15 100 1488 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture and reading at the University at Buffalo, June 19, 1973] / Ted Enslin. Creator An entity primarily responsible for making the resource Ted Enslin. Table Of Contents A list of subunits of the resource. The function of the long poem --first line of poem:[If it's the way of the world to sell our ideas, we have to accept what we find without necessarily approving the process] --first line of poem:[Wavelength] --first line of poem:[They are known and they are the gift]. Description An account of the resource Recorded at the University at Buffalo on June 19, 1973 on a 90 minute Sony sound cassette. Recorded by Allen De Loach and acquired by the Poetry Collection. Poet Ted Enslin presents a lecture titled: "The function of the long poem" dealing with the creation of poetry. He reads a few of his own poems, but the breaks between the lecture and the poems are sometimes difficult to discern. The lecture ends with a question and answer session. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context INT106 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:34:27 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT106.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 27, 1962] / Peter Redgrove. Creator An entity primarily responsible for making the resource Peter Redgrove. Table Of Contents A list of subunits of the resource. The play --Disguise --A ghost of a mouldy larder is one thing --A leaf from my bestiary --The gamut --Against death --The archaeologist --One-eyed monster --Bedtime story for my son --The host --Mr. Waterman. Description An account of the resource Recorded at the University at Buffalo on April 27, 1962 on a 7 inch reel-to-reel tape. Following an introduction by Oscar A. Silverman, Peter Redgrove performs a spirited poetry reading for the University audience. Date A point or period of time associated with an event in the lifecycle of the resource 1962 Identifier An unambiguous reference to the resource within a given context PCR268 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR268.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 3, 1969] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. San Francisco poems --Three moves --Suzanne --Grandmother dead in the aeroplane --Three poems on Aaron Siskind's photographs --Lines on locks --Letter to a young father in exile. Description An account of the resource Recorded at the Norton Conference Theater at the University at Buffalo on November 3, 1969 at 8 p.m. on a 7 inch Scotch reel-to-reel tape. Max Wickert provides an eight minute introduction to poet and professor, John Logan. Logan reads his books The zigzag walk (1969) and Cycle for Mother Cabrini (1955). Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR196 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR196.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Oscar Silverman Memorial Poetry Reading at the University at Buffalo, November 22, 1982] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. The transformation --The assessment --Happening on the Aegina --Poem for my brother --Elegy for Dylan Thomas --Pagan Saturday --Century piece for poor Heine --Protest after a dream --Lines to his son on reaching adolescence --Song on the dread of a chill spring --On a photograph by Aaron Siskind --Three moves --Lines on lockes --The search --Only the dreamer can change the dream --Poem for my son --Believe it. Description An account of the resource Recorded at the Oscar Silverman Memorial Poetry Reading at the Katherine Cornell Theatre, University at Buffalo on November 22, 1982 on a 7 inch Scotch reel-to-reel tape. Max Wickert provides a fourteen minute introduction to poet and professor, John Logan. Logan reads from the body of his work and provides anecdotes and background information throughout the reading. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Identifier An unambiguous reference to the resource within a given context PCR197 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR197.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Poem for my brother --Gallery walk: fifteen Italian drawings 1780-1980 --February awakening --Avocado --Piano scholar --The transformation --A month of sainte --A visit to Bill Merwin at his Hawaiian home --Poems slow to come on the death of Cummings --Believe it. Description An account of the resource Recorded at the University at Buffalo possibly 1980? on a 60 minute Scotch sound cassette. Poet and professor John Logan reads a variety of material from his body of work, including many poems from Manhattan movements. Poem "The Transformation" is interrupted at line 22. End of reading captures informal conversation between Logan and students and audience members. Date A point or period of time associated with an event in the lifecycle of the resource 1980? Identifier An unambiguous reference to the resource within a given context PCR198 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR198.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. The zoo --Lines for a young man who talked --On reading Camus in early March --Song on the dread of a chill spring --A trip to four of five towns --Poems slow to come on the death of Cummings --Three moves --Two preludes for La Push. Description An account of the resource Recorded at the University at Buffalo on February 22, 1967 on a 7 inch Scotch reel-to-reel tape. Poet and professor John Logan is introduced by an unnamed student for a poetry reading of old and new material. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context PCR195 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR195.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Donald Justice poetry reading] / Table Of Contents A list of subunits of the resource. Lethargy --Bus stop --Last days of Prospero --Sonnetina in yellow --Henry James at the Pacific --Villanelle at sundown --In memory of the unknown poet, Robert Boardman Vaughn --Purgatory --Young girls growing up --Last evening --Nostalgia and complaint of the grandparents --Cinema and ballad of the Great Depression --Psalm and lament --Nostalgia of the lake fronts --The pupil --Mrs. Snow --The piano teachers: a memoir of the thirties --Afterschool practice: an epidose --Little elegy for cello and piano --Sunset maker. Description An account of the resource Recorded at the Oscar Silverman Memorial Reading at the University at Buffalo on November 5, 1986. Paul Hogan donated a copy of the recording made on a 90 minute Certron sound cassette. Irving Feldman introduces poet Donald Justice. Justice reads poems and shares anecdotes about Henry James, Rainer Marie Rilke, loneliness, mothers and piano teachers. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG011 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:58:21 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG011.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Alistair MacLeod reading] / Description An account of the resource Recorded at the Allentown Community Center by Paul Hogan and aired on May 7, 1987 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Canadian fiction writer, Alistair MacLeod reads short story, The boat. Program closes with a short essay read by Ann Haskell. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG063B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:42 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG063B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kurt Vonnegut interview] / Description An account of the resource Recorded by Paul Hogan, who donated a copy of the recording made on a 90 minute TDK sound cassette. Paul Hogan interviews Kurt Vonnegut after a reading. Vonnegut discusses the perception of writing, American novels, Mark Twain and Midwest American sensibilities. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context HOG023 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:34:42 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG023.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Robin Kay Willoughby interview and reading] / Table Of Contents A list of subunits of the resource. The sea elephant /William Carlos Williams read by Willoughby --Darling because /e.e. cummings read by Willoughby --The parson's son /Robert Service read by Willoughby --Lament /Edna St. Vincent Millay read by Willoughby --The emperor of ice cream /Wallace Stevens read by Willoughby. Description An account of the resource Recorded by Paul Hogan and aired on August 10, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 90 minute TDK sound cassette. Robin Kay Willoughby reads and discusses the oral performance of poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG079B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:28:03 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG079B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Joan Murray reading] / Table Of Contents A list of subunits of the resource. Two bracelets --What the son really is --Whose woods. Description An account of the resource Recorded at the Allentown Community Center on October 13, 1986 and aired on January 18, 1987 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Excerpts of a reading by poet and teacher Joan Murray. Murray writes long-form poems and reads about the time she spent in the Allegheny Forest. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG064A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:20 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG064A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Randy Prus interview and reading] / Description An account of the resource Recorded by Paul Hogan and aired on July 27, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Randy Prus is interviewed by Paul Hogan. Prus discusses long-form poetry, the image of water in his poetry, and reads excerpts from his work, At the water's edge. Prus discusses Charles Olson and the use of landscape in literature. Program closes with a short essay read by Ann Haskell. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG058B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:25 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG058B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Alan Bigelow interview and reading] / Description An account of the resource Recorded by Paul Hogan and aired on June 29, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Alan Bigelow is interviewed by Paul Hogan. Bigelow discusses contemporary fiction writing. He reads excerpts from his work The Second Alamo which focuses on the character of Davy Crockett. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG003A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:28:58 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG003A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Melissa Ragona interview and reading] / Table Of Contents A list of subunits of the resource. What girls have on top. Description An account of the resource Recorded by Paul Hogan and aired on September 28, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Melissa Ragona is interviewed by Paul Hogan at her house in Buffalo, N.Y. Ragona discusses feminist poetry. She reads from leading feminist critics, poet Marge Piercy and her own poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG055B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:24 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG055B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Doran Larson interview and reading] / Description An account of the resource Recorded by Paul Hogan and aired on July 20, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Doran Larson is interviewed by Paul Hogan and discusses young adult literature. Larson reads from his book The big deal, which was published under his pseudonym Jack Glasgow. Larson discusses the process of writing and publishing for a young adult audience including how he develops his characters and plot. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG058A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:25 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG058A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Gabrielle Burton interview and reading] / Description An account of the resource Recorded by Paul Hogan and aired on November 16, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Gabrielle Burton is interviewed by Paul Hogan and discusses feminism and sexism in relation to writing. Included in the program are excerpts from her award-winning book, Heartbeat hotel, which were recorded during a reading at the Poetry Collection in October 1986. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG007A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:00 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG007A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Bob Walthall interview and reading] / Table Of Contents A list of subunits of the resource. Aren't they ever going to see --We need wisdom now --Bait. Description An account of the resource Recorded by Paul Hogan at WBFO's station in October 1986. Program aired on December 7, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Buffalo-born poet Bob Walthall returns Buffalo and is interviewed by Paul Hogan. He lives in Boston and hosts a radio program with topics focusing on social problems and unrest. He discussed social and race issues, radio broadcasting, and African American poetry. He reads a selection of poems. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG053A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:05 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG053A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Tama Janowitz reading] / Table Of Contents A list of subunits of the resource. Case history #4, Fred --Lunch involuntary --You and the boss. Description An account of the resource Recorded at Hallwalls in Buffalo, N.Y. on April 11, 1986 and aired on May 18, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Tama Janowitz reads at Hallwalls as part of the organization's Fiction Diction program. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG066B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:20 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG066B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, January 31, 1968] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. Poems from Words. The world --A reason --Words --To Bobbie --Intervals --Water --The eye --Song --A birthday --A tally --Oh my love. --Poems from Pieces.A woman --Small facts of eyes, hair --Flowers --The family --Kate's --A step --The way into the form --The car moving --Gemini --Follow the drinking gourd --Wants --Song --Names --Chicago --The friends --Place --The puritan ethos --Citizen --America --I'll be here --Mr. Warner --The province --Numbers --The fool --The finger. Description An account of the resource Recorded at the University at Buffalo in the Norton Conference Theater on January 31, 1968 at 4 p.m. on a 7 inch Sarkes reel-to-reel tape. Poet and University at Buffalo professor reads poetry from his books, Words (1967) and Pieces (1968). Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR063 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR063.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Buffalo State College, March 23, 1988] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. from Mount Eagle.Pacific legend --Up so Do??n --Springs --Sands --Cassandra's answer --A real Irishman --Semiotics --Respect --Turnhole --Deer Park --Matins --Crossing --Discords --The well-beloved --She cries --Difference --On Phillippe --The black lake --Luggala --The hill of silence. Description An account of the resource Recorded at the Buffalo State College on March 23, 1988 on a 90 minute sound cassette. Irish poet John Montague reads from his book of poem, Mount Eagle. He provides anecdotes on the salmon in Ireland, hunger striker Bobby Sands, his family, and Northern Ireland political life. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context PCR218 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR218.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, March 21, 1988] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. Mount Eagle --The trout --All legendary obstacles --Clear the way --Beyond the liss --James Joyce --She walks alone --Herbert Street revisited --Red branch --The silver flask --She cries. Description An account of the resource Recorded at the Poetry Collection at the University at Buffalo on March 21, 1993 on a 90 minute Maxell sound cassette. Poetry Collection Curator, Robert J. Bertholf, introduces John Montague and lauds the donation of his manuscripts to the University at Buffalo. Montague reads from his poetry and discusses the friendship and/or influence of Robert Duncan, James Joyce, W.B. Yeats, and Morris Graves on his writing. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context PCR219 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR219.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, April 14, 1993] / Carl Dennis. Creator An entity primarily responsible for making the resource Carl Dennis. Table Of Contents A list of subunits of the resource. Bill of rights --Two or three wishes --Starry night --For you --One day --The promised land --Days of heaven --Bivouac near Trenton --Pendulum --Oedipus the king --Delaware Park, 1990 --The great day --Seven days. Description An account of the resource Recorded at the Poetry Collection at the University at Buffalo on April 14, 1993 on a 90 minute Maxell sound cassette. University at Buffalo professor Robert Creeley introduces his colleague Carl Dennis for a "Wednesday at 4 series" poetry reading. Poet reads from his works and touches upon the topics of the self and family in poetry. Dennis also reads his poem "Delaware Park, 1990" which deals with Chinese students in the United States during the Tiananmen Square massacre in China. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Identifier An unambiguous reference to the resource within a given context PCR079 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR079.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, February 10, 1993] / Arkadi? Creator An entity primarily responsible for making the resource Arkadi? Description An account of the resource Recorded at the Poetry Collection at the University at Buffalo on February 2, 1993 on a 90 minute Maxell sound cassette. Professor Charles Bernstein introduces guest Russian poet Arkadi? Date A point or period of time associated with an event in the lifecycle of the resource 1993 Identifier An unambiguous reference to the resource within a given context PCR088 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR088.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading at the Burchfield Art Center, March 6, 1988] / Leslier Fiedler. Creator An entity primarily responsible for making the resource Leslier Fiedler. Table Of Contents A list of subunits of the resource. What used to be called dead --Momotar? Description An account of the resource Recorded by Paul Hogan at the Burchfield Art Center in Buffalo, N.Y. on March 6, 1988. Paul Hogan donated a copy of the recording made on a 90 minute TDK sound cassette. Writer and professor Leslie Fiedler reads a story and poem at the Burchfield Art Center. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context HOG017 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:38:27 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG017.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, July 10, 1979] / Irving Feldman. Creator An entity primarily responsible for making the resource Irving Feldman. Table Of Contents A list of subunits of the resource. Three tales --Family history --Cloud of brightness --Rowing on the Acheron --The human circle --Ever after --The tortoise --The bathers --Ebereim --They. Description An account of the resource Recorded at the Poetry Collection, Buffalo, N.Y. on July 10, 1979 on a 60 minute Maxell sound cassette. Poet and University at Buffalo professor Irving Feldman reads his new and old poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context PCR108 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR108.