4
100
344
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State University of New York at Buffalo
Department of Music
presents
SSQC
~'fES
AT DOMUS
JULIUS EASTMAN., Composer-Choreographer
•
presenting
The Moon's Silent Modulation Ballet
�
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Title
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Creative associates at Domus
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1970-04-19
With references to the following works by Julius Eastman: Moon's Silent Modulation
Note: Recital poster
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University at Buffalo
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State University of New York at Buffalo. Music Library
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1970-04-19
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Music Library
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eastman_043
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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, 32
BUFFALO COURIER- EXPRESS, Sunday, Apr![ 19, 1970
Julius Eastlllan Works Scheduled
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Con1poser-Choreographer Looks Beyond Earth for His Ideas
By TOM PUTN .' M
THE MUSICAL-DRAMATIC
works of Julius Eastman are
certainly not small, pinched conceptions. Without losing sight of
man, Eastman looks beyond the
planet to the moon and sun and
stars to the universe of conflicting forces.
Eastman is a composer who
thinks of music in terms of
dance, whi.ch is natural, for he
also is a dancer and choreographer. His new ballet, "The
Moon's Silent Modulation," is
described as having "blocks of
sound that enter and exit." The
moon itself is musical with its
r.hythms of movement, the "silent modulation."
~'Thruway" is another Eastman work for instrumental ensemble; singers and tape. It is,
of course, more than a descrip·
tion of the four-lane strip.
EASTMAN IMAGINED " Thruway" while he was riding on the
Thruway to New York. It is
about the history of the world
or the universe," Eastma n explained recently. "It is how I
vision the beginning, the development of the world, wars . the
death of planets, reincarnation."
Both "The Moon's Silent
Modulation" and "Thruway"
will be presented on programs
by the University of Buffalo
Center of the Creative and Performing Arts, where Eastman
1a a Creative Associate.
· The ballet will be performed
on ·a program at 8:30p.m. today
. at Domus, 1695 Elmwod Ave.
Also on the program will be
R-onald Peters, Creative assoc!iate and Instructor at the Villa
~ria Institute of Music, who
will play piano works by Robert
Ricco, Walter Kaufman and
Lejaren Hiller. There is no admission charge.
••THRUWAY" WILL be presented on. the Evenings for New
Music program May 3 at the
Albright-Knox Art Gallery. It
•
Deborah Abrams will dance in ballet by Julius Eastman
... "The Moon's Silent Modulation"
will be dmie after intermission
in the Sculpture Court.
Eastman's "The Moon's Silent
ModulaHon" is "an allegocy"
which descrj.bes "the ego mech·
an ism." The conflict is ·between
the sun and the earth. "Each
considers itself superior," Eastman said.
"Because of the ·racket· the
moon moves out of orbit,". Ea!!tman explained, "and there il
a great disturl:lartce." The moon
does finally come · back. ~ however.
"It Is a simple work-clear,
almost religious," he explained.
The message is that "There are
no superior .persons or beings
that can be identified."
THE DANCERS In the perfor·
mance are Deborah Abrams,
Mary Fulkerson and Carl Sin·
gletary. Carlo Pinto will conduct the chamber orchestra and
chorus.
Eastman has written a dramatic poem for his ballet, which
he will read in the performance.
The other performers include
William Furioso, percussion,
and :Jiobert Cantrlck, flute.
Eastman has composed numerous works - songs, piano
pieces, symphonies. A previous
outerspace work is "Star Jazzer," for strlni quartet and
voice.
The significant thing about
"The Moon's Silent Modulation"
for Eastman the composer Is
that it is the first work in which
he used · ·graphic notation and
'-'dealt with things other than
notes."
THE GRAPmc score Indicates blocks of sounds which
are organized fugal!y. The
fugue is real; and it also is
a play of entrances and exits, a
counterpoint of blocks of sound.
One such block is lformed
when the chorus sings "between
E and F" - not E and not F
specifically, but the SQace be· ·
tween. This block moves, shrinks
to a unison.
"Thruway" involves movement
by. the performers, the musicians, who are stationed in different rooms of the Sculpture
Court. The musicians shift
around ·and come together in
different patterns.
EASTMAN IS interested In
making dances that can be done
by musicians. In an earlier recital this season he had the performers - who were playing
separate, non-related pieces move on stage at a snail's pace.
One performer would be walking onto the stage during the performance of another. This musical recital was thus actually
a dance, a slow choreography
that unified disparate events.
Performers in "Thruway" include musicians from the UB
Center, and the East High School
A Capella Choir, directed by
Donald Hilliard. Eastman will
conduct.
IT IS QUITE natural for Eastman to want to involve the performers in more than the usual
tasks. He himself is a handful of
talents - composer, choreographer, ,poet, singer and pianist.
More than that, probably. "This
play the violin is going out of
business of just being able to
style," Eastman said.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Julius Eastman works scheduled
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: 1970-04-19
With references to the following works by Julius Eastman: Moon's Silent Modulation
Thruway
Star Jazzer
With references to the following additional composers: Robert Ricco, Walter Kaufman, Lejaren Hiller
Includes illustration
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1970-04-19
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Music Library
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eastman_042
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
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08a0a54e40fac49d2cc7f68af16748d1
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Text
Apr. 1'-1, 19 7D
Earth, Moo·nand Sun
Have Star Roles
In Dance Sunday
1
In the upcoming premiere of
"The Moon's Silent Modulation"
The Earth dances around The
Sun in adoring tribute . They
both regard The Moon as sort of
11 iner.t, and force it to go away.
There is a grave galactic
i disturbance and The Sun and
' The Earth, about to crash head! on, plead for The Moon to come
1
back and restore the balance,
! which it does . Everybody con! trtibutes, even if they don't look
1 it.
It's by Julius Eastman, UB
1 Creative Associate, on an ad~
i mission-free double bill with a
j piano recital by Ronald Peters,
I Sunday at 8:30 PM in Domus
· arts center, 1695 Elmwood Ave.
The ballet will be danced by
Carl Singletery, Debbie Abrams
and Mary FulkePsoo, wi·th instruments, chorus and five
actor-narrators directed by Ed
Smith.
,
Pianist Peters, also a Creativ-e ·
Associate and Villa Maria
faculty member, has performed
in Carnegie Recital Hall and
othe,r noted mus1i>ca'l a-r enas. He
has chosen a ni.idd\e-sized bl.lt
challenging program:
The Scherzo of Lejaren Hiller,
nationally known UB Slee CorP.poser; , the 196.0 Sonata of Walter
Kaufmann, widely recognized
Cze·ch composer now on Indiana
University faculty.
'
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Earth, moon and sun have star roles in dance Sunday
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1970-04-19
With references to the following works by Julius Eastman: Moon's Silent Modulation
With references to the following additional composers: Lejaren Hiller
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1970-04-14
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Music Library
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eastman_041
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/09f64b15b333941c899931e404ea770c.pdf
4894027b46154a37d0ed282a03b79d00
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Buffalo Evening News
/VI o..r.
3~ !97!J
AND SO the UB Creative Associates recital continued Monday evening, six .modern works
linked in continuous performance and making a kind of slowmotion theater out of the change
of performers.
Mr. Eastman, who is also an
accomplished basso, sang the
"Mirages" of Afn Silsbee, with
accompaniment y cellist VerBy JOHN DWYER
berne and Steph n Manes on the
Those of us a:rriving 10 min- harpsichord tuned in quarterutes• or so before concert time tones. Mr. Eastman used an
found the opening piano soloist eerie falsetto with great skill,
1a.'!ready advaocing acros·s Baird bending the pitches in slight
Hall s•l:age,
curves in various symmetries
Head down, eyes closed, inch- ·a nd contrasts with cello and
lng one foot ahead of t'he orher, keyboard.
Julius Eastman wras moving at 1 Trombonist James Fulkerson
18.bout an eighth of a miole per played "Big Trombone" by
hour. Even j.f he lived fai·rly Philip Corner, a lively, fitful
close to the campus he must solo to a taped, recurring jazzcombo sequence, the ancient
have started out about 4 PM.
He finally made it to the key- chaconne form in modern lerms.
Soprano Gwendolin Sims S'ang
board and played the storm-rumbling bass and flickering upper "Kuyas" by Harry Somers, a
chords of Victor Grauer's "But beautiful verse setting in the
for the Rain."
Cree language by this gifted
Well befor.e he finished, cellist Canadian ~omposer, wit~ accomMarijke Verberne loomed in the pa~ymg figures by fl~tis.t John
entrance and headoed for the' Heit!flann •a nd. percussi.m;ust Jan
chair, tvaversing the 20 feet Will~ams. A fme, sensitive perhandily in several minutes.
formance.
* * •
Just as Mr. Eastman closed
MR. EASTMAN closed with a
she began her solo to taped chilling reading from Poe with
electronic effects in "Synchron- just partially intelligible effect,
ism III" by Davidovsky, rather and intended so in the taped
lyric and Jovely with odd sounds. electronic surge of a piece titled
* * •
"puip" by Czech composer Petr
Kotik, the dials operated by
technician George Ritscher.
As a score, it was properly
weird and full of inventive atmospherics. As a read-ing it was
outlandishly melodramtic, Mr.
Eastman seated in a scarletdvaped chair, moaning, · chortling, whispering, howling and
then, apparently scaring himself
. half to death, running off stage
in ·a fright-driven finale.
It was a Philharmonic benefit,
but these young composers virtually assured themselves the
small audience they got, by the
slim advance information provided and no details at all on
the enterprising ideas and theatrics in store.
BAIRD HALL
Creative Soloists
Come On S'l'ow,
End If With Poe
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Creative soloists come on slow, end it with Poe
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-03-30
With references to the following additional composers: Victor Grauer, Davidovsky, Ann Silsbee, Philip Corner, Harry Somers, Petr Kotik
Note: Eastman as performer in Grauer, Silsbee, and Kotik pieces
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-03-31
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Music Library
Format
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eastman_040
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Courier Express
Ma r. 311 19 7o
Review
Recital at UB Results
In Total Theater Piece ·
By THOMAS PUTNAM
The traditional concert is a
succession of various pieces
separated by audience applause
and having , usually, little continuity. Even a concert of works
by one composer-string quartets by Beethoven, say-is less
a unifi ed experience than it is
distinct impressions formed by
Opus This and Opus That.
Julius Eastman and Mari.ike
Verberne, who designed the
Creative Associate recital Monday night in UB Baird Hall,
were successful in aboli.shing
lines between the pieces on
their program and making the
concert a total theater piece.
Uninterrupted by Applause
began playing Mario
sky's "Synchronism
cello and tape while
~ r esonant
chord of
piece was still active:
Often Amusing
DavidovIII" for
the final
Grauer's
So the concert went. The
choreography was often amusing. Eastman arrived to turn
pages for Miss Verberne, and
was in · place for the next piece
Ann Silsbee's quarter-tone "Mi:
rages" for quartertone harpsichord (Stephen Manes), cello
and bass voice (Eastman was
smooth with oo's and a variety
of funny mouth sounds).
The strictly musical continuity
between Davidovsky and Silsbee
was provided by Miss Verberne's
A name for .• tlw event might cello,\: which ends the one and
have been
Entrances and beai n~ (solo) · the other
Ex 1 t s (Slowly):_ Contmuous
" · .
·
Play. " Six pieces , ',ye1:e per-.~~, Entrance From -Back
formed :•att?.cca'' -. ~ withot~t
James Fulkerson entered from
pause, w1thout mterfer~ng audJ· the back of the hall, holding his
ence appl~~se. _Eac_h pJec_e_ wa.~ trombone's plumber's helper, for
begun by Gettmg m Pos1t10~.
Philip Corner's "Big Trombone"
:a slow walk:on dance wh1ch -a non-dialogue between taped
happened du,nng the perform- rock 'n' roll and bass trombone.
ance of the . prevJ?US pJece. Meanwhile, Gwendolin Sims was
Thus the separate p1eces were coming on to sing Harry Samwelded by movement.
r • 1 1 "K
" (
·
More. The entire concert was e s s ove Y . uyas
sung m
joined with life. As the audience the. Cree India~ language), and
was arriving, Eastman, on his flutJ~t ~ohn HeltiJ.?a:m an? perway to the piano, seemed to cuss1oms~ _J an WJ!hams mched
be pacing off the stage floor, a_Iong to J~l!ll her.
.
or testing it for weak spots.
The cl?sm.? el_ec!;omc work _by
He eventually arrived at the Petr KotJk , PUlp, was suppli~d
piano, where he played Victor by Eastman w1th a dramatic
Grauer's "But for the Rain " readmg of a story by Poe. Easta piece of low, loud vibratio~s. man's eerie entrance through a
That was the performer for the door at the back of the stage
next piece sneaking into view involved his neatly ducking unon stage left-Miss Verberne, der the flute of Heitmann, who
who when she finalli was ready was still playing Somers.
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
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Recital at UB results in total theater piece
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-03-30
With references to the following additional composers: Beethoven, Victor Grauer, Mario Davidovsky, Ann Silsbee, Philip Corner, Harry Somer, Petr Kotik
Note: Eastman as pianist in Grauer's But for the Rain, vocals in Ann Silsbee's Mirages, and narrator in Petr Kotik's Puip
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-03-31
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_039
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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https://digital.lib.buffalo.edu/files/original/d1e562669c6ebf361ff74013bdb365b5.pdf
d9554af70c4f30888c154376cc039d8b
PDF Text
Text
...
CREATIVE
AS S 0 CI AT E
RECITAL
v
a benefit for the Buffalo Philharmonic Orchestra
Baird Hall
March 30, 1970
Btrr FOR THE RAIN
for piano solo.
8:30 P.M.
........•
• • • Victor Grauer
Julius Eastman
SYNCHRONISM III
for cello and electronic sounds • • • • • Mario Davidovsky
Marijke Verberne
MIRAGES
for quartertone harpsichord,
cello, bass voice • • • • • •
. . . . . . . • Ann Silsbee
Stephen Manes, Marijke Verberne, Julius Eastman
BIG TROMBONE
for tape and bass trombone • • • • • • • • • Philip Corner
James Fulkerson
KUYAS
for soprano, flute, percussion.
• • • • .Harry Somers
Gwendolin Sims, John Heitmann, Jan Williams
PUIP.
......
• • • Petr Kotik
Julius Eastman, speaker
George Ritscher, Audio Technician
***~';*
*****
minimum
c o n
t
$1.00
*****
r i b u t i o n
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Creative associate recital V: a benefit for the Buffalo Philharmonic Orchestra
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1970-03-30
Note: Eastman as performer in But for the Rain by Victor Grauer, Mirages by Ann Silsbee, and Puip by Petr Kotik
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-03-30
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eastman_038
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LIB-MUS024
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Review
Courier Express
'Agape'
Presented
By THOMAS PUTNAM
A ceremonial dance by the
spectators to rock music was the
conclusion to "Agape: An Electronic Masque," the work of
composer Larry Austin and
PictUres on Pages 14 and 15
sculptor Leland Lubbers. It was
presented Wednesday night in
the Sculpture Court of the Albright-Knox Art Gallery. The
event, part of the centennial
celebration of Canisius College,
will be repeated tonight.
The opening procession from
the gallery auditorium to the
sculpture court was led by the
chorus - members of the Canisius College Glee Club - and
three dancers from the New
York City Ballet. It was a pleasant chant, but soon lost to
those at the end of the line, who
thus· straggled through the hall
looking for the party.
Earth Symbols
The large ·aluminum sculptures
of Lubbers were spread around
;;
W;;:e:::a:;:k:",-;M
~
uff
u.-:
led
:r;-------~
the sculpture court, their forms
primitive earth symbols. The
three dancers did a little ballet
The aluminum sculptures bein a space where one smaller
gan sounding in part two. The
aluminum earth form served as
electronic music coming from ina hiding place for Donna Maria
side each aluminum fo~ soundSackett who emerged "new- 1ed weak and muffled; 1t had the
born."'
tone of aluminum resounding, of
The electronic music back- aluminum joints rattling.
ground was simple: A bird call
The c_olor projections were ?fof technology throbbing sounds, ,., ten qmte lovely, a surrealist
rhythmic sou~ds. A color slide landscape. Electronic music murof a sunset - very beautiful mured from inside the earth
was used, its surface pleasantly forms, . the Celebrants read on
disturbed by superimposed ab- about "Caritas." The dancers
stracts.
(Miss Sackett, Paul Sackett and
The chorus sang "Hymn to Francis Sackett) performed a
the Sun," which used vibes and ballet about the story of "The
drums, and the voices of soprano . Song of Solomon'' to spoken acGwendolin Sims and baritone conipaniment.
Julius Eastman.
A ballet about the story of
Soul Number
"The Song of Solomon" was
!
.
.
J danced by Miss Sackett and her
M1ss S1ms and Eastman were two brothers, Paul and Francis.
~eard more. cl~~rly, . however, The ballet was accompanied by
m the selection, Oh Smg to th,~ a spoken text: it seemed an opLo~d a New ~ong all. the Earth,
portunity lost, for song would
which led d1rectly m.~o a blues have fleshed out the love triand s~~l number, Hymn to angle dance.
