3 100 1488 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Memorial reading for Alex Smith, April 15, 1988] / Description An account of the resource Recorded by George Butterick on a 90 minute TDK sound cassette. Recording of a memorial poetry reading for poet Alex Smith. Event was moderated by George Butterick and featured the reading of poems by various unidentified poets and friends of Smith. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context BUT026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Tom Fontana, Gloria Naylor Creator An entity primarily responsible for making the resource Tom Fontana, Gloria Naylor interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette July 17 and 24, 1988. Recording of Mary Van Vorst's interview of Tom Fontana and Gloria Naylor on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS025 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS025.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, October 1966] / Babette Deutsch. Creator An entity primarily responsible for making the resource Babette Deutsch. Table Of Contents A list of subunits of the resource. Deutsch reading De la Mare's poetry:Old Susan --A portrait --Arabia --The listeners --Napoleon --How sleep the brave --A fiddler --Titmouse --Twice lovely --The scribe --Evening --An epitaph --Fare well --Thomas Hardy . --Deutsch reading Hardy's poetry:Snow in the subrubs --Afterwards --The oxen --The ruined maid --After a journey --Over the coffin --In time of The breaking of nations --Channel firing --THe lacking sense --Great things. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Deutsch lectures on Thomas Hardy and Walter De La Mare and reads their poetry.. Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context SEM020 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM020.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 13, 1970] / Robert Creeley ... [et al.]. Creator An entity primarily responsible for making the resource Robert Creeley ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Leslie Fiedler introducing the evening's events --Robert Hass reading:It's snowing in April --Advising the prince --Assassin --Historical poem --Maps --Kit Carson in California --Musky Fall --Plucked from algae sea spray --The night they bombed Hanoi --Jerusalem artichokes --The long. --Irving Feldman reading:The saint --The prophet --Goya --Saturn --Word --Colloquy --Seeing red --The warriors and the idiots --Fast as you can. --Disc 2.Robert Creeley reading:Anger --To Debbie --The friends --Don't think I'm so awful. --Max Wickert reading:The new ode --Therapy --Rhetorics of departure --Nocturnes --[Because every] --When at night --The dictionaries --Dirge. --John Logan reading:Only the dreamer can change the dream --Lines on locks, or, Jail and the Erie Canal. --Disc 3.Letter to a yougn father in exile --New poem. Description An account of the resource Recorded at the University at Buffalo on April 13, 1970 on a 7 inch Maxell reel-to-reel tape. Poetry reading of English Department faculty in support of colleagues arrested during anti-war protesting in Buffalo, N.Y. Readers included: Leslie Fielder, Robert Hass, Robert Creeley, Max Wickert, John Logan and Irving Feldman. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCF048 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF048.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and interview] / Description An account of the resource Originally recorded commercially, but re-recorded on two 90 minute TDK sound cassette and donated to the Poetry Collection by Joy Walsh. Recording of a commercially recorded performance of Jack Kerouac reading poetry and being interviewed. This is followed by professional recording of Henry Miller, Steve Allen and Lenny Bruce. Date A point or period of time associated with an event in the lifecycle of the resource 1959-196-? Identifier An unambiguous reference to the resource within a given context MSC014 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC014.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Writers' Festival, University at Buffalo, April 17, 1986] / Table Of Contents A list of subunits of the resource. Introductution /Carl Dennis. --Joanne Warick reading:Mistaken identity --Gambling --Bad news --Gifts. --Randy Prus reading:June 6th, early morning. --Steve Griffith reading:This is it --The speaker of the poem is me --Poetry --I live in house --Late show. --E.R. Baxter:The gallery. Description An account of the resource Recorded by Joy Walsh on a 90 minute Realistic sound cassette at the University at Buffalo on April 17, 1986 Recording of poetry reading during the second day of the 3rd Writers' Festival at the University at Buffalo. Readers included: Joanne Warick, Steve Griffith, Randy Prus, Carl Dennis and E.R. Baxter. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context MSC050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Shuper House, Buffalo, N.Y., July 21, 1979] / Joy Walsh, Marion Perry. Creator An entity primarily responsible for making the resource Joy Walsh, Marion Perry. Description An account of the resource Recorded by Joy Walsh on a 60 minute Realistic sound cassette at the Shuper House in Buffalo, N.Y. on July 21, 1979. Recording of a poetry reading by Joy Walsh and Marion Perry. The sound quality is very poor. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context MSC044 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC044.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The pink guitar / Rachel Blau DuPlessis. Creator An entity primarily responsible for making the resource Rachel Blau DuPlessis. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on April 17, 1991 by Poetry Collection on a Maxell 90 minute sound cassette. American poet, essayist, feminist critic and scholar Rachel Blau DuPlessis reads from two paragraphs from the acknowledgments and then the chapter "The pink guitar" from the book The pink guitar. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context PCR092 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR092.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, November 11, 1972] / Edward Dorn, Harvey Bialy. [Poetry reading at Emerson College, October 5, 1973] / Robert Kelly. Creator An entity primarily responsible for making the resource Edward Dorn, Harvey Bialy. [Poetry reading at Emerson College, October 5, 1973] / Robert Kelly. Table Of Contents A list of subunits of the resource. Disc 1.Edward Dorn speaking with Harvey Bialy --Harvey Bialy interviewing Edward Dorn. --Disc 2.Robert Kelly poetry reading:The loom. Description An account of the resource Interview recorded on November 11, 1972 and Kelly poetry reading recorded at Emerson College on October 5, 1973 on a single 7 inch Shamrock reel-to-reel tape. On disc 1, Harvey Bialy and Edward Dorn discuss contemporary poetics. Edward Dorn speaks with Harvey Bialy about Jean Genet, Vermont, Black Mountain poets. Bialy discusses Charles Olson, Fielding Dawson, John Cage, Jerome Rothenberg, Cy Trombly, Franz Kafka, John Wieners, Marshall McLuhan. Disc 2 feature Robert Kelly performing his long poetic work "The loom" at Emerson College. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context PCR373A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR373A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Central Park Grill, Buffalo, N.Y., September 11, 1986] / Michael Boughn, Gwen Ashbaugh. Creator An entity primarily responsible for making the resource Michael Boughn, Gwen Ashbaugh. Table Of Contents A list of subunits of the resource. Michael Boughn reading:The list --Plate --Dog --Idyll --The sign --The rock --Borderline --The poster --New Year's Eve --Vase --Scouting --School days --Song at forty --Ballad of the faller. --Gwen Ashbaugh reading:The mouse anthem --Blue moon --Dear Mary --For Theopholous --Mad Muriel to Tulio Suave --Mad Muriel finds a newspaper clipping --Mad Muriel writes to Tulio Suave --Packing grandmother's trunk. Description An account of the resource Recorded at the Central Park Grill in Buffalo, N.Y. on September 11, 1986 by Paul Hogan on a 60 minute Memorex sound cassette. Poetry readings by Michael Boughn and Gwen Ashbaugh. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Fredonia State College, Fredonia, N.Y., October 18, 1974] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Table Of Contents A list of subunits of the resource. Disc 1.[mantra] --Returning to the country for a brief visit --On Neruda's death --Mind breaths --Stay away from the White House (song) --Yahweh and Allah battle --first line of poem:[You're going to grow old, white haired] --[Tapping] --Sad dust stories. --Disc 2.For sale --Wet asphalt heat, garbage curbed cans overflowing --Fuck the Jews --D.C. mobilization --Bixby Canyon Ocean path: word breeze --America --September on Jessore Road (song) --Gale gale paragale (meditation chant). Description An account of the resource Recorded by Michael Basinski on a 90 minute Audio Magnetics sound cassette at Fredonia State College on October 18, 1974. Recording of Allen Ginsberg poetry reading featuring mantras and the performance of collected, popular poems. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR122 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR122.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Table Of Contents A list of subunits of the resource. [mantra invocation to the Hindu goddess of learning, music and poetry] --Iron horse --Wales visitation --[Hindu music]. Description An account of the resource Recorded by Allen De Loach on a 7 inch reel-to-reel tape. The location and date of the reading are unavailable, but it is probably in the 1960s in London. Recording of Allen Ginsberg poetry reading featuring mantras and harmonium. Ginsberg gives ample information about the conditions surrounding and inspiring his poems. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context PCR408 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR408.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, Peekskill, January 15 and 16, 1969] / Walter Lowenfels. Creator An entity primarily responsible for making the resource Walter Lowenfels. Description An account of the resource Recorded in Peekskill, N.Y. on January 15 and 16, 1969 by Allen De Loach on three ninety minute Pure-Tone sound cassettes. This recording is of Walter Lowenfels being interviewed by Allen De Loach in Peekskill, N.Y. on January 15 and 16, 1969. Complementary to this recording is an interview with Lowenfels in Peekskill, N.Y. on December 15, 1971, also conducted by De Loach, available on Poetry Collection Audio Archive disc INT069. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context INT068 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT068.