Eleanor Steber performing on stage with piano at Easter
A performer stands on a stage wearing a long yellow gown trimmed with feathers and holding a bouquet and a red ribbon. A pianist sits at a black grand piano behind the performer. The stage has a closed curtain backdrop and potted plants near the front edge.
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State University of New York at Buffalo. Music Library
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A seated person wearing a yellow top holds a bouquet of mixed flowers and a decorative headband with white bunny ears. Several other people stand nearby, one holding a folded paper. The room contains chairs and framed artwork on the walls.
A person wearing a yellow dress holds a mixed floral bouquet tied with pink ribbons and a bunny-shaped decoration. The person has short light-colored hair and is wearing earrings. The setting is a dimly lit indoor room with several people in the background.
Several people stand around a seated person at a decorated table; the seated person is surrounded by bouquets and a ribboned floral headpiece. The seated person wears a yellow top and holds multiple floral arrangements and a pink ribbon. Others hold folded papers or programs and there are wrapped gifts and a floral centerpiece on the table. The setting is a dining area with chairs and table linens.
A person is seated at a table holding multiple bouquets wrapped in pink and red paper. Several other people stand nearby and one person holds a piece of paper. A floral arrangement, plates, and chairs are visible on the yellow-covered table in an indoor room.
A person with light-colored hair sits in an upholstered chair against a plain wall. They wear a dark dress with sheer upper sleeves and a decorative brooch on the left side. The person holds papers or a booklet on their lap and a framed picture is partially visible on the wall to the left.
A person wearing a white floor-length gown with feathered sleeves and a gold necklace sits on a bench with one hand on a grand piano. Hair is styled in an updo. The stage and background are dark, with the piano visible to the right.
Older adult seated indoors wearing a white sheer formal dress with feather trim and a gold beaded necklace and matching earrings. The subject holds a small booklet or program and sits against a pale green wall with a lamp visible behind. A partial figure appears at the right edge of the frame.
Eleanor Steber singing with piano accompaniment
A singer stands beside a grand piano with one arm extended and mouth open while a pianist sits at the instrument. The room contains a framed portrait on the wall, a tall potted plant, a table lamp, heavy curtains, and a patterned rug. The scene shows a domestic setting with visible musical activity.
A person seated on a chair outdoors wearing a short-sleeved, full-skirted dress feeds two small dogs that are sitting on their hind legs. One dog has a long, wavy coat while the other has a lighter, shorter coat. Another person stands in the background holding a camera near trees and patio furniture.
Two people stand side by side in a living room. One person wears a light-colored dress with decorative trim and a necklace, and the other person wears a dark outfit with a white collar. A table lamp and framed artwork are visible behind them.
Eleanor Steber in unidentified costume with man on stage
Black-and-white scene shows two people wearing 18th-century style attire. One person wears an off-the-shoulder embroidered ball gown with a large hoop skirt and a feathered headpiece. The other person wears an embroidered frock coat, knee breeches, and stockings. The background is dark with high-contrast lighting that highlights the costumes.
Eleanor Steber sitting on a brick wall at an outdoor party
The person wears a floor-length blue patterned gown and multiple layered beaded necklaces. They sit on a brick patio ledge surrounded by potted plants and trimmed shrubs. The background shows tiled flooring and dense trees beyond the garden area.
Eleanor Steber, dog and Barbara Ann Conlogue at an outdoor party
Two adults sit on a low brick wall while a small dog is held between them. A child with curly hair stands in the foreground facing them. Flowering plants and shrubs are visible behind the wall.
Eleanor Steber (center) with Margaret Ulmer (left) and Ellen Martin at an outdoor party
Three adults stand on a tiled patio in front of a low brick wall and dense trees. One person wears a blue floral floor-length dress with layered necklaces, another wears a yellow sleeveless dress, and the third wears a polka-dot knee-length dress with eyeglasses and holds a small basket of flowers. Potted plants and shrubbery are visible behind them.