,
Agape.
.
"Eros" contained the most
_Eastman sang the blues With natural music. Miss Sims perslmky effect, sup~rted by a formed a pleasant refrain, with
rock beat and the women of the a four-note ostinato, and then
<;ho~s. There should have _been she was joined by Eastman in
dancmg here, but the audience the best number of the producwas a frozen spectator.
tion, "His Love Endures ForDuring the first part, "Agape, ever," which rocks to the line
the love of God for man," the "He is Good!"
Celebrants-clergymen from sevThe Electric Stereoptician rock
era! faiths-r e ad texts dealing band, led by Robert Floyd, playwith "Agape." They did the ed the religious rock music while
same for the other parts: "Cari-' the Celebrants circulated bread,
tas, the love of man for God" wine and root soup. The loveand " Eros, the love of man for feast culminated in a rock
man."
party.
1
I
,
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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'Agape' presented
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-02-25
With references to the following additional composers: Larry Austin
Note: Eastman in performace of Agape
Includes illustration
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Putnam, Thomas
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
Date
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1970-02-26
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eastman_037
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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UB Only
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Credits . . . Choreographed and danced by, Donna
Maria Sackett, Francis Sackett, Paul Sackett, Members
of the New York City Ballet Company . . . Gwendolin
Sims, soprano ... Julius Eastman, baritone . . . Electric
Stereoptican, Tom Angelus, electric bass, Douglas Floyd,
drums, Robert Floyd, ' electric piano, Dave Merrifield,
drums, Allan O'Connor, vibraphone . . . Canisius College Glee Club, Robert Schulz, Director . . . Celebrants
. . . Director of Staging and Lighting, David Freund
. . . Audio Engineer, George Ritscher . . . Proiections
prepared by, Keith Muscutt . . . Live and taped electronic music and films by, Larry Austin . . . Technical
assistants, Bill Brown, Mike Connors, Ty Gerlach, Mary
Ellen Mayhan, Creighton Nelson, Tom Plambeck, Edward
Popeioy, Bruce Rennie, Dave Ross, John Sullivan, John
Torma, Mike Walsh, Steve Walsh.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Agape
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1970-02-25
Note: Eastman as performer in Agape
Source
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Canisius College
Publisher
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State University of New York at Buffalo. Music Library
Date
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1970-02-25
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eastman_036
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
An
Electron ic
Masque:
a communal ritual and academic
love- Feast
presented by
The Art History Department
Canisius College
The Center of the Creative
and Performing Arts, SUNYAB
The Buffalo Academy of Fine Arts.
Albright-Knox Art Gallery.
Composed and Created
by
Rev. Leland Lubbers, S.J.,
Sculptor
Mr. Larry Austin,
Composer and Production Director
In Celebration of the Canisius College Centennial
1870-1970
with the assistance of
Mr. Francis Sackett
*
Miss Donna Maria Sackett
The New York City Ballet
*
Mr. Paul Sackett
Miss Gwendolin Sims, soprano
Mr. Julius Eastman, baritone
The Electronic Stereopticon
Rock band from Urbana, Ill.
The Canisius College Glee Club
Mr. Robert Schulz, Director
Mr. George Ritscher,
Audio Engineer
Albright-Knox Court
Wed., Feb. 25th, 8:15p.m.
Thurs., Feb. 26th, 8:15p.m.
Sponsor: Canisius Alumnae Assoc.
Sponsor: Canisius Student Cent. Assoc.
Admission by ticket only:
$5 per person; Students $2
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Dublin Core
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Title
A name given to the resource
An electronic masque: Agape
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1970-02-25
Note: Eastman as performer in Austin's Agape
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1970-02-25
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Music Library
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eastman_035
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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evenings for new music
prepared b Iukas foss and lejaren hiller
_season 1969-70
sixth annual series
presented by
the carnegie hall
corporation
in conjunction with the
center of the creative
and performing arts
in the state university
of new york
at buffalo
Iukas foss and
lejaren hiller di rectors
four thursdays
at 8:30p.m .
carnegie recital hall
FEBRUARY 12, 1970 AT 8:30 P.M.
ADIEU {1966)** . . ..... . . ... . . .............. . ....... . . KARLHEINZ STOCKHAUSEN
Miss Reynard; Messrs . Kotik, Richards, Kirkbride, Lane
EXCERPTS FROM "THREE MIMES" (1962-69)** . . ............. . . . . ROBERT CANTRICK
I. Sports Fan, II . Half-Time Show,
III. Every Good Boy Does Fine (text by David Wagoner).
Messrs. Cantrick and Eastman
ALGORITHMS I, (Version I) {1968)* ................... . ...... LEJAREN HILLER
I. The Decay of Information, II . Icosahedron
III. The Incorporation of Constraints
Misses Reynard, Verberne; Messrs. Falcao, Kirkbride, Kotik,
Collura, Kurzdorfer, Burnham, Haupt, Ritscher
Conducted by the composer
INTERMISSION
ALGORITHMS I, {Version IV) (1968)* ......................... LEJAREN HILLER
I. The Decay of Information, II. Icosahedron,
III. The Incorporation of Constraints
Misses Reynard, Verberne; Messrs. Falcao, Kirkbride, Kotik,
Collura, Kurzdorfer, Burnham, Haupt, Ritscher
Conducted by the composer
MONOMUSIC (1969)** . . .. •............. . ......•......... . ....... JOEL CHADABE
Miss Williams; Messrs. Kotik, Heitman, Richards, Kirkbride
Haupt, Collura, Falcao
Conducted by the composer
NON SEQUITUR VI (1966}** .............. . ... .. . . ......... .. .. HERBERT BRUEN
Miss Verberne; Messrs. Kotik, Falcao, Manes, Furioso, Williams
Conducted by the composer
*First performance
**First ~ew York performance
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Evenings for new music (Carnegie hall)
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1970-02-12
Note: Eastman as performer in Cantrick's Three Mimes
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1970-02-12
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Music Library
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eastman_034
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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d3b2c074b4729b96041229ba6d567aa1
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Text
Buffalo Evening News
/-e_b.
91 J9 7D
/JO
Sports Fans T_ake a Ribbing
In a Calm New-Music Night ·
ALBRIGHT-KNOX GALLERY
By HERMAN TROTTER
Measured by their own wayout standards, Sunday's "Even·
f
N
Mu s i c•,
mgs
or
ew
performance by the UB Creative
Associates at Albright-Knox Art
Gallery was a pretty tame affair.
The customary o v e r f 1 o w
crowd was given no visual effects, no audience participation,
no bizarre instruments, no
punctured eardrums and only a
moderate amount of taped
sOund.
Those who came in expect·ation of an evening of
outlandish, turned • on happenings had to be content with
Robert Cantrick's "T h r e e
Mimes," in which the flutistcomposer and baritone Julius
Eastman took some goodnatured swipes at spectator
sports.
The sports f·an reading his
morning paper was parodied by
the
Mr.
Eastman,
and
bandmaster-clad Mr. ~an trick
gave. spoof of the hal.f-ttme entertam_ment,
marchmg
a~d
cavo~tmg around stage, whtle
coaxmg every known type · of
8 £A/
o1~
sound out of his flute, plus
several you never heard before.
For the finale, the two artis~s
acted out a poem by Davtd
Wagoner concerned with athletic
bungling.
• • •
ELSEWHERE the program
was on the bland side.
A r~curri~g f o u r - n o t e
rhyt~mtc .motif and ·a sense ·of
f!oatmg timelessness. gen.erated .
by the overlay of honzontal
c h or d a 1
lines
marked
Stockhausen's "Adieu" for
woodwind quintet, a tribute to a
friend of the composer who died
tragically at 27.
In
Joel
C h ad abe's
"Monomusic," the composerconductor's occasional strong
cues effected slight changes in
ensemble direction, timbre and
color. But otherwise the music
for strings and winds seemed to
go its own heedless way,
dominated by a pair of squiggly,
noodling flutes.
Slee Professor Lejaren Hiller11
conducted his "Algorithms I" 1
twice, in Versions I and IV,
distJinguished by minor differences in the computer programs fur the works; It was interesting to compare the differences, more marked than
might
be
expected.
Both
versions were scored for strings,
winds, harp, percussion and ,
1
tape.
While the first movement was
spatial and disjunct in Version I, j
it was thkker. textured, faster, 1
and more percussive in Version
IV, and one could go on to otheri
point-by-poi~t comparisons.
,
1
1
I
I
...
I
MR. HILLER Is an articulate '1
man, and this experiment was t
unusual enough to have warranted a few words from the
composer before diving into it. ,
The associates would have done
! well to substitute a mini-lecture
j- 'by Mr. Hiller for one of the 1
! other works.
" Non Sequitur VI" by Herbert
Brun of the University of Illinois
faculty sets up a sort of Utleproving dialogue between instrumental ensemble and tape,
interesting and inventive. The
composer, who conducted, also
served notice that he is a force
.1 to be. reckoned with in the Un' intelligible Program No t e s
j Sweep_s_ta_k_e_s._ _ _ __
I
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Sports fans take a ribbing in a calm new-music night
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-02-08
With references to the following additional composers: Robert Cantrick, Stockhausen, Joel Chadabe, Lejaren Hiller, Herbert Brun
Note: Eastman as performer in Cantrick's Three Mimes
Creator
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Trotter, Herman
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-02-09
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_033
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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ba141004e3287e5df170df67c3f08661
PDF Text
Text
Review
Courier Express
'New Music~ Concert
Attracts Full -House
People were turned away from cello, harp, clarinet, flute, trumthe Evenings for New Music pet, bass, percussion, violin).
concert Sunday evening at the The massed ensemble is heard
Albright-Knox Art Gallery. The mostly, and the sound is dense.
series presented by the UB Cen- There is also electronic tape
ter of the Creative and Perform- music, which is integrated with
ing Arts probably needs a bigger the live ensemble.
h.ome than the gallery audi- Formal Relationships
torium, but a better solution to
If there is anything expressed
the "problem" of success would by this music it is technology
be to present the program twice. .itself. There are undoubtedly
This would also be helpful for s t ~-on g formal relatiooships
those interested in understand- (and for a better understanding
ing some or the more complex of the music the-composer refers
us to a book, strangely titled
works.
One very complex work was "Music by Composers"). Too
presented twice on this pro- often one confronts a mechanigram, although the repeat was cal development-the use of
drum beats, a dull reactually a composed variant. spaced
gularity of en_semble attacks, inThe work was Lejaren Hiller's strumental tnlls.
"Algorithms" I, and it was conStockhausen's "Adieu" for
ducted by the composer in its · woodwind quintet (which "confirst performance .•
sists largely of general guidelines for fixing a particular perNot Easy to Like
As the notes explain, ''Algo- formance reaiization") was perrithms" is the first of three formed with sensitivity by Petr
compositions that "make use of Kotik, flute and piccolo; Ronald
progressively m o r e complex Ricards, oboe; Jerry Kirkbride,
and . sophisticated computer pro- clarinet; Darlene Reynard, basgress for their realization." It soon, and William Lane, horn.
'has four versions; I, and IV were The music contains quiet, suschosen for performance.
tained chords (with delicate
If is not easy to like this pitch bending), and quick enmusic. One may be fascinated semble flurries.
by certain instrumental sounds Chadabe's 'Monomusic'
(~he epsemble includes bassoon,
The busy ensemble lines o
Joel Chadabe's "Monomusic"
create a playful texture. Weaving wind lines (flutes, oboe,
clarinet) and bright trumpet
accents make the sound living,
even though the music seems to
· be essentially undeveloped. The
composer conducted ·with number signs (thus cueing the formal changes of the piece); the
ensemble included violin, viola
and :harp.
'
There was amusing entertainment in Robert Ca)ltrick's Excerpts from "Three Mimes,"
performed by Julius Eastman
and the composer, with clever
staging by Joseph Krysiak. Eastman was a sports· fan, -reading
the newspaper and vocalizing
his reactions to the results. Cantrick . marched with his flute,
which he played in interesting
sub-tones, shadow-tones, mouthtones. The two performers were
very funny in the final mime, a
scene of near slapstick humor.
The program was completed
by Herbert Brun's "Non Sequitur VI" which, however, came
too J.ate for re,l'iew.
T.P.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'New music' concert attracts full house
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-02-08
With references to the following additional composers: Lejaren Hiller, Stockhausen, Joel Chadabe, Robert Cantrick, Herbert Brun
Note: Eastman as performer in Cantrick's Three Mimes
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-02-09
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
The nature or genre of the resource
Image
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Identifier
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eastman_032
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
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https://digital.lib.buffalo.edu/files/original/d0f4cd1746376651c95687edf4c46f1c.pdf
f48c1dbb758eff23abec29d87f8c748f
PDF Text
Text
EVENINGS FOR NEW MUSIC
ADIEU (1966) **
. Karlheinz Stockhausen
Miss Reynard; Messrs. Kotik, Richards, Kirkbride, Lane
Excerpts from THREE MIMES (1962-69)
.
Robert Cantrick
I. Sports Fan
II. Half-Time Show
III. Every Good Boy Does Fine
(text by David Wagoner)
Messrs. Cantrick and Eastman
ALGORITHMS I, Version I (1968) *
. Lejaren Hiller
I. The Decay of Information
II. Icosahedron
III. The Incorporation of Constraints
Misses Reynard, Verberne; Messrs. Falcao, Kirkbride, Kotik,
Collura, Kurzdorfer, Burnham, Haupt, Ritscher
Conducted by the composer
INTERMISSION
ALGORITHMS I, Version IV (1968)*.
. Lej aren Hiller
I. The Decay of Information
II. Icosahedron
III. The Incorporation of Constraints
Misses Reynard, Verberne; Messrs. Falcao, Kirkbride, Kotik,
Collura, Kurzdorfer, Burnham, Haupt, Ritscher
Conducted by the composer
MONOMUSIC (1969) ** .
. Joel Chadabe
Miss Williams; Messrs. Kotik, Heitman, Richards, Kirkbride,
Haupt, Collura, Falcao
Conducted by the composer
NON SEQUITUR VI (1966) ** .
Herbert Brun
Miss Verberne; Messrs. Kotik, Falcao, Manes, Furioso, Williams
Conducted by the composer
*First Performance
**First Buffalo Performance
NOTE: The next Evenings For New Music concert will be held on Sunday, March 22.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1970-02-08
Note: Eastman is performer in Three Mimes by Cantrick
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-02-08
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_031
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/7b4b7d558831e940de4f615b461f85bc.pdf
90c6ec1ea654e684c254df1de3f806f0
PDF Text
Text
Saturd·ay, January 31, 1970
BuFFALo EvENING NEws
Canisius Plans a Love Feast
'Happening' at
By JEAN REEVES
What was described to me as
"a completely integrated art experience" will take place Feb. 25
and 26 in the Sculpture Court of the
Albright-Knox Art Gallery.
This swinging event will encompass a ritual, communal love feast;
an electronic concert with singers,
dancers and a rock band; an exhibition of monumental aluminum
sculptures and readings by ecclesiastics.
The instigator of this multi-media
performance is Dr. Thalia Feldman,
a petite dark-haired charmer who
"is" the Art History Department at
Canis•ius College.
Dr. Feldman stressed that this
program, formaUy titled "An Electronic Masque: Agape," is sponsored
by the Art History Department in
observance of the Centennial of
Oanisius OO'l'J.ege.
"We have enlisted the cordial cooperation in this ev·enlt of 1lhe Oenter
of the Creative and Performing Arts
at the State University of Buffalo and
of the Buffalo Fine Arts Academy."
Agape, she 'hastened to point out,
is the Greek wo11d for lov;e an'd is
used to describe the l•ove-fe•ast ini'biated by the ea•rly Oh11istiatns.
The word will be widely mispronounced, she knows. We shoud say it
"Ah-guh-pay," wi•th 1:he stress on Vhe
first syNable.
Dr. Feldman envisions a "solemn
ritualistic and yet spontaneous"
event that will "give people an emotional lift; they will be sharing an
experience. They will not be merely
spectators but wi!ll be mobile during
the performance.
"I see this as the beginning of a
new, completely integrated art
theater. We are moving into a new
Baroque period anyhow."
*
•
*
THE PERFORMANCE itself will
include many talents but is built
chiefly around the far-out electronic
music of Larry Austin, an avant
garde composer from I the Music
Department of the University of
California at Davis, and the
sculptures of a nonconformist Jesuit
I
Creative Associate at UB in 1968 more of these twolater).
, The opening night audience, as
pa'Itie<ipanrts wirll wear dinner jackets
or academic garb, official robes,
cha~ns,
decorations and o t h e r
authentic paraphernalia of individual office and honors.
Why? Dr. Feldman explains: "In
order to be as formally dressed as
possible, approaching the medieval
and Renaissance notion of academic
festal regalia - the mood of all this
is serious."
The evening will begin at 8:15
with a procession of performers and
audience from the g a l l e r y
auditorium to the Sculpture Court.