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture and poetry reading at the Westminster Church in Buffalo, N.Y., February 4-5, 1982] / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Table Of Contents A list of subunits of the resource. Disc 1-Disc 2.The continuity of Christian myth in poetry --The Thanksgiving (by George Herbert) --Passages 32, tribunals --The dignities, passages --The first, passages --Stimmung, passages --Enthralled, passages. --Disc 3.Quand le grand foyer descend dans les eaux, passages --With in, passages --Seams, passages --Structure of rime: the five songs. Description An account of the resource Recorded at Westminster Church's Parish Hall in Buffalo, N.Y. on February 4, 1982 at 8 p.m. by Allen De Loach on three sixty minute sound cassettes. This lecture and poetry reading by Robert Duncan were held in the Parish Hall of Westminster Church in Buffalo, New York on February 4 and 5, 1982. The title of the lecture was "The continuity of Christian myth in poetry," and it was meant to complement the sermon that Duncan delivered in the same church on February 7. The sermon, titled "Crisis of spirit in the word," was transcribed and published by Robert J. Bertholf in the magazine Credences (Buffalo, NY: New series, volume 2, number 1, summer 1983), and then in the book Copy book entries (Buffalo, N.Y, 1996), but "The continuity of Christian myth in poetry" is uncollected. As part of the lecture, Duncan read "The Thanksgiving" by George Herbert and an early version of his own poem "Ancient reveries and declamations, Passages 32 (Tribunals)." For the poetry reading after the lecture, Duncan read eight poems from the "Regulators" section of Passages and concluded by reading "Structure of rime: of the five songs." Date A point or period of time associated with an event in the lifecycle of the resource 1982 Identifier An unambiguous reference to the resource within a given context INT109 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT109.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Milton Kessler. Creator An entity primarily responsible for making the resource Milton Kessler. Table Of Contents A list of subunits of the resource. That Sunday --Second conception --To Paul, for the passage --The sea's last gift --Anniversary poem --Beyond anguish --Hymn to the rain --The lynching --The clerk retires --A string of dust --Letter --Called home --A bombardier's landscape --A boy --The walk back --Enough --A dream of weeping --Davey --Chad Gadya, one little goat --g Anne --Summer's end --Surprise --The voice of the soldier --The sabbath queen. Description An account of the resource Recorded on October 19 by John Logan on two 7 inch reel-to-reel tapes. The place and the year of the recording is unknown, but it was probably made in the 1970s. Poetry reading by Milton Kessler recorded by John Logan. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context LOG038 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG038.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 16, 1973] / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Table Of Contents A list of subunits of the resource. Love poem --Night poem --Lion poem --first line of piece:[Americans pass by] --[Dolphin skull] --American air --first line of poem:[Should'st thou die] --Finally --first line of poem:It is not youth that intrigues me, but suppleness] --Hermes triste --Memorial poems for Charles Olson and Jack Kerouac --Waves crash and pluck jewel sand --From the window of the Beverly Wiltshire Hotel --Your eyes tell me --Beautiful flesh colored dahlias --Yeah, Christ let me be cousin --A redefinition --Being bags of dumb dark meat --The seriousness of animals --Sure yes --The young lady cat --first line of play:[This is our feast]. Description An account of the resource Recorded at Kent State University in Kent, Ohio on April 16, 1973 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator Recording of a poetry reading by Michael McClure. McClure is introduced by an unnamed man. Reading was part of the Kent State Creative Arts Festival. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR058 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR058.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading selections of John in the wilderness] / Bernhard Frank. Creator An entity primarily responsible for making the resource Bernhard Frank. Table Of Contents A list of subunits of the resource. Squash anyone (chapter VIII) --Cook's tour (chaptere IX) --Hiyabeen! (chapter X) --The rules of the game (chapter XI) --WIldflowers (chapter XII). Description An account of the resource Recorded on a 90 minute Certron sound cassette, possibly made in 2006. Bernhard Frank reads selected chapters from John in the wilderness. Date A point or period of time associated with an event in the lifecycle of the resource 2006? Identifier An unambiguous reference to the resource within a given context CUR133 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR133.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ready for first cut / Michael Basinski. Creator An entity primarily responsible for making the resource Michael Basinski. Description An account of the resource Recorded on a Memorex sound cassette. Sound quality is very poor. Performance of sound poetry by Michael Basinski. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context CUR075 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR075.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barking dogs / Michael Basinski, Don Metz. Creator An entity primarily responsible for making the resource Michael Basinski, Don Metz. Description An account of the resource Recorded in the 1980s on a 90 minute TDK sound cassette. Performance of Barking dogs by Michael Basinski and Don Metz. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context CUR140 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR140.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, December 5, 1969] / Gary Snyder. Creator An entity primarily responsible for making the resource Gary Snyder. Table Of Contents A list of subunits of the resource. The poem is for Bear --The groves are down, cut down --For the boy who was Dodger point lookout fifteen years ago --Smokey the Bear sutra --Regarding wave --Wave --Song of the view --Song of the taste --It was when we hiked up --Kai today --Meeting the mountains --Mountains and rivers (excerpt) --The temples of Khajuraho --The blue sky --Kumarajiva's mother --Little big kid's bucks --What you should know to be a poet --Before the stuff comes down --All the spirit power went to their dancing place --Longhair --Flood of beauty --excerpt from Sanskirt. Description An account of the resource Recorded at the University at Buffalo on December 5, 1969 on a 7 inch Scotch reel-to-reel tape. Gary Snyder reads his poetry to an enthusiastic University at Buffalo audience. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR512 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR512.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Not just another reading, AIDS Benefit at the Allentown Community Center, Buffalo, N.Y., December 11, 1987] / Gale Jackson, Kathy Engle, Alexis De Veaux. Creator An entity primarily responsible for making the resource Gale Jackson, Kathy Engle, Alexis De Veaux. Table Of Contents A list of subunits of the resource. Kathy Engle reading:Independence Day, 1984 in this America for Alexis Deveaux --Economy --The horses. --Gale Jackson reading:first line of prose piece:[So it's Isidore and I]. --Alexis Deveaux talks about AIDS names project. --First things first /Engle --first line of prose piece:[She was tired] /Jackson --The women in my family /Engle --We saw morning coming /Jackson --Out of the fire /Engle --Hold me, hold on /Jackson --Love poem number 96 /Engle --On nights too cold /Jackson --Home /Engle --An enchanted hare tale /Deveaux. Description An account of the resource Recorded at the Allentown Community Center in Buffalo, N.Y. on December 11, 1987 by Paul Hogan on a 90 minute Memorex sound cassette. Recording of an AIDS benefit reading in Buffalo, N.Y. featuring the poetry of Kathy Engle, Gale Jackson, Alexis Deveaux. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG018 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG018.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Michael Basinski and Joy Walsh interview] / Mary Van Vorst, interviewer. Creator An entity primarily responsible for making the resource Mary Van Vorst, interviewer. Description An account of the resource Recorded on a sound cassette and broadcast December 19, 1988 on National Public Radio. Mary Van Vorst interviews Michael Basinski and Joy Walsh about their Jack Kerouac-centric journal, Moody Street Irregulars. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context CUR117 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR117.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [John Logan memorial poetry reading, Buffalo, N.Y. in 1987] / Table Of Contents A list of subunits of the resource. Disc 1.Poem slow to come on the death of Cummings /Paul Hogan --The assessment for Tom Lucas /John Logan on tape --Believe it /Tom Lucas --Lake effect /Tom Lucas --The Minneapolis poem (selection from James Wright) /Sandy Carroll --Experience /Sandy Carroll --What now /Sandy Carroll --Testimony /Sandy Carroll --Poem for my brother /Logan on tape --Turn it off /Ansie Baird --You will speak the words /Ansie Baird --Graph /Joe Coulson --Ingratitude /Joe Coulson. --Disc 2.Three moves /John Logan on tape /Dear John /Max Wickert --Dawn scene /Max Wickert --Two questions /Max Wickert --Why do I still run /Bill Heyen --Middle aged Mid-westerner at Waikiki Beach /Bill Heyen --Wildflower /Bill Heyen --The search .Logan on tape --Dublin suite: homage to James Joyce /Paul Hogan --The tower /Paul Hogan --Elegy for Dylan Thomas /Logan on tape. Description An account of the resource Recorded in Buffalo, N.Y. in 1987 on a 90 minute TDK sound cassettes by Paul Hogan. Poetry reading held in memory of John Logan, shortly after his death, organized by Paul Hogan. Reading features performances of his poetry by Tom Lucas, Joe Coulson, Sandy Carroll, Ansie Baird, Max Wickert, Bill Heyen. Throughout the memorial, Hogan plays taped recordings of John Logan reading his own poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG090 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG090.