Eleanor Steber and unidentified male at an outdoor party
Several people stand on a tiled patio in front of a stucco house with a shingled roof. Two central people wear a blue patterned shirt with white pants and a blue floral gown, both holding drinks. Other guests wear patterned dresses and a light-colored suit, and patio chairs are visible.
Eleanor Steber, husband Gordon Andrews, and friends at an outdoor party
Seven people, six adults and one child, stand together on a wooden terrace with a metal railing and trees behind them. Clothing includes a long floral gown, a patterned short-sleeve shirt, a beige jacket, and several dresses; one adult wears a long beaded necklace. Two adults have rectangular name badges pinned to their clothing and the child wears a white dress.
Person crouches on a small stool tending rose bushes with pruning shears. The subject wears light-colored long-sleeve clothing and trousers while holding a rose stem near the shears. Several rose plants and a wire support are visible in the foreground and trees form a blurred background.
Eleanor Steber with husband Gordon Andrews at their wedding
Two people stand close together behind a large decorated cake. One person wears a military uniform and the other wears a floral-patterned dress and holds the cake knife. Festive decorations including foliage and a circular patterned wall hanging are visible in the background.
An individual is wearing a floor-length satin ball gown with a fitted bodice, long sleeves, and a full hoop skirt featuring crisscross trim near the hem. The person is adjusting an earring in a room with hanging garments, a radiator, and a curtained window. The gown has a cinched waist and a sash tied at the back.
A person stands in a dressing room wearing a floor-length gown with a wide structured skirt, a fur-trimmed cape, and a matching hand muff. The gown features a lattice trim along the hem and decorative detailing on the bodice. Wardrobe items and a chair are visible in the background.
Eleanor Steber in costume as Tosca in Puccini's Tosca
A person wearing a floor-length patterned gown and a matching small hat is seated in a dressing room. The outfit includes a pearl necklace and gloves. A table with a cup and a small appliance is next to the seat, and clothing and accessories are visible on shelves and hangers in the background.
Eleanor Steber in costume as Arabella in Richard Strauss's Arabella
Person wearing a full-skirted purple dress with black trim and a small matching hat. The fitted bodice and voluminous skirt suggest mid-19th-century styling. The interior contains a piano with sheet music, a white bentwood chair, and coats hanging on a rack by a door. A radiator and light-colored walls are visible in the background.
Eleanor Steber in costume as Arabella in Richard Strauss's Arabella with dog
A person wearing a floor-length white ball gown with fur trim and pom-pom accents is bending toward a spotted Dalmatian at their feet. The person has braided hair with a floral accessory and the gown has off-the-shoulder sleeves. The small dog walks near the hem on a carpeted floor in an indoor room with a radiator and doorway visible.
The subject wears a light-colored satin ball gown with a corseted bodice, fur-trimmed off-the-shoulder sleeves, and large pom-pom floral decorations along the skirt. Hands are clasped at the waist and hair is styled with a floral accessory. The setting appears to be an indoor room with a radiator and piano visible in the background.
Eleanor Steber shaking hands with Barbara Ann Conlogue
Two people stand facing each other and shake hands in front of a plain wall. One person wears a sequined long dress and a necklace with hair styled up. The other person wears a dark velvet dress, glasses, and earrings. The photograph is black and white and appears to be taken indoors.
A performer in a long sequined gown stands beside a grand piano while another person plays the piano on a wooden stage with a heavy curtain backdrop. Sheet music is visible on the piano. The photograph appears to date from the mid-20th century based on clothing and photographic style.
Christmas card featuring Eleanor Steber in costume as Countess Almaviva in Mozart's Nozze de Figaro
Black-and-white portrait showing a person wearing an ornate 18th-century style gown with embroidered decorations and voluminous sleeves. The subject has a high powdered hairstyle, drop earrings, and a pendant necklace, with hands resting at the waist holding fabric. The lower edge includes the printed text "Season's Greetings". The photograph has a vintage, theatrical studio quality.