In :t!he lead wiH be singe•rs, dancers and clhorus, chan!ting and accompanied by ancient Czech flutes,
imported for the occasion and by
rthree ancient Chinese drums,
African thumb-pianos and other
eoteric instruments. ·
Onoe a'l'r.ived at the Sculpture
Court, Dr. Feldman continued, the
audience-participants are free to
.s tand or to sit on chairs or on
cushions on the f.loor. The audience
also - as at a feast - may move
about during any part of the
performance.
FATHER LUBBERS, wearing h i s welding helmet,
holds hammered aluminum
sculpture he calls "God," to
be on display at an electronic
love feast. The sculptures
will be wired to resonate
music by Larry Austin.
priest, the Rev. Leland Lubbers, SJ,
head of the Art Department at
Creighton University, 0 m a h a ,
Neib. (Mr. Davis, indden'l:!a'lily, was a:
*
*
*
THE FIRST PHASE of the event
then begins, Agape - The Love of
God for . Man, as the audience
partakes of bread and wine while
Miss Gwendolin Sims, soprano, and
Julius Eastman, baritone, sing
verses from the Songs of Solomon.
'I'he songs are set to electronic
music which will resonate from the
sculptures of Father Lubbers. They
are "wired for sound."
About 10 of these massive welded
and
hammered
aluminum
sculptures, will be in the court. They
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Canisius plans a love feast 'happening' at the Albright
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1970-02-25
With references to the following additional composers: Larry Austin
Note: Eastman is performer in Austin's Agape
Creator
An entity primarily responsible for making the resource
Reeves, Jean
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-01-31
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
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eastman_030
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/4febbc2e22943a27d1d8b81f45cb8b2d.pdf
9d6945185c7c39b10c93fd2ea56ce966
PDF Text
Text
Buffalo Evening News
Jan. :J9I /97o
ild Vocal Adventures
Showcase the Sims Style
By HERMAN TROTTER
A couple of things , at least, emerged clearly from
the shenanigans of Wednesday evening's Baird Hall
recital by more than 20 UB Creative Associates and
guest artists.
Soprano Gwendolin Sims is a musician Of first rank.
And the man in the back row who threw his overshoes
onstage was a critic of unusual conviction.
With a s.hot. a t everything
from a Verdi ana to a wordless
wail, Miss Sims was not only
superb, but each successvie farout bit had all the command of
"VERTICAL THOUGHTS III"
was like diS,tilled We bern, . so
,lean that form was apparent
only ;;in re~rospect. "Ra?bi
Ak1ba ·· was an attractive
wordless cantilena, and the conan orthodox style.
ductorless. .,dirge, "For Franz
In Rudolf Komorous' one-act Kl;ne," ~nded with ,a tonal piano
opera "Lady Blancarosa" her cadence that was so slow the
r ·a pid fluidity from speech to tonality was almost lost in time.
sprechstimme to song was dazz- Where there was a conductor it
ling. · Obscure of me,aning, the was Petr Kotik.
opera
nonetheless
managed
The evening·s major effo-rt
some visual and aural appeal was a doubleheader _ the
with swirling . stage mot_ion, simultaneous performance of
dramatic situatiOns and !Ightmg. John Cage's "Forever And
Also in the cast were Ja cques I Sunsmell" and c o r n e 1 i u s
Earley and baritone Julius Cardew's · "Schooltime ComEastman, whimsicall¥ cast in a I positions.'' We m ean, no kidfemale role as an alto.
ding, they were both performed
Four
works
by
Morton- at the same time.
Feldman . for soprano
and
The Cage round Miss Sims
various instruments impressed presenting e. e. cummings
with their spareness ,of lme _and verses to percussion, a backdrop
gossamer, y e .t
well-defmed of muted psychedelic and
fform. His four-mqvement "Jour~ marine projections, and artful,
ney, 'To The ~ o d Of 11he athletic dancing by Crys tine
Nigh.t,'' hollow ana woody, was Lawson. The Cardew got under
foll(),'wed by three works played . way with acrobatics on a 10-foot
witlio.ut pause.
stepladcler by dancer Carole
. '' --* ~
Weiner, but soon continued
without ·competition as the , Cage
exp-ired.
·
1
* * •
AT THIS POINT the Cardew
became an unabashed · happening, basketballs and tennis
balls tossed into the audience
· and back, three dancers making
much child's play, and more
nonsense. Visull:l effects ~ere
, punctuated
~1th
m u s 1c ,
includmg Verdi's "Pace, Pace,
Mio Dio'~ from "La Forza" sung
stra,ight · and
well,
then
degenerating into parody. Eventually Brahms' Lullaby, in vocal
duet, put the soprano to sleep at
mid-sta ge, iying down and snuggling up to a baritone horn ,
which is a musical instrument.
Fortunately, the notes had told
us Mr. Cardew has a distaste for
opera and theater. His idea was
to compare adults in the theater
with children in school, each
seeking the light. This cast some
relevance on the work, but even
so it was ·difficult not to be
swept alo~g by this outre romp.
I'
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Wild vocal adventures showcase the Sims style
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1970-01-28
With references to the following additional composers: Verdi, Rudolf Komorous, Morton Feldman, Webern, John Cage, Cardew, Brahms
Note: Eastman was performer in Komorous and pianist in Feldman pieces
Creator
An entity primarily responsible for making the resource
Trotter, Herman
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-01-29
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_029
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/18660b71bab7cb440cba5840d21254df.pdf
b931a524a4ff060840d0b35a6a61a4bb
PDF Text
Text
State University of New York at Buffalo- Department of Music
presents
Creative Associate Recital 111
January 28, 1970- 8:30P.M.
with
GWENDOLIN SIMS, soprano
and
John Heitmann
flute
Ronald Richards
oboe
Jerry Kirkbride
clarinet
Edward Yadzi nski
bass clarinet
Darlene Reynard
bassoon
Kenneth Wells
french horn
Frank Collura
trumpet
James Fulkerson
trombone
Daniel Sack
tuba
Ed Burnham
percussion
Lynn Harbold
percussion
Jan Williams
percussion
Julius Eastman
piano-celesta
Kenneth Fung
violin
Marijke Verberne
cello
James Kurzdorfer
contrabass
Peter Kotik
conductor
Julius Eastman
singer
Jacques Earley
actor
Cristyne Lawson
dancer
Carole Weiner
dancer
John Hall
dancer
Rudolf Komorous
stage direction
(Lady Blancarosa)
Cristyne Lawson
choreography
(Forever and Sunsmell)
Jacques Earley
lighting direction
(Forever and Sunsmell)
Petr Kotik
stage direction
(Schooltime Compositions)
Jo McGlone
costumes
(Forever and Sunsmell)
George Ritscher
audio engi neer
Baird Hall
PROGRAM
LADY B LANCAROSA (1967)
. Rudolf Komorous
An opera in one act
Helga :
Julius Eastman
Kamilla:
Gwendolin Sims
Dwarf Erik :
Jacejues Earlev
The text was put together by the composer as a collage of
different phrases from various works of Jan z Wojkovic.
INTERMISSION
JOURNEY TO THE END OF THE NIGHT (1947) .
Based on the novel by Celine
soprano, flute, clarinet, bass clarinet, bassoon
Morton Feldman
VERTICAL THOUGHTS Ill (1963) .
soprano, flute, horn, trumpet, trombone, tuba, piano-celesta,
percussion , violin, cello, bass
Morton Feldman
------- Attacca ----RABBI AKIBA (1963) .
soprano, flute, eng lish horn, horn , trumpet, trombone, tuba,
percussion, piano-celesta, cello, bass
Morton Feldman
------ Attacca -----FOR FRANZ KLINE (1962) .
Morton Feldman
soprano, violin , cello , horn, chimes, piano
INTERMISSION
FOREVER AND SUNSMELL (1944)
Song with percussion duet and dance
John Cage
Cristyne Lawson
Gwendolin Sims
Ed Burnham
Lynn Harbold
The title and text of Forever and Sunsme/1 are from 26, one
of 50 Poems (1940) by E. E ......,:>i!!.!.
m!!.!.!I·...,.,,..,._,S,o"-l!l...,.·"'-"',_.!!Jn"'
d- - - - - - - - - - - - - -
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Creative associate recital III
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1970-01-28
Note: Eastman is performer in Lady Blancarosa by Rudolf Komouros and pianist in Vertical Thoughts III and Rabbi Akiba by Morton Feldman
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-01-28
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_028
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/85b4f5290a54b2bf13b1e429d14abf11.pdf
a0c64905b43387413fda3ce76cd35f28
PDF Text
Text
Buffalo Evening News
.JCi..() .
;,;
in, 19 7D
Two Are Belte?l1ian .One
For Avant-garde Performer
It seems only natural, if
you're one of the youn·g avantgame known as the UB Creative
Ass.oci·ates.
If you can't decide whether to
do the John Oage work first and
the Cornel·ius Cardew piece second, or the O'ther way around,
the solution is effortless. You
just do them together.
Soprano GwendoHn Sims, who
can sing Schubert like a
nightingale but you can hardly
tell it from the way things are
going, will present the two farout works at the same time, in
her recital on Wednesday at 8:30
in Baird H!!!ll. Admission is
IPM
free.
·
" Wen! they'll so.rt of overlap,"
Ishe says. "On,e 1s lc>nger than
the other, but for a good stretch
they'll both be going on at the
same time." The composers
haven't been informed, b\lt it
should be aU right. Cage is on
the West Coast and Cardew is in
London.
she's here for her
Creative Associate year.
"Hard to Describe"
"It's a real
rl.nn"'""'
"Forever and Sunsmell" is the here," she adds. "Some of
Cage work, with v o i c e , stuff we do is pretty wild
percussion and dancer. The really creative.
C a r d e w "Schooltime Com- And you may not believe
positions" is for voice, piano, but I have a better
flute , trombone and three actor- traditiQJlal ' technique and
dancers.·
for having worked out in
For a~ opener Miss Sims will ~ew ·• styles. I'll always '
perform a one-act opera titled lleder and opera, of course,
"Lady .B lancarosa" by Toronto- th!~ is truly exciting.
based Czech composer Rudolf . Some Of ~Y New
Kormol!ros,
friend~ are ·a gam·s t lt. But
"It'
t1i h c1 t d 'b , coultln t go back to c.11.•~w"" v
s ra. ~r ar .o escri ~· traditional singing." .
she says With a quiet, knowmg That's, you know,
·
sing just. one · srong at 'a
laugh. ·
Bass Julius Eoastman and nar- J .D.
·
rater Jacques Earley will assist - - - - - - - - - - - -'
in whatever it is. 'the Morton
Feldman ·"Journ,ey to the End of·
Night" for chamber group com·
pletes tpe lipt.
Mind-Opening Buffalo
Gwendoli'n Sims has sung in
Carnegie Hall with the Buffalo
Philharmonic, in C a r n e g i e
Redtal Hall on the "Evenings
for New Music" tours ·and in
many. recitals and orchestra
concerts in many cities. She w.ill
~ppear wi•th t'he Boston SyplphOijlY Orchestra iii April.
·
A New Yorker, she thinks
Buffalo is more adventurous and
J
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Two are better than one for avant-garde performer
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: 1970-01-28
With references to the following additional composers: John Cage, Cornelius Cardew, Schubert, Rudolf Kormouros
Note: Eastman is performer in Lady Blancarosa by Kormouros in Gwendolin Sims recital
Includes illustration
Creator
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Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-01-26
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_027
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
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Text
20
BUFf'ALO COURIER-EXPRESS, Sunday, January 25, 1970
Co1nposers
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•
ActiVe' lll UB Programs
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Center of Creative and Performing Arts Has Busy Schedule
By TOM PUTNAM
IN THE COMIJ'/G month the
UB Center of the Creative and
Performing Arts will present .
programs which will involve
composers conducting their own
works and assisting in the performance preparation in sometimes unusual ways_
T h e Czechoslovakian composer Rudolf Komorous arrived
here from Toronto last week to
assist in the preparation of his
opera,
"Lady
B~ancarosa,"
which will be presented on a
Creative Associate recital organized by Gwendolin Sims Wednesday in Baird Hall.
"The Odd Couple," a Creative Associate recital by clarinetist Jerry Kirkbride and percussionist Jan Williams, will include music >by the West Coast
composer Harold Budd - who
will participate from Los Angeles - Feb. 4 in Baird Hall,
UB campus.
The Evenings for New Music
concert Feb. 8 at the Albright- _
Knox Art Gallery will include
music by Lejaren Hiller, Joel
Chadabe and Herbert Brun,
with the composers conducting.
Larry Austin will be here to
prepare his 11ew work, "Agape"
- an "early Christian love
feast" - which was commissioned by Canisius College for
its Centenial Celebration program Feb. 25 and 26 at the Albright-Knox Gallery.
THE UB CENTER is showing
healthy relationship with
other groups in the community.
The program with Canisius College is a most welcome development of community cooperation.
It is an economical use of resources for preforming artists
from different institutions in
the community to come together. (The Buffalo State <::ollege music department sertes,
"Faculty-Cqmmupit Concerts,"
a
is another example of this cooperation.)
In her recital this week
Gwendolin Sims has assembled
26 assisting artists from the UB
Center, the Buffalo Philharmonic
Orchestra, Buffalo State Colege
and Domus.
The program will include the
first performance of Roberto
, Laneri's "The Night Brings a
Rabbit," which Williams said
uses noise and weird sounds.
"We sing, rub balloons. It is
a sound piece, not a theater
piece."
MOST OF THESE, she says,
will l;e us~d in a c 1::1m0er music
ensemble of winds, percussion
and piano for several works by
Morton Feldman: "For Franz
Kline," "Rabbi Akiba," "Verti·
caL- Thoughts Ill" and "Journey
to the End of the 'Night."
The one - act · opera "Lady
Blancarosa," is for two singers
and a dwarf. Miss Sims, sopn:mo, w:Jl be joined by bar:tone
Julius Eastman and Jacques
Earley, speaker.
Miss Sims has had a big job
getting her performers together
for her recital. And in the opera
she has had the additional responsibilities of being stage tech·
nician and lighting designer.
"SOURCES III" by David
Burge is performed in the dark,
or almost. "We read by candlelight," Williams explained. Michael Sahl's "For Clarinet and
Percussion" will also be played.
The theater music of Harold
Budd will involve the composer
(in a surprising way which it
would be unfair to reveal here)
who is in Los Angeles. The work
is "Lovely Thing (Piano)." The
pianist who will seek spiritual
aid from Budd is Jerl·y Kirkbride.
The Evenings for New Music
program (Feb. 8l will have
these works conducted by the
composers: Hiller's "Algorithms
I" (versions 1 and 4); Chadabe's
"Monomusic";
and
Brun's "Non-Sequitur VI.''
MUSIC FOR "Lady Blancarosa" is a tape for five trump·
ets The text is a collage of various works by the Czech writer,
Jan z Wojkovic.
The simultaneous performance
of John Cage's "Forever and
Sunsmell" and Cornelius Car·
dew' s "Sc!iooltime Compositions" will conclude Miss Sim's
program.
Miss Sims explains that Cardew-who, incidentally, was formerly a Creative Associatecomposed his "Schooltime .Compositions" for an opera group in
England in an attempt to discover "what distinguishes opera
from other presentations."
THE PERFORMERS are given "assignments" which are improved. One such assignment is
"Assignment of Desire," in
which the performer is instruct·
ed to "Do something you would
like to do."
~------------------------
Jan WilUams, Jerry
Kirkbri~e in "The Odd Couple"
... on UB Creative Associate program
"There are some musical examples," Miss Sims said, "such
as scales, a series of ton ?s."
There is also graphic notation.
The deign for "Little Flower of
the North" is graphic. "It's a
beautiful thing," Miss Sims said.
"You've got to see it."
The Cage song to a poem by
E. E. Cummings is performed
by Miss Sims, percussionists Ed
Burnham and Lynn Harbold, and
dancer Cristyne Lawson.
JERRY KffiKBRIDE describes the music of Harold
Budd as "surreal and spiritual."
Budd's music-including ''Intermission Piece," in which the
performers are instructed to go
on stage during intermission
and make sounds as softly as
possible-will be performed by
Kirkbride and percussionist Jan
Williams on "The Odd Couple"
program Feb. 4.
BUFFALO STATE College
composer Robert Cantrick will
perform with Julius Eastman
excerpts from his "Three
Mimes" for flute and baritone.
The Evenings for New Musi~
program will be completed by
Stockhausen's "A d 1 e u" for
woodwind quintet.
Larry Austin's "Agape" is
described by the composer as
"an early Christian love feast"
and "an electronic masque."
It will be presented in the
Sculpture Court of the AlbrightKnox Art Gallery on the Canisius College Centennial Celebration program Feb. 25 and 26.
AUSTIN IS collaborating with
artist Father Lee Lubbers,
whose large aluminum scuJp.
tures will "serve as earth sym-
bois'' and al.f/J as "s&u\.ding
sculptures"-resonant chambers
for the computer generated
sound. Father Lubbers is from
Creighton U n i v e r s it y in
·.
Nebraska.
The work will use baritone
solo, soprano solo, chorus,
video, slide projections, processionals, a rock band, two
dancers, live electronic music.
