6 100 1488 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Turlock Concert] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. I dream of Leslie --Moonlight on Malibu --A sword in a cloud of light --[Shido] --Resistance. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Turlock Concert. The date and place of this recording are unknown. Recording of the Jazz Poetry and the Arts Festival featuring Kenneth Rexroth reading poetry with musical accompaniment. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context REX003 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX003.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Jazz Poetry and the Arts Festival] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. [It's warm tonight] --Her hand in mine --Nobody knows what love is anymore. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. Recording of the Jazz Poetry and the Arts Festival featuring Kenneth Rexroth reading poetry with musical accompaniment. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context REX002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Central Park Grill in Buffalo, N.Y., March 21, 1992 ] / E.B.M.A. Creator An entity primarily responsible for making the resource E.B.M.A. Table Of Contents A list of subunits of the resource. Disc 1.E.B.M.A. performance:This sucks --The hand --Noise --Udders. --Michael Basinski reading:Recomposing Poe --[Moon poon oh oon] --Red rain one --The ugly poemy --Eos. --Disc 2.E.B.M.A. performance:Venedian Beseechers. Description An account of the resource Recorded on a 90 minute TDK sound cassette at the Central Park Grill in Buffalo, N.Y. on March 21, 1992 by Michael Basinski. Performance poetry by E.B.M.A. and Michael Basinski. E.B.M.A. consists of Basinski, Don Metz, Carolyn Unitas, Jeff Filipski, James Perone. The event was hosted by Mark Hammer, who read an "Ode to spring" written by Basil Bunting. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context CUR116 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR116.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Panel discussion at the Creative Arts Festival, Kent State University, April 1974] / Joel Oppenheimer, Edward Dorn, Joanne Kyger in Robert Bertholf's class. Creator An entity primarily responsible for making the resource Joel Oppenheimer, Edward Dorn, Joanne Kyger in Robert Bertholf's class. Description An account of the resource Recorded at Kent State University in Kent, Ohio in April 1974 on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of Joel Oppenheimer at the Creative Arts Festival. Introduction by Joanne Kyger. Disc 1 features Joel Oppenheimer's discussion with Robert Bertholf. Disc 2 features Ed Dorn and Joanne Kyger's discussion with Robert Bertholf. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR051 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR051.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 1974] / Joel Oppenheimer. Creator An entity primarily responsible for making the resource Joel Oppenheimer. Table Of Contents A list of subunits of the resource. The hardboiled mystery --A late winter poem --Driving back from your house --Double haiku --The lesson --Making a Valentine --Cultural oppression --The word --Poem for the new year --For a young poet in a dry season --The astrologer tells me --Letter to Philip Whalen on his becoming a Zen student --The lover --Every time wondering --Getting there --The lady of madness --Moving out --Naked poem --Screaming poem --Child poem --Questions for the mother --Dream poem --Meat poem --Question poem --Mother poem --Breast poem --Dream mother poem --Mother prayer --Father poem --Found son poem --Tango poem --Mirror poem --Prayer poem. Description An account of the resource Recorded at Kent State University in Kent, Ohio in April 1974 on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of Joel Oppenheimer at the Creative Arts Festival. Introduction by Joanne Kyger. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion, Buffalo, N.Y., August 12, 1967] / Allen De Loach, Anselm Hollo, and James Wright. Creator An entity primarily responsible for making the resource Allen De Loach, Anselm Hollo, and James Wright. Description An account of the resource Recorded in Buffalo, N.Y. on August 12, 1967 by Allen De Loach on 7 inch Overture reel-to-reel tape. This recording is of a discussion on modern poetry between Allen De Loach, Anselm Hollo and James Wright. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context INT065A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT065A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture and poetry reading at the University at Buffalo, November 5, 1970] / Robert Bly. [Informal poetry reading, Buffalo, N.Y. December 13, 1970] / Eric Mottram, Allen De Loach, Bill Cirrico. Creator An entity primarily responsible for making the resource Robert Bly. [Informal poetry reading, Buffalo, N.Y. December 13, 1970] / Eric Mottram, Allen De Loach, Bill Cirrico. Table Of Contents A list of subunits of the resource. Disc 1.Lecture --reading from translation of Federico Garc? Description An account of the resource Recorded at the University at Buffalo in English Dept. trailer B (located on the South Campus) on Thursday, November 5, 1970 at noon on 2 sound cassettes. Discs 2 and 3 feature an informal poetry reading and discussion at De Loach's apartment in Buffalo, N.Y. on December 13, 1970. Both events were recorded by and acquired from Allen De Loach. Disc 1 features a lecture on poetics by Robert Bly. He speaks about being a magazine editor of "The sixties" and "The seventies." He opines about the rise and failure of narrative genre in American modern poetry and the novel. He lectures about "leaping poetry" whereby poets jump from the physical world to the psychic or idea world. He discusses the historical poets who have made great strides in the art of writing the poem, until consciousness and a lack of meditation inhibited this poetic process' progress. He teaches about William Blake's Songs of innocence (which he notes that Allen Ginsberg will be reading on campus in a few weeks). He teaches about poets who have the ability to "leap" such as William Carlos Williams, John Logan, W.S. Merwin, Galway Kinnell, Federico Garc? Discs 3 and 4 feature Eric Mottram reading poems and talking with Allen De Loach and Bill Cirrico and an unidentified woman in De Loach's Buffalo apatment. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context INT197 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT197.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, April 14, 1987] / James Koller, Franco Beltrametti. Creator An entity primarily responsible for making the resource James Koller, Franco Beltrametti. Table Of Contents A list of subunits of the resource. Robert Creeley introduction. --Franco Beltrametti reading:Infolio reader today's version of it for Tom Raworth --[Mito Strato John Cage] --Paranoia --Surprise. --James Koller reading:When you read this --My house is too small --The foxes play --No big wind --I shovel snow --The sun breaks --North through the trees --We burned brush together --The ospreys take turns at the nest --Brown eyes --If I could paint you --When you, still in that bed --She comes and goes --In a time of change. --[Half of it: People who died] --[Leap] --Movie 2 --Don't refuse the muse --A message --Una fontana --[Nestoria] --[A Pisi] --[Snow on Taos mountains] --Japanese movie --Extreme indigence of telephone conversation --And then --Sometimes, always, never. --James Koller reading:I went to see my true love. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, April 14, 1987 on a 90 minute Maxell sound cassette. Poetry reading by Beltrametti and Koller features poetry in English and Italian. Poets are introduced by Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCR182 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR182.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Creative Arts Festival, Kent State University, April 16, 1973] / Harvey Bialy. Creator An entity primarily responsible for making the resource Harvey Bialy. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio on April 16, 1973 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of a poetry reading and lecture by Harvey Bialy. Bialy's presentation was "DNA and the I Ching" which would be later published in IO 20 (1974) as "The I Ching and the genetic code". He also reads Aithers by Robert Kelly. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR057 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR057.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Panel discussion at the University at Buffalo, July 10, 1979] / David Ignatow, Susan Terris, John Frederick Nims Creator An entity primarily responsible for making the resource David Ignatow, Susan Terris, John Frederick Nims hosted by Max Wickert. Description An account of the resource Recorded at the University at Buffalo, July 10, 1979 on a 90 minute sound cassette. Discussion of poetry by Max Wickert, David Ignatow, Susan Terris and John Frederick Nims. They discuss cross generational changes in modern poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context PCR161 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR161.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, December 1962] / Robert Huff. Creator An entity primarily responsible for making the resource Robert Huff. Table Of Contents A list of subunits of the resource. Mole --Hunters --The dying dentist --The smoker --Blue --Rainbow --King salmon --Colonel Johnson's Ride --Jeu grande --Crouched in the center of my sight --Father going to sleep --Gregory Corso --Caitlin because --No it was not --Split --The course. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1962 Identifier An unambiguous reference to the resource within a given context SEM049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, November 1967] / John Updike. Creator An entity primarily responsible for making the resource John Updike. Table Of Contents A list of subunits of the resource. Youth's progress --The hight hearts --Telephone poles --Toward evening --The Astronomer. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Poet is introduced by Gerald Jonas. There is a question and answer session at the end. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context SEM043 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM043.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Susan Howe and Leslie Fiedler Creator An entity primarily responsible for making the resource Susan Howe and Leslie Fiedler interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute BASF sound cassette on April 24 and May 1, 1988.. Interviews with poets Susan Howe and Leslie Fiedler. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS045 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS045.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Sonia Sanchez and Ruth Geller Creator An entity primarily responsible for making the resource Sonia Sanchez and Ruth Geller interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute BASF sound cassette on July 26 and December 6, 1987. Interviews with poets Sonia Sanchez and Ruth Geller. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS044 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS044.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Howard Wolf and Ariel Dorfman Creator An entity primarily responsible for making the resource Howard Wolf and Ariel Dorfman interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute BASF sound cassette on June 21 and June 7, 1987. Interviews with poets Howard Wolf and Ariel Dorfman. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS048 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS048.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Diane Di Prima and Debora Ott Creator An entity primarily responsible for making the resource Diane Di Prima and Debora Ott interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute BASF sound cassette on October 11 and October 4, 1987. Interviews with poets Diane Di Prima and Debora Ott. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS047 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS047.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading for Helen Adam] / Description An account of the resource Recorded on a sound cassette in 1984. Recording of an unidentified man reading The Book on the Bank for Helen Adam. Date A point or period of time associated with an event in the lifecycle of the resource 1984 Identifier An unambiguous reference to the resource within a given context ADA005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-ADA005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Singing] / Helen Adam. Creator An entity primarily responsible for making the resource Helen Adam. Table Of Contents A list of subunits of the resource. Why did you call me as a nightmare --The last secret --Naked in the ditches --Prince Vox to yellow hand --My bed is thorny --Gone sailing. Description An account of the resource Recorded by Helen Adam on a 90 minute BASF sound cassette. Recording of Helen Adam singing. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context ADA002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-ADA002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture on Boris Pasternak at the YM-YWHA, New York City, November 25, 1968] / Theodore Weiss. Creator An entity primarily responsible for making the resource Theodore Weiss. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Lecture held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context SEM061 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM061.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, March 1966] / George MacBeth. Creator An entity primarily responsible for making the resource George MacBeth. Table Of Contents A list of subunits of the resource. Report to the director --A child's garden --True story --Hawk roosting --Scissors man --Rule --[Pack of cards poem] --What meter is --At the house of jade --It fell when I was sleeping --The lead herring. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. MacBeth is introduced by Eric Mottram. Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context SEM038 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM038.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, October 9, 1987] / John Montgomery. Creator An entity primarily responsible for making the resource John Montgomery. Table Of Contents A list of subunits of the resource. Disc 1.John Montgomery reading:The Jack Kerouac thing --Sixteenth summr --Rita --The spangle spang --Each fever moves --Culture on landforms --The mysterious coast --Another summer in the parklands --The man who played all reet by rote --May his name forever stand. --Disc 2.Montgomery discusses Kerouac --Climbing alone all day long --Coming back over --Day after day --It is a terrible thing to see. --an unidentified poet reading:I open up to the sky always blue --A young boy I flew the wind --I could reach up and touch the sky --The secret of being human. --Mark Hammer reading:Untitled --The relegation to point a --Beach --Cozy - -Nothing exists always beginning --Daylight flickers --Mediterranean --Compost. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, October 9, 1987 on a 90 minute Maxell sound cassette. Recording of a poetry reading by John Montgomery and he discusses Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCR228 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR228.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, May 1968] / Michael Dennis Browne. Creator An entity primarily responsible for making the resource Michael Dennis Browne. Table Of Contents A list of subunits of the resource. The Delta --Peter --Handicapped children swimming --The orderly --Gather --Song --The dream of the soldier. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context SEM044 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM044.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, March 1965] / Paul Roche. Creator An entity primarily responsible for making the resource Paul Roche. Table Of Contents A list of subunits of the resource. The climb --The paradoxes of time --The lesser pippis trail --[Principessa?] --When I opened the door --The death of two crabs --Death of the heart --The metaphysics of fame --Cri de coeur. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context SEM031 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM031.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, November 1965] / Philip Booth. Creator An entity primarily responsible for making the resource Philip Booth. Table Of Contents A list of subunits of the resource. Man's wife --Maine --A field of white birds grounded after a frozen lunch in New York --Adam --First --Offshore --The day, the tide --Tenant's harbor. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Booth is introduced by Robert Lowell. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context SEM046 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM046.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, April 1969] / Miller Williams. Creator An entity primarily responsible for making the resource Miller Williams. Table Of Contents A list of subunits of the resource. For Robert, son of man --The weatherman --One for horseshoes --The associate professor delivers an exhortation to his failing students --Love poem --A letter to Cindy, Robert and Karen --The caterpillar. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context SEM055 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM055.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading and interview, May 18, 1975] / Helen Adam. Creator An entity primarily responsible for making the resource Helen Adam. Table Of Contents A list of subunits of the resource. Interview --A magic, moral tale --Counting-out rhyme --The stepmother --God and the heart's desire. Description An account of the resource Recorded by Helen Adam on a 7 inch Shamrock reel-to-reel tape on May 18, 1975. Recording of Helen Adam reading on WNYC. She is inerviewed by Walter James Miller. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context ADA007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-ADA007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [San Francisco's burning] / Helen Adam. Creator An entity primarily responsible for making the resource Helen Adam. Description An account of the resource Recorded by Helen Adam on a 7 inch Plaza reel-to-reel tape in February 1965. Recording of Helen Adam reading San Francisco's burning, act 1 to act 2. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context ADA010 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-ADA010.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion and music from San Francisco's burning] / Helen Adam. Creator An entity primarily responsible for making the resource Helen Adam. Description An account of the resource Recorded by Helen Adam on a 90 minute TDK sound cassette. Recording of Helen Adam speaking, followed by music from San Francisco's burning. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context ADA012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-ADA012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, October 19, 1971] / Harvey Bialy ... [et al.]. Creator An entity primarily responsible for making the resource Harvey Bialy ... [et al.]. Table Of Contents A list of subunits of the resource. Bialy reading:Vanishd into everything else --Paul said this was the weekend. --Disc 2.Irby reading:3 August 1971, Waiting at the Mediterranean for Bean and Lowell --The place of the Lord of soil. --Disc 3.Wilk and Stein reading (sound quality is poor). Description An account of the resource Recorded at Kent State University by Robert Bertholf on October 19, 1971 on a 7 inch Scotch reel-to-reel tape. Poetry reading by Harvey Bialy, Ken Irby, Charles Stein and David Wilk. The sound quality is poor rendering much of the recording inaudible. Other speakers are not identified. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context CUR041 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR041.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, February 1967] / George Oppen. Creator An entity primarily responsible for making the resource George Oppen. Table Of Contents A list of subunits of the resource. Of being numerous. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context SEM041 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM041.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Raymond Federman and Ron Ehmke Creator An entity primarily responsible for making the resource Raymond Federman and Ron Ehmke interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute BASF sound cassette on October 18 and August 2, 1987. Interviews with poets Ron Ehmke and Raymond Federman. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS049 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS049.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Fielding Dawson, Gary Earl Ross Creator An entity primarily responsible for making the resource Fielding Dawson, Gary Earl Ross interviewed by Paul Hogan. Description An account of the resource Recorded for Spoken Arts Radio Program on WBFO FM 88's by Paul Hogan and sponsored by Just Buffalo Literary Center. Recorded on a 60 minute Maxell sound cassette on July 19 and November 1, 1987. Interviews with poets Fielding Dawson and Gary Earl Ross. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS078 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS078.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape possibly in the 1960s. Kenneth Rexroth's recording of a Robert [Shutes?] discussion of nuclear arms. He is representing the Northern California Lobby for Peace and reads from an editorial letter published in the Washington Post on September 25 [year unknown]. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX013 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX013.