A person wearing a floor-length velvet ball gown with puffed sleeves and a full skirt stands indoors holding a small bouquet and a feathered reticule. The individual wears a tiara-style headpiece and a statement necklace, with a chair and small table visible in the background.
Christmas card featuring Eleanor Steber in costume as Arabella in Richard Strauss's Arabella
The card shows a portrait of a person seated in a formal gown with fur-trimmed neckline, long gloves, and braided hair. To the right is bold script reading "Christmas Greetings" with a small holly illustration and a handwritten signature dated 1955 with the notation "As 'Arabella'." The card has a scalloped border and a black-and-white, slightly aged appearance.
Christmas card featuring Eleanor Steber as Fiordiligi in Mozart's Cosi Fan tutte
Seated figure in an 18th-century style gown and powdered hairstyle posed with a dog resting a paw on the lap. The composition includes drapery and distant architectural elements suggesting a stage or formal interior. Text beneath the print identifies the depicted role, the Metropolitan Opera Founder's Hall, and the date January 17, 1991.
Christmas card featuring Eleanor Steber as Sophie in Der Rosenkavalier
Portrait of a costumed opera performer leaning against a pillar and wearing a long period dress with lace sleeves and decorative trim. A dark band at the bottom bears the printed greeting 'Season's Greetings' and smaller text noting a role in 'Der Rosenkavalier' and a Metropolitan Opera debut dated December 7, 1940. The card has a cream border and a monochrome, slightly sepia-toned appearance.
Two individuals stand side by side in an indoor setting with curtains and blinds behind them. One person wears a satin evening gown with an off-the-shoulder sash, elbow-length gloves, and a necklace, while the other wears a knee-length collared dress and glasses. A handwritten inscription or autograph is visible in the lower right corner of the photograph.
Two people sit closely on an upholstered sofa in a room with a curtained window. One person is dressed in a dark suit and white shirt, and the other wears a satin gown and high-heeled shoes. The photograph has a mid-20th-century appearance and a plain wall in the background.
Black-and-white studio portrait headshot signed and dated 1968 in ink on the lower left. The subject wears earrings and a bow-pendant necklace and a fur-trimmed garment, with styled hair and winged eyeliner. A printed caption along the bottom displays a name but the item provides no further identifying information.
The subject is posed in a formal off-the-shoulder satin gown with a heart-shaped pendant necklace. Studio lighting creates high-contrast highlights and soft shadows across the face and dress. Hair is styled in sculpted waves and the subject looks slightly upward.
Eleanor Steber in costume as the Marschallin in Richard Strauss's Der Rosenkavalier
The subject wears a velvet coat over a decorative bodice and an ornate necklace with dangling pendants. Hair is styled in tight curls topped with a small feathered hat, and a distinct beauty mark is visible near the cheek. Studio lighting casts a shadow on a plain background, suggesting theatrical or historical costume styling.
Eleanor Steber in costume as Vanessa in Samuel Barber's Vanessa
Black-and-white studio portrait showing a person wearing a formal gown with layered tulle and a sheer veil. The subject wears earrings, a necklace and rings, and holds a folded section of fabric near the chest. A prominent handwritten autograph and inscription appear across the upper left corner. The lighting and styling are consistent with mid-20th century publicity portraits.
A person stands on a covered porch wearing a strapless dress and holding a cloth in one hand and a cup in the other. Several people sit along the veranda near an open doorway and a window. Electrical wires and a hanging light bulb run along the ceiling above them.
A person in a strapless dress and a large beaded necklace sits on a bench holding a sheet of paper. The person wears bracelets and a ring. Another person is partially visible in a doorway holding a long object, and the background shows vertical wooden paneling and a hanging light bulb. A disposable cup sits near the bench.
Black-and-white scene of a covered porch with a striped awning and a row of doors. A person wearing a strapless dress and a necklace stands holding a can, while two people sit on a bench further down the porch wearing casual shirts. Visible wiring, light fixtures, and a bench line the building, giving the scene a vintage candid look.