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Elizabeth Cohen interview, October 14, 1987] / Paul Hogan, interviewer. Creator An entity primarily responsible for making the resource Paul Hogan, interviewer. Description An account of the resource Recorded in Buffalo, N.Y. on October 14, 1987 by Paul Hogan on a 90 minute TDK sound cassette. Interview with Elizabeth Cohen, widow of Walter Cohen, University at Buffalo psychology department professor. Cohen discusses her recent MFA from the University at Buffalo and discusses her experiences in the Buffalo poetry community. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG059A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG059A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, April 5, 1983] / Richard Howard. Creator An entity primarily responsible for making the resource Richard Howard. Table Of Contents A list of subunits of the resource. from Fleurs du mal:A voyage to Cythera --Carrion. --original Howard poetry:Carrion --The bris --Lining up. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on April 5, 1983 on a 90 minute BASF sound cassette. American poet Richard Howard reads his poetry at the University at Buffalo. Howard discusses his work on translating Charles Baudelaire's poetry in the Les fleurs du mal. The recording is ends abruptly prior to his reading of his last piece, Ithaca: the Palace at four a.m. The audio of this recording is very low and quiet. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context PCR147 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR147.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 20, 1991] / Jack Clarke. Creator An entity primarily responsible for making the resource Jack Clarke. Table Of Contents A list of subunits of the resource. from Book of detours --Opening my umbrella --Devil's triangle --Delubrun lustrum --Jack in the pulpit --The bebop wars --Wearing the karmic clothing out --Like torrents from spring fresh --Burnt Norton --Another round, another canon --Cover me with nazca cloth --One world, completing impulse --By the watch fires at the boundary --The periodicity of regulation --The poetry and rare book room --Cool customers --Unvexed to the sea --The blue rose --Inside the agent --I don't want anything to come after us --Open season --Lang zeit --As from a main spring --The end of the world. Description An account of the resource Recorded at the University at Buffalo on November 20, 1991 on a 90 minute Maxell sound cassette. Poetry reading by Jack Clarke at the University at Buffalo. William Sylvester introduced Clarke, but the introduction was not recorded. Date A point or period of time associated with an event in the lifecycle of the resource 1991 Identifier An unambiguous reference to the resource within a given context PCR051 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR051.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview on Stonewall nation] / Eric Bentley Creator An entity primarily responsible for making the resource Eric Bentley interviewed by Alex Van Oss. Description An account of the resource Recorded at the University at Buffalo for WBFO FM 88 radio program "Stonewall nation" possibly in 1978. Recorded on a 7 inch reel-to-reel tape. Alex Van Oss interviews Eric Bentley on the topic of Oscar Wilde and his work Lord Alfred's lover. Date A point or period of time associated with an event in the lifecycle of the resource 1978? Identifier An unambiguous reference to the resource within a given context PCR405 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR405.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 26, 1976] / David Bromige. Creator An entity primarily responsible for making the resource David Bromige. Table Of Contents A list of subunits of the resource. from Threads:Why I went there --A mystery --Chris --Threads. --from Birds of the West:Orion --Next love --The thing itself. --from Tight corners and what's around them:They are eyes --The Protestant poem --Sonnet --After Brecht --Tight corners --The truck had nearly --It's all as he tell us --He thought it --If the workers were alienated --But expressiveness is a myth --Higher intelligence --Everywhere he went --Her mother was an archetype --He felt sometimes --Still there. --I didn't have the gumption. --from Credences of winter:An excrescence --The objects --I dreamt that I. --from Six of one, half a dozen of the other:A defect. --from Threads:I can't read and here's a book --Back to Abe's place --Before I quit the Boy Scouts. Description An account of the resource Recorded at the University at Buffalo on April 26, 1976 on a Scotch 7 inch reel-to-reel tapes. David Bromige reads poetry from his works: Threads, Birds of the West, Credences of winter, Six of one, half a dozen of the other. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context PCR032 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR032.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, April 9, 1989] / Mac Hammond, Bernhard Frank, and University at Buffalo and Buffalo State students. Creator An entity primarily responsible for making the resource Mac Hammond, Bernhard Frank, and University at Buffalo and Buffalo State students. Table Of Contents A list of subunits of the resource. first line of poem:[There was nothing in the paper bag, but fire] /Mac Hammond. --Arthur Brockway reading:Winter --Deceit --Submission impossible --Ghostwritten. --Bernhard Frank introduction --Michael Hamm reading:Pressure reaches --Vicki --The stride --No tears --Inside myself --Regrets --A golden chance --Innocence --Exposed --As the snowfalls --Becoming --Lie down --Music and logic --Discovering --Still people smile --This room --Run away, --Anne McCarthy reading:Under the wavering badge of dreams --All along the wrought iron fence in May --Narcissus --A room --From sea --Anthony Wednesday and library days --On the lawn --Elwmood 1041. --Liz Willis reading:Between the acts --AO --Hyrdn. Description An account of the resource Recorded at the Burchfield-Penney in Rockwell Hall, Buffalo State College on April 9, 1989 on a Sony 90 min. sound cassette. Mac Hammond and Bernhard Frank introduce young poets from the University at Buffalo and Buffalo State College. Featured poets include: Arthur Brockway, Michael Hamm, Anne McCarthy, and Elizabeth Willis. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context PCR393 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR393.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Joan Murray interview and reading] / Table Of Contents A list of subunits of the resource. Stopping by drive-in on a summer evening --Picnic /John Logan --Three false starts to John Logan's The picnic (the clinic, the chopsticks, the pyschic) --An English prince foresees his bride --String and floss to a young child --In a section of a disco --Of these faces in a crowd --Fuzz --My mom's fault --Ozzy Manhattan's antique king --The anecdote of the dog. Description An account of the resource Recorded in 1987 and aired on March 29, 1987 on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Joan Murray reads her parodies of famous poems by Robert Frost, John Logan, William Butler Yeats, Ezra Pound, Carl Sandburg, Percy Bysshe Shelley, Wallace Stevens. Music and interview segments with Murray are interspersed between her poems. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG056A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG056A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Spring Arts Festival, University at Buffalo, March 1966] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Table Of Contents A list of subunits of the resource. Kral Majales --Who be kind to --Carmel Valley --At Ken Kesey's house, a party with the Hell's Angels --Portland Coliseum, August 27, 1965 --Here at the atomic --Chances Are Bar in Wichita --Wichita to Lincoln --Wichita vortex sutra. Description An account of the resource Recorded at the University at Buffalo in 1966 by Allen De Loach for the Poetry Collection on a 7 inch Scotch reel-to-reel tape. Recording of Allen Ginsberg poetry reading at the Spring Arts Festival at the University at Buffalo in March 1966. Ginsberg noted that all of the poems he was reading had been written in the previous ten months. Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context INT188 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT188.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings by Jack Spicer, Robert Creeley, Clayton Eshleman, Allen Ginsberg, John Wieners] / Table Of Contents A list of subunits of the resource. Disc 1.Jack Spicer reading on KPFA:Ars poetica --first line of poem:[We find the body difficult to speak] --Orpheus after Eurydice --Orpheus' song to Apollo --An arcadia for Dick Brown --A heron for Mrs. Altrocchi --Sonnet for the beginning of winter --Babel 3 --Song for the great mother --Imaginary elegies --first line of poem:[All the way down past the skull] --In an African hut --first line of poem:[How they will be bored by my love for you, biographers] --first line of poem:[Every afternoon in Granada] --Friday, the 13th --Afternoon.Robert Creeley reading (track 6):Le fou --A song --The rites --The rhyme --The innocence --The carnival --The immoral proposition --The operation --The conspiracy --I know a man --Wait for me --La noche --The whip --All that is lovely in men --Juggler's thought --A form of women --Ballad of the despairing husband --If you --The door --The hill --The awakening --For love. --Disc 2.Clayton Eshleman introduction:The house of Okumura, I-VIII, XI, XIII, XVI --Possession (6, from T'ai) --7 (What a night this is for Ed Iglehart) --8 (That these men were messengers) --The black hat --New Guinea: the leg --Hymn 5 --[Comments on Robert Duncan's Bending the bow]. --Disc 3.Clayton Eshleman reading:Sensing Duncan III --That I grew up then --Like the gentle hands of potato pickers --Enter August night --The lay of Phi Delta Pheta --Window vent meaning hole --Your presence gentle lioness. --Allen Ginsberg reading:City midnight junk strains. --John Wieners reading:Invitation au voyage II --Beauty never as mine --I'm attracted to you, forgetting --No one to dine with --Pride's a useful catalyst --In dream, my mother gave me a blue stone --Paul II --A poem for movie goers --A poem for record players --Why have you chosen a penis as an object of adoration --Whatever absence of pledge --Keep it. Description An account of the resource Spicer reading recorded at KPFA radio station in Berkeley, California in 1963. Creeley reading recorded at the University of British Columbia in February 1962. The logistical details of the other readings are not available. Recorded on a 7 inch Shamrock reel-to-reel tape. Recording of five separate poetry readings by Jack Spicer, Robert Creeley, Clayton Eshleman, Allen Ginsberg and John Wieners. Date A point or period of time associated with an event in the lifecycle of the resource 1962-1963 Identifier An unambiguous reference to the resource within a given context PCR375A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR375A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, February 12, 1987] / Susan Howe. Creator An entity primarily responsible for making the resource Susan Howe. Table Of Contents A list of subunits of the resource. Howe reads a statement:Poetic statement: there are not leaves enough to crown to cover to crown to cover --Articulations of sound forms in time --Extract from a letter dated June 8, 1781 of Stephen Williams to President Styles --1. Hope Atherton's wanderings --2. Taking the forest. Description An account of the resource Recorded at the Poetry Collection on February 12, 1987 on a 90 minute Maxell sound cassette. Poet and professor, Susan Howe, reads from her recently published works including Singularities. Poet is introduced by University colleague Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCR154 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR154.