3 100 344 https://digital.lib.buffalo.edu/files/original/1739b9346fc4b14920858fa1eaf6fca5.pdf cf9c27f8aa51d893a7f405c74ae32b80 PDF Text Text Courier Express Apr. qr 19 7 .J Music CalenClar Thomas Returns to l(leinhans To Conduct Tchail(ovsl(y Program MICHAEL TILSON THOMAS, subscription program with viomusic director of the Buffalo ' linist Itzhak Perlman at 8:30 Philharmonic Orchestra, r e- p.m. in Kleinhans Music Hall. turns after . a two-month abWEDNESDAY sence to conduct the orchestra COMMANDER CODY and his in a Tchaikovsky program today and Tuesday at Kleinhans Lost Planet Airmen will present Music Hall. Also this week, Leo a popular concert with New Smit, pianist and narrator, will Riders of the I>urple Sage at 8 give his . "Roma" program, p.m. and 11 p.m. in the Clark showing the "eternal city" in · Gym, University of Buffalo. WASEDA UNIVERSITY Glee slides, poetry, literature and music on Saturday at the Buf- Club from Japan will present a falo and Erie County Public Li- concert at 8 p.m. at Amherst brary auditorium. Here is the Central High School. The group is in this country taking part in music calendar for the week: the Lincoln Center International TODAY Choral Festival. BUFFALO PHILHARMONIC MALE CHOIR BAVARIA will ORCHESTRA, conducted by Mi· present the 33-voice Roland chael Tilson Thomas, will pre- Fink Singers from Zurich, Swit· sent a subscription program at zerland, in a program of Euro- 1 2:30 p.m. In Kleinhans Music pean songs at 8 p.m. at the Hall. Itzhak Perlman will be Deutsches Haus, 2090 Genesee soloist in the Tchalkovsky Vio- St. lin Concerto. Completing the -.:···· Tchaikovsky program is the THURSDAY Symphony No. 1 in G Minor CLARENCE C E N T R A'L ("Winter Dreams"). · · SCHOOLS music department THOMAS FOSTER, organist will present a student concert and choirmaster of Calvary at 8 .p.m. at the Clarence Public Epis.copal Church, will direct Library, 9655 Main St., Clarthe Evensong program at . 5 ence_ Performers are a wood~ p.m. at the church in Wil- wind · quintet, chamber singers, liamsville. · · and a .saxophone quar~et. RobPRESERVATION HALL Jazz ert Vehar directs the chamber Band from New Orleans will singers, and Michael Ried present vintage jazz performed coaches both wind groups. by the original cast at 8:30 p.m. There is no admission charge. at Kleinhans Music Hall. The -.:···· program is sponsored by TheFRIDAY ater Series. GEORGE PERLE, composer -.:··and musicologist, will perform MONDAY . in his scholarly role when he JULIUS EASTMAN will pre- deliver a lecture on Schoen· sent a Creative Associate re- berg's "Moses Und Aron" at cital at 8:30 p.m. In Baird Re- 3:30 p.m. in Room 101 of Baird cital Hall, University of Buf- Hall, University of Buffalo. The falo. The program, with works lecture is titled, "Schoenberg by Eastman and Petr Kotik , Is and the 'Supreme Commander': called "S.E.M. Gives A Lec- The Libretto of 'Moses Und ture," and it is open to the pub- Aron.' " Perle is a visiting pro· lic without admission charge. fessOf at UB from Queens Col· S.E.M. is an avant-garde en- lege of the City University . of semble comprised of Eastman, New York. The inquisitive are Kotik, clarinetist Roberto La- welcome. CANISIUS COLLEGE Glee neri and percussionist Jan Wiliiams. They experiment with Club, directed by R o b e r t Schulz, will present a .concert at sound. LINDA BROCIA BOLAND, 8 p.m. in the Student Center of soprano, will give a faculty re- the college. The chorus recently , cital at Rosary Hill College at ·returned from a series of con-· 8:30 p.m. in tpe college's Wick certs in Montreal, Quebec. MELVIN STRAUSS will di" Center. Assisting guest artists are Thomas Grubb, piano, and rect the Buffalo Pl)ilharmonic Amrom Chodos, clarinet. The Orchestra in a Jazz-Rock pops program is Mozart's "Exsul<· ate concert at - 8:30 p.m. in KleinJubilate," Schubert's "Der Hirt hans Music Hall. The program auf dem Felsen," selections will Jeature the rock group, from Berlioz's "Les N u it Sunday's Child, led by Phild'ete," Chausson's "Chanson harmmonic bassist Nicholas Perpetuelle" and Turin a's Molfese, and the All-College "Poema en forma de Can- Gospel Choir, directed by An· drew Brown. The program is . clones." Duke Ellington's "Black, Brown · ~- , and Beige," Richard Peaslee's . TUESDAY work for rock band and symBUFFALO PHILHARMONIC ·. P h o n y Orchestra, "October ORCHESTRA under Michael Piece," and a few numbers by Thomas will repeat its Sunday the Gospel Choir, including "Lord, Don't Move This Moun· tain" and "In Jesus' Name " both with orchestral arrang~ men ts by Philharmonic hornist Lowell Shaw. SATURDAY DAVID JOHNSON will give an organ and choral clinic beginning at 1 p.m. at Amherst Lutheran- Church in Williamsville. He is organist at Arizona State University, and music di· rector at Trinity Episcopal Ca· thedral in Phoenix. As a com· poser Johnson helped celebrate the wedding of Tricia Nixon with his Trumpet Tune in D Major for solo organ, scored for strings for the White House per· formance. The event is sponsored by the Buffalo chapter of American Guild of American Guild of Organists. A session at 4 p.m. will be devoted to choral music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Returns to Kleinhans to conduct Tchaikovsky program Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following additional composers: Petr Kotik Note: SEM to give lecture Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_143 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/feeb6891c32f16fc0b4082eb94f288ed.pdf 375c5ab4d6bf1d3c69572fd7263574af PDF Text Text Alb -tomim:I-E~ FM&F, I April '· 1t72 Smit _Program April IS Will Focus on Rome By THOMAS PUTNAM "ROME IS the only city that :lates back to antiquity and is ~ontinuously creative," said Leo ?mit, the ,U~iversity of Buffalo :acul.ty p1amst ·and composer Who Is a fearless adventurer into rast cultures (the Indians of the i\merican Southwest) and future lvorlds (a recent recital honored the astrologer Fred Hoyle). Now Smit is focusing on "the ~ternal City" f~r his program, Roma: A Classical and Romantic View'• which he will present at 3 p.m. on April 15 in the auditorium of the Buffalo and Erie County Public LibrarY. (Admission is free.) The music for piano by Liszt will be "Carillon," "II Penseroso," "Fountains of the Villa tl'Este," the transcription of iWagner'S "Liebestod," and "Sur- sum Corda," an exhortation to "lift up your heart to God." B_ESII?ES PLAYING the piano, Sm1t Will narrate ·a te~t which he has composed, some 80 pages which will be coordinated with sEdes he made when he was in Rome this past summer. The program has been 10 months in the making, and Smit says it "·comes out like a great poem, one long legend; mythology and histozy intermingle." Smit will show architecture and sculpture from the classical period, the baroque art of ' Michaelangelo, and romantic views of Stendahl and Hawthorne, Berlioz and Byron. He stops short of this century, but not because Rome has died. .... CHROMATIC CLUB vocal auditions will be held April 15 at the home of Mrs. Emilie Strauss, 625 Lafayette Ave. For information call Mrs. David Currie of Kenmore at 873-4647. JULIUS EASTMAN will give a Creative Associate recital at 8:30 p.m. Monday in Baird Recital Hall, University of Buffalo. The program, "S .E.M. Gives a Lecture," will include works by Eastman and Petr Kotik, who are members of the S.E.M. avant-garde ensemble. · Admission is free. ~ · ~"'• � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smit program April 15 will focus on Rome Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following additional composers: Petr Kotik Note: SEM to give lecture Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_142 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f8e22471079fb45ffd8019bca601a202.pdf 28a35241a1bc9246ae4a0bd70103898a PDF Text Text BuFFALo EvENING NEws Tuesday, April 4, 1972 MUSIC. NOTE·s IIAJI•PI .weilel l*?ot In -GI:II FRONTIER PRESS CLUB, . social and cultural group of We s t e r n New York newspapermen and associated membership, will attend the Philharmonic performanee next Tuesday evening and an after-concert coffee hour and reception in Kleinhans Livingston Hall, with conductor Michael Tilson Thomas as guest. * * * CLEVELAND QUARTET concert tickets will be available to the general public on Saturday at 8:30 PM in Baird Hall, though the program is pait of a distinguished scholarly week-end event, the Spring meeting of the Am e r i c a n Musicological Society, New York Chapter. The gifted performers, now UB residents, will play the Mendelssohn Quartet in D, Slonimsky "Antiphones" and Bartok Fourth Quartet. The scholars will hear papers in various sessions on Saturday and Sunday by Don Smithers, Syracuse University; Keith Daniel, UB; Julie\ Ann Vertress, Cornell, and Sheila M. Allen, Fredonia. A panel headed by Prof. David Fuller, VB, will include faculty colleague James McKinnon and Edward Evans of The Eastman School, Rochester. :;. * * SEM ENSEMBL"E, modetfF" music group, will present an admission-free p rog r a m organized by composerperformer Julius Eastman, Monday at jl: 30 PM in Baird Hall, audience discussion of the . works included. The Eastman "Eine Kleine Nachtmusik" and Peter Kotik's "There is Singularly Nothing" will be performed. $ * * COLLEGIUM MUSICUM of Wagner College under Ronald Cross will offer a program of medieval and Renaissance music on Friday at 8 PM in Holy Trinity Lutheran Church. Music of the 11th to 15th Centuries will include chansons of Josquin des Pres. An offering will be taken. ----~~-~~~----..... INTERNATIONAL Institute Open HoUJSe program will be given by soprano Noel Praterrigo and pianist Margaret Singer, the public welcomed, on Sunday at 3:30PM in the recital hall, songs of Handel, Wolf, Vlahopoulos, Debussy, Chausson and folk airs. ITZHAK PERLMAN Leading Violinist at 27 PHILHARMONIC will present internationally famed violinist Itzhak Perlman in the series programs under Michael Tilson Thomas on Sunday at 2:30 PM and next Tuesday at 8:30 PM in Klein~ns Music Hall. It will be an all-Tchaikowsky program with Mr. Perlman in the Violin Concerto in D, the orchestra( in the "Winter Dreams" Symphony No. l, the revised 1874 ve rston and in any case an infrequently heard work of the durably popular composer. Mr. Perlman, born in TelAviv, Israel, 27 years ago, first appeared in the United State~· in an unlikely · way for a performer destined for such concert renown. He was 13, and it was on one of the televised programs of the Ed Sullivan Show in 1958. He went on to 20 concert appearances that season, hundreds since and world acclaim in many tours and record albums. The estimate of many critics is that he is one of the select few leading violinists of several gene;at!,on!. * * * ORGAN RECITAL in St. Paul'9 Cathedr.al at 1.2:30 PM by Michael Pavone, former Buffalonian now organistchoirmaster of St. Bernard's Church, Bernardsville, N. J. * * '' I TROMBONIST Riclhard Fote of Fredonia a•ppeared as soloist with the Waycross High Band of Georgia in the recent MidEast Music Conference in Pittsburgh. He performed "Awakening" by composer Christopher Dedrick of Delevan. Mr. Dedrick's "Four Love Seasons" also was a conference feature, performed by the Jamestown High School Orchestra and Chorus. " ,. * LUTHERAN CHORALE elections : President, Dorothy Mayer; vice president, George Krieger; treasurer and secretary, Bernice A:llen; board members Lori Weinreich Albert Ullric•h, Paul Bittler Pearl BueCihe, Dorothy Mayer.' ROSARY HILL College Faculty Recital will present soprano Linda Brocia Boland with pianist Thomas Grubb and clarinetist Amrom Chodos Monday at 8: 30 PM in Wick Center, admission free. The lovely Schubert "Der Hirt auf dem Felsen" for voice and clarinet o b b 1 i g a t o , Turina's "Poem in the Form of Songs,"· The Mozart "Exsultate Jubilate" and songs of Berloiz and Chausson will be included. * * * MALE CHOIR BAVARIA and the 3•3-voice Roland Fink Singers of Zurich, Switzerland, will present a concert, April 12 at 8 PM in Deutsches Haus, 2090 Genesee St. Bi·llboo•rd Company Sued TALLAHASSEE, Fla., April 4 (UPI) - The State Department of Transportation Monday filed a $4600 suit against the National Advertising Co., daiming that the company cut down publicly-owned trees so drivers could see its billboards on Interstate 95. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-04-10 With references to the following works by Julius Eastman: Eine Kleine Nachtmusik With references to the following additional composers: Petr Kotik Note: SEM to give lecture Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_141 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/75a53298a77fe0cd3754655caa5fa75c.pdf 34a7a200037e1fb1bbabd6c39a8b003a PDF Text Text State University of New York at Buffalo: page 3 RIP-OFF PIECE ••• (cont'd) "'The Lokapalas are never defeated,' said Kubera, and the girl picked up the block and stared at it a long time before she named it." -- Roger Zelazny Judith Kerman Andrew Stiller Eugene Steinberg Beye Fyfe Ralph Jones Martin Kalve Julius Eastman NO. 6 (!APE PIECE) voice recorder oboe horn horn viola conductor Ralph Blauvelt [audio tape] L'ARTE DEL VIOLINO Roberto Laneri Jacquelynne Leonard concert violin Kenneth Fung violin Roberto Laneri piano piano Julius Eastman Michael Levinson percussion Anonymous VII percussion Judith Sherman speaker Sheryl Kessner girl with violin stage director Ralph Blauvelt ••• and many extras GGK James Whitman [audio tape] CONCERT PIECE FOR STRING QUARTET Ralph Jones This piece is mainly an exploration of string techniques, and of the construction of textures utilizing the sounds produced by these techniques. It consists of nine structural blocks heard in succession; the material used to construct these blocks is heard in the opening violin solo. R. J. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource International symposium for student composers Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Date of event: unknown Note: Eastman as performer in Laneri's L'arte del Violino and conductor in Stiller's Rip-Off Piece *Program revised on 4/4/72 but exact date of the International Symposium for Student Composers at UB unknown* Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_140 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d03951f36d2bdd5fa17776e38979bcac.pdf 69f7d29c380d83208df8b659ca59f8f3 PDF Text Text MEMBERS OF THE CENTER I 1971-72 EDWARD COX, Theatrical Technician B.A. Fine Arts, American University, Washington, D. C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Maurice Strike, Shaw Festival Theatre, Ontario. DOUGLAS DAVIS, Cellist Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN, Pianist I composer I singer Diploma in composition from the Curtis Institute of Music . Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist I electronicist Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Con cert series, Hollywood Bowl, and Ojai Festival, Los Angeles. JAMES FULKERSON, Composer working in intermedia - Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. PETR KOTIK, Composer I flutist- Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, "Musica Viva Pragensis," 1961 -64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. GARRY KVISTAD, Percussionist B.A., Oberlin College, 1971. Co -founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. TERRY MOORE, Theater Director B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn . Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair", San Francisco. FRANK PARMAN, Playwright- From Oklahoma . Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Dra!Jla Book Specialists, New York. GEORGE RITSCHER, Electronicist- Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-04-04 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-04-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_139 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9958cbc8f42e9eec4c9907ee415c367c.pdf ec684b5a9ea9471e1f2e80c8f7848ce1 PDF Text Text f) BUFFALO COURIER-EXPRESS, Thursday, March 30, 1972 Re.,iew Laneri Stresses 1\lult~phonics By THOMAS PUTNAM Roberto Laneri, a man whose clarinet technique contains llreezy flights on clouds of mulliphonics, p I aye d a recital Wednesday night at tfie University of Buffalo's Baird Recital Hall. He coaxed double-stops and m o r e complex multiphonics from his instrument most convincingly in William 0 . Smith's "Mosaic" (1964), for clarinet and piano. The music by the leading experimenter with clarinet sounds had a well-made cohesion; there was design in the floating clusters of clarinet tones, which outline a melodic phrase with the same clustertype rigidity one hears in the piano cluster-chords of Henry Cowell. Laneri bent his tone, he hummed into his instrument, he used his mute (designed by Smith) to produce an altogether weird sound, small and distant, and he played into bhe piano to reinforce overtones from the strings. The piano was worked on the inside and on the keys by Robert Winter. It was a successful piece which went as far as anything all night in demonstrating the resources of multiphonics. Two works placed the clarinetist in juxtaposition with tape music. Joel Chadabe's "Street Scene" is tape music of some confusion, a restless mixture of popular musics and electronics, a scanning of the radio dial to pick up jazz solos ("Bird" fleets by) and nervous electronic music. Laneri began his thoughtful monologue, strangely, in a tonality • which contrasted with Chadabe's real-life tape music. The clarinet music was calm and relaxed. Laneri presented two pieces for the first time - his own "Esorcismi" a n d Giancarlo Schiaffini's "No Insistence Upon Compositional Values." " Esorcismi" is a game piece for clarinet, voice (Julius Eastman ), viola (Jesse Levine), trombone (Donald Miller) and percussion (Lynn Harbold). Entrances are sudden, and there is a kind of follow-the-leader format, with the players each contributing notes to the additive phrase. Eventually Laneri, who was the soloist on this occasion (there will be solo versions for the other instrumentalists), walked away {rom the circle and performed a solo, and there was a dialogue among him and the others. There were frenzied exhibitions by Levine and Eastman, and at one point Eastman delivered some quiet incantations into a large bell. The chief event in Schiaffini's piece comes when two vocal prima donnas - Paula Greenbaum and Adrienne Tworek have a fight in the middle of the performance, leaving Laneri dumbfounded, looking at heaven with great sorrow. The recitative would be brilliant in Italian, but it would have to be spoken versr quickly. Otherwise the music" is pretty, with glissandos and pitch rubbings between the singers, who are at opposite sides of the stage, and nervous and colorful music by percussion and clarinet. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laneri stresses multiphonics Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-29 With references to the following additional composers: Roberto Laneri, William O. Smith, Joel Chadabe, Giancarlo Schiaffini Note: Eastman as performer in Laneri's Esorcismi Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_138 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/1030471365ffed898faae6ced636a52a.pdf b469cd5a658247fc04f1f482a4814b1c PDF Text Text Buffalo Evening News f\1a.r. ;;;9, 197 :J. MUSIC NOTE·s · :!!! SPRING MEETING of the American Musicological ·Society, NYS Chapter, will be a prestige-gathering affair and bring together visitli1g. a~d Buffalo • based scholars in various events on the UB mu- sic campus. The program chairman is David FuJler of the tlB music faculty, who also will ·hea~ a panel. Highlights of the meeting: Prof. Fuller April 8-2 PM, Baird Room 107, papers by Don Smifuers of Syracus~ University, "Number · and Symbolism in Bach's B Minor Mass," and Keith. Daniel of UB on "Certain Aspects of Zarlino's Theories;" panel on "The Periodization of Music · History'• with Prof. FuJler, Edward Evans of The Eastman · School, Rochester; James Me·~: Kinn0n, UB, and James Webster, Cornell University. 8:30 PM, Baird Hall, the concert feature, a program by the noted Cleveland .Quartet, tickets available to general public , at the box office, the ·Mendelssohn Quartet in D, Slonimsky "Antophones" and Bartok · F?urth Qu~rtet: A . reeeption Will follow m the Buffalo residence of UB music department .chairJ]lan Albert Cohen. April 9, 10 AM, Baird 107, papers by Julie Ann Vertress of Cornell on "Mozart's Quartet KV 465, H'story of a Controversy" and Sheila M. Allen of F.redonia State College on "Goethe's Mignon Lieder in the Settings of Schubert and Wolf." :;: * * _JUILLIARD String Quartet, With an august reputation earned in a generation of world-touring to the highest critical and audience response, appears this evening at 8:30 in Kleinhans Mary Seaton Room on the final program of the Buffalo Chamber Music SoCiety. The Haydn Op. 77 No 1, Webern Trio Op. 20 and Schumann Quartet in A 'Minor will be performed. KEN-TON Symph6ny under Carlo ·Pinto "presents mezzo Sharot~ Ann Schultz in ari as . of Bizet and Donizetti; this · evening ·.at 8: 15 in Benjamin Franklin. JUp.ior High School, admis:sion 'free. ''Dhe Mozart Symphony No. 40, Humper· dinck "flansel & Gretel;' Prelude and "Music Man" tunes will be performed. ::_". ' * * • .. ~ KINDER KONZERT, annual Philharmonic event sponsored by Buffalo Panhellenic, wNl be con'ducted by Melvin Strauss and present television personalities Tom Jolls and Dave Thomas as narrators, next Tuesday at 2 PM in Kleinhans Music Hall. Schuller's "Journey into Jazz," Proko. fiev's "Peter and the Wolf" ar:-d a specialty titled "Fun Time" will be offered. * * * NY FEDERATION of Music Clubs, District 8, awards Na· tiona! Gold Certificates to Paula Cooley and John Paolini, Gold Cups to George Jaworski Colleen Todd, Maurine Berens: Paula Cooley, Eve Erasure, Michelle DeLuca, Martha Martin. Superior . Ratings were earned by 20 perfol'mers. .. .. . . SCHOLA CANTO RUM, Melvm Strauss director, is in in· tensive rehearsal for its All· ~ruckner Program on April 29 m. Kenmore East H'gh School, With the Buffalo Philharmoni·c as the accompanying orchestra under the Strauss baton. The Bruckner Mass in E Minor, Overture in G Minor and great Te Deum will be performed. Soloists will be Jan Valerio, Patri•cia Oreskovic, Warren Hoffer and Laurence Bogue. * • • CHARLES GAYLE Ensemble will play works of John Col~raine, Albert Ayler and Gayle m an admission-free concert on Thursday at 8: 30 PM in Norton Hall, Fillmore Room, sponsored by the Union Activities Board. CREATIVE Associates program featur~g clarinetist and composer Ro er o !Tan~n 'Wii be admission-free tomorrow at 8:30 PM in' Baird Hall. Works of Smith, Chadabe Villa Rojo, Perle, Kondo, Schiaffini and Laneri will be performed with assLting artists-pianist~ Robert Winter and George Perle, singers Paula Green· baum and A'drienne Tworek, percussionists Jeffrey Kowal· sky and Garry Kvistad, violinist Jesse Levine, trombonist Donald Miller, baritone Julius Eastman. OPENINGS MUSIC THIS EVENING JUILLIARD QUARTET, 8:30 PM KleinT!ans Mary Seaton Room, Buffalo Chamber Music Society Series, Haydn Op. 77 no. 1, Webern Trio Op. 2·0 and Schumann Q~.;artet in A Minor. KEN-TON SYMPHONY under Carlo Pinto, 8: 15, Benjamin Franklin Junior High School; works of Mozart, HumperVIOLINIST Florence Peardinck and excerpts from son will give an admission-free "Music Man." graduate recital, works of Mendelssohn, Mozart an d TOMORROW Bach, on Friday at 8:30 PM C R E AT IV E ASSOCIATES in Baird Hall. CONCERT, clarinetist RobDUBOIS "Seven Last Words erto Laneri and assisting arof Christ" will be performed tists, 8: 3'() PM, Baird Hall, on Good Friday at 8 PM in 1 Free; works of Smith, ChadSt. Bartholomew's Epis·copal abe, Rojo, Perle, Kondo, Churc'h, Brighton Rd., TonaSchiaffini and Laneri. wanda, Lorna Humes director and organist, soloists Jan Giaquinto, Dick Smalter, Brad HuddJ.eston. ' ••• .. .. DUPRE "Stations of the Cross" by organist David Bowman and Claude! poems by narrator J.e an Hebbom, il· ustrations by Rita Auerbach will be given Good Friday at PM in C!lllvrury Episcopal Churctt, WilJia,msville. Co-sponsors are St. Leo the G!'eat Church, WilHamfiville Un'ited Methodist Church and North Presbyteria-n Church. S * * * "TRANSFIGURATION" o f Oliyier Messiaen: huge oratono of 14 parts, wil be perf~rm~ on. Ea.ster Sunday evenmg Jn N~w Yor~·s Carnegie Hall by the . National Sym· phony and Westminster Choir under Antal Dorati, with several soloims including pianist Yvonne Loriod, the composer's wife. The Messiaen "Turan.galdla" S.ym1Jbony will _occupy the en· t1re Buffalo Philharmonic program in the series concerts of April 16 and 18 in Kleinhans Music Hall, Michael Til· son Thomas conducting. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-30 With references to the following additional composers: Smith, Chadabe, Villa Rojo, Perle, Kondo, Schiaffini, Laneri Note: Eastman as performer *date of the paper is 3/29 and says the recital is tomorrow, but the recital program is dated 3/29* Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_137 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/37c2957bed5353224a9e84d4dcf8bf68.pdf 6abddffef651a032292f46ce0bb94879 PDF Text Text CREATIVE ASSOCIATE RECITAL VI PROGRAM ROBERTO LANERI clarinetist composer plays contemporary music for clarinet by assisted by Robert Winter piano WILLIAM 0. SMITH: MOSAIC (1964)* for clarinet and piano Carol Fortmeyer, Delmar Stewart, Leonard Matczynski violas JESUS VILLA-ROJO : UNOS RESULTADOS (1970)** for clarinet and strings Marsha Hassett, Wendel Haver, Shannon Snapp cellos . Allen Dennis double bass Jan Williams conductor Robert Winter tape operator JOEL CHADABE : STREET SCENE (1967)* for clarinet and tape George Perle piano GEORGE PERLE: SONATA QUASI UNA FANTASIA (1972) for clarinet and piano INTERMISSION Robert Winter tape operator JO KONDO : SUMMER DAYS (1970)** for clarinet and tape Paula Greenbaum, Adrienne Tworek voices Julius Eastman voice Lynn Harbold percussion Jeffery Kowalsky percussion Jesse Levine viola Lighting by Ed Cox Theatrical assistance by Frank Parman and Terry Moore Poster designed by Enrico Valeriani Donald Miller trombone GIANCARLO SCHIAFFINI : NO INSISTENCE UPON COMPOSITIONAL VALUES (1972)*** for clarinet, 2 voices and percussion ROBERTO LANERI : ESORCISMI # 1 (1972)*** for clarinet, voice, viola, trombone and percussion * ** * ** first Buffalo performance first American performance first performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital VI Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-29 Note: Eastman as composer in Escorcismi #1 Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_136 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/bc1ca0ff81436c924bff0c8672e90975.pdf 5d303308960de77cd05377c23eda766d PDF Text Text 6 BUFFALO COURIER-EXPRESS, Sunday, March 26, 1972 Music - Recital Slated By Clarinetist By TOM PUTNAM C L A R I N E T ' ' M U L T I- PHONICS" or " harmonics" the production of more than one tone simultaneously through tricks of fingering and blowing - will be part of Roberto La· neri's repertory of sounds when the Creative Associate frQm the University of Buffalo gives a re:Jital Wednesday in Baird Re· cital Hall. Laneri will repeat his performance with George Perle of the "Sonata quasi una fantasia" which Perle wrote for him, and which they played for the first time on the recent "Evenings for New Music" concert. Other tricks - ' ' m a g i c tricks," says Laneri - will be used for the performance of Laneri's "Esorcismi" No. 1, composed this year. Performers are Laneri, Jesse Levine, viola, Julius Eastman, voice, Donald Miller, trombone, and Garry Kvistad, percussion. LANERI I S SECRETIVE ebout his new work, the title of which means "exorcism." He <lid not say what evil spirits his music is aimed at. "We are on stage doing something," Laneri explains, not let•ting his black cat out of the bag. There will be five versions of "Esorcismi" with a different soloist for each version. The version on Wednesday will be for clarinet solo. Laneri avoids the standard clarinet recital repertory. No Brahms son·a tas, no concertos for clarinet and piano, no small contest pieces to display the traditional virtuoso technique. LANERI'S WORK is In the · direction of sound exploration, and improvisation. He is the founder of the group, Jazz In Progress, an orchestra which has performed in concert under Carlo Pinto's direction, and he is one of the four members of the S.E.M. ensemble, which recently took its avant-garde program to Europe. Most recently Laneri prepared the tape of his music for the Company of Man's prod.uc· tion, "Black Ivory." ' New sounds for clarinet have been developed by William 0. Smith, the composer whose "Mosaic" (1965) for clarinet and piano will be performed on the recital by Laneri and pianist Robert Winter. Laneri credits Smith with much of the innovation in developing doublestops and triple-s-tops on the clarinet, and he thinks highly of "Mosaic," which is u npublished. LANERI, a clarinetist and composer, is a graduate fellow .this season with the UB Center of the Creative and Performing Arts. He holds a diploma from the Conservatory of Music at St. Cecilia, Rome, and he received his bachelor of fine arts degree In music from the University of Buffalo in 1970. Laneri's "Sleep, Soft Smiling" composed in 1969 was performed last season on Evenings for New Music. The text is from James Agee's "A Death in the Family": "Sleep, soft smiling, draws me unto her ... but oh will not, not now, not ever, will not ever tell me who I am." The program notes by the composer provide some insight into his method of composition: "The text . . . has been con· sidered for Its poetic, imagellke and associative value rather than for its meaning (a big cut reduces intelligibility and essentially lends the text altogether different overtones). "THIS AMBIGUITY, far from being disquieting, allows better communication by providing more diversity of meaning. The text is Irregularly distributed throughout the aec·tions of the piece, with a strong concentration toward the end." The fund·a mental sense of the text is distorted - given overtones and ambiguit~ - by the countei.1P<>lnt of tape and live performance. Laneri'a values are freedom, diversity of meaning, communi· cation through ambiguity. His Roberto Laneri ... tricks of sound clarinet technique is part of his expression of values. (It is Instructive that compGSers who employ overtones or multiphonics in their music do so with varying amount of control. WHEREAS George P e r 1e specifies precisely what in· tervals and pitches he wants the clarinetist to play, a composer such as Pierre Boulez suggests to ·the performer that he get what pitches he can ). The remainder of Laneri's recital includes Joel Chadabe's "Street Scene" for clarinet and tape; Jesus Villa Rojo's "Unos Resultados" for clarinet and string ensemble (students from' · the UB music department); Jo Kondo's "Summer Days" for clarinet and tape, and Giancarlo Schiaffini's "No Insistence Upon Compositional Values" for clarinet, two voices and percussion. In "No Insistence" Laneri will be joined by singers Paula Greenbaum and Adrienne -Tworek, and percussionist Jeffery Kowalsky. The concert, like Laneri's point of view, is free and open to the public. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital slated by clarinetist Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1972-03-29 With references to the following additional composers: Roberto Laneri, Brahms, William O. Smith, Joel Chadabe, Jesus Villa Rojo, Jo Kondo, Giancarol Schiaffini Note: Eastman as performer in Laneri's "Esorcismi" Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_135 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a1f3267b81eccfbae098d6c7d78da13a.pdf 22b321035dc9304f69b542a6c4469c4b PDF Text Text COURIER-~~SS, l'rid.IJ• }larch 24, 1972 Music Notes By THOMAS PUTNAM THE JUILLIARD S t r i n g Quartet will conclude the season series by the Buffalo Chamber Music Society with a program at 8:30 p.m. Tuesday in the Mary Seaton Room of · Kleinhans Music Hall. The program is Haydn's Quartet in G Major, Op. 77, No. 1; Anton Webern's String Trio, Op . 20; and Schumann's Quartet in A Minor, Op. 41, No. 1. Members of the Juilliard are Robert Mann and Earl Carlyss violins ; Samuel Rhodes, viola;' and Claus Adam, cello. 11::"'• ERIE COUNTY Music Educators Assn. will present a concert by the all-county senior high school orchestra a n d chorus at 8 p.m. Saturday at Akron Central High School. ,Richard Stephan from the State College at Potsdam will direct the orchestra, and C r y d e Sechler, assistant director of Fred Waring's Pennsylvanians, will lead the chorus. A swing choir under Arthur Staebell of Hamburg also will perform. (!::"'• JAN WILLIAMS will direct the University of Buffalo Percussion Ensemble in a concert at 8 p.m. Saturday in Baird Recital Hall. Conductors include Jeffery Kowa~ky, Garry Kvistad and Larry Stein. The program includes Paul Zonn's "Spice Island," Carlos Chavez's Toccata, John B e r g a m o ' s Interactions," Henry Cowell's · Ostinato Pianissimo, A r n e Nordheim's Response I, and "SLTDR," a group piece by the ensemble. Admission is free. (!::"'• JULIUS EASTMAN w i II present his music at 8:30 p.m. Saturday at the U n i t a r i a n Universalist Church of Buffalo, Ferry and Elmwood. The event is part of a Black and White Arts Festival. ...... THE CHOPIN Singing Society Chorus, directed by P e t e r Gorecki, will present a concert with ' the Buffalo Philharmonic Orchestra at 8:30 p.m. Saturday at Villa Maria College. Soloists are soprano Theresa Dybas, tenor Louis Distel, and pianist Krysztof Brzuza. The program includes music by Chopin, Zelenski and Moniuszko. 11::"'• THE CHEEKTOWA'GA Community Symphony Orchestra, directed by Robert Mols, will present a concert at 3 ,p.m. Sunday at Cheektowaga Central High School. David House is trumpet soloist; p r a y i n g Haydn's Trumpet Concerto. Admission is free. 11::'"• THE SO-VOICE B u r I a k y Chorus will present a concert at 4 p.m. Sunday in the Mary Seaton Room of Kleinhans Music Hall. The guest pianist is Zenon Lawryshyn. The chorus is directed by Yuri Lawriwsky. (!::"'• BACH'S MOTET ' ' J e s u , Priceless T r e a s u r e ' ' and Cantata No. 135, "0 Lord, This Grieving Spirit," will be performed with organ and chamber orchestra by the Chancel Choir of K e n m o r e Presbyterian Church under Kent Vander Band at 4 p.m. Sunday at the church. Soloists are Warren Hoffer, tenor, and D o n a I d , Johnston, baritone. 11::"'• COUNT BASIE and his orchestra, with vocalist Mary Stallings, will present a concert at 8 p.m. Sunday in Kleinhans Music Hall. The program is for the benefits of L i n c o In Memorial U n i t e d Methodist � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his music Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_134 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8c7f1236d99c7cefd503da112a794236.pdf 1f3b78297844b2b8ea3a687366905be6 PDF Text Text MEMBERS OF TH E CENTER I 1971 -72 EDWARD COX, Theatrical Tech nician B.A. Fine Arts, American Un iversity, Washingto n, D. C.; Technical Direct or, Ju niat a College Drama Society; Lighti ng Designer and Techni cal Direct or for Wa shington, D. C. Theater Club; Techni cal Director, Studio Arena Th eater, Buffal o, New York; Tech nical Direct or and Producti on Ma nager f or Domus; Assistant t o Maurice St rike, Shaw Festival Theatre, Onta rio. DOUGLAS DAVIS, Cell ist Born in Los Angeles, California . Fina list in Tchaikovsky Competition in Moscow. Has presented recita ls throughout the Un ited St ates and Europe. Former Assoc iate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN , Pianist I com poser I singer - Diploma in compos it ion from the Curtis Institute of Music. Among his works are two ballets, songs, orchest ral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist I electron icist Born in Los Ange les, Californ ia. M.A. in Musicology, Un iversity of Southern Californi a. Soloist , Monday Even ing Con cert series, Hollywood Bowl, and Ojai Festival , Los Ange les. JAMES FULKERSON , Composer working in intermedia - Recipient of 1971 Creative Artist Commission f rom the New York State Counc il on the Arts . PETR KOTIK, Compo ser I flutist- Born in Prague in 1942. Studied in Vienna with Hans Jel inek and Karl Sch ieske, · 1963-66 . Founded the new music ensemble, "Musica Viva Pragensis," 1961 -64, the QUAX ensemble, 1966-69, and th e S.E.M. ensem ble, 1970. GARRY KVISTAD, Percussionist B.A. , Oberlin College, 1971. Co-founder of the Oberlin Contem porary Chamber Ensemble. Fellowship recipient, Berksh ire Mus ic Festival. TERRY MOORE, Theater Director B.A. Rad io and Television, M.A. Theater Art s, Un iversity of Illino is. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Perform i ng Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair", San Francisco. FRANK PARM AN, Playwright - From Oklahoma. St ud ied arch itecture and English at t he University of Oklahoma . Studied playwriting with LeRoi Jones and Jack Richa rdson while- working at the Columbia University Library. With Depot Theate r, Urbana , Illinois, as playwright, di rect or and designer, 1967-69. Specia l projects editor for Dra~a Book Speci alists, New York. GEO RGE RITSCH ER, Electronicist- Record ing en gineer and electronic t ech nician for the School of Music and Experimental Music Stu dio at the University of Illi nois, Urban a, 1966-69. Has technically assisted and wo rked with Herbert Bru n, John Cage, Lejaren Hiller, Ben Johnston, Edwin Lo ndo n, Salvat ore Martiran o, Lu kas Foss. (Continued on page 4 ) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Fulton-Montgomery Community College) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-23 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-23 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_133 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d95e860080b79f4c1dcc2df6bc831cc6.pdf 4c4306a528f1a91d2cd14311175fb516 PDF Text Text ~TES -Tuesday, March 21, 1972 : I P "'01:11 BUFFALO EVENING NEWS OSIPOV BALALAIKA Orchestra, singers and dancers will appear tomorrow at 8:30 PM in Loew's Buffalo Theater, auspices of Buffalo Attractions. The 64-member troupe has been received with great enthusiasm on a 50-city American tour. * * * ORGAN RECITAL by Catherine Thiedt of Heidelberg College faculty, for mer Western New York performer, is offered this evening at 8 in Trinity Episcopal Church, admiss :on free, no offering. * * * FOLK SONGS and hymns will be presented by Frankie & Lionel Duff, tomorrow at 3 PM in Haas Lounge of Norton Union, admission free. * * :til NORTH INDIA music will be 'Performed and discussed tomorrow at 8 PM in the Communications Center, Buffalo State College, admission free. Mamta Bhargava, Lee Sengbusch and Michael Wright will take part. I li: * * VILLA MARIA faculty recital will be presented Thursday at 8 J?M in the recital hall , admiss:on free, by har p'st Suzanne· T~OJ?l;lS, cellist Alta Mayer, vwhmst Marie Yadzinski, pianists Sister M. Emiliette and August Martin, works of Roussel, Britten, Harrison, Ravel, Handel, Beethoven Trio Op. 1 No.3 .. "' * " ERIE COUNTY 1 Music Educators Association annual Music Festival concert on Saturday at 8 PM in Akron High School will present the Senior High Orchestra under Richard Stephan, Elizabeth Brown chairman, and Senior High Chorus, Clyde Sech~er director and Clyde D. Khne chairman. County Executive Regan will present the scholarships. " ,, * ALL-COUNTY Junior High Symphonic '"Band was a stellarfeature of the ECMEA Music Festival concert on March 12 in Kleinhans Music Hall, and left out of a report by your correspondent. The 107member band directed by Joseph Clouse with Manuel Alvarez as chairman was applauded resoundingly for march rhumba and popular theme~ and the "}jiagara Overture" of Fote .. --,-=-,.--...---~- RAFAEL DRUlAN, noted · touring and recording violinist, will be guest conductor and soloist in a concert of the UB Chamber Orohestra on Friday at 8:30 PM in Baird Hall. Mr. Druian will play the Bartok Solo Violin Sonata, Bach Concerto in E and Mozart Concerto in A. Tickets are avilable in Norton Union ticket office. An open rehearsal, admission free, wiH be held Thursday at 8:30 PM in Baird Hall. The • concert and Mr. Druian's week of master classes are sponsored by College B. BURLAKY CHORUS under Yuri l:awriwsky with Irene Lawrisky as commentator will commemorate Ukrainian ;poet Taras Schevchenko and feature soprano Eva Stolaruk Beames and pianist Zenon Lawryshyn, both of Toronto, on Sunday at 4 PM in Kleinhans Music HaN . Mrs. Ala Mosijchuk is accompanist. JULIUS EASTMAN will present his own works with assisting players , Andrew Brown's Gospel Choir quartet, slides and commentary, on Saturday at 8:30 PM in Unitarian Universalist Church, auspices of Black and White Action. * * :;c * * * DAVID FULLER, touring KENMORE Presbyterian organist and harpsichordist Church Choir, director Kent and UB faculty member, will Vander Band, soloists Warren give a July recital in France Hoffer and Donald Johnston oh a historic organ at the will present the Bach Cantata Festival d'Avignon, broadcast 135 !lilld motet "Jesu, Priceless over Radio France. Treasure" on Sunday at 4 PM, ::: * :;.: organ and chamber group. AMHERST Maile Glee Club · CLARENCE High Symphony * * lie directed by Walter E. Reitz Band pop concert will coZION LUTHERAN Church of will present the 24th annual feature the Floyd High School Clarence Center will present Musical Review on Friday a11d Band of Mastic Beach, Long Easter portions of "The Saturday at 8 PM in Amherst Island, on Friday at 8 PM in Messiah" on Sunday at 7: 30 Central High S c h o o 1 Clarence High School. .PM, director Karl Hartwig, The Ba~kan auditorium. :;: * * organist Mrs. Hartwig, soloists Serenaders will perform . GAY '90s POPS under John Mrs. Richard Long, Mrs. Landis will feature the Buffalo Rodger Sillars, Dr. Norman "' * * CHOPIN Singing Society and Barbershop Chorus under Hostetter, Larry Bernhard, in· the Buffalo Phi·l harmonic will Michael Burke, the Banjo Band strumental group. be conducted by choral director directed by Stephen Albrecht, * * * P e ter Gorecki and Philharmonic percuss i o n i .s t CHEEKTOWAGA Com· Philharmonic associate conJesse Kregal in "The Warned munity Symphony under . ductor Melvin Strauss on Drummer," Friday at 8:30 PM Robert Mol'S will feature Saturday at 8:30 PM in Villa in Kleinhans Music Hall. Light trumpeter David House, 16, in Maria College auditorium . ordhestral favorites and a Sing a Haydn Concerto, on Sunday Soprano Theresa Dybas, tenor Along will be included. at 3 PM in Oheektowa~a High Louis Distel . and the chorus * • * School, admission free, added will take part in the operatic ~ ~ ORCHARD PARK School works of Ross'ini, Strauss and excerpts from "Halka," and District juni or s and others. pianist Krysztof Brzuza will sophomores are eligible to play a Chopin Polonaise. audition on Apr. 25 in the high :;: * * school for a $200 music NOONDAY SERIES will scholarship. Informat!o!l is present guest or.g anist John available from Mrs . V1v1an R. Becker in works of Bach and ' Anderson, 40 Quaker Lane Schroeder, Friday at 12:30 PM Ter., Orchard Park. in St. Paul's Cathedral. There :;: * * will be no recital on Good FriUB PERCUSSION Ensemble day. under Jan Wimams with * * * assisting conductors Jeffrey CANC~LLATION is an- Kowalsky, Garry Kvistad and nounced of the UB Orchestra Larry Stein will give an adprogram originally listed for mission-free concert on Satur· Sunday in Baird Hall. day at 8 PM in Baird HaH, ''' * * works of Zonn, Chavez, Cowell; PIANIST Bronislava H. Bergamo and Nordheim. Mel•andinidis will play works of Beethoven and Dohnanyi in an admission-free . graduate recital on Sunday !lit 8:30 PM in Baird Hall. " · JUILLIARD QUARTET, one of the foremost chamber groups on the international circuit, will appear next Tuesday at 8:30 PM in Klein~ans Mary Seaton Room; auspices o.f the Buffalo Chamber Music Society, the Haydn Op. 77 No. 1, Webem Trio Op. 20 and Schumann Quartet in A Minor. 1 * * * � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his own works with Andrew Brown's gospel choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_132 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f7dd7334b4a5d3c78b0e115cd3f2c8fd.pdf 454bdce1191cbf672315d1de90f99c3a PDF Text Text Courier Express Music Calendar Christine Walevska Will Be Concert Soloist will give a recital with pianists Jane Cary and Vivian Hornik at 5:30p.m. in Baird Recital Hall, University of Buffalo. Admission Is free. CHRISTINE WALEVSKA will be cello soloist with the Buffalo Philharmonic Orchestra under Melvin Strauss in concerts today and Tuesday in Kleinhans Music Hall. Also this week, Evenings for New Music will be presented today at the Albright-Knox Art Gallery, ·a nd violinist 'Rafael Drulan will conclude a week at College B with a solo performance with the Chamber Orchestra, which he also will conduct on Friday at the University of Buffalo. Here is the music calendar for the week: TODAY CHLOE OWEN, soprano, will give a master class at 2:30 p.m. in Baird Recital Hall, University of Buffalo. WITTENBERG University Choir will present a concert at 7 p.m. at Ascension Lutheran Church, 4640 Main St., Amherst. Maria Institute of Music. Per· formers are Suzanne Thomas, harp; Alta Mayer, cello; Marie Yadzinsk!, violin; Sister Mary Emiliette, piano; and August Mayer, piano. The program is music by Roussel, Britten, Harrison, Ravel, Handel and Bee· thoven. Admission is free. ANITA KEEHN, present a Lenten organist James A. 8 p.m. at Kenmore odist Church.· BEACH BOYS will present a concert at 8 p.m. in Kleinhans Music Hall, auspices of Buffalo Festival. The boys have sold over 67-million records. soprano, will concert with Chidester at United Meth"' ~ .... SIDRLEY BASSEY and the FRIDAY Woody Hel'ffian Orchestra will JOHN BECKER will give an present a concert at 8 p.m. in organ recital at 12:30 p.m. at Kleinhans Music Hall, auspices St. Paul's Cathedral. He will of Buffalo Festival. play Bach's Fantasia and Fugue Evenings for New Music will in G Minor, and Schroeder's be presented at 8:30 p.m. in the "IGeine Praeludien" and "InterROSARY HILL COLLEGE auditorium of the Albright-Knox dance group will present a pro- Art Gallery. Works by Xenakis, mezzi." '.Dhe public is invited. gram of theater dance at 2:30 Matthews, Perle, Albright and CLARENCE IDGH SCHOOL p.m. in the Daemen Little Stockhausen will be performed. Symphonic Band will present a Theater at the college. When necessary, Lukas Foss pops concert at 8 p.m. at the will conduct. The series is preBUFFALO PHILHARMONIC sented by the University of school, 9625 Main St. Also on ORCHESTRA, con d u c ted by Buffalo's Center of the Creative the program are the William ' Floyd High School Band from Melvin Strauss, will present a and Performing Arts. Mastic Beach, L.I., and pianist concert at 2:30 p.m. in Klein.... Marcella Sternisha. hans Music Hall. The cello MONDAY soloist is Christine Walevska. CHROMATIC CLUB will elect AMHERST MALE GLEE The program Is Telemann's officers at 8 p.m. in Duns Sco- CLUB will present a musical Concerto Grosso in D Major; tus Hall at Rosary Hill College. revue at 8 p.m. at Amherst Tchalkovsky's Rococo Varia- Following the meeting the club Central High tions; Salnt-Saens's Cello Con- will present a recital program Reitz directs. School. Walter cel.'to in A Minor; and Stravin- at 8:30 p.m. in Duns Scotus sky's "Fireblrd" Suite (1945 Hall. Performers are Donna RAFAEL DRIDAN, concert· version). Matthewson, soprano; John master of the New York Phil· plano; August Martin, harmonic, roncludes a week in ORCHARD P ARK Symphony Landis, Marie residence at College B of the Yadzinski, violin; Orchestra and the South Towns piano; Alta Mayer, cello; Marguerite University of Buffalo with a Community Ohorus will present McCarthy, soprano; and Eva concert with the UB Chamber Mendelssohn's "Elijah" at 3 Rautenberg, piano. The program Orchestra at 8:30 p.m. in Baird p.m. at Orcharo Park Senior Includes songs by Berg, Poulenc Recital Hall. He will conduct High School. Theodore Hollen- and Mahler, and Beethoven's that orchestra, and be soloist bach will conduct. Soloists are Trio in C Minor for piano, violin in Bach's Violin Concerto in E, Jan Valerio, Vivian Rassiga and cello. Bartok's Solo Violin Sonata, Anderson, Ann Anspach, Ralphand Mozart's A Major Concerto. Griffin, Peter Minkler and Carl DAVID WITTEN, plano, will Burgwardt. play works by Copland, SchuJOHN LANDIS will conduct DONALD FARKAS, piano pu- mann, Stravinsky and Chopin the Buffalo PhllhaTmonic Orpll of George Cassidy, will give ·a t 8:30 p.m. in Baird Recital chestra, and Jesse Kregal will University of Buffalo. Ad· be solo percussionist, on the a recital at 4 p.m. at Kenmore Hall, mission is free. "Gay Nineties Night" pops pro- _ Presbyterian Church. gram at 8:30p.m. in Kleinbans SYMPHONY BAND of the Music Hall. Also featured are SQUIRE HASKIN will give an organ recital at 4:45 p.m. at University of Buffalo, directed the Society for the Preservation by Frank Cipolla, will present a and Encouragement of Barber First Presbyterian Church, Symphony Cir. The program is concert at 8:30 p.m. at Brock- Shop Quartet Singing in Amer· ica, directed by Michael Burke, works by Bach, Francois Couper- port State College. ..... and the Buffalo Banjo Band, in, Olivier Messiaen, Maurice TUESDAY directed by Stephen Albrecht. Durufle, Marcel Dupre and Louis CATHERINE T HIE D T will The program includes the overVlerne. give an organ recital at 8 p.m. ture to Thomas's "Raymond," at Trinity Church, 371 Delaware JOHN BECKER will direct Schreiner's "The Worried Drum.t he Lutheran Chorale and the Ave. She is on the music faculty mer," and selections by BernTrinity Orchestra in Bach's of Heidelberg College in Tiffin, ers, Lake, Gounod and Ketelbey. ''St. John Passion" at 5 p.m. at Ohio, and organist at Trinity The program ends with a singHoly Trinity Lutheran Church, United Church of Christ in Tif- along. ~· Main near North. Soloists are fin. The program Is Bach's ConDomenica Giuliani, soprano; certo in A Minor; Jean Francois SATURDAY Mary Alice Menge, alto; Warren Dandrleu's Four Noels; Bach's AMHERST MALE GLEE Hoffer, tenor; Edward Bogusz, Passacaglia and Fugue in C CLUB repeats Its Friday probass; Charlotte Shedd, harpsi- Minor; MesSiaen's "Joy and gram at 8 p.m. at Amherst Cenchoro; and John Hofmann, or- Splendor of the Heavenly Host"; tral High School. and Dupre's Variations . on a &an. Noel. ERIE COUNTY Music EduSHANNON SNAPP, cellist, cators Assn. will present Its fesBUFFALO PHILHARMONIC tival chorus and orchestra In a will repeat Its Sunday program program at 8 p.m. at Akron at 8:30p.m. In Kleinhans Music Central School. Hall. Melvin Strauss conducts. JAN WILLIAMS will direct a program by the University of Buffalo Percussion Ensemble at 8:30 p.m. in Bairo Recital Hall, University of Buffalo. The program is works by Chavez, Cowell, Bergamo, Nordheim and Zonn. Admission is free. BLACK AND WHITE Arts Festival will present "An Eve- ning With Julius Eastman," the composer, at 8:30 p.m. at the Unitarian Universalist Church of I Buffalo, West Ferry and Elm· wood. CHOPIN SINGING SOCIETY, directed by Peter Gorecki, will give a concert with the Buffalo Philharmonic Orchestra at 8:30 p.m. at Villa Maria College. Soloists are Krysztof Brzuza, piano; Theresa Dybas, soprano; and Louis Distel, tenor. ~ ~ . I ~ .... Julius Eastman SOUNDING OFF-Julius Eastman will present his own music for piano, strings and gospel choir at 8:30 p.m. Saturday at the Unit a r i an Universalist Chureh of Buffalo, West Ferry and Elmwood, pal't of the Black and White Arts Festival sponsored by the church. Eastman will comment on his music, using slide projection~. I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christine Walevska will be concert soloist Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-03-25 Note: Eastman will present his own music Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_131 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c3109ae23618282d8da289ea30b6321f.pdf 1612a1d0032822ce70bb8fe663cc0a99 PDF Text Text MEMBERS OF THE CENTER I 1971-72 EDWARD COX, Theatrical Technician B.A. Fine Arts, American University, Washington, D. C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for Domus; Assistant to Maurice Strike, Shaw Festival Theatre, Ontario. DOUGLAS DAVIS, Cellist Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN, Pianist I composer I singer Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist I electronicist Born in Los Angeles, Californ ia. M.A. in Musicology, University of Southern California . Soloist, Monday Evening Concert series, Hollywood Bowl , and Ojai Festival, Los Angeles. JAMES FULKERSON , Composer working in intermed ia - Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. PETR KOTIK, Composer I flutist- Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, "Musica Viva Pragensis," 1961 -64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. GARRY KVISTAD, Percussionist B.A., Oberl in College, 1971. Co -founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recip ient, Berkshire Music Fest ival. TERRY MOORE, Theater Director B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair" , San Francisco. FRANK PARMAN, Playwright- From Oklahoma . Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. GEORGE RITSCHER, Electronicist- Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun , John Cage, Lejaren Hiller, Ben Johnston , Edwin London , Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-19 Note: Eastman listed as member of the center 1971-72 Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_130 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/01642e9f082ac72c674c8db1a9f25398.pdf cbe7f4ec2b4acacd7e2cff9cdfb2d2a3 PDF Text Text 0 Music " ' Played 'Black Music For Child-ren All-College Gospel Choir Steals Show With Three Numbers "BLACK MUSIC" IS the By TOM PUTNAM name of a program which the MUSIC IS color-blind, sexBuffalo Philharmonic Orchestra blind even. It carries informa- l Is playing these days for school children who come in an intetion about personality, perhaps, grated audience to Kleinhans and through habit we identify a Music Hall. (The program last certain . music as being German Tuesday was the second; it will or French. be performed again March 27 and April 24.) There is a danger in thinking Melvin Strauss planned . the that nationalism is always youth concert, which is about as clearly communica' ed, h owwell-rounded as any program ever, for styles cross borders, could be. There are symphonic selections by two "classical" and nowadays, with composers black composers William all over the world using the Dawson ·and William Grant same techniques of making Still· there are performances by the All-College Gospel Choir music, there are in ternational from Buffalo State College, styles, which could be German under the direction of Andrew or American or English or Brown· there is a jazz composi· Italian. tion by Duke Ellington; a~d there is a piece of new mus1c THE 2oth CENTURY Is by Julius Eastman, the realizing the horror of the composer from the Center of the Creative and Performing cliche that music is the interArts. national language. The interna 'ional sty~e sacrifices variety. So there is no such thing as "black ~music"; it is a falsecategory. Jazz is thought to be black music, but there are white musicians who play jazz. One has to be color-blind to appreciate this. A drummer I knew had a severe i n f e r i o r i t y complex because he was white, but he had good rhythm. Andrew Brown Melvin Straus& Julius Eastman •.. "Black Music" by the Buffalo Philharmonic LIKEWISE, "CLASSICAL," music with its European roots is thought to be white music, but there are black composers who ... It shouldn't need to be state. We really do show surprise when music by a black composer . comes out sounding like Dvorak, as if the methods of composition were not available for all to learn. IT WAS A FASCINATING program, one which should be heard .by more than school children, although it is quite right that they too should hear it. The strongest Impression Is the Insignificance of "black" In the term "black composer" or "black · music." Dawson and Still, black Americans born in the iast decade of the 19th Century, are composers from the European t r a d I t 1 o n • However, the programs for their music are black. Eastman Is the liberated composer of the 20th Century. His music also has a program, which is universal, not black. STRAUSS CONDUCTS all but Eastman's untitled work, which is conducted by the composer. The Gospel Choir, during all this merely steals the show. They do three pieces with · the Philharmonic, In arrangements by Philharmonic horn player Lowell Shaw - "Lord, Don't Move This Mountain,'' "In Jesus' Name" (an original composition by director Brown) and "We Shan · Overcome,'' which concludes the program. Brown coM.ucts the choir oa lstage while Strauss directs the orchestra. BUT THE NUMBERS WHICH the young audience m o s t enjoyed were by the choir with accompaniment of e I e c t r i c bass piano, and tambourine, such' as "Oh Happy Day,'' or "Put Your Hand in the Hand of ~he Man," both of which brought cheers from the kids. Strauss faced the question of defining black music in his opening remarks. "We like to play music entirely by black composers;" he .said. · T I! e ~mphas is would be on classical music, and gospel music. Second World War. Still, born in 1895 in Mississippi, is the most famous black A rn e r i c a n composer. Eastman's music has no beginning; it has already started when we first realize, tha~ we are listening to it. Strauss introduced the composer, and the music started in the strings as he came out to b e g i n conducting. THERE IS NO NAME FOR Eastman's music for string or· chestra, although it might be called something like "Civilization and Its Dissonance." The composer stated the program, poetic and quite appropriate to the music, which most likely was composed first. "One day I was in the forest "TECHNICALLY THERE IS no difference between black and white music," Strauss told the audience. But, he said, this is a program of some examples of music by blacks. Music by collecting sassafras,'' Eastman ):>lacks has a different connotabegan. "I rested and fell asleep tion from black music. . . I had a rehearsal . . . I The most !nteres'ing old piece awoke, it was dark, my car was was the third movement of William Dawson's "Negro Folk ill by the roadside, I could not see. Symphony,'' composed In 1932 il "I HAD TO LISTEN for my revised in 1952. The. literary way back . . . distant radios, Idea Is black; it attempts to cars that go by. Being a lnake a statement of hope on musician I began to bear the part of people who have harmonies that you hear now been suffering for a long time, • . . I finally found my way Strauss. explained. back to my car, to civilization, Dawson was born ln 1899 In and 't he musical harmonies beAlabama, of poor . parents. He gan to disappear." 'wrote his symphony after a trip to West Africa, but the music Is It was music which affected dose to Dvorak, especially the the young audience. Jabbing "New World" Syrnpl:iony, a!, string chords, d i .s o n a n t , though there are dance rhythms provoked laughter, and wllen '\Vhicb are popular and light, the musicians in the orchestra happy. It would be v e r: y started hissing, this was echoed jnterestlng to hear t h Ia '· immediately by . the young symphony In full. ,. people. ' WILLIAM GRANT STILL'S music, "The Colored Soldiers Who Died for Democracy," Is quiet, lyrical (english horn), with a slow staccato rhythm; It Is a requiem for b 1 a c k American.s who died !n the � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Black music' played for children Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1972-03-27 With references to the following works by Julius Eastman: 'untitled work' With references to the following additional composers: William Dawson, William Grant Still, Duke Ellington, Dvorak Note: Photo of Melvin Strauss, Andrew Brown, and Eastman Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_129 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/bf4c1ae2f83dcf0268d55815e4d19fe0.pdf 00df13daf567152e501c38775cc3d8fe PDF Text Text PROGRAM (continued) GHOSTS IN LOVE (Vachel Lindsay) I WILL LIE DOWN IN AUTUMN (May Swenson) IN TIME OF SILVER RAIN (Langston Hughes) PIERROT (Hughes) Hmvard Swanson MACLE (solo version) Julius Eastman (b. 1909) Julius Eastman, electronicist THREE POEMS OF PAUIJ\ GOODiYIAH Ned Rorem (b. 1923) For Susan Clouds What Sparks and 'iJiry Cries NUVOLETTA (1947) (Finnegan's Wake, James Joyce) Samuel Barber (b. 1910) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Paula Greenbaum and John Adams Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-12 With references to the following works by Julius Eastman: Macle Note: Eastman also harpsichord performer in J.S. Bach cantata Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_128 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/67f28fa760e94b0ed9eebfad414024ce.pdf 61577267d54f02ba87f79617134a64a6 PDF Text Text Buffalo Evening News BAIRD ,H ALL Percussion Works Magnify Similarities in Stockhausen By HERMAN TROTTER It has been said of Karlheinz Stockhausen's music that each new work is unique, only tenuously related to a . previous one. Intentionally or not per• cussionist Garry Kvistad's Creative Recital Wednesday evening in Baird Hall put the magnifying glass on three of Stockhausen's pieces from 1959 and showed them to be cut ... from similar, 1f not identical cloth. ' In "Refrain for Three Players" Mr. Kvistad's vibraphone was joined by Julius Eastman's piano and Michael Collier, celesta, each also doubling on woodblock, cowbells and antique cymbals. With sonorities on the delicate side, an expansive planar atmosphere was created, interrupted periodical-. Iy by bursts of agitated scra_mbling described as a "vaned refrain." * * • "ZYKLUS" presented Mr. Kvistad alone, playing his way clockwise around a circle of percussion · instruments. We were informed that the 16-page scove could be begun at any point, the work terminating when the performer arrives lback at the start, and that a continual change from indeternominate to carefully proscribed playing occurs. The pevformer also has the option of playing counterclockwise. Mr. Kvistad seemingly played with great imagination, but because of the construction ' of the scove one doesn't know how to apportion the credit between composer and performer. Of Mr. Kvistad's technique, though, there's no doubt. tronic sounds as a ground for contrasting textural and rhythmic material from the percussionist and pianist, Richard T·rythali, who also doubled in 'a bit of percussion. Although only a dozen years old, much of the tape already sounds unimaginative and dated, showing !how far we've come in electronic musi·c since Stockhausen's early probings. The great yawning electronic cha·sms and soaring arches do serve to de~ineate the piece's gr.and scale · archite-cture, which, together with spaciousness and a sense of ongoing flow, unfied these Stockhausen. Serving as the scherZ!o in this program of near-symphonic scope was a non-work by Cornelius Cardew entitled "Memo· ries of You" for sol-o piano. Well, the only sound the piano made was sympathetic vibration of the strings wlhen Mr. Kvistad honked a duck call fortissimo into the open lid. Otherwise, lhe was busying himself with snapping hand clickers, busting balloons, etc. His final act was to set up the keyboard end of the piano with various !Percussion instruments to be used in the concluding "Kentakte" and flip tlhe switch to start its t!llpe. A medium crowd, heavy on fellow percussionists, mustered a couple of bravos and some solid appla)lse at the recital's close; Ge•rmans Resume Trea-ty Talks EAST BERLIN, Ma:rch 9 (Reuters)-East arnd West German negotiators today resumed their negotiations on an ove·r* * * MUCH BIGGER in scope, al! traffic treaty after a break "Kontakte" used taped elec- of over a month. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion works magnify similarities in Stockhausen Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-08 With references to the following additional composers: Karlheinz Stockhausen, Cornelius Cardew Note: Review of Eastman as perfomer in Stockhausen piece Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_127 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/18c66af0331da05001d97e8da09c078d.pdf 1a4d9b24dd4e9dd78cbf9fa6c2c37923 PDF Text Text Courier Express fv'lctr . q, /9 71 Percussive Art Shown By l(vistad By THOMAS PUTNAM Garry Kvistad is a music-beater, a percussionist with the University of Buffalo's Center of the Creative and Performing Arts, and new to the center this season. For his Creative Associate recital on Wednesday night in Baird Reeital Hall Kvistad played music by Karlheinz Stockhausen and Cornelius Cardew. Two pieces by Stockhausen occupied the first half of the concert - "Refrain" for three instmmentalists and "No. 9 Zyklus" for one percussionist, both from 1959. Displays Talent The most interesting piece was "No. 9 Zyklus," which at least displayed the considerable ·talent of Kvistad. Surrounded by the percussion instmments, he played with alertness, moving skillfully in his percussion kitchen, choosing a variety of pitched and nonpitched colorful sounds. (It is easy to see why "Zyklus" was written for percussionists •to play in ·a music competition showing ·t h e i r skills). There is a deeorative quality to the music of Stockhausen. It is rather like background music, somewhat pleasant to hear, but directionless. "Refrain" was performed by Kvistad on vibraphone and cowbells, Julius Eastman on piano and woodblocks, and Michael Collier on celesta and antique cymbals, all instruments which the composer chose for their decadence (their sounds decay) . Timing Poor The music is made of attack and deeaY; splashes of sound form drifting clouds of harmonies. Unfortunately ensemble attacks often were p o o r 1 y timed. New music notation was projee·ted on the wall behind the performers during "Refrain." The 'black and white score had mnning through it the yellow horizontal line wh\ch is part of the Baird Recital Hall wall, and which always has resembled graphic notation of new music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussive art shown by Kvistad Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-03-08 With references to the following additional composers: Karlheinz Stockhausen, Cornelius Cardew Note: Review of Eastman as performer in Stockhausen piece Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_126 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/81755bb9968b42d2bdc301e44de54887.pdf 8d3a198ba2555e22617cb9eca2157e21 PDF Text Text I PROGRAM A tape of IMPROVISATIONS by members of the 8/ackearth Percussion Group will be heard before and after the program I I~ Karlheinz Stockhausen (b.1928) REFRAIN For Three Instrumentalists (1959) ~ Julius Eastman , piano and woodblocks Garry Kvistad, vibraphone and cowbells Michael Collier, celesta and antique cymbals NO.9 ZYKLUS For One Percussionist (1959) Stockhausen (clockwise version - realization date 1972) INTERMISSION Cornelius Cardew (b.1936) MEMORIES OF YOU Piano Solo (1964) C"'-"-------0 -c------·-----e KONTAKTE (1959/1960) For Electronic Sounds, Piano, and Percussion Stockhausen Richard Trythall, pia no and percussion Garry Kvistad, percussion George Ritscher, electronicist * * * Ed Cox, lighting technician Terry Moore, sta ge director Please refrain from applause until the intermission and the end of the program . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital V Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-03-08 Note: Eastman as performer in Stockhausen's Refrain for Three Instrumentalists Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_125 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/30e500f0fcf6640d5714bd2920effb61.pdf 681e439b5d5a87d154d40eb2b94dcd9d PDF Text Text evine, pianist Roger Shields in works f Husa, Bezkorowalny and Dvorak, tills evening at 8:30 in Campus School udltorlum, tickets at door. ' LLIST Marsha Hassett, admission ree recital this evening at 8:30 In Baird Hall, works Of Mozart and Schu· bert. LEONARD PENNARIO, Buffalo-bOrn world-louring pianist, wllh the Phil· harmonic under Melvin Strauss, tomorrow at 2:30 and Tuesday at 8:30 in Kleinhans Music Hall, the Prokofiev Piano Concerto No. 3, Bizet Symphony No. 1, Schuller Seven Studies on Themes of Paul Klee. ~ ~uMUSICJ) CZECH-UKRAINIAN concert auspices of UB College B, Cleveland Quartet, Philharmonic principal violist Jesse ORGAN RECITAL by Robert Roubos, music department chairman of Cor!· land Slate College, tomorrow at 4 PM 0 ~uit~~~'J/G~ss's t':e c:i~~~~. ~~d~~g~: ach, Haydn and Reubke. RONALD RICHARDS, well-known oboist, and assisting artists in music . of the 8th Century, Wednesday at 8:15 ttteB:1~ <ij~~r~,~~nesda¥ at 8:30 GERSHWIN POPS, Phllharmor>lc under Melvin Strauss, sokilsts BellY Jones and Julius Eastman, tile Niagara County All-High Chorus, seeMs from "Porgy and ' Bess," Gershwin orches-tral favorites, Friday at 8:30 PM In Kleinhans Music Hall. "CARRY NATION," Douglas Moore opera, director BarbMa Wagner, soloIsts Marlene Badger, Ruth Mohn, Wil· Ham Wagr>er, EdWard Bogusz, Wal· lace Mohn, staged and costumed, next Saturday and the following Saturday at 8:30 in Unitarian Universalist Church. "SUSANNAH," Carli sle Floyd American opera, th is evening at 8, tomorrow at 3 PM. Thursday and Fr iday at 8 PM , the annual Hillman Opera presentati on, Fredonia Coll ege Theater . CRISTYNE LAWSON BLACK IVORY, modern ballet by the Company of Man choreographed by director Cristyne Lawson, based on Genet's "The Blacks/' this eve-ning and tomorrow at 8:30 in AI· bright-Knox Art Gallery Sculpture Court, design by R. Shamask, mu· sic by Roberto Laneri, verses bY Mindy AlOft. Director of "Black Ivory," this evening, tomorrow. ALWIN NIKOLAIS Dance Theater, na· lion-touring modern troupe, March 10 and 11 at 8:30 PM In Upton Hall, advance tickets (general public) in � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-26 Note: "Black Ivory" - ballet by Eastman? Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_124 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9b06f40062b2d6491a125dfcc413a9ef.pdf 9a11bb01f42739a8bdf711f8edbf9560 PDF Text Text Butfalo Evenina News Tuesday, Feh.__,rn""'a':"r-'!.y~2~2:-,-=1~9-=7":0' 2 ------. IVIUSIC NOTE·s .I I ;lC?P I • v.