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                    <text>Black-and-white front page of a college newspaper titled The Spectrum, labeled “The 1990 Computer Issue.” The issue is dated Wednesday, April 18, 1990, from the State University of New York at Buffalo. Prominent headlines include “SA Senate begins budget discussion,” “Toles wins Pulitzer Prize,” “Kirkpatrick to give UB speech,” and “Los Lobos, the Wailers highlight Springfest ’90.” The page features two black-and-white photos: one of Tom Toles with a mustache and beard, and another of Jeanne Kirkpatrick. The layout is dense with columns of text and a boxed Springfest schedule.</text>
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                  <text>Tom Toles Cartoons, 1969-1973.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                <text>Toles, Tom </text>
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                    <text>Black-and-white interior newspaper page from The Spectrum. The page includes a continuation article about Tom Toles, a feature titled “Jewish Fair Meets Goals,” a large advertisement for a Random House dictionary, and a “SA Bulletin Board” section filled with pinned notices about campus meetings, events, and announcements. The layout is columned with dense text and small decorative graphics resembling push-pinned notes.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                    <text>A scanned newspaper page from April 30, 1973, titled “The pervasive stench of Watergate.” The layout features multiple columns of text discussing developments in the Watergate scandal, including the resignation of L. Patrick Gray and ongoing investigations. At the center is a large illustration of a metal trash can with its lid open and smoke rising, suggesting something foul or discarded. Smaller subheadings and articles appear on the right, along with advertisements at the bottom for clothing, books, and records. The page footer identifies the publication as The Spectrum.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A front page of The Spectrum dated Wednesday, April 11, 1973 (Vol. 23, No. 71), from the State University of New York at Buffalo. The page is dominated by a large, detailed black-and-white illustration. The artwork depicts multiple human figures with smooth, simplified features intertwined and floating in a dynamic composition. A central figure looks upward while other figures appear to climb, support, or drift around them. Architectural elements resembling arches or a bridge appear in the lower right, adding depth to the scene. No article text appears on this page aside from the masthead.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A newspaper page from April 4, 1973, from The Spectrum featuring an article titled “Legal aid available to prisoners.” The page includes multiple columns of text, a comic strip at the top labeled “gort,” and a detailed illustration on the right showing two human figures, one crouched atop a structure and another seated inside it. The bottom section contains advertisements and notices, including a jewelry ad, a religious notice, and a band performance announcement.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A newspaper page from April 2, 1973, from The Spectrum featuring two main articles: “Supermarkets hurt by change in eating habits” and “Meat boycott rocks system.” The page is arranged in multiple columns with dense text. On the right is an illustration of a man biting into a large piece of meat. The lower section includes a “Recipes of the day” column with several recipes and multiple advertisements, including a bookstore ad and a classified-style ad.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                    <text>A vintage newspaper page featuring a film review titled “Save the viewer, not ‘Tiger’” by Jay Boyar. The layout includes columns of text, a small illustration by Tom Toles of a tiger-headed man in a suit, and a black-and-white photo of a dramatic theater scene with a man leaning back and a person behind him. Additional sections include a theater department announcement, a trip advertisement, and a boxed notice for a University-Wide Assembly.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A two-page vintage newspaper spread from The Spectrum featuring a long investigative article titled “Journalists fear erosion of press freedoms” by Howie Kurtz. The pages contain dense multi-column text, several pull quotes in bordered boxes, and a large black-and-white illustration of a skeletal figure slumped over a desk beneath a hanging lightbulb. The layout includes quotations from journalists and legal experts discussing government secrecy, press rights, and the First Amendment.</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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                    <text>The front page of The Spectrum, dated Monday, 5 February 1973, from the State University of New York at Buffalo. The main headline reads “Training grants and fellowships imperiled by NIH funding cuts,” accompanied by a large black-and-white illustration of a bald man’s head with dollar-sign symbols embedded in the top of his skull. A second article below discusses minority hiring goals passed by the Faculty-Senate, alongside a portrait photograph of Will Brown in a suit and tie.