A text will have quotations
from the Psalms, Songs of
Songs, the Apostles John and
Paul, Plato, Dante and St.
Augustine.
AT ONE POINT in the love
feast the audience will be asked to participate in an "intercommunion of love."
The UB Center has recently
benefited from a $15,000 grant
which the National Endowment
fm the Arts in Washington
awarded to the Carnegie Hall
Corp. This money is to help
the Carnegie Hall Corp. expand
the objectives of the Evenings
for New Music concert series
presented in New York City.
Under the grant a new cycle
of concerts will be performed
by the Center at Rutgers Uni·
versity in New Brunswick, N.J.
The Rutgers series also will
include seminars, panels and
open rehearsals.
LEJAREN HILLER, who is
co-director with Lukas Foss of
the Center, announced the
Center has signed a contract
with Deutsche Grammophon. A
recording will be issued soon
as part of the German company's avant-garde series.
"This will be their first issue
of American music in the
series," Hiller said. "We have
recorded two works already:
Foss's 'Paradigm' and my 'AI·
gorithms I.' " He said the third
work to be recorded is Roger
Reynolds's "Traces," which has
been performed by the Center
with piani<t Yuji Takahashi.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Composers active in UB programs
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1970-02-08
With references to the following additional composers: Rudolf Komorous, Harold Budd, Lejaren Hiller, Joel Chadabe, Herbert Brun, Larry Austin, Morton Feldman, John Cage, Cornelius Cardew, Roberto Laneri, David Burge, Michael Sahl, Lukas Foss, Roger Reynolds
Note: Eastman is performer in one-act opera "Lady Blancarosa" as well as pianist in "Three Mimes" by Cantrick
Includes illustration
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-01-25
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_026
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
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https://digital.lib.buffalo.edu/files/original/5455eca9540a04c9a4cd98c89e2434d6.pdf
1c5231540711f6c98a2a7093f23e4e7c
PDF Text
Text
RUTGERS
~ CONCERTS
SEASON 1969-70
KIRKPATRICK CHAPEL
EVENINGS
FOR
NEW' MUSIC
Lukas Foss and Lejaren Hiller, co-directors
Wednesday~
Opening Event
December 1?~ 1969 at 8:30 p.m.
PROGRAM
*denotes first U.S. performance
Exits and Enterances (1969) * • • •
**denotes first perfonnance anywhere
David Jones (British, b. 1927)
Mr. Jones has long been vigorously espousing the performance of American music in his
country by means of the Anglo-American Recording Society. This work makes use of theatrical elements in its center section in which four of the performers must use speech
and gesture. The text is from "Zettel" by Ludwig Wittgenstein.
Musicians: Gerald Cash, percussion; James Fulkerson, trombone; Charles Haupt, violin;
Thomas Howell, flute; Jerry Kirkbride, clarinet; Petr Kotik, flute; Roberto Laneri,
saxophone; Darlene Reynard, bass; Marijke Verberne, 'cello. Coached by Joseph Krysiak.
Conducted by Lejaren Hiller.
Excerpts from "Three M:ilres" (1962-69) • . . . • .
Robert Cantrick (Airerican, b. 1917)
The composer writes: "Three Mimes" is a humanistic approach to contemporary music. It
is humanistic in a precise functional sense, viz.: the total performer functions as a
work of art. The distinction between the medium of music and the performer of music is
erased; in this music the medium is the performer. As a result, the parameters of the
music transcend the realm of sound. Non-sonic aspects of the performer are used for
musical purposes. The three sections of the piece are entitled: Sports Fan, Half-Time
Show, Every Good Boy Does Fine (text by David Wagoner).
Musicians:
Robert Cantrick, flute; Julius Eastman, piano.
Colorazione (1968)* • . • . • • • • . . • . • . . . Arne Nordheim (Norwegian, b. 1931)
Composed for Hammond organ X-66, percussion instruments, filters and ring modulators.
The composer speaks: Since program notes are usually written long after a work has been
composed, they all more or less (more more than less) contain some very attractive lies.
The exact intention in "Colorazione" is that the musicians' actions in the present meet,
after some delay, the ring-modulated and filtered sounds from their instruments. This
situation develops some fascinating possibilities for a play on time, color, and space:
Time because of the meeting between present playing and the musical action fifteen seconds ago; Color because of the altering - the coloring and deformation of the delayed
sounds; Space because of the wide scattering of the sound that arises from both the
playing in the present and the colored results from the instruments' ring-modulated and
filtered life that will be distributed in the hall.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1969-12-17
Note: Eastman as pianist in Excerpts from 'Three Mimes' by Cantrick and Foci by Istvan Anhalt
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-12-17
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_025
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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4518232b487875b959373a13fa3210f0
PDF Text
Text
MusiC Notes
Courier Express
]) ec. . i :51 !9fo9'
2 Singing Groups Set
For Handel 'Messiah.,
'l:W. Buffalo Schola Cantorum
will sing along with the East
I
Vau~han
Williams, is open to the
public.
High School Choir in perform,
ances of Handel's ' "Messiah" 1 1\iusica~ P_rograin
with the Buffalo PhilharmOJ\iC
The Umversity of Buffalo
Orchestra at 8:30 p.m. Dec. 20 Stm~g Orch~stra led by _Pamel~
and 2:30 p.m. Dec. 21 in Klein- Geai_hart Will play music of VIbans Music Hall
valdt, Hovhaness and Handel
Lukas Foss wlll conduct. Solo- a~ the_ 10:45_ a.m. Sunday s~r
lsts are Susan Belling, Elaine vtces m Umtanan Umversali~t
Bonazzi Warren Hoffer and Church of Amherst, 6320 Mam
Thomas' Carey. The choral St_. The Rev. Blaine F. Hartford
groups are directed by Melvin Will preach "Metamorphosis,'_' a
Strauss and Donald Hilliard.
sermon on the character of life.
Church to Present
Menotti's 'Amahl'
Menotti's "Amah! and the
Night Visitors" will be presented
by Amherst Community Church
at 7:30 ;p.m. Dec. 21 in the
church at 77 Washington Hwy.,
Snyder. Cyrus Hamlin is music
director, Robert Schihl is stage
director and Paul Hangauer is ]
choreographer.
The cast will include Tim Me- ~
Carthy as Amah!, Patricia Ores- ·
kovic as Amahl's mother and
J u 1 i u s Eastman,
Andrew
Schultze and Alan Creech as the
Kings.
Festival of Music
A Christmas Festival of Music will start at 7: 30 Sunday
night in St. Peter's United
Church of Christ at Genesee
and Hickory. Choirs of that
church, Lincoln Memorial Methodist and the Royal Serenaders
will sing.
Junior High School
To Be Concert Site
The
Kenmore - Tonawanda
Symphony Orchestra, directed
by Carlo Pinto, will present a
concert at 2:30 p.m. Dec. 21 at
Benjamin Franklin Junior High
School, Town of Tonawanda.
The program will include
music by Britten, Brahms, Anderson and Tchaikovsky. There
is no admission charge.
Lutheran Church Sets
· Christmas Concert
The Lutheran Chorale and or- ~
chestra, directed by John
Becker, will present a Christmas
concert at 8:30 p.m. Dec. 22 at
Holy· Trinity Lutheran Church,
1080 Main St.
The program, with music by
Distler, Zimmer nra n and
BAIRD
HAL~
Beetho
Appeal:
By HERMAN 1
RADIATING as~
the joy of m<
UB faculty pian
Antonowicz sailed
recit•a·l Friday ever
Hall.
She is a total
performer, music•
seeming to flow
!~ro~gh arms and
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2 singing groups set for Handel's Messiah
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1969-12-21
Note: Eastman as performer in 'Amahl and the Night Visitors'
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-12-13
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_024
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
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https://digital.lib.buffalo.edu/files/original/c297e407a2a091a459159f8d20a30fc6.pdf
a6d2fe51f8914157e30d3da0c27cb89a
PDF Text
Text
~~~Q
J~~~-d~-~
Burt Levy
0 rbs with Flute
Herbert Brun
GESTO, for piccolo and piano
David Gilbert
Poem VI for alto flute, metal, and wood
Patrick Purswell
It grew and grew
Kenneth Gaburo
Two, for mezzo-soprano, alto flute, and bass
Thomas Howell
Thresholds II
Stefan Wo Ipe
Composition in two parts for flute and piano
with
Julius Eastman, pianist
Jerry Cash, percussionist
Wi II iam Furioso, percussionist
Judith Sherman, mezzo-soprano
James Ku rzdorfer, string bass
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Creative associate recital 2
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1969-12-01
Note: Eastman as pianist in recital of Thomas Howell, flutist-composer
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-12-01
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_023
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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a4096ce6e2b627d24c30c39a76ad8e36
PDF Text
Text
,....,.,.:·:-=....-...:·
·.. ··.
::.;:.
..:~::.....
~ . ~:~: :
::~ : .
~:·· . .
. . ·.-c....l~.~....
.. ~. / :\. "it:; . /
··· · ·
CREATIVE ASSOCIATES
;~ EDWARD BURNHAM
. ~ ""· , .. JULIUS EASTMAN
(' ':'~.. '\ ·'CHARLES HAUPT
··.. -·~- ~~ ;-~.THOMAS HOWELL
. :'::~"-..JERRY KIRKBRIDE
. s.::;;.~.·- PETER KOTIK
~
-~JOSEPH l KRYSIAK
\RONALD PETERS
~---. .--.. ..GWENDOUN SIMS
'.MARUKE VERBERNE
·JAN WILLIAMS
~- .. . ) RENEE LEViNE. COORDINATOR
.
·.·&-.-.-.....
•
•
y
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: unknown
Note: Poster for "Evenings for New Music"
Includes illustration
Source
A related resource from which the described resource is derived
University at Buffalo
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-11-30
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Music Library
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eastman_022
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Robert Cantrick
Julius Eastman
.••• ful! dress and funny hat/1
Movement Is Part
Of Flutist's Work
By THOMAS PUTNAM
The Ltle of Robert Cantrick's
work for flute and voice · d'
m l·
cates how far composers have
come in enlarging music to
include more than pitch and
rhythm.
"Three M'!mes," which the
Buffalo State College composer
wrote between 1962 and 1969,
includes what Cantrick calls "a
movement series" in which the
performers are placed in "a
series of locations around the
stage."
Theatrical Side
The pc:rformance of "Mimes"
by flutist Cantrick and baritone
julius Eastman will include an
element of theater. "Julius and
I wear full-dress suits with
funny hats," Cantrick said. But
the choreography will also affeet the sound, which will come
from different directions.
"This work includes not only
new flute sounds," Cantrick said,
"but also work with acoustical
factors-room acoustics-making
the acoustics part of the work.
For example, what happens
when the flute player turns
around? This particular piece
happens tc be the human being
unaided !:ly technology."
:several Elements ..
The use of movement, Can··
!trick says is "one of the novel
aspects d£ what I'm doing."
Other elements which are organ·
ized in series are pitch, timb:e,
loudness, words and bochly
sounds.
"Three Mimes" will be per·
formed on a program which
examines "The Contemporary
Flute Scene" at 8:15 p.m.
Wednesday in the auditorium of
the Campus School. It is part
of the Faculty-Community co~·.
cert series planned by thl! mlislC
J
department of Buffalo State
College.
Based on Poem
The "Mimes" are: "Sport's
Fan" (for voice); "Half-Time
Show" (for flute ); and "Every
Good Boy Does Fine" (for flute
· and voice).
The last-which sounds more
like a typing exercise than a
musical duet-is based on a
poem about "adolescent crisis."
The crisis ("he blows it") involves music and athletics.
On the program Eiko Ito will
be heard in Poulenc's Sonata for
flute and piano, and Anthony
Carere will perform selections
from his jazz musical "General
Martini," assisted by Bobby
Jones, organ, and Lewis Morell,
drums.
I
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Movement is part of flutist's work
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
Date of event: unknown
With references to the following additional composers: Robert Cantrick, Poulenc, Anthony Carere
Note: Eastman as performer in Three Mimes with flutist/composer Robert Cantrick
Includes illustration
Creator
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Putnam, Thomas
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-11-30
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Music Library
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eastman_021
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/fff4d357ab29983e61a92675cf9044b9.pdf
9acf42282df519d28e8e47d58ef52d2a
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Text
Ethos
november 4, 1969
Creative Associates plan
for a musical entourage
by laura julier
"Evenings For New Music" is
the name of their program. The
Center of the Creative and Per·
forming Arts is the name of their
organiaztion. "They" are the Creative Associates, a group of
young professional musicians "at
the phase of their careers when
they need to learn techniques of
new music, to broaden their per, spectives through course work
and interdisciplinary study, and
to perform in musical events devoted to new music."
The group was formed in 1964
under a Rockefeller Foundation
·Grant and originally consisted of
18 members, each awarded a
one-year fellowship which could
be renewed for a second year.
The Grant expired in 1967, and
they are now funded through
SUNYAB.
Lukas Foss is co-director
The Co-Directors of the Center
are Lukas Foss, (who is also Conductor and Music Director of the
Buffalo Philharmonic Orchestra)
and Lejaren Hiller.
Creative Associates will be performing a series of concerts in
Buffalo, Toronto, New York City,
Hamilton College, S.U.N.Y. at Albany, and Rutgers University be-
tween November and May. Their
first concert in Buffalo will be
this Saturday (November 8th) at
the Albright-Knox Art Gallery
Auditorium at 8:30 p.m. (free of
charge).
All of the works on Saturday
evening's program are being performed for the first time. All
were written within the past
decade and several are works
done by members of the Creative
Association.
Some enticing titles for this
pro g r a m are: Environmental
Sounds, by Ed Burnham; Prelude
and Invention for P I a y e r Pi·
ano and Piano Player, by Ralph
Blauvelt; Antiphony IV, by Kenneth Gaburo; and Jack's New
Bag, by Barnes Childs.
-To explore new avenues
of music
The purpose of the Center of
the C r e a t i v e and Performing
Arts is to explore the new avenues of music through a co-ordinate, co-operate effort of associates of various media. Coordinator of the Center, Renee
Levine, stresses that the group
wants to do more branching out
into the mixed media, trying to
incorporate film and drama into
their work.
Already they have added a theater associate, Joseph Krysiak,
actor, designer, and director of
the "Compan~· of Man" productions.
As the original Foundation
proposal stated, "There is an inference that the -Center will
cause the development of the 'hyphenated' musician so necessary
today; the composer-performer,
the composer-critic, and the musicologist-theoretician."
Membership of the Creative
Associates for the 1969-70 season
includes: Ed Burnham, percussionist-composer; Julius Eastman,
pi ani s t-composer; C h a r 1 e s
Haupt, violinist; Thomas Howell,
flutist-composer; J e r r y Kirkbride, clarinetist; Joseph Krysiak, actor-designer;
Ronald Peters, pianist; George
Ritscher, electronic technician ;
Gwendoline Sims, soprano; Marijke Verberne, cellist; and Jan
Williams, percussionist-conductor, and the only member of the
original Associates.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Creative associates plan for a musical entourage
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Feature article
With references to the following additional composers: Ed Burnham, Ralph Blauvelt, Kenneth Gaburo, Barnes Childs, Charles Haupt, Thomas Howell
Includes illustration
Creator
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Julier, Laura
Source
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Ethos
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-11-04
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Music Library
Format
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Identifier
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eastman_020
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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f5b034ce12656c6c35baa4da77f6ea3f
PDF Text
Text
Buffalo Evening News
I
On the t-Evening for New Music'
Howell, flutist; Peter Kotik,
flutist-compose·r, and Joseph
uled
from
November
to Krysiak, theater associate. In
addition the Center will invite
3
~r ~ti~: a:l~e P~:r~~%in~f A~~= guest composers, among them
in the :State University of Buf .. Herbert Brun, Robert Ashley
falo for its "Evenings For New and Norway's Arne Nordheim.
Music" series.
"Evenings For New Music"
This
year's
Creative held here' in the Albright-Knox
Associates will be heard in Art Gallery begin at 8: 30 PM
concert in Bwffalo, New York and are free to the public. The
complete schedule follows:
and Toronto. Returning
Nov, 4 - York University,
members
of the Center
are
Edward Burnham,
percussion·
Toronto.
Jist; ChaKrleksb ~daupt, violin!st;
Nov. 8 - Albright-Knox Art
erry
ir n e, c 1ar.inet1st;
Jonathan Marcus, guita rist; Gal•lery.
Ronald Peter, pianist; GwendoNov. 14 - Hamilton College,
lin Sims, soprano; Marijike Ver- Clinton, N. Y.
berne, cellist, and Jan WilNov. 15- State University of
oJiams, percussionist.
New York at Albany.
Dec. 13 - Albright-Knox Art
FIRST-YEAR members of Gallery.
a,e Ce nter are Julius Eastman ,
Dec. 17-Rutgers University,
Tho m a s New Brunswick, N. J.
pian sl-composer;
,,, , THREE
t
fi
m
i!
~~~
}:i
~
[:j
f
f
':··. :'•.
:.•'.:
and
four
concerts
a month have been sched-
. . ..
Dec. 18 - Carnegie Recital
HaH, New York.
