud wi.JJ be included. Violinist
Treble
Chorus,
conductor with Ollganist Carol Foster and
Henry Rubin · and baritone
Trumpeters
David
Kuehn
and
George . Whittier, will be preJulius Eastman will take part.
Charles
Gleaves.
Jubilates
of
sented Thursday and Friday
• * *
Purcell .and Pinkham, Magnifiat 8 PM in the auditorium.
JOEL CHADABE, UB eleccats of Stanford and Tippet,
tronic composer, will present
his "sculpture work" titled
UB
ORCHESTRA under works of Vaughan Williams,
"Daisy," on Monday at 8 PM
Pamela Gearhart wi'll opresent Josquin, Handel and Britten
in Baird Hall, Room 100, halfan admission-free concert on will be included .
* *' *
hour runs to 10 PM.
Thursday at 8:30 PM in Baird
VILLA MARIA COLLEGE
Hall, the Sibelius "Swan of
spring
concert
on
Sunday
at
FREDONIA CHOIR under
Tuonela," Handel Concerto
Willia'm Graf will appea<r on
Grosso ~n B Minor, works. of 8 PM in the auditorium will
Sunday at 4 PM in Delaware
Copland, Mendels sohn, Stravin- present the Community Choral and Instrumental EnsemAve. Baptist Church, the Schusky and Wagner.
ble, directors Miranda Currie • bert Mass in G, works of
* * *
and Eugene Hale, trumpeter
Brahms, Mozart, Bruckner,
SCHOLA CANTORUM and Robert Smith and the Niagara
Fine.
the Philharmonic under Mel- Frontier Brass Ensemble.
* .. *
Vin Strauss will present an al1•
* * •
ORGAN RECITAL by host
Bruckner concert on Saturday
GETHSEMANE
Lutheran
choirmaster Frederick Burgoat 8:30 PM in Kenmore Ea·s t Church will present a sacred
master will include works of
High ~hool , soloists Jan music concert on Sunday at
Searle, Langl'ais, Johns and
Valerio, Patricia Oreskovic, 4 PM, T h o m a s Gutowski
Bach, Friday at 12:30 PM in
Warren Hoffer, L a u r en c e directing.
St. Paul's Cathedral.
Bogue, the Bruckner Mass in
• • •
E Minor, Overture in G Minor and Te Deum.
....
.. . .
......
----
.. --"'- - - - - -
---'-----'*•~~·~
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Music notes
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1972-04-30
With references to the following additional composers: Vinko Globokar, Michael Sahl, Murray Schafer, Thedore Antonious, Milhaud
Note: Eastman as performer
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1972-04-25
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_146
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/46933b2c9fd62868113547c8e802044e.pdf
be114513f4c14c111062a4f339c53a60
PDF Text
Text
Apr.
ll 1 \97J
BAIRD HALL
Four UB Composers Present
M~sical Dinner, Real Dessert
By JOHN DWYER
Four composers sat down to
inner with wine Monday evening and discussed their recent European tour.
They did it on Baird Hall
,stage before a hungry audience, various of whose mem:bers were fed snippets of the
cuisine from time to time.
ventually they all got a pieoe
of the white-cake dessert and
·wine punch.
. It was a kind of th_eater,
with some music before the
.dessert, but it was a real dinner, served by the chef him'self who is also a ballet dancer.
He executed a soaring grand
jete after handing around the
.Galantine Ronsard.
'
' COMPOSERS Julius East·man, Roberto Laneri, Peter
;Kotik and Jan Williams, have
formed a performance group
called the SEM Ensemble.
T•hey are also UB Creative Associates, but this thing is their
'()Wn idea.
They've appeared here and
in several other modern music
.centers, and their tour took
them to Cologne and other musical arenas in Europe.
Striped tabl•ecloth, papaya
colored . napkins, tossed salad,
a varietv of casseroles, corn
bread, two kinds of wine, four
microphones at the table and
a lot of conversation were features of the stag•ed repast. The
chef was dancer Carl Singletary.
• • •
"MARVELOUS COOK," said
Mr. Eastman. "I know. I used
to live with him, but he's gone
on to new and better things.
Still, a great cook." .
They talked about the Cologne electronic studios (best in
the world) and Stockhausen
· and Cage, about monotonalists
Steve Reich and Terry Riley,
about jazz prophets James
Brown and John Coltrane,
about improvisation and how
_it doesn't seem to get anyplace
after a whil e, about names in
the Bible, about themselves.
Before the dessert they got
up and played two pieces at
once, the Eastman "Nachtmusik" which consists of raising
hell behind a closed door, perhaps a pun on Knock Music,
and the Kotik "There is Singularly Nothing."
• • •
MR. KOTIK played a lovely
chant on a low-voiced flute. Mr.
Laneri keened and wailed on a
piercing da-rinet high-note. Mr.
Williams played soft hammers
on two lovely-sounding, large
wood resonators. Mr. Eastman
got behind the closed stage
door and tried to kick it down.
The program notes consisted
entirely of translated press
quotations from Switzerland,
West Germany, and so on, collected on tour.
The one from the Berlin Tagesswiegel seemed to express
the spirit and nature of this
event, too, with uncanny precision . It reads:
"The only piece of the evening which intimated something musical woas releases into
the air endlessly sw.inging colorative ."
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Four UB composers present musical dinner, real dessert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1972-04-10
With references to the following works by Julius Eastman: Eine Kleine Nachtmusik
With references to the following additional composers: Petr Kotik, Stockhausen, Cage, Steve Reich, Terry Riley, James Brown, John Coltrane
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-04-11
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_145
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/99d285b788898705b689fb0993fd0105.pdf
2831ff168bfa687244911d11dd6c80ec
PDF Text
Text
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
S.E.M. gives a lecture
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1972-04-10
With references to the following works by Julius Eastman: Eine Kleine Nachtmusik
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-04-10
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_144
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>