-~el ~~~ =' i I p "\l!:li HAMBURG Senior High ch11:mber _performers give a r~c1tal this evening at 8 in Hilbert College auditorium. iViolinis·t Coleen Kamery flutist Susan Kernahan and 'trumpeter Robert Willet are soloists. * * * JANIECE EPKE, soprano heard in many Buffalo programs, and accompanist Paul Homer will present a recital omorrow at 8: 15 PM in Campus School auditorium, Schuert and Rachmaninoff song groups and modern works inincluded, admission fr·ee. * * * HENRY RUBIN, UB Creative Associate and violinist in several area programs, will appear with pianist Stephen Manes tomorrow at 8:30 PM in Baird Hall, admission free. Sonatas of Beethoven and Schumann, the Falla Suite Populaire Espagnole, works of of Brahms and Telemann will be performed. * * * CLARENCE schools faculty members will present an admission-free recital tomorrow at 7:30 PM in Clarence Junior High auditorium. * * * LONDON PREMIERES of "Phorion" by Lukas Foss and "Echoes of Time and the River" by former UB Creative Associate George Crumb, Pulitzer Prize winner, will be conducted by American composer Harold Farberman in a series of . BBC broadcasts, Friday through Sunday. I * * * DORIAN Woodwind Quintet will bring a brightly inventive program design to its recital on Friday at 8:30 PM in Baird Hall. A most unusual offering will be a woodwind setting by Henry Brant of the epical Beethoven String Quartet Op. 131. George Perle's Quintet No. 1 for Winds, the Francaix 1949 , Quintette and Luciano Berio's "Opus Number Zoo: Children's Play for Wind Quintet" will be performed. * "' "'popular Car..SUSANNAH," lisle Floyd opera, will be sung on Friday and Saturday at 8:15 PM and Sunday at 3 PM in Fredonia College Theater, the annual Hillman Opera presentation. Repeats will be given the evenings of March 2 and 3. * * * ORGANIST Robert Rou os, music department chai1rman of Cortland State College, wHl giv•e a guest recital on Sunday at 4 PM in Trinity Episcopal Church, Delaware Ave. near Tupper. Admission is free, no offe·ring. An unusual inclusion will be Fantasy on "The ~eaves on the Trees Sooke" by modern American composer Ross Lee Finney. The Bach Prelude ~ Fugue in D, works by Badmgs, Buxtehude, Haydn and Reubke will be included. * * * ALWIN NIKOLAIS Dance Theater, one of the most exciting and discussed troupes in modern touring, will appear March 10 and 11 at 8:30 PM in Upton Hall, Buffalo State College campus. A free lecture and demonstr·ation will be given March 9 at 3:30 PM in Al~right-Knox GaUery auditorIUm. * * * by memBALLET CONCERT bers of the former Niagara Frontier Ballet, aKfuleen Crofton director, will be given on Marc'h 31, at 8 PM in Lincoln Auditorium of Nottingham Academy, the Bournonville ':Tyrolean Fantasy," the Divertis-sement from "Aurora's Wed· ding" and "Le Combat." CZECH-UKRAINIAN p r o gram on Saturday at 8_: 30. PM in Campus School aud1tonum, tickets at tihe door, no admis·sion-free as previously indicated, will- present Clev~land Quartet members, Phi'lha:ronic principal violist Jesse evine and pianist Roger Shields. The program auspices of College B and cultural groups will include works of Karel Husa, Bezkorowajny and orak. * * * Basset, puCELLIST Marsha pil of the renowned Mi·sclha Schneider, will give a graduate recital, admission free, Sat- . rday at 8:30 PM in Baird Hall, works of Mozart and Schubert. "BLACK IVORY," choreo- * * Cristyne graphed by * director Lawson, will be premiered by the Company of Man Saturday and Sunday at 8: 30 PM in Albright-Knox Art Galilery Sculpture Court. Music for the ballet based on Genet's "The Blacks" is by Roberto Laneri, UB Creative Associate, with verses by poet Mindy Aloff. * * * takes the MELVIN STRAUSS pod·i um for the Philharmonic concerts Sunday at · 2:30 PM and next Tuesday at 8:30 PM in Kleinhans Music Hall, and presents pianist eLonard Pennario in the exciting Prokofiev Concerto No. 3, the orchestra fin the Bizet Symphony No. 1 and the Gunther Schuller Seven Studies on Themes of Paul Klee. * * *- - - - - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-26 Note: "Black Ivory" ballet by Eastman scheduled but Eastman's name not mentioned Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-22 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_123 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b9a52681fa4472604c0b3e42479264a9.pdf 79dde105af0435d7aec8fa17853927fe PDF Text Text lrCgeiii6us·' o1iiaire'-Stands Out In an Evening for New Music I' By RAYMOND ERICSON So much contemporary muThe ~or~'s at.tractive ele- piece, but its material was less sic relies on choice, chance or me!l~s, Its figuratw~s and. so- mteresting. rontles, were sustamed m a Malmto Shinohara's "Conimprovisation on the part of 1argely consonant way and oc- sonance " for an instrumenta the players that it becomes a casionally allowed to collide sextet .:.ras typical of the musi game for them. This turns the for contrast. Quotations from a of its 'time 1967, and sounded listener into a kibitzer, who Chopin prelude intruded from dated. Julitls Eastman's "Macle" may or may not enjoy that time to time, yet they somehow had four grown men sitting in role. There was at least one fit into the scheme of the piece. front of microphones, making This was both an ingenious and sounds the way little boys do good "game" worth kibitzing appealing work. in a tunnel or cave. This kind "Solitaire" opened the pro- of childishness was fun for a in the Evenings for New Music program in Carnegie Recital gram, which descended in in- few minutes, but as •the work Hall Tuesday night. This was terest from there on. Leo 'went on and on it became witBarbara Kolb's "Solitaire," Smit's settings of poems by :less, even with the introduction played by the pianist-composer Hardy, " Channel Firing,:• and :of some spoken lines. Richard Trythall against two Robert Lowell, "Myop1a: A : Night," were expressive tapes. enough in a conventionally · modern way. Lukas Foss's "Ni Bruit Ni Vitesse" explored the sounds that the inside of a piano can make via a pianist and a percussionist, again with tape. It resembled the Kolb � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ingenious 'Solitaire' stands out in an Evening for New Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-16 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Barbara Kolb, Leo Smit, Robert Lowell, Lukas Foss, Makoto Shinohara Creator An entity primarily responsible for making the resource Ericson, Raymond Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_122 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9526cec289d7f8da4885673a14a4b623.pdf 1c170d2920cbae96322b969f2c4da91f PDF Text Text EVENINGS FOR NEW MUSIC . Solitaire (1971) • . . . . • . . . . . Barbara Kolb To Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971) . . . . Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Les Moutons de Panurge (1969) . . . . . . . . . Frederic Rzewski Julius Eastman, Petr Kotik, Jeffery Kowalsky, Garry Kvistad, Roberto Laneri, Henry Rubin, Jan Williams INTERMISSION Consonance (1964-67) . . . . . . . • . . . . Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor . Macle (1971) John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams Julius Eastman � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Geneseo) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-17 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_121 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4bec0a884c959587f90aaf69797e318c.pdf 93c952d105bf474ded47db4b1262bec5 PDF Text Text EVENINGS FOR NEW MUSIC Solitaire ( 1971) Barbara Kolb To Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971) Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Ni Bruit Ni Vitesse (1971) . Lukas Foss Lukas Foss and Jan Williams INTERMISSION Consonance (1964-67) • Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Macle (1971) Julius Eastman John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Orange County Community College) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-16 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_120 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/71da47c9a33cd312721943a3fe2166b0.pdf 69631d962037540f2b79a8dd7f591e35 PDF Text Text EVENINGS FOR NEW MUSIC Solitaire ( 1971) * . Barbara Kolh To Dick & Nona Trythall Richard Trythall Channel Firing (1970) * and Myopia: A Night (1971) * . Leo Smit Laurence Bogue Richard Trythall, Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Ni Bruit Ni Vitesse (1971) * . Lukas Foss Lukas Foss and Jan Williams INTERMISSION Consonance (1964-67) * . Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Macle (1971) * . Julius Eastman John Adams, Julius Eastman, Petr Kotik, Roberto Laneri, Jan Williams *First New York performance The Center is supported in part by grants from the National Endowment for the Arts and the New York State Council on the Arts � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-15 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-15 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_119 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/7175abdec97c71c76e14ccb31a14a8cb.pdf 73d13ed3180c71aec0b4f25f063d90b1 PDF Text Text Courier Express r:-eb . 14, I 9 7 :J.. Metallic Purrs 1 l · Gallery A uditoriun1 By THOMAS PUTNAM Lukas Foss premiered a work for piano and two players, one of whom is a percussionist working on the strings of the instrument; and Leo Smit conducted the first performance of his setting of Robert Lowell's "Myopia: A Night" for baritone and five instruments, on the Evenings for New Music program Sunday night in the auditorium of the Albright-Knox Art Gallery. Foss's "Ni Bruit Ni Vitesse" is a microtonal piece for pianist and percussionist. The piano. is an instrument of shifting tones and colors ; it is flexibly pre· pared, not fixed, so that boings and bongs are modulated. Foss played at the keyboard, · and manipulated "chance" ef· fects by rolling balls inside the piano. Jan Williams was the percussionist who stood above the piano strings. A tape of the performers was used as a score for Foss and Williams to "play with." Name F rom Sign Balls bouncing on the plano strings made bouncing sounds, microtonal waves. The music was mostly gentle in spirit, although there was a rather concerto-like · climax; then the music died in a metallic purr. The work takes its name from 11 French traffic sign such as would ibe encountered near hospitals, which means Be Quiet and Don't Speed. It was commissioned by the New York State Council on the Arts in honor of the lOth anniversary of the new wing of the AlbrightKnox Art Gallery, and is dedicated to the gallery. It is slightly disappointing tliat Foss' new work did not more fully utilize the performers of the Center of the Creative and Perfol'ming Al'ts, which he codirects with Lejaren Wller. Sure Direction The most ambitious music per· fol'med was Smit's Lowell setL ting, sung well by baritone Laurence Bogue, whose declaration was secure and noble, and performed by an ensemble composed of flute <Petr Kotik), trumpet ( D on a 1d Montalto); trombone (Lee Lov-allo), violin <Henry Rubin) and cello (Douglas Davis). Smit's music is notable for its sense, its sure direction; the voca'l line is "singing," which only these days is unusual, and the instrumental writing is bright and witty, as for example the syncopations which maintain a light and moving rhythm. Bogue also perfOrmed Smit's more humorous s e t t i n g of Thomas Hardy's "Cannel Firing," with pianist Richard Trythall. Trythall, a new member of the UB Center, performed "Solitaire" by Barbara Kolb, ift which the mild and circular music is heal'd live and from a tape, with vibraphone, an echo and filter effects used on the tape. The music invites lazy browsing ; it has a mood of French tranquility, although there is ugliness in the dissona!l{ clash be.tween the disparate tones of live and taped performance. Mind Sacrificed Julius Eastman's "Macle" composed for the S.E.M. ensemble was performed by John R. Adams, Petr Kotik, Roberto Laneri and Jan Williams (the composer also was listed, but had not made an appearance when this reviewer exited l. They seemed, at different times, to have indigestion, and a faulty sense of the direction of evolution. They make sounds into microphones, and these are filtered and altered in various ways, so that a fine speaking voice sud· denly wHl be all squawk. Perhaps Eastman is trying to answer his question, "Why is the heart dead?" His method of bringing heart back to life "Take Heart!" is a motto - is to have the performers fragment sense, and if the mind is sacrificed, what difference does it make? � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metallic purrs fill gallery auditorium Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Lejaren Hiller, Barbara Kolb, Petr Kotik, Roberto Laneri, Jan Williams Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_118 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/9e0dc5ddc11c9c8e2448e224100b2a5b.pdf dd4cc47c3dfa0542758dd5b9d16a96f9 PDF Text Text ALBRIGHT-KNOX GALLERY Brave Throng a Tribute ToComposers Foss, Smit By JOHN DWYER A capacity attendance in Albright-Knox Art Gallery a1,1ditorium on the worst driving night of the year certainly was a tribute to the UB creative Associates' "Evenings for New Music" series in general, and to composers Lukas Foss and Leo Smit in particular_ Nothing against the other three composers, but these two have been steady crowddrawers in Buffalo for a long time. And since Mr. Foss, former Buffalo Philharmonic maestro, was appearing here t31fter two s·easons O'll tour about the world including Israel, Europe and Brooklyn, he must have been warmed by t.:he show of cordiality on lhis brief return. The Sunday p r o g r a m featured a piano-percussion work by Foss titled "Ni Bruit Ni Vitesse" with himself at the keyboard and Jan . Williams playing on the strings, and two songs of Leo Smit, the composer conducting one of them. ljt * * "NI BRUIT Ni Vitesse" is from a French traffic sign: No Noise or Speeding. There was little noise outside of one great wave of sound and a great deal of ruminative leisure in this generally light· toned piece in hypnotic, D."evolving scales against a quiet tape ·complex recorded by the two p e r f o r m e r s beforehand and used as a flexible counterpoint. The use of a ~ew cow bells, light ·wood raps, metal balls rolled across the strings and the piano keys treated to sound lik~ a muffled mandolin gave the whole thing a kind of Eastern texture, though based on Western tuning. It had a pleasing lyric effect touched with theater, and seemed to me of rather slight consequence, a bright-minded approach to musical motion. Baritone Laurence Bogue sang the · Smit "Channel Firing" to a 1914 text of Thomas Hardy, an agonized ' protest against the onrMshing World War. The heartfelt lament of the Smit setting was evoked feelingly by the soloist, with pianist Richard Trythall. * * * THE . SMIT "Myopia: A Night" to a text of Robert Lowell is a chamber septet, six instruments and the voice as a seventh, though ascendant as needed and carrying the verbal message. Intoned speech and inflections at ex t r e m e registers, short instrumental spurts and exclamations and a grave chorale express the moods in a brief complex of high density with a quietly dramatic close. "Solitaire" by Barbara Kolb was played by pianist Trythall against a fine-line tape of matching keyboard sounds and other light effects. It is a sort of distillation of the Chopin A Flat Prelude blended with graceful scale figures and fleeting tonal pastels, romantic and mystic and one of the few modern pieces you migM whist!~ on the way home. ,. * * * "MACLE" for f·our grunters, moaners and howlers and a similar tape was by Julius Eastman, the very gifted and versatile composer, singer, dancer, actor and poet, who has done so many things here so well and at least one, the Maxwell-Davies "Mad King" to national attention. "Macle" is a work that seems to me so emb a r r a s s i n g 1 y bad and unrelievedly ugly as to raise the question whether the composer had not wrought some kind of revenge on either art or audience, or both. Taped d i vertissements before and after curtain time, "Rounds" and "Shadows and Lines," were by Joel Chadabe, who likes urban sounds and jazz remembrances and makes them likable. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brave throng a tribute to composers Foss, Smit Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Barbara Kolb, Chopin Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_117 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b16e580fe7b2a331999b91aac7e0aba2.pdf 1bf37fc81a1976fc474526e2e4d5fbf5 PDF Text Text EVENINGS FOR NEW MUSIC (7:45 P.M.) R 0 U N D S a participatory electronic environment by Joel Chadabe (8:30 P.M.) Solitaire (1971)':' . Barbara Kolb to Dick & Nona Trythall Richard Trythall Channel Firing (1970) and Myopia: A Night (1971)':":' Leo Smit Laurence Bogue Richard Trythall , Petr Kotik, Donald Montalto, Lee Lovallo, Henry Rubin, Douglas Davis Lukas Foss, conductor Lukas Foss Ni Bruit Ni Vitesse (1971r:":' Lukas Foss and Jan Williams This composition was commissioned by the New York State Council on the Arts in honor of the lOth anniversary of the Albright-Knox Art Gallery, and is dedicated to the Gallery. INTERMISSION Julius Eastman John R. Adams, Julius Eastman , Petr Kotik, Roberto Laneri, Jan Williams * ''' First Performance '''First Buffalo performance (10 : 15 P.M.-Restaurant/Lounge) S H A D 0 W S A N D L N E S suspended electronic sounds by Joel Chadabe The Center is supported in part by grants from the National Endowme nt for the Arts and the New York State Council on the Arts . Supplementary electronic equipment courtesy of Moog Music, Inc. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_116 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/a6257f5e79b340c8489a7fddf32258d8.pdf 32299a67609321c67d291ba36cc4f17c PDF Text Text Buffalo Evening News l='e.b. )O, J97 .J. Foss Will Be Conductor For New Music at Gallery Former Buffalo conductor be on hand as composer and Lukas Foss, who continues to maestro in the "Evenings for take a strong interest In mod· New Music" program Sunday em-music ventures here, will at 8: 30 PM in Allbright-Knox Art Gallery auditorium. Mr. Foss will conduct a new work of Buffalo-based composer-pianist Leo Smit titled "Myopia: A Night," with baritone Laurence Bogue as soloist with chamber group. It is based on a text by poet Robert Low~H. A new untitled Foss work 1lso will be presented, by per•lssionist Jan Williams and he composer at the keyboard. Julius Eastman's "Made" '1r fo ur performers a~d "Solitaire" by Barbara Kolb, current Guggenheim Fellow, will be in· eluded with composer Smit's "Channel Firing" for baritone and piano, on a text of Thomas Hardy. ' Electronic works by Joel Chadabe will be offered a.s prel· ude (7:45 PM) and postlude . to the program. The performers will take the program to New York's Carnegie Recital Hall, Orange County Community College and Geneseo State College next week. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Foss will be conductor for new music at gallery Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Leo Smit, Barbara Kolb, Joel Chadabe Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_115 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/16281c916314fe6dea60cbcdee1172e5.pdf 7af86315b333bcfb895e8adfa05ccd21 PDF Text Text BUFFALO COURIER-EXPRESS, Tuesday, February 8, 1972 Program to Include New Piece by Foss EVENINGS FOR New Music will be presented at 8:30 p.m. Sunday at the Albright-Knox Art Gallery. The program, celebrating the lOth anniversary of the gallery 's new building, will include a new piece by Lukas Foss commissioned for the occasion. There will be an electronic prelude at 7:45 p.m. " Rounds" by Joel Chadabe, in which the audience will be invited to participate. Also, Chadabe's " Shadows and Lines," an electronic environment, will be produced following the concert in the restaurant-lounge. THE 18TH ANNUAL Three Choir Hymn Festival will be presented at 5 p.m. Sunday at Holy Trinity Lutheran Church, 1080 Main St. Church music by Vaughan Williams will be performed by the combined choirs of Trinity Episcopal Church, We s t m i nster Presbyterian Church, and Holy Trinity Lu· theran Church. \;:"'• LEO SMIT'S SETTINGS of poems by Thomas Hardy and Robert Lowell will be performed with baritone Laurence Bogue. Lowell's " Myopia: A Night" is a first performance, composed in 1971, and .scored for flute, trumpet, trombone, violin and cello; H a r d y ' s " Channel Firing" is for baritone and piano, composed in 1970. Leo Smit • • • Hardy and Lowell FLORIAN ZABACH will be violin soloist on the pops concert by the Buffalo P h i !harmonic · Orchestra a t 8 :30 p.m. Friday in Kleinhans Music Hall. In ibis selections Za bach will be accompanied by pianist Tone Carnevale. The orchestra under John Landis will play music by Donizetti, Grieg, Gla· zounov and Rodgers. Foss' new work is for piano and two performers - a pianist; who plays in the traditional manner on the keys, and a Percussionist who performs inside the piano. There also is \;:"'• tape music made by the performers, Foss . and Jan Wil· THE PICKWICK Puppet The· Iiams. ater will present Prokofiev's Foss calls his work "Ni Bruit "Cinderella" with the Buffalo Ni Vitesse," a title inspired by Philharmonic 01'chestra on 'the a traffic sign in France which Young people's program at 2 means "Neither Noise Nor p.m. Saturday in Kleinhans MuSpeed." (At one time this was a sic Hall. Melvin Strauss will working title for a composition conduct the program, which ininvolving violist Jesse Levirle, cludes a puppet realization of to have been performed with !bert's Divertissement and a the Buffalo Philharmonic). Marionette Circus. The' narr ator \;:"'• is Robert Tolan from the Studio OTHER WORKS on the pro· Arena Theater. La rry Ber thelgram are Barbara Kolb 's " Soli- son is director of the Pickwick taire" for piano and tape, per- Puppet Theater, whose large formed by Richard Trythall, a puppets did "Sleeping Beauty" new member of the University here last season. of Buffalo's Center of the Creative and Performing Arts, and "Macle" by -Jul~~.s Eastman. \::"" JOHN SKELTON, organist at First Congregational Church in Winchester, Mass., will present a recital at 5 p.m. Sunday at Calvary Episcopal Church, Williamsville. The program, part of the Evensong series at the church, is a Young Artist Recital sponsored by the American Guild of Organists. Skelton will perform music by deGrigny, Bach, Anton Heiller, Jehan Alain, Michael Tippett and Vierne. \::"' CARNATIC MUSIC of India will be presented in a concert at 8 p.m. today at Baird Recital Hall, University of Buffalo. Performers are L. Shankar, violin, from Wesleyan University, and Tiruchy Sankaran, mridangam-drum, from New York University. Admission is free. \::"' TEEGARDEN AND Van Winkle replace MC-5 in concerts at 7:30 p.m. and 10 p.m. today in the Fillmore Room of Norton Union, University of Buffalo. The program Qenefits Undercurrent, a "counter-culture youthpaper" on campus. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Program to include new piece by Foss Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Lukas Foss, Joel Chadabe, Lowell, Thomas Hardy, Barbara Kolb Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_114 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6a7a7241e937542c815a4314760c6d69.pdf bb9fa72b2e3fe7cc2fc390713d291895 PDF Text Text _!_u~:;c.la~> i . February 8, 1972 llUI'FALO Ev Ei\JNG NEWS i MUSIC NDTE·s ll::l!!PI .w."\lel NEW MUSIC SERIES by the UB'- Creative Associates on Sunday a t 8:30 in AlbrightKnox· Art Gallery will present works of newly resident composer George Perle, a new piece of Lukas Foss with the composer-conductor in attendance, and a premiere of ·the Leo Smit "Myopia: A Night," Mr. Foss conducting. It is scored for baritone (Laurence Bogue) and chamber group, on a text of Robert Lowell. "Solitaire" by Barbara Kolb, "Macle" by Julius Eastman and the Smit Firing" with "Channel baritone Bogue to a text of Thomas Hardy, will be included. Electronic environment pieces of Joel Chadabee will be heard as prelude and postlude. P2oi I P "'OI:Ii Cleveland Hill High School. The Beethoven Violin Concerto, works of Mozart, Gliere, and light favorites will be included, admission free. PETE SEEGER, the veteran folk singer, will appear Sunday at 2:30 PM in Bennett High School, auspices of the UB Women's Club. UB CHAMBER OR· CHESTRA, new ensemble under well-known conductor Carlo Pinto, will make its debut on Monday at 8:30 in Baird Hall, admission-free to all. A feature will be the lovely Vaughan Williams Four Hymns with tenor Warren Hoffer as soloist, viola role by Delmar Stewart. Violinists and Jacquelynee Leonard Henry Rubin will play the * • • Bach Concerto in D Minor, and CALVARY Episcopal Church works of Mozart, Barber and of WilliamsvU!e will present Hindemith will be added . visiting organ soloist John Skeltoh in a recital auspices of D'YOUVILLE College will the American Guild o f present Russian-born Polish Organists, Sunday at 5 PM, pianist Christopher Brzuza, not works of de Gri gny , Ba.ch, a Buffalo resident, in an allHeiller, Alain, Tippett and Chopin program, admission . Vierne. free. The Second Ballade, * * * Scherzo in B Minor several HENRY RUBIN, young Buf- Etudes, Mazurkas, Nocturnes falo violinist heard in a and Waltzes will be included. previous well-received pro$ $ * gram this season, will be ROSARY HILL faculty resoloist with the Cheektowaga cital, admission-free on SunCommunity Symphony under day at 8:30 in Wick Center, will Robert Mols Sunday at 3 PM in present oboist R o n a 1d Ri ohards, flutist R ob e r t Schneider, clarinetist Raymond Fiutak, Flutist Mildred Wiseman , accompanist Eva Rautenberg and conductor Frank Collura with student performers in works of Heinichen, Kuhlau, Dutilleux, Etter, Poulenc and Chavez. :;. *· T H R E E • C H 0 I R Hymn Festival, 18th annual presentation, will be held Sunday at 5 PM in Holy Trinity Lutheran Church, Main St. at North, with guest singers from Trinity a nd Westminster Churches. The centenary of Vaughn birth will be Williams' celebrated in several works of the British composer. URBIE GREEN, nationally known jazz trombonist and reco rding star, will be soloist with the Clarence mgh Bands, directors Ron Sutherland and Ron Case Sunday at 2: 30 PM in Kleinhans Music Hall. CHROMATIC CLUB recita~ Monday at 8:30 in Villa Maria auditorium wJJI _be _giv · soprano Patricia Yannello and accompanist Betty Riehle, duo pianists Janet Darrin and Dorthy Beynon, and clarinetist Hazel Hartmann. * :;: * RAY REPP, modern sacredmusic composer, will give a program on Monday at 8 in Norton Fillmore Room , UB campus. ::t; * FRENCH FLUTIST JeanPierre Rampal, harpsichortlist and pianist Robert VeyronLacroix, distinguished worldtouring artists , will appear next Tuesday at 8:30 in Kleinhans Mary Seaton Room on the Buffalo Chamber Music Society series. Sonatas of Leclair, Bach, Prokofiev and the Copland Duo for Flute and Piano will be performed. ,, ::: "' FLORIAN ZABACH, popular violinist and a longtime Buffalo favorite, will be the Philharmonic Pops star Friday at 8:30 in Kleinhans Musi·c Hall, with Buffalo pianist Tone Carnevale as accompanist in several n u m b e r s . The orchestra under John Landis will present light works of Donizetti, Grieg, Glazounov and music from "Carousel." METROPOLITAN OPERA District Auditions will be held on Saturday at 8 PM in Baird Hall, the public admitted at a smaJtl ticket dharge. MUSICALE WEDNESDAY will hear a program by pianist Anne Moot, mezzo Marlene Badger, clarinetist · Haze I Hartman and pianist Jean Hamlin on Wednesday at 10:45 AM in the Buffalo residence of Mrs. Peter B. Yates. NOTED EDUCATORS of America, Europe and the Orient will attend the "Music Teaching and Learning Symposium, Thursday to Sunday in the Eastman SchooI, Rochester, an event in the year-long 50th Anniversary Celebration. - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-02-13 With references to the following works by Julius Eastman: Macle With references to the following additional composers: Leo Smit, George Perle, Lukas Foss, Barbara Kolb, Joel Chadabee Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_113 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c3a6a5318c881f9f13259cdbcbd81dd6.pdf ffba2cf71c00eb1b2ba0e370d9594fce PDF Text Text Tuesday, February I, 1972 • Arts-Drama MUSIC ll'*l•ftl • 9 ..*io1 6 NOTE·s .·~1 l lh~oi;l P -\Z;I:Ii BERLIN OCTET, members of the famed Berlin Philharmonic on tour, appear, this evening at 8:30 in Kleinhans ' Music Hall on the Buffalo Chamber Music Society series. The Mozart Divertimento Kl37 and Quintet in A, and the Schubert Octet will be per't formed . * * * ~iO Suzanne Strauss Daniel GiJdar, acwiU present songs .lman tomorrow eve~· Achavas Achim Lubantl · Synagogue, auspices of viizrachi, for Jewish Music Month. w• * * * AMERICAN Music Group of the University of Illinois · will present re-discovered treasures , of early American music in a progr~m Friday at 8:30 PM in Baird Hall, tickets at the box office. An Jlistoric temperance pJ.ay by McBride, "Don' t Marry a Drunkard to Reform Him," and works of Bil:Jings, Breedlove, Heinrich and many others wiU be performed. *' !(: * NOONDAY SERIES wiU present host organist Frederick Burgomaster in a recital of the Anglic-an tradition, works of Clarke, Howells and Leighton, Friday at 12:30 PM in St. Paul's Cathedral. ~ * * ORCHARD PARK Symphony Orchestra Youth Concert under Robert Rasmussen will be given Sunday at 3 PM in East Aurora High School, and Feb. 11 at 7:30 PM in Orchard • Park High School. , " "' * ; R~quiem Tenor KENNETH RIEGEL is a talented young tenor well-received in New York and on tour appearances. He will be a soloist in the Moz-art Requiem Sunday at 2: 30 and the following Tuesday at 8: 30 in Kleinhans Music Hall with Michael Tilson .Thomas conducting. Singers Karen Altman, Joan Oaplan and Mic'hael Devlin wHl have leading parts, with the fredonia Festival Chorus. I 1 1 dent, with assisting officers Helmuth W andre y , Mrs. Marion Buettner, Stanley Niemczyk, Mrs. Dorothy Trimmer, with Michael Blab as instalaation officer. POSTPONEMENT: The Do-. rian Quintet recital originally CHROMATIC CLUB Active listed for tomorrow has been and Student Auditions will be j re-scheduled for Feb. 25 in held Sunday, information avai·lBaird Hall. able from Mrs. Daniel L. l * * * Pieczynski, 503 Fruitwood AMHERST Senior High pro- Terr., Williamsville. '' * ~ duction of "Fiddler on the Roof'~ will be given in the \ SEM ENSEMBLE, four UB auditorium on Feb. 8 at 2 PM, \ Creative Associates, have reFeb . . 9 at 2:30 PM, with gen- ceived a $1500 grant from the eral-public presentations on State Council on the Arts for Feb. 10, 11 and 12 at 8 PM, modern-music concerts in the Walter Reitz producer and current season. The members music director, Paul Hangauer ' are composer-performers Petr stage director; and choreogra- Kotik, Julius Eastman, Roberto pher, Rod Griffi·s dramatic di- Laneri and Jan Wi:lliams. rector. Future ventures include a " "' " three,week tour of cities in HERWEGH CHORYSES have Germany and Switzerland, ., elected Adolph Mayer P.resi- dates to be announced. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Petr Kotik, Roberto Laneri, Jan Williams Note: SEM ensemble Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-02-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_112 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/2382febddaee4afd8bc80aa5c9393693.pdf afc8cb6e98638946c7eb816f31c996cd PDF Text Text BUFFALO EVENING NEWS. Tuesday, January 11, 1972 ji ;;;: MUSIC. NOTES ~ ,ST~PHEN MANES, the estim? e home-base& and touring pianist, wiH give a recita1 F·r iday ,a t 8:30 in Baird Hall. the Haydn Sonata in C, Beethoven "Appassionata" Sonata in F Minor, the complete Op. 25 Ohopin Etudes and the 1968 Short Sonata by George · Perle will be performed. . .. . G&S POPS will present the six-member Gilbert & Sullivan a Ia Oarte company with the Philharmonic u n d e r Melvin Strauss, F•r iday at 8: 30 in Kleinhans Music Hall. The costumed troupe under Allan Lokos will offer scenes from a dozen G&S favorites including Iolanthe, Penzance, Pa·tience, Mikado, Ruddigore, Yeomen, Gondoliers and Utopia Limited . .. .. .. "' . MEZZO Ellen Lang wiH give a UB Graduate Recital Saturday at 8:30 in Baird Hall, admission free. "' .. ERIE COUNTY Music Educators' Association and the host music department students wiU sponsor a School Music Association Solo Festival on Saturday in two North Col1ins District schools, Denise Domres student chairman. CHROMATIC CLUB Exten• • • sion Program wiLl be given ''RED RIDING HOOD," a Friday at 9 AM in South Park one-act children's opera, will High Schodl by flutist Angela be presented Saturday at 2 PM Burr, mezzo Marlene Badger in Kleinhans Music Hall by and pianist Daniel GorgoHone. Gilbert & Sullivan a Ia Carte; A student program wiU be giv- on t h e new . PMharmonic en Sunday at 3 PM in the Ken- Young People's Concerts semore residence of Mrs. Frank ries. The orches·tra under John M. DeLuca. Landis will take part in the musica[ fable, settings by David Chapman, costumes by Leonie Norton. .. .. AMERICAN Guild of OrganIsts Student Competition Recital will be given Sunday at 4 PM in Kenmore Methodist C h u r c h following Saturday playoffs adjudicated by Russell Saunders. • • • WARSAW QUINTET wiH appear next Tuesday at 8:30 in Kleinhans Mary Seaton Room, auspices of the Buffalo Chamber Music Society. The Shostakovish Quintet Op. 57, Brahms Op. 34 and Dvorak Op. 81 will be performed. .. . . WEDNESDAY Morning Musicale will hear oboist Darlene Raynard, soprano Jan Valerio, pianists Eva Rautenberg and May Oddie, tomorrow in the Buffalo residence of Mrs. Bernard Mandelkern. ... THEATER ORGAN Enthusiasts will feature Pennsylavania soloists Nick Snow, an Our Gang Comedy and Sing a:long in the program Jan. 19 at 8 PM in the Riviera Theater, North Tonawanda. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1972-01-15 With references to the following additional composers: John Cage, Petr Kotik Note: SEM ensemble to perform Eastman work Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-01-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_111 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/21de4f530c58f63eecec2e335a884e3a.pdf 33cce8cbd2d6c2a9a6628f9f76636111 PDF Text Text BUFFALO COURIER-EXPRESS, Sunday, J·a nuary 9, 19~-------------------...: Gallery Anniversary Events Feature Premieres of Foss, IIiller Compositions By moMAS PUTNAM t Premieres of works by Lukas Foss and Lejaren Hiller, and a program by the Alwin Nikolais dance company are amaong the events scheduled to celebrate the lOth anniversary of the Albright-Knox Art Gallery's new !Wing. The gallery festival begins Jan. 19 with a month-long exhibition, "Abstract Expressionism - First and Second Generations," one of six exhibitions to be mounted during the anniversary year. (Coincidentally, it is the 11oth anniversary of the art institution.) Foss and Hiller are co-directors of the University of Buffalo's Center of 1Jhe Creative and Performi!Jig ATts, which presents Evenings for New Music al).d Evenings for Music Theater. Old Relationship The relationship between the UB Center and the Albrigh~Knox Art Gallery has been evidenced in the pa.st most strongly by the two F.estiVals of the Arts Today-and m fact t~e present anniversary , celebrah?n look.s very much like the third Fest!val of the Arts Today. Lukas Foss's new work, w'hich was commissioned by the Fine Arts Academy, will be premiered on the Evenings for New Music concert at 8:30p.m. Feb. 13 in the gallery auditorium, appropriately located in the new wing. Foss had not decided on the name for his new composition before he left for Israel, where he is now. It is a piece fO[ pianilrt-"-WhO plays in the traditional manner on the keyboard -and percussionist, who J?lays inside the piano on the strmgs. There also is tape music, which consists of the same material that is played live, with slig~t manipulation. Performers w~ll ·b e Foss, piano, and Jan WJl- Other Works The Evenings for New Music program will be distinguished also by two groups of songs 'by Leo Smit, although the new piece by George Perle will be delayed until a subsequent Evenings concert in March. Other pieces on the gallery anniversary program are by Julius Eastman and Barbara Kolb. Electronic m u s i c by Joel Chadabe will aid entering and exiting. The entrance music will 1 be played in the hall of the gallery, and, through various mechanical devices, will be manipulated by the entering au~i­ ence. The post-concert mustc will be a "sound environment" in the new wing below the auditorium . Leja~en Hiller's "Rage Over a Lost Beethoven," a one-hour "total-environment" work with piano music by Hiller.and script by Frank Parman, will be given four peliormances, Feb. 19 and 20 in the Sculpture Court of the Gallery. Roger Shields is the pianist, and the d i r e c t o. r is Terry Moore. Parman, Shields and Moore are connected with UB's Creative Associates. I r Artifacts "Rage" is being presented as rpart of the UB Center's new Evenings for Mus~c ~eater series. The produ~hon will be decorated by ai'tlfacts valued at more than $1~,0~, :brought from collec-tions m this. count;-'Y and Europe, ·and inC'ludmg onginal manuscripts, and busts of Beethoven by the French seulptor Emile Bourdelle·. Alwin Nikolais, the mag.icianchoreographer, will ·~ppear with his dance company m pe1.1fo~­ ances March 9, 10 and 11 m, Upton Hall, Buff·alo State Col•lege. Nikolais ,pel1formed !here several seasons ago very successfully. (The appearanc~ during the gallery celebr·a twn of this ·a vant-garde dance company is reminiscent of Merce Alwin Nikolais .. . percussive piano Cunningham's Perf 0 r m ances ... dance magician during past Festivals of th:.:.e:::.. :.:A:::.r.= ts:...i t:===- = - - - - - ---;:,--- -----,---- · - - - - -Today.) One of the Nikolais way it samples the art hung on pe1.1formances will be a vvurk- the gallery's walls.- •b y walkshop. ing about and ·h earmg what live The 1 o c a 1 dance - theater and electronic music is coming group, Company of Man, will .from the several exhibit areas. Subsequent exhibitions during rpresent a new work based on Jean Genet's "The Blacks" at the anniversary year are: "Op8::l0 p.m. Feb. 26 and 27 in the tical and Kinetic Painting a11d gallery Sculpt1,1re Court. Com- Sculp:ure" (March 4- April 9) ; pa,ny directors are Cristyne Law- work by Clyfford Still and .Jo,s eph Cornell (April 17 - May son and Graham Smith. 28) · "English Painting and 'Sampling' Plan Scu'lpture Since 1945" (June 13 Another music event during - July 16l · •"Continental Paintthe celebration wi.ll be the per- ing and S~ulpture Since 1945" formance by the S.E.M. Ensem(July 21 - August 27); and lble May 22 and 23 in various " Ameli can Painting and Seulprooms of the gallery. Petr Kotik ture Since 1960" (Nov. 17 is director of the group, which Dec. 31.) includes Jan Williams, Julius Also, there will be lectures reEastman and Roberto Laneri, lated to tlw exhibitions, and a all Creative Associates. The aud- special exh~bition of paintings ience will be able to sample the by Sam Francis will open Sept. avant- garde music much the 11. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gallery anniversary events feature premieres of Foss, Hiller compositions Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-01-19 With references to the following additional composers: Lukas Foss, Lejaren Hiller, Barbara Kolb, Joel Chadabe Note: S.E.M. ensemble Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-01-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_110 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/5182d405c3859a27e7a3d9306270cc1d.pdf f5bb1f75e1a182970adaa1e4be92c3a4 PDF Text Text 20 BUFFALO COURIER-EXPRESS, Saturday, January 8, 19'1'2 q'!:o~.~!!! From UB Plans Concerts in Europe S.E.M. ENSEMBLE has a meaningless name ( s e m i ? seem? the inversion of mess?) but its purpose is clear. The C!Uartet of Creative Associates •om the University of Buffalo presents avant-garde music in a manner which they hope will break down the barrier between performers and audience. Petr Kotik formed S.E.M. in 1970, shortly after he came to UB as a member of the Center of the Creative and Performing Arts. In Prague he directed two new music groups, QUAX (from 1966 to 1969) and, before that, Musica Viva Pragensis. The ensemble has b e e n working quietly in the avant· garde field , not so quietly however, th at its sounds wer~ unheard by the New York State Council on the Arts, which this season awarded the group a small grant of $1,500. SOME OF ITS work has been remarkable, for example , the program m the fall of 1970 at the University of Buffalo when simultaneous events were performed in different spaces of Norton Union. Thus the audience was encour~ged to roam about, consulting their menu's or time-tables, sampling Christian Wolff or Mozart in the Conference Theater, live electronic music (Cage and Kotik) in the Fillmore Room, or dropping into the Hass Lounge for Indian Music. The group will leave for Europe at th~ end of the month for concerts in Cologne, Berlin and Geneva. . Before leaving, the musicians will play a concert at the Taylor Theater in the Kenan Center in Lockport at 8:30 p.m. Jan. 15. Kotik is pleased about this concert, which he says is "our first engagement for money." Members of S.E.M. are Kotik, composer-flutist ; · Julius Eastman, pianist-composer ; Roberto Laneri, composer - clarinetist; and Jan Williams, p e r c us· lionist-conductor and assistant director of the UB Center. Julius Eastman Roberto Lanerl Jan Williams Petr Kotik ••• S.E.M. Ensemble to play Lockport and go on to Europe THE PROGRAM at the Kenan Center will be three of the six works in the repertory which S.E.M. is taking abroad: John Cage's Song Books 1,2; Julius a nd Eastman's . "Macle"; Kotik's "There Is Singularly Nothing." Chance, appropriately, played a part in S.E.M.'s going to Europe. It was after a concert hy Kar\heinz Stockhausen last spring in New York City that Kotik met a representative of the West German Radio, who invited the group to Cologne to participated in a mini-festival of important new music groups. Other new music groups ap· :Qgaring in Cologne at the large Westdeutscher Rundfunk head· quarters are C o r n e J i u s Cardew's AMN London group <Cardew is a former Creative Associate, and his "Treatise" has been realized by S.E .M.), Steve Reich's group, and the Domaine Musical from Paris (Pierre Boulez is a former di· rec tor of this group ). The current edifion of QUAX is scheduled to appear at the fesiival, although Kotik says the group may not be permitted to leave Prague in the present political situation. AFTER ITS PERFORMANCE Jan. 29 in Cologne, S.E.M. will h two conce_rts _efur_ 22in.ll to Berlin. 'l:he group plays Jan. 30 at. the Neue Galerie in Alten (this program was arranged by Dr. Wolfgang Becker, director of the Neue Galerie, who was here in December on a visit to the Albright-Knox Gallery ), and Feb. 1 at Dueren, a small town betwP.en Cologne and Aachen "with an interesting public of music-lovers" (the description of Dr. Becker). The program Feb. 4 in Berlin at the Academy of the Arts is sponsored by Amer1ke Haus Berlin of the United States Cultural Center, and the German Academic Exchange Service, through i t s Artistli·ln·Berlin ~r_agl"a_m · The visit to Geneva is the result of a collaboration between the UB Center and the Swiss composer Jacques Guyonnet, who came here to direct a performance of his work, "Good Grief, Jerry," written e s· pecially for the Cepter of the Creative and Performing Arts, on an Evenings for New Music concert in May, 1970. GUYONNET WAN'l'ED t o have the whole Center come to Switzerland, so it i~ appropriate that at least the S . E . M . Ensemble wlll be able to go there. The program Feb. 7 in Geneva is sponsored by the Contemporary Music Studio, which Guyonnet founded . Besides the Cage, Eastman and Kotik pieces which S.E.M. will play in Lockport, the Euro· pean repertory includes a group of pieces by Cage which will be played s i m u 1 t a n e o u s l y ("Fontana Mix" for tape, Solos from the Piano Concerto for flute and clarinet, Aria for voice, and "Atlas Eclipticalis" for amplified percussion ); LaMonte Young's meditational "Day of the Unquiet Grave" and "Smoke of the Shore" from "Four Dreams of C h i n a , ' ' whose four notes are C, F , F· sharp and G; and Frederic Rzewski's "Les Moutons de Panurge." ~n THE TITLE for K o t i k ' s 'There Is Singularly Nothing" s taken from Gertrude Stein's ture, "What Are Master· ieces?" Kotik says it is "a ge piece," now numbering 11 es, and projected to include THE CAGE SONG BOOD.1. 2 30 pieces when it is finished. It are what Kotik calls "the ltit is a mutable composition, any major work," being compesed part of which may be played as in 1970, coming to some 300 a solo fl' with any other part, pages of expensive m us i c and the pieces may be per· paper, and including about )#I formed on any instrument that pieces. "We are doing tile ver- /can play the parts. 'l'his per· sion for 45 minutes," ~ 'formlflee will include pitces for says, adding, 'It is a very, .. lilry Illite. i}J;ass clarinl't, voice ant! hard piece.' · ~·t ~lockensriel. Koti~{'s music h..s The four musicians of S.t~M. t:tact -pittlres and rhythms. will be vocalists for the. camf Finally, Eastman's "Macle"' songs, and in addition there w1llt composed .this year is a vo al· be theatrical gestures and el~- theater p1ece for pe~formers tronics FM and contact mio~ and tape, what KotJk calls phones: optional mixes ett "collages of ~inging, s~ream!ng, filters. · makmg n o 1 s e s , d1scussmg, talking.'' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Quartet from UB plans concerts in Europe Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following works by Julius Eastman: Macle With references to the following additional composers: Petr Kotik, Roberto Laneri, Jan Williams, John Cage, Karlheinz Stockhausen, Steve Reich, Pierre Boulez, Jacques Guyonet, Freceric Rzewski Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1972-01-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_109 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a4f41e9ad3a4fac0453516eade35aea6.pdf 8ebc35fa696c1c8836db6e8bbb3718ec PDF Text Text courier Express 1 (' 1 C.a.fi l 5iu.s 'Ago.p1L - - Fe_ h. • . '' :Jfn, 19 70 Con'd) Ecclesiatical robes, academic gowns and "mod" garb make procession study in variety C·E Photos by Art Melgier ••• brot herhood i s thread tying aU together � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Canisius' Agape Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Date of event: 1970-02- Note: Eastman in Agape Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_108 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/e3fa20b8325cc1fb5e44686a05ede8f8.pdf 8848238b245cbdc3c944421031ca4cc1 PDF Text Text Buffalo Evening News D ec.. l"t1 19 71 High ~ote Is Reached By Choir By HERMAN TROTTER A young girl lurched across the stage and presented conductor Julius Eastman a bouquet of yellow roses at the close of Friday evening's Baird Hall concert by the University Chamber Choir. It was a touching show of affection, but with the disorganized shuffling out and in for curtain calls he almost didn't get them. Mr. Eastman had obviously spent his preparation time on essentials rather than stage decorum, however, for the program of music from the 1 14th to 20th Centuries went very well. Opening with two chansons 1 by Machaut and the Sanctus from his Messe de Nostre Dame, the 10 singers showed uncommon mastery of 14th Century style, with its pure, vibratoless tone production and extreme delicacy of phrasing. A small accompanying string ensemble played with appropriate linear to n e , simulating the old fretted viols. If there was an occasional slight lack of o v e r • a l l smoothness it only pointed up the complete control this music requires. WITH PROGRESSIVELY less vocal restraint called for, the ·choir then went from a group of 17th Century madrigals by Thomas Greaves, thr~ugh a Buxtehude cantata to the uninhibited and full-out style of Colonial American composer William Billings' two fuguing tunes, "Creation" and "When Jesus Wept." The shifting of stylistic gears was accurate and effortless. Two of the four Greaves madrigals, "Sweet Nymphs That Trip Along" and "Long Have The Shepherds," were of special interest as this composer's contribution to one of history's first great musical promotions, a 1601 collection of 32 madrigals by th e greatest talents of the day, dedicated to Queen Elizabeth under the title "The Triumpli.s of Oriana.". Although I generally prefer one voice on a part for madrigals, the balance in this case was fine, save for a little loss of soprano tonal focus at the extreme high end. * ::~ * work, Stravinsky's 1918 "L.Jhistoire du Soldat," seems a departure fro:.1 the choir's stated purpose, "the performance of rarely-he·a rd literature." Not THE REMAI= ::NG on,; is this narrative ballet (de· - ithout the dance in this instance) frequently heard, but it isn't even choral. Featured were an in· strumental ensemble of students and Cr e a t iv e Associates plus three spoken roles; Rowena G:·::::ne as .. :urator, John Schiavone, the Soldier; and Mike Robinson . the Devil, who cons the Soldier out of his fiddle and generally invades his life, confounuing him at virtually every turn. The prominent violin solos were capably done by Jacquelynne Leonard. It ' ; a spirited ar.d well paced performance using a particularly wh i m s i c a l translation of the original Ramuz te xt, heightened by the dramatic involvement of Mr. Schiavone and Mr. l~:>'::son, and Miss Greene's subtle inflections, i n g e n i o u s yet somehow sarcastic. The modest pre-holiday audience obviously related well with the performers all the w-:.y, and gave them lusty applause at the close.~-------- � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource High note is reached by choir Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-17 With references to the following additional composers: Machaut, Thomas Greaves, William Billings, Stravinsky Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_107 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/826621781b0ab0e2b7cf8d362167b14b.pdf 2cdd0ab104f88cdea13cd0b85e94ab7c PDF Text Text Courier Express De.~ . /~ /9 7 I Rev-iem Revived .VB Chamber Choir Good As a cloud of incense, which imparted to Baird Hall f!he mood of a medieval church, slowly cleared from the recital hall, the Univers~ty (of Buffalo) Chamber Choir Friday night ably performed a series of choral works which ranged from the 14th Century cheerful religiosity of Machaut to the 20th Century wit of Igor Stravinsky. Under the direction of Julius Eastman, the choir of . fiye male and five female voices seemed to be enjoying its melodic and full•bodied renditions of religious music and pastoral songs as much as did the "no admission charge" audience, which included many UB music students. In Firm Control The choir, accompanied by a string quartet on the Machalit pieces and in a religious cantata by 17th Century German Dietrich Buxtehude, was firmly controlled by the rail-thin Eastman, a member of UB's Center of Performing and Creative Arts, who revived the defunct chamber choir this year. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Revived UB chamber choir good Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-17 With references to the following additional composers: Dietrich Buxtehude, Machaut, Igor Stravinsky Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource unknown Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_106 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/36330e0fdec7a67058613119d795626a.pdf a5fb8b5d9573f0414b4a90cc6f1feb99 PDF Text Text PROGRAM UNIVERSITY CHAMBER CHOIR Julius Eastman, Director John R. Adams, Assistant Director John R. Adams Ralph Blauvelt Margery Deutsch Gail Evans Karren Gartelmann Joseph Richardson Rowena Greene Mike Robinson John Schiavone Doris Van Winkle From MESSE DE NOSTRE DAME Guillaume de Machaut (c.l300-1377) Sanctus AMOUR ET BIAUTE Machaut PUIS QUE LA DOUCE ROUSEE Mach aut ENGLAND , RECEIVE THE RIGHTFUL KING Thomas Greaves (16th-17th cent.) INSTRUMENTAL ENSEMBLE Allen Dennis, double bass Jeffery Kowalsky, percussion Roberto Laneri, clarinet Jacquelynne Leonard, violin Lee Lovallo, trombone Donald Montalto, trumpet Gayle Roulston , violin Shannon Snapp, cello Delmar Stewart, viola Andrew Stiller, bassoon SWEET NYMPHS, THAT TRIP ALONG Greaves LONG HAVE THE SHEPHERDS Greaves COME AWAY, SWEET LOVE Greaves CANTATA: BEFIEHL DEM ENGEL, DASS ER KOMM' (Command Thine Angel, That He Come) Dietrich Buxtehude (1637-1707) INTERMISSION From THREE FUGUING TUNES The University Chamber Choir is a small select group dedicated to the performance of rarely-heard literature. Those who are good readers (student and non-student), and who would like to sing with us are very welcome. William Billings (1746-1800) Creation When Jesus Wept L'HISTOIRE DU SOLDAT Rowena Greene, Narrator John Schiavone, The Soldier Mike Robinson , The Devil Igor Stravinsky (1882-1971) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Chamber Choir Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-12-17 Note: Eastman as conductor Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-17 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_105 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4f46e1eb0e6612d7ce4869a246efd585.pdf 17beca25781f1cc089e47d72a5e9b9e6 PDF Text Text Buffalo Evening News Tuesday, December 14, 1971 i i MUS I C NOTES ll<ll•PI .... LOCKPORT Fe s t i v a I of Christmas Music by 15 Western New York choirs with organist Frederick Swann of New York is offered this evening at 8 in First Presbyterian Ohuroh of Lockport. * * * 11 15 1 Pfh:,I In -GZ:II HANDEL "MESSIAH" with the Cornell University Glee Club and Chorus, soloists Veronica Tyler, Beverly Wolff, John McCollum and Raymond Michalski, will be the Philharmonic annual presentation under auspices of The Buffalo Evening News, Saturday at 8: 30 PM and Sunday at 2: 30 PM in Kleinhans Music HalL THEATER ORGAN Euthusiasts of America will pres-ent soloist Harvey E l,saesser, silent film and Sing Along, to* * * morrow at 8 PM in the Riviera KEN M 0 R E Presbyteri an Theater, North Tonawanda. Mr. Church Chancel Choir will give Elsaesser a theater-organ res- a Christmas Concert Sunday at toration 'expert, teacher in · 5 PM, Kent Vander Band diadult education, church organ- recting. ist and music-theater director, * has played theater-organ proUB CHAMBER CHOIR digrams in Rochester and De- rected by Julius Eastman will troit, and in many broadcasts. present the Stravinsky . "L' "' Histoire du So1d'at," madngals BUFFALO STATE College of Thomas Greaves, works of Concert Series will present the Machaut and Billings, a dmisWind Ensemble under Frank sion free , Friday at 8: 30 PM C. Collura and the Mixed Choir in Baird Hall. under Michael Wright in an * "' • admission-free ecumenical proNOONDAY SERIES w i I 1 gram, tomorrow at ~: 1~ in present ho!Jt orgJanist FredCampus S c h o o 1 aud1tonum. eri·ck Burgomaster in Bach Hymns and Anthems of Stra- chorale preludes, works of vinsky, Victoria, Bach, Pou- Franck and Daquin, Friday at lenc the Baoh "For Unto Us 12:30 PM in St. Paul's Caa ·ohild i!S Born," and instru- thedra>~. mental works of Dukas, Ginast* * • era and Holst will be per- . EARLY AMERICAN M11sic formed. Program will be presented un• * • der the direction of Slee ProCHORAL ARTS Society of fessor Lejaren Hiller, admisBuffalo soloists and orchestra sion free, on Thursday at 8: 30 under Robert F . Schulz will PM in Baird Hall. A string present Christmas Concerts Sunday and next Tuesday at quartet by Benjamin Fra~klin, 8: 1'5 PM in Canisius College pi,ano rags by Scott Jophn, a Student Center, Main & Dela- wind-instrument P a r t i t a by van. The Buxtehude "Little David Moritz Michael will be Newborn Child," Schubert !lmong an array of ·works- by Mass in G and Pfautsch "Day several soloists and groups. * • * for Dancing" will be perEMPIRE STATE Ballet Comformed. Soloists will be Jan Valerio Warren Hoffer and pany, Barbara Striegel choreo gcrapher, will offer dance Walter Miller. settings to Gerslhwin and Beatles musk and the Prok•oPOLISH- HUNGARIAN re- nev "Stone Flower" on Dec. 22 cital will feature pianist ~ at 8 PM in Eden High School. Shields ...UB Creative Associate, • • * f ecordmg and touring artist, JONGLEURS of t h e Comwith soprano S~lvia Dimiziani munity Music School will enterand violinist Hen~ Rum tain at the Dec. 20 Christmas assisting, Friday at 8: 3b in Upton Hall. Sougs of Chopin, Party of the Lions Club in the violin-piano works of Pender- Contine,ntal Inn, with Philharecki Szymanowski and Bar- monic harpist Suzanne Thomas tok 'and the outsized virtuoso as accompanist. "Don Juan" Fantasy of Liszt by pianist Shields will be included. ljc • . . ~ .. . . • • • -~-----""':"":-::=::::-:......:""' CHRISTMAS ORATORIO of Bach will be conducted ~y John Becker, wibh orgam~t John Hofmann and harpslchordist Charlotte Shedd, in a Lutheran Chorale and Trinity Youth Orchestra presentation Monday at 8:30 PM in Holy Trinity Lutheran C.hurc~. ~ol~­ ists wiN be Domemca Gmham, Mary Alice Menge, Warren Hoffer, Olaf Malmin. • • • SOPRANO Marjorie Janzen, former member of t h e UB Graduate School a n d 1965 "Voices of Tomorrow" finalIst under the n a m e of Marjorie Andrews, earned critical approval in the New York press after a recent program in Carnegie Recital Hall. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music notes Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-12-17 With references to the following additional composers: Stravinsky, Thomas Greaves, Machaut, Billings Note: Eastman listed as conductor of UB chamber choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_104 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/a691b0acea5364e959232c8e4bb61bd2.pdf 6cebfa33ea3708c27d1840ed8a6045bb PDF Text Text - BUFFALO COURIE:R-EXPRES!I, Mcmda!y, Deeembe!' 13, 19'11- Review Attendance Good Despite Small Fee ,. By THOMAS PUTNAM 'l:liece Limited . -~ Roger Shields. The music is Perhaps the most remarkable Frederic Rzewskl, a former angry, sometimes even ugly in thing about Sunday's Evenings Creative Associate at the univer- the aggressive piano writing, for New Music concert at the sity, was on hand for a perform- although .ther~ are interesting Albright-Knox Art Gallery audiance of his piece for any number counterpomts m the orchestratorium was that the program of musicians playing in unison tion, in which the various inwas attended quite well even (there were nine for this per- struments-{}ouble bass, percusthough there was a small admisformance) called "Les Moutons sion, flute, bassoon, clarinet, sion fee. In the past these prode Panurge" after the story by trumpet and trombone-throw grams have been free. Rabelais. Naturally it is severe- sudden flashes of light on the Musically the most interesting ly limited, although the circular battle, works were by Webern, and the repetition expands in the number of notes to eventually include interest was in the radical dif65 notes and these are given ference between the expressive and declamatory movement (the variety by the fading-out and fading-in of the different insh·uonly one) of the Cello Sonata, and the delicate and abrupt \ ments (piano, celesta, trombone, flute, clarinet, violin, marimba, Three Little Pieces, Op. 11 for ll vibraphone and cello), and by ce o and piano, both from 1914. some sustaining by the instru- 1 Gestures Appropriate J Performers were Douglas Da- I ments with pedals. The theme is happy, rather jazzy in the vis, the cellist, and pianist Rogsmooth syncopation, although the er Shields. They colored the working out is tiring. musical extremes with appropriate gestures-giving the sonata Pierre Boulez's Sonatine for flute and piano was ably per- · movement bold strokes, large formed by Petr Kotik and Fredphrases, and filling in the eric Rzewski, and Robert Erickmoods of the Three Little Pieces son's Concerto for Piano and with fine and delicate strokes. Seven Instruments, conducted by The third piece ends with a - BUFFALO COURI! dark, low piano chord, answered Jan Williams; featured pianist by three pure cello tones. 1 Makoto Shinohara's ConsoReview \Jj nance, conducted by Julius Eastman, attempts to represent "the harmony of a heterogeneous ens~mble," instruments being flute, horn, vibraphone, marimba, harp and cello·. The music is dotted with percussive attacks, light and perky, and includes such effects as popping The community 1 sounds from the horn's mouthchestra, not a piece, and playing the harp with a stick. The middle section group, whose perfo· is quiet, with bent pitches. less interesting th sonnel, serves t\l Misalliance Noted functions: Grant Belglarian's "Of Fables It introduces m Foibles and Fancies" is a misal: community to . t liance between an actor (Terry concert-going and 11 Moore) who reads a quartet of it is a springboar humorous tales, and a cellist performers, those ~ (Douglas Davis) who pI a y s form in the orci music which is dramatic rather young soloists who mocking of the post-romantic portunity to play style. phony orchestra. The texts are amusing, and For its second Cfj there seems to be a degree of season, the Cheekfl coordination between · what is m unity. Symphony spoken and what is played (in der its director j the tale about "The Tower" the played w or k s " words "threw the rope into the E nesco and Kabal air" are accompanied by ascendday pieces by Lero ing pizzicato), but in the end one and the Piano Co wishes the two performers were Minor by Grieg v not so obviously at odds with is a popular n~bl one another. Are they roommates, one p.reparing for the Cheng Soloist theater while the other is pracThe young solois· ticing his concerto part? Cheng, a student Davis sounded quite splendid Home High School v in his part, a fine tone and steady playing since the a technique. and after his partly studying with Carlo hidden role in the Belglarian he 1967. He is. a v« deserved to be heard again in pianist, whose ligh the Webern pieces. gentle lyricism _l!av I I Cheek1 Soloisl � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Attendance good despite small fee Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-12 With references to the following additional composers: Webern, Makoto Shinohara, Grant Belglarian, Frederic Rzewski, Petr Kotik, Pierre Boulez Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_103 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/05e461c7b019804fcba767885a9746ca.pdf f928051fdc5ad6abdd6d4653d5fe4911 PDF Text Text BuFFALO EvENING EWS '\ionday, December 13, 1Y7l ALBRIGHT-KNOX GALLERY tars Amid the Beans: ~ ·Golden Music Touch. I By HERMAN TROTTER . Harry Golden, folk humorist and editor of the :carolina Israelite, is a man committed to the cosmic ·view of mundane matters. Or so it would seem if we 'take at faoe value one of the works performed by the 'UB Creative Associat·es during their Sunday evening ;program in Albright-Knox Art Gallery, continuing the .eighth ·season of the popular Evenings for New Music 45eries. ·• The work was· "Of Fables, Foibles -and Fancies" by Grant J3elglarian, four whimsical ;partations delivered by actor Terry Moore with cellist pouglas Davis . providing in'Strumental commentary and :ftccompaniment. Drawing on a :Golden text, Mr. Moore ad~ised against complaining about poor restaurant service tlien launched into a lengthy discussion of galacUc vaSltness, describing the size of the Milky Way, the incredible distance to the next neighboring nebula, anq the billions of larger formations even further out in space. "In view of this,'' he added, "it seems silly to gripe ilf the waitress brings you string beans instead of Iimas." Over, under and around the narration Mr. Davis was filling the air with the most florid and fanciful of cello phrases, some complementing the text, others coolly detached, nad a few suggesting a stubbornly opposite view. The three other narratives were droll folk tales, also ornamented with romantic cello filigree , and the work got the bigge~st reception of the night. * * .. ATTENDANCE was almost capacity. There wa:s a small admission fee for the first time. Previous free programs have played to standing-room only. "Les . Moutons de Panurge" by Frederic Rzewski was performed by the composer and an e i g h t - m e m b e r ensemble, endlessly repeating in unison a melody of eastern character, extending then diminishing it, with greatly varied instrumental dynamics and coloration. It had the meiodic contour and form of an Indian raga, fascinating but semi-hypnotic, and showed in the process that composer Rzewski, a former Creative Associate, is a!so an exceptionally articulate and supple pianist. This was proven conclusively later in Boulez' Sonatine for flute and piano played by Petr Kotik and Mr. Rzewski. It's a big work, belying its diminutive title, clearly .structured in its 12-tone idiom, and was given a top performance, Mr. Rsewski playing the fien:lishly di ffic ult part wiVh e-ffortless ease. * .. * ANOTHER EXCELLENT pianist, Roger Shields, was featured in two works. He teamed with Douglas Davis in Webern's 1914 Cello Sonata and Three L'ttle Pieces, Op. 11, then returned as soloist in Robert Erickson's Cohcerto for Piano and Seven Instruments, Jan Williams conducting. This work seems to have all the form and impulse of a romantic concerto, but is also full of the noodly rhetoric of hardcore atonalism, and doesn't yield its pleasures easi-ly. ~r. Shields molded the mass1ve sonorities · impressively and showed exquisite control of the whisper-tones at the other end of the dynamic spectrum. The program opened with Julius Eastman conducting an ensemble of six in Makoto Shinohara's "Consonance," a work whose ram bly random opening seemed to fly in the . fa<ce of its title. But its order and relevance became apparent no longer view, as longheld tones and chords and quieter ins•truments like. the scurrying vibes and manmba eased into dominance. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stars amid the beans: a golden music touch Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-12-12 With references to the following additional composers: Grant Belglarian, Frederic Rzewski, Boulez, Webern, Robert Erickson, Makoto Shinohara Note: Review of Eastman as conductor Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_102 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/64cf05dcd3476284985dd2e1683af599.pdf 7a2251fcbaf3f476336baaae3eacc623 PDF Text Text EVENINGS FOR NEW MUSIC Consonance (1964-67) * . Makoto Shinohara Petr Kotik, Beye Fyfe, Jeffery Kowalsky, Garry Kvistad, Mario Falcao, Douglas Davis Julius Eastman, conductor Of Fables, Foibles and Fancies (1971) * . for cellist and reader-actor Grant Belglarian Douglas Davis and Terry Moore Les Moutons de Panurge (1969) Frederic Rzewski the composer with members of the Center INTERMISSION Cello Sonata (1914) and Three Little Pieces, Op. ll (1914) Anton Webern Douglas Davis and Roger Shields Pierre Boulez Sonatine ( 1946) for flute and piano Petr Kotik and Frederic Rzewski Concerto for Piano and Seven Instruments (1963) * . . Robert Erickson Roger Shields Petr Kotik, Roberto Laneri, Andrew Stiller, Donald Montalto, James Fulkerson, Dennis Allen, Garry Kvistad Jan Williams, conductor • First Buffalo performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Buffalo Fine Arts Academy) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-12-12 Note: Eastman listed as conductor of Consonance by Makoto Shinohara Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-12 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_101 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/ee22df8644b6659241c95ca9c8e52e8b.pdf ee3a79054b098051df061a92b10bda30 PDF Text Text BUFFALO EVENING NEWS Saturday, December 11, 1971 ~ CMUSIC,., • ~ CHEEKTOWAGA Community Symp!1ony Orchestra u.-~der RQbW Mols youthful piano soloist Keith th@fi§ I~ the Grieg Concerto, concert favorites, admission fr~, tomorrow at 3 PM in Maryvale High School auditrorhJm. . . N~~t~~AB:r~;s:s sr.hl~haaJ.~~~~ uS~d.;~ In First United Presbyterian Coorch. THEATER ORGAN Enth·usiasts program, soloist Harvey Elsaesser , si lent film, Sing Along , Wednesday at 8 PM in lhe Riviera Theater, North Tona wanda. BUFFALO STATE College Concert Band under Frank Collura, admission free, Wedn esday at 8:15 PM in Cam· Pus School auditorium, Christmas and Hanukah music, works of Ginastera and Rimsky-Korsakov. . of Early Amerrcan A S~MPLER M·USIC, chamber conc~rt under. !he u· phony Chorus, soloists, the Handel "Messiah., tomorrow at 3·15 PM in 11 La Salle Senior High School: TREBL~ •EVE>N~ONG, Thomas Fost..r all. orga~lst and drre~tor, tomorrow at 5 [ OGER SHIELDS, pianist assisted by PM In Calvary EPISCoPal Church. . soprano Sylvi" Dimiziani and violinist ST. PAUL'S CATHEDRAL organ Henry Rubin, Polish and Hungarran recital by Frederick Burgomaster, program auspices of College B and chorales of Buxtehude, Bach, Franck cultural groups, works of Chopin, on Christmas Penderecki, Szymanowski, Bartok, and other works 1-/lemes, tomorrow at 5 PM. Liszt, Friday at 8:30 PM in Upton BACH CONCERT, Donald Bliss conHall . B CHOIR, JuliiJ$ E•astman director, ductor, Paul Staley organist,. chamber n orchestri!, Cantata 180 and Srnfo~1a to works of Machaut, Greaves, Reger, Cantata 156, tomorrow at 7 PM 1n St. Eastman admission free, Friday at Matthias Episcopal Church, East ' :30 PM 'in Baird Hall . Aurora. . . . HAND•EL "MES~IAH," Philharmon ic HANUKAH RECITAL, V 1sItIng annual presentation auspices of The Hassidlc folk-singer Sh Io m o Buffelo Evening News, noted visiting Carlebach, tomorrow- at 8 PM m soloists and chorus, Melvin Strauss Room 147, Diefendorf Hall, UB camconductor next Si!turday a1 8:30 PM us, auspices of Hillel Foundation. and the following. Sunday at 2:30 PM SYMPHONY BAND, ' Frank J. in Kleinhans Music Hall . _ admission free, CHORAL ARTS SOCIETY u.. der ipolla airector, omorrow at 8:30 PM in Gopdye_ar Robert F. Schulz, soloists and all, works of Makers, Delio Jo1o, orchestra Buxtehude "N e w born ovallo, Nethybel , Sousa. Chi ld," s~hubert Mass in G, Pfautsch W MUSIC SERIES, UB Creative "Oay for Dancing," Oec. 19 and 21 at Shinohara, 8:15 PM in Canisius College Student ssociates, works of Rzewski, Erickson, tomorrow at 8:30 Ce nter. M in Albright-Knox Art Gallery, ickets. EVELAND QUARTET, fin;, I Beethoven Cycle concert, Monday at :30 PM in ~ird Hall. LOCKPORT FESTIVAL of 15 area church choirs, visi ting organist Frederick Swann, tomorrow at 8 PM ~~~~ti¥~u~d;;la:ten8 ,~ ~M a~m~~\~~ B [j B � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-12-17 Note: Eastman listed as director of the UB choir Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_100 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/7f0af4c97c0a0fd2d7df1a982277bbd6.pdf 3a0b6f63781d010899e9df6e38b22a2a PDF Text Text EVENINGS FOR NEW MUSIC PATTERNS II (1971) . . . . . . . . James Fulkerson Stuart Fox ICE AGE (1954) . . . . . . . . . . . . . . . . Henry Brant Garry Kvistad, Roberto Laneri, Roger Shields " ... le sifjlement des vents·porteurs de l'amour •. ." (1970) Gilles Tremblay Robert Cram and Jan Williams INTERMISSION GRAZIE PER ESSERE VENUTI! (1970) . . CARNAVAL for violin, cello, piano, speaker . . . . Mauro Bortolotti Henry Rubin, Douglas Davis, Julius Eastman, Terry Moore MACHINE MUSIC (1964) Roger Shields and Jeffery Kowalsky Stuart Fox, tape . . Lejaren Hiller � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (McMaster University) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-21 Note: Eastman performs Bortolotti's Grazie per esser venuti! Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_099 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/1183c6dceb295cc7a9b721e2832368c3.pdf 73f90698ccc4aca560c0867b6c9bedfd PDF Text Text Courier Express N (JV. 7, 1971 astman Sings i11 Israel Concert Small Nation Thrives on Musical Diet I of music by black composers. ALONG WITH "Eight Songs By TOM PUTNAM JULIUS EASTMAN has been for ~--~~_!in~t~e Israel getting mileage from Peter Philharmonic program, preMaxwell-Davies' "Eight Songs sented in Tel Aviv and for a Mad King," which the J erusalem, included Bach orsinging-actor performed last chestrations by Webern and season on an Evenings for Stravinsky, a piece by Gabrieli, New Music concert, a brilliant and a Beethoven, symphony. performance of a g r e a t Future conductors on the new dramatic part. music series in Tel Aviv are Eastman returned last week Lukas Foss and Michael Tilson from Israel, where he per- Thomas, past and p r e .s e n t formed his "Mad King" role music directors of the Buffalo with the Israeli Philharmonic Philharmonic. By a certain under Zubin Mehta. He may be logic, then, Eastman might be tiring of the Maxwell-Davies in line for an important post. piece, although he certainly was He denied it, though, happy to have the opportunity Eastman will be busy again to go to Israel. "Israel is really very extraordinary," this season as a multi-talented member of the UB Center of the Eastman said. "First of all they have an orchestra series, Creative and Performing Arts. like our series, but Instead of One doesn't know quite how to two concerts their orchestra has describe him, but to say he is a a series for 12 concerts. And composer, a baritone, a pianist, you can't get a seat. Every con- a choreographer and a poet. cert is packed." SOME OF _HIS music may be IN ISRAEL music is con- recorded by Paul Freeman and sidered necessary to life, not the Detroit Symphony 0 rdecorative. The Israel Phil- chestra, and Melvin Strauss harmonic plays more than 200 wants to include a piece of concerts a year, and to satisfy ~Eastman's on a school program the demand in the small nation for music, it ls~possible that one concert could be played 17 times. The orchestra's home Is the Frederic R. Mann Auditorium in Tel Aviv, where It plays about eight subscription series of 12 concerts each. In addition there are concerts in Haifa, Jerusalem and Beershel)a1 at the armed services locatwns, in the suburbs of the big cities, and in outlaying tovms. Zubin Mehta Is the musical adviser and principal conductor of the Israel Philharmonic, which he conducts for about four months each year. "THEY PROBABLY are the most musical people going," Eastman continued. "And they treat artists well." He said the orchestra provides a house just for the visiting artists, with a · cook, and a hostess. "I had a huge double-room, with a piano. And there was someone to drive me wherever 1 wantea to go. n ·s ]Ust ex-traordinary. You don't find that anywhere else. It makes an American artist feel u ncomfortable." Eastman performed In Tel Aviv as part of a special series, slightly different In programs, with an emphasis on the new and the little known. There were perhaps 2,200 to hear Eastman In the role of the "Mad King" (800 heard him here at the Albright-Knox Art · Gallery) , "I'll have to write a new work," the composer said. "The piece must be no longer than eight minutes, and it must be scored for full s y m p h o n y orchestra." Andrew Brown's Gospel Choir from Buffalo State College will be on the program, and Eastman may find a way of working them into the music. Eastman also will be working this season with the SEM ensemble, t h e avant-garde group led by flutist-composer Petr Kotik. Others in SEM are Roberto Laneri, the clarinetist, and Jan Williams, percussionist and assistant director of the UB Creative and Performing Arts Center. With SEM Eastman will travel abroad to Cologne and Berlin in January and February. \L JuliUJ Eastman music in Israel ... � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman sings in Israel concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: unknown With references to the following additional composers: Peter Maxwell-Davies Note: Eastman performed Eight Songs for a Mad King in Israel Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-07 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_098 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/76fbacf99e76820d566ac8a1e203a5c0.pdf f578ea8482b6f20463d14779a49b8572 PDF Text Text MEMBERS OF THE CENTER 1971-72 DOUGLAS DAVIS, Cellist- Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN, Pianist/composer/singer - Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist/electronicist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly· wood Bowl, and Ojai Festival, Los Angeles. JAMES FULKERSON, Composer working in intermedia-Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. PETR KOTIK, Composer/flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, "Musica Viva Pragensis," 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. GARRY KVISTAD, Percussionist-B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. TERRY MOORE, Theater Director- B.A. Radio and Television, M.A. Theater Arts, Uni· versity of lllinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair", San Francisco. FRANK PARMAN, Playwright - From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. GEORGE RITSCHER, Electronicist - Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. HENRY RUBIN, Violinist - M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U.S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. ROGER SHIELDS, Pianist - B.A., M.A., University of Illinois. Student of Soulima Stravinsky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from lves to the present. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Middlebuy college) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-03 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_097 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/065ff6cf3fdd9e158f43af6d1e0e962c.pdf d0de3ff74ac1243beeb43d88f35b56f2 PDF Text Text MEMBERS OF THE CENTER 1971-72 DOUGLAS DAVIS, Cellist- Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN, Pianist/composer/singer - Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist/ electronicist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly· wood Bowl, and Ojai Festival, Los Angeles. JAMES FULKERSON, Composer working in intermedia-Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. PETR KOTIK, Composer/flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, "Musica Viva Pragensis," 1961·64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. GARRY KVISTAD, Percussionist-B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. TERRY MOORE, Theater Director- B.A. Radio and Television, M.A. Theater Arts, Uni· versity of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair", San Francisco. FRANK PARMAN, Playwright - From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. GEORGE RITSCHER, Electronicist - Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. HENRY RUBIN, Violinist - M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U.S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. ROGER SHIELDS, Pianist - B.A., M.A., University of Illinois. Student of Soulima Stravinsky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from Ives to the present. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-11-02 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_096 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/157f743126fc5e0dd60cc2ca20870dca.pdf c60a1b5c65cb01652568490a2089e7a4 PDF Text Text CENTER OF THE CREATIVE AND PERFORMING ARTS MEMBERS 1971-72 DOUGLAS DAVIS, Cellist- Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Former Associate Professor of Music at San Fernando Valley State College. JULIUS EASTMAN, Pianist/composer/singer- Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist/electronicist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Soloist, Monday Evening Concert series, Holly· wood Bowl, and Ojai Festival, Los Angeles. JAMES FULKERSON, Composer working in intermedia-Recipient of 1971 Creative Artist Commission from the New York State Council on the Arts. PETR KOTIK, Composer/ flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Founded the new music ensemble, "Musica Viva Pragensis," 1961-64, the QUAX ensemble, 1966-69, and the S.E.M. ensemble, 1970. GARRY KVISTAD, Percussionist-B.A., Oberlin College, 1971. Co-founder of the Oberlin Contemporary Chamber Ensemble. Fellowship recipient, Berkshire Music Festival. TERRY MOORE, Theater Director- B.A. Radio and Television, M.A. Theater Arts, University of Illinois. Capricorn. Worked with the Depot Theater, Knowhere Players, Roving Theater and the Krannert Center for the Performing Arts in Urbana, Illinois, and the American Conservatory Theatre, and "Hair", San Francisco. FRANK PARMAN, Playwright - From Oklahoma. Studied architecture and English at the University of Oklahoma. Studied playwriting with LeRoi Jones and Jack Richardson while working at the Columbia University Library. With Depot Theater, Urbana, Illinois, as playwright, director and designer, 1967-69. Special projects editor for Drama Book Specialists, New York. GEORGE RITSCHER, Electronicist - Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. HENRY RUBIN, Violinist - M.S., Juilliard School. Violin studies with Oscar Shumsky. Soloist with U.S. Army Band in Washington D. C., 1967-70. Member of the Concerto Soloists of Philadelphia, 1970. ROGER SHIELDS, Pianist - B.A., M.A., University of Illinois. Student of Soulima Stravinsky. As the Kinley Fellow 1965-66, studied with Yvonne Loriod in Paris. Prize winner, International Busoni Competition in Italy, 1969. Currently recording a series of albums surveying 20th Century American Piano Music from Ives to the present. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-10-30 Note: Eastman listed as member of the center (1971-72) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-10-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_095 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/8b1f9c539d9710c9b73488ce96f3ce0c.pdf 314949f01d2f0fda32a7e42565fc8e1a PDF Text Text BUFFALO COURIER-EXPRESS, Sunday, ldDber, 24, 1971 FM Highlights _ _I TODAY 11:80 a.m., WADV - Challenge '71-Discussion will center on THURSDAY the proposed rapid Mass 7·: 30 p.m., WBCE - "Opera'& 'fransit Syst-em to serve Erie Great~st Hits"-Arthur Fiedand Niagara Counties, with. ler conducting the Boston guest Lewis G. Harriman, Pops Orchestra. chairman of the area commit· 9 p.m., \\'BFO-Vox Humanatee for transit. Host Laurence Bogue features Noon, WBEN-Footbaii-Buffalo Cesar Franck's "Les BeautiBills vs. the San Diego Chargtudes," (Part Two). ers,. (Reoroadcast of 12 :r.iid- , FRIDAY night game on Oct. 23.) 6:30 p.m., WBEN-Pipe Orga'l 1:00 p.m., WBUF-Football Memories-Billy Nalle Is the New York Giants vs. Phila~ruest organist with selections: delphia Eagles. , "The Man That Got Away," 6:05p.m., WB:sY-What's Right "Can't Take My Eyes Off of About Buffalo-With host Al You," and "Lullaby of BroadCooper. way." 7:00 p.m., WBFO- Listener's ,:30 p.m., WBCE-Leonard BernChoice-Buffalo's only classistein and the New York Phil- 1 cal music request program. harmonic - Compositions of For requ~sts call or write the Mr. Bernstein, including exstation. erpts from "West Side Story," MONDAY and "On The Town." 6:15p.m., WBFO-Concert Hall 8 p.m., WBFO - The Esoteric -Host Ricl1ard Malawista Phonograph-Featuring "Refeatures selections from the discovered Romantic Cornworks of Mozart, Shostakoposers." vieb and l\·1endelssohn. 7:00 p.m., WBE..11l- Casper CitSATL"RDAY ron-Producer, writer and di· 2:30 p.m., '\<VBFO-The History rector, Frank D. Gilroy, talks of Classical .Jazz--With Host about his new film, " DesperCharlie Smith. ate Characters." 6:30 p,m., WBEN-L"B Round7:30p.m., WBCE-Concert Hall table-Topic for discussion -"World's Favorite Overwill be: "What Direction For tures"; Leonard Bernstein The Supreme Court?" . Disconducting the New York eussed by Atty. John E. Philhannonir. Leach and professor of po· TUESDAY litical science Dr. Robert H. 2:05 p.m., WBNY - Featured Stern. Album-A! Hirt : In Love With 11:05 p.m., WIU.D.......Concert Hall You, with selections: "With -Johann and Josef Strauss' Pen In Hand," "Don't Give Waltzes and Polkas. Up", and "Eleanor Rigby." 7:00 p.m., WBEN-Casper Citron Show-The story of the two most exhilarating heart surgeons in the world-Dr. Michael DeBakey and Dr. Denton Cooley, discussed by Dr. Robert Rothenberg. 7:30 p.m .• WBCE-"1812 Overture"-By Tchaikowsky, performed by the Los Angeles Philharmonic Orchestra with Zubin Mahala conducting. WED:\IESDAY 7:30 p.m., WBCE - Mendelssohn's "Concerto In E Minor For Violin lind Orchestra Eugene Orrnandy conducting ~e Philadelphia Orchestra. 9:05 p.m. WBCE-Musical In· novations - Guest, Julius Eastman, an instructor in music and a member of the Creative Associates at UB will discuss his music scores ~!ld baUets. u:uo p.m. WBFO-Searching Topic for discussion and commen•: "Hair Is A Four Letter Word." 10:30 p.m., WBFO-Crossroad In Time-Continuing profile of the Athtbascan Indians; to~~~h~~1~~i~; "The Future of � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FM Highlights Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-10-27 Note: Eastman to give a radio talk Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-10-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_094 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/239b57d0c566148e984a0ec2d413cc7a.pdf 2845addacb51ddc533bf0a11e0341131 PDF Text Text GREPORTER, September 30, 1971 Eastman: ~I Always Thought I Was·Great, But Why Does Making It Big Take So Long?' the field of music began when he was a boy soprano at his hometown Episcopal church in Ithaca, New York. He began piano lessons at the age of 14, wrote an opera at 15- "only two pieces were good." By SUZANNE METZGER Reporter Stall His tiger print shirt wet with summer rain, assuming an occasional antic gesture, Julius Eastman flashed the comment, "I always thought I was just great and it shouldn't be so hard, but I was shocked that the processes were so slow." He was speaking of making it big in the field of contemporary music. Eastman frequently explodes in loud laughter- breaks up the composure with an ironical gibe, often directed at himself. His music . expresses that same touch of irony. Sometimes a serene and inspiring passage is shattered by a scream; there are moments in the listening when you think you've walked in on some primeval jungle, or perhaps some futuristic scene. The voic. es sometimes take on a·n animal range, noises intersperse with the vocal calls, primitive sounds blend with the taped hums of technology. His "Five Gay Songs" at times strike a sardonic key. Make It Sensational, Honey! Eastman says, · "I'm not a world figure, but certain people know me. I've never pushed my music at all. Maybe that's not a good quality particularly, but I've always figured that once one is known the publishers will come to you." But he later added, "Write me a sensational review, honey!" A member of the Creative Associates, director of the U / B Chamber Choir and an assistant professor of music here, Eastman's performances outnumber h i s publications and have displayed his wide scope of talents. Most of his contracts are for vocal parts. A bass baritone with a rich, full quality, he has sung as soloist with the Los Angeles Philharmonic under Zubin Mehta w h om he terms "a very pleasant person to work with," has recorded in London, and toured Norway. W i t h his unusually flexible range, Eastman's repertoire includes the extremely demanding "Eight Songs for a Mad King," by the English composer Maxwell-Davies. Eastman says he knows of only one othel' singer in the world who can tackle these pieces. Word of his own performance spread from the Aspen Music Festival in Colorado to England, where the composer personally invited Eastman for an encore. But his first love is composing. "I would just like to comP.Qse, but that's only a dream." Musical Therapy Eastman He acknowledges that it's hard to get to the level of a Menotti, or Barber or Copland who can live by composing a lone . Composing, s a y s Eastman, "begins with making yourself sit down and work. This is hard if you're lazy," which he's not, disciplining himself to qomplete at least some work every day, and usually without the piano. One of his compositions, "Thruway," a "multi-media thing with chorus, instruments, tape replay," was created while he was riding (as passenger, not driver) on the New York State Thruway. He's Never Nervous "I can hear what I want to hear without a piano," says Eastman, who is very self-conscious about ·playing the piano when the neighbors might be disturbed, although he says he's never nervous over a public performance. If he has to practice, he takes off for the privacy of a music studio. Eastman can compo: e for all instruments-"that's all part of the craft," and his works have included pieces for seven trumpets, a piece for 14 women and w o r k s for electronic instruments. He's a choreographer, too. Last season at Domus, "The Moon's Silerit Modulation," his poem play for three dancers, chorus and chamber players, was performed. Eastman also writes poetry and is . presently working on "an adult play," about a man who's married and is having a homosexual affair. His neurosis, says Eastman, is that he desperately tries to keep it secret. "I haven't decided how I'm going to reconcile the situation. I think I'm going to have him go crazy." Eastman's introduction into He studied at the C u r t i s Music Institute, after which he "went out into the world," which included a stopover in New York City, a Town Hall debut, a year in the Bronx, living with relatives and performing the "deadly task" of playing for dance classes just to earn a little money. "Before you go to New York you have to be established. Don't go just out of school!" He also administered "musical therapy" at a mental institution in Willard, New York, picked cotton for a while on a family farm in the South. All this before a musical tour of Europe as a member of the Greg Smith Singers, an American choral group. "But night after night, travelling all the time- some people like it, but I had had enough." Eastman was drawn to Buf" falo because of Lukas Foss and the Creative Associates. He won a part in the Christmas 1968 production of Menotti's Amahl and the Night Visitors which gave him a firm footing in the Buffalo musical scene. He resumed a friendship with Billie Kirpich whom he had met years b e f o r e when he played for her dance classes at the Indian Hill Camp in Massachusetts where he was on a music scholarship. 'I Badgered Lukas' Eastman taught opera appreciation at State College and worked himself into the Creative Associates. "I badgered Lukas Foss into letting me perform one of his piano works in the Creative Associates Series." He was awarded "half a fellowship," and then finally in 1970 he became a full member of the group with a "fellowship just to play." He also teaches the o r y and composition on campus. Though he devotes most of his t i m e to creative efforts, Eastman has a busy social life, says he lias "almost too many friends-mostly downtown people who have nothing to do with music. I had to get rid of ·some of my friends recently. You know, I'm a clean living fellow. I like to get to bed by 11 o'clock and they were coming to my door at 3 in the morning. That's too much." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman: 'I always thought I was great, but why does making it big take so long?' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article With references to the following works by Julius Eastman: Five Gay Songs Thruway The Moon's Silent Modulation With references to the following additional composers: Lukas Foss, Maxwell-Davies, Menotti, Barber, Copland Includes illustration Creator An entity primarily responsible for making the resource Metzger, Susan Source A related resource from which the described resource is derived Reporter Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_093 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/8bc5845339775043063ddd9af1394f5c.pdf dd2d826bd079812d1f850389d72027b3 PDF Text Text Exp qrations · lnt~ 'Newest Music New venture~(into music-theater, multi-media and dance, five "Evenings for New Music" and many re· citals are scheduled in the 1971-72 season of . the UB Creative Associates, the composers and players of the DB Center for th~ Creative and Performing A,rts. The appointment :of faculty member Jan Williams as new assistant director of the center is announced by co-directors Lukas Foss and Lejaren Hiller. Mr. Williams director of the Percussion 'Ensemble, has been a Creative Associate and conductor in many programs. New Creative Associates will be composer-pianist Riohard Trythall, violinist Henry Rubin and percussionist Gary Kvisted. ~-I I Continuing associates will be Edward Cox, theater; Douglas Davis, cello; Julius Eastman, composer-pianist and 's inger; James Fulkerson, composertrombonist; Petr Kotik, composer-fl utist; George Rische·r, electron ics, and Roger S•hields, pianist. Composer-bassoonist Andrew Stiller and composer-clarinetist Roberto Laneri have been named to graduate fellowships. An expected Rockefeller grant renewal Foundation would re-employ Joseph Dunn, theater director; Frank Parman, playwright, and add director-actor Terry Moore and a dancer-choreographer not yet named. The "Evenings for New Music Series" given annually at 8:30 PM in Albright-Knox Art Gallery and on tour will be offered on these dates: Oct. 30, the gallery (Nov. 2 in Carnegie Recital Hall, Nov. 3 in Middlebury College) works of Stiller, Mauricio Kagel, Henry Brant and Hiller. Dec. 12, the gallery (Dec. 6 in State University at Albany, Dec. 7 in Carnegie) with conductor Lukas Foss, works of Foss, Hindemith, Erickson. Works will be announced for the remaining programs: Feb. 13, the gallery (Feb. 15 in . Feb. 17 i I Geneseo ' Carnegie, in State College); March 18 & 19 in Domus, 1695 Elmwood Ave. and March 23 in FultonMontgomery College; April :JO. the gallery, following an April 4 presentation in Carnegie. Eight Baird Hall recitals of great variety in eras and styles will open Oct. 20, and other events will take place in Domus and Central Library. "Evenings for Mus ic Theater" will be an added series of two or three programs, to be given in Domus. Of particular interest will be the 1916 "Kaim of Koridwen" by American composer Charles Griffes, a theater and dance work apparently not staged since the year of its composition. I , I . 1_ , i ' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Explorations into newest music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Lukas Foss, Lejaren Hiller, Richard Trythall, James Fulkerson, Petr Kotik, Andrew Stiller, Roberto Laneri Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_092 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/5c3ff62565a65a265795db7494447a70.pdf 7f3b9a1917e99c7b2aec99c864e65343 PDF Text Text - Monday, August 16,~1~9~7::1-~.:-=----~ 4 Car-negie, Hall Dates For Creative Associates By J OHN DWYER New talent, four return appearances in Carnegie Recital Hall in New York, expansion into musictheater and dance will be features of the 1971-72 season · of the UB Center for the Creative & Performing Arts, home of the enterprising Creative Associates. Continuing co-directors a re Lukas Foss and Lejar.en Hiller. The · new assistant director is Jan Williams , faculty member and percussion expert. New ar rivals will be composer-pianist Richard Trythall, percussionist Gary Kvisted and 1 violinist Henry Rubin. I Returning will be Edward Cox, theater ; Douglas Davis, cello; Julius Eastman, composer-pianist, bass and actor; James Fulkerson, composertrombonist; Petr Kotik, composer-flutist; ,George Rischer, I 1 ! electronics; Roger Shielqs, piano. Graduate fellowships have been awarded to composerbassoonist Andrew Stiller and composer-clarinetist Roberto Laneri. Expected renewal of a Rockefeller Foundation grant would re-engage Joseph Dunn, theater director; Frank Parman, playwright, and add director-actor Terry Moore and a dancerchoreographer to be named. The noted "Evenings for New Music Series'' whicih has gained national attention will be given on these dates: Oct. 30, 8: 30 PM, AlbrightKnox Art Gallery auditorium (repeated Nov. 2 in Carnegie Recital Hall and Nov. 3 in Middlebury, Vt., ·co 11 e g e) works of Stiller, Mauricio , Kagel, Henry Brant and Hiller. Dec. 12, 8: 30 PM, the gallery (Dec . .6 in State University at Albany, Dec. 7 in Carnegie) with conductor Lukas Foss, works of Foss , Hindemith, ,_. Erickson. Feb. 13, 8:30 PM, the gallery (Feb. 15 in Carnegie, Feb. 17 in Geneseo State-CoHege, works to be announced. March 18 & 19 in Domus , 1695 Elmwood Ave. and March 23 in Fulton- Montgomery College, works to be announced. April30, 8:30PM, the gallery (previously offered April 4 in Carnegie) works to be announced. Several Baird Hall recitals , classic and modern, are listed beginning Oct. 20, and programs wpl be presented once aga,in in Central Library. Two or three Evenings for Musical Theater will be added, all in Domus, including the staging of a long-neglected dance-theater work of Charles Griffes, "Kairn of Koridwen." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4 Carnegie Hall dates for Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement With references to the following additional composers: Lukas Foss, Lejaren Hiller, Jan Williams, Richard Trythall, James Fulkerson, Petr Kotik, Andrew Stiller, Roberto Laneri, Charles Griffes Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-16 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_091 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/ba7f231592755b1fccb00b29ad22ca0f.pdf a01d3944b6a7836d67d157c4d904025b PDF Text Text UFFALO COURIER-EXPRESS, Monday, Augu~t 16 .1971 rts L'enter r~ ames "Associates The Center of the Creative and Performing Arts has announced its roster of creative associates for the new season at the Uni· versity of Buffalo. Lukas Foss and Lejaren Hiller again are codirectors, and Jan Williams is in the new post of assistant director. Creative associates returning are Douglas Davis, cello ; Julius Eastman, composer-pianist: Stuart Fox, guitar; Jim Fulkerson, composer· trombonist· Petr Kotik, composer- flutist; Roger · Shields, piano; Edward Cox, theatrical technician; and George Ritscher, electronics technician. Newly appointed CA's are Richard Trythall, composer-pianist; Gary Kvisted, percussion; and Henry Rubin, violin. (The previous Center violinist, Mark Sokol, has formed a string quartet; and the violinist before that was Charles Haupt, now concertmaster of the Buffalo Phil· harmonic Orchestra.) The university music department has awarded graduate fel· lowships for work with the Center to Andrew Stiller, composerbassoonist, and Roberto Laneri, composer • clarinetist, who held the position last year. A grant from the Rockefeller Foundation will allow the Center to continue work in multimedia and theater by Joseph Dunn, F~·ank Parman, Terry Moore and a dancer-choreographer to be selected. Music Series The Center will present five Evenings for New Music, the first Oct. 30 at the Albright-Knox Art Gallery including works by Andrew Stiller, Mauricio Kagel (a UB Slee professor in 1965), Henry Brant, Giles Tremblay and Lejaren Hiller. Lukas Foss will conduct the program Dec. 12 at the Gallery, including his Suite from "Antigone" and works by Hindemith, Xenakis and Robert Erickson. Remaining programs in the Evenings for New Music series are Feb. 13 at the Gallery, Jan Williams ••• new post March l8-Hl11t Domus, 11nd April 30 at the Gallery. _ ·~} The Center a.so takes the programs on the road to Carnegie Recital Hall in New York, Middlebury College in Vermont, State University of New York at Albany, McMaster University in Hamilton, Ont., State University of New York at Geneseo, and Fulton - Montgomery College in Johnstown. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts center names associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: unknown With references to the following additional composers: Lukas Foss, Lejaren Hiller, Jan Williams, Petr Kotik, Richard Trythall, Andrew Stiller, Roberto Laneri, Joseph Dunn, Frank Parman, Terry Moore, Hindemith, Xenakis, Robert Erickson Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_090 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d3a4cc6aa47cef88e8ba13fc5aacb12b.pdf d52e8f38bda2771600ff1a172f82ead4 PDF Text Text BuFFALo EVENING NEws MonCiay, August 2, 197! :P repare for Unexpectea When Ch. 17 Broadcasts A Zany Series of Concerts By JEFF SIMON WNED-TV (Ch. 17) is determined to expose once and for all one of the best kept secrets in the Buffalo area: to wit, that the Creative Associates of the State University of Buffalo's Music Department are one of the wildest and most entertaining groups of folks in a 'lOOO mile radius. EVENINGS F OR NEW The secret, of course, hasn't !]~en kept by anyone deliberately. It's just that "avantgarde music" can hardly be ~lf.Pected to supplant football, situation comedy or cops and 1 in peoples' affect:ons. whole enterprise carries it the awful, unwhispere rumor of "high culture" MUSIC 11 _ Compo~ed of Lukas Foss' Map and Auto/Biographic, a poem for voices . and visuals by Frank Parmen · and Joseph H. Dunn. Don't worry about the titles . In Map you will see a . musical game played by five musicians. If you've never !Seen a percussionist dismisg a clarinet player from a group ,.with a "nev~r darken ' doo r~tep again" gesture, don t miss it. Auto/Biographic opens with ' 'a closeup of a catsup bottle, a · bowl of sugar, a pitcher of · cream and a salt and pepper m1 shaker. The visual parts have nothing whatsoever to do with the narration and sounds and so you hear lines like "whadya gonna sleep here all night?" while no one on camera is sleeping. The nice thing about the Emperor's New Clothes fairy tale is that the audience can't lose either way: if his clothes are beautiful, then you've seen beautiful clothes; if the emperor is indeed naked, then you've gotten the most deeply satisfying laugh of all. * * * of the last Buffalo of the arts in which took childr.en to hear Cage 's "Concert for and Orchestra" and themselves confronted violinist' Harry Taub ing a rubber duck. only way to dispel the is what Ch . l7 has and that is film a few of Evenings for New Music ncerts, put them on the air rd hope that an audience will ut aside understandable ss and approach the thing as an adventure. One is already te levised and are still in the process of editing and will be aired e in the fall. If you're b rl ul>inhllrnlll~ and not easily (and please don't can 'check the TV for the following hours games and then a little EVENINGS FOR NEW MUSIC III - This is the most visual of all with Julius Eastman per" forming Peter Maxwell Davies Eight Songs for a Mad King and actor James Hurt performing Crockett by Wolf Rosenberg. Crockett is a particularly- Juli us Eastman insane- delight because Mr. Hurt performs the whole thing in a white bag and alternates Davy Crockett braggadoccio with Samuel Beckett despair. As Crockett, he yells "if I had a mind to, I could jump across the ocean on half a leg in even less time." As a Beckett, he wonders endlessly "how do I get my foot up." When these programs are broadcast, there would certainly be nothing wrong with approaching them as deadly serious art but I doubt wheth er any of the composers or the Creative Associates or anyone at Ch . 17 would mind in the least if you approach them as a kind of otherwordly "LaughIn ." As long as you approach them and help Ch. 17 expose the secret. • • • � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prepare for unexpected when ch. 17 broadcasts a zany series of concerts Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: unknown Note: Eastman performs Eight Songs for a Mad King Includes illustration Creator An entity primarily responsible for making the resource Simon, Jeff Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-08-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_089 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c4ec380cc8ddbba62f00001fd859fdf4.pdf 6edde62a11103078c183a2ee35ef1c19 PDF Text Text Buffalo Evening News Friday, March 26, 19'71 DOMUS AUDITORIUM Old New Music Fun· for Fans By JOHN DWYER Deceptively, the inner spirit of this thing was not in the flowery-gowned dancer spraying dessert topping on her own head, or the ordinary looking young man in mode-required long hair and mustache, starting out quite nude and donning 28 thin-fabric gym suits out of a laundry bag. · It was, in fact, just outside the Domus auditorium door, where a , mod combo was playing 2437 slight but unrelenting variations on the Major Ninth Chord, or inside ~here 14 musicians sounded a ceaseless Middle D in endless multiples. Probably the UB Creative !Associates hoped to give us the ;yin and Yang of music theater in this "Evenings for New Music" program on Thursday evening - the sublimation of tonal monotony contrasted with visual shock - but in all kindness and good nature, they were successful in half of it. The fi~ed-idea music, that is, number our sensibilities pleasantly so that the interest was heightened in small changes. But the theater stuff, while cheerful and mostly fun, was just a bit innocently presumptive in its posture of daring. These were long-used and very familiar gambits from the avant-garde archives, which themselves amount by now to a high card-file of repeats and just a few original inventions. * * * They'd done it earlier in Carnegie Recital Hall in New York, where I understand the ingenuous disarray of it all prompted the Times critic not to write anything, rather than report devastatingly on a Buffalo group he'd admired in print for other presentations in Manhattan. This . was a quite different ambience. They were at home, not competing in the world innovation market, enjoying themselves. As a tour program it could be considered a bad mistake, especially in New York where the devotees can detect as aesthetic re-tread at 40 paces blindfolded. As it has been done before, various works overlapped - a solo tuba piece, dance work, string quartet and chamber work by James Fulkerson, chamber play by Frank Parman, "OM Entrance" by Philip Corner, "Alley" by Petr Kotik, "Trumpet" by Julius Eastman and the earlierreviewed pocket opera "Lady Blancaros·a " by R udoIf Komorous. .. * * MR. CORNER'S Ninth Chord WELL, IF these gifted com- was taken from the Chopin posers and players were going Prelude in D, and among its to it - a kind of hodge-podge players was author and critic Ama teur Night among friends Peter Yates, who apparently - thi~ was the place to do it. just dropped by and was put to At home, having a good time work at the celeste. He played and not trying very hard for a C Sharp. sure-handed craft. The Middle D was given no particular provenance, so let me say it's the third note from the top in the opening chords of the Beethoven Piano Concerto No.4. I don't know, you can't blast this kind of thing as long as the young performers know they're getting by on largely borrowed impromptu and fresh-fa ced attractiveness. But they ought to get to work again, and prepare something like the MaxwellDavies "Mad King," that lan:!ed them top-side in the national press. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old new music fun for fans Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: James Fulkerson, Frank Parnam, Philip Corner, Petr Kotik, Rudolf Komorous Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_088 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6732e0ff72138f694cf7167835c73f02.pdf 4b614f08c25e246f38e8bcf9a2ab0b68 PDF Text Text Review Co11cert Given at Dontus By THOMAS PUTNAM From the smoking area of DoDuring the course of the col- rnus came the music of Phil Corlage "Evenings for New Music" ner's "Dominant Ninth Chord," eoncert Thursday night at a rhythmically stimulaitng and J)omus (a more down-to-earth even piece which provided acenvironment than the usual companiment for the "Betty Albright-Knox Art Gallery) this Johnston" ceremony , (a lady !happened: lighted a candle). The Creative Associates from Felt Wrong the University of Buffalo perBut when "Dominant Ninth" formed Philip Corner's "OM Entrance," a single tone whose continued through the intermisinterest comes from intonation sion and into the start of Petr variances of winds, strings and Kotik's "Alley," for the first voice; a nude man walked in 'o time something felt wrong. the central area and dressed Kotik's music at least seems himself and undressed himself and dressed himself (wraps in- to . ask attention. It is itself a mini-collage, Ives and Mozart in cluded three pairs of tightsgren, red and blue-and the kind a tossed salad. Julius Eastman of paper used for wrapping played the nonheroic Piano Concerto which begins "Alley," and· meat). , the group of wind musicians Work for People This latter ev<'nt was Jim Ful- , played what seemed to be imkerson's "For Betty Johnston," provisations. There was a jazz a work for people, Mary Fulker- style in the stand-up solos and son walked around explaining, improvisations of tenor sax, "They don't come from good trumpet and trombone. homes" (someone else thought "Dominant Ninth" concluded she said, "They do come from abruptly and "Alley" ended with good homes," but it probably ' the sustained tones of the string · doesn't matter to the sense of quartet. The next work was the piece). Eastman's "Trumpet," whose Another person handed out bouncing motives were played addressed envelopes to "Betty by a mixed ensemble (trumpJohnston, 404 E. Oregon, Ur- ets, oboe, tenor sax, clarinet). bana, Illonois 61801," and inside The music stopped a few times, of mine was a blank sheet of and the performers who were paper. Mrs. Fulkerson, while preparing the area for the final she circulated, was putting shav- work froze into party game postures. ing cream in her hair. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert given at Domus Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Philip Corner, Jim Fulkerson, Petr Kotik, Ives, Mozart Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-26 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_087 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/58a23fb0b5baca46b338dadf6784a0c7.pdf cdf9c389c63468912abff17a51db0d4d PDF Text Text MEMBERS OF THE CENTER 1970-71 EDWARD COX, Theatrical Technician-B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for DOMUS; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. DOUGLAS DAVIS, Cellist-Born in Los Angeles, California. Finalist in Tchaikovsky Com· petition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. JOSEPH DUNN, Theater Director-Attended Juniata College and the University of Pitts· burgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. JULIUS EASTMAN, Pianist-composer-Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. P erformances on Monday Evening Concert series and in Ojai Festival, Los Angeles. JAMES FULKERSON, Musician-Working in intermedia. PETR KOTIK, Composer-flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cunningham Dance Company, 1964. Founded the new music ensemble, "Musica Viva Pragensis," 1961-64, and the QUAX ensemble, 1966-69. JESSE LEVINE, Violist-Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argentina for the State Department, 1966, 67. Soloist, Maeght Festival at St. Paul de Vence, France, 1970. FRANK PARMAN, Playwright-Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied playwrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, Illinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. GEORGE RITSCHER, Electronicist-Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-25 Note: Eastman listed as member of the center (1790-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_086 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9a33d566d6722570d3eb0e40aee28aaa.pdf 64e22ae78d134ae227177dffcb5928c1 PDF Text Text EVENINGS FOR NEW MUSIC CHAMBER PLAY* Two constructive-type composers and electronics technician are minimum performers. Use four composers only if they don't know anything about construction. If desired , legs can be made from left over material. Carnegie Recital Hall and Stony Brook performances are "pre-fab" versions. *Number of composers is variable for individual pe!iformanc e s : Schoenberg, Webern, Satie, Hiller, Xenakis, Kamin, Corner, Ashley, Cage, Tenney, any of a half dozen Russians and many more, like Frank Lloyd Wright, Bruce Goff, Herb · Greene or D.C. Bernshouse. - F.P. MARCH 18 , 21 , 25 Be mobile. How can an old shoe be beautiful? Many events in many places. You never miss something, You experience where you are. - J.F . OM ENTRANCE Every thing these musicians do shows off their mastery. Passages you would never think of playing for anyone with the subtle ways of putting attention where it usually is not, making into music all that which is usually preparation for it. How the high quality of playing reveals in the simplest things! "We are all in the service of this tone." - (on-going.) As much virture in hearing as in performing. Either way a good part of it. (Keep this.) When practicing a piano, hours go by inside of the difficulties which are solved for audiences. They go by in seconds. What a shame to let by so easily such fascinating resonances. This time it is a pattern from Chopin, and shared by many instruments_ - P.C. ALLEY, BOOK NO. 1 January 1970 - January 1971. A music composition consisting of independent pieces, most of which are for unspecified instrumenta- tion. Two pieces, however, have given instrumentation: String Quartet and Concerto for Piano and Orchestra. ALLEY may be performed by any number of musicians, from one soloist to an orchestra. Although it is not necessary to perform all the pieces in the book, tonight, all will be performed. Pieces may be played in any order, overlapping or simultaneously, resulting in a collage. -P.K. TRUMPET 1970. It came as quite a shock. "And can you believe it," I said sadly as I lifted up my dress, and took out a plate. "It was quite an accomplishment," she said, and not knowing the circumstances, I began to sing softly by myself and alone. Now this is how it was. It began on a winter's night with some singing, softly. The window was open and the faint smell of pink flowers seeped through the door. "Now , " she said softly , "can you come with me and bring the letter with you?" "No!" and presently he returned from a deep sleep and recited a poem, that seemed to make no sense at all, and this is the pity of it. "First one and then the other and then none at all," she cried; as the wolf began to gnaw at her underwear to my surprise; and before I knew it, it was all gone, and could not be mentioned. Unfortunately, I was alone, haggard, depressed and without a pill or a penny to my name. "Quite so," he said, and picked up the case and left. Now the pity of it is, "How can a man like J. Hoover, do a job so badly and still stay on?" I said, "Can you imagine?" "No," she said, and quietly sat down beneath the willow trees, quietly and alone, sad and without a friend. "Yes," I said, and without a moment's notice began to play a quiet tune laying my head upon his knee. -J.E . DEVELOPED IN U.S. Cucumbers were known to the ancient Romans and Greeks, but the small cucumber or gherkins origiated in America. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program notes Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_085 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3741bb817a457aa82138eab62dcdbfd9.pdf 61e53ea0e8a0aa7991171724ac4c12cf PDF Text Text 8:30 8:50 9:20 9:40 10:05 10:25 10:40 I I I I I I Intermission Outside (Carnegie Hall) Kotik: All-Weather Music 8:00 Chord, Chopin Prelude Area A: Green Room if Carnegie Hall Lounge if Stony Brook Smoking Area if Domus AreaB: r-1 Corner: OM Entrance 1-------_,_ _ _ _____.:__-+-- 8:15 - -~ ---1 Fulkers n: For Betty Johnston Recital Hall if Carnegie Hall Auditorium if Stony Brook or Domus - f Patterns III I shojd've called it something. for QUARTET s1fRING Hallways Parman: Chamber Play ~--------:1 I Kotik All•y lji--E_as_t_m_a_n_:_T:_ru_m_:p:.._e_t_ _+j_K_o_m_o_ro_u_s_:- - - - - - 1 Lady Blancarosa � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Domus Theater) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-25 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_084 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d89c52753ff39037f985a14f85692183.pdf 09efef2211ba051af0b2bbb87dbc5a74 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BUFFALO MUSIC DEPARTMENT PRESENTS I CREATIVE ASSOCIATES AND GUESTS EVENINGS FOR NEW MUSIC AT DO MUS THEATER This concert is made possible through a grant from the New York State Council on the Arts DO MUS 1695 ELMWOOD AVENUE THURSDA Y . 8'30 P .M . MARCH 25 . 1971 ADMISSION FREE � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music at Domus Theater Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following additional composers: Corner, Fulkerson, Parman, Koik, Komorous Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_083 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/dd7ff1de5bcc6988b1047958ddf3a58d.pdf ccdcc25009c21935ba96ba36d9fc4db4 PDF Text Text Juilliard String Quartet to ·Perform In Mary Seaton Roo1n on Tuesday dances at 8 p.m. in Upton Hall Auditorium, Buffalo State College, MUSIC EVENTS this week inelude a program by the Julie llard String Quartet, Tuesday in the Mary Seaton Room, and a pops concert by the Buffalo Philharmonic Orchestra, featuring the Pickwick Puppet Theater, Friday ln Kleinhans Music Hall. Also, the Univerl!ity of Buffalo Creative Associates will present "Evenings foc Ne-w Music" Thursday at IX!mus. Here is the week's music calendar: Mar. ,;;; 11 Jq 71 Music Calendar -.:···· FRJDAY ' Mark Sokgl ¥io'W!, aJJr'Rfiw:r 5 l>igl&s piano will present a Creative 'Associate recital at 8 p.m. in Baird Recital Hall, University of Buffalo. The program will be works by Bach, Penderecki, Webern, Wolpe and Franck. Admission is free. TODAY - Tiffin Chamber Music Series will present a String Potpourri with violinists Judy Hershberger and Ira Weller at 4 p.m. in the Tiffin Room of Norton Union, Univerl!il.y ·()f Buffalo. A menu of wines, cheeses and pastries is available. Seating is at tables. Alice Coltrane • • jazz concert Friday Seaton Room of Kleinhans Music Hall. The program concludes the season series by the Buffalo Chamber Music Society. The program will be Haydn's Quartet in B-flat Major, Op. 55, No, 3; Beethoven's Quartet in F Minor, Op. 95; and Bartok's Quartet No. 6. Members of the quartet are Robert Mann and Earl Carlyss, violins; Samuel Rhodes, viola; and Claus Adam, cello. THE "ST. JOHN Passion" by Bach will be presented by the Cathedral Choir of Men and Boys, and an orchestra composed of members of the Buffalo Philharmonic Orchestra, Bt 5 p.m. at St. Paul's Cathedral under the direction of Frederick Burgomaster. Soloists are Patricia Yannello, soprano; Vivian Rassiga, alto; and Frank Pullano, bass. John Priebe Jr. will sing the part of the Evangelist, Donald Greatbatch will be Christ, and Ge-orge Wands will liing Pontius Pilate. THE BUFFALO PHILHARMONIC will present a pops concert at 8:30 p.m. in Kleinhans Music Hall. The featured work will be Tchaikovsky's "Sleeping Beauty" performed by the orchestra and the Pich-wick Puppet Theater. Melvin Strauss will conduct the program, which will include Tchaikovsky's "Romeo and Juliet." ALICE COLTRANE and Pharoah Sanders will present jazz workshops from 4 p.m. to 6 p.m. in tbe Union Social Hall of Buffalo State College. They also will perform a concert at 7 p.m. In the New Gym of the college, THE ORCHARD PARK Symphony Orchestra will present a concert at 8:15p.m. at Orchard Park Senior High School. Andrew Jennings will be soloist In the Violin Concerto by Jules Conus. Joseph Wineenc is the conductor. Eugene Rousseau SAXOPHONE - Eugene Rousseau, saxophonist from Indiana University, will present a lecWEDNESDAY -.Pat rIc l a ture-recital at 3 p.m. Saturday O,reskovic, soprano, will preseiir In Baird Recital Hall, Univera ecnaL at :30 p.m. m Barrd . _ ~-·· ~ sity of Buffalo. Next Sunday he Recit<ll Hal, University of Buf· 5.\TIIBDAY Saxophonist Euwill perform as soloist with the falo. She wil sing songs by Mozart, Franz, B!:'ahms and gene Rousseau will present a UB Concert Band at 8:30 p.m. lecture-recital with pianist Frina In Goodyear Hall. Maher. Admission Is free. . . Bold at 3 p.m. in Baird Recital _NEXT SU~DAY - . T1ffm SWEET HOME Central High Hall, University of Buffalo. School will present a senior Rousseau is on the music faculty Chamber ~s1c Series Will prerecital at 8:15 p.m. at the of Indiana University. The pro- 1 'Sent the tJ PercussJOn E~sem­ school. Admission is free. gram will feature a perform- ble, d1rected by Jan Wllllams, at 4 p.m. in the Tiffin Room of Soloists are Anita King, piano, ance of Paul Creston's Sonata. Norton Union, University of BufDebra Remson, violin. GLADYS KNIGHT and The falo. -.:···· Pips will present a rhythm and ·1 THURSDAY - Eyepinl'• Wr blues concert at 7 p.m. In the FAURE'S "REQUIEM" will ~W Music wm hi: presented.by New Gym of Buffalo State Colbe presented by the combi_ned t e Creative Assoc1ates of the lege. Also on the program is choirs of North Park Uruted University of Buffalo at 8:30 The Feeling Within. Presbyterian Church and Parkp.m. at Domus, 1695 Elmwood side Lutheran Church at 5 p.m. Ave Admission is free. Music FROHSINN SINGING Society at the Parkside Lutheran by Parman, Corner, Fulkerson, will hold a Spring Liederabend Church. Mrs. Jane McConnon Kotik, Eastman and Komorous and Dance at 8 p.m. at the will direct. Soloists are J aniece will be performed in separate Marygold Manor in Cheekto- Epke, soprano, and Walter Mil· spaces, sometimes ovelapping. waga. Erwin Moessinger will di- I ler baritone. The organist is M;y Oddie. The public Is Invited. rect the choruses. THE WILLIAMSVILLE North _I§ANK CIPOLLA will direct High School Concert Band, diSOPRANO ELLEN I.ANG will rected by Ronald Sutherland, present a semor recital at 8:30 tlie Universlfy of BuffalO Concer1 and the William Floyd High p.m. in Baird Recital Hall, Uni- Band in a concert at 8:30 p.m. School Band from Mastic Beach, versity of Buffalo. She will sing In Goodyear Hall, UB campus. Long Island, will present a con- songs by Sartorio, Mozart, Eugene Rousseau will be saxocert at 8 p.m. in the auditori- Rossin! and Schubert. Admission phone .!iOloist. Admission Is free. -.:··um of Williamsville North High Is free. School. Music by Cacavas, RUSLANA ANTONOWICZ will Persichetti, Clifton Williams, present a plano recnal at 8:30 THE OBERLIN COLLEGE Osterling and Walter Hartley Choir, directed by Harriet p.m. March 29 In Baird Recital Hall, University of Buffalo. She will be performed. Admission is Simons, will present a concert will play works by Mozart, Barfree. at 8:15 p.m. in the Hughson tok, Schubert, Ravel, Chopin and Auditorium of Calvary Church in GRAND FUNK Railroad, a Williamsville. Prokofiev. pop music group, will present a concert at 8 p.m. in Memorial Auditorium. The program Is sponsored by Buffalo Festival. AKlKO KATO BAGGS, mezzo, snd Charlotte Shedd, piano, will present a recital at 4 p.m. at the International Institute of Buffalo, 1260 Delaware Ave. The {lrogram, which is open to the public, will include arias and eongs by Bach, Gluck, Rossini, Mahler, Fernando Obradors, and Japanese folk and art aongs. ERIE COUNTY Music Educators Assn. will present its annual junior high school concert at 3 p.m. in Kleinhans Music Hall. THE ROSARY HILL College Dance Club will present a program of theater dance at 2:30 p.m. in the Daemen Little Theater on campus. Seenie Rothi.e r directs the program, which i n c I u d e s "Plundered Planet" (music by Britten); "Design for Three"; "Design for Four"· "Drowned in Brown" ( ~usic by Debussy); and "Ark Appeals." Also included is "A Lazy Afternoon," Chore-graphed by C y n t h i a Soucheray, a student. -.:·"· MONDAY - The Dartmouth College Glee Club will present a concert at 8 p.m. at Amherst Central Junior High School. The program will benefit the Alumni Club's Scholarship Fund. -.:·"· TUESDAY - The Juilliard String Quartet wlll present a cone at 8·30 .m .. in th Mar Courier Express ~ DINIZULU A f r 1 can Dance Company will present a concert t f i a an. Congo , o � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julliard String Quartet to perform in Mary Seaton room on Tuesday Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Parman, Corner, Fulkerson, Kotik, Komorous Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_082 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/abd4259c29927cc35e9caffcf99fe424.pdf 1c3f1007cf968dd8badb9a1793434549 PDF Text Text Courier Express 'u Pa.rto r mc>r.r fl.a M ar . ::< 1 Je • . , . '' J9 7 I Conci.J Timetables Necessary For Concert Continued from Page Tlu·ee manl, which will begin the per· formance of "Alley." Another Kotik piece was scheduled for the concert at Carnegie Recital Hall. It is "All-Weather Music," which Julius Eastman was to have performed outside on the piano before the concert inside began, and which Kotik says is music for all seasons (like the mail, it is delivered in rain or sleet or haill. FULKERSON SAID he has recently composed an orchestra piece, "Behind Closed Doors," in which, he explains, "no decisions are left open for the per· formers." Did he write on commission? "You don't write be· cause you think there's a performance around the corner," ·the composer said. He says the piece uses only concert C, in any octave. "The orchestra, I think, is the most f 1 ex i b l e instrument," Fulkerson said. "That's from the utopian position that the or~ chestra will continue. "THERE ARE technical dif· ficulties (in "Behind Closed Doors") because of the extreme ranges of some of the instm· ments. But I think it's well written. I've taken away problems that would have meant more rehearsals. It is a 13minute piece, so two hours of rehearsal would allow them to et throu h it." Petr Kotik Jim Fulkerson Frank Patman ••• Evenings for New Music Thursday at � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timetables necessary for concert (continuation) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-03-25 With references to the following additional composers: Petr Kotik, Fulkerson, Parnam Note: Eastman as performer of All-Weather Music by Kotik Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_081 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/076627cd384a58e050e288fff8b9fe99.pdf f7da59897afcfdb407f0d8c30d7cbf0a PDF Text Text BUFFALO COURIER-EXPRESS, Sund_,., March 21, 1971 3 Performers Have Timetables Needed for Evenings f or Neczv ·Music Concert on Thursday By TOM PUTNAM .THE PERFORMERS for the Evenings for New Music concert Thursday at Domus have individual timetables detailing the times they will be performing In the college concert of music and theater works. This is necessary because of the schedule of overlapping performances, and the use of three areas of Domus for performance. The printed program for the audience is a time-table which diagrams the overlapping events. It also resembles a new music score. THE CONCERT will feature works by four Creative Associates from the University of Buffalo's Center of the Creative and Performing Arts: Jim Fulkerson, trombonist a n d composer who is working in intermedia; Petr Kotik, flutist and composer, whose "Alley'' (formerly "Alee" J will be performed for the first time in its entirety on the program; Julius Eastman, pianist, singer, composer; and Frank Parman, playwright, who wrote the text for Lejaren . Hiller's ' 'An Avalanche for Pitchman, Prima Donna, Player Piano, Percussionist and Prerecorded Playback," a muscial farce performed on the "Evenings" series several seasons ago. Here is a sketch of how the program will work: At 8:15 p.JI:!. in Area B. (Auditorium of Domus) "OM Entrance" by New York composer Philip Corner will begin, this being what Jim Fulkerson calls "preparation for a concert • . • OM is one tone." I THEN WHILE "OM" is getting everyone in tune, three works by Fulkerson will join the music of "OM'' in Area B: "For Betty Johnston" will begin at 8:47 p.m., "Patterns III" for solo tuba (Ellis Wean) will start at 8:45 p.m., and "I should've called it something • . . for STRING QUARTET" will begin at 9:07 p.m. Another work by Corner, "Dominant Ninth Chord, Chopin Prelude," will 'begin at 9 p.m. in Area A (Smoking Area of Domus), and will last for one hour, beginning and ending with piano solo (the ensemble will perform also) . According to Fulkerson, Corner takes the opening chord of Chopin's D Major Prelude "and treats it like a found object. He examines it in several ways, but it is different from what Terry Riley would do in that there is no transformation." FRANK PARMAN'S "Chamber Play "will begin also at 8:47 p.m. in At·ea B with "For Betty Johnston" ( o r rather, "For Betty Johnston" will begin with the sound of "Chamber Play" ). Parman's work is a set of instructions on how to build a piano; the sounds resulting from this activity will be amplified with c o n t a c t · microphones (although a tape was to be used for performances last Thursday at Carnegie Recital Hall and today at Stony Brook State University). Performers in "Chamber Play" are Terry Moore, actor; Stuart F o x , assistant; George Ritscher, recording engineer; and Parman, who will be Manufacturer. The final starter in the first segment-· of the program is Fulkerson's "Episode I," which will begin at 9:10 p.m. in the hallway and last 10 minutes, until Intermission. THE AUDIENCE will hear sevet·al musics simultaneously; in fact one piece, "For Betty Johnston" is dependent on the college 'form for its sound. Fulkerson eX!plains that "Patterns III" for solo tuba "functions as part of the sound of 'For Betty Johnston.' " "For Betty Johnston" also composed piece," Fulkerson exends at Intermission (in the plains, "part of a series of 'Patcollage format, Intermission terns' for solo instruments." seems to determine when other Fulkerson said that the connecpieces end, rather than be de- tion be~ween the composed termined by the conclusion of "patterns" is made by the the pieces). The work will be player, who has some liberty in performed by Fulkerson's wife, phrasing and tempo. Mary Fulkerson, and John "I should've called it someRolland, Judy Savage, Terry thing . . _- for S T R I N G Moore, Frank Parman and Ed . QUARTET" will be performed Cox. "Don't call the m by violin, oboe, guitar and tenor dancers," Fulkerson says, "but sax. "If we can't laugh about you could think of them as music and our own pieces, dancers." we're in bad sha pe," Fulkerson says. F U L KERSON EXPLAINS that " 'For Betty Johnston' isn't D U R I N G INTERMISSION concerned with music. It's "Chamher Play" and "Domireally about people working to- nant Ninth Chord'; will congether. We make a collective tinue. Kotik's "Alley" will becreation, which is not concerned gin at 9:30 p.m. in Area B. and with compositional problems, when it is finished at 10:05 p.m. which I am concerned with in the piano which was built in 'Patterns III.' " "Chamber Play" will b e ',a removed from the auditorium. is "Patterns III" The two.._ closing works are Julius Eastman's "Trumpet," composed for seven trumpets (or seven instruments of the same family), but performed on this program by four trumpets, tenor sax, clarinet and oboe; and, finally, "Lady B 1 ancarosa," an opera in one act by Rudolf Komorous. If all goes according to plan the concert will finish at 10:45 v.m. KOTIK'S "ALLEY" is a book of independent pieces. The entire book will be performed, including two pieces for the first time. These are "Unfinished Quartet" for strings, a fully no•tated work which Kotik said will be heard "mostly by itself," and the Piano Concerto (performed by Julius East Continued on Page 32 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Performers have timetables Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Feature article Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: Jim Fulkerson, Petr Kotik, Frank Parnam, Lejaren Hiller, Philip Corner, Chopin Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_080 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0362d1628f1393f333cf3747ac49feb4.pdf 973f4caf47f95e866d7d50dcba11a1d8 PDF Text Text Kotik: All-Weather Music Julius Eastman, piano Corner: OM Entrance Rhoda Gena, violin Diane Williams, viola Douglas Davis, cello Roberto Laneri, bass clarinet Donald Montalto, trumpet Kenneth Hafner, trumpet Ellis Wean, tuba Jeff Silberman, tenor sax Jim Fulkerson, trombone Petr Kotik, flute George Ritscher, trombonium Ronald Richards, oboe Julius Eastman, voice Adrienne Tworek, voice Fulkerson: For Betty Johnston (1970-) Terry Moore Mary Fulkerson John Rolland Judy Savage Frank Parman Ed Cox Fulkerson: Patterns III (1969) Ellis Wean, tuba Corner: The Dominant 9th Chord Which Begins the D Major Prelude of Chopin Ensemble Parman: Chamber Play (1971) Terry Moore, Actor Stuart Fox, Assistant George Ritscher, Recording Engineer Frank Parman, Manufacturer Kotik: Alley, Book #l (1970) Julius Eastman, piano Mark Sokol, violin Rhoda Gena, violin Diane Williams, viola Douglas Davis, cello Petr Kotik, flute, conductor Ellis Wean, tuba Jim Fulkerson, trombone Jan Williams, piano Donald Montalto, trumpet Kenneth Hafner, trumpet Andrew Ploch, trumpet Jeff Silberman, tenor sax Ronald Richards, oboe Roberto Laneri, bass clarinet Fulkerson: I should've called it something. . .for STRING QUARTET (1968) Rhoda Gena, violin Ronald Richards, oboe Stuart Fox, guitar Jeff Silberman, tenor sax Fulkerson: Episodes: Episode #l (1968) Douglas Davis, cello Rhoda Gena, violin George Ritscher, trombonium Frank Collura, trumpet Eastman: Trumpet (1970) Frank Collura, trumpet Donald Montalto, trumpet Kenneth Hafner, trumpet Andrew Ploch, trumpet Jeff Silberman, tenor sax Roberto Laneri, clarinet Ronald Richards, oboe Jan Williams, conductor Komorous: Lady Blancarosa an opera in one act (1967) Adrienne Tworek, Helga Julius Eastman, Kamilla Terry Moore, Dwarf Erik George Ritscher, Tape Operator � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Stonybrook) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-03-21 With references to the following works by Julius Eastman: Trumpet Note: Eastman also performer in All-Weather Music and Alley, Bk. 1 by Kotik and Lady Blancarosa by Komorous Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_079 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d82cbf259dd288c1fe243a1b2027db15.pdf 5c2a61f8fd241f2608a6b00c2058038c PDF Text Text New York Times tv'br !9 7 I ., An evening of unstructured music· theater designed for Carnegie Recital Hall, the 57th Street side.. · walk and other places by propinquity. A media collaboration by: Petr Kotik, Phillip Corner, Julius EastmarTf James Fulkerson, Rudolf Komorous, Frank Parman. Presented by the Carnegie Hall Corporation All Seats $3.00 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-18 With references to the following works by Julius Eastman: Trumpet Note: Date of Carnegie Hall performance approximate, no program in archive for proof Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_078 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/dea8a25c4f92acd6b0d864eaae523352.pdf 8d2198f2ffcf7ef1b31657122b7b5a3a PDF Text Text Courier Express JVla ( . Jq J97 J f]C. E 3/Jo 71 ltlusic Notes Doml!s to Offer Collage March 25 By THOMAS PUTNAM MUSIC AND theater works will )Je juxtaposed and performed in several spaces of Domus Theater when the Creative Associates of the University of Buffalo present Evenings fo r New Music at 8:30 p.m. Mar ch 25 at the theater, 1695 Elmwood Ave. Admission is free. The collage will include works by James Fulkerson, Petr Kotik, Julius Eastman and Frank Parman, members of the UB Center of the Creative and Performing Arts. Music by Philip Corner and the one-act opera, "Lady Blmlcarosa," by Czech composer Rudolf Komomus, · also will be presented. THE SEPARATE works on the program will overlap, and performers will move from piece to piece. For example, Corner's "Domin ant Ninth Chord" begins and ends as solo piano music, but other musicians will participate in this examination of the opening chord of Chopin's D Major Prelude. The program will include Fulkerson's "Episode One" and " For Betty J ohnston;" Parman's "Chamber Play;" Kotik's "Alley" (a book of independent pieces that includes a string quartet and a concerto for piano and orchestra ); and Eastman's "Trumpet," which is composed for seven members of the same family and will be performed "Lady Blancarosa" is a staged opera. Performers are Adrienne 'llworek as the girl, Julius Eastman as the old lady and Terry Moore as the dwarf. II;:"'• THE JULLIARD String Quar. tet will present a concert at 8:30 p.m: March 23 in the Mary Seaton Room of Kleinhans Music Hall. The program, sponsored by the Buffalo Chamber Music Society, will be quartets by Haydn, Beethoven and Bartok. The Buffalo Chamber Music Society has announced its programs for next seasons. The series will be Cleveland Quartet, which will be In residence at the University of Buffalo, Oct. 26; Warsaw Quintet (with piano), Jan. 18; Berlin Philharmonic Octet, Feb. 1; J eanPierre Rampal, flute , with Veyron-Lacroix. keyboard , Feb. 15; Gu arneri Strin g Quartet, March 14, and J ulliard String Quartet, :vrarch 28. Julius E astman ... composer of "Trump et" on this occasion by four trumpets, clarinet, alto saxophone and oboe. STRAVINBKY'S "L'Historire du Soldat" will be danced , acted and improvised by David Earle, Helen Jones and Keith Urban of the 'l:oronto Dance Theater at 8:30 p.m. Friday at Domus, 1695 Elmwood Ave. Martin Brenzell directs the performance. II;:"'• THE F OUR SEASONS with Frankie Valli will present a concert at 8 p.m. Saturday in Kleinhans Music Hall. The program is sponsored by Theater Series. II;:"'• THE CREATIVE Associates of the University of Buffalo will present a twice-postponed recital at 8:30p .m. today in Baird Hall at the Universit~· of Buffalo . The program will include "A Night Visitor" with dancer Doranne Shantz, and soprano J udy Sherman, by Roberto Laneri and Bill F urioso. Admission is free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domus to offer collage March 25 Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1971-03-25 With references to the following works by Julius Eastman: Trumpet With references to the following additional composers: James Fulkerson, Petr Kotik, Frank Parman, Philip Corner, Rudolf Komorous, Chopin Note: Eastman also to perform in Lady Blancarosa Includes illustration Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-10 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_077 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/fcd23a97459630dc6e7d824720d1506d.pdf 130da5f046ac5ae0cb03d6f1ea278af9 PDF Text Text HIGH FIDELITY I musical america f'/\n..r. J9 71 Evenings For New M1,1sic Mad scenes have been part and parcel of western dramamrgy since the Year One. But as much as I've sympathized with . poor Lear and Ophelia and Timon, and as much as I've relished the wayward warblings o'f Donizetti's distracted heroines, I've never really come to terms with the whole madscene syndrome. It seemed a rather handy convention for summoning up lush melody or high-flying rhetoricbut little more. · ·And then I saw, at the Evenings For New Music concert on December 9, the first New York performance of Peter Maxwell Davies' Eight Songs for a Mad King. This piece, lasting about a half hour, is possibly the longest mad scene to go down in the annals of musical bedlam/ The King is George III, England's mad monarch of the eighteenth century, a man of wide-ranging musical interests-such as attempting to teach birds in cages to sing along with tunes that he played on his small automatic chamber organ. One of his attendants, Fanny Burney, wrote down some of his frantic utterances : these, as well as some written by George himself, are the -source material from which the Australian poet Randolph Stow fashioned the eight poems; and it is these that Maxwell Davies has set to his unique and compelling brand of music. Presumably the Carnegie Recital Hall performance adheres to the composer's intentions, particularly in its resort to semistaging-a technique that has rendered ludicrous, so many coscert performances of opera. Here, and in my experience only here, the technique proves effective. The King, dressed in regal brocaded gown and furred cap, frequently addresses himself-not to other vocalists, therf being none-but to the instrumentalists, who represent on one level thf birds the King is trying to teach tc sing. On other , levels, the composeJ tells us, "they become the people witt whom he has dialogues, real or imaginary, such as a former mistress, or hi1 doctors." Even the river Thames fin& itself the object of his declamation. Julius Eastman sang, proclaimed shrieked, and moaned the part of the ~ing in a manner I shall not soor · forget. He was hair-raisingly effective maintaining in the midst of his ran dom outburst just the right degree of stylization. Other pieces on the program were · by Alcides Lanzy, William Heller mann, and Jan Williams. Maxwel Davies and Eastman dwarfed them all J.H � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-12-09 Note: Review of Eastman as performer in Eight Songs for a Mad King Creator An entity primarily responsible for making the resource J.H. Source A related resource from which the described resource is derived High Fidelity Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_076 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/2942ae939ff0d0154481112c228a729f.pdf f9b4ad14577d117417640d87c5a9fd3b PDF Text Text EVENINGS FOR NEW MUSIC SLEEP, SOFT SMILING (1969) * . . . . . . . . . Roberto Laneri Judith Sherman Petr Kotik, Darlene Reynard, Jesse Levine, Fred Stroud, William Furioso, Howard Zwickler Jan Williams, conductor Roberto Laneri, tape operator IMPROVISATIES UIT HET LABYRINT (1964) . . . . . . Peter Schat Judith Sherman, Julius Eastman, John Thomas, James Whitman, Roberto Laneri, William Furioso, Fred Stroud PROJECTION FOR VIOLONCELLO AND PIANO (1967) * . . Joji Yuasa Douglas Davis and Roger Shields SACRIFICE (1962) * . . . . . . . . . . . . Toru Takemitsu Stuart Fox, John Heitmann, William Furioso REFRACTIONS (1968) * . . . . . . . . . . . . Francis Miroglio Petr Kotik, Roger Shields, Mark Sokol, Jan Williams INTERMISSION THE WONDERFUL WIDOW OF EIGHTEEN SPRINGS (1942) with AMORES (1943) . . . • . . . . . . . . . . John Cage John Thomas, Roger Shields Jan Williams, William Furioso, Thomas Renzi CONCERTO FOR THE VIOLIN (1959) . . . Lou Harrison Mark Sokol U. B. Percussion Ensemble Jan Williams, conductor *First New York Performance This concert is made possible through a grant from the New York State Council on the Arts. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie Hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-02-24 Note: Eastman as performer in Improvisaties Uit Het Labyrint by Schat Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-02-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_075 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/69f6c9229c5d166601e8f6dfdfb02144.pdf 22f29905cb34d344126077f3ecc67167 PDF Text Text EVENINGS FOR NEW MUSIC PROJECTION FOR VIOLONCELLO (1967) . . . Joji Yuasa Douglas Davis and Roger Shields SACRIFICE (1962) . . . . . . . . . . . . . . Toru Takemitsu Stuart Fox, John Heitmann, William Furioso CONCERTO FOR THE VIOLIN (1959) . . . . . . Lou Harrison Mark Sokol U. B. Percussion Ensemble Jan Williams, conductor INTERMISSION EIGHT SONGS FOR A MAD KING (1969) . . . Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Nassau community college) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1971-02-21 Note: Eastman as performer in Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1971-02-21 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_074 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/1ae61247d06e62064d8493bdfe2570a9.pdf c833a961ea269b44f2b545c5e4b034ea PDF Text Text MEMBERS OF THE CENTER 1970-71 EDWARD COX, Theatrical Technician-B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for DOMUS; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. DOUGLAS DAVIS, Cellist-Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. JOSEPH DUNN, Theater Director-Attended Juniata College and the University of Pitts· burgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. JULIUS EASTMAN, Pianist-composer-Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Jn. structor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Performances on Monday Evening Concert series and in Ojai Festival, Los Angeles. JAMES FULKERSON, Musician-Working in intermedia. PETR KOTIK, Composer-flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cunningham Dance Company, 1964. Founded the new music ensemble, "Musica Viva Pragensis," 1961-64, and the QUAX ensemble, 1966-69. JESSE LEVINE, Violist-Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argentina for the State Department, 1966, 67. Soloist, Maeght Festival at St. Paul de Vence, France, 1970. FRANK PARMAN, Playwright-Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied playwrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, lllinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. GEORGE RITSCHER, Electronicist-Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of Illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-02-14 Note: Eastman listed as member of the center (1970-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-14 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_073 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/29d3112e74c9549d7caa6e5e2911ce1f.pdf 06271a0043619b5fe49128a3df2dc795 PDF Text Text New York Times elight By HAROLD C. SCHONBERG The Program Half of the iEvenings :for New Music program; on Wednesday at the Carnegie Recital Hall, was made up of routine academic ditherings. But then, after rthe intermission, came "Eight Songs for a Mad ~ing" by Peter Maxwell-Davies, and suddenly the audience was thrust :into the presence of a creative · mind. "Eight Songs for a Mad King" is a mad piece of music, hard to descl'i'be. Mr. Ma:xwell-Davies, a British avant·gai'de composer, used as a tert eight poems by RandoLph Stow. These poems use actual words of the insane King George LII. SMU;ple: "Dear Elms, Oaks, !Beeches, Strangling rvy, green snakes of Ivy, Pythons. God guard rtr·ees. !Blue, yellow, green is the w.orld Hke a chained man's bruise. I think of God. God also is a King." ·EVENINGS FOR NEW MUSIC Center for the Creative and Performing e Arts, State University of New Yor <, -Buffalo. Lukas Foss and L>ejaren H11 ler, direc.. tors. At Carnegie Recital Hall. Penetrations V (1970). . .. .. Aicides Lanza ·Fermata (1967) ...... William He l lermann Dream Lesson (1970) . . ...... Jan Wi lliams Eight Songs for a Mad Ki ng ( 1969) Peter Maxwell-Davie> ., sounds. These ',a re used in an amazingly expressive manner. They also end up glo;riously unintetlligrJ)le as far as the words themselves are concerned. Elsewhere, the ve11ba:l settings are more direct, in clear declamation. As for the music, it is i()he background music •of a composer with •a real feeling for the th·eater. The score, for flute, clarinet, violin, cello, piano/ha!'psichord and percussion is hard to descrvbe. It is completely dissonant most of the time, avoids serial cliches, constantly comments on the words and the action. Every now and then ther·e are parodistic elements-a touch of burlesque Weird, frightening and powerful these words, and also toudhed with an awful kind of ;poetry. A composer who is g.oing to set this kind of material ca.nnot do it in an orthodox manner. Fortunately, Mr. Maxwell-Davies does not have an orthodox kind of mind. He h!as conc,eived the eight songs as a kind of theater piece, in which the mad King goes to tlhe .stage from the rear of the auditorium, moves among the musicians, occasionally sits <Jn an upholstered chair. The vocal 'line is post-Piermt Lunaire-very post. It has passages in falsetto and the lowest of chest i!"egisters; it makes the singer (or actor, if you will) go into screeching, rumlbling, mewling, squealing, squeaking Peter Maxwell-Davies }azz, ,or a perky treatment of 18th-century music, or an English dance tune. It is a score that is closely tied up with the action and the meanings of the words, and this kind of score cannot exist by itself. Mr. Maxwell-Davies has created his own kind of Gesamtkunstwerk. And it works. "Eight Songs for a Mad King" is a theater piece that !has direct communication, and it hits the listener like a collective shriek !from Bedlam. • The composer was fortunate in his protagonist. Julius Eastman recited the poems. He is a black pianist-composer currently teaching 'at the State University in Buffa'lo. For the occasion his face was made up as an old man; and he wore regal going-to-bed clothes. His voice is unusual. Obviously, he is not a trained singer, but he had the style and the vocal command; and also there was a lot of noble ham in his stage posturings as he lurched around like a mad Lear. Toward the end he snatched the violin from the player, tore off its strings and smashed it. We used to get violin burnings in the old (c. 1955) days, from the Cage group. That was Dada. This was theater. There were other things on the program, such as Alcides Lanza's "Penetrations V" (live musicians and tape); William "Formata" Hellermann's (trombone doodlings in postserial style); and Jan Williams's "Dream Lesson" (tape, plus swinging lights in a dark hall). All ·of these were typical products of the New Academicism, with a life span of a ha1f-dozen performances. Maybe. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Songs for a Mad King a delight Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-12-09 Note: Review of Eastman as performer in Eight Songs for a Mad King Includes illustration Creator An entity primarily responsible for making the resource Schonberg, Harold C. Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-11 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_072 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/cf9a176019bff10b0638ef9baef9b719.pdf b1b7afc9dad0fcd27b44c5c5070260af PDF Text Text EVENINGS FOR NEW MUSIC PENETRATIONS V (1970-IV) * Alcides Lanza Group I Group II Roberto Laneri Jesse Levine Howard Zwickler James Fulkerson William Furioso Petr Kotik Jan Williams, conductor George Ritscher, Stuart Fox--electronics Edward Cox, Geoffrey Germony-lighting FORMATA (1967) . . . . . • William HeUermann James Fulkerson Petr Kotik, Roberto Laneri, Howard Zwickler, Stephen Manes Jan Williams, conductor DREAM LESSON (1970) * . . . . . . Jan Williams Jan Williams INTERMISSION EIGHT SONGS FOR A MAD KING (1969) * . . . Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis *First New York Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-12-09 Note: Eastman performs Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_071 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/9b8af4c5b66c006349d25bcd79914caf.pdf c5e1ea10a54550c9a559d877d15f5cf6 PDF Text Text • prepared by LUKAS FOSS and LEJAREN HILLER an evening of contemporary chamber music Wednesday, December 9 " Penetrations V" for two groups of musicians, tape and lights ....................Aicides Lanza " Formata" for trombone and other instruments ...... .......... William Hellermann "Dream Lesson" for unspecified ensemble. A sound piece governed by a pendulum ............................... .Jan Williams " Eight Songs for a Mad King. " A music-theatre work for voice and six players .......................... ................ Peter Maxwell-Davies an evening of new music for mixed ensembles Wednesday, February 24 " Projection" for violoncello and piano .............................. ............... .Joji Yuasa ''Stanza I" ....................................................................................Toru Takamitsu '' Breezes'' .................................. ............................................................. .Jo Kondo "Refractions" for flute, violin, piano and percussion ............ Frances Miraglia " Interferences" for twelve instruments ........................................ Paul Mefano " Concerto for Piano and Seven lnstruments" .......................... Robert Erickson an ~evening of unstructured musical theate~r designed for carnegie recital hall Thursday, March 18 A media collaboration by James Fulkerson, Petr Kotik, Philip Corner, Frank Parman an evening of musical theater Wednesday, April 28 • ''Scatola'' .......................... ........................................................ Franco Evangelisti "I n Time and Not" .................................................................... Dorrance Stalvey '' Crockett' '.................................................................................... Wolf Rosenberg "Sho Jo'' .............................................. .......................................... Charles Griffes An open forum for the presentation of new musical ideas presented by The Carnegie Hall Corporation in association with The Center for the Creative and Performing Arts in the State University of New York at Buffalo. evenings at 8:30 in carnegie recital hall Series of four concerts: $10.00 Tickets, single concerts: $3.00 Mail ord ers accepted up to two weeks before concert. Make checks payable to Carnegie Hall box office and mail to 154 W. 57 St., N. Y. 10019. Please enclose stamped, se lf-addressed envelope. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-12-09 Note: Eastman performs Eight Songs for a Mad King Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_070 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/4de38fd32405903c6db192a520bbf7ca.pdf 8a63df31e7f18c3631f05efb22b89bc6 PDF Text Text New York Times [) 12.C.. . 'i{l /9 70 Tomorrow Evening at 8:30 evenings for new music planned by Iukas foss lejaren hiller AN EVENING OF CONTEMPORARY CHAMBER MUSIC ALCIDES LANZA "Penetrations V" for two groups of musicians, tape and lights; WILLIAM HELLERMANN "Formata" for trombone and tour other instruments; JAN WILLIAMS "Dream·tesson" for unspecified ensemble. A sound piece governed by a pendulum. PETER MAXWELL-DAVIES "Eight Songs for a Mad King." A music-theatre work to·rvoice and six players. All Seats $3.00 Auspices: The Carnegie Hat! Corporation in association with the Center for the Creative and Performing Arts in the State University of New York at Buffalo. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-12-09 Note: Eastman will perform in Eight Songs for a Mad King Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_069 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6748f1cec88cb9500efe8d8f2a1cc0f0.pdf 6d8ccf21e58971897fa72f0ae6020164 PDF Text Text MEMBERS OF THE CENTER 1970-71 EDWARD COX, Theatrical Technician-B.A. Fine Arts, American University, Washington, D.C.; Technical Director, Juniata College Drama Society; Lighting Designer and Technical Director for Washington, D. C. Theater Club; Technical Director, Studio Arena Theater, Buffalo, New York; Technical Director and Production Manager for DOMUS; Assistant to Designer (Maurice Strike) Shaw Festival Theatre, Ontario. DOUGLAS DAVIS, Cellist-Born in Los Angeles, California. Finalist in Tchaikovsky Competition in Moscow. Has presented recitals throughout the United States and Europe. Associate Professor of Music at San Fernando Valley State College. JOSEPH DUNN, Theater Director-Attended Juniata College and the University of Pittsburgh. Director, American Contemporary Theater. Productions of Ferlinghetti and Arrabal at the Bleecker Street Theater Workshop, New York City. JULIUS EASTMAN, Pianist-composer-Diploma in composition from the Curtis Institute of Music. Among his works are two ballets, songs, orchestral and piano works. Instructor of theory at the State University of New York at Buffalo Music Department. STUART FOX, Guitarist-Born in Los Angeles, California. M.A. in Musicology, University of Southern California. Performances on Monday Evening Concert series and in Ojai Festival, Los Angeles. JAMES FULKERSON, Musician-Working in intermedia. PETR KOTIK, Composer-flutist-Born in Prague in 1942. Studied in Vienna with Hans Jelinek and Karl Schieske, 1963-66. Toured with John Cage and the Merce Cunningham Dance Company, 1964. Founded the new music ensemble, "Musica Viva Pragensis," 1961-64, and the QUAX ensemble, 1966-69. JESSE LEVINE, Violist-Born in New York. Principal violist, Buffalo Philharmonic. Soloist, Stravinsky Festival at Lincoln Center, New York City Ballet. Recital tours of Argentina for the State Department, 1966, 67. Soloist, Maeght Festival at St. Paul de Vence, France, 1970. FRANK PARMAN, Playwright-Born in Cordell, Oklahoma. Attended the University of Oklahoma, studied architecture, English. Studied playwrighting with LeRoi Jones & Jack Richardson (1963-65) as a special student at Columbia University. Formerly with Depot Theater, Urbana, illinois working as playwright, director, set designer and general dramatic advisor (1967-69). Special projects editor, contemporary theatre for Drama Book Specialists in New York. GEORGE RITSCHER, Electronicist-Recording engineer and electronic technician for the School of Music and Experimental Music Studio at the University of illinois, Urbana, 1966-69. Has technically assisted and worked with Herbert Brun, John Cage, Lejaren Hiller, Ben Johnston, Edwin London, Salvatore Martirano, Lukas Foss. (Continued on page 4) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-12-06 Note: Eastman listed as member of the center (1970-71) Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-12-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_068 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/964fa99b2cdffb0e4a748367d13a8cae.pdf 5822a4220448991825cb292faceab4c3 PDF Text Text Buffalo Evening News Nou . :1 1 J97D GALLERY AUDITORIUM Eastman's 'Mad King': Mighty Work of Theater By JOHN DWYER The dramatic sensation of this town over many seasons was the portrayal of mad King George III by singing actor Julius Eastman, Sunday evening in Albright-Knox Art Gallery auditorium, hailed by a standing crowd with noisy applause and bravos. This was the opening of the ann u a i "Evenings for New Musk" series by the UB Creative Associates, the audience packed to the wallis. The musi'c -theater work was "Eiglht Songs for a Mad Riing" by British oomposer Peter Max• weU-Davies, with verses by Randolph Stow including wistful, pallhetic, ranting passages blY the monarclh h~mself, as taken down at court. It's for the one voice and six players. imploring for human understanding, the wrenching effect of the· king's straining for reason amid the whirlwinds of his own mind, these were the heights of the Eastman performance. And the music with its rav· aged strains of court dance, folk air and Handel oratorio refleeted the twice-terrible insanity of familiar things in frightful disarray. I understand the composer * ~ ~ chose Mr. Eastman for a recent MODERN MEDICAL science recording of the work. It seems attributes the undoing of George to have been made for him. ''' * * III to a gentic disease called porPhyria, but the result was THERE WERE three other a garish derangement in any works. A 1961 Trio by Israeli case, and the inspiration here composer Ben Zion Orgad moved for a wonderful and frightful in cantillation, pizzicatos and role. drum sounds with quite tradiMr. Eastman is a basso, tiona!, even movie-style effect, pianist, composer, dancer and in a very able performance by actor who has had a good deal violinist Mark Sokol, v i o 1 i s t of ~mpact in Western New York, Jesse Levine and cellist Douglas but this performance puts him Davis. at quite another level. It woul1d "Cocktail Music" by. Salvatore be a shame ilf it were not re- Martirano with pianist Roger peated in Buffalo. The Creative Shields was brief, witty and Associ!lltes a lready had presen- quite French to my ears, with ted it in New York's Carnegie 37-note adornments, triple trills Recital Hall on '!Jour, to a big and upper-tone chirps in finel·eception, line grace, well-done. " * "' "Penetrations V" by Argentine APPEARING IN royal broc- composer Alcides Lanza was aded gown and furred cap, Mr. elabonately staged, with two big E?stman played the pitiable spotlights changing color, thrummonarch as stricken and crazy ming strobe effects and 10 mubut endlessly h u m a n, · as he sicians playing and speaking roved the stage or sank, spent lines in antiphonal contrast to and muttering, on his centered an electronic score. It moved throne. through shock channels that His spastic delivery included have become fairly well-grooved squeaks, moans, growls and in the past decade, on to an roars, a marvelous ~alsetto right angry-mob climax and rumbling on the tone, a remarkable mi- denouement. metic gift in responding with This was music theater, too, matching timbres to string, but the ensuing soul-force of flute, bell, bird-whistle or drum. Mad King George put it out of But the underlying agony, the our minds. 1 I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's 'Mad King': mighty work of theater Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Ben Zion Orgad, Salvatore Martirano, Alcides Lanza Note: Review of Eastman's performance of Peter Maxwell Davies' Eight Songs for a Mad King Creator An entity primarily responsible for making the resource Dwyer, John Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_067 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/d6350de20dce8fee1afa4f34bd4510da.pdf f4f5c2da2cb208942071ad22c8b2c535 PDF Text Text Courier Express Revietv f1 (I c fj-L.Jt,f¥/ f\lo\1 . 1o 'Eveni·ngs~ Present ed At GaIIery By THOMAS PUTNAM . There is more than meets the ear in "Evenings for New Music," the concert series which began its seventh season Sunday night at the Albright-Knox Art Gallery. The opening program included a brilliant dramatic piece by Peter Maxwell-Davies: a confusing electronic -lights, music construction by Alcides Lanza; and purely musical works by Ben Zion Orgad and Salvatore Martirano. "Evenings" are presented by the Center of the Creative and Performing Arts at the University of Buffalo. That the series is still popular was demonstrated by the overflow crowd sitting in the auditorium aisles. Excellent Performance Davies's "Ejght Songs for a Mad King" (1969) enjoyed the excellent performance of Julius astman, who recently has done the work in England with the composer's performing group. The Mad King is a great part. e King is none other than iKing George Ill, who was music- . lly mad. The King, a program , ote by the composer explains, " tried to teach birds in cages sing the tunes" which his aulomatic chamber organ played. Eastman is not the only dramatic performer; he addresses , !himself to the players, and reponds to them. In one song, 'The Lady-in-Waiting," the Eastman sings to pis b i r d, "Madam, let us talk,'.' and · flu1tist Petr Kotik responds with the bird's pipings. c:J 1 J97o Destroys Violin The most active scene follow a rumination by the King on lin. ·when he t&kes the violin from Mark Sokol and destroys it. Eastman entered from t h 11 back of the auditorium, making his way cautiously to the stag11 and the chair on a red roya] stand. He left bellowing, afte dellvt>ring his own funeral ora tion, pursued by booming bas drummer· Fine ·old King In majestic dress, Eastman acted with fine gestures and ex pressions. His king was a fine old mad king, who spit out words with agony, and whose cry for pain was dry and bare!~ utterable. He shouts, "I am nervous," and we are amused. Davies's music is the right accompaniment, and it sings well by itself, with sense, coordination , design. The overture prepares for the entrance of the King. A fine little interlude connects the somber music of one song with the gay march of another. "Comfort ye," Eastman sang ("Messiah" was a favorite of the King ) and a dance combo with violin accompanied the aong. Jan Williams gave the signals for a performance of Alcides Lanza's "Penetrations V" which combined electronically altered instrumental sounds and lighting effects in a manner which was supposed to communicate "a definite message for the human race." "Blue and red," the performers said, "gradually." It was not interesting. Ben Zion Orgad's Trio for Strings is a tense, expressive work, and it received a solid performance by the Center's trio, Mark Sokol, Jesse Levine and Douglas Davis. Finally, the brilliant playing of Roger Shields made Salvatore Martirano's "Cocktail Music for Piano" an attractive piece to hear. Shields is skilled in playing quick, light figurations, which •abound in this cocktail, and his attacks are powerful. · � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Evenings' presented at gallery Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Alcides Lanza, Ben Zion Orgad, Salvatore Martirano Note: Review of Eastman's performance of Peter Maxwell Davies' Eight Songs for a Mad king Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_066 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8c85385fa8085b0ccd309a4fbf9231c3.pdf e742e1d445b7c9ac1da0e3b0556e6dce PDF Text Text Courier Express ~~ usic N0\J. II 197D Calendar Mitch Miller to Condtlct Concert music by composers from St. Mark's Cathedral in Venice at 5 p.m. today at Westminster Church. Music by Gabrieli and Lotti will be performed. The public is invited. MITCH MILLER will be conductor of the Buffalo Philharmonic Orchestra when :he orchestra opens its pops ~oncert series at 8:30 p.m. Frilay in Kleinhans Music Hall. The program will be Rossi· ni's "Semiramide" Overture: Mussorgsky's "Night on Bald Mountain"; Gounod's Ballet Music from "Faust"; selections from " The Sound of Music"; Strauss's " Thunder and Lightning" Polka; Pierne's "The March of the Little Lead Soldiers"; and Wagner's "Tannhauser" Overture. A sing-along with Mitch will conclude the pops program . . ~uest ~ ~ ~ .... mE BEETHOVEN Cycle of string quartets presented each year by the University of Buffalo will begin with programs by the Guarneri Quartet at 8:30 p.m. Monday and Wednesday in Baird Hall. The Monday program will be Quartet in E flat, Op. 127; Quartet in F major, Op. 18, No. 1; and Quartet in C major, Op. 59, No. 3. T11e Wednesday progra:n will be Quartet in E flat, Op. 74 ("Harp" ); Quartet in G major, Op. 18, No. 2; and Quartet in C sharp minor, Op. 131. Remailiing programs in the Beethoven Cycle will be played by the Guarneri String Quartet (Nov. 9l and the Amadeus Strmg Quartet (Dec. 14, 16, 18). t:'"• LEO SMIT will present "Musical Viewpoints" on Mozart and Stravinsky at 8:30 p.m. Friday (Mozart Self·Portrait) and Saturday (Stravinsky's hommage to Tchaikovsky) in University of Buffalo Baird 1Iall. A third "Viewpoint" .... FREDERICK BURGOMASTER will conduct the Cathedral Choral Society In Kodaly's " Missa Brevis" at 8 p.m. today at St. Paul's Cathedral. Soloists are Patricia Yannello, Norma Jean Lamb, Mary Hartrick, Vivian Rassiga , John Priebe Jr. and George Wands. The o r g a n i s t Is Joy Des Georges. The public ls invited. Mitch Miller . . . guest conductor Nov. 8 will focus on Aaron Copland. ~ .... EVENINGS FOR New Music will be presented at 8:30 p.m. today at the Albright-Knox Art Gallery . The performers are from the University of Buffalo Center of the Creative and P erforming Arts. Admission is free. The program will include Peter Maxwell-Davies's "Eight Songs for a Mad King," conducted by Lukas Foss. Baritone Julius Eastman will be soloist. Other works are Ben Zion Orgad's String Trio; Salvatore Martirano's "Cocktail Music for Piano"; and "Penetrations V" by Alcides Lanza. t:"'• WESTMINSTER C H U R C H Choir, directed by Hans Vigeland, will join with the Third Presbyterian Church Choir from Rochester, directed by Theodor Hollenbach, fqr a festival of .... KALINA SINGING Society will present ih annual concert and ball at 8 p.m. today in the Terrace Room of Hotel Statler Hilton. Peter Gorecki will direct the program of Polish and American music. Patricia Oreskovic, mezzo-soprano, will be guest artist in sqngs by Dvorak. \::"'• JUDY COLLINS will present a concert at 8 p.m. today in Kleinhans Music Hall. The program is sponsored by Buffalo Festival. ~·"'• DIXIELAND MUSIC will be presented at 8:30 p.m . today at the Kenan Center, 33 Locust St., Lockport. ~ .... SERGIO FRANCHI will present a concert sponsored by Theater Series at 8:30 p.m. Wednesday in Kleinhans Music Hall. Also on the show will be Lonnie Shorr. ~ GRAH.~'\1: .. , SMITH and Christyne Lawson of the Company of Man will present a program, "Towards New Dance," at 8:30 p.m. Saturday at the New School of the Performing Arts in Williamsville. The faculty program is open to the public. t:"" TREBLE CLEF Society will meet Wednesday evening in the Tonawanda residence of Mrs. Vincent Yannello. Contralto Ruth Oster will perform a song cycle by Elgar with pianist Betty Riehle. ~ .... GEORGE KALOGEROPOU· LOS, bouzoukee player from At. hens, is appearing with a small ensemble of Greek and Spanish musicians weekends at the Embassy Restaurant, 189 Delaware Ave. ~ .... THE ORCHARD Park Sym- . phony needs singers for its Dec. 11 performance of music from Handel' s "Messiah." Weekly rehearsals begin at 8 p.m. Tuesday at Orchard Park United Presbyterian Church. Singers interested ill volunteering may contact Carl Burgwardt at 6627882. ~·"" NIAGARA FALLS Philharmonic Orchestra, conducted by Milton Barnes, will present a concert at 3:15 p.m . today at LaSalle Senior High School, Ni· agara Falls. David Zafer will be soloist in Vieuxtemps's Violin Concerto No. 4. t:"'• NEW YORK CITY Ballet will perform Monday through Saturday at the O'Keefe Centre in T o r o n t o. Repertory includes "Jewels" (Monday evening, Saturday matinee); "Dances at a Gathering" and "La Valse" (Tuesday evening, Wednesday matmee ) ; "Prod i g a I Son," "Movements for Piano and Or· chestra" and "Who Cares?" · (Wednesday evening, Friday evening ); and "Symphony in C," "Diln Lustre" and "Slaughter on Tenth Avenue" (Thursday evening, Saturday evening) . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mitch Miller to conduct concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-11-01 With references to the following additional composers: Peter Maxwell-Davies, Ben Zion, Salvatore Martirano, Alcides Lanza Note: Eastman performs Eight Songs for a Mad King by Maxwell-Davies Includes illustration Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_065 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f6da2fef8abcf61afaa3ae98cb0c6356.pdf 6a1ae68c9c953902d8867b35d28558d0 PDF Text Text EVENINGS FOR NEW MUSIC TRIO FOR STRINGS (1961) Ben Zion Orgad Mark Sokol, Jesse Levine, Douglas Davis COCKTAIL MUSIC FOR PIANO (1962) . . . . Salvatore Martirano Roger Shields PENETRATIONS V (1970-IV) . Alcides Lanza Group I Group II Roberto Laneri Jesse Levine Howard Zwickler James Fulkerson William Furioso Petr Kotik Jan Williams, conductor George Ritscher, Stuart Fox-electronics Edward Cox, Geoffrey Germony-lighting INTERMISSION EIGHT SONGS FOR A MAD KING (1969) . Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis Lukas Foss, conductor All the works on this evening's program are being performed in Buffalo for the first time. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-11-01 Note: Eastman performs Maxwell-Davies' Eight Songs for a Mad King Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-11-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_064 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/7ef9567cdbdaadcbf5e0c06bcd8c6dc9.pdf 0a0ccfa3adaf012e2483a6bd80c32e9d PDF Text Text MUSIC COUNCIL PRESENTS creative associates of the c Lukas Foss and Lejaren Hiller, co-directors A.i.~ EVENING OF NEW MUSIC PROGRAM Trio for Strings (1961) Mark Sokol, Jesse Levine, Douglas Davis Cocktail Husic for Piano (1962) Salvatore Martirano Roger Shields Penetrations V (1970 - IV)* Group I Ben Zion Orgad Alcides Lanza Group II Roberto Laneri James Fulkerson Jesse Levine William Furioso Howard Zwickler Pe tr Kotik Jan Williams, conduct or George Ritscher, Stuart Fox - elect ronics Edward Cox - ligh ting INTERi'USS ION Non-Improvisation Lukas Foss, Douglas Davis, Roberto Laneri, Jan Williams Eight Songs for a Mad King (1969) Peter Maxwell-Davies Julius Eastman Petr Kotik, Roberto Laneri, Howard Zwickler, Roger Shields, Mark Sokol, Douglas Davis Lukas Foss, conductor * U.S. Premiere HAl~ THEATER , PERFORNE'lG ARTS CENTER October 30, 19 70 , 8: 30 P. :1. Next ~fusic Council Event: ZONE INTERMEDIA PROJECT Main Theater, Performing Arts Center, November 6,7,8, 1970 This concert funded by Student Tax music council, department of music , state university, of new york at albany, 1400 washington avenue, albany, new york, 12203 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of new music (Albany) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-10-30 Note: Eastman performs Eight Songs for a Mad King by Maxwell-Davies Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_063 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/6b8f2d6dc739f2fdfd40c1f279200ed1.pdf fab51502146a6d3f7d55c97c3c86acea PDF Text Text Courier Express Oct. :J.,J97o Review Variety Is Offered In Musical Menu By THOMAS PUTNAM Kill the concert, certain avantgarde musicians have been crying, before it kills music. The concert-or concert situation-is something we are all familiar with. You remember: It involves one or more perfor· mers who play a program be. fore an audience in something usually referred to as a concert hall. Net Important It is a good time-the concert ..,.-for seeing friends, for showing oneself in public, for getting out of the house. One hears music at a concert, too, but that of course is not the important thing. Which is why some people see the death of the concert as a good thing. The concert was killed Wednesday night at University of Buffalo's Norton Union, where Petr Kotik and a band of Creative Associates and accomplices offered a musical menu with three main fares in different parts of the building. -Mostly live electronic music by the S.E .M. Ensemble was presented in the Fillmore Room, beginning at 8 o'clock with Jqhn Cage's "Atlas Eclipticalis" for contact microphones on various percussion instruments. Indian Music -Across the lobby in the Con· ference Theater pieces for flute, piano or harpsichord by Bus~otti, Berio and the 18th Century Benda were done beginning at 8:30. -And in the more removed Haas Lounge was a program of Indian music by Mamta Bhargava, who played the sitar and sang. The program (should there even have been one? ) read like a train schedule. And it warned us : "Do not let yourself be disturbed by the music. You can 1I not hear it as a whole because the program will be performed simultaneously in three rooms. Move Freely You can move freely from one room to another and you can choose the one most interesting to you from the exact time schedule . . . " For a break, it suggested, there was ping-pong or bowling in the basement. People move around quite freely, from Jive electronic music in the Fillmore Room to the final part of "S tiks" in the Conference Theater Christian Wolff's pie~ which Kotik and Jim Fulkerson did by throwin~ a lot of branches over the stage. It was possible to be delayed crossing the hall by seeing old friends. Right Music Back and forth people went, looking for the right music . A big ensemble improvised Kotik's "Alee" in the Fillmore Room, which, proving less than interesting, was left for Mozart sona· tas in the Conference Theater. Julius Eastman played two piano sonatas by Mozart on a piano that was not tuned because of a two-hour bomb scare earlier in the day. The Indian singer in Haas Lounge offered her subtle art as people milled and lounged. The event finally seemed to kill the concert without saving music. It was Jive background music, and a good thing so long as one doesn't pretend to be· come involved in any one sound -be it Berio or Mozart or raga. Renee Levine, coordinator of the UB Center of the Creative and Performing Arts, was excited about opening the CA recital series at Norton Union. "It brings this big place together," she said, which was true enough. As a community event the night was a big success. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Variety is offered in musical menu Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-09-30 With references to the following additional composers: John Cage, Busotti, Berio, Benda, Christian Wolff, Kotik, Mozart Note: Eastman performed Mozart piano sonatas Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-02 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_062 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/70a52b8f09d12321332dffdcfd0a2dc2.pdf 9f7fc7a2c3711d21b0ced5bae04bd887 PDF Text Text Buffalo Evening News Thursday, October 1, 1970 'NORTON UNION ' A Concert in 3 Rooms By Creative Associates By ANTHONY BANNON I met a man who said the hole thing reminded him of a bargain basement-not so much as to quality; more in the atter of abundant choice. He said the concert gave him too many choices, too many sensatons to reduce. He called it "the evil workings of technology" and took his horse and left. I met another man who said he was able to transcend the walls whlch separated the three UB Creative Associate concerts and hear them simultaneously. I think he was a mystic. I met im in the bowling alley of orton Union. ·I also met . . . well, many, ny people you wouldn't beteve. At least I think I met them; it's so hard to distinguish act from fiction in the strange wirl of sound the Associates make. ' *· * • here's a stab at truth: In three Norton Union rooms at the same time, artists played m the same concert. The audience, schedule in hand, played .hopscotch. : The schedule suggested not to "be disturbed by the music and/ .or the musicians . . . move eely from one room to another p_nd you can choose the one most interesting to you ... you an take a break from listening nd go to the basement for some refreshment, to play ping· pong or bowl ... " OK. In the Fillmore Room the SEM Ensemble performed "AItas. Eclipticalis," an electronic piece by John Cage, composed of cymbal sawings, electrified pe pealings and chain crumHngs, with resonances of a table top and coat rack: Sounds £:?m strange places strung ~ut w1th enough s1lence as to be mteresting. NONETHELESS, alienating piece using the similar instruments. It as unlike Kotik's later work "Alee," performed by wind instrument with three strings, a haunting developmet1t of single note sounds, which was strange!~ evocative of the droning India tanpura being played in Haas Lounge, where Mamta Bhargav sang and played the sitar witH Subhash Nadkarni, who accompanied these "Songs from In· dia " on the drum. Meanwhile, the audience scur ried from one room to another, darting glances at one another. Students with tape recorder·s interviewed the passing crowds. Two dogs, who were not interviewed, loped around, in a distracted manner. -Some persons sat against the wall in the c o r r i d o r. Some looked like they had just pulled their heads out of an electrical socket. 0 t h e r s, the parastraights, looked like they'd like to find the socket. * * * IF HAAS LOUNGE was an- other continent, the Conference Theater was, sometimes, another time zone. Here was Frantis'e.k Benda's exciting "Sonata F dur (1760) for flute and harpsicord" performed by Mr. Kotik and Stephen Manes. Pianist Ju!ius Eastman performed two Mozart sonatas. But in the same room there was C h r i s t i an Wolff's 1969 "Stiks" during which tree branches with dying leaves were pummelled on stage, and Cage's "Sole for Sliding Trombone," performed by James Fulkerson, which was more a solo for silence with incidental trombone. So what about it all? An over- i heard conversation-"You want to hear the absolute, definitive • * * explanation of this whole thing? ' ASSOCIATE PETR KOTIK'S "Sure, what is it?" 'Contrab.andt," was a hostile, "I don't know." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A concert in 3 rooms by Creative Associates Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-09-30 With references to the following additional composers: John Cage, Petr Kotik, Frantisek Benda, Mozart, Christian Wolff Note: Eastman performed Mozart piano sonatas Creator An entity primarily responsible for making the resource Bannon, Anthony Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_061 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/c34796a49ac255324bf7418b43d61a8f.pdf 49560273e6f1abfe1d0c21cda092b0de PDF Text Text PETR KOTI K- Composer flutist CONFERENCE THEATRE You 8:30p.m. Couple (1959). . . . . . . . . . . . . . . . . . Sylvana Bussotti for flute and piano PETR KOTI K, director ROBERTO LANIERI JEFF SILBERMAN JAN WILLIAMS Sequenza (1958) .... . . . . . . . . . . . . . . Luciano Berio for flute Sonata F dur ( 1760) . . . . . . . . . . . . . . . Frantisek Benda for flute and harpsichord Adagio Allegro Vivace Stiks ( 1969) . . . . . . . . . . . . . . . . . . . . with friends Christian Wolff Petr Kotik, Stephen Manes and friends 9 :00p.m. Sonata for piano in E flat Major K 282 .... W. A . Mozart Sonata for piano in D Major K 311 . . . . . . . W. A. Mozart Julius Eastman 9:30p.m. Sequenza 5 . . . . . . . . . . . . . . . . . . . . . Luciano Berio for trombone Solo for sliding trombone ...... . . . . . . . . . John Cage ensemble GUESTS JOHN HEITMANN flute DARLENE REYNARD bassoon KENNETH WELLS French horn DON MONTANO trumpet JOHN ADAMS trumpet KEN HAFNER trumpet JAMES FULKERSON trombone MICHAEL KELLER trombone MARK SOKOL violin JESSE LEVINE viola DIANE WILLIAMS viola JULIUS EASTMAN piano STEPHEN MANES piano, harpsichord AcGfenos . . . . . . . . . . . . . . . . . . . . . . . Alcides Lanza James Fulkerson with Amram Chodos, Roger Sh~wan:l, Zwickle~ John Heitma ~ura - Conductor S.E.M. GEORGE RITCHER Audio Technician This program will be taped by WBFO for later broadcast � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative Associate Recital I Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-09-30 Note: Eastman performs Mozart piano sonatas, original concert date was May 6th Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_060 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/737b8a170bb7fbdf2fdbf76d8c769475.pdf 22ffe8c5488d7b3d954a45e906ff9c9b PDF Text Text Reporter CREATIVE ASSOCIATES SEVENTH SEASON OPENER ''' : Three simultane- ous mus.cal events in Norton. FILLMORE ROOM (begins at 8 p.m.): Live electronic music performed by the Creative Associa tes, S.E.M. Ensemble, guest participants and the a u d i en c e s. Works by John Cage, Petr Kotik, Frede ric Rzewski and Cornelius Ca rd ew. CONFERENCE THEATRE (begins at 8:30 p.m.): P e rformances by Creative A s s o c i a t e s and guests. Works by Sylvana Bussotti, Luciano Berio, Christian Wolff, W. A. Mozart and Alcides Lanz·a . HAAS LO U NGE (begins at 9 p.m.): Mamta Bhargava sings, plays the sitar and introduces songs from India. Subhash Nadkarni provides drum accompaniml! llt. The Creative Assodat€'s, members of the Center of th1• Creative and Performing Arts, are a group of young professional musicians and theatre people who come to live in Buffalo to study and perform new music, mixed-media and theatre. The Center was founded in 1964 with Lukas Foss and Allen Sapp as co-directors. Since 1968, Lejaren Hiller, a pioneer in computer music, has been co-director with Mr. Foss. M embers of the Center for the 1970-71 season include: Doug Davis, ce11ist; Joseph Dunn, theatre director; Stuart Fox, guitarist ; R oger Shields, pianist; Mark Sokol, violinist; Jesse Levine, violist; Howard Zwickler, percussionist ; James Fulkerson, trombonistcomposer; Petr Kotik, flutist-comw•ser; F r a n k Parman, play) wright; Julius Eastman, pianistcomooser; George Ritscher, electronic engineer; and Jan Williams. percussionist-conductor. Se pt . :Jl./1 / 970 Featuring Ruslana Antonowicz, piano, and Allen Sigel, clarinet. Works by Dussek, Reger, H oddinott and Milhaud. Baird, 8:30 p.m . Tickets availa ble at the Baird Ticket Office: 'g eneral admission $1.50, faculty and staff $1.00, students $.50. Allen Sigel is professor of music at U / B and prior to joining the University in 1960, he was first clarinetist with the Buffalo Philharmonic Orchestra. He is the author of "The 20th Century Cla rinetist" and "A Comparative Study of the Music Instruction at Selected European Conservatories of Music." He spent this summer in England on a University. sponsored project, ''The British Tradition of Clarinet Playing." Ruslana Antonowicz was graduated from the Academy of Music in Vienna with highest honors 1and has toured extensively in this country as well as in Europe and South America. Before coming to Buffalo in 1968 as assistant professor of music she taught at the Peabody Conservatory of Music and at Vassar College. She will tour major European cities in January 1971. '• / MUSIC RECITAL **: " I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associates seventh season opener Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-09-24 With references to the following additional composers: John Cage, Petr Kotik, Frederic Rzewski, Cornelius Cardew, Sylvano Bussotti, Luciano Berio, Christian Wolff, W.A. Mozart, Alcides Lanza Source A related resource from which the described resource is derived Reporter Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-24 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_059 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/3b61a9a8223a80ff58976c27cd015c11.pdf 0a0a127115ae21baee1babaaff6af747 PDF Text Text EVENiNG EW September 18, .l970 ' ' Creative Associate·s P1an ~ Bright Music Adventures Those far-out young com- Juilliard School, native of Percussiorlist William Furioso posers, players, stagers and Seattle. and clarinetist Roberto Laneri, · all-purpose visionaries titled Jesse Levine, Buff a 1 o the UB Creative Associates are PhiJ.ha11mon:i<c princ·i·pa'l violin- both busy composers, will be heading into their seventh ist, recita!list in Latin Ameri•ca graduate fellows in the proseason with bright plans in- under auspices of the State gram. cluding a few jolts for Depa:rtment, featuTed performThe UB Center of the customary tradition and new er in several festiv•als and a Creative & Performing Arts, ventures into music theater. frequent Philharmonic soloist. co-ordinator Renee Levine, Is * ¥ • awaWng word from the The Sunday series titled RETURNING associates, all Rockefeller Foundation on the " Evenings For New Music" in are: J u I ius center's proposal to add a Albright-Knox Art Gallery composers, auditorium will be continued, Eastman, bass singer and dancer, theater director and James Fulkerson, playwright to the program, with concerts on Nov. 1, Dec. pianist; trombonist; Mr. Kotik, a well- with a view to expanding its 6, Feb. 14 and May 2. known flutist; G e o r g e m ixed media plans. But even • • THESE programs will be Ritscher, electronic technician, as is, a season of considerable Jan WiHiams, variety and inventiveness is taken on tour, and there will be and percussionist and conductor. promised . presentations in Carnegie Recital HaN, Metropolitan Museum of New York, Donnell Library of New York, Nassau Community College, State University at Albany and Stony Brook, Niagara Community College, New York Automation Institute, a;nd possibly Montreal or Ottawa. The Creative Associates also wiLl offer their own recitals in Baird Hall, both classics and moderns, and there will be a new emphasis on programs in Domus arts center, six in all, stressing mixeti media and theater. A season-opening program will be held Sept. 30 at 7 PM in Norton Hall, presented by Czech-born, Vienna-trained composer Petr Kotik and colleagues. • • ljl: * THE OPENING gallery program, Nov. 1, will honor center directors Lukas Foss and Lejaren Hiller with performances of their new compositions, and pay tribute to center cofounder Allen Sapp, composer who now heads College B, with a presentation of his new chamber work. Of the 10 Creative Associates at work this season, five are newcomers : Douglas Davis, Los Angeles celli'9t and Tohaikovsky Competition finalist in Moscow. He has been a member of San Fernando Valley State College 1 facuity. Stuart Fox, guitarist, M.A. graduate of the University of Southern California, performer in the Ojai Festival. Roger Shields, p i a n i s t , bachelor and master degrees from the University of IHinois, a prize winner in the 1969 Busoni Competition in Italy. Mark Sokol, v i o l i n i s t , founder of the West Point Quartet, graduate of the J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associates plan bright musical adventures Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: 1970-10-01 With references to the following additional composers: Petr Kotik, James Fulkerson, George Ritscher, Jan Williams, William Furioso, Roberto Laneri Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-18 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_058 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/0b07087c31a8cdff815035622b7e4d41.pdf 34eb1c72267ad086b2ed46c02e471072 PDF Text Text 24 BUFFALO COURIER-EXPRESS, Sunday, Sept. 13, 1970 UB 0 0 0 Slays 'The Usual' Arts 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Seventh Season Offers Wide Range of Original Works RETURNING MEMBERS of the Center are Julius Eastman, composer and pianist; James Fulkerson, composer and trombonist; Petr Kotik, composer and flutist; George Ritscher, electronic technician; and Jan Wil· Iiams, percussionist and conductor. New members include Jesse Levine, principal violinist of the Buffalo Philharmonic Orchestra and a frequent performer in past seasons with the Center; Doug· las Davis, cellist from Los Angeles, and a finalist in the Tcbai· kovsky Competition in Moscow. By TOM PUTNAM THE CREATIVE Associates will resume new music activities this month when the Center of the Creative and Performing Arts hegins its seventh season at the University of Buffalo. It should be another interesting year, for the musicians and composers, who are the CAs, are an imaginative bunch. Programs generally run the scalE' of 20th century music-from Bartok to iBerio, Stravinsky to Stockhausen. Dull routine is a monster easily slain on Center programs. HERE ARE SOME of the events scheduled so far: .,...The opening "Evenings for New Music" concert Nov. 1 at the Albright-Knox Art Gallery will include the first performance of a quarter-tone string quartet by Lejaren Hiller, codirector of the Center. -The same program Nov. 1 will Include the first performance of a chamber work writ. ten for the Center by Allen Sapp, former director of the Center. -The new work by Lukas Foss: "M.A.P.," will be performed Nov. 21 at Dornus. "M.A.P." was composed for the summer . festival at St. Paul de Vence, France. -CENTER CO ·DIRECTOR ·Foss will conduct a work by British composer Peter Maxwell Davies on the "Evenings for lNew Music" concert Nov. 1. -The first CA recital will be a program organized by cornposer and flutist Petr Kotik Sept. 30 at Norton Union, University of Buffalo. This year the Center plans to continue broadening its activity 1n rn I xed media a~d theater. 