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Panel discussion] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape possibly in the 1960s. Kenneth Rexroth's recording of a panel discussion of rights and the creation of "blacklists" due to political affiliations. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX014 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX014.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with jazz music] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. I didn't want it --Suzy Assado --Here we go --Quietly --Nicholas --State in 30 seconds --Here bright --It is very warm tonight --The shadow --One night only. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Fantasy reel-to-reel tape possibly in the 1960s. Recording of a practice session of Kenneth Rexroth reading poetry with jazz music. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX028 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX028.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, 1980] / Ted Joans. Creator An entity primarily responsible for making the resource Ted Joans. Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette on 1980 in Buffalo, N.Y. Recording of a poetry reading by Ted Joans. However, the sound quality is very poor and it renders the reading almost inaudible. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context MSC018 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC018.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and interview, June 15, 1980] / Ted Joans, Joy Walsh. Creator An entity primarily responsible for making the resource Ted Joans, Joy Walsh. Table Of Contents A list of subunits of the resource. I know a man --Wild spirit of kicks: in memory of Jack Kerouac --Gallop Jack --Holy hijinx --Untitled (poem Jack Kerouac sent Joans) Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette on June 15, 1980 in Buffalo, N.Y. Recording of interview and poetry reading with Ted Joans. Joans discusses his relationship with Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context MSC019 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC019.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of classical and vocal music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape possibly in the 1960s. Collection of classical and vocal music selected by poet Kenneth Rexroth, including music possibly by Mart Plaszynska titled "Epigrams for 20 solo female voices." The recording also showcases Rexroth's "A setting of 7 translations from the Greek anthology." Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX015 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX015.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Dave Amram and Jim Campbell. Creator An entity primarily responsible for making the resource Dave Amram and Jim Campbell. Description An account of the resource Recorded by Joy Walsh on a 90 minute Ark sound cassette in 1980 off of WBFO 88.7 radio in Buffalo, N.Y. Recording of an interview of David Amram on WBFO by Jim Campbell. Disc 1 features the interview and disc 2 features jazz music by Amram. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context MSC032 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC032.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with jazz music, January 13, 1958] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. Passerby --You have the body --I wish to go --Here is the hand of the goddess --[reading Chinese poems by Li Po] --A sword in a cloud of light --This night only. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape on January 13, 1958 at a jazz poetry and the arts festival. The location is unknown. Recording of Kenneth Rexroth reading poetry with jazz music. Date A point or period of time associated with an event in the lifecycle of the resource 1958 Identifier An unambiguous reference to the resource within a given context REX004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and poetry reading] / Robert Creeley, Ian Hamilton Finlay, Jonathan Williams. Creator An entity primarily responsible for making the resource Robert Creeley, Ian Hamilton Finlay, Jonathan Williams. Table Of Contents A list of subunits of the resource. Disc 1.Ian Hamilton Finlay poetry reading:The potato planters and the old joiners funeral: a short story --Angles of stamps --OHMS --Black tooma tool --[Archie?] --The writer and beauty --Island moment --The island wait for the boat --Orkney lyrics --Spring holiday --John Sharkey and Rosie --French poem --Celtic poem --Glasgow poem --Advertisment.Disc 2.Robert Creeley interview with Jonathan Williams, continued from JAR002. Description An account of the resource Recorded by Jonathan Williams possibly in January 1965 on a 5 inch reel-to-reel tape. This recording is part of the Jargon Society recordings made by Jonathan Williams. Disc 1 features a poetry reading by Ian Hamilton Finlay. Disc 2 is a recording of Robert Creeley being interviewed by Jonathan Williams. The interview is continued from disc JAR002 of the University at Buffalo's Poetry Collection Audio Archive Date A point or period of time associated with an event in the lifecycle of the resource 1965? Identifier An unambiguous reference to the resource within a given context JAR004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JAR004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with Japanese music] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape in the 1970s. Recording of a practice session of Kenneth Rexroth reading poetry in English and Japanese with Japanese music. Rexroth plays koto and chants Chidori. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context REX029 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX029.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with Japanese music] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. [Owagee?]--[The sea will be deep] --[If the pain is deeper] --[Who is there]. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Ampex reel-to-reel tape in the 1970s. Recording of a practice session of Kenneth Rexroth reading poetry in English and Japanese with Japanese music. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context REX012 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX012.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Native American music] / Description An account of the resource Recorded on two 7 inch Maxell and Scotch reel-to-reel tapes. Recording of Native American music. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context PCR400 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR400.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with music, University of California, Santa Barbara] / moderated by Kenneth Rexroth. Creator An entity primarily responsible for making the resource moderated by Kenneth Rexroth. Table Of Contents A list of subunits of the resource. Disc REX006:[Song] /[unidentified woman] --G.I. Joe /Paul Englberg --Requiem for P.F. Sloane /[anonymous poet] --The coach /David Harrison. --Disc REX010:Alba, upon rereading The Grapes of Wrath /Sally McGreg --Three poems with guitar /Margaret Kleinman --Wednesday morning, 3 a.m. /Ian Jack --Four songs /Etheline Heeman --Banana flavored elephant love and apple willy /Dave Snyder --Alice Carl's song bluebird /Ian Jack. Description An account of the resource Recorded by Kenneth Rexroth on two 7 inch reel-to-reel tapes possibly in 1968 at the University of California, Santa Barbara. Recording of Kenneth Rexroth's moderating of a poetry reading by various student readers at the University of California, Santa Barbara from the 1968/1969 class. Date A point or period of time associated with an event in the lifecycle of the resource 1968? Identifier An unambiguous reference to the resource within a given context REX010 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX010.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Jack Kerouac Conference, 1979] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on two 90 minute Unicorn sound cassettes. Recording of a conference on Jack Kerouac. Allen Ginsberg introduces Joy Walsh who convenes the first panel which included Dennis McNaley, Ann Charters, Gerald Nicosia and Paul Jarvis. The second panel focused on Kerouac and women and was chaired by Joanna McClure. The panelists included Frankie Edie Kerouac Parker, Carolyn Cassady, Joyce Glassman-Johnson, Joy Walsh and Fernanda Pivano. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context MSC058 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC058.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University at Buffalo, summer course 1968, English 603S. / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded at the University at Buffalo on July 22 and July 24, 1968 by Allen De Loach for the Poetry Collection on two 7 inch Scotch reel-to-reel tapes. Recording of Robert Duncan lecturing at the University at Buffalo during the summer of 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT161 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT161.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Mostly poetry] / Art Efron. Creator An entity primarily responsible for making the resource Art Efron. Description An account of the resource Recorded by Joy Walsh on a 60 minute Realistic sound cassette possibly in the 1980s. Recording of Art Efron hosting the radio program Mostly Poetry. Efron focuses on Sylvia Plath's poem Tulips. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC062 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC062.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lectures, 1966 and 1967] / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded in 1966 and 1967 by George Butterick on two 7 inch Shamrock reel-to-reel tapes. Recording of Robert Duncan's 1966 lecture on apprehensions at Warren Tallman's in Vancouver, B.C. This is followed by lectures on creative imagination and the derivation and projection of poetry at the Institute of Further Studies in Buffalo during the Spring of 1967. Date A point or period of time associated with an event in the lifecycle of the resource 1966-1967 Identifier An unambiguous reference to the resource within a given context BUT041 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT041.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University at Buffalo, summer course 1968, English 603S. / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded at the University at Buffalo on July 15 and July 17, 1968 by Allen De Loach for the Poetry Collection on two 7 inch Scotch reel-to-reel tapes. Recording of Robert Duncan lecturing at the University at Buffalo during the summer of 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT160 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT160.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University at Buffalo, summer course 1968, English 603S. / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded at the University at Buffalo on July 29 and July 31, 1968 by Allen De Loach for the Poetry Collection on two 7 inch Scotch reel-to-reel tapes. Recording of Robert Duncan lecturing at the University at Buffalo during the summer of 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT163 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT163.