</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                    <text>A vintage Prodigal Sun arts page featuring a long concert review of the Mahavishnu Orchestra by Norman Salant. The page is dominated by a large pen-and-ink caricature of guitarist John McLaughlin seated cross-legged on a cloud while playing an electric guitar. The article describes a live performance in highly enthusiastic, spiritual language, and a large pull-quote-style headline at lower right reads: “Mahavishnu Orchestra: you just had to be there.”</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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                    <text>The front page of The Spectrum, dated Friday, 2 February 1973, from the State University of New York at Buffalo. The page features two major news stories. On the left is “Reappointment case victim of poor timing,” about a faculty reappointment dispute involving Dr. Franklin. On the right is “Opening of new dorms in peril,” concerning sewage-treatment capacity and delays affecting new Amherst campus dormitories. A large editorial cartoon shows a toilet connected by pipes to a disembodied human head emerging from plumbing.</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
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&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
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                  <text>The cartoon is mightier than the riot
&lt;p&gt;Throughout the 1970s, college campuses were torn apart by protests. Students sought a voice and demanded to be heard on matters ranging from actions of the university administration, to the Vietnam War. The State University of New York at Buffalo was no different. Student movements were constantly pulsing through college campuses, but UB differed from others, in that students had a very influential ally behind the scenes. Tom Toles emerged as an inspiring, progressive political cartoonist during his years at UB. His cartoons could be seen in almost every issue of the university student-run newspaper, &lt;em&gt;The Spectrum&lt;/em&gt;, from 1969 to 1973.&lt;/p&gt;
&lt;p&gt;Toles' cartoons acted as a voice for students when their voices were hoarse from protest, with often dark depictions of what youth saw society doing wrong. Cartoons of the university president were intermingled with cartoons of U.S. President Richard Nixon, at whom the students were often angry due to infractions on the Vietnam warfront. Toles' cartoons often accompanied articles written by student journalists, and in his later years focused less on inequality, the war, and protest, and more on environmental issues, nutrition, drug epidemics, and mental health. His cartoons retained his distinct point of view, regardless of the topic. Not all of his work was dark, however. Toles drew a number of cartoons to accompany movie reviews, television show critiques, theater and play reviews, and announcements of local rock concerts.&lt;/p&gt;
&lt;p&gt;The political cartoons as drawn by Tom Toles and depicted in this collection show the student body's view of the world in the 1970s and are a great resource for those interested in student life during this time. After graduating from UB, Toles illustrated cartoons for the &lt;em&gt;Buffalo Courier Express&lt;/em&gt;, and later for the &lt;em&gt;Buffalo News&lt;/em&gt; newspapers. In 1990, Tom Toles won a Pulitzer Prize for his work and today is a cartoonist for &lt;em&gt;The Washington Post&lt;/em&gt;.&lt;/p&gt;</text>
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                <text>Tom Toles Cartoon Appearing in the Spectrum Newspaper, Volume 22, Number 60, Page 1, March 1, 1972</text>
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                <text>This is page one of The Spectrum Newspaper, Volume 22, Number 60 from March 1, 1972. One of Tom Toles' political cartoons is featured on the page. </text>
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                <text>Toles, Tom </text>
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                <text> State University of New York at Buffalo.</text>
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                <text>&lt;a href="https://rightsstatements.org/page/CNE/1.0/"&gt;COPYRIGHT NOT EVALUATED&lt;/a&gt;. The copyright and related rights status of this Item has not been evaluated. Please refer to the organization that has made the Item available for more information. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.  This digital collection is made available for research and educational purposes. Researchers are responsible for determining copyright status, and securing permissions for use and publication of any material. Copyright for items in this collection may be held by the creators, their heirs, or assigns. Researchers are required to obtain written permission from copyright holders and the University Archives prior to reproducing or publishing materials, including images and quotations. For inquiries about reproduction requests and permissions, please contact the &lt;a href="http://library.buffalo.edu/archives/"&gt;University Archives&lt;/a&gt;.  If you believe material in our digital collections infringes copyright or other rights, please review our &lt;a href="https://library.buffalo.edu/about/policies/information-use/notice-and-takedown-policy.html"&gt;Notice and Takedown Policy&lt;/a&gt; for information on how to report your concern.</text>
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