A
Feb. 7 - Albright-Knox rt
Gallery.
Feb. 11-Rutgers University,
New Brunswick, N. J.
Feb. 12 - Carnegie Recital
Hall, New York.
Feb. 25 and 26 - Canlslus
College Centennial Concert in
the Albright-~nox Art Gallery.
March 15 _ Albright-Knox
Art Gallery.
March 18-Rutgers Univer·
sity, New Brunswick, N. J.
March 19- Carnegie Recital
Hall, New York.
April 29-Ru tgers ·university,
New Brunswick, N. J.
April 30 - Carnegie Redtal
Hall, New York.
May 3 - Albright-Knox Art
Gallery.
; , --------------------------------------------~------------~-------------------
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
On the 'Evening for New Music'
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1969-11-04
With references to the following additional composers: Thomas Howell, Peter Kotik, Joseph Krysiak, Herbert Brun, Robert Ashley, Arne Nordheim
Note: Noted as pianist-composer
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-09
Contributor
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Music Library
Format
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clippings (information artifacts)
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Image
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Identifier
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eastman_019
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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ec333e6fefcc8bdfebac5c71c702b4e2
PDF Text
Text
S ept.
:J~ I Cffo 9
5New-Music Artists
Join UB Center
, For Eventful Year
Five new Creative As9oc iates
of the UB Center of the Creative
and Performing Arts ·. will join
a .returning half - dozen ·, composers and performers for an
eventful year of presenting new
music here and on tour.
This is the group that has
made a name in the nation with
its "Evenings for New Music"
series in Carnegie Hall, New
York City, and Albright-Knox
Art. Gallery. The new associates are:
Composer-pianist Julius Eastm~n. also a gifted singer;
graduate of Curtis Institute in
Phi-ladelphia, currently a faculty
member of BuHalo State College.
Composer-flutist Thomas Howell.~ recently of the University
of Illinois faculty, former member ,of the Contemporary Chamber- Players.
Theater director-actor Joseph
Krysiak, already known to Buffalo- for his Workshop Reper- ~
tory Theater, experimental and
ava.cnt-garde productions.
Pianist Ronald Peters, ' .•ellrec-eived recitalist in Buffalo and
faculty .member of Villa Maria
Institute.
Electronic technician George
Ritscher of the University of
Illinois faculty, associated with
nat{onal premieres of works by
Gage, Hiller, Martirano, Ben
Johnston.
Flutist-composer Peter Kotik
will join the associates in the
second semester.
Returning associates are percussionist Edward Burnham,
violini'st Charles Haupt, clarinetist Jerry Kirkbride, soprano
Gwendolin Sims and cei]Jist
Marijke Verberne.
The center co-directors are
Lukas Foss and residenf Slee
Professor Lejaren Hiller. The
coordinator is Renee Levine.
The group's first gallery program will be Nov. 8 and there
will be November tour appearances in- Toronto, Albany
and Hamilton College. The first
Carnegie Recital HaJil date is
Dec. 18.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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5 new-music artists join UB center for eventful year
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1969-10-08
With references to the following additional composers: Thomas Howell, Joseph Krysiak, Ronald Peters, George Ritscher, Cage, Hiller, Martirano, Ben Johnston, Peter Kotik
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-09-29
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Music Library
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Identifier
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eastman_018
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
Courier Express
'111 usic Calendar :.__
:3 ,:..- ~
. 1'" v
J
ul'
.·p11ill1arllloi1ic -'C011certs Are Set ~'"""'' ·
,Tl1is.Afteri100I1, Tuesday Nigl1t
.
'
THE BUFFALO Philharmonic
Performers are
_nivcxsity. · 55 Rals ton Ave., Town of Tona- :
Orchestra will present the final Bras
Jamb · '•ul.s.~dirccled wanda . La l'l'Y Fra.nk ·will direct '
pan· of season .subscnphon con- · by Larry Bren tzei ; _S[ep hen . ·
.
·
certs today at 2:30 p.m. and 1\ ~Jmno,; Heinz Rehfuss, . the orchestta and Mrs. Audrey ..
Tuesday at 8:30 p.m. in Klein- bass· Carlo Pinto iano ;...L.aur- Mern an will di rect the chorus.
hans Mus ic Hall. · ·
cn cc Trott iccolo ·__,Jacob Becg,
"'....
Lukas Foss will conduct Bee- Ei o__!lo aJ!!t_An thony Carere,
RUTH MOHN. sopran~ w'll
1
thoven's Ninth Symphony and
flute s · Robert Mols , alta flute;
'
.
'
Stravinsky's "Les Noces" ("Tlie Kenwyn Boldt, ~ano; Charles
pr s
a
. Cltal at 8;30
.
Haupt violin · Allen Si"cl clari-: Wednesday eyemng_ill___Ba1rd ·
. ")
'w e dd mg .
~ -:-i... - . ~,- '-"-'.<>
Hall Uni e rsit • of B f f I
vocal soloists will be soprano net : 1"anjl<e veroerne, · cel1o; . Tl.
. . u a o.
Gwendolin Sims, a 1 t 0 Mar- an<!_Ia n Williams, percussion.
. Jere IS no ad.~~ lSSlOn c Jarge-;
garethe Bence, tenor Warren
"'"'· .
~
Hoffer and · baritone Richard
"CARMEN JONES" will be
COLIN CORBETI will present
Allen. The Festival Chorus of presented by the Buffalo· Phil- "An Evening With •the Mighty
the State University College ' at · harmonic Orchestra, conducted Wurlitzer Theater Organ" at
Fredonia will be directed by by Melvin Strauss, in the final
8 p.m. Wednesday at t il·~ Riviera
Harriet Simons.
·
pops concert of the season at Theater, 67 Webster St., Nortil
Pianists in the Stravinsky will 8:30 p.m. Friday In Kleinhans Tonawanda. Corbett is organist
be Yuji Takahashi, Julius Eust- Music Hall.
at the Odeon Carlton Theater
man, Nils Vigeland and Charles
Featured artists ' will be La- in Toronto. The program I.,
Bornstein. "Les , Noces" is ~or Vergne Monette, Gwendolin · under the auspices of the Nia· '
vocal quartet, chorus,, percuss1on Sims. Mareda Gaither, Alexan- gara Frontier chapter of Amerl- :
and four pianos.
der Yancy and Thomas Carey, · can Theater Organ Enthusiasts. ·
The Beethoven Nltith · Sym- The East High School Choir wlll
"'"'
phony will conc~~e the progtam. · be directed by ~.?.nald Hilliard.
EDEN CENTRAL High School ~
. MUSIC BY . UNIVERSITY of
1 f
[ll
Buffa o acuity_ composers w
bg resented m a eon_cert. at
8:30 p.m. Monday In B ~1rd Hall
on. the campus. There IS no admtss ton charg~
.
. 'l,'he ro ram Wlll h~.ve LeJa ren 1 ~r.
on,_
a id Tremam s Prel!-!de Arta and
Vana lOllS or
1 no· Allen
Sann s
'p1grams, both Sweet
an~SOiir ·- roruass and piano;
Ra mon uller's Two Pieces for
Nine Brasses· Ro ert Mols'sf our Miniatures for piccolo,
t hree ffutesand alto flute; Hi!ler'. P iaiil) Sonata o. 5· and
Carlo Pinto's "Intei'lerence '69."
'
· · - - - .. · '
=·.
THE SWEET H 0 l\1 E Concert "
Chol'ale. directed by Vera Green,
will present its annual spring
, concert at 2 : 30 p.m . today in
the auditorium or Sweet Home
Senior High School. There Is no
admi ss ion charge.
The program will include music by Orlando de Las s
B 1· 1
D
T
su'
a~~~· eems . ay1or, Houston Bugh t and. Jtm ~ebb. Student accompamsts will _be Donna Grant and Amta Kmg.
~--··
ATTICA CENTRAL School will
present a concert by the Se11ior
High Band and Chorus, directed by Mrs. Genevieve B. S_m ith
·and John Arthurs at 8 p.m.
Monday at the school. The pubJ;c Is invited.
Band, directed by Walter Dow- i
ney, and the 1\'laine-Endwell l
Band, dir~cted by Samuel Cifon- :
11
e i, will present a concert at 8
p.m. Friday in the auditorium
of Eden Cent ral High School. i
~---
PIANO PUPILS of Laura Kel- ;
sey will present a recital at. :
8:15p.m. Monday in Livingston
H II Kl · I
l\K · H U Tl •
a , em 1ans •USIC a . 1e .
public is invited.
"'"'
POLISH songs .viii be presented by baritone James Przepasniak in a program at 8:30
· p.m. Wednesd ay at the Polisil
. Arts Club, Junior Lea g ue
Rooms, Deleware Ave. He will
be assisted by pianist Eva Rautenberg in songs by Paderew~--··
· ski, Szymanowski, Zelenskl and
TilE CRESCENDO CLUB of Karlowicz.
the National Assn. of Negro
Musicians will present the De·
crescendo C I u b, the junior
bra nch of the association , in a
program at 4 p.m. today at st:
Phi litJ's Episcopal Church, 166
Geod ell St.
~-- ··
T HE CHEEKTOWAGA Communi ty Choru s, di rected by Mrs.
John Greenan, will present its
annual spring concert today at ·
3 p. m. , in the auditorium of
Chrc-k lowaga
Central
High
Srilool, 3600 Union Rd ., Cheektowaga. Admiss ion is free .
"'"'•
ROY KEHL w iII present an
orr::an recital at 4:30 p.m. today
.11l Holy Mother of the Rosary
C_athedral, 182 Sobieski Street.
Kehl. who is associate professor·
of o1·gan at Hou ghton College,
will play works by Bach, Stanley, Mi cheel sen, Franck and
Viel'lle. The public is invited.
\;:"'•
.
HORACE MANN Elementary
School will present a program
at 8 p.m. Tuesday at the school,
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Philharmonic concerts are set this afternoon, Tuesday night
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
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Type of clipping: Announcement
Date of event: 1969-05-19
Note: Eastman as performer in Stravinsky's Les Noces
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Courier Express (Buffalo, N. Y.)
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State University of New York at Buffalo. Music Library
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1969-05-18
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Music Library
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eastman_017
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/3743375c5fb71b5e269fcf1b60dc8122.pdf
289ba2442bf558b7293a91745cadb210
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Text
Review
Courier Express
_ ~liar. I Cf, J9(o({
r
Eastman Traces Music
By THOMAS PUTNAM
Julius Eastman traced his development as a composer in a
program of his music Tuesday
evening in the Communication
Center of Buffalo State College.
The earliest work was "Three
Pieces for Violin and Piano," performed by Harry Taub, associate
concertmaster of the Buffalo
Philharmonic, and the composer.
This was followed by "Four Piano
Pieces" (1968) and a section from
Eastman's most recent work - a
billlet.
From Early Opera
The first violin and piano piece
was salvaged by Eastman from
an opera - it is the only part of
the opera he likes now. It makes
a fine arrangement for violin and
piano, and in fact the modal quality of tbe music, with its sad
minor intervals, fits the violin
very well.
Eastman, who gave a relaxed
commentary on his music, said
the second piece incorporated the
rhythm of a walking crippled
man whom he once observed, and
that the third piece was "just a
piece." There is a syncopated
walking feeling in the piano part
of the second piece - so that a
jerky ostinato pattern results [ and the expressive range ·is larger
than that of the first piece.
In ' the third piece a smooth
counterpart is established between violin and piano. Microtonal effects are used as the violin rises gradually against an
emphatic piano. After an energetic section, with intense violin
double steps, and an almost fugal
dialogue, the opening is recapitulated in a subdued manner.
Good Technique
I This music is Eastman's past.
He spoke of llis teacher, who demanded a good technique above
everything else. "The only trou·
ble," Eastman said, "is · that you·
master something so well you get
tired of it."
In his "Four Piano Pieces"
(performed by the composer at
an "Evenings for New Music"
concert in December), Eastman
made a significant break with the
past. "I tried to use · different
forms, different sounds," East.
man said. "These piano pieces.
mean struggle - try to get out."
The piano is not enough to ex·
press what Eastman wants. In the
second piece, for example, which
is largely a counterpoint between
two wavering notes and a more
nervous and energetic keyboard
activity, the eomposer suddenly
introduces his own voice in a ris·
ing pitch that gives the impres·
sion that the wind has entered the
concert hall.
Taps with Mallet
Eastman also taps on the piano
with a mallet and, in the final
piece, accompanies his piano
music with a foot shuffle.
Eastman said that "Earth
Dance". for chorus, violin, speaker and dancer (which is a section
of a ballet dealing with the earth,
moon and sun) is "something new
for me." He is composer, poet
and choreographer ..
The performers included Carole
Weiner, who danced with tense,
nervous energy; the Jongleurs of
the Community Music School,
who clapped, clicked their fingers
and stomped their feet (in addi·
tion to singing); and violinist
John Mohnkern . Eastman conducted the performance, getting
an alert response from the. chorus
in its tightly pitched music. ·
In the ballet he is dealing wl th
the counterpoint of the earth,
moon and sun. Now that's some·
thing you won't read about in any
music treatise.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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Eastman traces music
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1969-03-18
With references to the following works by Julius Eastman: Three Pieces for Violin and Piano
Four Piano Pieces
Earth Dance
Creator
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Thomas Putnam
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-03-19
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Music Library
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eastman_016
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LIB-MUS024
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https://digital.lib.buffalo.edu/files/original/9a487798adcd1bbdd7ca24e600065c5d.pdf
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PDF Text
Text
Courier Express
!VI(l r . I 7 19fo9
Julius Eastman
CONCERT -- Music by composer Julius Eastman will be
performed at 7:30 p.m. Tuesday in 'Lecture Hall N, Communication Center, Buffalo
State College. Performers include Harry Taub, violin;
Gwendolin Sims, soprano; and
dancer Carol Winef. The public
is invited to the program.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Concert
Subject
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Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1969-03-18
Note: Performance of unspecified works at Buffalo State College
Includes illustration
Source
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Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-03-17
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Music Library
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eastman_015
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LIB-MUS024
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Text
New York Times
1\llusic: Of Recent\/ i11tage
3 Works by Americans
Get Local Premieres
By HAROLD C. SCHONBERG
L'VENINGS FOR NEW MU1~ SIC, las t night in Carne;.:lc Recital Ha ll, mixed young
AnYrican composers w1th
two- t hirds of t he Viennese
tr :nily. Alba n Berg's Four
P iP r es for clarinet and piano
( I '.i2 4) and Anton Webern's
S:x Songs (1917-21) were the
rontr'hu• :ons from Vi enna .
From th ;s cou ntry came Edward 1\pplebaum's " Montages'' (1968), Julius Eastman's Piano Pieces (1968)
and Bernard R'1nds's "Expressione IV" (1964). These were
first performances in New
York. There also was Michael
Colgrass's
" Light
Spirit"
(1963), which has been heard
he re before.
The Be rg and Webern
works have ne \'er established
:hemselvcs in the repertory,
and it wa:, inte re sting t0 bear
them, e ,pcciall:' iuxt;;posed
to mus ic that stemmetl, more
or less. from their school.
Berg's F0u r Piece3, thottgh
ea rly works and in an intensified form of postromanticisr.l. neve rtheless have the
melod ic jumps and Yery petso na l harmoni es that were t0
lt>ad to "Woneck ." \VE'be r n'<;
songs, ato nal hut no r .;e-:d 1.
are ~hu~l ( the six are •Aer in
less th an sev"n mm utc s) r•;prrssi0f1i sti c, frequently p•lln tillistic and full of the ,,,, _
I ure~ a11rl nrgani z-!ti'>:l lll't
have tW\de h im t he l1<>ro r,f
the avant-garde.
•
Tt w;;s lntrrPsting tn ro mpare the w0rk:. C(J \ posed in
1968 with the Rand<; ·'E~pres
s ione N" of 1964. The Applebaum and Eastman piece ,
whatever their success or
failure , look , for di ffe rent
th ings. Within the last two
years the . stranglehold . of
t he post-Webern, totally orga nized school of compo sition has relaxed. Mr. Rand <;'s
work, four years back, reflects the doctrinaire approach, while Mr. Ea stman
and Mr. Applebaum are trying for a more direct f01m
of communication.
"Espressione" uses every
cliche from Messiaen and
Stockhausen on. It is scored
for two pianos, and has the
expected clusters, inside-thepiano pluckings, register contrasts, and so on. It is not
a long work, 1~ than 7 min utes, but it seems to las t
twice as long. It is really remarkably conventional, with
all of its enfant terrible yowl-
The Program
EVEN I·NGS FOR NEW MUSit, preoared
bv Luk<n Foss. At Ca rneg ie Recit•l
Hall.
Mon!ao•• (1968) .... . Edward Aoolobaum
Four Pieoces for Clarlnet 1nd
Piano , Oo. 5 (l\>24) .. ..... . AibM B•' •
Piano P ier ~ s (1969) . .. . Julius Eastman
Espr~ssione
Ugh~ SP nt
IV (196-4 ) . . . Bernard Rands
( 1963)
.. Micn ael Colgrass
ings, at ,d it will end up with
the det:'i tus of the period.
lt is not that the Appleh ~um a nd Eastman p ieces are
devoid of some of the lingua
franca of the musical avantgarde . But in both works
then~ is an attempt to inV0lve the compose r with the
listener in a more personal
style.
