8 100 1488 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of Japanese flute music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1960s. Collection of Japanese flute music selected by Kenneth Rexroth for possible use with his poetry and jazz creations. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX027 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX027.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with jazz music] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. Poets to come --I will teach my townspeople on how to perform a funeral --In my craft or sullen art --In Africa --Into the sulty --The cow trots freely --I must tell you --When I get to be a composer --[Blues] --All of you dream --F train. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1960s, possibly from a commercially produced vinyl record album. Recording of Kenneth Rexroth reading poetry with jazz music. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX032 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX032.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the Naropa Institute, August 12, 1976] / Jerome Rothenberg. Creator An entity primarily responsible for making the resource Jerome Rothenberg. Description An account of the resource Recorded at the Naropa Institute, August 12, 1976 on a 90 minute Scotch sound cassettes. Recorded by Naropa participant Allen De Loach and acquired by the Poetry Collection. Jerome Rothenberg conducts a lecture at the Naropa Institute. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT092 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT092.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Poetry Collection, University at Buffalo, November 2, 1994] / Clayton Eshleman. Creator An entity primarily responsible for making the resource Clayton Eshleman. Table Of Contents A list of subunits of the resource. Short story --Mortified citizen --Untitled --Sadam should feed his people --Copulation's depth --In being surrounded by --Bloodrock --Some fugal lubrication --Cooking --Cempasuchil --I am whipped. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on November 2, 1994 on 90 minute Maxell sound cassette. Poetry reading by Clayton Eshleman. He is introduced by Yunte Huang. Date A point or period of time associated with an event in the lifecycle of the resource 1994 Identifier An unambiguous reference to the resource within a given context PCR098 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR098.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, September 10, 1984] / Dennis Maloney and Joy Walsh. Creator An entity primarily responsible for making the resource Dennis Maloney and Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Realistic sound cassette on September 10, 1984. Recording of an interview with Dennis Maloney conduced by Joy Walsh. Date A point or period of time associated with an event in the lifecycle of the resource 1984 Identifier An unambiguous reference to the resource within a given context MSC040 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC040.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, April 8, 1976] / Dan Rice and George Butterick. Creator An entity primarily responsible for making the resource Dan Rice and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Realistic sound cassette on April 8, 1976. Recording of an interview with Dan Rice conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context BUT014 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:27:08 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT014.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, July 23, 1983] / Barbara Milliken, David Milliken and George Butterick. Creator An entity primarily responsible for making the resource Barbara Milliken, David Milliken and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Sony sound cassette on July 23, 1983. Recording of an interview with Barbara Milliken and her husband David Milliken conducted by George Butterick. Butterick discusses their relationship with Charles Olson. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Identifier An unambiguous reference to the resource within a given context BUT019 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:19:20 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT019.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, October 20, 1985] / Gunnar Harding and George Butterick. Creator An entity primarily responsible for making the resource Gunnar Harding and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Maxell sound cassette on October 20, 1985. Recording of an interview with Gunnar Harding conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Identifier An unambiguous reference to the resource within a given context BUT024 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:33:31 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT024.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, April 1, 1974] / Frank Moore and George Butterick. Creator An entity primarily responsible for making the resource Frank Moore and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Scotch sound cassette on April 1, 1974. Recording of an interview of Frank Moore conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context BUT010 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT010.