A person in a one-piece swimsuit stands next to an easel holding several works placed vertically. The easel holds a small landscape at the top, a mid-sized color scene, a drawn portrait on the central shelf, and a sketch of a dog propped at the base. The arrangement is outdoors against a textured wall with strong sunlight casting shadows.
Eleanor Steber, Gordon Eby, Neville Long, and Jack Lewis in front of poster for Tosca, used as a Christmas card
Printed holiday card with four people standing outside a theater beneath a marquee advertising Puccini's Tosca dated "Fri. Nov. 30". A decorative candle illustration and the printed greeting "Wishing you a very Merry Christmas" appear at the lower left. The group wear mid-20th century overcoats and hats and one person holds a hat while another holds gloves. The card has a scalloped white border and a black-and-white photographic panel.
Eleanor Steber, Gordon Eby, Neville Long, and Jack Lewis in front of poster for Tosca
Four adults stand in front of a large poster advertising Puccini's Tosca at the Academy of Music in Philadelphia. The poster shows the date 'Fri., Nov. 30' and production credits. The group wear long coats; one person holds a hat and another wears a fur coat while they stand on a sidewalk against a brick wall.
Black and white street scene with a person leaning against a low stone plinth in front of a multi-story classical building with rows of arches and columns. A second person walks across the paved square in the background. The photograph shows wear and tear with torn edges and surface scratches.
Eleanor Steber outside a hospital in New York after an appendectomy, reading a get well card from the Steber Music Club
Person stands on a sidewalk in front of a brick building and steps wearing a long dark coat and a small hat. The person holds folded papers and carries a handbag, with a small floral corsage pinned to the coat. Metal handrails curve along the steps in the background.
A person crouches on a sunlit patio wearing rolled pants, a plaid shirt, and a cap. The person reaches toward a small long-haired dog that appears blurred from motion as it walks forward. A folding lounge chair and a low patio wall are visible in the background.
Eleanor Steber sitting on railing and pointing
Person sits on a ship railing wearing a three-piece tailored suit and a fur coat, with one arm extended and pointing. Clothing includes a vest, skirt, brooch, and heeled shoes, and the scene shows ship railings and open water in the background. The photograph is black and white and has a mid-20th century appearance.
A person wearing a two-piece swimsuit and flat shoes stands on a rocky shoreline with trees and mountains in the background. The person holds a large section of wood across the torso. The setting is outdoors near a forested lake or mountain area.
A person wearing rolled-cuff jeans and a short-sleeve plaid shirt leans forward while a small dog stands on its hind legs with its forepaws on the person's torso. The person wears a small brimmed hat and is barefoot on a paved surface. A folding chair and a low concrete wall are visible in the background.
A person stands barefoot on a sunlit patio holding a small dog against the chest. They wear rolled-up trousers and a short-sleeve shirt and stand near a lounge chair and a low wooden gate. The background includes trees and shrubs and the scene is rendered in black-and-white with a vintage appearance.
A person sits on a stool wearing a one-shoulder swimsuit with legs crossed and facing the camera. The scene is an outdoor patio with a low stone wall, a bench, and trees in the background. An easel with a drawing stands to the right and sunlight casts shadows on the floor.
Eleanor Steber and her personal representative, Martha Moore Smith, in bathing suits
Two people stand side by side on a rocky trail wearing high-waisted, mid-20th-century swimwear. The setting is a sunlit forested area with tall conifer trees and scattered rocks. One person holds a small handheld object in the right hand. The photograph is black-and-white.
Person standing beside a grand piano wearing a mid-length dress and high-heeled shoes, holding a light-colored embroidered shawl with floral motifs. The interior setting shows a carpeted floor, wood-paneled wall, a potted plant on the piano, and a small wrapped box nearby. The person is facing and looking toward the camera.
Eleanor Steber's home in Port Jefferson, New York
Port Jefferson (N.Y.)--Buildings, structures, etc.
The two-story stucco house features steep gabled roofs, a small balconette over a window, and a large multi-pane window on one side. A garage door is visible at ground level and a short retaining wall leads to a driveway. Bare deciduous trees surround the property and the trees are without leaves, suggesting late fall or winter.