Mr.
Applebaum's
"Montages," a study in color
for piano, clarinet and cello,
has -some curiously latent
romanticism. It is, on the
who le, a gentle piece, often
me andering, and not determinedly dissonant or theoryndden.
In his P iano Pieces, Mr.
Eastman has tried to shoot
the works. There are touches
of impressionism next to
clusters and rappings on the
piano. Some foot- tapping and
shuffling provide an · accompaniment in one spot; an
off-stage electronic-sounding
glissando in another . John
C'agr> jnstles Karlheinz Stockh ausr·ll . But if the style is as
ye t unfo rme d. there is a genu tn e vitalltv in the music.
PE'rhaps Mr.- Eastman will, in
future works. dis card the
fashionable trappings and settle down to thE' real thing.
•
Which l eavE' ~ Mr. Co lgrass's
"Light Spirit," co mposed in
1963. This is a different mattt-r, for from the beginning
th :s compo<;er has always
heen !iomething of a maverit.k. He has absorbed the
avant-garde styles, but has
blended them into an individual mixture that follows no
set recipe. In a way he is the
Robe rt Schumann, or maybe
the Charles Wakefield Cad man, of the movement. He
composes lyric tone·pictures
of a Highly subjective nature.
"Light Spirit" bounces along
with evocations of jazz, the
baoque and serialism, not
taking any 'Of them especially
seriously. The result has a
curious charm.
A long list of musicians from
the Center of the Creative
and Performing Arts in the
State University of New York
participated in the program.
Th.t re were too many to name,
but special mention must be
made of the very styJish sing· ·!
ing of Gwendolin Sims in }bt!
Wehern songs.
·
··
�
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Music: of recent vintage
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1969-02-04
With references to the following works by Julius Eastman: Piano Pieces (1968)
With references to the following additional composers: Alban Berg, Anton Webern, Edward Applebaum, Bernard Rands, Michael Colgrass
Creator
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Schonberg, Harold C.
Source
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New York Times
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-02-05
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Music Library
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eastman_014
Is Part Of
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LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/d848dcd8f4a5ce0e5b4084472a164746.pdf
bbac843fe855b7c72399628530090ac2
PDF Text
Text
evenings for new music
prepa red by
Iukas foss
season 1968-69
fifth annua l series
presented by ·
the carnegie hall
corporation
in conjunction with the
center of t he creative
and perf orming art s
in t he state university
of new york
at buffalo
Iukas foss and
lejaren hiller di rectors
four tuesdays
at 8 :30p.m .
carnegie recital hall
february 4, 1969
montages (1968)*
edward applebaum
miss verberne; messrs. kirkbride, manes
four pieces for clarinet and piano, op. 5 (1924)
alban berg
messrs. kirkbride and manes
piano pieces (1968)*
julius eastman
mr. eastman
six songs, op. 14 (1917-21)
anton webern
misses sims, verberne; messrs. kirkbride, yadzinsky, haupt
jan williams, conductor
intermission
espressione iv (1964)*
bernard rands
messrs. eastman and takahashi
light spirit (1963)
michael colgrass
messrs. cram, levine, marcus, burnham, williams
melvin strauss, conductor
*first new york performance
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
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A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
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Title
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Evenings for new music (Carnegie Hall)
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1969-02-04
With references to the following works by Julius Eastman: Piano Pieces (1968)
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-02-04
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Music Library
Format
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Image
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Identifier
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eastman_013
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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Text
At Albright-Knox Courier Express
New Music Concert
By THOMAS PUTNAl"\f
The "Evening for New Music"
program Sunday night at the
Albright-Knox Art Gallery was
remarkable in two ways: there
were not a theater piece to be
.seen, and works by Berg and
Webern were performed. This was
in contrast with what seems to
be the prevailing policy of the
University of Buffalo's Center of
the Cpeative and Performing Arts,
that is, of moving so quickly into
the future that the pioneers of
modern music are left behind.
Edward Applebaum, a California
composer, was on hand to hear
a lovely performance of his "Montages" by cellist Marijke Verberne, clarL'1etist Jerry Kirkbride
and pianist Stephen Manes. The
composer has a sensitive ear for
blending instrumental colors. This
was followed by Berg's Four
Pieces for clarinet and piano,
which received a refined and .expressive performance by K1rkbride and Manes. There were
sudden flames of emotion. as well
as . a gentl~ness ~f artiCulation
wh!Ch was .1mpress1ve.
Flute Solo
Robert Cram played Franco
Evangelisti's "Proporzioni" for
solo flute. The music abounds with
trills and bent tones, which have
a humorously distorted effect.
Cram went suddenly from biting
high tones to sed)lctive low tone~.
His performance contained bright
dots of sound, nervous flutters,
quick blasts of air. The music
sounded as a chain of events
separated in time, there was little
sense of continuity:
Gwendolin · Sims was the excellent soprano in Webern's Six
Songs, Op. 14. Her voice was
large, warm •and flexible. Jan
:Williams conducted the chamber
ensemble, which had Miss Verberne, Kirk b r ide, viol!nist
~harles Haupt an~ ba-ss darmet1st Edward Yadzmsky.
Dual Pianists
Julius Eastman and Yuji Takahashi were the pianists in a
successful performance of the
English c o m p o s e r Bernard
Rand's "Expressione IV" for two
pianos. The idea of the piece is
to begin with two distinct piano
sounds and gradually work
toward a harmony of noise.
Eastman began with hard,
booming low attacks and Tagahashi followed with nervous mouse
skitterings, high and fast. The
contrast thus secured, the work
continued rather ·a long time before the final resolution of dense
sonorities and elbow chords (this
was a close, perhaps, as the program got to theater music). In
a final tag; both piani,sts played
the [ow and high extremes of
their pianos together.
·
James Tenney's Collage No. 1
for tape alone, a zoo piece of
roaring lions and talking birds,
was realized at the Experimental
Music Studio at the University of
Illinois. The recorded source rnaterial, which was transformed according to techniques of musique
concrete, was Elvis Presley's
"Blue Suede Shoes." The "real"
music makes itself felt amusingly.
Melvin Strauss conducted a
performance of Michael Colgrass's
"Light Spilit" which lived up to
the name of the piece. The mu~ic has lovely solos for viola and
flute (played by Jesse Levine
and Cram), and includes a jazzy
section for percussion (Jan WilIiams and Ed Burnham). Jonathan Marcus provided the smooth
jazz guitar chords.
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
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New music concert
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1969-02-02
With references to the following additional composers: Edward Applebaum, Franco Evangelisti, Webern, Bernard Rands, James Tenney, Michael Colgrass
Note: Review of Eastman as a performer of Bernard Rands' Espressione IV
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-02-03
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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https://digital.lib.buffalo.edu/files/original/f1e04c8d79d90d484e2ffb6e2ead2411.pdf
83cb229562cba03d2cdb332005fd913b
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Text
Buffalo Evening News
THE GALLERY
UB Creative -Series Surprises
With Fine Chamber Music
From the audience packed to the walls, you mighl
have thought the UB Creative Associates "Evenings for
New Music" series was going to stage one of its musical
riots with special lighting Sunday evening in AlbrightKnox Art Gallery auditorium.
Quite the contflary. It was FlutiJSt Roher·t Cram played
near_ly . all fine-line ahamber. the Evangelisti "Proporzioni," a
mus1c m groups no larger than free-form· use of trill harmonic,
quintet, down to trio, duo, solo flutter and leap afte'r the manand then nobody, in the form of ner o<f the original Varese and
a wrrk for electronic tape alone. seconding Berio wor~s. in a liveStylistically, i'f you wanted to ly Italian flute trad1t10n. Good
make a deucedly clever little in- tone and deft work.
• • •
side joke for the musical polo 1
club, you could say it was an all- PIANISTS JULIUS Eastman
Western program by several and Yuji Ta·kahashi offer·e d a
composers.
surprisingly
substantial and
There, was pl-e nty of in- I
dividuality, of course, in works j dram~tically .. involved
"Exranging f110m Anton Webern presswne IV
by Bernard
himself, 50 years ago, to several Rands. Not a duo work, really,
but two performers developmg a
works of the last ten years.
• • •
single design, sounding an imSTILL, IT WOULD be hard to plied passacaglia in the deep
imagine the manner and speak- bass and adventuring llhrough
ing quality of a good deal of this all sorts of tonal and dynamic
later music but for the prophe•tic curves.
Webern, the fo11ce of his instant
The tape work, Collage No. 1
1episode
and the power of by James Tenney, sounded like
1pri·s tine delicacy, one couldn't a
shattered
Elvis
Presley
Ihave realized before it happened record, st1:1ck back together with
that tJhe great boulder of Stockhausen's Everlast Glue.
Romanticism would be moved
"Light Spirit" by Michael
·a·s ide by this atonal blade of Colgrass, for flutist Cram,
g•rass.
violist Jesse Levine, guitarist
The Webern Six Songs Op. 14 Jona1tha n Marcus, percussionists
were sung by soprano Gwen- Edward Burnham and Jan
dolin Sims against the lovely in- Williams, was a marvel of
strumentart;ion of violin and viola breathy illusion, a feather brush
(Charles Haupt. and Maorijka and finogernalil glide and tonal
Verberne) and clarine•t and ba·s s wisp of a performance, wi_th a
clowrinet (Jerry Kill'kbride and wh1spered undertone of Jazzy
E<JAA,ard Yadzinsky.) Conducted 1 syncopation.
Con?ucted
by
by Jan Williams, it was •a n ap- ~ Mel':'m Strauss, 1t was expealing performance with a qws1tely controlled and muted.
lithe, ~raceful sop•r ano line in Once more, SOJ?ewhere 1n th e
this fairly early We bern, still 1UB programmmg, would be
with a ha1rmonic reflex, and a ...:f:.:;m:.:;e::..:·- - - - - - - - - - completely intoned version of
poetic speeoh.
* * *
CELLIST V E R B E R N E ,
·c larinetist Kirkbride and pianist
Stephen Manes played some
swift-passing, evanes,cent "Mon>tages" of Edwalfd Applebaum, a
cyclic e.tfect and a nostalgic one
in the recurrence of moody
themes and patterns in new or
half-remembered forms, with a
hypnot<ic threnody in the cello
for a close.
Messrs. Kirkbride and Manes
played the 1924 pi·e ces Op. 5 of
Alban
Berg,
one-page
impressions of allusive grace and
great subtlety in clarinet · aftertones and second thoughts,
fine ly done.
�
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Julius Eastman Clippings Database, 1968-1979
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LIB-MUS024
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Title
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UB creative series surprises with fine chamber music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1969-02-02
With references to the following additional composers: Anton Webern, Edward Applebaum, Alban Berg, Evangelisti, Bernard Rands, James Tenney, Michael Colgrass
Note: Review of Eastman as a performer of Bernard Rands' Espressione IV
Creator
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Dwyer, John
Source
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Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-02-03
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Music Library
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eastman_011
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/fe38707cf8e71774b582f935fc3252b8.pdf
4a20116f1bab105ccb2c075a2a91b85f
PDF Text
Text
EVENINGS FOR NEW MUSIC
MONT AGES (1968) * . . . . . . . . . . . . Edward Applebaum
Miss Verberne; Messrs. Kirkbride, Manes
FOUR PIECES FOR CLARINET AND PIANO, OP. 5 (1924)
. Alban Berg
Messrs. Kirkbride and Manes
PROPORZIONI, strutture per flauto solo (1958) *
. . . Franco Evangelisti
Mr. Cram
SIX SONGS, OP. 14 (1917-21) . . . . . . . . . . . Anton Webern
Misses Sims, Verberne; Messrs. Kirkbride, Yadzinsky, Haupt
Jan Williams, conductor
-
INTERMISSION -
ESPRESSIONE IV (1964) * . . . . . . . . . . . Bernard Rands
Messrs. Eastman and Takahashi
COLLAGE NO. 1 for tape alone (1961) * . . . . . . . James Tenney
LIGHT SPIRIT (1963) * . . . . . . . . . . . . Michael Colgrass
Messrs. Cram, Levine, Marcus, Burnham, Williams
Melvin Strauss, conductor
•First Buffalo performance
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Title
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Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1969-02-02
Note: Eastman as performer of Bernard Rands' Espressione IV
Source
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Music Department
Publisher
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State University of New York at Buffalo. Music Library
Date
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1969-02-02
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Music Library
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eastman_010
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LIB-MUS024
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<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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https://digital.lib.buffalo.edu/files/original/3ddb3d0ce4911311efde8a5de6f8b5a2.pdf
526705a80a35c6088b762904d7711b67
PDF Text
Text
Courier Express
Ki\i"::;i~;:~:, ~;ra
Stars Marlene Badger
By THOMAS PUTNAM
The three kings were played
The third annual Holiday Fes- with slow moving comic dignity
tival of the Buffalo Philharmonic by Warren Hoffer, Laurence
Orchestra began Friday afternoon Bogue and Julius Eastman. The
in Kleinhans Music Hall with singing was relaved and secure,
a staged production of Menotti's as befits three men who are on
"Amah! and the ·Night Visitors." a long journey, The page was
Melvin Strauss, the music direc- Samuel Herr.
tor of the festival, conducted the Bright Dance
opera, which made its. debut on
fNBC
television in 1951. The cast One of the bright spots of the
featured Marlene Badger as production was the dance by Gina
Amahl's mother, and· Victor Uns- Bank, Diane Lewis and Barry
worth a boy soprano from Scar- Leon. The choreography by Frank
borough, Ont. as Amahl.
Bourman is simple and appealing,
.
.
and uses the limited space well.
Ric~ Voice
Incidentally, Bourman's ballet,
M1ss Badger gave a strong per- "The Magic Cloak," will be preformance as the mother. Her sented on Sunday afternoon's fesvoice was strong and rich, and tival program by the Ballet Censhe moved with assurance in her ter of Buffalo.
part: She might ha":e been a shade The chorus of shepherds, who
nastier to Amahl,_ m other words filed on with offerings for the
m?re despe~ate With her poor and kings, were the Jongleurs of the
Community Music School directmiserable hfe.
A~ . Amah!, Unswo~h lacked a ed by Samuel Herr
'
dev1hsh spark. He failed to show
·
that Amahl is a high-spirited boy Cartoons Today
who has learned to use his crutch Assisting in the production were
~ike a playth~ng. One ~issed the Renate Strauss, stage director;
Irony of seemg a cnpp~ed ~oy Ruth Gleaves, stage manager;
m?":e about the stage With high Joseph Glosson, technical direcspmts.
tor; John Crespo, costumer; and
Clementina Fleshier, rehearsal
Three Kings
Unsworth's voice sounded big pianist.
at times, but this was the appar- Only about 900 persons, mostly
ent result of amplification. None young peOple, attended the perof the other voices seemed ampli- formance. In this afternoon's profied. Also, it was not a particu- gram the orchestra will be joined
larly lucid voice, and one had the by Stu Hample, who will illustrate
impression that Unsworth was ex-~ music by Tchaikovsky and Saintperiencing an off-day.
Saens with cartoons.
�
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
Document
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Dublin Core
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Title
A name given to the resource
Menotti 'Amahl' opera stars Marlene Badger
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1968-12-27
Note: Review of Eastman as performer
Creator
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Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-28
Contributor
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Music Library
Format
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clippings (information artifacts)
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Identifier
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eastman_009
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
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<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
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UB Only
-
https://digital.lib.buffalo.edu/files/original/5a8b6ef3936cbb6827ec519b456540c2.pdf
45d97dbbaf5702c7453d4b716d2942ca
PDF Text
Text
Buffalo Evening News
be c. . J?
-
19t l
KLEINHANS HALL . ,_1 - ?./.ir 6 By Herman
-------- /?~4e;;e
.1
rotter
~Alllahl'
Is Delight
In Festival Opener
Buffalo Philharmonic's third annual Holiday
THEFestiV'al
for Young People opened Friday afternoon
in Kleinhans Music Hall with "Amahl and the Night
Visitors," Philharmonic associate Melvin Strauss conducting.
Few can resist the. charm of
this Gian-Oarlo Menotti modem
classic. The simple beauty of
the story enthrr li s children, itS
weal th of melody captivates
adults and the glitter of its
almost Ravelian orchestration
works its way into the skin
of most musical sophisticates,
despite th-~ir natural tendency
to resist such overt loveliness.
Commissioned by the National
Broadcasting Co. for a Christmas television presentation in
1951, this opera is living evidence of what TV can do.
* * *
curtain created the hoped for
mystery, but sacrificed the electrifying feeling of participation
on the part of the young audience which accompanies the
kings' entrance down the aisle.
One could feel this lack.
A special nod goes to choreagrapher Frank Bourman and to
young peasant dancers Gina
Bank, Diane Lewis and Barry
Leon for the sense of entreaty
captured in their dance for the
kings. The Jongleurs of the Community Music School, directed
by Samuel Herr, made up the
peasant chorus.