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, December 5, 1990] / Nick Piombino. Creator An entity primarily responsible for making the resource Nick Piombino. Table Of Contents A list of subunits of the resource. Happenstance --Fantasy --The broken angel --Codex --An odd reprisal --Interior rendition --X --The silence spoke --Frozen witness --Manhattan --Step. Description An account of the resource Recorded at the Poetry/Rare Books Collection, Buffalo, N.Y. on December 5, 1990 on a 90 minute Maxell sound cassette. Poet Nick Piombino performs his recent poetry from Frozen witness. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context PCR259 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR259.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Dennis Maloney interview and reading] / Description An account of the resource Recorded in Buffalo, N.Y. on March 22, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Dennis Maloney, a poet and editor of White Pine Press. Maloney discusses the challenges facing a poetry translator. Maloney reads from his various translations of the works of Pablo Neruda, Antonio Machado, Juan Ram??n Jim??nez, and Yosano Akiko. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG057B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:50 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG057B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [James Seku Harwell reading] / Table Of Contents A list of subunits of the resource. I am the Taj --Refugee refugees --Whether seeking. Description An account of the resource Recorded at Theater Loft in Buffalo, N.Y. on February 16, 1986 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. James Seku Harwell performs his poetry. At times he is accompanied by tribal musical instruments from Africa and Senegal. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG070A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:29:59 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG070A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Zena Collier interview and reading] / Table Of Contents A list of subunits of the resource. The myth --Connections. Description An account of the resource Recorded in Buffalo, N.Y. on March, 1, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Zena Collier about her writing style. She reads excerpts from her writings and discusses writing in Britain and in America. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG054A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:45 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG054A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Donald Justice reading] / Table Of Contents A list of subunits of the resource. Lethargy --Bus stop --Sonnetina in yellow --Henry James at the Pacific --Villanelle at sundown --Young girls growing up --Last evening --Nostalgia and complaint of the grandparents --Cinema and ballad of the Great Depression --Psalm and lament. Description An account of the resource Recorded at the University at Buffalo's Baird Hall for the annual Oscar Silverman Memorial Poetry Reading in November 1986. Reading's excerpts were aired on January 4, 1987 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG075A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:29:34 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG075A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Elizabeth Willis interview and reading] / Table Of Contents A list of subunits of the resource. Poem in three rooms --We have entered the volcano --Gunung Agung poem --At Halley's passing. Description An account of the resource Recorded in Buffalo, N.Y. on November 23, 1986 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews poet and University at Buffalo Ph.D. graduate student in English, Elizabeth Willis. She discusses her travels in Indonesia and its influence upon her poetry. She describes the Indonesian folk art of shadow puppetry. Willis reads her own poetry and discusses her approach to writing poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG007B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:35 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG007B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Robert J. Bertholf interview] / Description An account of the resource Recorded in Buffalo, N.Y. on October 19, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Robert J. Bertholf, curator of the Poetry and Rare Books Collections at the University at Buffalo from 1978 to 2004. Bertholf discusses the history of the Poetry and Rare Books Collections at the University at Buffalo from its inception by professor Charles D. Abbott to collect poetry books and manuscripts, to the large donation of the rare books first edition collection of Thomas B. Lockwood, and ultimately to its current direction under Bertholf's curatorship. He notes how important it is to the literary scholar to have a library which houses vast and inclusive holdings of contemporary poetry first editions, manuscripts and supporting critical works, translations, audio recordings and ephemera. Bertholf plays rare audio recordings from the Poetry Collection featuring Charles Olson (who reads in 1966 from the Maximus poems) and Frank O'Hara (who reads the poem, Mary Desti's ass.) Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG062A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:17 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG062A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Jack Shifflett interview and reading] / Table Of Contents A list of subunits of the resource. The favorite child, 1954 --Silence --Occupational therapy --Killing the ghosts. Description An account of the resource Recorded in Buffalo, N.Y. on September 7, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 90 minute TDK sound cassette. Paul Hogan interviews Jack Shifflett about poetry therapy and the psychological aspects of writing poetry. Shifflett reads from his recent works and discusses confessional poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG081B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:08 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG081B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Edmund Cardoni interview and reading] / Description An account of the resource Recorded in Buffalo, N.Y. on September 21, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Ed Cardoni about trends in translation and in contemporary Latin American and Eastern European fiction. Cardoni reads selections from various translations. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG008A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:15 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG008A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Mary Cappello interview and reading] / Table Of Contents A list of subunits of the resource. Philadelphia, Pennsylvania --The bridge --To Karen --A collection of things to say about Jim --Born in the year of the comet --Talk after death --A letter my father will never read --Father and son --Nothing like the sun. Description An account of the resource Recorded on June 15, 1986 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews poet Mary Cappello about her poetic technique and her use of place in her poetry. Cappello reads her poetry at the beginning and at the end of the program. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG003B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:15 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG003B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Advertisment for the University at Buffalo's summer writing course] / Anthony Burgess. Creator An entity primarily responsible for making the resource Anthony Burgess. Description An account of the resource Recorded at the University at Buffalo on April 1, 1976 on a 7 inch reel-to-reel tape. Novelist Anthony Burgess advertises the summer credit-free writing courses at the University at Buffalo on WEBR radio in Buffalo, N.Y. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context PCR040 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR040.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, October 29, 1981] / Tom Lucas, Joe Coulson. Creator An entity primarily responsible for making the resource Tom Lucas, Joe Coulson. Table Of Contents A list of subunits of the resource. Tom Lucas reading.War dreams --Hooking a sea robin --Hitch-hike --Valentine's Day --Looking for M --In black and white --All aboard --River of salt. --Joe Coulson reading.To Helen --I looked up --Poem for my brother --Bogart and Bob Creeley --Friend (for Chuck) --Loss --Trilogy. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on October 29, 1981 on a 60 minute Scotch sound cassette. University at Buffalo graduate students Tom Lucas and Joe Coulson read. They are introduced by professor Howard Wolf. Reading ends with a performance by John Logan, which is not included on this recording. Date A point or period of time associated with an event in the lifecycle of the resource 1981 Identifier An unambiguous reference to the resource within a given context PCR351 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR351.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Big Orbit Gallery, Buffalo, N.Y., January 31, 1994] / Robert Fitterman, Joan Retallack. Creator An entity primarily responsible for making the resource Robert Fitterman, Joan Retallack. Table Of Contents A list of subunits of the resource. Robert Fitterman reading.In memoriam for Stefan --Selections from Some numbers. --2 --4 --9 --743 --19 --10 --23 --44 --309 --40 --13 --31 --Eleven streets downtown --Crevecoeur --Do you know what the key to telling a good joke is, timing --Ameresque: the Snap Wyatt poems --Mechanical working world --Ossified man --Human pincushion --The Malay prince --Chinese acrobats --monkey speedway --Doublefish --Giza with a half wolf --A trick for the wonder caves of Kentucky --Ulysses on the high seas --Splitting atoms --The invisible man. --Joan Retallack reading.Forty two --Forty three --Fifty --Stanzas in meditation --Chain --The woman in the Chinese room: a perspective. Description An account of the resource Recorded at the Big Orbit Gallery, Buffalo, N.Y. on January 31, 1994 on a 90 minute TDK sound cassette. Poets Robert Fitterman and Joan Retallack read their poetry. Fitterman reads from his Tel-Let published chapbook. Retallack reads pieces created with collaborators in her Chains project. Chains was a project she worked on while she was visiting at the University at Buffalo with graduate students Juliana Spahr and Jena Osman. Date A point or period of time associated with an event in the lifecycle of the resource 1994 Identifier An unambiguous reference to the resource within a given context PCR115 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR115.