A person with short curled hair sits on the floor beside a sofa and holds a small plush panda toy. The person wears a collared dress and a pendant necklace. The setting includes an upholstered couch, potted plants, and a fireplace in the background.
A seated person pours tea from a kettle into a cup while holding a saucer, with an ornate silver tea set arranged on a low table in the foreground. The person wears a dark dress with a light shawl and a brooch and sits in an upholstered chair. The setting is indoors in front of a brick fireplace and the composition emphasizes the tea service and seating area.
Eleanor Steber with her mother, Ida Nolte Steber, in the home of Margaret Ulmer in Greenville, South Carolina
Two people stand side by side at a piano or sideboard with closed horizontal blinds behind them. Both wear decorative headpieces; one wears a light sleeveless blouse and holds papers while the other wears a dark dress or suit with a brooch and glasses. Framed photographs, a small vase, and other tabletop objects are visible on the furniture nearby. The scene is presented in black-and-white and appears dated to the mid-20th century.
A person in a light sleeveless dress stands beside a small long-eared dog sitting on a round table. The black-and-white photograph shows foliage in the background and moderate contrast. The scene appears to be an informal outdoor portrait from the mid-20th century.
Two people sit on a sofa at a low table; one holds a decorative plate showing two dancing figures while reaching toward another plate on the table. A small bottle and several plates are arranged on the table in front of them. Clothing and photographic style suggest a mid-20th century setting.
Eleanor Steber in hat with Ann (Penny) McInnis (left) and Margaret Ulmer at the Caribe Hilton Hotel, San Juan, Puerto Rico
Black-and-white scene showing three people wearing mid-20th century one-piece swimsuits standing on a grassy area near palm trees. The central person wears a large wide-brimmed hat and has a striped towel draped over a shoulder. Lounge chairs and a low bungalow-style building are visible in the background.
A person wearing a long dress kneels and holds two young light-colored puppies on leashes near a closed door. Both puppies are standing on the floor close to the person's hands. The setting includes paneled walls and a visible doorknob, suggesting an indoor location.
Two people stand beside a white wooden fence in an outdoor setting. One person holds a hat while the other has both hands in a muff and leans on the fence. A large red handwritten signature overlays the lower half of the scene and foliage plus part of a building are visible in the background.
A person sits astride a dark horse equipped with a bridle and saddle. A wooden fence and trees form a rural background, and the ground appears unpaved. The photograph is black-and-white and has a vintage appearance.
The person wears a floor-length gown with embroidered panels and a fitted bodice. They stand centered in front of a radiator and closed blinds, with metal lockers to the left and a sink and shelves to the right. Hair is styled in short curls and a bracelet is visible on one wrist.
Eleanor Steber and choir on Holiday Program television broadcast
Nine individuals stand in a semicircle on a stage wearing choir-style robes; a central person wears a darker, floor-length robe and stands with hands clasped. Curtains and a circular window are visible behind them. The photograph shows a circular vignette and horizontal scan lines.
A choral ensemble stands in a semicircle on a stage wearing light-colored robes with dark collars. A central figure wears a darker ceremonial robe and stands slightly forward. Candlesticks and a wood-paneled backdrop are visible behind the group, and the floor shows circular stage markings.
A group of choristers in matching robes stand on risers behind a soloist wearing a contrasting robe at the front of a church sanctuary. Two candelabra flank the wooden altar rail and a Gothic-style arch is visible in the background. The scene is rendered in black-and-white with vignette edges and noticeable film grain, suggesting an older recording or print.
Black-and-white broadcast still with a choir in matching robes arranged in a semicircle behind a solo performer wearing a long robe. The stage includes candelabra and a circular vignette suggesting an early television frame, and floor markings are visible at the performers' feet. This frame displays film grain and slight vignetting consistent with mid-20th century television recordings.