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University at Buffalo, summer course 1968, English 603S. / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded at the University at Buffalo on July 8 and July 12, 1968 by Allen De Loach for the Poetry Collection on two 7 inch Scotch reel-to-reel tapes. Recording of Robert Duncan lecturing at the University at Buffalo during the summer of 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT159 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT159.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 19, 1973] / Will Petersen. Creator An entity primarily responsible for making the resource Will Petersen. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio on April 19, 1973 on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of Will Petersen reading from his translations of Yashima: an ashura noh by Zeami. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR060 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR060.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, April 3, 1979] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette. Recording of interview with unnamed individual (possibly named Chaput) about Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context MSC051 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC051.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, April 6, 1979] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette. Recording of interview with unnamed individual (possibly named Jarves) about Jack Kerouac. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context MSC052 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC052.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and poetry reading] / Stevie Smith, Christopher Middleton, Jonathan Williams. Creator An entity primarily responsible for making the resource Stevie Smith, Christopher Middleton, Jonathan Williams. Table Of Contents A list of subunits of the resource. Disc 1.Stevie Smith poetry reading:Tender only to one --Thoughts about the person from Porlock --Thoughts about the Christian doctrine of eternal hell --Was he married? --Not waving but drowning --The blue from heaven --Fafnir and the knights --The jungle husband --Longing for death because of feebleness --I remember --The starling --Harold's leap --My cats --The after-thought --Le singe qui swing --Autumn --Conviction --The face --The repentance of Lady T. --Croft --Apres la politique, la haine, des Bourbons --One of many --Who killed lawless lean? --Do take Muriel out --Company --Tenuous and precarious --Discussion. --Disc 2.Christopher Middleton reading:For a junior school poetry book --Amour fou --The child at the piano --In praise of the functionary --House in the street of doves --What would you have made of it, Kavafis --Dangers of waking --Penny pastorals in Texas --Cartoon of a common theme --The runner --The cyclops --In the light --The ancestors --For a future --Edward Lear in February --Yes, Mr. Brecht --Herman Moon's hourbook --Abasis --The ant sun --The forenoon --The dress --The greenfly --The sniff --Ode, on contemplating Clapham Junction --Tenebrae --Waterloo Bridge --Pointed books --Discussion. Description An account of the resource Recorded by Jonathan Williams at Stevie Smith's London home on September 13, 1963 on a 5 inch reel-to-reel tape. The location and date of the Middleton recording is unknown. This recording is part of the Jargon Society recordings made by Jonathan Williams. Disc 1 features a poetry reading by Stevei Smith. Disc 2 is a recording of Christopher Middleton reading and being interviewed by Jonathan Williams. Date A point or period of time associated with an event in the lifecycle of the resource 1963 Identifier An unambiguous reference to the resource within a given context JAR005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JAR005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, November 6, 1964] / Alan Dugan. Creator An entity primarily responsible for making the resource Alan Dugan. Table Of Contents A list of subunits of the resource. One arrow points one way --A man applying gold leaf --Attack --What do a few crimes matter in a good life --For the Union (by Robert Lowell) --Fabrication of ancestors --Notes toward a spring offensive --Three variations on a translation from Greek --How we heard the name --Autumn at Paiea --To a red headed do-good waitress --On hat --Winter's onset from an alienated point of view --The person who can do --Elegy for a gifted child --A counter elegy --Fragments on the British Museum --Importation of landscapes --Life comparison --Funeral oration for a mouse --The so-called wild horses --To Paris --Against France --From Rome for more public water fountains in New York City. Description An account of the resource Recorded at the Poetry Collection in the Lockwood Memorial Library at the University at Buffalo, on November 6, 1984 on a 7 inch Sarkes reel-to-reel tape. Poetry reading by Alan Dugan at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1964 Identifier An unambiguous reference to the resource within a given context PCR091 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR091.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, November 7, 1990] / Michael Palmer. Creator An entity primarily responsible for making the resource Michael Palmer. Table Of Contents A list of subunits of the resource. Six hermetic songs for Robert Duncan --In sea --Eight sky --SB --Recursus to Porta --Letters to Zanzotto (letters 1-8) --Who is to say? --Poem --Book of the yellow castle --SOng of the round man for Sarah when she is older --This time, another for Sarah --As a real house, Sarah's third song --Sun. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo, November 7, 1990 on two 90 minute Maxell sound cassettes. Poetry reading by Michael Palmer. Palmer is introduced by Joe Conte. There are two sound discs, but disc 2 is an identical recording found on disc 1. There is an audio issue during track 10. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context PCR253 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR253.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Hallwalls, Buffalo, N.Y. in 1997] / Jackson Mac Low ... [et al.]. Creator An entity primarily responsible for making the resource Jackson Mac Low ... [et al.]. Table Of Contents A list of subunits of the resource. First Milarepa Gatha --Word and ends from EZ/III from the fifth decade of the Cantos, XLII-LI --Ezra Pound and 99 anagrams /Basinski, Metz, Colquhoun --Vocabulary gath for Peter Roese --Iran-Contra hearings --Electric guitar --Transverse hute --Is that wool hat my hat /Basinski, Metz, Malone, Colquhoun. Description An account of the resource Recorded at Hallwalls in Buffalo, N.Y. in 1990 on a 90 minute Sony sound cassette. Performance of sound poetry pieces by Jackson Mac Low, Michael Basinski, Joan Malone, Michael Colquhoun, and Don Metz. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context CUR093 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR093.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Mills College, Spring 1968] / Paul Blackburn ... [et al.]. Creator An entity primarily responsible for making the resource Paul Blackburn ... [et al.]. Table Of Contents A list of subunits of the resource. Paul Blackburn reading:Fire --[reading from December journal] --The request --My sainted --The net of place --The probability. --George Stanley reading:Orion --Nana, nana --A translation for Jeorge --Leopard --Thoughts and feelings. --Disc 2.Rock music --The secretary. --Harvey Bialy reading:Okeanos 2. --Robert Kelly reading:True story --For Timotha. --Disc 3.David Ossman reading:Being for the benefit of Mr. B. --Talisman of the cardinal points --12 suppositions --The day of the dead --Taurus, moon in Pisces --Cancer, moon in Taurus, solstice --Virgo, moon in Virgo, or, Double Virgo --Libra, moon in Leo --Libra, moon in Scorpio, first quarter --Scorpio, moon in Aries --Scorpio, moon in Cancer --Scorpio, moon in Leo --Sagittarius, moon in Leo --Capricorn, moon in Gemini --A slight accident. --Jonathan Greene reading:Definition --The willful magick where exchange was --A provisional measure for our time --Set piece --Letter --Nigredo --Her tale to her admonishers --A palimpsest --As the dancer of our days --The room --Where the blinding sun --Where are the fine lines --Fellowship --Going away --Enough apocalypse. --Disc 4.Michael McClure reading:What can I do when I am blue? --On the street, dogs do it --Scatology --I cried for the otem --But I believe in all things --A hundred elves climbing ladders --We dug the hole --Or seals beside the silver-spanning bridge --Were angels dreaming in our hollow legs --Robert McBurney --The boy with the most comic books in America --Then we saw the geyser --Biting the nails when all else fails --The heap was a WWI air race --Little spinning twisted tinsel --That blows my mind --Flying tigers nestled in secret air bases --How I love the P.I. --And that one where the whole family gathers --What did I see --I wanna go where I was so rare --Perils of Niyoka drove me batty --Joe had our red brick house painted white --Attacks of quarticulated lypdidons. Description An account of the resource Recorded on a 7 inch Shamrock reel-to-reel tape at the Mills College in the Spring of 1968. Recording of spring poetry reading at Mills College. Featured readers include: Paul Blackburn, George Stanley, Harvey Bialy, Robert Kelly, David Ossman, Jonathan Greene and Michael McClure. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR376 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR376.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, October 20, 1993] / Bob Perelman. Creator An entity primarily responsible for making the resource Bob Perelman. Table Of Contents A list of subunits of the resource. Virtual reality --From the front --Neo now --Picture writing --A body --Chronic meanings --Writing in real time --Chaim sutin. Description An account of the resource Recorded on a 90 minute Maxell sound cassette at the Poetry Collection, University at Buffalo on October 20, 1993. Poetry reading by Bob Perelman. Introduction was by Charles Bernstein. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Identifier An unambiguous reference to the resource within a given context PCR254 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR254.