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, December 9, 1969] / W.S. Merwin. Creator An entity primarily responsible for making the resource W.S. Merwin. Table Of Contents A list of subunits of the resource. A selection of ideograms from Korean and Malaysian proverbs --Make this simple test --The dark sower --My friends --The students of justice --A selection of translated poems from Urdu and Spanish --Stuff from the like --The last one --Dry stone mason --For the anniversary of my death --Avoiding news by the river --The Asian dying --The conqueror --Edouard --The piper --The trail into Kansas --The gardens of Zuni --Homeland --Midnight in early spring --Psalms --September vision --The current --Old flag --Tribesman. Description An account of the resource Recorded at the Norton Conference Theater at the University at Buffalo on December 9, 1969 at 8 p.m. on a 7 inch Scotch reel-to-reel tape. Poet W.S. Merwin reads a selection of his prose poems and poems from The moving target, as well as translations of Asian proverbs. At times, the listener can hear the public announcement speaker in operation, which can interfere with Merwin's reading. The poet tries to speak around the announcements. Merwin dedicated this reading to the Vietnam War draft resistors. The reading was sponsored by the Department of English and the UUAB Literature and Drama Committee. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR214 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR214.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Lockwood Memorial Library, University at Buffalo, November 2, 1962] / Anthony Hecht. Creator An entity primarily responsible for making the resource Anthony Hecht. Table Of Contents A list of subunits of the resource. The end of the weekend --translation of a Charles Baudelaire poem --The seven deadly sins --The origins of centaurs --Lizards and snakes --Tarantula, or, The Dance of death --More light!, More light! --The Dover bitch --Behold the lilies of the field --A hill --The vow --Jason --Third Avenue in sunlight. Description An account of the resource Recorded at the Lockwood Memorial Library Exhibition Room at the University at Buffalo on November 2, 1962 from 4 to 5:30 p.m. on a 7 inch reel-to-reel tape. Oscar Silverman introduces poet Anthony Hecht who reads from old and new poems. Date A point or period of time associated with an event in the lifecycle of the resource 1962 Identifier An unambiguous reference to the resource within a given context PCR143 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR143.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, November 18, 1982] / Jack Gilbert. Creator An entity primarily responsible for making the resource Jack Gilbert. Table Of Contents A list of subunits of the resource. [first line of poem]:[The oxen have voices] --In Perugia --Always have been afraid --All the way from there to here --Remembering my wife --Pewter --Hunger --Games --Who's there --Siege --Translation into the original --On growing old in San Francisco --Elephant hunt in Guadalajara --Pavane --The cucumbers of Praxilla of Sicyon --A description of happiness in K??benhavn --My marriage with Mrs. Johnson --The revolution --Gilbert reads a Linda Gregg poem:Together in Greece --Prospero without his magic. Description An account of the resource Recorded at the Poetry Collection at the University at Buffalo on November 18, 1982 on a 60 minute Scotch sound cassette. Jack Gilbert is introduced by an unnamed person. Gilbert talks in depth about his marriage and divorce from fellow poet Linda Gregg, and reads a poem of hers. He also provides vivid anecdotes about aging, living and traveling in Paris, and his hometown of Pittsburgh, Pennsylvania. Recording ends abruptly during Gilbert's reading of Prospero without his magic. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Identifier An unambiguous reference to the resource within a given context PCR123 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR123.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, September 25, 1964] / Frank O'Hara. Creator An entity primarily responsible for making the resource Frank O'Hara. Table Of Contents A list of subunits of the resource. Ode on lust --Adieu to Norman, bon jour to Joan and Jean-Paul --Poem (Khrushchev is coming on the right day!) --Mary Desti's Ass --Ave Maria --Naptha --Metaphysical poem -- Poem (Lana Turner has collapsed) --Poem en forme de saw --Two tragic poems --Fantasy --Blue territory --Lawrence --Ode to Michael Goldberg --Political poem on a last line of Pasternak's --Poem --Poem VFW --Old copies of Life magazine --Louise --Poem (I don't know if I get what D.H. Lawrence is driving at) Description An account of the resource Recorded at the Diefendorf 146 at the University at Buffalo on September 25, 1964 on a 7 inch Sarkes reel-to-reel. Frank O'Hara performs his recent poems and discusses the upcoming publication of his book Lunch poems by City Lights Press. Date A point or period of time associated with an event in the lifecycle of the resource 1964 Identifier An unambiguous reference to the resource within a given context PCR245 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR245.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, March 6, 1991] / Leslie Scalapino. Creator An entity primarily responsible for making the resource Leslie Scalapino. Description An account of the resource Recorded at the University at Buffalo on March 6, 1991 on a 90 minute Maxell sound cassette. Poet Leslie Scalapino provides an emotion reading from Waking life. She is introduced by an unnamed person. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context PCR290 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR290.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 21, 1969] / Diane Wakoski. Creator An entity primarily responsible for making the resource Diane Wakoski. Table Of Contents A list of subunits of the resource. Sestina from the home gardener --George Washington writes home about harvesting his hemp --Patriotic poem (for J. Edgar Hoover) --Follow that stagecoach --Rescue poem --Sometimes even my knees smile --In gratitude to Beethoven --Love letter postmarked by Beethoven --Ringless --Sun --An apology --The magellanic clouds (for Eleanor who likes to see her name in print) --Love passes beyond the hawk of incredible innocence. Description An account of the resource Recorded at the Norton Conference Theatre, University at Buffalo on April 21, 1969 at 3 p.m. on a 7 inch Scotch reel-to-reel tape. Poet Diane Wakoski reads her poetry in a noisy University at Buffalo room and is interrupted often by a public announcements speaker. Wakoski reads her poems about George Washington and Ludwig von Beethoven. She also provides an anecdote from her teaching. She recalls how the poem "An apology" was inspired by criticizing a student's poetry by saying it was an imitation of Robert Creeley's because he had been one of Creeley's students. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR336 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR336.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, September 17, 1974] / George Oppen. Creator An entity primarily responsible for making the resource George Oppen. Table Of Contents A list of subunits of the resource. from This in which:Five poems about poetry: The gesture --The little hole --That land --Parousia --From Virgil --The forms of love. --from Myth of the blaze:The Book of Job and a draft of a poem to praise the paths of the living (in memory of Mickey Schwerner) --Myth of the blaze --Confession --The little pin: fragment. --Guest room --Exodus. Description An account of the resource Recorded at the University at Buffalo on September 17, 1974 on a 7 inch Concordia reel-to-reel tape. Poet George Oppen reads from This in which (published in 1965) and from his manuscript for Myth of the blaze (to be published in 1975). Recording begins after a break it is thought the recorder was not on during the first part of the reading. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context PCR247 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR247.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, February 17, 1967] / George Oppen. Creator An entity primarily responsible for making the resource George Oppen. Table Of Contents A list of subunits of the resource. from Of being numerous:Of being numerous --A preface --Historic pun --Because that was Paris --Ballad --Power, the enchanted world --Route. Description An account of the resource Recorded at the University at Buffalo on February 17, 1967 on a 7 inch Scotch reel-to-reel tape. Poet George Oppen reads from his unpublished manuscript for Of being numerous, which would be published in 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context PCR248 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR248.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Presentation of the manuscripts of Robert Graves to the University at Buffalo, May 15, 1960] / Description An account of the resource Recorded at the University at Buffalo on May 15, 1960 on a 7 inch Scotch reel-to-reel tape. Poet Robert Graves donated his manuscript collection to the Poetry Collection at the University at Buffalo in 1960. This event celebrates that donation and its public exhibition. His gift is lauded with an initial introduction by University Chancellor Clifford C. Furnas, who champions the generosity of Graves and donor Mildred Lockwood Lacey, the widow of Lockwood Library's benefactor, Thomas B. Lockwood. Furnas speaks about the importance of a library and its mission to scholars and patrons. Next, Charles D. Abbott, the first Lockwood Library librarian and the founder of the Poetry Collection, reminisces about the past twenty five years and the increasing greatness of the Library's collections. Abbott describes conversations he had with Thomas B. Lockwood, and Lockwood's interest in Robert Graves and the work I Claudius. Robert Graves takes the podium and speaks with humility and humor about Abbott's offer to buy his manuscripts. He accepts his "celebrity" at the University at Buffalo and apologizes to any publishers who may have lost money on his books. Graves gives a spirited and humorous speech which concludes with his realization that the University will serve as "the grave of Graves" and that he "will be comfortable here." Current University Librarian, Oscar A. Silverman, concludes the presentation by accepting Graves' gift and bestows upon him the title of honorary fellow of the Lockwood Memorial Library. Graves thanks him and donates additional books to the University, and with this, the exhibition of the Graves' manuscript collection was open to the public. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Identifier An unambiguous reference to the resource within a given context PCR129 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR129.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Douglas Blazek. Creator An entity primarily responsible for making the resource Douglas Blazek. Table Of Contents A list of subunits of the resource. from All gods must learn to kill.Cartwheel news flashes of paper cut-outs --Ballad of the San Francisco cardboard boxes --X marks --Room drownings --We diddle like microbes until the void speaks --Meatus.from manuscript called Skull juices.To my love who is cleaning the basement --Questions on the night shift --Slowly the procession. --from Fuck off, unless you take off that mask.Cosmic radiator worship. --from Broken knuckle poems.Swift entry and slow retreat. --from manuscript called Flux and refluxThe signature of mysteries in the universe. --from Exercises in memorizing myself.Up again 5 a.m. thinking --Putting it straight. --from manuscript called Baptismal corrpution in the sunflower patch.For Dali who should know better. --from Sting and die.Acts from the interior corpse. --from Life in a common gun.And on the clock, a pair of horns. --from I advance with a loaded rose.The yard beyond where the trees web like green spiders. --poems not collected into any manuscript at that time:Fire engines howl --Halloween poems --449 North Woodale Road --Lost and found (Henry Miller) Description An account of the resource Recorded on a 60 minute Scotch sound cassette. It is believed to have been recorded in 1968 or 1969 at the University at Buffalo. Poet Douglas Blazek performs a dramatic poetry using material from several of his works from the 1960s and several unpublished pieces. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR022 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR022.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 2, 1967] / Charles Doyle. Creator An entity primarily responsible for making the resource Charles Doyle. Table Of Contents A list of subunits of the resource. There he was, gone --Next door --One for Max Sterner --Representation about a representation --The intelligent reader --Massage with gladiator oil --Song at thirty five --Sparrows in the tamarisk --Poem in November --Cosmic communication --Small pond --Black road, white road --Condition --South in the winter --Cleaning up the buildings --Flight interior --A clarity --A lifetime singing. Description An account of the resource Recorded at the Director's Office, University at Buffalo on October 2, 1967 on a 7 inch Scotch reel-to-reel tape. New Zealand poet Charles Doyle reads his poetry to the University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context PCR087 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR087.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, July 18, 1968] / Al Montesi. Creator An entity primarily responsible for making the resource Al Montesi. Table Of Contents A list of subunits of the resource. The ballad of Beale Street --Beale Street twenty years later --To Bonnie --Mrs. Robinson --To my students in exile --To a young revolutionist --In memory of F. Scott Fitzgerald --To Mauriac --Veteran's Day, Chicago 1968 --Lines for a C.R. --Lines for my daughter --Lake scene --Post love song --The American intellectual in the 50's --Query of a French director --Lines for J.B. my yearling son --Montesi reads a poem by Alan Swallow:Memorial poem --When truth is loyal --Tobias and the fish --For Tom my student --The other side --Montesi reads poems by his students --Montesi reads poem by John Logan:Three moves. Description An account of the resource Recorded at the Norton Union Hass Lounge at the University at Buffalo on July 18, 1968 at 3 p.m. on a 7 inch reel-to-reel tape. Poet Al Montesi performs his poetry and talks about Beale Street, protest poetry and social problems. Reading was a part of the summer sessions activities series at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR226 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR226.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, October 24, 1990] / Johanna Drucker. Creator An entity primarily responsible for making the resource Johanna Drucker. Description An account of the resource Recorded at the University at Buffalo on October 24, 1990 on a 90 minute sound cassette. Charles Bernstein introduces poet and printer Johanna Drucker as part of the "Wednesdays at 4 Plus" series of poetry readings. Drucker discusses the importance of visual presentation in writing, letterpress and font decisions. She considers herself more of a prose writer than a poet and talks about the linear form of narrative. Drucker also expounds upon the role 19th century fiction has had upon her writing style. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context PCR089 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR089.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 23, 1987] / Paul Metcalf. Creator An entity primarily responsible for making the resource Paul Metcalf. Description An account of the resource Recorded at the University at Buffalo on April 23, 1987 on a 90 minute sound cassette. Robert Creeley introduces the poet Paul Metcalf to the University at Buffalo crowd. Metcalf reads from Apalache (1976) from Genoa (1965) and Willie's throw. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCR216 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR216.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 4, 1991] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. The trout --Like dolmens round my childhood --Woodtown Manor (for Morris Graves) --In dedication --All legendary obstacles --A bright day --The split lyre --The siege of Mullingar --Tides --Sea changes --Undertow --Wind dark sea. Description An account of the resource Recorded at the University at Buffalo on November 4, 1991 on a 90 minute sound cassette. Irish poet John Montague reads poems and shares anecdotes on Ireland, Irish Americans, and his friend Morris Graves. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context PCR225 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR225.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kastle Brill and Robin Kay Willoughby interview and reading] / Table Of Contents A list of subunits of the resource. Exercise for men --Live, live in the past --Dissolution dialogue --Flying --The meaning of flying --Flyboys. Description An account of the resource Recorded on January 11, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Kastle Brill and Robin Kay Willoughby. The two performance poets read several of their poems for multiple voices and discuss their approach to writing and performing such pieces. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG075B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:11 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG075B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Paul T. Hogan interview] / Description An account of the resource Recorded in 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan is interviewed by Ruth Geller for the second anniversary show of Spoken Arts Radio. Hogan talks about the history of his poetry and literary radio program, Spoken Arts Radio. He reflects upon the hundred interviews he has completed and how he prepares for the show. Hogan is also a poet and he reflects upon his own writing technique. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG047 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:29 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG047.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Modupe Omawale interview and reading] / Description An account of the resource Recorded on February 8, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Gary, Indiana poet and dramatist Modupe Omawale. Omawale discusses African-American writing and dramatic productions. She reads from her poetry book, I must get the darkness. She also reads: "Come drink from my calabash with me" and "The hanging tree." Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG076B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:02 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG076B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Jorge Guitart interview and reading] / Table Of Contents A list of subunits of the resource. Something neither vivid nor concrete --The foreigner's notebook --The posters --Just as his fingers --I am sorry --To Wallace Stevens in Havana --The old in January --Spring's chapter --Forsythia --Fireflies --Summer --A love note --I shall have an affair with a Chagall maiden --An entry in a journal (late September) --Sandra and the flowers --The woman and the pair --Neighbors. Description An account of the resource Recorded on April 12, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews University at Buffalo professor Jorge Guitart. Cuban-born Guitart is a bilingual poet and discusses the challenges of writing in two languages, Spanish and English. He states that the English-language poems are more intellectual and thought-through, where as the Spanish-language poems are more from the soul and the heart. Guitart reads selections of his works. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG052B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:37 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG052B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Ann Haskell interview] / Description An account of the resource Recorded on October 12, 1986 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Ann Haskell on the topic of Medieval poetry and language. She reads selections from Chaucer's Prologue to the Canterbury Tales and Sir Gawain and the green knight in Middle English. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG062B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:29:34 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG062B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Bruce Comens interview] / Description An account of the resource Recorded on October 26, 1986 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Bruce Comens on the topic of language poetry. Comens discusses the works of Charles Bernstein, Bruce Andrews, Tom Raworth, Clark Coolidge, David Bromige. He explains that language poetry is suspicious of the notion of self in poetry, and it is more representative of using the intellect and critical faculty as a creative means. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG071B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:07 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG071B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Nancy Doherty interview] / Description An account of the resource Recorded on April 26, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Nancy Doherty. Doherty is an actress, producer and professor focusing on the works of William Shakespeare. She talks about the challenges faced by Shakespearean production crews to reach a modern audience while staying true to the original works and avoiding turning a live play into a museum piece. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG014 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:31:00 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG014.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [David Lampe interview and reading] / Description An account of the resource Recorded on March 15, 1987 for Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Paul Hogan interviews Buffalo State College professor David Lampe about his interest and research in Irish literature and poetry. Lampe, who is not of Irish descent, chronicles his lifelong appreciation for Irish literary culture and the Irish American ethnic identity. Lampe reads "Theresa's friend" by Robert Creeley and explains how this poem details Creeley's Irish-American heritage. Lampe reads and discusses John Montague's "A muddy cup: a ballad of Brooklyn" and Alan Dugan's "Being outclassed by class". Lampe also speaks about the extensive holdings of James Joyce manuscripts at the Poetry Collection, University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG057A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:30:41 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG057A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 10, 1963] / Robert Bly. Creator An entity primarily responsible for making the resource Robert Bly. Table Of Contents A list of subunits of the resource. reading from Issa. --Unanswered letters --White ducks --A poem for the drunkard president --A busy man's feet --from Robert Bly's translation of a work by Rainer Maria Rilke. --reading from a poem by Walt Whitman. --On listening to Stevenson and Kennedy lie about the first Cuban invasion --[first line of poem:][Come with me into those things] --[first line of poem:][I love these old] --Surprised by evening --Afternoon sleep --Taking the hands of someone you love --Night --A walk in the gardens of Italy --After drinking all night with a friend, we go out in a boat at dawn to see who can write the best poem --At the funeral of great aunt Mary --Sleet storm in the Merritt Parkway --Suffocation --from Robert Bly's translation of a work by Rainer Maria Rilke:Questions. --After the Industrial Revolution, all things happened at once --For Darwin. Description An account of the resource Recorded at the Baird Hall Recital Room, University at Buffalo on October 10, 1963 on a 7 inch Ampex reel-to-reel tape. Oscar Silverman introduces poet Robert Bly who reads from Silence in the snowy fields. Bly takes twenty minutes of questions from the audience about the state of modern poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1963 Identifier An unambiguous reference to the resource within a given context PCR024 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR024.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 22, 1968] / Allen Planz. Creator An entity primarily responsible for making the resource Allen Planz. Table Of Contents A list of subunits of the resource. Stud song --When I think of my poverty --On the streets --Sailing into Ireland --A matter of language --A piece of the action --The dance of the DEA --To the Met after Chicago --Shocks --The run back each day --I get drunk --How to kill a hangover --Drought --Home range --Outland because --Expatriates --A business to my father --The counter sign --Once again --Town dump --At dawn. Description An account of the resource Recorded at the Poetry Collection, Buffalo, N.Y. on November 22, 1968 on a 7 inch Scotch reel-to-reel tape. Allen Planz reads his poetry which includes language for a mature audience. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR260 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR260.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, October 31, 1985] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. Invocation to the guardian from the dead kingdom --Like Dolmens round my childhood --The trout --All legendary obstacles between us --That room --Beyond the liss --A grafted tongue --For the hill mother --Hero's portion --Border --Border question. Description An account of the resource Recorded at an unnamed venue in San Francisco on a 60 minute Maxell sound cassette. Recording thought to have been taped by a Poetry Collection representative. John Montague performs his poetry at a reading in San Francisco. Poet Robert Duncan is in attendance at this reading. Montague talks about his friendship with Duncan and his discussions with Samuel Beckett. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Identifier An unambiguous reference to the resource within a given context PCR223 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR223.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, May 7, 1965] / Stephen Spender. Creator An entity primarily responsible for making the resource Stephen Spender. Table Of Contents A list of subunits of the resource. Acts passed beyond --Trigorin --The express --The truly great --An elementary school classroom in a slum --Subject, object, sentence --One more new botched beginning --Pronouns of this time. Description An account of the resource Recorded in the Millard Fillmore Room of Norton Union at the University at Buffalo on May 7, 1965 at 3 p.m. on a 7 inch Scotch reel-to-reel. Poet Stephen Spender reads poems from the 1930 until 1965. He discusses his family and the use of poetry as propaganda. He talks about writing about the cinema and music and reads poems about Louis MacNeice and his own grandmother. Spender also discussed the education of the poor. He closes by taking a question from an audience member about modernism. His reading was co-sponsored by the Student Convocations Committee and the Lockwood Library. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCR304 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR304.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 1, 1983] / May Sarton. Creator An entity primarily responsible for making the resource May Sarton. Table Of Contents A list of subunits of the resource. A vision of Holland --Dutch interior --Meditation in sunlight --As does New Hampshire --Stone walls --A guest --An observation --A celebration for George Sarton --What the old man said --Letter from Chicago --Bears and waterfalls --Moose in the morning --A late mowing --Our proof --Return of Aphrodite.. Description An account of the resource Recorded at the Katherine Cornell Theatre at the University at Buffalo on November 1, 1983 on a 7 inch Sony reel-to-reel. Poet May Sarton reads her poetry. She is introduced by Ansie Baird. She reads poetry about New England, bears, and parental relationships. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context PCR289 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR289.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 5, 1980] / May Swenson. Creator An entity primarily responsible for making the resource May Swenson. Table Of Contents A list of subunits of the resource. Early mornings:By morning --At breakfast --Early morning, Cape Cod --The exchange. --Southbound on the freeway --Speed --Bison crossing near Mount Rushmore --The north rim --Lion --Stony beach --How everything happens --Overboard --Unconscious case of beauty --Body by house --How to be old --On its way --View to the north --The thickening matt --After the dentist --Teeth --This morning --Walking in the village after many years --A Navajo blanket --The summer that I was ten --Question --Feel me --It snowed in New York. Description An account of the resource Recorded at the Poetry Collection, Buffalo, N.Y. on November 5, 1980 on a 7 inch Maxell reel-to-reel tape. Poet May Swenson reads. University at Buffalo professor and poet Irving Feldman introduces her to the crowd. Swenson reads poems and provides anecdotes about aging, dentistry, Cape Cod, Buffalo Bills football, and visiting the Grand Canyon and Mount Rushmore. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCR312 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR312.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 28, 1992] / Irving Feldman. Creator An entity primarily responsible for making the resource Irving Feldman. Table Of Contents A list of subunits of the resource. Psalm --Morton's dream --X --Birth day --Just another smack --Teach me, dear sister --Outrage is anointed by levity --In theme park, America --The life and letters. Description An account of the resource Recorded at the Poetry Collection, Buffalo, N.Y. on October 28, 1992 on a 90 minute Maxell sound cassette. Poet and University at Buffalo professor Irving Feldman reads his new and old poetry. He is introduced by Bill Fischer. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context PCR110 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR110.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Lockwood Memorial Library, University at Buffalo, April 8, 1960] / May Sarton. Creator An entity primarily responsible for making the resource May Sarton. Table Of Contents A list of subunits of the resource. Journey toward poetry --Spring day --The olive grove --Italian garden --On being given time --Without the violence --The frog, that naked creature --Where dream begins --To the living --The sacred order --The swans --Song --Ceremony --In time like air --My sisters, o my sisters --Reflections by a fire. Description An account of the resource Recorded at the Lockwood Memorial Library at the University at Buffalo on April 8, 1960, 2-3 p.m. on a two 7 inch Proline reel-to-reel. Poet May Sarton reads her poetry. She is introduced by Oscar A. Silverman. She reads from her books: The land of silence, In time like air, land of fire, The lion and the rose, The leaves of the tree and Cloud, stone, sun, vine. She discusses New Mexico, her emotional response upon receiving a Guggenheim fellowship, and her belief that poetry is a positive act and how important the image is for a poet and her audience. She talks about the difference between her work and that of Allen Ginsberg. She claims that Ginsberg believes that chaos should be in the poem, while she feel that the chaos should be in the process of writing poetry drafts and the end product should be "hacked out of stone." Date A point or period of time associated with an event in the lifecycle of the resource 1960 Identifier An unambiguous reference to the resource within a given context PCR288 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR288.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Paul Blackburn interview at the University at Buffalo] / Description An account of the resource Recorded at the University at Buffalo on a 7 inch Scotch reel-to-reel tape. Interview of poet Paul Blackburn probably conducted on March 17, 1970 in support of his March 17, 1970 reading at the University at Buffalo. The student interviewing Blackburn is unnamed and unknown. He talks about poetics and the mimeograph movement. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR015 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR015.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, May 6, 1970] / Irving Feldman. Creator An entity primarily responsible for making the resource Irving Feldman. Table Of Contents A list of subunits of the resource. Girl singing --Elegy for a suicide --Word --Psalm --Colloquy --Four passages and epilogue --The heir --Reredos showing the assumption into heaven of Frank O'Hara --Seeing red --Night and the maiden --The warriors and the idiots. Description An account of the resource Recorded in 146 Diefendorf at the University at Buffalo on Wednesday, May 6, 1970 at 8:15 p.m. on a 7 inch Melody reel-to-reel tape. Poet and University at Buffalo professor Irving Feldman reads his new and old poetry. His colleague William Sylvester introduces him. Reading is sponsored by University Department of English, the University Union Literature and Drama Committee and the Friends of the Lockwood LIbrary. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR107 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR107.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 6, 1970] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. from Pieces:Mazatlan Sea --Bobbie --Agh, man --The kick --Four --How the fact of --Here --Some nights, a fearful --You see the jerked --Could write of fucking --Listless --I was sleeping --Such strangeness of mind I know --Counting age as form --Last night's dream --When he or I. --from In London:In London --Do you think --The act of love --The tiger --An illness --People --from Pieces.The finger. Description An account of the resource Recorded at the University at Buffalo in Diefendorf 147 on April 6, 1970 on a 7 inch reel-to-reel tape. Poet and professor, Robert Creeley, reads his poetry with extended explanatory notes. Creeley reads from 1968's Pieces and 1970's In London. Creeley discusses his participation with Robert Bly at the 1969 London International Poetry Festival and his appreciation of Allen Ginsberg's writing technique. Creeley discusses the act of writing poetry in terms of space and travel and speaks to the poetic and artistic influences of D.H. Lawrence, Charles Olson, Ken Kesey, Arthur Okamura, Anthony Hecht, Robert Indiana, and John Muir. Poet finishes the reading with a ten minute question and answer session with student audience members, as well as taking poem requests. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR061 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR061.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 24, 1964] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. The ballgame --The carnival --The dishonest mailmen --The kind of act of --The operation --Chanson --The conspiracy --I know a man --The cover --Naughty boy --The whip --A form of women --The hero --The ballad of the despairing husband --If you --Kore --The rain --The woman (I called her across the room) --Lady in black --The joke --The cracks --The woman (I have never) --Anger --The language --The door --The crisis --A form of adaptation --The gift. Description An account of the resource Recorded at the University at Buffalo on April 24, 1964 at 4 p.m. on a 7 inch Sarkes reel-to-reel tape. Poet and professor, Robert Creeley, reads his poetry with extended explanatory notes. Creeley discusses projective verse, poetics, language, rhythm, articulation and descriptive poetry. Creeley discusses he also the poetry and influence of Allen Ginsberg, Charles Olson, Robert Duncan, William Carlos Williams, Paul Blackburn. He also takes ten minutes of audience requests. Date A point or period of time associated with an event in the lifecycle of the resource 1964 Identifier An unambiguous reference to the resource within a given context PCR064 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR064.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Central Park Grill, September 11, 1986] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. from For Love:The door (for Robert Duncan).from Memory gardens:Memory gardens --Flicker --My own stuff --Window --Winter morning --Questions --Lovers --Funeral --Supper --Classical --Mother's photograph --Valentine --Lecture --Back --The doctor --Lost --Old --There --Language --Days --Heavenly Hannah. --from Windows:Song --I would have known you anywhere --Stairway to heaven --The company --After Pasternak --After Frost --Fragment for Ed. Description An account of the resource Recorded at the Central Park Grill in Buffalo, N.Y. for Writer's Cramp Series on September 11, 1986 on a 60 minute TDK sound cassette by Paul Hogan, who donated the recording to the Poetry Collection. Poet and professor, Robert Creeley, reads his poetry with extended explanatory notes. He reads from 1962's For love, 1986's Memory gardens and poems which would form 1990's Windows. Poet speaks of his youth in New England, including his parents, his genealogy of being Scots-Irish, his exposure to Robert Frost's poetry, his acquaintance with artificial intelligence leader Marvin Minsky, who made him his first radio. Poet addresses the challenges of aging as both a man and a poet. He shares anecdotes about his time spent with Ed Dorn and Allen Ginsberg at Naropa and also with artist Jim Dine. Creeley discusses time he spent in Ithaca, N.Y. as a guest reader for the Signet Society on April 11, 1985 Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG028 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:49:57 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG028.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, November 7, 1990] / Thomas Centolella. Creator An entity primarily responsible for making the resource Thomas Centolella. Table Of Contents A list of subunits of the resource. from Terra firma:Ossi dei morti --Transparency --Nocturne: New Year's Eve --Sito --Evidence --Christmas letters --Crepsucule with Katharine --Fog light --At big Rec --In the evening we shall be examined on love. Description An account of the resource Recorded at the Poetry Collection at the University at Buffalo on November 7, 1990 on a 90 minute Memorex sound cassette. Thomas Centolella is welcomed back to Buffalo by Carl Dennis. He reads from his award-winning work Terra firma. Centelolla is a graduate of the University at Buffalo and speaks about his time growing up in Western New York and his time spent in San Francisco. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context PCR049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture on Charles Olson, April 25, 1985] / George Butterick. Creator An entity primarily responsible for making the resource George Butterick. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, Buffalo, N.Y. on April 25, 1985 on a sound cassette. Poet and professor George Butterick lectures on the topic of Charles Olson. He focuses on Olson's usage of Gloucester, Massachusetts and his massive poetic work, Maximus poems. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Identifier An unambiguous reference to the resource within a given context PCR044 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR044.