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Frank Moore and George Butterick. Creator An entity primarily responsible for making the resource Frank Moore and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Scotch sound cassette. The date of the recording is unknown, but may be 1974. Recording of an interview of Frank Moore conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1974? Identifier An unambiguous reference to the resource within a given context BUT001 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:41:03 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT001.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, February 2, 1977] / Sam Rosenberg and George Butterick. Creator An entity primarily responsible for making the resource Sam Rosenberg and George Butterick. Description An account of the resource Recorded by George Butterick on two 60 minute Scotch sound cassette on February 2, 1977. Recording of an interview with writer Sam Rosenberg conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context BUT022 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:34:49 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT022.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of classical music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1960s. Collection of classical music selected by poet Kenneth Rexroth, including music by Ernst Krenek titled Lamentatio Jeremias Prophetae. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX022 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX022.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, August 7, 1977] / Fielding Dawson and George Butterick. Creator An entity primarily responsible for making the resource Fielding Dawson and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Scotch sound cassette on August 7, 1977. Recording of an interview with writer Fielding Dawson conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context BUT003 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:25:44 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT003.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of Gregorian chants] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1960s. Collection of Gregorian chants selected by poet Kenneth Rexroth. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX036 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX036.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Music] / Lee Houston. Creator An entity primarily responsible for making the resource Lee Houston. Description An account of the resource Recorded by Joy Walsh on a 90 minute Sony sound cassette. Recording of music by Lee Houston recorded by Joy Walsh. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC017 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC017.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Original music] / Connie Makris. Creator An entity primarily responsible for making the resource Connie Makris. Description An account of the resource Recorded by Joy Walsh on a 60 minute Sony sound cassette recorded in the 1980s. Recording of original music by Connie Makris which may have been inspired by Jack Kerouac. Recorded by Joy Walsh. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC031 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC031.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with Chinese music at the Ojai Festival, May 27-29, 1971] / Kenneth Rexroth and Lou Harrison. Creator An entity primarily responsible for making the resource Kenneth Rexroth and Lou Harrison. Table Of Contents A list of subunits of the resource. To [Wei Pai, retired scholar] --[poems by Li Ch'ing Chi] --Plum blossoms small and scattered. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape in 1971. Recording of Kenneth Rexroth reading Chinese poems in translation with music performed by Lou Harrison's band. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context REX005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of Japanese music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape possibly in the 1960s. Collection of Japanese instrumental music selected by Kenneth Rexroth for possible use with his poetry and jazz creations. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX019 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX019.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of Gregorian chants] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1960s. Collection of Gregorian chants selected by poet Kenneth Rexroth. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX035 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX035.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Critical evaluation of Kenneth Rexroth] / Thomas Parkinson. Creator An entity primarily responsible for making the resource Thomas Parkinson. Description An account of the resource Recorded on a 7 inch reel-to-reel tape, possibly in the 1970s. Recording of a critical evaluation of poet Kenneth Rexroth conducted by Thomas Parkinson. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context REX016 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX016.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of French music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Melody reel-to-reel tape possibly in the 1960s. Collection of French music, including Edith Piaf, selected by Kenneth Rexroth for possible use with his poetry and jazz creations. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX018 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX018.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Kenneth Rexroth's collection of Japanese music] / Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch Scotch reel-to-reel tape possibly in the 1960s. Collection of Japanese music selected by Kenneth Rexroth for possible use with his poetry and jazz creations. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Notes] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Realistic sound cassette. Recording of notes by Joy Walsh. The original label on the cassette read: "Notes in car on way home from Holmes." Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC054 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC054.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading Poetry Collection, University at Buffalo on January 12, 1977] / Paul Buck and Ulli McCarthy. Creator An entity primarily responsible for making the resource Paul Buck and Ulli McCarthy. Description An account of the resource Recorded at the Poetry Collection, University at Buffalo on January 12, 1977 on a 90 minute Sony sound cassette. Sound and experimental poetry readings by Paul Buck and Ulli McCarthy. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context PCR038 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR038.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with Chinese music at the Ojai Festival, May 27-29, 1971] / Kenneth Rexroth and Lou Harrison. Creator An entity primarily responsible for making the resource Kenneth Rexroth and Lou Harrison. Table Of Contents A list of subunits of the resource. Rain on the plantain leaves --[poems by Tu Fu] --Lovely night --Glorious to the Buddha --[From one to another] --[poems by Li Ch'ing Chi] Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape on May 27-29, 1971. Recording of Kenneth Rexroth reading Chinese poems in translation with music performed by Lou Harrison's band. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context REX007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, July 25, 1974] / Terence Burns and George Butterick. Creator An entity primarily responsible for making the resource Terence Burns and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Scotch sound cassette on July 25, 1974 in Providence, R.I. Recording of an interview of Terence Burns conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 1974 Identifier An unambiguous reference to the resource within a given context BUT005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:21:22 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading with Japanese music, July 24, 1976] / Kenneth Rexroth. Creator An entity primarily responsible for making the resource Kenneth Rexroth. Table Of Contents A list of subunits of the resource. On Flower Wreath Hill --[Chidori] --first line of poem in English:[Press my breast] --first line of poem in English:[Black hair tangled]. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape on July 24, 1976. Recording of Kenneth Rexroth reading poetry in English and Japanese with Japanese music. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context REX017 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX017.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Gerard Malanga and George Butterick. Creator An entity primarily responsible for making the resource Gerard Malanga and George Butterick. Description An account of the resource Recorded by George Butterick on a 90 minute Realistic sound cassette. Specific information on the date and place are unknown, but the interview was probably conducted in the 1970s. Recording of an interview with poet Gerard Malanga conducted by George Butterick. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context BUT008 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:55:26 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT008.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poems featured on Dial-a-Poem] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Table Of Contents A list of subunits of the resource. A great mass --I keep remembering. Description An account of the resource Recorded by the Dial-a-Poem service on a sound cassette and owned by Joy Walsh. Recording of two poems by Joy Walsh read by an unnamed man. Comments on the poems by unnamed people follow the poems' reading. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC037 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC037.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Memorial service] / Kenneth Rexroth ... [et al.]. Creator An entity primarily responsible for making the resource Kenneth Rexroth ... [et al.]. Description An account of the resource Recorded by Kenneth Rexroth on a 7 inch reel-to-reel tape possibly in the 1970s. Recording of various addresses by Kenneth Rexroth and other unnamed men during a memorial service for a colleague of Rexroth's named Dalton. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context REX033 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-REX033.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Program on the Beat movement] / Description An account of the resource Recorded by George Butterick on a 7 inch Newport reel-to-reel tape, possibly in the 1960s. Recording of an unnamed and unidentified television program on the Beat and Hip movements. Program features the work of Allen Ginsberg and Norman Mailer. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context BUT042 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:51:03 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT042.