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource James Tate, Sonia Sanchez. Table Of Contents A list of subunits of the resource. James Tate reading:Waking --A terrible cold --Deadlines --View from the top --The man who destroyed poetry --The grand leech races --Excitement builds toward the spirit of '76 --The hostile philharmonic orchestra --Read the great poets --There's a certain point in each evening. --Sonia Sanchez reading:Why --July --Father and daughter --Poem no. 3 --Magic --Because --After the fitfh day --Prelude to nothing --Blues --[Haiku] --Observations --[Haiku] --Ballad --Poem no. 7 --Old words --[Haiku] --To you/almost turned/me on --[Haiku] --Formula --[Haiku] --Poem no. 8 --Welcome home, my prince --]Haiku]. Description An account of the resource Recording of two separate poetry readings by Sonia Sanchez and James Tate. Tate reads from The Hottentot Ossueary. Sanchez reads from Love poems. Recorded on a 60 minute BASF sound cassette on September 30, 1974 (Tate) and October 4, 1974 (Sanchez) Both were recorded at the University of Massachusetts in Amherst, Massachusetts and broadcast on the WMUA radio program hosted by [Joel Wallace?] possibly titled "The quarter banana." The program was recorded by Robert J. Bertholf. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context PCR321 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Title A name given to the resource [Poetry reading at the University of Massachusetts at Amherst, 1974] / James Tate, Sonia Sanchez. Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR321.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, October 18, 2001] / Roberto Tejada and Robert Gl??ck. Creator An entity primarily responsible for making the resource Roberto Tejada and Robert Gl??ck. Table Of Contents A list of subunits of the resource. Roberto Tejada reading:Mirrors for gold --Limitrophe. --Robert Gl??ck reading:Three from thirteen: do be, don't be --Three true stories: experimental writer gets sucked off in a field --The guest sits. Description An account of the resource Recorded on a 90 minute Maxell sound cassette at the University at Buffalo on October 18, 2001. Recording of Roberto Tejada and Robert Gl??ck's poetry reading. Introductions are by Chris W. Alexander and Brandon Stosuy. Date A point or period of time associated with an event in the lifecycle of the resource 2009, 2001 Identifier An unambiguous reference to the resource within a given context PCR128 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR128.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, April 21, 1977] / James Broughton. Creator An entity primarily responsible for making the resource James Broughton. Table Of Contents A list of subunits of the resource. I am a medium --The ballad of mad Jenny --Going through customs: a bon voyage for me --A visit from three muses --The birds of America --Papa had a bird (a creation myth) --From Making light of it --The oz of cinema --Trying to write a Valentine --A farewell to the household muses --Godspeed for a devilish sage --The snow leopard and th scorpion --Ode on my fiftieth birthday --Buddha land --This is it. Description An account of the resource Recorded in room 105 of the Art Building, Kent State University in Kent, Ohio on April 21, 1977 on 120 minute Scotch sound cassette. Recorded by Robert J. Bertholf. Poetry reading by James Broughton at Kent State. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context CUR014 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR014.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, March 26, 1993] / Louise Gl??ck. Creator An entity primarily responsible for making the resource Louise Gl??ck. Table Of Contents A list of subunits of the resource. The wild iris --Matins --Trillium --Clear morning --Matins --Scilla --The hawthorn tree --Violets --Witchgrass --Matins: What is in my heart to you --Field flowers --The red poppy --Matins: Not the sun merely, but the Earth --Vespers --Daisies --End of summer --You thought we didn't know --Harvest --The white rose --Presque Isle --Retreating light --Vespers: I know what you planned --The silver lily --September twilight --The gold lily --The white lilies. Description An account of the resource Recorded on a 90 minute Maxell sound cassette at the University at Buffalo on March 26, 1993. Recording of Louise Gl??ck's poetry reading. She is introduced by Carl Dennis. Date A point or period of time associated with an event in the lifecycle of the resource 1993 Identifier An unambiguous reference to the resource within a given context PCR127 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR127.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 17, 1986] / Leslie Fiedler, Mary Cappello. Creator An entity primarily responsible for making the resource Leslie Fiedler, Mary Cappello. Table Of Contents A list of subunits of the resource. Disc 1.Mary Cappello reading:Born in the year of the comet --The lover's question --To my grandmother --Toward blessedness: where I wanted to go. --Disc 2.Leslie Fiedler reading:O ai! --Child's play --Call it sleep --The wolf's propellers --These catheters --The heart's more diffident monsters --Onan --Notes on the 17th century --On Troy, the slave --A prayer against wet dreams --A prayer against the crud --My silver nutmeg --Marguerite --In vain from love's preakness I fly --Schlepfer's cocks --Dumb dick --To my grandmother on Christmas Eve --Spring song of the Progrumchik --The Jew to the Progrumchik --The schoolhouse story --A bloody husband --Portrait of the artist as a young minotaur --The whiteness of the whale: Bologna, 1952. --Disc 3.To Chookie, my 17 year-old dog who slipped and fell through the ice of my swimming poll on the twenty-fifth of January, 1973 --Part five: The defeat. Description An account of the resource Recorded at the University at Buffalo on April 17, 1986 on two 90 minute Maxell sound cassettes. Poet and University at Buffalo professor Leslie Fiedler and poet Mary Cappello read their poetry. The poetry reading was sponsored by the English Department, the American Studies graduate students and the Cultural and Performing Arts of the University at Buffalo. They are introduced by a woman named Ann. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context PCR112 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR112.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, April 20, 1982] / Alan Feldman. Creator An entity primarily responsible for making the resource Alan Feldman. Table Of Contents A list of subunits of the resource. Carl Dennis reads Feldman's poem:Book report. --Alan Feldman reading:The collection of broken objects --The quiet years of ordinary objects --Among women --My wife gets her period --It tries to come out of the paper --Lately I've been spending hours --The goldfish who swim in their murky bowl --Losing Judy --She gets off the bus --I come up before the board of numbers to talk about my son --The radio floods the countryside with sadness --The blessing --The car radio's playing --Mother --Poem written to commemorate the opening of the George Elliston Poetry Room at the University of Cincinnati, May 4th, 1979 --The night before our trip --Happy last day --Grand Canyon poem. Description An account of the resource Recorded on a 90 minute BASF sound cassette at the University at Buffalo on April 20, 1982. Recording of Alan Feldman's poetry reading. He is introduced by Carl Dennis who discusses his writing and the influence Frank O'Hara has had upon his poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Identifier An unambiguous reference to the resource within a given context PCR105 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR105.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings at the University at Buffalo, April 1978] / Albert Cook and Dannie Abse. Creator An entity primarily responsible for making the resource Albert Cook and Dannie Abse. Table Of Contents A list of subunits of the resource. Disc 1.Dannie Abse reading:The uninvited --The stethoscope --Letter to Alex Comfort --The trial --Elegy for Dylan Thomas --Not adlestrop --A new diary --The death of Aunt Alice --Cousin Sidney --Pathology of colours --Peachstone --In the theatre --The doctor --Mysteries --Ghosts, angels, unicorns --Song for Dov Shamir --The victim of aulis --The test --Last words. --Disc 2.Albert Cook reading:If I forget thee, Jerusalem --The deranging preferences --Again and again --The child who has vanished, abides --She who had run the gamut --It is one thing --Here are the exhiliration --Adopt the living --He is not unworthy of the lost art --Another, tensed into history --Reasons for waking --The decade loud --Day after day --What is this force --The back streaming transfer works --He who is said --Still waters. Description An account of the resource Recorded on a 120 minute Memorex sound cassette at the University at Buffalo on April 18 (Abse) and April 26 (Cook)1978. Recording of two separate poetry readings at the University at Buffalo. Dannie Abse was recorded on April 18, 1978 and Albert Cook was recorded on April 26, 1978. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context PCR056 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR056.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Panel discussion at the University at Buffalo, March 27, 1987] / Robert Creeley ... [et al.]. Creator An entity primarily responsible for making the resource Robert Creeley ... [et al.]. Description An account of the resource Recorded on a 90 minute Maxell sound cassette at the University at Buffalo on March 27, 1987. Panel discussion between Warren Tallman, Robin Blaser, Robert Creeley, bpNichol and Steve McCaffery. Tallman introduces the forum and its participants. Nichol begins with the topic of using old vocabulary in news ways. McCaffery discusses the formation of postmodern theories, Saint Augustine, Charles Olson, the practice of writing, and the power/empowerment of vocabulary. Blaser contributes his thoughts of how communication arise s from a shared vocabulary. Creeley offers the notion of the individual in relation to the community and how he/she interacts with reading and writing. There is also a question and answer session. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context PCR238 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR238.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 4, 1966] / David Ignatow. Creator An entity primarily responsible for making the resource David Ignatow. Table Of Contents A list of subunits of the resource. Prologue --The boss --In absentia --The inheritance --Epitaph --Nourish the crops --The exchange --Envoi --The moon --Self-employed --Strangeley happy --Nice guy --Second section: Rescue the dead --A suite for marriage --Notes for a lecture --For your fear --Sediment --Love in a zoo --City of lovers --Ritual one --Ritual two --Ritual three --The open boat --All quiet --A meditation on violence --My native land --Secretly --Eight movements on a theme --Four in transition --An invocation --For my daughter in reply to a question --For nobody else --A fable --question and answer session. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Diefendorf Hall, room 148, University at Buffalo on November 4, 1966. David Ignatow's reading at the University at Buffalo was sponsored by the Friends of Lockwood Memorial Library and the Charles Abbott Reading Fund. Date A point or period of time associated with an event in the lifecycle of the resource 1966 Identifier An unambiguous reference to the resource within a given context PCR160 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR160.