Conductor Strauss held his reduced pit orchestra and singers
in fine balance throughout and
pacing moved very well.
The Holiday Festival continued
today under Mr. Strauss 'with
cartoonist Stu Hample drawing
to the sounds of music, and
closes tomorrow with the premiere of the ballet "Magic Cloak"
by the Ballet Center of Buffalo. Both concerts are 2 PM
FRIDAY'S PRODUCTION was
outstanding vocally. Treble Victor Unsworth, 12, had the purity
of tone and innocence of stage
bearing necessary to generate
audience empathy for the crippled Amah!. His voice required
amplification ·which accentuated
the few uncertainties in the
higher reaches.
On occasion, alto Marlene
Badger, as the Mother, strayed
into vocal range of Amahl's con-·~S-ta_r_t_er_s_·--~-------'
cealed microphone and became
unnecessarily amplified. Otherw:se her rich voice and dramatic sense were becoming the
fulcrum of the opera.
Tenor Warren Hoffer was excellent as the quizzical, comical
King Kasper and baritone Laurence Bogue very believable as
the somewhat . pompous King
Melchoir. His leadoff solo in the
quartet, "Have You Seen A
Child," was outstanding.
With little in the way of solo
work, King Balthazar's role was
ably filled by Julius Eastman.
His resonant bass voice was superb in ensemble. Samuel Herr
was the Page, a smaller role
well done.
Mere suggestions of house
walls, in the spare but well designed set, emphasized the poverty of Amah! and his mother.
Stage movement was . generally
good, with the entry of the peasants through the visible rear of
the house, especially effective.
* "" *
HOWEVER, the kings' attempts at regal bearing fell
short of the mark and into the
static. Their entrances from behind a tr ns arent backstage
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Amahl' is delight in festival opener
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1968-12-27
Note: Review of Eastman as performer in Amahl and the night visitors
Creator
An entity primarily responsible for making the resource
Trotter, Herman
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-28
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
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Identifier
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eastman_008
Is Part Of
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Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/5b2655a02879c5dc90360ddc0c475a95.pdf
09238c473db18b2ac43800d03c38c35f
PDF Text
Text
Music Calendar
J:R / ' -/.~
f/-l./L
'I )- / )..-2-/{,
/
•
c
6
Orchestra to Present
3rd Holiday Festival
THE BUFFALO Philharmonic
Orchestra, under the direction
of associate conductor lYielvin
Strauss, will present its third
annual Holiday Festival Friday,
Saturday and next Sunday in
Kleinhans Music Hall. Performances begin at 2 p.m.
Menotti's "Amah! and the
Night Visitors" will be presented Friday with a cast that
includes Victor Unsworth as
Amah!; Marlene Badger as
Amahl's mother; W a r r e n
Hoffer, Laurence Bogue and
Julius Eastman as the kings;
and Samuel Herr as the page.
The production will be staged
by Renate Strauss and choreographed by Frank Bourman.
The chorus is The Jongleurs
from the Community Music
School.
STU HAMPLE will be the
cartoonist with the orchestra 1n
a program Saturday. He will
draw to music from Tchaikov-,
sky's "Nutbracker" ballet and
Saint-Saens's "Carnival of the
Animals." Also featured in light
music will be the Children's
Community Chorus of t h e
Niagara Frontier, directed by
Lillian Sandbloom Wilder. The
pianists in the Saint-Saens
"Carnival" · will be Mary Sue
Payne and Charles Bornstein.
The Ballet Center of Buffalo
will present "The Magic Cloak"
ballet next Sunday. The ballet
is choreographed by Frank
Bourman to music of Tchaikovsky. Director of the Ballet
Center is Kathleen Crofton. Imported soloists are . Violette
Verdy and Conrad Ludlow of
the New York City Ballet, and
Luis Fuente of the City Center
J offrey Ballet.
The Holiday Festival is sponsored by the Women's Committee of_ the Buffalo Philhar~onic Orchestra.
__.. ,
LUKAS :FOSS will conduct the
Buffalo Philharmonic Otchestra,
in a performance of Handel's
Victor Unsworth
•.. "Amaht"
"Messiah" at 2:30 o'clock this
afternoon in Kleinhans Music
Hall. Soloists are Anne Elgar,
soprano; Betty Allen, mezzosoprano; Joseph Sopher, tenor;
and Raymond Michalski, bassbaritone. The cborus is the
Schola Cantorum ·and the University of Buffalo Chorus.
__. ....
MIRANDA CURRIE .w i II
direct the Junior and Senior
Choruses of the B u f f a 1 o
Museum of Science in a
Christmas pageant at 3 o'clock
this afternoon in the Museum
Auditorium. Admission is free.
__...,
ROBERT SCHULZ w i II
conduct the Assumption· Church
Junior and Senior Ch9irs, and
the Canisius Glee Club in a
Christmas program at 8 o'clock
this evening in Assumption
Church.
__......
THE INTERMEDIATE Group
of the Chromatic Club will
present a program at 7:30 p.m.
Friday in .the Williamsville
home of Mrs. Daniel Pieczynski.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Orchestra to present 3rd holiday festival
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: unknown
Note: Eastman is performer in Amahl and the Night Visitors
Includes illustration
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-22
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_007
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/66a26d91b2f492ca0bdf7e50c2554bf9.pdf
e790583cd6e2464bcb7160bf4eac550b
PDF Text
Text
Dec. . J &, /9& ?
Buffalo Evening News
iLPV
GALLERY AUDITPRIUM /~/,./6 $ By John Dwyer
'Spide,r Spng' Spi,.,s
Leng~hy
web, Traps
A,-. Ameri~n FantasY'
"Spiger Song" is inspired by comic. book he r .o
Spider Man, says composer Stanley Lunetta, but · 1t
seems to be a whole newsstand r: F cartoons and im~
pressions in flashing montage, to a fitful score of drums, :
pot-cellar piano, trlimpet, dialogue and a climax of deafening rock'.
·
with v i o 1 a, spHt resonances
sounding two · and more partials
of a s ingl e oboe tone at the
same time, and other radical
ways of playing, in a somewhat
studious but · well-crafted score.
P ianis t-composer Julius East·
man played four of his own
short p ieces, sometimes involving a ri sing, muted si ren wail
from the perform er himself, a
few raps on wood with a soft
mallet, and a }>aso doble witll
his busy heels, as an accom·
paniment ro keyboard dance.
Brief, bright and imaginative,
they were received very well. ,
"Traces" by Roger Reynolds ,
involved pian:st Yuj i Takahasri , '
1
cell ist Marijke Vert>eroe, f!U'tlst
Robert Cram and sound technicians, in an overlay of theme
OTRE~ SCltEENS show still s clusters and, yes, traces, to
and color movies of the com- loug, st-able-toned obbligatos in
posers, salamande t:s. a red- electroni c lines.
capped guide and tour party,
* .. '
abSltracts ~nd a bunoh of modern-age symbols and figures.
COMPOSER Morton Subot·
In the aisles, red-capped guide nick conducted a 10-member i
ensemble in his own "Tarot," ·
Jan WH'l!iams recruited a tour a ref6rence to the ancient forparty from the seats and they tune-telling cards, the - move- ,
all over, in- ments I·n turn em pha S !Z
· ·n
. marched around
·
l g
efudinrg on stag,e, whne he ex· brass and metal percu.ssion,
plained th<e wboJ.e thing.
hide percussion, xylophone and .
I had to get ~JUt, . after It buitt piano.
.
. \
up to t~ ear•plercmg level , out It proceeds from frame to
of a bar~a?e of gia n~ speake·rs . fr ame - scenario scenes , as it ,
It ha~ htt Its dramatic ?eak b.y wer·e - total enclosures con. that .1me, anyw·a y. T~e score IS ducted almos t exclus ively for
bud~eted .for a h.alf hour, and dura tiOn and inst rum ental comthat s e~~IIy 10 mmut~s beyond I plex, exceeding ly in terest ing de. t~e work s natural build-up and signs involving som e shouts
. IIJ!l-off.
.
·
and handclaps, cont rasting deliOther than that, 1t's ~e whole cate fi gurations and one grand
street-side, youth-market Amer- roulade for drums and everyidlft Fantasy,.'fhat every guitar- body. A strong piece, and Jarg.e .
to~ing y>oW1II man wants ou·t of enough to ao weli on an orehes- lite · ~ the TV screen, and. a tra series. · . ··
,
· P\UIIenlt ; ~ml!f\t«ry on him · In the J~by, rompolet' Jon
.• and it~ Ut.· ·- . ~ Uhiblted bf• · •qml)y
. .
..., • • . - . _.
: ' ~/' • ta}.le and· m~
BAil'fAfPZZI'I C~~- Wiftd spheres, Which were
p~e..-nttcf!· ".-.b o i ft•_....U. · WH1ac:e
W..
(UbiMtt Qn the surface by pass$11- ~-- <$am..btt ~'P: !'!' "'-g-_att-~rs. p r od u C:i n g an
This was the feature spectacular on the "Eveni·ngs for New
Music " concert to a packed
bou~. Sunday evening in Albrighlt-Knox Art Gallery a.ud itorium. The program goes to
Carnegie Reci tal Hall in New
York tomorrow.
In " Spider Song" two compo9E!rs, Mr. Lune tta and Larry
A:ustin, portray two compos.ers
working up a new rock song,
playin.g and talk ing and eventua Hy banging it out in thunde rous fu lf.illment with the aid of
other players and wund-equipme nt operators . Behind reflect•
ing gauze of a centered screen,
the main p!ayers appear a nd
• disappear in trick lighting, wit h
a cartoon1>anel effe ct .
. . ..
I
per~ Hit ~;It
- ~ ~(lrucally ~coded mu~c
tufist . .l&f flkt,etnl,
. .. ..~ ~ Cll an a rt object. The
,1.... ~
})iss 1'hO liktTien ~·-eet\ the arts are
('.o)eman.
c.tulllblint.f .mel composer ~
It put the reoed ·SOloist into sell teems to have reared a
subtle microtonal c~_along monumen.:_ to the ir passing.
,
ana
�
Dublin Core
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Title
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Julius Eastman Clippings Database, 1968-1979
Identifier
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LIB-MUS024
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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'Spider Song' spins lengthy web, traps an American fantasy
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano Pieces I, II, III, IV
With references to the following additional composers: Stanley Lunetta, Bartalozzi, Roger Reynolds, Morton Subotnick, Jon Hassell
Creator
An entity primarily responsible for making the resource
Dwyer, John
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
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State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-16
Contributor
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Music Library
Format
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clippings (information artifacts)
Type
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Image
Still image
Identifier
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eastman_006
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
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UB Only
-
https://digital.lib.buffalo.edu/files/original/6d16012af32de59dea20a326975634f6.pdf
27a2958415eacf5025b7f0e8d4094e7c
PDF Text
Text
Courier Express
Dec_. ; &, r f'/r; ?
~N~n~ 1l1usi~' Cotrce~-3Ci-·iPJ~P/f:. ~
Singer Charms Oboe
By TH0:\'1!\.S PUTNAM
!bassist 'Tom Coleman ; and per. Most noten.orthy about the \ cussionist Jan Williams .
" E venings for Ne w Music" con- In Roger Reyn old's " Traces ,"
!cert p resented Sun day night in which was the most successful
· the Albright-Knox Art Gallery Piece of the evenmg (Morton
: Auditorium was the wav it de- ~ Subotnick's " The Ta rot" came too
monstrated the advanc~ tech- late for revie w), the instrumental1
! nique of the perfonner and his 1sts are contmu ally answered by
1 ability to take par t, without seem· ! live
electronic mod ifications of
i ing du ll and lifeless, in a piece of 1 t hemselVes . . Sustan:ed tones by
' music which a lso utilizes live cell ist .ManJ ke v erberne and
electron ic sounds .
fluti st Robert CPm we re tre ated
The program was presented by e!Pctronically. so. that the result
the Unive rs itv of Buffalo 's Center W il S a pleasant dissona nt d r<me.
of the Cr eative and Per forming Yuji Takahashi p!a,·ed <JUick ,
Arts, and was planned by Lukas chords on tl:e piano. almost in
F oss and Lejaren H1ller, ' codirec- trnitation of a bi ~ t ime virtuoso,
tors of the center.
and the electromc treatment The oboe, for exam ple , might the tec h ~ ologica l 1·ariation -- was
seem the gentlest of instrument s, droned m reply. One got a good
capable of evoking pastoral 1dea of t he advance t hat IS r ep. scenes. But it is also an engine of resented by . Singer: s oboe tech·
the modern age . at least it is in mque when m he armg MISs Ver·
the hands of Lawrence Singe r. He berne's elec tronically t r e a ted
was heard in Bruno Bartolozzi' s cello it was almost as if Singer
" Conce rtazioni per ohoe ," a work was stand ing off-stage.
which explores a new world of 1 J ul in s E a stman performed his
woodwind sound.
own Piano Pieces 0 -JV l w;th as
Oboe Talks
mu ch expre ssivity as could be
.
mustered on the dull, ltfe less
, Smger blew chords on his oboe- piano. It w&s amu si ng the way
i whm!ng, wheezln~ r~ ords of a Eastman, in a r ather t rad itional
not altogether p 1 eas m~ nature. !framewor k, has incor po rated in
When he does th1s :you would his pieces var ious theater ele·
swear he has done something ments , as if he feels comp eiled to
wrong, a.nd that he will soon obey the latest fa~hions . But
cor1:ect himself. And he does , or whereas the use of th e mallet on
so 1t seejTis; but no sooner . has the piano wood was silly, and not
he landed on a straight pitch, ori ginal, hi s r isin g glissando
Iwhen -: W_HEEE. - that oboe voice wa s effective fthe way It
chor~ slips m agam.
blended with the piano ), and the
. Thts performer .has charmt:d little shuffling dan ce which ac-1
the oboe so th at Jt talks - m companied the fou r th piece was :
small •. quarter-tone inte1:vals, and good comedy.
1
. 111 ghssandas that mirror the 1,
· >
effect proquced just earlier by Spider Song
,
the double bassist. Singer pro· The program als0 included
duced different tone qu11lities for Stanley Lunetta's "Sp;der Song ,"
the same note and lte even had a " r eal" si tuation 1as opposed to
a polyphonic ' conversation with a th eater situation ! in wh ich the
himself, holding a tone while 41· performers are " per fo rming and
terject~ little asides.
recordmg a r ock song" ; we a re
·
·
told that " An interesting side·
Suceenful Work
product of 'Spider Song' might be ,
Bartolozzi's work has m any perhaps, a hit song." Lun~tt a and
gentle melodies, and in one sec· La rry Austin were the perfo rmers.
Iti on .the ensemble prodllCec! quiet, Jon Hassell's "MAP" - a ground
beautllul a()tl.ll$. 'l'be other per· of magnetic tape over whi ch the
formers wera Jeue Levine, who player runs a tape head, thus
played fb'lal portion of the activating the stored sound piece wi~ a broke.ll striJ11 ; gui· was on display during interrnis·
tari,st J~-n Marcua; double sicn.
·
I
I
I
I
I
I
I
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Singer charms oboe
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Concert review
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano Pieces I, II, III, IV
With references to the following additional composers: Bartolozzi, Roger Reynolds, Stanley Lunetta, Jon Hassell
Creator
An entity primarily responsible for making the resource
Putnam, Thomas
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-16
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_005
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/4a36186563812ed88649465e6a35af46.pdf
2d5700b234a0c21508a2221952bc5a78
PDF Text
Text
EVENINGS FOR NEW MUSIC
CONCERTAZIONI per oboe e alcuni strumenti (1965)
.
Bruno Bartolozzi
Lawrence Singer and Messrs. Williams, Levine, Marcus, Coleman
SPIDER SONG (1968) .
.
.
.
.
• .
.
.
.
.
.
.
Stanley Lunetta
Larry Austin and Stanley Lunetta-composerjperformers
Jan Williams, guide
Jon Hassell, Joseph Romanowski, audio technicians
Charles Haupt, visual technician
Edward Burnham, Robert Cram, Jonathan Marcus, Sharon Lunetta,
Practitioners
DURING INTERMISSION:
ON DISPLAY: MAP, a lobby piece by Jon Hassell
PIANO PIECES I, II, III, IV (1968)
.
.
• .
.
Julius Eastman
Mr. Eastman
TRACES (1968)
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. Roger Reynolds
Yuji Takahashi and Miss Verberne, Mr. Cram
THE TAROT (1965)
.
.
.
.
.
.
.
.
.
.
.
.
. Morton Subotnick
Messrs. Cram, Singer, Hassell, Kasprowicz, Levine, Coleman,
Burnham, Lunetta, Williams, Takahashi
Conducted by the composer
All the works on this evening's program are being performed in Buffalo for the first time.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano Pieces I, II, III, IV
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-15
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_004
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/f60fc566c31b8a50c8558f55caa6f01d.pdf
004b428c7e0f1a47d1d710bcaa4d673c
PDF Text
Text
-2-
is moved over the surface by hand. The "code" of magnetic recording allows
the speed and motion of this "reading" to alter the sound in a way impossible
in its uncoded form. The discovery of new continents and seas, peaks and
valleys of amplitude, etc. is open to each participant.