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My blackness is the beauty of this land / Lance Jeffers. Creator An entity primarily responsible for making the resource Lance Jeffers. Description An account of the resource Digitized from the Poetry Collection's sound cassette labeled May 9, 1971. Recording of an My blackness is the beauty of this land by Lance Jeffers. This poem and a sound recording of the poem were published by Broadside Press in Detroit, Michigan in 1970. It is unclear if this is the same recording as the Broadside Press recording. Date A point or period of time associated with an event in the lifecycle of the resource 1971? Identifier An unambiguous reference to the resource within a given context PCR144 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR144.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metropolitan fractalizations / Larry Wendt. Creator An entity primarily responsible for making the resource Larry Wendt. Description An account of the resource Recorded by Allen De Loach on a 60 minute Scotch sound cassette. Piece features ambient noise, urban soundscapes, repetitive phrases and sound poetry. Date A point or period of time associated with an event in the lifecycle of the resource 2009, 1978 Identifier An unambiguous reference to the resource within a given context INT136 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT136.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [George Starbuck and Peter Kane Dufault interviews on Enjoyment of poetry] / Florence Becker Lennon. Creator An entity primarily responsible for making the resource Florence Becker Lennon. Table Of Contents A list of subunits of the resource. Program with George Starbuck:The fury of aerial bombarment /Florence Becker Lennon reads poem by Richard Eberhart --The price of liberty /Lennon. --George Starbuck reading:Huck Finn --Bone thoughts on a dry day --New strain --Ab ovo --Technologies --One man's goose or poetry redefined --Prognosis --Cold war bulletin from the cultural front --Cape Cod autumn. --Love without hope /Lennon reads Robert Graves' poem. --Program with Peter Kane Dufault:Adam's curse /Lennon reads W.B. Yeats' poem --Enclave in time /Lennon. --Dufault reading:Encounter at a summer place after twenty years --Young girl in a pool --The moon rises over the beach in Kabanya Club --Possibilities --Christmas tree in the suburbs --The toy soldiers found in a box in the attic --In my craft of sullen art /Lennon reads Dylan Thomas' poem --Poetry /Lennon reads Marianne Moore's poem. Description An account of the resource Two programs originally broadcast on the radio program Enjoyment of poetry on WEVD, New York, N.Y. Digitized from the Poetry Collection's 7 inch Scotch reel-to-reel donated copy of the original program. Possibly recorded in 1959. Recording of two programs hosted by Florence Becker Lennon featuring interviews and poetry readings by George Starbuck and Peter Kane Dufault. Date A point or period of time associated with an event in the lifecycle of the resource 1959 Identifier An unambiguous reference to the resource within a given context PCR090 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR090.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 14, 1971] / Arthur Axlerod. Creator An entity primarily responsible for making the resource Arthur Axlerod. Table Of Contents A list of subunits of the resource. Them --Christopher among the chorales --Some explanation to the owner's of Keener's Store (part 7 and 8) --Three butterfly poems --What is newly found. Description An account of the resource Recorded on May 14, 1971 on a 90 minute Concertape sound cassette. Poetry reading by Arthur Axlerod. The specific place of the recording is unknown. There are several instances of audio issues on this recording where the sound varies. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context CUR139 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR139.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Ted Berrigan talks with Clark Coolidge and reads his own poems] / Ted Berrigan, Clark Coolidge. Creator An entity primarily responsible for making the resource Ted Berrigan, Clark Coolidge. Table Of Contents A list of subunits of the resource. Heroin --Ann Arbor song --Tambourine life (excerpt 53) --Fill in the blank --Waterloo sunset --Grey morning --It's a fact --Turnabout --Thirty (for Clark Coolidge) --Hall of mirrors --Prose and poetry --In bed with Joan and Alex --The upper arm, for Andy Warhol --The ten greatest books of the year 1968 --In three parts --Poem of mourning --Peace --Flying from London to New York City things to do on TWA flight 175 (for Robert Creeley) --In the early morning rain --Pat --This --To you, for Anne Waldman --American names --The circle --After breakfast --Personal poem #9. Description An account of the resource Recorded on a 5 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in January 1970 in San Francisco. Mixture of an interview and poetry reading with Berrigan and Coolidge. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context TMC010 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-TMC010.