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, April 10, 1978] / Kenneth Irby. Creator An entity primarily responsible for making the resource Kenneth Irby. Table Of Contents A list of subunits of the resource. A fragment (translation of a Pindar ode) --A Valentine for Tom Meyer's birthday --For the snow queen (early version) --Homage to Albert Pike --Homage to Tennyson --Homage to Johannes Bobrowski --For Charles Filiger's Breton cow herd --In anger, who can I have --No animal system lately --A silence in the central tree --I saw the mouse king last night --Last night, I was weeping lying on the floor --Two requiem etudes. Description An account of the resource Recorded by Robert Bertholf on a 7 inch Scotch reel-to-reel tape at Kent State on April 10, 1978. Poetry reading by Kenneth Irby. Date A point or period of time associated with an event in the lifecycle of the resource 1978? Identifier An unambiguous reference to the resource within a given context CUR062A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR062A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Naropa Institute, August 7, 1976] / Allen Ginsberg ... [et al.]. Creator An entity primarily responsible for making the resource Allen Ginsberg ... [et al.]. Table Of Contents A list of subunits of the resource. Allen Ginsberg reading:Ayers rock --December 1974 --Hospital window --Haikus from Rocky Mountain Dharma Center --Reading French poetry --Don't grow old --Father death blues. --Anne Waldman reading:Musical garden --Energy crisis --Boulder poem --Shaman hisses. --Ch??gyam Trungpa, with English translations read by David Rome:Song of the white banner --Letter to Marpa --In spring --Spontaneous poems written in English --Somebody's personal trip --More spontaneous poems --1111 Pearl Street --Zero is nothing. --William S. Burroughs reading:Meeting of international conference of technological psychiatry --Take Nirvana --Twilight's last gleamings. Description An account of the resource Recorded on August 7, 1976 at the Naropa Institute in Boulder, Colorado by participant Allen De Loach on a 120 minute Tracs sound cassette. Poetry reading given by Allen Ginsberg, Anne Waldman, Ch??gyam Trungpa, and William S. Burroughs. Philip Whalen provides introductions to the readers. Trungpa's poetry is read by David Rome. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Naropa Institute, August 10, 1976] / Philip Whalen. Creator An entity primarily responsible for making the resource Philip Whalen. Description An account of the resource Recorded on August 10, 1976 at the Naropa Institute in Boulder, Colorado by participant Allen De Loach on a 90 minute Scotch sound cassette. A lecture given by Philip Whalen during the 1976 summer session. Whalen reads and discusses the work of Walt Whitman, Herman Melville, and nature in literature produced in the United States during the 19th century. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT074 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT074.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Allentown Community Center, Buffalo, N.Y., February 11, 1987] / Fred Wah, Warren Tallman. Creator An entity primarily responsible for making the resource Fred Wah, Warren Tallman. Table Of Contents A list of subunits of the resource. Disc 1.Fred Wah reading from Waiting for Saskatchewan:Father, when you died you left me --My father hurt, untitled 2 --August 8, In Canton now after train ride out from Hong Kong --first line of poem:[So what have I got going besides this father list] --first line of poem:[From Hong Kon to Guangzhou] --August 7, We travel all day out the inner Mongolian grasslands --Elite 3 --Elite 9 --Elite 10 --Father/Mother, haibun #7 --Father/Mother, haibun #9 --Maybe my grandmothers went north --Syntax --You won't know until I found you in your skin --Gallery series #2 --Gallery series #7 --Gallery series #9 --Music at the heart of thinking sixty-four --Music at the heart of thinking sixty-five --Music at the heart of thinking sixty-six. --Warren Tallman reading:Music at the heart of thinking forty --Music at the heart of thinking forty-one --Music at the heart of thinking forty-two --Music at the heart of thinking forty-three --Music at the heart of thinking forty-four --Music at the heart of thinking forty-five --Music at the heart of thinking forty-six --Music at the heart of thinking forty-seven --Music at the heart of thinking forty-eight --Music at the heart of thinking forty-nine. --Disc 2.Olson's human universe (excerpts) --How to play carrer and win (selection) --The riddle, part 3. Description An account of the resource Recorded at the Allentown Community Center on February 11, 1987 by Paul T. Hogan on a 90 minute TDK sound cassette. Recording of the Fred Wah and Warren Tallman's poetry readings at the Allentown Community Center. Tallman introduced Wah, and Wah introduced Tallman. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context HOG051 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG051.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at University of New Mexico, Union Theatre, May 3, 1962] / Lawrence Ferlinghetti. Creator An entity primarily responsible for making the resource Lawrence Ferlinghetti. Table Of Contents A list of subunits of the resource. Starting off from San Francisco --Albertine, Albertine --A Coney Island of the mind (selection) --Sarolla's women in their picture hats --Penny candy store poem --Dog --first line of poem:[And that's the way it always is] --The world is a beautiful place to be born into --Big fat hairy vision of evil --Underwear --Flying out of it --Euphoria --Overpopulation --Berlin --Above Taos now. Description An account of the resource Recorded at the University of New Mexico, Union Theatre, May 3, 1962 on a 7 inch Sunset reel-to-reel tape by Allen De Loach, who gave the recording to the Poetry Collection. Lawrence Ferlinghetti reads to an enthusiastic audience in New Mexico. He reads from Starting off from San Francisco, Americus and A Coney Island of the mind. Ferlinghetti closes the reading with a poem about D.H. Lawrence and Taos, N.M. Date A point or period of time associated with an event in the lifecycle of the resource 1962 Identifier An unambiguous reference to the resource within a given context INT185C Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT185C.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. The trout --All legendary obstacles --Clear the way --The siege of Mollingar --A dream of July --A sane gesture --The living and the dead --Omagh Hospital --A hollow note --A new siege. Description An account of the resource Recorded on a 60 minute Fuji sound cassette, possibly in 1971 at the University at Buffalo. Poet John Montague reads his poems. He is introduced by an unnamed man. Date A point or period of time associated with an event in the lifecycle of the resource 1971? Identifier An unambiguous reference to the resource within a given context PCR224 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR224.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Head Tide, Alna, Maine, August 25, 1975] / Gordon Clark. Creator An entity primarily responsible for making the resource Gordon Clark. Table Of Contents A list of subunits of the resource. Disc 1.December 16, 1620 --Town warrant --Composition from nature number 13: Newsweek, November 11, 1974 --No matter what they say for David Steinglass --Fall sky --Maine, deep woods --Ides of March, New England --Second glance at a poet (for Ted Hughes) --The voucher and the eagle --The white kite --Sarah's gorilla, Washington Zoo, 1971 --January thaw --On an Elizabethan note --Poem for Marion --Those in love --Theory of relativity --Composition from nature, birthday poem --For Marion, 8th year February 20th --Coastline --Moonlighting --The natural gothic of our lives --On the coming of the comet --Morning vision --Toward reporachment --Omens --Picture from an institution, number 1 --PIctures from an institution, number 2 --Size --Composition from nature, numver 13.2 --The five topiate answers, college division --Composition from nature, number 17 --The fourth part of Henry VI. --Disc 2.Errata --Apology for good dreams. Description An account of the resource Recorded at Head Tide, Alna, Maine on August 25, 1975 on a 90 minute Norelco sound cassette. Gordon Clark reads his poetry from At the drop of a hat and Sarah's gorilla. Track 3 on disc 2 begins an unrelalted recording of British sketch comedy. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context PCR050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture on oral performance at the University at Buffalo, April 17, 1980] / Jerome Rothenberg. Creator An entity primarily responsible for making the resource Jerome Rothenberg. Description An account of the resource Recorded at the University at Buffalo on April 17, 1970 on two 60 minute Scotch sound cassettes. Recorded by Allen De Loach and acquired by the Poetry Collection. Jerome Rothenberg reads poems and translations of Native American poetry and songs and discusses poetics. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context INT088 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT088.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview on Stonewall nation, November 15, 1978] / Eric Bentley Creator An entity primarily responsible for making the resource Eric Bentley interviewed by Alex Van Oss. Description An account of the resource Recorded at the University at Buffalo for WBFO FM 88 radio program "Stonewall nation" and broadcast November 15, 1978. Recorded on a 7 inch reel-to-reel tape. Alex Van Oss interviews Eric Bentley on the topic of gay liberation and theater arts. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context PCR404 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR404.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Margaret Randall Defense Committee presents an evening of free speech, poetry and prose, Allentown Community Center, Buffalo, N.Y., April 23, 1988] / Diane Di Prima ... [et al.]. Creator An entity primarily responsible for making the resource Diane Di Prima ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.My grandfather and I had our secrets /Diane Di Prima --Memory shreds /Di Prima --You cannot write a single line /Di Prima --The scream (excerpt) /Jimmie Canfield --Burning flowers /Canfield --Confidence /Canfield --So we reveal our status with twin horns /Robert Creeley reading H.D. --A portrait of the self as instrument of its syllables (excerpt) /Creeley reading Gustaf Sobin's work. --Disc 2.Reading of Emmanuel Levinas /Creeley --Plague /Creeley --The politics of housework /Michelle Wallace reading Pat Mainardi's work --Immigration law /Margaret Randall --The morning I dreamed my children (for Audrey Lord) /Randall --I wake with a taste of what you tasted /Randall --Control /Randall --You didn't mean it personally /Randall. Description An account of the resource Recorded at the Allentown Community Center, Buffalo, N.Y. on April 23, 1988 by Paul T. Hogan on a 90 minute TDK sound cassette. Poetry reading by Diane Di Prima, Robert Creeley, Jimmie Margaret Canfield, Margaret Randall, and Michelle Wallace. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context HOG049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, St. Mark's Church, New York, N.Y., January 3, 1968] / John Wieners. Creator An entity primarily responsible for making the resource John Wieners. Description An account of the resource Recorded on St. Mark's Church, New York, N.Y., January 3, 1968 on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by John Wieners. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT203C Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT203C.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource COSMEP conference, June 11-13, 1970 / Description An account of the resource Recorded at the COSMEP Conference on June 11-13, 1970 by Allen De Loach on three 7 inch reel-to-reel tapes. The Poetry Collection acquired the recording from De Loach. This recording is of the Committee of Small Magazine Editors and Publishers (COSMEP) conference held from June 11-13, 1970. The conference featured lectures, readings, question and answer sessions, and discussions by conference participants. The participants included: Allen Katzman, Victor Coleman, Jerome Rothenberg, William Wantling, John Wieners, Robert Creeley, Susan Sherman, Leslie Fiedler, and Allen Ginsberg. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context INT204 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT204.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Peter Orlovsky, Allen Ginsberg, Gregory Corso. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context PCR437 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Description An account of the resource Recorded on three 90 minute sound cassettes on March 1, 1975 at the University of Massachusetts, Amherst. Poets Peter Orlovsky, Allen Ginsberg and Gregory Corso perform poetry and sing at the University of Massachusetts, Amherst. The sound quality is poor. The recording also has commercially recorded music interspersed with the live performance. Title A name given to the resource [Poetry reading, University of Massachusetts, Amherst, March 1, 1975] / Peter Orlovsky, Allen Ginsberg, Gregory Corso. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR437.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 14, 1982] / Eileen Myles, Michael Lally, Bud Navera. Creator An entity primarily responsible for making the resource Eileen Myles, Michael Lally, Bud Navera. Table Of Contents A list of subunits of the resource. Disc 1.Myles reading:Straight niner --[And then the weather arrives] --Stipes --[Ingman eine Berliner] --Spinning wheel --Lovely old door. --Disc 2.Lally reading:Afterglow --Maybe it would pass over --[Hey honey] --Navera reading:The good life --Life --Life is a biter --Newark poem --[mantra] --Getting still. Description An account of the resource Recorded on a 90 minute TDK sound cassette May 14, 1982 in Buffalo, N.Y. Recording of Eileen Myles, Michael Lally and Bud Navera reading poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS103 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS103.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, October 26, 1995] / Lucille Clifton. Creator An entity primarily responsible for making the resource Lucille Clifton. Table Of Contents A list of subunits of the resource. For the lame -Slaveships --February 1994 --Memphis --Amazons --Loving this body --In the same week --Study the masters --Naomi watches as Ruth sleep --Lida talking --Old Man River --Amazons --Fury: for Momma. Description An account of the resource Recorded on a 90 minute TDK sound cassette October 26, 1995 at the Allentown Community Center. Recording of Lucille Clifton's poetry reading in Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS030 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS030.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, February 6, 1969] / John Wieners, Michael Hamburger, Allen De Loach. Creator An entity primarily responsible for making the resource John Wieners, Michael Hamburger, Allen De Loach. Description An account of the resource Recorded by Allen De Loach on a 7 inch reel-to-reel tape on Febraury 6, 1969 in Buffalo, N.Y. Recording of a poetry reading and musical performance featuring John Wieners, Michael Hamburger, and Allen De Loach. The sound quality is very poor, rendering much of the recording inaudible. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context PCR346 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR346.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading] / Jess. Creator An entity primarily responsible for making the resource Jess. Table Of Contents A list of subunits of the resource. [I need a limit] --Hung by the bathtub duck --This is the box Pandora shook --A nightmare on Indpendence Day eve --The call of the hermetic night. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in 1969 in San Francisco. Recording of Jess reading and singing. The recording has very poor sound quality. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context TMC005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-TMC005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, University at Buffalo, February 10, 1983] / Sonia Sanchez. Creator An entity primarily responsible for making the resource Sonia Sanchez. Table Of Contents A list of subunits of the resource. How rain was made --What song shall I sing you. Description An account of the resource Recorded on a sound cassette at the Kiva Room at the University at Buffalo on February 10, 1983. Recording of a reading by Sonia Sanchez. The recording has very poor sound quality. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context JUS012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, February 28, 1968] / Dick Higgins ... [et al.]. Creator An entity primarily responsible for making the resource Dick Higgins ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Burroughs reading with first line [Drove all night]. --Disc 2.Sound poetry:2 x 11 x 8 --[Spa dada]. Description An account of the resource Recorded on February 28, 1968 on a 7 inch Scotch reel-to-reel tape by Allen De Loach and acquired by the Poetry Collection. Disc 1 features William Burroughs reading and it appears to be recorded from a commercial recording. Disc 2 features a sound performance from Dick Higgins, Jackson Mac Low, Carol Berg??, Iris Lezak, Alison Knowles, Donald Phelps, Alex Gross. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT209B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT209B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 8, 1971] / Allen De Loach ... [et al.]. Creator An entity primarily responsible for making the resource Allen De Loach ... [et al.]. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context INT205B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Description An account of the resource Recorded by Allen De Loach on a 7 inch reel-to-reel tape on May 8, 1971 in Cambridge, Massachusetts. Recording of various unidentified poets reading protest poetry. The original label claims the reading occurred in Cambridge, Massachusetts. Allen De Loach read and recorded this performance, however the sound quality is very poor, rendering parts of the recording inaudible. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT205B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University of California, Berkeley, November 13, 1975] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Table Of Contents A list of subunits of the resource. Disc 1.That room --New sage --[O'Reilly's farewell] --A door opens --Gossip --Closed circuit --The point. --Disc 2.The noise --Heroe portion --A hymn to the goddess of war --Envoy --Northern express --The cape --[Unmarked faces] --[American matrons] --Dream of July --Love a greeting. Description An account of the resource Recorded at the University of California, Berkeley, November 13, 1975 on a 90 minute sound cassette. Irish poet John Montague reads his poems and shares anecdotes. He is introduced by Thomas Parkinson, his former mentor. The recording actually begins on disc 2 and it should be listened to first. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context PCR429 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR429.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and performance] / Pete Seeger and Allen De Loach. Creator An entity primarily responsible for making the resource Pete Seeger and Allen De Loach. Description An account of the resource Recorded in the 1970s? Allen De Loach on two Compact sound cassettes. Allen De Loach interviewed Pete Seeger and recorded his performance. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context INT141 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT141.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 18, 1965] / Jim Boyack ... [et al]. Creator An entity primarily responsible for making the resource Jim Boyack ... [et al]. Table Of Contents A list of subunits of the resource. Disc 1.Boyack reading:Late cahier. --Coleman reading:Boat book of the cock and the poet takes a wife --The bridge --Electra. --Hogg reading:Close to the river --All in all --Cunnilungus. --Disc 2.I woke --Little falls --And the voice said walk. --Rodefer reading:The memory of myself --The house --Bibliography --The corners of the sun --Four --The grill --Good morning --For Renee. --Franks reading:The dream --The knee --Inferior distance --Touch --Portent of the primary green --For the raising of the flag --The cape --The fact --Ohio sky --In my mind --[Only it's weird]. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 18, 1965. Recording of a poetry reading by Jim Boyack, Victor Coleman, Robert Hogg, Stephen Rodefer and David Franks at the Berkeley Poetry Conference. The event was introduced by Robin Eichele. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF015 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF015.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Naropa Institute, August 11, 1976] / Jerome Rothenberg, Diane Di Prima, Jim White. Creator An entity primarily responsible for making the resource Jerome Rothenberg, Diane Di Prima, Jim White. Table Of Contents A list of subunits of the resource. Disc 1.:Western journey /Di Prima. --Rothenberg reading:Far now from Rotterdam --Chicago poem --A poem to celebrate the spring. --White reading:The broken water sack --Submissions. --Loba /Di Prima --A poem of beavers /Rothenberg. --Disc 2.Rothenberg reading:A man born from a flower in space --[chanting]. --White reading:The clay dancer --Butcher's dance. --Di Prima reading:The fire guardian --Trophies of pain I've gathered. --Rothenberg reading:Cock boy --Poland, 1931. --White reading:Coyotes wide. Description An account of the resource Recorded at the Naropa Institute, August 11, 1976 on a 120 minute Tracs sound cassettes. Recorded by Naropa participant Allen De Loach and acquired by the Poetry Collection. Poetry reading by Jerome Rothenberg, Diane Di Prima and Jim White at the Naropa Institute. Disc 1 is actually the continuation of Disc 2, Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT079 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT079.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Letter to Carolyn Stoloff, February 20, 1970] / Robert Peterson, Dorothy Peterson. Creator An entity primarily responsible for making the resource Robert Peterson, Dorothy Peterson. Description An account of the resource Recorded for Carolyn Stoloff on a 5 inch Premier reel-to-reel tape on February 20, 1970. Recording of a tape made by Robert and Dorothy Peterson in response to a tape sent by Carolyn Stoloff reading her poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context STO006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, Buffalo, N.Y., March 11, 1983] / Ishmael Reed, David Henderson. Creator An entity primarily responsible for making the resource Ishmael Reed, David Henderson. Table Of Contents A list of subunits of the resource. Reed reading:The low east --Maria --To keep on dancing --For Marilyn --Azania. --Henderson reading:My dearest Michael --My dear Khomeni --Native's version --Petite Kidd Everett --If I had a nickel -Scene takes place in Oval Office, 1990. Description An account of the resource Recorded on a 90 minute TDK sound cassette on March 11, 1983 at the Allentown Community Center. Recording of Ishmael Reed and David Henderson reading poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context JUS031 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS031.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, Buffalo, N.Y., October 30, 1983] / Carolyn Forch??. Creator An entity primarily responsible for making the resource Carolyn Forch??. Table Of Contents A list of subunits of the resource. As children together --El Salvador, 1978-1980 (1st section). Description An account of the resource Recorded on a 90 minute TDK sound cassette at the Allentown Community Center in Buffalo, N.Y. on October 30, 1983. Recording of Carolyn Forch??'s poetry reading. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context JUS104 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS104.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interviews] / Kurt Vonnegut, Charles Johnson, Raymond Federman Creator An entity primarily responsible for making the resource Kurt Vonnegut, Charles Johnson, Raymond Federman interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette June 5 and 12, 1988 for Spoken Arts radion on WBFO. Recording of Mary Van Vorst's interviews with Kurt Vonnegut, Charles Johnson, Raymond Federman on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS032 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS032.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, November 9, 1995] / Kimiko Hahn. Creator An entity primarily responsible for making the resource Kimiko Hahn. Table Of Contents A list of subunits of the resource. Going inside to write --[Moresaki knew] --Decomposition --Daylilies on the second anniversary of my second marriage --The older child --The unbearbable heart (excerpts). Description An account of the resource Recorded on a 90 minute TDK sound cassette on November 9, 1995. Recording of a reading by Kimiko Hahn. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS029 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS029.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Student poetry reading at the Poetry Collection, University at Buffalo, April 29, 1987] / Wilma Cipolla ... [et al.]. Creator An entity primarily responsible for making the resource Wilma Cipolla ... [et al.]. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on a sound cassette on April 29, 1987. Wilma Reid Cipolla gives the winner of the Academy of American Poets Prize to Steven Gay (honorable mention) and to Paula Cahill (winner). Carl Dennis provides the Arthur Axlerod Award to Tammy Otto and Christopher Parker, and the Scribblers' Award to Deborah Corder (winner) and Cahill (runner-up). Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCF042 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF042.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, March 9, 1984] / Maureen Owen. Creator An entity primarily responsible for making the resource Maureen Owen. Table Of Contents A list of subunits of the resource. Some lines in the style of Sappho. Description An account of the resource Recorded on a 60 TDK sound cassettes on March 9, 1984 at the Allentown Community Center, Buffalo, N.Y. Poetry reading by Maureen Owen. Date A point or period of time associated with an event in the lifecycle of the resource 1984 Identifier An unambiguous reference to the resource within a given context JUS064 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS064.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [F'loom poetry reading, May 5, 2000] / Just Buffalo Literary Center. Creator An entity primarily responsible for making the resource Just Buffalo Literary Center. Description An account of the resource Recorded on a 90 TDK sound cassettes on May 5, 2000 at F'loom, Just Buffalo Literary Center at Allen Hall, University at Buffalo. Recording of a modern sound poetry reading with unidentified poets. Date A point or period of time associated with an event in the lifecycle of the resource 2000 Identifier An unambiguous reference to the resource within a given context JUS102 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS102.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, Buffalo, N.Y. April 26, 1985] / Jorge Guitart, Nancy Morej??n. Creator An entity primarily responsible for making the resource Jorge Guitart, Nancy Morej??n. Table Of Contents A list of subunits of the resource. Guitart reading:On borders --Sisters of men --Watching the nightly news on Ethiopia --Synchronicity --I shall have an affiar with a Chagall maiden --Notes from Annie --Fishing in Spain --Narcissus --Adios --Games with a mirror --Let me tell you. --Morej??n reading:My mother had --Sullen and serene --Heroes and the everyday lives of my country --To a boy --Madrigal for runaway slaves --To remember it. Description An account of the resource Recorded on a 90 minute TDK sound cassettes on April 26, 1985 at the Allentown Community Center in Buffalo, N.Y. Recording of a reading by Nancy Morej??n and Jorge Guitart. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Identifier An unambiguous reference to the resource within a given context JUS061 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS061.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 11, 1970] / Table Of Contents A list of subunits of the resource. Tenebrae --Somebody chime --Souvenir --Looking for the devil poems --The poem unwritten --Revolutionary --Animal rights --Joie de vivre --Let us sing unto the Lord a new song --The year one. Description An account of the resource Recorded on May 11, 1970 on a 7 inch Scotch reel-to-reel tape. Poetry reading by Denise Levertov. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context PCR440 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR440.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Recording of taped poems] / Description An account of the resource Recorded in the [1970s?] on a 5 inch Scotch reel-to-reel tape. Collection of tape recorded poems by various poets. The sound quality is very poor and the recording is almost inaudible at points. The original reel tape box claims that the poets featured on the recording are: John Perrault, Eduardo Costa, Vito Hannibal Acconci, Michael Benedikt, Scott Burton, Ted Castle, Leandro Katz, John Giorno, Joseph Ceravolo, Dan Graham, Bernadette Mayer, Anne Waldman, Lewis Warsh, Hannah Weiner. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context PCR423 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR423.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Paul Blackburn memorial poetry reading] / Table Of Contents A list of subunits of the resource. Disc 1.The one who is always there --Cave of the winds --A poem for children /Joel Oppenheimer --32nd light poem: in memoriam Paul Blackburn /[Jackson MacLow?] --I don't know what I'm seeking --Straight day whiskey --The net of the moon. --Disc 2.Un abrazo for Paul: a telegram sent to Paul Blackburn on August 24, 1971 /David Antin --Number 16 : words --[chant] /[Allen Ginsberg?] --[speech about Blackburn] /Harry Lewis. Description An account of the resource Recorded in 1971 on a 90 minute Scotch sound cassette by Allen De Loach and acquired by the Poetry Collection. Memorial poetry reading for Paul Blackburn featuring different unidentified poets. The recording has very poor sound quality and is almost inaudible. Date A point or period of time associated with an event in the lifecycle of the resource 1971? Identifier An unambiguous reference to the resource within a given context INT208 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT208.