A group of choir members stand in liturgical robes arranged in a semicircle with a soloist positioned at the center front. The stage shows floor markings and a dark curtain backdrop. The scene has noticeable grain and a circular vignette at the edges.
A soloist in a long ceremonial robe stands at the center front on steps in front of a choir wearing matching robes with bow ties. The choir is arranged on risers behind a decorative altar or railing, with a candelabrum visible to one side. The scene appears in a circular frame and is presented in black-and-white, suggesting an archival television still.
Rows of robed singers stand in two parallel lines along the nave with a robed figure centered on the aisle near steps leading to an ornate altar. The setting includes carved stonework, an altar rail, and a raised platform with steps. The frame has a circular vignette and visible film grain suggesting an early broadcast or archival recording.
A soloist stands at the front of a church nave wearing a long liturgical robe, with several choir members arranged on raised steps behind. The choir members wear matching white robes with dark collars and stand behind wooden choir stalls and music stands with candelabra. The photograph has a grainy, circular-vignette black-and-white appearance suggestive of historical film or early television stills.
Eleanor Steber on Holiday Program television broadcast
A performer in a flowing robe stands on stage beside stone steps and an ornate altar. A multi-branched candelabrum with several lit candles is positioned on the right. The scene is presented in a circular vignette and includes set details consistent with a staged production.
Black-and-white circular television broadcast still showing a choir on a stage. Several performers wear matching robes with dark collars and stand in a semicircular formation around a central robed figure. The circular masking and visible edges indicate the scene was filmed through a round aperture.
A person wearing a light robe with dark panels is shown within a circular vignette, hands clasped in front. A patterned textile hangs behind the person and the frame shows film grain and surface scratches. The scene is presented in high-contrast black-and-white typical of early television broadcasts.
A person in a choir robe stands at the front of a group wearing matching robes with dark neck accents. The choir members are arranged in rows behind a low railing. The photograph is grainy and shows scratches and film artifacts consistent with archival television or film stills.
A person sits centered within a circular television frame with hands clasped in their lap. They wear a light-colored robe with dark trim and are positioned in front of a patterned upholstered back or cushion. The scene is black-and-white and shows vignette edges characteristic of an early broadcast.
A performer in a flowing robe stands with hands clasped near an altar and a multi-branch candelabra. The background includes steps and a draped altar cloth. Circular frame and visible scan lines indicate the scene was captured from an older television broadcast.
A performer wearing a liturgical robe stands near an altar draped with a cloth and a set of steps. A large ornate candelabra with several candles is visible on the right side of the frame. The circular vignette and grainy monochrome quality suggest an early television broadcast or a photographed television screen.
Eleanor Steber on television with unidentified male
A rounded-corner television frame shows two people standing before a brick-pattern backdrop. The person on the left wears a suit and a beret-style hat, and the person on the right wears a plaid shawl over a dark dress. The shot is high-contrast and cropped to the TV screen area.
Eleanor Steber on television, singing in chair
A person sits in a high-backed woven wicker peacock chair wearing a dark V-neck dress. The mouth is open and both hands rest on the chair arms and lap. The scene is high-contrast black-and-white with a dark background and foliage visible at the sides.
Eleanor Steber on television with other cast members
Black-and-white still showing a group of performers standing in a line on a stage with a draped backdrop. The individuals wear historical or Renaissance-style gowns, cloaks, and tights, and some link arms. The photo has rounded corners, visible film grain, and scratches, suggesting an older film or television still.
A performer wearing a strapless gown, a fur stole draped over the shoulders, and elbow-length gloves stands framed by two decorative columns. The backdrop is dark with light speckles and the scene has visible film grain and small scratches. The composition and styling suggest a mid-20th century studio or stage production.
Eleanor Steber after Philadelphia Orchestra concert
A person stands in a strapless satin evening gown and a necklace while holding a long bouquet of flowers. The room features paneled walls, an upholstered chair, and a sofa with a book or magazine on it. The photograph is black-and-white and has a vintage appearance.