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Niagara-Erie Writers and Musicians, Buffalo, N.Y.] / Michael Boughn, John Clarke. Creator An entity primarily responsible for making the resource Michael Boughn, John Clarke. Table Of Contents A list of subunits of the resource. The boat for Tom --The plate --Revelations --Me neither, for Katie --Five poems from the hills --Billiard balls --History, for Sharon --Credo, for Walker --Poem, for Bruce --Moonrise --Transubstantiation --Ancient wisdom --The dog --The sign --Epistemological exposition for Paul --Barrio blues --The rock --The rock box --The poster --Borderline --The land --Naked under naked sun --New Year's Eve --An idyll --Scouting --Mirror --Sapphire lounge --Of poetics, for Lizzie --The vase --School daze --Love me or leave me (Bessie Smith song). Description An account of the resource Recorded at Niagara-Erie Writers and Musicians, Buffalo, N.Y. in 1986. Paul Hogan donated a copy of the recording made on a 60 minute TDK sound cassette. Poetry reading by University at Buffalo graduate fellow Michael Boughn and accompanying music by University at Buffalo English professor Jack Clarke. The introduction is by an unnamed woman. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Buffalo, N.Y., May 11, 1986] / Michael Boughn, John Clarke. Creator An entity primarily responsible for making the resource Michael Boughn, John Clarke. Table Of Contents A list of subunits of the resource. The boat for Tom --Revelations --Me neither, for Katie --Billiard balls --Poem, for Bruce --Moonrise --The dog --Epistemological exposition for Paul --Barrio blues --The land --Naked under naked sun --New Year's Eve --An idyll --Scouting --Mirror --Sappire lounge --The vase --School daze. Description An account of the resource Recorded at Nietzsche's in Buffalo, N.Y. on May 11, 1986 and broadcast on Spoken Arts Radio. Paul Hogan donated a copy of the recording made on a 60 minute Memorex sound cassette. Poetry reading by University at Buffalo graduate fellow Michael Boughn and accompanying music by University at Buffalo English professor John Clarke. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context HOG002B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-HOG002B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading, Buffalo, N.Y., November 11, 1968] / Walter Lowenfels, Allen De Loach. Creator An entity primarily responsible for making the resource Walter Lowenfels, Allen De Loach. Description An account of the resource Recorded in Buffalo, N.Y. on November 11, 1968 by Allen De Loach on a 7 inch 3M reel-to-reel tape. Walter Lowenfels reads his prose writings, found poems and letters with Allen De Loach. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context PCR200 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR200.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview, October 1, 1980] / Carolyn Cassady and Joy Walsh. Creator An entity primarily responsible for making the resource Carolyn Cassady and Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 90 minute Radio Shack sound cassette on October 1, 1980. Recording of an interview with Carolyn Cassady. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context MSC002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading of work The midnight bridge] / Mary Korte. Creator An entity primarily responsible for making the resource Mary Korte. Description An account of the resource Recorded on a 5 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in 1970 in San Francisco. Mary Korte reads from her soon to be published book. Date A point or period of time associated with an event in the lifecycle of the resource 1970 Identifier An unambiguous reference to the resource within a given context TMC031 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-TMC031.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Daphne Marlatt and Lewis Warsh. Creator An entity primarily responsible for making the resource Daphne Marlatt and Lewis Warsh. Table Of Contents A list of subunits of the resource. Marlatt reading:How hard the stone. --Warsh reading:One wishes --Start over --Cosmonaut --Down at the lake --Wood fires in field --1000 poetry readings --My blue heaven. Description An account of the resource Recorded on a 90 minute sound cassette, possibly in the 1980s in Buffalo, N.Y. Recording of a poetry reading by Daphne Marlatt and Lewis Warsh. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context JUS033 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS033.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and reading, June 11, 1978] / Carolyn Stoloff. Creator An entity primarily responsible for making the resource Carolyn Stoloff. Table Of Contents A list of subunits of the resource. Between rock and dream --It's the light --In an arena of light. Description An account of the resource Recorded for Carolyn Stoloff on a 7 inch Studio reel-to-reel tape in June 11, 1978. Recording of Carolyn Stoloff reading her poetry and being interviewed by Janet [Cann?] on Poetry Patch for KXRT in Taos, New Mexico. Date A point or period of time associated with an event in the lifecycle of the resource 1978 Identifier An unambiguous reference to the resource within a given context STO001 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO001.