'oTHER NEW members are Stuart Fox, guitarist from Los Angeles, who has performed at the Ojai Festival ln California; Roger Shields, pianist from the University of Illinois; Mark Sokol, violinist from Seattle, founder of the West Point String Quar· tet; and Howard Zwickler, percussionist, former faculty member of State University at Brock· port. The graduate fellows are Willlarn Furioso, percussionist, and Roberto LaneTt, clarinetist. Creative Associates in rehearsal at UB •.. Center begim 7th season Sept. 30 Special programs are scheduled at. Dornus, university perform· lng arts center at 1695 Elmwood. There are 11 members of the Center this season, and two graduate f e 11 ow s. Fellowships may be given to a dancer, a the· ater director and a playwrightif the Center receives a founda· tion grant. THERE WILL BE five "Even· 1ngs for New Music" concertsNov. 1, Dec. 6, FE'b. 14, and May 2 at the Albright-Knox Art Gallery, and March 24/25 at Domus. Complementing the "Evenings" series are the CA recitals by individual members of the Center. Nine CA recital programs are scheduled: Sept. 30 (UB Norton)l Oct. 21 (UB Baird Hall), Dec. 3u (Domus), Jan. 23 (Dornus), Feb. 6 (Baird Hall), Feb. 'l:l <Baird Hall), March 10 (Baird Hall), April14 <Baird Ham, and May g (Dornus). � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB arts center slays 'the usual' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Announcement Date of event: unknown With references to the following additional composers: Lejaren Hiller, Lukas Foss, Peter Maxwell Davies, Petr Kotik, James Fulkerson Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-13 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_057 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/f48e580fa55f3a401f12b9379eafca8c.pdf ecce166330edfce9926d1be68ff31c90 PDF Text Text THE LIBRARY Buffalo Evening News ('I)a_y 9, /9 70 UB Composers AoJust Quickly, Head Downtown By CAROL STEINER In a qui,ck and resourceful ar~angement, State University of BUiffal·o composers came downtown Friday evening, in a change of location irom tea,rgassed Baird HaJ.I, and gave their con,cert in Central Lib· rary · auditorium with a nwm-b er of assisting per>formers . It seemed to give some~hitng >added to thind{ about during ~he penforman•c e of Oarlo Pinto's "Tre F·rammenti di Guerra," :songs of the Reslistance Movement in Venice during World War II. T\he text was by Rina Pinbo, sung by ba:ritone Heinz ReMuss, Mr. Pinto al:)company· ing. · * • • THE PIECES express the cold fear, pr:de, and c•ciommitment of the Ita!:ian Resistance workers, and the personal exper.ience of the composer and his wife. 11he piano's subtle word 'and mood pa>irrting ba•lanced the calm, classi·c tones of Mr. Rehfuss, usually a more emot-ional singer. Changing the l_tlood, Lejaren Hiller's 195G Piano Sonat<l! No. 4, pe~fonmed by Frrina Boldt, was a pedestal-tipping piece that spoofed every muskal diohe· of the past 200 years. It tis boldly written in drassic torms, a-ll jumbled togebher, uses ti:me•hcinoreod contrapuntal techniques with unh:oly cunning, and g-ives ha·r>mony a Hl tlh Ave. slau~hter. It deli-g~hted the audi· ence. Mrs. Boldt played the· part Uike Vi·ctor · Borge, and Prof. Hi1Ner, a gentleman wi't'h saltand-pepper lhair who Wlrites on the Moog Synthesizer, sm1led :pa~emaUy throughout. * * * WILLIAM KOTHE'S "Johannes Kel:pius," a short cant•a>ta abou•t the German ·Americ-an 17th Century mys·tic, showed ag·ain Mr. Kothe' s inspired unde rsta ndinJ of the human voice. All the ·purity and · qua'lity in ~he University Chamber Ohair directed by Peter Van Dyck was needed. It is totaHy economic in form and line, un:pretentiously glorious, and as dnnocent as divi.ne knowledge. John Thomas' "Canciones" sung by Julius Eastmran with darinetist Roberto l!an·erl, are 1err)lfying pieces. Mr. Th\J!Illras oalls t1hem neurotic. They are more the ·expres-s·ion of the working·s of the mind afflkted wifh deep psyc'hosis-iba.rren, desol•ate, unarb le to communicate. Only at bhe end of ·tihis -1970 "Pier-rot Lun-aire" is there an interaction with the outside world, a bitter address to a linnet. Other works were Allen Sa:pp'·s cr.aftsmanlike, tradition-a.! F o u r Impromptus :played by skilled rpianist Norma B. Sapp; Ramon Fuller's rather bland Three Pa11amet· Tical Studies lfor Moog Syn· tlhesizer, .and Robert Mofs' "Three lfor Eight," a sound coJLa,~>.e cheerfullv ·v � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB composers adjust quickly, head downtown Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-07 With references to the following additional composers: Carlo Pinto, Lejaren Hiller, William Kothe, John Thomas, Allen Sapp, Ramon Fuller, Robert Mols Note: Eastman as performer in John Thomas' Canciones Creator An entity primarily responsible for making the resource Steiner, Carol Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_056 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/68e0547140a1a1388ec2287177cb988c.pdf a1288a80105f6baa5db0067afff60942 PDF Text Text ..... Courier Express fJ\ Qj q1 !Cf7D ~£7cr77o ~ G~B Facuity Composers Air Worl{s By THOMAS PUTNAM The program of music by University of Buffalo faculty cqmposers Friday night at the Central Library Audit ~ - , '11 drew a -s maller audience t 'an it deserved. The program was moved from VB Baird Hall which had been contaminated by tear gas Thursday night. Seven works were performed, ranging in mood . from the very serious "Tre Frammenti di Guerra" by Carlo P into (poems lby Rina Pinto ) to the amusing iPiano Sonata No. 4 by Lejaren Hiller. Heinz Rehfuss, the baritone, gave a dramatic performance of the Pinto songs, which form a continuity. The piano, played by the composer, is anxious with tight harmonic clusters and nervous lines. Big Toned Cascades "The Hiller sonata , one of his more enjoyable pieces, is a hodgepodge of styles from Beethoven to pop dance music, and it often sounds like good silent movie music. Frina Boldt gave a committed performance, although she was broke up slightly when audience laughter became unrestrained during the middle movements. Her romantic cascades were big toned. William Kothe's small dramatic pie-ce for baritone (Dennis Price), tenor (Alan Creech) and chorus (the University Chamber Choir, directed by Peter Van Dyck), "Johannes Kelpius," was well balanced and pleasant to hear - with quite fine sin!ling by the chamber choir. Rigid Rhythm . John Thomas's "Canciones" for baritone Julius Eastman and clarinet Roberto Laneri was an attractive work made from singing lines which skip widely, yet maintain musical direction. Allen Sapp's Four Impromptus were drifting and impressionistic, muscular, rigidly rhythmic and boldy energetic. The performer, Norma Sapg, made the music a progression of intensity. The remaining work for comment (Robert Mols's "3 for 8" came too late for review ) is Ramon Fuller's Three Parametrical Studies for Tape. The electronic music is brightly articulated and includes a series of accelerating chipping sounds which were abstractly amusing. , � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UB faculty composers air works Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-07 With references to the following additional composers: Carlo Pinto, Lejaren Hiller, William Kothe, John Thomas, Allen Sapp, Robert Mols Note: Eastman as peformer on Thomas' Canciones Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-09 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_055 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b9eed0969af2a3db0eec7d56ed33cf26.pdf ed24ac5d81d4be3e0160c3b04c8f7066 PDF Text Text PROGRAM * Four Impromptus (1957) ................................................... Allen Sapp Norma Sapp, piano * * * II Three Parametrical Studies for T ape (1970) .................. Ramon Fuller I. Randomness in Pitch and Rhythm II. Discontinuity III . Temporal Density III Tre Frammenti di Guerra ( 1970) .... ................................... Carlo Pinto I ferri ... del mestiere II sogno Leo Heinz Rehfuss, b ass-baritone Carlo Pinto, piano IV Piano Sonata No.4 (1950) .......................................... ..Lejaren Hiller I. Andante ; Allegro vivace II . Andante con moto ; Allegretto vivace III . Alla marcia IV. Prestissimo Frina Boldt, piano INTERMISSI SION v * Johannes Kelpius (1970) ................ ........................ ......William Kothe Dramatis Personae Johannes Kelpius ....................................... Dennis Price, baritone William Penn ................................. .................. Alan Creech, tenor Chorus ..... ......... ........ ....... .............The University Chamber Choir Peter VanDyck, Director * VI "Canciones" (1967) ..... .. ................. .. ........ ... ..................John Thomas Del rosa) vengo La sierra es alta A un jilguero Julius Eastman, baritone Roberto Laneri, clarinet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Composers' Concert Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-08 Note: Eastman as performer in Canciones by John Thomas Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-08 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_054 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/d2fe8d14dc4a422aa27450218e659e70.pdf a573c583b8c2368c5e277d94b6cbd9b6 PDF Text Text CONFERENCE THEATRE 8:00p.m. Sonata for piano in E flat Major K 282 •••••. W.A.Mozart Sonata tor piano in D Major K 311 ••••••••••• W.A.Mozart Julius Eastman 8:30p.m. Couple (1959) .••....••• ••••••• •.•.•.••• •••• Sylvano Bussotti for flute and piano Sequenza (1958) •••• ••••••••.•.•• ••..• ••••••• •. Luc iano Berio · for flute Sonata F DUR •••.• ••• .•.••••• ••••••••••• •• .• Frantisek Benda Adagio A l legro Vivace for flute and harps ichord Density 21.5 (1936) •••••.•••••••.•••••.•••.• . Edgar Varese for flute Shrinx (1913)•••••.••......•.....•.•.•••••.. Ciaude Debussy for flute Petr 'Kotik and Stephen Manes 9:00p.m. Mignon I "'Heiss mich nicht reden ... " ....... Hugo Wolf Mignon II"Nur .wer die Sehnsucht kennt. .• "HugoWolf Mignon Ill "So Ia sst mich scheinen .•. " .•.•. Hugo Wolf Mignon - "Kennst du das Land" PETR KOTIK- Composer flutist WILLIAM FURIOSO PETR KOTI K, director ROBERTO LANIERI JEFF SILBERMAN GWENDOLIN SIMS JAN WILLIAMS S.E.M. ensemble GUESTS JERRY KIRKBRIDE KENNETH WELLS FRANK COLLURA JOHN ADAMS JAMES FULKERSON MICHAEL KELLER KENNETH FUNG DIANE WILLIAMS MARY LANE JULIUS EASTMAN STEPHEN MANES clarinet French horn trumpet trumpet trombone trombone violin viola cello p1ano piano, harpsichord Frauenl iebe und Leben- a cycle ••••.. .Robert Schumann Gwendo li n Sims and Stephen Manes This program will be taped by WBFO for Iater broadcast � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital VII Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-06 Note: Eastman performs Mozart piano sonatas, performance was cancelled and rescheduled Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-06 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_053 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/6d3a36c916044d670c1260300b219ff8.pdf 03301f7b827c64b7a1643f6c512bfa34 PDF Text Text Buffalo Evening News ALBRIGHT-KNOX GALLERY Clear Voice, Unclear Work In New Music's.Wide Range By HERMAN TROTTER Only 11 years, but a huge philosophica·l gap, separated the oldest and youngest works on Sunday's "Evenings for New Music" pe·rfor~nance by 1Jhe UB Creative Ass'Ociates [n AlbrightKnox Art Gallery. They were John Becker's song cycle "At Dieppe" , and "Thruway," ·a theater pie'ce by Julius Eastman for which the entire audience was moved to the Sculpture Court. Becker's 1959 cyde, performed by soprano Gwendolin Sims and pianist Evelyne· Crochet is an atmospheric work which skirts tonality. Miss Sims' voice was restrained and clear, over chords and arpeggios. Well worth another hearing. Mr. E•astman c o n d u c t e d "Thruway," with Miss Sims, an instrument•al ensemble, and the East High School A Capella Choir, Donald Hi!Nard director. A prologue of jazz in an adjacent room and amoebic projections on the back wall ushered un a scene of recumbent bodies, ~ning fi,gures·, oreligi ous chanting, abstract busy vocal noises, the chorus walking through the audience as though blind, tiu!n back, followed by instruments (ever see a ceUist play while walking?) a barrage of film images, Miss Sims singing through the audience as in a trance, then escorted out, choir singing and collapsing one by one, more jazz, .out. It all had a riveting dramatic eHect, but don't ask me what it meant. I do know this. If Mr. Eastman can ever ,focus his ri mmense but scattered talents we'll hear big things from him. also included Korean compos eli !sang Yun's "Loyang," !featur ing sliding ·chords, glissandi and sharp bass-drum punctuation, conducted by Jacques Guyonnet, and Swis·s composer Juerg Wyttenbach's "Three Pieces fo Piano," dedicated to soloist ~rochet,_ ~rief and bas.ic_a111Yi 1mpr_ess10mst sketches of w1dely: varymg stride and dynamics, weJ.l done. Mr. Guyonnet aslo conducte his own "Good Grief, Jerry," four pieces written especiallYi for the Cr.eative Associates and their bass, oom[pOser Le}aren "J·e ny" Hi,JJer. 'f.hey are essent!ial'ly lyr.ic, returning time and a.gain ,a fter flights of seemingly inc'h'oate · fancy to touch base on some familiar ground, be it tlhe sound of a s:tring trio or quota,tions from Wagne·r. Furious ibattles on the deeper drums, runaway xyJophones and an extended bass flute solo were among the more pleasurable fancies. ;----------- 1 MORE. The rather iengthy program l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clear voice, unclear work in new music's wide range Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: John Becker, Isang Yun, Jacques Guyonnet, Jerg Wyttenbach Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_052 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/4c84f410fef7880f8fb74a9d127a6b55.pdf b53aa41ce1780ef7f0873bd1b83bf987 PDF Text Text Courier Express Eastman s 'Thruway' By THOMAS PUTNAM Julius Eastman's "Thruway," which was the final work in the Evenings for New Music concert Sunday night at the AlbrightKnox Art Gallery, is described as "a Music Drama, whose subject matter concer~s the history of the Worlds. ' Up until the final minutes of the performance it was not clear what was signified although individually some of the events were pleasant to witness. Walk Into Audience At the beginning, colorful changing shapes were projected on a wall of the Sculpture Court, the images of magnified water appearing as a globe of shifting continents. In a room off the . main court three musicians played jazz. Members of the East High School A Cappella Choir appeared, three of the young men lying down. The choir moved slowly, singing Eastman's dense and fluctuating harmonies. Spotlights singled out the individuals, and the nine walked into the audience and touched faces with their hands. Another group of musicians, with violin, clarinet, cello and flute, herded the victims (choir) up against the wall. Some Fine Singing M ov em en t in "Thruway" seemed more carefully plotted than sound, whose random character was emphasized by the .separation in space of the instrumentalists. There was some fine dissonant singing by the ~ East High Choir, who skillfully added' notes to notes until a ~ cluster was rich. F The first part of the program in the gallery auditorium in- , eluded one beautiful musical work, the four songs of John Becker's cycle, "At Dieppe." Gwendolin Sims performed the songs with a bright voice and balanced expression. Becker is an American composer who was born in 1886 and died in 19til. The poems are by Arthur Symons. j The pianist in the Becker songs was Evelyne Crochet, who a I s o performed Three Pieces for Piano by the contemporary S wiss composer, Jurg Wyttenbach. The music was distinguished by a disjunct piano technique, and, in the last piece, by "grinded timbres" produced by rubbing the piano strings with a wood mallet. Guyonnet Preaent The Swiss composer Jacques Guyonnet was present to conduct !sang Yun's "Loyang," an instrumental work that sounded clean but generated very little excitement, and his own music, "Good Grief, Jerry," which Guyonnet comp0sed for the UB Center of the Creative and Performing Arts. Mostly the piece, des!pite the title, was humorless, although it did include some use of funny text and instrumental muaic from "Das Rheingold.'' The musical terrain was enlivened at various spots by instrumental solos, including a quasi improved bass clarinet solo, sultry bass flute (which on a quavering low minor third sounded like a muted born from a distance), and percussion with good primitive drumming by three percussionists. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's 'Thruway' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: John Becker, Jurg Wyttenbach, Jacques Guyonnet, Isang Yun Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-04 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_051 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/b65e0af077668d9f7a1d65d5c2470ba1.pdf 0cf14676cbd228e3d4501ed30fd87b6a PDF Text Text EVENINGS FOR NEW MUSIC LOYANG (1962) lsang Yun Misses Reynard, Verberne; Messrs. Kotik, Richards, Kirkbride, Cash, Furioso, Falcao, Haupt Jacques Guyonnet, conductor THREE PIECES FOR PIANO (1969) . . . . Jiirg Wyttenbach Evelyne Crochet AT DIEPPE A Song Cycle for Voice and Piano (1959) . . . . . . John Becker Misses Sims and Crochet GOOD GRIEF, JERRY (1970) . . . . . Jacques Guyonnet Ensemble Conducted by the composer INTERMISSION AUDIENCE PROCEED TO SCULPTURE COURT THRUWAY (1970) . . . . . . Julius Eastman Ensemble and the East High School A Cappella Choir Donald Hilliard, director Conducted by the composer All the works on this evening's concert are being performed in Buffalo for the first time. R M I Electric Piano/Harpsichord courtesy of Poppenberg's Inc. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-05-03 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-03 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_050 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/da01ee2001e18c7ba804aa8fa4bbb9ca.pdf a79d17cd2c1b3fd5a701c451d2400351 PDF Text Text THE NEW YORJ{ TIMES, FRIDAY, MAY 1, 1970 5 WORKS IN FINALE OF MUSIC EVENING The season's final Evening for New Music program, given last night in Carnegie Recital Hall, offered five works that seemed admirably structured for the composer~' purposes but seldom convinced this listener that the purposes were worthwhile. !sang Yun's "Loyang," · tribute to an ancient Chinese city, had a distinct quality, its slowlv instrumental combinations ·and solo arabesques love! to hear. One of three trick piano pieces by Jtirg Wyttenbach amused with its virtuosic leaping of the right hand over a left hand holding down a cluster of notes. The late John Becker, once an American avant-gardist, was represented by a bla~ song. cycle, "At Dieppe," almost impressionistic in ~ltyle. Jacques Guyonnet's "Good Grief, Jerry," long and free-wheeling, dipping once into Wagner's "Rheingold," had some impressively colorful passages but lefit this listener a Charlie Brown loser. What could be heard of Julius Eastman's "Thruway," a "musi~al drama, whose subject matter concerns the history of the worlds," was an ominous melange of jazz, tape, and live vocal sounds, brilliantly performed by some black highschool singers. RAYMOND ERICSON. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5 works in finale of music evenings Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-30 With references to the following works by Julius Eastman: Thruway With references to the following additional composers: Isang Yun, Jurg Wyttenbach, John Becker, Jacques Guyonnet, Wagner Creator An entity primarily responsible for making the resource Ericson, Raymond Source A related resource from which the described resource is derived New York Times Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-01 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_049 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/6eee00134eb5196129ad565281aaeb40.pdf e9336c8e41cdf1856bfe77b99cf6f9e0 PDF Text Text evenings for new music prepared Iukas foss and lejaren hiller .season 1969-70 sixth annual series presented by the carnegie hall corporation in conjunction with the center of the creative and performing arts in the state university of new york at buffalo Iukas foss and lejaren hiller directors four thursdays at 8 :30p.m . carnegie recital hall APRIL 30, 1970 AT 8:30 P.M. LOYANG (1962)* . . . . . . ISANG YUN Misses Reynard, Verberne; Messrs. Kotik, Richards, Kirkbride, Cash, Furioso, Falcao, Haupt Jacques Guyonnet, conductor THREE PIECES FOR PIANO( 1969)* . . . . . . . . . . JURG WYTTENBACH Eve lyne Crochet AT DIEPPE. . . . . . . . . . . . . . . . . . A Song Cycle For Voice and Piano (1959) . . . JOHN BECKER Gwendolin Sims and Evelyne Crochet GOOD GRIEF, JERRY (1970)* . . JACQUES GUYONNET Ensemble Conducted by the composer INTERMISSION THRUWAY (1970)* . . . . . . . . . . . . . . . . JULIUS EASTMAN Ensemble and the East High School A Capella Choir Donald Hilliard, director Conducted by the composer * First New York Performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for new music (Carnegie hall) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-04-30 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-30 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_048 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/8cbb3d429d7e06eef064137eefb04b3a.pdf 45dfd61b5db1f6d4569b8c1a8ea4e837 PDF Text Text I. II. III. IV. Good Good Good Good Grief, Grief, Grief, Grief, Elaine (don't do that) Jerry (don't mention it) Anne Laurence (no comment) Alfonso (don't fall asleep) This work, written especially for the Center of the Creative and Performing Arts at the State University of New York at Buffalo, is comprised of four very different parts which may be performed in any order. Composed for ensemble and conducted by the composer. The composer writes: Good Grief, Elaine is written primarily for strings and celesta. This movement is derived in its entirety from four different sets of rhythmic durations. Moreover, the voice is treated purely as a musical instrument. Good Grief, Jerry features percussion, brass, and an organ and piano duo. Both conductor and the musicians have a broad range of choices of performance materials for this "piece mobile." Good Grief, Anne Laurence is a solo for bass flute which sounds ·an octave lower than the ordinary flute. The orchestra's entrances are cued by the conductor ad lib. Good Grief, Alfonso, in contrast to the previous movements is more concerned with reinforcing the discursive qualities of the voice. At the same time, it also makes use of musical materials drawn from earlier sections of the work. INTERMISSION Thruway (1970) . . • . • . . . • Julius Eastman (American, b. 1940) Composed for ensemble and the East High School A Capella Choir (Donald Hilliard, director). Conducted by the composer. Thruway is a Music Drama, whose subject .matter concerns the history of the Worlds ·eon eon eon eon Steinway Piano This series is presented by arrangerrent with the Center of the Creative and Performing Arts in the State University of New York at Buffalo � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evenings for New Music (Rutgers) Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-04-29 With references to the following works by Julius Eastman: Thruway Source A related resource from which the described resource is derived Music Department Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-29 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_047 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> https://digital.lib.buffalo.edu/files/original/db00e8513035173db4efeabc200ecb4a.pdf 35aa58caf73051b984efbdf346a55260 PDF Text Text Buffalo Evening News Apr. :Jo, !97D DOMUS CENTER 1 Eastman S Planetary Work Is Stellar Entertainment By HERMAN TROTTER The manifold talents of Julius Eastman and the intense, refined pianism of Ronald Peters were focal points of UB Creative Associates Recital VI, Sunday evening in Domus arts center. Mr. Eastman was billed only - - - - - -- -- - -as composer-choreographer of Slicing block-chords, t on e "The Moon's Silent Modula- clusters and a long crescendotion," but he also served as nar- diminuendo of two stolidly oprator, soloist and purveyor of posed repeated chords were speci.al v?cal eff.ects in this played by Mr. Peters with an mult1-med1a opus. excell.ent sense of timing, Supported by o r c h e s t r a , heightening the drama. chorus and soloists under Carlo Walter Kaufman's 1 96 0 Pinto's direction, dancers Deb- Sonata, however, invites more bie Abrams, Mary Fulkerson emotional involvement from the and Carl Singletary, represent- listener. ing Earth, Moon and Sun, - - - ; - --::: ~ = · ====== delineated variations on the appropriate g·a lactic motions. Sun and Earth become increasingly disenchanted with the barren moon and banish it to limbo with the deathless declamation, "Take· a trip today in your \ Ohevrolet. The universe is askIng you to call." * • • BUT THERE'S trouble a t the g ulch. Sun and Earbh, realizing the gravitx of their loss, become totally disoriented and shout ex- j pletives to exhort the Moon back into its groove, a teat ac- i complished through a set of , vafi.at:ons on solar system movement, and they lived happily eons after. 1 The dancing had a sustained planetary momentum, ~locklike and sinuous, and there was a spacious, distant quality to the bizarre instrumental-vocal effects. It could use some judicious editing, but, withal, was pretty entertaining. I . "' .. THIS IS a big work, full of gesture, it's core based on an oft-rep.eated three-note motif. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eastman's planetary work is stellar entertainment Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-19 With references to the following works by Julius Eastman: Moon's Silent Modulation With references to the following additional composers: Walter Kaufmann Creator An entity primarily responsible for making the resource Trotter, Herman Source A related resource from which the described resource is derived Evening News (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-20 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_046 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/8c649009f3668c0cf89003f607b52e24.pdf 97b55cf834e96ef736c495426e8e41ad PDF Text Text llevie·rv Courier Express Al(r- :ID, 197D 'Moon~s Mo(fulation~ Julius Eastman's ballet, "The Moon's Silent Modulation," was performed Sunday night on a program at Domus, 1695 Elmwood Ave. The University · of Buffalo Creative Associate recital inrlucled performances by pianist Ronald Peters of works b~· Robert Ricci, Walter Kaufm~nn and Lejaren Hiller. The ballet dramatizes the relationships between t h e sun, E'arth ?11'1 moon, and the disrup. tion which results when these rP.lationships are upset. It is an allegory, yet the drama is successful as met11phor. One is interested in the progress of planets. Orll' tal Pattern The three dancers move into the open space from two corners. The movrm ent is part of an orbital pattern: moon circles earth, <>arth and moon circle sun . The orbital circles are peaceful. It is the way things are supposed to be. There are fine performances by Debbie Abrams as the earth, Mary Fulkerson as the moon and Carl Singletary as the sun. Their dance of the planets is a slow, smooth coordination of rhythm and space. Disorder first appears as !l nervous tic, a quick, mechanical step. Miss Fulkerson moved with crazy, jerky hops and Miss Abrams became a mechanical toy wound too tightly. Moon leavPs the dancing space, and the dance of earth and sun becomes turbulent. Miss Abrams circled slowly while placing her hands on different places of her body, giving the impression of fear and uneasiness. Singletary was a proud jumping sun. Orbiting Game In the resolution of the imbalance the dancers play an orbiting game. Miss Fulkerson re-establishes her position in the trio of forces by running to catch up with the pattern of earth and sun . Eastman, who composed the music and did the choreography, read his own poem. It was effective in providing reference points, but much of the text was obscured. The music by string players, chorus, percussion and flute was conducted by Carlo Pinto. The score was heavy with dense string and choral sound, percussion clamor, and electronic flashes of flute, ' T.P. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Moon's Modulation' Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Concert review Date of event: 1970-04-19 With references to the following works by Julius Eastman: Moon's Silent Modulation With references to the following additional composers: Robert Ricci, Walter Kaufmann, Lejaren Hiller Creator An entity primarily responsible for making the resource Putnam, Thomas Source A related resource from which the described resource is derived Courier Express (Buffalo, N. Y.) Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-20 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_045 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a> Audience A class of entity for whom the resource is intended or useful. UB Only https://digital.lib.buffalo.edu/files/original/cd99ea60a8218e54c0d92f986bd0e0e9.pdf 6b7552dd2660b1f0e500fd71acf36cb5 PDF Text Text C ~ E A r I VE A S S 0 C I AT E DOHUS R ~ C I T A L April 19, 1970 R0 1~ALD VI 8:30 P. 11 . PETEilS, PIANI ST CHACONNE (1966) •• • • • • • • • • • • • • • .Robert Ri cci SONATA (1960) • • • • • • • • • • • • • • • 1rval t or Kaufmann Moderat o Calrno e scm:plice Jlt! odcrato Andante SCHERZO (1958) • • • • • • • • • • • • • • • Lojaren Hiller Prologue Scherzo Epilogue *'** I N T E R ;:·J I S S I 0 N '**1:- JULIUS EAST IAN , CQiviPOSER-CHOREOGRAPHER THE MOON ' S SILENT HODULATION Dancers: Orche stra: Vocal Soloists: Debbio Abramo r-1n.ry Fulkorson Kenneth Fung Judy Kl een Diane ~-Jilliams Cherl Grant Harijko Vorberne Carl Single tary Joe DiNatale Frederick Stroud Robert Cantrick William Furioso Dona ld Johnson Donna i-1athowson Sam Herr Carol Latham H.odney Brown with membe rs of Jongleurs, Schola Cantorum and ,'I r . BJa kes 's Sixth Grade from the 'rhomas Edison EJe mentary School Carlo Pinto, Conductor Julius Eastman , ~1usic, Libretto &. Cho:t·o()g:t• a phy Ed Cox, Lighting Donald Burkhardt, Costumes George Ritscher, Audio � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julius Eastman Clippings Database, 1968-1979 Identifier An unambiguous reference to the resource within a given context LIB-MUS024 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creative associate recital VI Subject The topic of the resource Eastman, Julius Music--New York (State)--Buffalo Description An account of the resource Type of clipping: Program Date of event: 1970-04-19 With references to the following works by Julius Eastman: Moon's Silent Modulation Source A related resource from which the described resource is derived University at Buffalo Publisher An entity responsible for making the resource available State University of New York at Buffalo. Music Library Date A point or period of time associated with an event in the lifecycle of the resource 1970-04-19 Contributor An entity responsible for making contributions to the resource Music Library Format The file format, physical medium, or dimensions of the resource clippings (information artifacts) Type The nature or genre of the resource Image Still image Identifier An unambiguous reference to the resource within a given context eastman_044 Is Part Of A related resource in which the described resource is physically or logically included. Julius Eastman Clippings Database, 1968-1979 LIB-MUS024 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>