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture and poetry reading at the University at Buffalo, November 5, 1970] / Robert Bly. Creator An entity primarily responsible for making the resource Robert Bly. Table Of Contents A list of subunits of the resource. Disc 1.Lecture --reading from translation of Federico Garc? Description An account of the resource Recorded at the University at Buffalo in English Dept. trailer B (located on the South Campus) on Thursday, November 5, 1970 at noon on 2 sound cassettes. Recorded by and acquired from Allen De Loach. Recording ends with Neil Young and Grateful Dead music as a time filler. Disc 1 features a lecture on poetics by Robert Bly. He speaks about being a magazine editor of "The sixties" and "The seventies." He opines about the rise and failure of narrative genre in American modern poetry and the novel. He lectures about "leaping poetry" whereby poets jump from the physical world to the psychic or idea world. He discusses the historical poets who have made great strides in the art of writing the poem, until consciousness and a lack of meditation inhibited this poetic process' progress. He teaches about William Blake's Songs of innocence (which he notes that Allen Ginsberg will be reading on campus in a few weeks). He teaches about poets who have the ability to "leap" such as William Carlos Williams, John Logan, W.S. Merwin, Galway Kinnell, Federico Garc? Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context INT012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 02:13:12 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture on new media and the arts at the University at Buffalo, March 5, 1965] / Marshall McLuhan. Creator An entity primarily responsible for making the resource Marshall McLuhan. Description An account of the resource Recorded at the Baird Auditorium, University at Buffalo on March 5, 1965 at 2 p.m. on a 7 inch Sarkes reel-to-reel tape. Lecture by Marshall McLuhan at the University at Buffalo. He speaks about the social and philosophical aspects of media, technology, and communication. He offers that media creates new environments and that art and science have the role of being anti-environment. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCR212 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR212.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, June 22, 1972] / George Oppen. Creator An entity primarily responsible for making the resource George Oppen. Table Of Contents A list of subunits of the resource. from Seascape: needle's eye:Song, the wind of downhill --from Some San Francisco poems:A morality play: preface --So with artists --Anniversary poem --The translucent mechanics --Silver as --The taste --The impossible poem --But so as by fire. --from Of being numerous:Route. --from Seascape: needle's eye:Of hours --The occurrences.from This in which:Five poems about poetry: The gesture --The little hole --That land --Parousia --From Virgil --Psalm. Description An account of the resource Recorded at the University at Buffalo on September 17, 1974 on a 60 minute Ampex sound cassette. Recorded by and acquired from Allen De Loach. Poet George Oppen reads from Seascape: needle's eye (published in 1972), from This in which (published in 1965) and Of being numerous (published in 1968). There is some distortion and noise with the recording and the poet's voice is captured at a low level. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context INT078 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:40:26 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT078.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, July 25, 1961] / W.D. Snodgrass. Creator An entity primarily responsible for making the resource W.D. Snodgrass. Table Of Contents A list of subunits of the resource. The marsh --September in the park --The operation --The campus on the hill --April inventory --Winter poem --Lying awake --Lobsters in the window --Flash flood --A flat one --Exorcism. Description An account of the resource Recorded at the Conference Theatre at the University at Buffalo on July 25, 1961 on three 45 minute Scotch sound cassettes. Poet W.D. Snodgrass reads at the University at Buffalo, probably in 1961, the year after his Pulitzer Prize award in poetry. Snodgrass reads and provides numerous anecdotes about his poetry. He reads poetry about mud, surgery, working in a hospital, teaching at Cornell University, his struggle with academia and his long time studying at the University of Iowa. He claims to not "mean", but only "feel" out of bitterness, the things he writes about scholars. He talks about his daughter and the poems he wrote to her after his divorce. Snodgrass also gives a long introduction to a poem about a flood and its impact on a community. He is introduced by Oscar A. Silverman. The reading was part of the U.U.A.B. literary Arts Summer Poetry Festival. Date A point or period of time associated with an event in the lifecycle of the resource 1961 Identifier An unambiguous reference to the resource within a given context PCR300 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR300.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, March 3, 1978] / Robert Pinsky. Creator An entity primarily responsible for making the resource Robert Pinsky. Table Of Contents A list of subunits of the resource. Poem about people --Tennis --An essay on psychiatrists --Sadness and happiness. Description An account of the resource Recorded at the University at Buffalo on March 8, 1978 on a 120 minute Maxell sound cassette. Carl Dennis introduces poet Robert Pinsky who reads from his work Sadness and happiness. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context PCR258 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR258.mp3 https://digital.lib.buffalo.edu/files/original/dd5e6e6ac57fbe014770493e7abbd63a.jpg cee4df7ef5249a6258da72bfb2a31bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:07:24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. / Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT.</a> This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF074 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF074.mp3 https://digital.lib.buffalo.edu/files/original/d9ed5157250fc33ecfa93908031867cc.jpg cee4df7ef5249a6258da72bfb2a31bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:24:26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. /Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT.</a> This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF073 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF073.mp3 https://digital.lib.buffalo.edu/files/original/0a2340e20dc039fc8df7580a44ca5385.jpg cee4df7ef5249a6258da72bfb2a31bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:42:06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. /Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT.</a> This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF072 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF072.mp3 https://digital.lib.buffalo.edu/files/original/2d750adab429408cb797e44bd5275803.jpg cee4df7ef5249a6258da72bfb2a31bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:26:03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. / Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT.</a> This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF071 Table Of Contents A list of subunits of the resource. Table Of Contents Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF071.mp3 https://digital.lib.buffalo.edu/files/original/3d138a5cac98f1805c6bccc28ed8f46e.jpg cee4df7ef5249a6258da72bfb2a31bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:34:42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. / Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT.</a> This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF070 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF070.mp3 https://digital.lib.buffalo.edu/files/original/0c06f3f442f0eebcb7e2ab2d863ab049.jpg 9c561be426147a0964971786d92045d3 https://digital.lib.buffalo.edu/files/original/b0a51d5158eda54e97ec96cd8dfdc171.mp3 9a98972c7dd5c9b533070dc297d244da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:17:05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. / Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993-04-23 Rights Information about rights held in and over the resource <div class="element"> <div class="element-text"><a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information.</div> </div> <div class="element"></div> Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF069 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive https://digital.lib.buffalo.edu/files/original/8093276a318c0af85e9f54d36e74e9a1.jpg 9c561be426147a0964971786d92045d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:23:57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Engagement and indifference: Beckett and the political : conference at the University at Buffalo, April 22-April 24, 1993. / Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 22-24, 1993 on nine 90 minute Maxell sound cassettes. Recording of the Samuel Beckett conference held at the Poetry Collection, University at Buffalo. Conference was sponsored by the Department of Comparative Literature with support from the English Department. Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource <div class="element"> <div class="element-text"><a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information.</div> </div> <div class="element"></div> Type The nature or genre of the resource Sound recording Identifier An unambiguous reference to the resource within a given context PCF068 Table Of Contents A list of subunits of the resource. Disc PCF068 April 22, 1993: Conference welcome /Kerry Grant --Introduction /Henry Sussman --[The end] (Beckett) /Raymond Federman --Session 1, April 22, 1993, 3 p.m.: The politics of small differences /Gabriele Schwab. --Disc PCF069 Session 1, April 23, 1993, 9:00-10:15 a.m.: Beckett and the politics of the void /Christian Prigent. -- Disc PCF070 Session 2, April 23, 1993, 10:30-11:45 a.m.: Unwording beyond negations, erasures, and repetitions: Samuel Beckett's committed silence /Carla Locatelli. --Disc PCF071 Session 3, April 23, 1993, 1:30-2:45 p.m.: Da Capo: Paleo-Beckett and post-modern Proust /Richard Macksey. --Disc PCF072 Session 4, April 23, 1993: An evening of readings in French and English in various voices of works by Beckett. --Disc PCF073. Session 1: Going to Bethickett on the way to heaven: the post-modern politics of self-reflection /Marcel Cornis-Pope. --Disc PCF074 Session, April 24, 1993, 11:30-12:30 p.m.: Summative panel of invited guests /moderated by Raymond Federman. --Disc PCF075 Session 4, April 23, 1993, 3-4:15 p.m.: Living inside the system: the lost ones as cognitive mapping /Brian McHale. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF068.mp3