Eleanor Steber signing papers at Furman University, Greenville, South Carolina
A person is seated at a table wearing a fur stole and a large necklace, holding several sheets of paper and a pencil. Heavy curtains form the backdrop and an ashtray is visible on the table in front. The scene suggests a formal or stage-side setting without indicating any identity.
Subject is a person with short waved hair styled away from the face, wearing small earrings and an off-shoulder dress with a patterned fabric. The face is evenly lit with visible teeth and eyes looking slightly upward. The background is light and out of focus.
A person wearing a floor-length off-shoulder formal gown and a necklace stands in a small room with concrete walls and ceiling. A wooden braced door is behind them and simple wooden chairs are arranged nearby. A bouquet rests on one chair and a small table holds a glass and other items.
Eleanor Steber wearing a crown in front of a landscape painting
Person wearing a light-colored fur wrap and a necklace stands holding a small clutch purse. The background shows a painted landscape backdrop with trees and rolling hills. The photograph is black-and-white with slight grain and surface scratches indicating age.
Studio portrait of an individual with short wavy hair wearing a fur stole and a pendant necklace. High-contrast black-and-white tones with soft studio lighting. The subject's head is turned slightly to one side and teeth are visible.
A person wearing a dark halter dress is positioned in front of a window with visible panes. The person has short styled hair and is shown from mid-thigh up. The background includes a window frame and a light-colored wall.
Eleanor Steber and three unidentified males
Several individuals dressed in formal clothing stand close together in a black and white scene. The central individual wears a dark coat, a pearl necklace, and white gloves. Two other individuals in hats and suits stand behind the central individual. A large light-colored object occupies the left foreground and horizontal streaks or scratches are visible across the frame.
Eleanor Steber, Lorin Maazel and unidentified male
Three people stand close together in a dimly lit interior wearing formal evening clothes. Two wear tuxedos with bow ties and white pocket squares, and one wears a dark evening gown with a statement necklace and drop earrings. The photograph is black and white with visible film grain and light reflections suggesting a mid-20th century print.
Eleanor Steber and accompanist, James Quillian, at a concert at Furman University, Greenville, South Carolina
Two people stand side by side wearing formal evening wear, one in a dark dress with a statement necklace and the other in a dark tuxedo and white shirt. The setting is indoors with a window and a plain wall visible behind them. The photograph shows film grain and small surface marks consistent with an older print.
Full-length studio portrait showing a person standing in a floor-length strapless satin gown with a fitted bodice and full skirt. The subject wears a necklace and bracelet and has styled hair. The photograph is black-and-white with a plain backdrop and a soft shadow behind the subject.
A person stands on aircraft stairs at an airport wearing a fur coat, hat, and carrying a handbag. The person extends one arm while holding an item in the other hand. Luggage and parts of the aircraft are visible on the tarmac in the background. The photograph is black and white and likely dates to the mid-20th century.
The person stands on a studio set with draped curtains and a sofa at left. They wear a strapless satin gown with a wide sash draped over one shoulder and elbow-length gloves. The person holds a long slender accessory and a small bouquet of flowers while standing on a floor-length skirt.
Eleanor Steber at a party in a hotel suite in New York City
A black-and-white vintage photograph showing about a dozen people gathered closely in an indoor room. Several people wear suits, collared shirts, and patterned dresses typical of mid-20th-century fashion. The room contains a framed picture on the wall and patterned curtains visible behind the group.
Eleanor Steber with coat on at a party in a hotel suite in New York City
Several people are gathered in a narrow interior corridor, with one person standing in a long fur coat and white gloves over a patterned dress. Others are seated or standing nearby, facing each other and wearing mid-20th century formal clothing. The setting includes an overhead light and a doorway, indicating a domestic or small event location.
Eleanor Steber with unidentified female at a party in a hotel suite in New York City
Two people stand close together indoors as one pins a corsage to the other's polka dot dress while the other has an open mouth and visible smile. The person fastening the flower wears glasses and a patterned short-sleeve dress, and the recipient wears a pearl necklace and a hair accessory. A framed picture is visible on the wall behind them.