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 22, 1965] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Table Of Contents A list of subunits of the resource. Disc 1.The rocks --Water --The mountains in the desert --Waiting --The invitation --For William Carlos Williams --Song --The fire --For no clear reason --The messengers --I --Something --Walking --The language --The chance --The foot --Hello --Quick step --Variations --There is --The measure --The woman --The pattern --The mechanic --Walls --I keep to myself such measure --The dream --Anger --[Is there some]. --Disc 2.After --Some afternoon --Hadn't I been --Three --Someplace --I wouldn't embarass you --Song --The night --The answer --A place --The world --There is nothing --Words --There will be no simple way --They --The method --The whole --A sight. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 22, 1965. Recording of a poetry reading at the Berkeley Poetry Conference. He was introduced by Robert Duncan. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion of Charles Olson] / George Butterick. Creator An entity primarily responsible for making the resource George Butterick. Description An account of the resource Recorded by George Butterick on a 7 inch reel-to-reel tape possibly in 1971. Recording of a discussion of Charles Olson given by George Butterick at Wilson College. Additionally, there is a recording of Albert Glover at St. Lawrence University discussing Olson. Ralph Maud is also featured on the recording discussing Olson. Date A point or period of time associated with an event in the lifecycle of the resource 1971? Identifier An unambiguous reference to the resource within a given context BUT047 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT047.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Merritt Clifton. Creator An entity primarily responsible for making the resource Merritt Clifton. Table Of Contents A list of subunits of the resource. Vote the Jesus-Reagan ticket --Seduction --Rose --Late virgin --Commaro --Pamela --Laredo --American river. Description An account of the resource Recorded on an Audio Magnetics sound cassette in the 1980s. Poetry readings by Merritt Clifton featuring selections from Samisdat. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context PCR428 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR428.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Merritt Clifton. Creator An entity primarily responsible for making the resource Merritt Clifton. Table Of Contents A list of subunits of the resource. Iron maiden from the Golan Heights --Do unto others --Trade --From lonely Knoll Naval Hospital --The pillory --Merchants of Venice --Onward Christian soldiers --Mirror. Description An account of the resource Recorded on an Audio Magnetics sound cassette in the 1980s. Poetry readings by Merritt Clifton featuring selections from Samisdat. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context PCR427 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR427.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, March 17, 1972] / John Barth, Neal Cassady. Creator An entity primarily responsible for making the resource John Barth, Neal Cassady. Description An account of the resource Recorded on February 20, 1968 in New York, N.Y. on two 60 minute Tracs sound cassette tapes by Allen De Loach. Poetry reading by John Barth featuring his reading of Chimera. Disc 2 features a recording of Neal Cassady live in performance. The sound quality of the recording is very poor. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context INT198 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT198.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, February 20, 1968] / Ted Berrigan. Creator An entity primarily responsible for making the resource Ted Berrigan. Table Of Contents A list of subunits of the resource. Poop --A personal memoir, Tulsa, Oklahoma --Long time, no see --Corporal Pelegrine --Tambourine life --A poem in 74 sections (from Mother Mag) Description An account of the resource Recorded on February 20, 1968 in New York, N.Y. on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by Ted Berrigan featuring works from Bean spasms, The sonnets. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT200C Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT200C.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, April 15, 1977] / Ted Berrigan. Creator An entity primarily responsible for making the resource Ted Berrigan. Table Of Contents A list of subunits of the resource. People of the future --The joke of the stars --From a list of delusions of the insane --These are the very rich garments of the poor --Scorpio: If I didn't love you --Ophelia --Chicago --Bernadette. Description An account of the resource Recorded on April 15, 1977 in Buffalo, N.Y. on a 90 minute sound cassette by Allen De Loach. Poetry reading by Ted Berrigan. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context INT206 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT206.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture, Berkeley Poetry Conference, July 23, 1965] / Robert Creeley. Creator An entity primarily responsible for making the resource Robert Creeley. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 23, 1965. Recording of a lecture by Robert Creeley at the Berkeley Poetry Conference. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF022 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF022.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading and lecture, November 20, 1988] / Russell Banks, John Brandi. Creator An entity primarily responsible for making the resource Russell Banks, John Brandi. Description An account of the resource Recorded on two 90 minute TDK sound cassette on November 20, 1988. Recording of a reading and lecture by Russell Banks and John Brandi. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS115 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS115.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Anne Waldman, John Daley. Creator An entity primarily responsible for making the resource Anne Waldman, John Daley. Table Of Contents A list of subunits of the resource. Waldman reading:Air's other side --Baby's pontoon. --Daley reading:Little white caps. Description An account of the resource Recorded on a 60 minute Sony sound cassette in the 1980s. Recording of a reading by Anne Waldman and John Daley. The recording has very poor sound quality. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context JUS021 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS021.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 4, 1988] / Fielding Dawson, Ed Sanders. Creator An entity primarily responsible for making the resource Fielding Dawson, Ed Sanders. Table Of Contents A list of subunits of the resource. Dawson reading:Buffalo nickel --Paper moon. --Sanders reading:She hadn't been across the alley from the Alamo. Description An account of the resource Recorded on a 60 minute Sony sound cassette on May 4, 1988. Recording of a reading by Fielding Dawson and Ed Sanders. The recording has poor sound quality. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS034 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS034.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Eileen Myles. Creator An entity primarily responsible for making the resource Eileen Myles. Table Of Contents A list of subunits of the resource. December 9th --Walk for Ian --Looking back --Fran Leibowitz --My childhood --Greedy season --It's 1:25 Saturday night. Description An account of the resource Recorded on a 60 minute TDK sound cassette in the 1980s. Recording of a reading with Eileen Myles. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context JUS070 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS070.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and interview] / Seamus Heaney. Creator An entity primarily responsible for making the resource Seamus Heaney. Table Of Contents A list of subunits of the resource. Death of a naturalist --Personal helicopter --[He sliced the briars] --Still mammal --River bank --The loney --The tolerant man --Funeral rites --Interview. Description An account of the resource Recorded on a 90 minute Maxell sound cassette and broadcast on WBFO radio in the 1980s. Recording of a reading and an interview with Seamus Heaney by Barbara Herring. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context JUS105 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS105.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, October 7, 1988] / John Brandi. Creator An entity primarily responsible for making the resource John Brandi. Table Of Contents A list of subunits of the resource. Our geography is heartbeat --Night feast --Woman finding herself --What rite has she --A photographic fill --For Radhan nightfall --Fisherman song --Biting the chill --Dumbstruck light --Two bodies --Training the citizens --Jake Anderson. Description An account of the resource Recorded on a 90 minute TDK sound cassette on October 7, 1988 in Buffalo, N.Y. Recording of a reading by John Brandi. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS114 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS114.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry to Go reading, Buffalo, N.Y., April 2, 1999] / Description An account of the resource Recorded on three 60 Maxell sound cassettes on April 2, 1999 at the Poetry to Go reading in Buffalo, N.Y. Recording of a reading and discussion by: Brian Lamplum, Graham Foust, Anna Walsh, Kristianne Meal, Ben Freidlander, Celia White, Anna Walsh. Date A point or period of time associated with an event in the lifecycle of the resource 1999 Identifier An unambiguous reference to the resource within a given context JUS091 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS091.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Anima Animal Animation Conference, Buffalo, N.Y., November 22, 1980] / Robert Duncan, Robert Creeley. Creator An entity primarily responsible for making the resource Robert Duncan, Robert Creeley. Table Of Contents A list of subunits of the resource. Creeley reading:The lion and the dog --The door --The garden echoes --Kore --Rain --LIstless --Here now you are --Surgeons --What do you think it is --For my mother --The plan is the body. --Disc 2.Duncan reading:Structure of rime 28 --Sit down --A storm of white --Golden lines (translation from Nerval) --My mother would be a falconress --The museum --The lanis type --Stimul --Styx --Sentinels --In waking. Description An account of the resource Recorded on two 120 Ampex sound cassette on November 22, 1980 at the Anima Animal Animation Conference in Buffalo, N.Y. Recording of a reading by Robert Duncan and Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context JUS058 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS058.