INSTRUCTIONS:
1)
The faster you move the reading head, the higher the pitch of what
you hear.
2)
The more constantly you maintain a given speed, the closer you will
come to hearing the sound as it was recorded.
3)
The further you depart from the rule, "line of head-gap perpendicular to line of tape," the less sound you will hear--stopping altogether
at around 45 degrees .
No recommendations to do one rather than the other
implied.-~.H.
Piano Pieces I, II, III, IV (1968) ...................... Julius Eastman
Buffalo-based composer, ·. Julius Eastman, holds a diploma in composition
from the Curtis Institute of Music. Among his compositions are two ballets,
songs, orchestral and piano works. "Star Jazzer~ a ballet, will be performed
on tour by the Buffalo University Dance Workshop.
Traces (1968) for piano, flute, cello, signal generator,
ring modulator, and 6 channels of taped sound ... ioger Reynolds
Traces is concerned not only with events, but with their residue. The
pianist makes a series of nine statements in the form of three interrelated
groups of three short pieces. The flute and cello draw on materials in
these pieces, extending them (without recourse to development or elaboration).
In the second and third groups, long taped sounds overlap the pianist's
events, as well as flute and cello traces, suggesting the coexistence of
several time frames and the resonances of memory.
Live amplification and electronically modulated sounds are distributed
through the performance space by means of six spea~ers that also serve to
handle t}).e six independent channels of prepared sound on tape.
The piece is of variable length and is dedicated to the composer and
Yuji Takahashi.--R.R.
pianis~
The Tarot (1965) .•...............••.............••...... Morton Subotnick
The piece is based on four Tarot cards--they are the Stars, the Moon,
the Sun, the Judgment. The conducting part characterizes the symbolic content
of the four cards. The groups of instruments represent the formal structure
of the Tarot cards in general. The brass group with the metal percussion
represents the first card of each group of four. The group associated with the
skin percussion represents the second. The group associated with the xylophone
represents the third and the piano represents the fourth which is traditionally
the transitional number.--M.S.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evenings for new music
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Program notes
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano Pieces I, II, II, IV
Source
A related resource from which the described resource is derived
Music Department
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-15
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_003
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC-EDU/1.0/">IN COPYRIGHT - EDUCATIONAL USE PERMITTED</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
-
https://digital.lib.buffalo.edu/files/original/be0c120916a930d80a2dbc306a09e0b7.pdf
b9849df4edb6477b9e49ba70fdc552e9
PDF Text
Text
Courier Express
De~. J5j J9!cl
Music Calendar
UB's Perfor1nit1g .Arts Center
Plans ·'Evening for New· Music~
THE UNlVERSITY ot Buk Sch~Jlz, . will present a Christ·
falo's Center of the Creative·' mas . concert · at 8 p.m. today
ani.! Performing Arts, directed in the Student Center Auditor!'bY Lukas Foss· and Lejaren urn, on campus. The college
Hiller, wm present "Evening ROTC Band will also perform
for New Music" . at 8:30 · J).m . Admission is free.
today ·in the Albright-Knox Art
~....
Gallery- Auditorium. Admission
THE CONCERT, Marching
Is free.
and Symphony bands of the
The p~;ogram wm have Bruno University of Buffalo will preBartolozzi'a "Concertazionl per sent a concert ·at. 8:30 p.m .
Oboe" 0965). written for Law- today in Goodyear Hall, on camrenee Singer, Center oboist; .. pus. The program, directed by
Stanley Lunetta'a theater piece, Michael D. Sandgarte and W.
"Spider · Song" (1968 ); Julius Ll!rry Brentzel, will have. music
Eastman' a Plano Piece (1968); by ·clifton ·williams, Persichet·
Roger Reynold's "Traces'.' . ti, Gordan Jacob, Hanson and
·( 1968); written for Yuji Taka·
Kalinnikov, and highlights from
bashi, Center pianist ; and Mor· the· 1968 football ·season. Admis·
ton Subotnlck's "The Tarot•• sion ·is free.
....
(1965), which will De conducted
J:>y the composer. Also, Jon
THE MUSIC departments of
Ha$Sell'• "l.obby Piece, MAP" Kenmore East High School and
will be on display.
Sweet Home will present Han.
del's "Messiah" at 2:30 p.m .
THE NEW AGE Brass Quin· today at Sweet Home High
tet and the University Chamber School, and at 8 p.m! WednesChoir, . directed by Peter Van day at Kenmore East High
Dyck, · will present music by School. Louis Baroudi, of Ken.
Scheidt, Gastoldl, Giovanni Ga- more East, will conduct. Adbt·ieli, Palestrina · and Pinkham mission to both performancea
·
•tn a concert at 4 p.m . today in Is free.
~"tlie · ~ulpture Court of the
Albright-Knox Art Gallery, The
THE ZION LUTHERAN'
program is spo11110red by the Church choirs, directed by Karl
Office of Cultural Affairs · and A. Hartwig, will present a
the music de·p artment of the Christmas concert at 7:30 p.m.
1Jn.lversit:y of Buffalo. Admis· today In the· church In Clarence
Center. The program will · tn·
sion is free.
.
elude cantatas by Michael AI- .
ROBERT MOLS will conduct tenburg and. Heinz Wunderlich. ··
the Cheektowaga Community
..
Symphony Orchestra in a conTHE HARTWELL String Quarcert at 3 p.m. today in the John
tet
will
present
concerts
at
8:
30
F . Kennedy Senior High· School
Auditorium, ClJeektowaga. Guest p.m . today in the Ne~an Oraartists are the Maryvale High tory, on the campus of BrockState College, and 8:30
School Chorale, directed by port
Joseph ·Stewart. The program p.m. Tuesday at the · Nazareth
will have music by Rimsky· Arts Cenfer. Tbe program Will
Korsakov, Weber, Hand e 1, Include Bartok's String Quartet
Irving Fine and Joseph Stewart. No. 2 and Debussy's Quartet.
The quartet, in ih third year
Admission is free.
in residence at the .college, 11
....
TilE . ROSARY mLL College comprised of Norma Auzin, LorGlee Club, directed by the Rev. ene Field, Ascher Temkin and
··
Michael Palotai, wili present a Ronald Leonard.
.-.:"'
Christmas concert at 8:30 p.m.
today in the Wick Center, on
A FESTIVAL of Christmas
campus . Suzanne Thomas will carols, coordinated by Robert
be harpist in Britten's "Cere- Schulz, will be presented from
mony of Carols." Admission l1 4:30-5:30 p.m. and 8 : ~9:30 p.m.
free.
Monday through Saturday at the
....
Main Place Mall. The festival
THE CANISIUS COLLEGE is sponsored by Liberty Bank of
Glee Club, directed by Robert Buffalo.
~
..... .
~ ....
""'
~
~
THE MUSIC DEPARTME~T
of Holland Central School w11l
present a Christmas ~once~t at
8 ; 1~ p.m. Wednesday m ~e .Hoiland Central School. Au~1tormm .
Merritt Wheeler wtll . dl~ect ti_Je
c~orus, and Ray Burbtck . w1!l
dir~ct the band. The public is
Invited. -
v···
PAMELA GEARHART will
conduct the University of Buf·
falo Orchestra in a concert at
8:30 p.m. Thursday In Baird
Hall, on campus.
·
~
....
JOYCE GIANNI will give a
senior piano recital at.. 8:30p.m.
Friday In Billrd Hall, Univer~
. aity of Buffalo-. · '
.·
~···
.
FREDERI.CK Burgo master
will give an organ recital at
· 12':'30 p.m. Friday in Saint
Paul's Cathedral. He will play
Monnikendam's "lntrada;"
·Buxtehude's "In dulcl jubilo;"
·Brahm's "Es 1st ein Ros' "· Daquin's " Swisa Noel"; · and 'Messiaen'• · '~The Shepherds" and
"God among us" from "The
Birth of Our Lord." The public
is Invited.
-.:·"'
LUKAS· FOSS will conduct the
Buffalo Philharmonic Orchestra
In performances of Handel'a
"Messiah" at 8:30 p.m. Saturday and 2:30 p.m. next Sunday
In Kleinhans Music Hall. SoloIst• are Anne Elgar, Betty Allen,
Raymond Michalski and Joseph
Sopher.
~~
THE STANLEY KING Trio
will present a concert · at 7
Wednesday evening for the patients and visitors at the Carlton
Bouse Nursing Home.
~
....
· · A CHRISTMAS concert will be
presented by the music department of Buffalo State College at
8:15 thi1 evenlni In Rockwell
Hall Auditorium, ' on campus.
Silas Boyd will direct the Men's
Glee Club and the A Capella
Choir, and Olaf Malmin will di·
rect the Women's Glee Club.
The public 1.1 Invited.
~
....
DIOCESAN Preparatory Sem·
!nary Glee Club will · present a
choral vesper service at ' this
afternoon in the chapel at 564
Dodge. The program 1.1 (jpen
to the publlo.
-
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
UB's Performing Arts Center plans 'Evening for New Music'
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano Piece
With references to the following additional composers: Bruno Bartolozzi, Stanley Lunetta, Roger Reynolds, Morton Subotnick, Jon Hassell
Source
A related resource from which the described resource is derived
Courier Express (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-15
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_002
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
https://digital.lib.buffalo.edu/files/original/40a870593b13563f34af57c296a167fb.pdf
734eda4e1b96c119dd08903736750b25
PDF Text
Text
Buffalo Evening News
Dec..
I~
/9/c f
ZION LUTHERAN Church of
Clarence
will
present
a
Christmas
Advent
Concert
tomorrow at 7:30 PM, with Mr.
and Mrs. Karl Hartwig as conduc tor and accompanist. Cantatas of Altenburg and Wunderl ic h wiH be performed.
Musical Fantasies
In Gallery To01orrow
M'US·IC concer·t by the
NEW
UB Cr-eative Associates
will include a staged tribute to
a comics-book hero, other farout visions and a visual creation in the lobby by composer
Jon Hassell titled "Lobby
Piece," tomorrow evening at
8:30 in Albright-Knox Art
Gallery auditorium. The public
is welcomed.
"Spider Song" by composer
Stanley Lunetta is his staged
ode to Spider Man. "Concertazioni" by Bartolozzi will
be played by oboist Lawrence
Singer. "Piano Piece" by Buffalo-based Julius• Eas·tman,
"Traces" by Roger Reynolds
and "The Tarot" by Morton
Subotnick will be included.
• • •
BRITTEN'S Biblical music
parable, "The Burning Fiery
Furnace," will be given its second staged performance under Timothy Vernon, this
e-rening at 8:30 in St. John's
Episcopal Church , ·Colonial
Circle.
• • *
UB CHAMBER CHOIR and
New Age Brass Quintet will
present a Christmas program
tomorrow at 4 PM in AlbrightKnox · Art Gallery Sculpture
Court, Peter Van Dyck choral
director. Sacred works of
Scheidt,
Gastudi,
Gabrieli,
Palestrina and the Pinkham
"Christmas Cantata" will be
performed. The public is
welcomed.
• * •
HANDEL "Messiah" in the
annual Philharmonic presentation with touring soloists and
the Buffalo Schola Cantorum
and UB Chorus will be conducted by Lukas Foss, next
Saturday at 8:30 PM and the
following Sunday at 2: 30 PM in
Kleinhans IV(usie Hall, auspices
of The Buffalo Evening News
and WBEN.
The soloists are soprano Anne Elgar, leading performer of
the New York City Opera, a
star of festivals in principal
' music centers; tenor Joseph
Sopher, warmly received in
Town Hall and Carnegie Hall
appearances, performer with
major opera companies; mezzo
soprano Betty Allen, a· great
Buffalo favorite over many
seasons and one of the most
esteemed singers in concert
billing, and bass baritone Raymond Michalski, an established
artist in concerts, opera and
recordings.
The choruses are prepared
by their director, Peter Van
Dyck. Tickets are available in
the Philharmonic box office,
music hall, and Denton, Cottier
& Daniels, except Wednesday.
* * *
UB BANDS under Michael
Sandgarten, W. Larry Brentzel
and Milton Shetler will present
a concert tomorrow •at 8:30 PM
in Goodyear Hall on the campus, admission free. Concert
Band, Marching Band an·d
Symphony
Band
will
be
featured in classic and romantic works
and Broadway
~usical settings.
* * •
ROSARY HILL a n n u a I
Christmas Concert by the College Glee Ch.llb dire cted by the
Rev. Michael Palotai, SP, will
be given tomorrow at 8:30 PM
in Wick
Campus
Center.
Philharmonic harpist Suzanne
Thomas will be guest artist in
the Britten "Ceremony of
Carols." Nancy Townsend is
accompan:cst. Tthe concert is
open to the publ.ic.
• * •
~--.__-~-~---- -cANISIUS
College Glee Club
directed by Robert F. Schulz
will
present
the
annual
Christmas Concert tomorrow
at 8 PM in the Student Center,
with the ROTC Band cofeatured.
The
public
is
welcomed.
* • *
CHEEKTOWAGA
Community Symphony Orchestra
under Robert W. Mols and the
Maryvale High School Chorale
directed by Joseph Stuart will
present
a
series
concert
tomorrow at 3 PM in J, F.
Kennedy High School, admission free. Works of RimskyKorsakov, Weber, Handel,, Fine
and Stewart will be performed.
• • •
CHRISTMAS
concert
by
Buffalo State College groups
will be given tomorrow at 8: 15
in Rockwell Hall, open to the
public. The Meh's Glee Club
and A Cappella Choir under
Dr. SJas L. Boyd, Women's
Glee Club directed by Prof.
Olaf G. Malmin, the Male
Quartet and Women's Quartet
with Prof. Paul R. Homer as
accompanist will perform.
* * *
ANNE ELGAR
'~Messiah" Soprano Ne x t Week
BAIRD Chamber Players,
enterprising group of advanced
students entering the chambermusic lists, will present a
recital Monday evening at 8:30
in Baird Hall, admission free .
The works:
"Tranquil!e" b y Mi lhaud,
woodwinds and piano; "The
Ragwort" · and "The Dandelion" by Bliss, soprano
Susan Jaeger,. clarinet and
piano; Bach Flute Sonata in E
Flat by Nora Nausbaum and
harpsichordist Joseph Kubera;
Mendelssohn String Quartet in
E Flat, first movement, and
woodwind quintet works of
Schuller and Persichetti.
• • •
YOUNG DANCERS of the_
Community
Ballet
School,
Sonia Tuttle director, will
present the "Mother Goose
Suite" Tuesday at 2:30 PM in
School 44 auditorium, auspices
of the PTA.
* * *
EAST HIGH CHORUS and
the B u f f a l o Philharm(Jnic
Orchestra will be conducted by
Donald L. Hilliard, the school
music directqr, in the Handel
"Messiah" on Wednesday at 9
AM in the
h igh school
auditorium.
* * *
UB
ORCHESTRA
under
Pamela Gearhart will present
"Christmas
Greetings,"
a
variety of works including the
favorite Prokofiev "Peter in
the
Wolf"
with
narrator
Laurence Bogue, Thursday at
8:30 PM in Baird Hall, admission free. Works of Hand~,
Ravel, Borodin and Chabrier
will be included.
• • •
SENIOR RECITAL will be
given by pianist Joyce Gianni,
Friday at 8:30 PM in Baird
Hall, open · to the public,
sonatas of Scarlatti, Mozart,
works of Chopin, Debussy,
Mendelssohn.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Musical fantasies in gallery tomorrow
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano piece
With references to the following additional composers: Jon Hassell, Stanley Lunetta, Bartolozzi, Roger Reynolds, Morton Subotnick
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-14
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_001
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). <a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Julius Eastman Clippings Database, 1968-1979
Identifier
An unambiguous reference to the resource within a given context
LIB-MUS024
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Musical fantasies in gallery tomorrow
Subject
The topic of the resource
Eastman, Julius
Music--New York (State)--Buffalo
Description
An account of the resource
Type of clipping: Announcement
Date of event: 1968-12-15
With references to the following works by Julius Eastman: Piano piece
With references to the following additional composers: Jon Hassell, Stanley Lunetta, Bartolozzi, Roger Reynolds, Morton Subotnick
Source
A related resource from which the described resource is derived
Evening News (Buffalo, N. Y.)
Publisher
An entity responsible for making the resource available
State University of New York at Buffalo. Music Library
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-12-14
Contributor
An entity responsible for making contributions to the resource
Music Library
Format
The file format, physical medium, or dimensions of the resource
clippings (information artifacts)
Type
The nature or genre of the resource
Image
Still image
Identifier
An unambiguous reference to the resource within a given context
eastman_001
Is Part Of
A related resource in which the described resource is physically or logically included.
Julius Eastman Clippings Database, 1968-1979
LIB-MUS024
Rights
Information about rights held in and over the resource
<a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).<a href="https://library.buffalo.edu/music/about/copyright.html">Copyright Statement for Digitized Materials from the Music Library</a>
Audience
A class of entity for whom the resource is intended or useful.
UB Only