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, April 23, 1968] / John Taggart. Creator An entity primarily responsible for making the resource John Taggart. Table Of Contents A list of subunits of the resource. My father dies in England --The cactus --Poem after night's dawn --It's a spell --Tristan's healing --Cornish ballad --Tristan and Ysolde --Your eyes drink darkly --Stopping over strings --To Ysolde --Ballad of old women --Social disease --Poetry reading --Sebastian in Brazil --Green trees. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tapes at the Norton Conference Theater at the University at Buffalo on April 23, 1968. John Taggart's poetry reading at the University at Buffalo. The reading was sponsored by the Friends of Lockwood Memorial Library, the English Department, and the Charles Abbott Reading Fund. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR318 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR318.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Niagara-Erie Writers at Artpark on July 29, 1978] / Dick Laurie ... [et al.]. Creator An entity primarily responsible for making the resource Dick Laurie ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.unidentified man reads a short story --unidentified woman reads:Spring snow is mother nature's still dawn blanket --Magic --Surprise --To David --VFW parade --February snow. --unidentified woman reads:This is for Charlie --I'm going back to my birthplace to study bones --The poet and the hunter. --unidentified woman reads:Cross-country --Riding high and feeling free --Central Park in May --Journey. --unidentified man reads:Disc funk babe. --unidentified woman reads:For my son --Wild outbreaks of day lillies --A mountain ringed by lesser mountains --For Mick Jagger --Times hard and mat is scarce --Is the world a wedding of fisherman of poets. --Dick Laurie reading:Thinking of you --The myth and the birth of the hero --Rage --Cheating --Abe Lincoln and the American Revolution --Warning --Lecture 1, some trends in American history --B.H.S. --High school in the fifties. --Disc 2.High school in the fifties (continued) --Middle aged --Spring --Nine answers chosen at random to the same question --Repremard --question and answer session. Description An account of the resource Recorded at Niagara-Erie Writers at Artpark in Lewiston, N.Y. on July 29, 1978 on a 120 minute Memorex sound cassette by Allen De Loach. Open microphone poetry reading by Dick Laurie and several unidentified Western New York poets. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context INT089 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT089.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, February 25, 1974] / Thomas Kinsella. Creator An entity primarily responsible for making the resource Thomas Kinsella. Table Of Contents A list of subunits of the resource. Hen woman --Lips and tongue --Ancestor --A hand of solo --Survivor --Sacrifice --Good night --Galloping Green, May 1962 --St Gobnait's Graveyard Ballyvourney, that evening --Philadelphia, 3 October 1972 --38 Phoenix Street --His father's hands. Description An account of the resource Recorded by Robert J. Bertholf on a 7 inch Scotch reel-to-reel tape on February 25, 1974 at Kent State University. Recording of a poetry reading by Thomas Kinsella. He reads from Notes of the land of the dead. He is introduced by an unidentified member of the Kent State English Department. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context CUR016 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR016.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Poetry Collection, University at Buffalo, March 25, 1992] / Janet Rodney and Nathaniel Tarn. Creator An entity primarily responsible for making the resource Janet Rodney and Nathaniel Tarn. Table Of Contents A list of subunits of the resource. Janet Rodney reading:The reality of hunger --Obad --first line of poem:[He was advised not to go since it might cost him] --first line of poem:[I'll crouch here by the stream] --Echo on --Profile against a moon. --Nathaniel Tarn reading:Bartok in Udaipur --The Architextures: --ARC8:88 --ARC20:88 --ARC23:89 --ARC25:89 --ARC35:89 --ARC50:91 --ARC1:88 --ARC2:88 --ARC3:88 --ARC7:88. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on March 25, 1992 on 90 minute Maxell sound cassette. Recording of a poetry reading by Janet Rodney and Nathaniel Tarn. Introduction was by Raymond Federman. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context PCR279 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR279.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University] / Michael Horowitz. Creator An entity primarily responsible for making the resource Michael Horowitz. Table Of Contents A list of subunits of the resource. Growing up --What do you call --Animal --Catastrophe --Highland rhapsody --Blank o'clock blues --Ballad of the nocturnal commune --From autumn to fall --San Francisco to England --New York --Amsterdam --In Paris --To the statues in Poets' Corner, Westminster Abbey --Danger, men at work --Mind's eye opens afresh --Spring welcomes you to London --Notthin Hill carnival poem --Country life --Glimpse --A ghost of summer --Epithalay-me-on --Woe transmogrified --In reverie of cornstook hills --Hours ago --Holiday poem --The most beautiful girl --Remembering --Song. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio in the early 1970s on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf who donated the recording to the Poetry Collection at the University at Buffalo. Recording of Michael Horowitz reading poetry. He is introduced by Robert J. Bertholf. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR038 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR038.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 8, 1971] / Lindy Hough Creator An entity primarily responsible for making the resource Lindy Hough Table Of Contents A list of subunits of the resource. Away --Other planetary societies --My seek Lord --The low outgoing tide --She is chpper --A primer --Lune --In the fifties --Myth is to object --Three nuances towards a beginning --Here is a fish --It's hard to invnt a story that would be right for you --Keep probability in its place --Allen Ginsberg speaking to Hough --Corneal abrasion --For Robin --A ship needs chance. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio on April 8, 1971 on 120 minute Scotch sound cassette. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of a poetry reading by Lindy Hough. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context CUR013 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR013.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, July 10, 1979] / David Ignatow, Virginia Terris. Creator An entity primarily responsible for making the resource David Ignatow, Virginia Terris. Table Of Contents A list of subunits of the resource. Virginia Terris reading:Tracking --Merry go round --The obligation --Ghost --Surfacing --Whoever you are --Ripping jeans --Father and son --The yellow chair --Crazy Annie --Headless torso --For the last time --Water --The kite --Night builder --The unbuckling poem --Arrangement. --David Ignatow reading:Rescue the dead, prologue --The boss --Your sunken cheek --Nourish the crops --The bagel --A leaf --Autumn leaves --One leaf --Now the steel hammer --I wanted to write my way into paradise --There is the swimming pool --From my window --The building --Kaddish --I'm depressed poem --I sit back --Did you know --In my dream --I have found what I want to do. Description An account of the resource Recorded in July 10, 1979 at the University at Buffalo on a 60 minute Maxell sound cassette. Poetry reading by David Ignatow and Virginia Terris of their original works of poetry. The introduction was given by Max Wickert. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context PCR323 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR323.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 19, 1972] / Paul Metcalf. Creator An entity primarily responsible for making the resource Paul Metcalf. Table Of Contents A list of subunits of the resource. Genoa --Patagoni. Description An account of the resource Recorded at the Creative Arts Festival at Kent State University in Kent, Ohio on April 19, 1972 on 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Recording of Paul Metcalf reading Genoa and Patagoni, with musical accompaniment. Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context CUR031 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR031.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pig in a poke poetry reading / Table Of Contents A list of subunits of the resource. Disc CUR143, disc 1.Stan Morgan reading:The poet in residence --The bartender in Dayton --Questions never asked --So you're burned out huh? --My balls are falling out of my underwear --The wino with the steel plate in his head --Hell of a dream --Annie hasn't called recently --Maturity --Civil war summer --Tell me you love me Jean Paul Sartre --Searching for the pony --Posthumous poem for William Holden --On Dante and food --Salamander stew --No poem --The tomato is a fruit. --Bob Gregory reading:Someone close --Sometime --Is it in the body? Where is it? --What the flutes do --The idea of fall --Einstein --Boy picked up the wind. --Disc 2.Don Wentworth reading:How to meet the voice inside your head --The necrophiliac's new lover --Drifting --The garden of the universe --Counting grains at nostalgia beach --Nobody forgets the south of France --Tuning sparks --Tight ass white boy wheat --Aunt Rose at the nursing home afternoons --After safe sex --Freud and Jung letters --The annullment --Rudy and the green gimps --A finger pattern --Art and the zen of nostalgia. --Harry Calhoun reading:Penguins on fire --Fleeing your pain --Breaking up --Death in downtown Pittsburgh --Academic poet --The good news and the bad news --Evening rainstorm over still life in attic --Mundane --Exile in bed --Bad luck --At the old folks home visiting my grandmother aged 88 --Another waking dream --Lake Erie Beach, August 1984 --Payment. --Disc CUR144, disc 1.Bart Solarczyk reading:Confession in progress --Quasimodo's insolence --Sofie --Writing more, caring less --Mad Eddie --Jimmy --For Richard temporarily --Learning intolerance --Used cars --Marijuana daydreams --Autumn twilight blues --Scraping for a last hit --Near the end --Standing eight count --Homecoming. --Pat McKinnon reading:I used to get stoned --Third grace --Debby is dying -Last will and testament. --Lonnie Sherman reading:Ravaged tavern. --Disc 2. dt Saturday night and Sunday morning at the Astor Hotel --Raising the dead --A poem I write about Gus' Saloon --Hero's blues --Red hot restaurant. --Ron Androla reading:Hot wet new sex and other things --It's a brown pipe --My place in historical literature --Write a simple poem --It wouldn't totally surprise me --Special visits. --Disc CUR145, disc 1.Ron Androla reading concluded:[Good ole Duke University]. --Sue Elton reading:Scanner --A language I don't understand --Silence --A new creation --Lady in bed, 2 --Sister alone