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 16, 1965] / Gary Snyder. Creator An entity primarily responsible for making the resource Gary Snyder. Table Of Contents A list of subunits of the resource. Disc 1.The politicians --Daydreaming on the trail --The great power line poles --Pine boughs --Borders --Mountains and rivers without end. --Disc 2. August --November --The back country --Oil --The public bath --The firing --Could she see the real --There is a world. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 16, 1965. Recording of a poetry reading by Gary Snyder at the Berkeley Poetry Conference. Snyder is introduced by Thomas Parkinson. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF025 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF025.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Dan Rice and George Butterick. Creator An entity primarily responsible for making the resource Dan Rice and George Butterick. Description An account of the resource Recorded by George Butterick on a three 90 minute Maxell sound cassettes reel-to-reel tape in the 1970s. Recording of an interview between Dan Rice and George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context BUT011 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT011.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, November 13, 1970] / Fred Wah, George Butterick, Ralph Maud. Creator An entity primarily responsible for making the resource Fred Wah, George Butterick, Ralph Maud. Description An account of the resource Recorded by George Butterick on a 7 inch Charters reel-to-reel tape on November 30, 1970. Recording of an interview and reading by Fred Wah. Ralph Maud and George Butterick are also featured on the recording. He reads poems, letters and quotes from Robert Duncan, Drummond Hadley, James Koller, George Stanley. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context BUT045 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT045.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, June 6, 1966] / William Burroughs. Creator An entity primarily responsible for making the resource William Burroughs. Table Of Contents A list of subunits of the resource. Burning heavens --Time and other lost awning flaps --Nova express --Sniffing kyholes. Description An account of the resource Recorded on June 6, 1961 at an unidentified poetry reading and also recorded from several commercially produced Burroughs' recordings on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by William Burroughs recorded June 6, 1961. Additional recordings of Burroughs reading at an international poetry festival in San Francisco, reading in Heidelberg, March 1967, Better books, Summer 967, English Bookshop in Paris, in 1961. Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context INT209A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT209A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, January 30, 1971] / Bill Butler. Creator An entity primarily responsible for making the resource Bill Butler. Table Of Contents A list of subunits of the resource. The second Mormon suite. Description An account of the resource Recorded on January 30, 1971 at 11 Greenfield Street, Buffalo, N.Y. on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by Bill Butler. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context INT205A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT205A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 8, 1968] / Robert Creeley, Allen De Loach. Creator An entity primarily responsible for making the resource Robert Creeley, Allen De Loach. Table Of Contents A list of subunits of the resource. Disc 1.De Loach reading:Three parts unordered. --Creeley reading:Again --But now it's come to distances. Description An account of the resource Recorded on May 8, 1968 on a 7 inch Scotch reel-to-reel tape by Allen De Loach and acquired by the Poetry Collection. Poetry reading by Allen De Loach and Robert Creeley for the Defense Fund Benefit at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT200B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT200B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, February 18, 1967] / Charles Bukowski. Creator An entity primarily responsible for making the resource Charles Bukowski. Table Of Contents A list of subunits of the resource. Disc 1.Buffalo Bill --A little atomic bomb --The colored birds --Somebody's always breaking my dainty solitude --Fag, fag, fag --The screw game --The literary life --When you wait for the dawn --A fine day and the world looks good --Sleeping woman --The new place --Drunk again and wondering, wondering. --Disc 2.They worked me over --The birth --About my very tortured friend Peter --The automobiles --Dear friends --199 pounds of clay leaning forward --A world really --Don't come around, but if you do --Lilies in my brain --Sing to gods or kangaroos --Sound down the street --No Lady Godiva. Description An account of the resource Recorded on February 18, 1967 on a 7 inch Scotch reel-to-reel tape by Allen De Loach and acquired by the Poetry Collection. Poetry reading by Charles Bukowski. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context INT203A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT203A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 24, 1965] / Ron Loewinsohn, Joanne Kyger. Creator An entity primarily responsible for making the resource Ron Loewinsohn, Joanne Kyger. Table Of Contents A list of subunits of the resource. Loewinsohn reading:The step --[Adoration]. --Kyger reading:The maze --We are in a tighter web --The Odyssey poems. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 24, 1965. Recording of a poetry reading by Ron Loewinsohn and Joanne Kyger at the Berkeley Poetry Conference. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF020 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF020.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 23, 1965] / Charles Olson. Creator An entity primarily responsible for making the resource Charles Olson. Table Of Contents A list of subunits of the resource. Maximus. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 23, 1965. Recording of a discussion and poetry reading of Maximus by Charles Olson at the Berkeley Poetry Conference. He was introduced by Robert Duncan. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF017 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF017.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 16, 1965] / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Table Of Contents A list of subunits of the resource. Passages. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 16, 1965. Recording of a poetry reading of Passages by Robert Duncan at the Berkeley Poetry Conference. He was introduced by Thomas Parkinson. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF021 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF021.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 20, 1965] / Ed Dorn. Creator An entity primarily responsible for making the resource Ed Dorn. Table Of Contents A list of subunits of the resource. Geography --Idaho out. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 20, 1965. Recording of a poetry reading by Ed Dorn at the Berkeley Poetry Conference. He was introduced by Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF019 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF019.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Cornell University on April 18, 1961] / John Logan. Creator An entity primarily responsible for making the resource John Logan. Table Of Contents A list of subunits of the resource. Grandfather's railroad --The dialogues of Lana Tree --The girl in the sand colored hat --A century piece for poor Heine --Protest after a dream --Monologue for the son of Saul --On a photograph by Aaron Siskund --An experiment that failed. Description An account of the resource Recorded at Cornell University on April 18, 1961 on a 5 inch Ampex reel-to-reel tape. Poetry reading by John Logan at Cornell University. Date A point or period of time associated with an event in the lifecycle of the resource 1961 Identifier An unambiguous reference to the resource within a given context LOG050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-LOG050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / George Stanley. Creator An entity primarily responsible for making the resource George Stanley. Table Of Contents A list of subunits of the resource. Pablito at the Correda --In a world of flowers --In the blind room --Pony Express writers. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in 1969 in San Francisco. George Stanely reads his poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context TMC012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-TMC012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University] / Michael McClure. Creator An entity primarily responsible for making the resource Michael McClure. Table Of Contents A list of subunits of the resource. Disc 1.McClure reading:The plumes of love --I love to think of the red and purple rose --Silence --[Yeah, or maybe] --A skull --From the window of the Beverly Wiltshire Hotel --Beautiful flesh --The young lady. --Disc 2.Dawson reading:The olive gown --[There is a sculptor I know]. Description An account of the resource Recorded at Kent State University in Kent, Ohio in the 1970s on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf who donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator Recording of a poetry reading by Michael McClure. McClure is introduced by an unnamed man. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR052 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR052.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Berkeley Poetry Conference, July 21, 1965] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Table Of Contents A list of subunits of the resource. Disc 1.[chanting] --19th December 1962 --Sara Swatha's birthday --Jai Guru --[translation of Indian poems] --Robbie Measure, March 20th --Black magician --March 19, 1964, back to N.Y. --Disc 2.Why is God love --When I lay down to sleep --Havana Cathedral Square 1965 --Reality sandwiches (excerpts) --To Peter Orlovsky --Pargue, March 11, 1965 --[Crow mialis] --Who be kind to. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 21, 1965. Recording of a poetry reading by Allen Ginsberg at the Berkeley Poetry Conference. He was introduced by Thomas Parkinson. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF023 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF023.mp3