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Carolyn Stoloff interview on Enjoyment of poetry] / Florence Becker Lennon. Creator An entity primarily responsible for making the resource Florence Becker Lennon. Table Of Contents A list of subunits of the resource. Breakfast /Jacques Prevert read by Lennon --The tide goes out /Lennon. --Stoloff reading:Dinosaurs --The stunt --Oh to be an archetype --First May. Description An account of the resource Originally broadcast May 19, 1963 on the radio program Enjoyment of poetry on WEVD, New York, N.Y. Digitized from the Poetry Collection's 7 inch Scotch reel-to-reel donated copy of the original program. Recording of an interview with Carolyn Stoloff features a discussion on the theme of clarity in poetry. Stoloff also reads poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1963 Identifier An unambiguous reference to the resource within a given context STO007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and reading, August 1977] / Carolyn Stoloff. Creator An entity primarily responsible for making the resource Carolyn Stoloff. Description An account of the resource Recorded for Carolyn Stoloff on a 7 inch Melody reel-to-reel tape in August 1977. Recording of Carolyn Stoloff reading her poetry and being interviewed by Robert Peters for the program In Print on KPFK in Los Angeles. Date A point or period of time associated with an event in the lifecycle of the resource 1977 Identifier An unambiguous reference to the resource within a given context STO003 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO003.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and reading] / Carolyn Stoloff. Creator An entity primarily responsible for making the resource Carolyn Stoloff. Description An account of the resource Recorded for Carolyn Stoloff on a 7 inch Melody reel-to-reel tape in the 1970s. Recording of Carolyn Stoloff reading her poetry and being interviewed. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context STO002 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO002.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and interview, March 12, 1979] / Carolyn Stoloff. Creator An entity primarily responsible for making the resource Carolyn Stoloff. Table Of Contents A list of subunits of the resource. Looking for buttons --The potter --The weaver --The man with the grey eyes --Around once again --Letter from Dick --At night in the high mountains --Swiftly now. Description An account of the resource Recorded for Carolyn Stoloff on a 7 inch reel-to-reel tape on March 12, 1979 on WWUH. Recording of Carolyn Stoloff reading her poetry and being interviewed on WUUH in West Hartford, Connecticut on Poet's Corner. Date A point or period of time associated with an event in the lifecycle of the resource 1979 Identifier An unambiguous reference to the resource within a given context STO005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, May 20, 1976] / Carolyn Stoloff. Creator An entity primarily responsible for making the resource Carolyn Stoloff. Table Of Contents A list of subunits of the resource. Carrots --September night --Acrobatics --Sound arithmetic --A fox and a girl --Noon --For Lawrence Kalkanya. Description An account of the resource Recorded for Carolyn Stoloff on a 7 inch Agfa reel-to-reel tape on May 29, 1976 on WNYC. Recording of Carolyn Stoloff reading her poetry on WNYC's International Literary Report, no. 825. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context STO004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-STO004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interviews] / Calvin Hernton, Gary Earl Ross, Dee Cosby Creator An entity primarily responsible for making the resource Calvin Hernton, Gary Earl Ross, Dee Cosby interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on February 12, 19, 26, 1990. Recorded for Spoken Arts Radio program on WBFO-FM. Recording of Mary Van Vorst's interview with Calvin Hernton, Gary Earl Ross, Dee Cosby . Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context JUS027 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS027.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Victor Hern? Description An account of the resource Recorded in Buffalo, N.Y. on a 60 minute TDK sound cassette. Public service announcement for WBFO radio featuring Victor Hernandez Cruz. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS011 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS011.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interviews] / Hilda Morley ... [et al.] Creator An entity primarily responsible for making the resource Hilda Morley ... [et al.] interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on June 18, 25, 4, and 11, 1990. Recorded for Spoken Arts Radio program on WBFO-FM. Recording of Mary Van Vorst's interview with Hilda Morley, Zena Collier, Robbie McCauley, Marty Campbell. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context JUS026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Allentown Community Center, April 27, 1986] / Jessica Hagedorn, Thulani Davis. Creator An entity primarily responsible for making the resource Jessica Hagedorn, Thulani Davis. Table Of Contents A list of subunits of the resource. Jessica Hagedorn reading:I danced --Susanna --The woman who thought she was more than a samba --Travels in the combat zone. --Davis reading:[Of course at the last minute] --The mummy --Cheekey and Teranova --Formalized by middle age --Being alone. Description An account of the resource Recorded on a 90 minute sound cassette at the Allentown Community Center on April 27, 1986 Recording of a poetry reading by Jessica Hagedorn and Thulani Davis. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Identifier An unambiguous reference to the resource within a given context JUS035 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS035.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Performance of The rough field] / John Montague. Creator An entity primarily responsible for making the resource John Montague. Description An account of the resource Recorded on two 90 minute sound cassette. Thi s is a recording of The Rough Field by Irish poet John Montague. Performers include, Patrick McGee, Tom McGuirk and Seamus Heaney with music by The Chieftains. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context PCR430 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR430.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Spring Arts Festival, University at Buffalo, March 19, 1968] / John Wieners. Creator An entity primarily responsible for making the resource John Wieners. Description An account of the resource Recorded on March 19, 1968 at the Spring Arts Festival, University at Buffalo on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by John Wieners at the Spring Arts Festival, University at Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT181B Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT181B.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, February 19, 1976] / John Wieners. Creator An entity primarily responsible for making the resource John Wieners. Description An account of the resource Recorded on February 19, 1976 at the Allentown Community Center on a 7 inch Scotch reel-to-reel tape by Allen De Loach. Poetry reading by John Wieners at the Allentown Community Center. Date A point or period of time associated with an event in the lifecycle of the resource 1976 Identifier An unambiguous reference to the resource within a given context INT077 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT077.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture, Berkeley Poetry Conference, July 22, 1965] / Allen Ginsberg. Creator An entity primarily responsible for making the resource Allen Ginsberg. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape at the Berkeley Poetry Conference on July 22, 1965. Recording of a lecture by Allen Ginsberg at the Berkeley Poetry Conference. He was introduced by Gary Snyder. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCF024 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCF024.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and interview, March 14, 1965] / John Wieners. Creator An entity primarily responsible for making the resource John Wieners. Description An account of the resource Recorded on possibily on March 14, 1965 on a 7 inch Ampex reel-to-reel tape, possibly at the University at Buffalo. This recording is of a poetry reading by John Wieners and a subsequent interview. The sound quality is very poor. There is another poetry reading by Wieners attributed to this same day, but the poems read are different. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context PCR345 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR345.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / George Hitchcock. Creator An entity primarily responsible for making the resource George Hitchcock. Table Of Contents A list of subunits of the resource. An exorcism --With pomegranites and almonds --Western civ. --Explorations --The deserted house --My uncle --[Found poems] --The call of the eastern quail --April. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. This is a recording of the original Tenth Muse published recording which occurred in 1969 in San Francisco. George Hitchcock reads his poetry. Date A point or period of time associated with an event in the lifecycle of the resource 1969 Identifier An unambiguous reference to the resource within a given context TMC006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-TMC006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview and reading] / Lucille Clifton, Per Lysander Creator An entity primarily responsible for making the resource Lucille Clifton, Per Lysander interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette November 6 and 13, 1988. Recorded for Spoken Arts Radio program on WBFO-FM. Recording of Mary Van Vorst's interview with Lucille Clifton and a portion of her reading. This is followed by an interview with Per Lysander. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS068 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS068.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Allentown Community Center, September 9, 1988] / Lucille Clifton. Creator An entity primarily responsible for making the resource Lucille Clifton. Table Of Contents A list of subunits of the resource. Homage to my hips --What the mirror said --Fingers --My momma moved among the days --Sisters --California lessons --The death of Thelma Sales --Chemotherapy --I'm going back to my true identity --Peeping Tom --Eyes. Description An account of the resource Recorded on a 90 minute TDK sound cassette September 9, 1988 at the Allentown Community Center. Recording of Lucille Clifton's homecoming poetry reading in Buffalo. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS112 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS112.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the YM-YWHA, New York City, November 1964] / John Malcolm Brinnin. Creator An entity primarily responsible for making the resource John Malcolm Brinnin. Table Of Contents A list of subunits of the resource. Oedipus his cradle song --Oh not to bless my soul --Brinnin on the moors --To a mad friend --The giant turtle --Friday afternoon --Alfonso was his name --Letter from an island. Description An account of the resource Recorded at the YM-YWHA (92nd Street Y) in New York City for McGraw-Hill Sound Seminar series on a 5 inch reel-to-reel tape. Digital reproduction for educational purposes only. Poetry reading held at the YM-YWHA. Brinnin is introduced by Peter Davidson. Date A point or period of time associated with an event in the lifecycle of the resource 1964 Identifier An unambiguous reference to the resource within a given context SEM045 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-SEM045.