at 84 --Legacy --Before Roshashana --Come to me --Dinosaurs and grandparents - -Camps --My dream bores into bone marrow --Yum hashoa day of remembrance --1939 --Warsaw ghetto --Kristallnacht --Prisoner --No hiding plac --After learning of the latest bus bombing --After viewing Shoa. --John Elsberg reading:Item --Professionalism --Adopting a southern attitude --The light and the dark --Fragment --Torn up (by Todd Moore) --Silver --News report analysis --After prom --Publication party --The immediacy of the American past --The North Sea. --Disc 2.Exiles --Homestyle cooking on 3rd Street --The administrator --The final appeal --After attending a Bly workshop --Love poem. --Rick Peabody reading:Amnesia --Audrey in the rain --Bedroom --Reflex action --The fourth stooge --Chimichanga --Introducing snakes to Ireland --Cointreau --Seque. --Disc 146, disc 1.Lynne Barrett reading:Testosterone --The scene. --Lewis McKee reading:Considerations --The world on the hill --Girls from Scranton --Summer neighbors --Dandelions --Lust --Soft peanuts --In morning --In a yellow state --Reaching the gods --Conversing --No matter --The man walking his dog --The bargain --Last call. --Michael Basinski reading:Three --Writing with two titles (Inspired by a line in a poem by Keats, or, Death mask) --The drake --Love song of the mountains of the moon, for Dian Fossey --The poetry workshop --The yearbook. --Joannie Marinelli reading:On January woman --Traded in. --David Beck reading:Walking --All alone --I met a lady --The skin. Description An account of the resource Recorded in 1987 in Pittsburgh, Pennsylvania on four 90 minute Memorex sound cassettes. Recording of the poetry reading titled "Pig in a Poke" organized by Harry Calhoun in Pittsburg, Pennsylvania. Readers include: Stan Morgan, Bob Gregory, Don Wentworth, Harry Calhoun, Bart Solarczak, Pat McKinnon, Lonnie Sherman, Ron Androla, John lsberg, Rick Peabody, Sue Elton, Lynne Barrett, Louis McKee, Michael Basinski, Joannie Marinelli, David Beck. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context CUR143-146 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR143-146.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Performance of the poetry of Aaron Kramer] / Table Of Contents A list of subunits of the resource. What is the world? --The bell and the light --A meeting at Vesey's --Winter song --Pedestrians pass in twos --Something in the air --Did I really swear --I come from a land --I wish you a house --In triumph, the army marched --There was a little soldier --Not always will beauty in private --Louder by far than trumpets --A letter has come to me --My poems are full of poison --How many days will it be --Fly away birds --Rain in the shoe --Prothalamium --A lad came looking for liberty --Last night I gazed --Tyrants of Chile are hunting --What did we do when we wanted --In a country far away --My legs weak. Description An account of the resource Recorded in March 1976 on a 7 inch Scotch reel-to-reel tape. Performance of the poetry of Aaron Kramer by unidentified vocalists. The piece was compiled for the American Poets Series. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context PCR366 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR366.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, September 21, 1994] / John Taggart. Creator An entity primarily responsible for making the resource John Taggart. Table Of Contents A list of subunits of the resource. The lily alone --Marvin Gaye suite --Poem beginning with a lin by Traherne --Reflexive --Three words from Thomas Bernhard --All the steps --The face of love --Into the hill country --Cranky. Description An account of the resource Recorded at the University at Buffalo's Fine Arts Center on September 21, 1994 on a 90 minute Maxell sound cassette. Reading by John Taggart at the Fine Arts Center, University at Buffalo on September 21, 1994. He was introduced by Robert Creeley. There is an audio issue during the piece The face of love which cuts off the end of the poem. Date A point or period of time associated with an event in the lifecycle of the resource 1994 Identifier An unambiguous reference to the resource within a given context PCR317 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR317.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Buffalo, N.Y., May 6, 1988] / Barbara Holender ... [et al.]. Creator An entity primarily responsible for making the resource Barbara Holender ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Barbara Holender reading:To my heirs --Happy birthday Buckminster Fuller, Chautauqua, 1979 --Playing bingo --The bridegroom for Fred --My father under the oxygen mask took hold --Do the dead dance --In longwood gardens --Cruising Glacier Bay --Salmon run --On the beach at Dokos Island --The temps of Poseidon --In the B'hai Shrine, Harfa Island. --Stratton Rawson reading:Wedding poems:For Jeffrey and Regina --For Jim and Cassie --For Helene and Joe --For Amy and Rob --For Tom and Judy --For Sidney and Michelle --For Jim and Dixie --For David and Mary Beth --For Fred and Elizabeth. --Disc 2.Each wedding end like a resume. --Micheal Tritto reading:Listen --Capture --Our times --Work --A life --Sidewalk --Commerce --Open field in the city --Waves --Patience --This silence --The writer --Of light and love --Bloom. --Grace Martin reading:Killing a chicken. Description An account of the resource Recorded at the University at Buffalo on May 6, 1988 on a 90 minute TDK sound cassette by Paul Hogan. Poetry reading by Just Buffalo Writers in Residence: Barbara Holender, Stratton Rawson, Michael Tritto, and Grace Martin. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context HOG043 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG043.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 11, 1971] / Marge Piercy ... [et al.]. Creator An entity primarily responsible for making the resource Marge Piercy ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Barbara Harr reading:New Year's inventory --Fragments after Sappho --Returning late past the subway shops --Living free --Birthday poem --I was those fingertips turning harmony --Clean sweep --The wounded Eurydice --Une belle, in memoriam Miriam Mitchell Olsen. --Erica Jong reading:Gift to a jade /written by Anna Wickham --Alcestis on the poetry circuit --The wives of Mafiosi --The universal exlipcator hums softly --Climbing you --Seminar --Nose thou art sick --The tongue --Sixteen warnings in search for a feminist poem --Divorce --Anniversary. --Disc 2.The age of exploration --The man under the bed. --Etnairis Rivera reading in Spanish and English:Yes of course why not --And I miss you because --Letter to Manuel --I was telling you that time. --Marge Piercy reading:Unlearning to not speak --The morning half-life blues --A work of artiface --A just anger --Laying down the tower --The aim, the best that could be hoped for the magician. Description An account of the resource Recorded at the Fillmore Room, University at Buffalo on November 11, 1971 on two Ampex 7 inch reel-to-reel tapes.. Recording of the first poetry reading in the Woman's Festival Poetry Reading event. Readers include: Marge Piercy, Barbara Harr, Erica Jong and Etnairis Rivera. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context PCR257 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR257.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the University at Buffalo, November 20, 1986] / Jack Clarke, Ed Sanders, Robert Creeley. Creator An entity primarily responsible for making the resource Jack Clarke, Ed Sanders, Robert Creeley. Table Of Contents A list of subunits of the resource. Disc 1.Jack Clarke reading:Although I don't compete with Herman Melville --A woman may enter his vector of release --The night mind --Having looked at each other and made war --The red combatant --The return of Hecate --God bless you Art Blakey. --Ed Sanders reading:The leaves from the wet black sugar maple --The powdery sugary smell --The oak tree flowers --As an artist I am at a loss --The streaks of rain on the rabbit's ear --Your breath upon the pillow's lace --The shiny white grey blobs --For fifteen thousand years ---Don't go oh chicory --first line of song:[Hey we're looking for way of life] --Arise of star piece, arise, arise. --Disc 2.Robert Creeley reading:from Mabel:Something that sticks in mind --The finger --Later --For Rene Richard --first line of poem:[Seen videotape interview of four women]. Description An account of the resource Recorded at the University at Buffalo on November 20, 1986 on a 90 minute Certron sound cassette by Paul Hogan. Poetry reading by Jack (John) Clarke, Ed Sanders and Robert Creeley at the University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG042 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG042.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lectures, University at Buffalo, April 17-19, 1979] / William Gass. Creator An entity primarily responsible for making the resource William Gass. Table Of Contents A list of subunits of the resource. April 17, 1979:Fiction today. --April 18, 1979:Philosophy and the form of fiction. --April 19, 1979:The tunnel. Description An account of the resource Recorded at the University at Buffalo, April 17-19, 1979 on a 5 inch Scotch reel-to-reel tape. Recording of three lectures delivered by William Gass on the topic of modern poetry and fiction. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context PCR122 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR122.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at Kent State University, April 10, 1978] / Kenneth Irby. Creator An entity primarily responsible for making the resource Kenneth Irby. Description An account of the resource Recorded by Robert Bertholf on a 7 inch Scotch reel-to-reel tape, possibly at Kent State on April 10, 1978. Discussion in English classroom at Kent State University. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context CUR061 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR061.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Prose reading at Just Buffalo Literary Center, Buffalo, N.Y., 1986] / Jimmie Canfield, Kastle Brill, Fielding Dawson. Creator An entity primarily responsible for making the resource Jimmie Canfield, Kastle Brill, Fielding Dawson. Table Of Contents A list of subunits of the resource. Disc 1.The scream /Jimmie Canfield --The head /Kastle Brill. --Disc 2.Brand new fiction /Fielding Dawson. Description An account of the resource Recorded in Buffalo, N.Y. in 1986 by Paul Hogan on a 90 minute Certron sound cassette. In celebration of Just Buffalo Literary Center's 11th anniversary, Jimmie Canfield, Kastle Brill and Fielding Dawson read long prose pieces. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG085 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG085.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 16, 1980, poetry readings] / Daphne Marlatt ... [et al]. Creator An entity primarily responsible for making the resource Daphne Marlatt ... [et al]. Table Of Contents A list of subunits of the resource. Disc 1.Daphne Marlatt reading:Imagine: a town --Steveston (B.C.) --23rd 7:45 a.m. --Abandoned --Crossing by --Mem sahib --Speak Malaysian --Who used to live here --Arriving --Begin with a --From somewhere --The car --Winter solstice poem: lunaide. --Robert Hogg reading:The command --Born in the sun --Of light --Reach down into Ganesh --The law of the mythologem is --Not to condition the sun --A certain peace --Nocturne 2 --Song of the goodly craftsman --Prayer --Sunrise --Before class --A full moon in Scorpio --Picnic --Roots --Heat lightning --Kora and Ka --Rocking backwards on the F train. --Disc 2.Douglas Jones reading:This is madness --From six --Dilemmas --I annihilate --Black evil --The diamond sutra --Love is what would leave you totally exposed. --Fred Wah reading:Opening up to you --If one falls and --Stoled in the night --Hermes is a package of crackers --Translating translating Appollinaire --I like the purity of all things seen --Be careful story --Father it is fall --I thought where I came from we grow up --Our origins magnetic lines across an ocean --I lie here and wait for life again --No foolin' I thought I was gonna die --Not so much all of us dying --What's it like to hold yourself in for a while --Words fly from our mouths as leaves --Death's stick's tool --Next spring --Outside it's snowing --Loke death dog died --Runs the cycle, the ground --In the arms of the family --My father hurting at the table --The first bridge was in Trail, B.C. --Baseball the --Breathe dust like you breathe wind --The buildup --As he leaves her --Sounds of o and ree --mmmmmmmmm --World --Trumpet --When you die it snows. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 16, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's opening reading by Daphne Marlatt, Robert Hogg, Douglas Jones and Fred Wah. The poets were introduced by Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF052 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF052.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 17, 1980, poetry readings] / Victor Coleman, Peter Culley. Creator An entity primarily responsible for making the resource Victor Coleman, Peter Culley. Table Of Contents A list of subunits of the resource. Disc 1.Victor Coleman reading:The work is like pitched battle --Birthday poem --A short history of radio --Louie, Louie --Corrected books --In chains --Slightly honorable --Broken hearts are for assholes --Extended tags --Day 16 --Reflections --Raw view --Captions for the deaf --Truth decay --Short shorts --For Minette --Michigan --Interlocking --A set of love poems. --Disc 2.Peter Culley reading:The emerald city --Cloudland --Country music --The George Jones dream --Figures. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 17, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's poetry reading by Peter Culley, Victor Coleman. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF053 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF053.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 17, 1980, poetry readings] / Gerry Gilbert, Kate Van Dusen, Donna Marie Guillemin. Creator An entity primarily responsible for making the resource Gerry Gilbert, Kate Van Dusen, Donna Marie Guillemin. Table Of Contents A list of subunits of the resource. Disc 1.Donna Marie Guillemin reading:Slowly, we pass through seasons --The dress stop --Long as the day may seem --Such lovely ankles. --Kate Van Dusen reading:No walking through mirrors --Needing to write a poem --At night the line unraveled --Picasso in Paris. --Gerry Gilbert reading:A living map --Poesie sur un femme --The spoken word --New era sold ink --I don't know anything about greed but I want what I know --Friends and loving in Faro --America --Friends and loving in Faro (continued). --Disc 2.Ramblin --Footnotes --She whole he bang --Friends and loving in Faro (continued again) --Unity, not uniformity --Friends and loving in Faro (concluded). Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 17, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's poetry reading by Gerry Gilbert, Kate Van Dusen and Donna Marie Guillemin. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF054 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF054.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 19, 1980, poetry readings] / Victor Coleman ... [et al]. Creator An entity primarily responsible for making the resource Victor Coleman ... [et al]. Table Of Contents A list of subunits of the resource. Disc 1.Fred Wah reading:lectures --Pictograms from the interior of B.C. [excerpts]. --Bill Bissett reading:[chant] --How --Th neutron bomb --All I need is a blank sheet uv paper --Th wunderfulness uv th mountees --Blew horizon --Carrying th torch --Speaking speaking --Th san peopul --Th gill peoplu sn th breedrs' --oaoabaoadabaaogaoga --Its past th green margarine now --We moovd to an ice castul --Flying --The ravens ub Faro --Collingwood --Honey. --Disc 2.Victor Coleman reading:The party --[untitled piece] --[untitled piece] --Rug rung in --Generations generaled. --Toronto Research Group performs:Errata --The title of this piece will be revealed --Enigma number 3. --Steve McCaffery reading:Precepts --Cappucino. --Gerry Gilbert reading:Goof don nood --Mia [cough] sky --Ape busy seed --Provincial pitch. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 19, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's poetry reading by Bill Bissett, Gerry Gilbert, Steve McCaffery, bpNichol, Fred Wah and Victor Coleman. Recording opens with Fred Wah reading and discussing collecting anthropological texts on the Kootenai natives. Steve McCaffery introduced Bissett. The Toronto Research Group, comprised of Steve McCaffery and bpNichol, also perform. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF055 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF055.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, panel discussion] / Warren Tallman ... [et al]. Creator An entity primarily responsible for making the resource Warren Tallman ... [et al]. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's panel discussion by Warren Tallman, Daphne Marlatt, Gerry Gilbert, Donna Marie Guillemin, Douglas Jones, Margaret Atwood, and Robert Creeley. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF056A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF056A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, lecture] / Warren Tallman. Creator An entity primarily responsible for making the resource Warren Tallman. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lecture delivered by Warren Tallman. Tallman discusses poetics and nationalism, the issue of "my country" and the "me-ness" of poetry, and the relation of North America to Europe and its literature. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF056B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF056B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, lecture "Roots and new directions"] / Doug Jones, Gerry Gilbert, Fred Wah Creator An entity primarily responsible for making the resource Doug Jones, Gerry Gilbert, Fred Wah introduction by Robert Creeley. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lecture delivered by Doug Jones with discussion by Fred Wah and Gerry Gilbert. Introduction by Robert Creeley. Jones reads from an essay which chronicles his view of 150 years of Canadian poetry and proposes that there is a distinct Canadian poetic tradition. He also discusses various Canadian poets, such as Margaret Atwood, Dennis Lee and E.J. Pratt. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF057A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF057A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, panel discussion / Daphne Marlatt ... [et al.]. Creator An entity primarily responsible for making the resource Daphne Marlatt ... [et al.]. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's question and answer period featuring contributions by Daphne Marlatt, Robert Creeley, Peter Culley and Bill Bissett. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF057B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF057B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, panel discussion] / Warren Tallman ... [et al]. Creator An entity primarily responsible for making the resource Warren Tallman ... [et al]. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's panel discussion by Warren Tallman, Peter Culley, Steve McCaffery, Victor Coleman, George Bowering, Daphne Marlatt, Fred Wah and Robert Creeley. The poets discuss the qualities of Canadian writers and the differences between the present group of Canadian writers and other Canadian writers. They discuss the universality of language and the issue of teaching poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF058A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF058A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 16, 1980, lecture] / Doug Jones. Creator An entity primarily responsible for making the resource Doug Jones. Description An account of the resource Recorded on a Ampex 7 inch reel-to-reel tape on October 16, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lecture delivered by Doug Jones. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF060A Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF060A.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, lectures] / Doug Jones, Warren Tallman. Creator An entity primarily responsible for making the resource Doug Jones, Warren Tallman. Description An account of the resource Recorded on a 90 minute BASF sound cassette on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lectures delivered by Doug Jones and Warren Tallman. Tallman discusses cultural imperialism and Canadian poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF060B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF060B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, lecture] / Steve McCaffery. Creator An entity primarily responsible for making the resource Steve McCaffery. Description An account of the resource Recorded on a 7 inch Ampex reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lecture delivered by Steve McCaffery. He reads an essay entitled "From a political to libidinal economy of the sign." The session ends with a question and answer period. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF059B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF059B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Canadian Poetry Festival at the University at Buffalo, October 20, 1980, lecture] / George Bowering. Creator An entity primarily responsible for making the resource George Bowering. Description An account of the resource Recorded on a 7 inch Ampex reel-to-reel tape on October 20, 1980 at the Poetry Collection, University at Buffalo. Recording of the Canadian Poetry Festival's lecture delivered by George Bowering on regionalism and poetry. A question and answer session follows the lecture. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context PCF058B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF058B.mp3