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion of mushrooms] / George Butterick, Charles Olson. Creator An entity primarily responsible for making the resource George Butterick, Charles Olson. Description An account of the resource Recorded by George Butterick on a sound cassette. Recording of a discussion of Charles Olson and George Butterick mushrooms and drugs. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context BUT006 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 00:40:07 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-BUT006.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, January 31, 1973] / Richard Grossinger, Edward Dorn. Creator An entity primarily responsible for making the resource Richard Grossinger, Edward Dorn. Table Of Contents A list of subunits of the resource. Disc 1.The provinces (excerpts) --The book of being born again into the world (excerpts). --Disc 2.How it began is hard to remember --The sun brilliant on the horizon --I can't hel it if we're not at peace with anything --The windy passage of nostalgia (excerpts) --Sun jelly beautiful living. Description An account of the resource Recorded at Kent State University in Kent, Ohio on January 31, 1973 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf. Poetry reading by Richard Grossinger. He is introduced by Edward Dorn. Date A point or period of time associated with an event in the lifecycle of the resource 1973 Identifier An unambiguous reference to the resource within a given context CUR024 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:27:36 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR024.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 5, 1971] / Richard Grossinger. Creator An entity primarily responsible for making the resource Richard Grossinger. Table Of Contents A list of subunits of the resource. Miranda Levana --Book of the Cranberry Islands (excerpts) --The provinces (excerpts) Description An account of the resource Recorded at Kent State University in Kent, Ohio on April 5, 1971 on a 7 inch Scotch reel-to-reel tape. Recorded by Robert J. Bertholf. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Poetry reading by Richard Grossinger at the Creative Arts Festival. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context CUR025 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:04:35 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR025.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings] / Robert Creeley ... [et al.]. Creator An entity primarily responsible for making the resource Robert Creeley ... [et al.]. Table Of Contents A list of subunits of the resource. Disc 1.Frank O'Hara reading:Mozart chemisier --Fantasy --The day lady died --Song --Having a coke with you. --Ed Sanders reading:Cemetery Hill --Maximus, from Dogtown. --Denise Levertov reading:The ache of marriage --Losing track --A vision --Life at war. --Charles Olson:Letter #41 --Maximus to Gloucester, letter 27 --The librarian. --Disc 2.Robert Creeley reading:The immoral proposition --Le fou --The whip --La noche --Like they say --The hero --The traveller --The first time --The place --For love --Some place --Walking --Words. Description An account of the resource Various poets recorded on the program "USA Poetry" possibly in April 1965. The specific information about the recording is unavailable. It is from the Allen De Loach collection of recordings acquired by the Poetry Collection. Poetry readings by Robert Creeley, Charles Olson, John Wieners, Frank O'Hara, Ed Sanders, Denise Levertov. Date A point or period of time associated with an event in the lifecycle of the resource 1965 Identifier An unambiguous reference to the resource within a given context INT194 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT194.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Creative Arts Festival, Kent State University, April 7, 1971] / Richard Grossinger, Allen Ginsberg, Robert Duncan. Creator An entity primarily responsible for making the resource Richard Grossinger, Allen Ginsberg, Robert Duncan. Table Of Contents A list of subunits of the resource. Disc 1.Robert Duncan reading:The songs of Maximus (Song 6) --Richard Grossinger speaking. --Disc 2.Allen Ginsberg reading:A Western ballad --Stanzas, written at night in Radio City --The bricklayer's lunch hour --In society --The voice of the ancient bard --A poem on America --Duncan and Ginsberg dialogue --Ginbserg reading:Poem (Kruschev is coming on the right day!) --The instruction manual (written by John Ashbery). Description An account of the resource Recorded at Kent State University in Kent, Ohio on April 7, 1971 on a 120 minute Scotch sound cassette. Recorded by Robert J. Bertholf. Recorded by Robert J. Bertholf, while serving as Professor of English and organizer of the Creative Arts Festival at Kent State University. Recording was donated to the Poetry Collection at the University at Buffalo, where Bertholf subsequently served as Curator. Poetry reading by Richard Grossinger, Allen Ginsberg and Robert Duncan at the Creative Arts Festival. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context CUR010 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:55:18 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR010.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Jonathan Williams, Thomas Meyer. Creator An entity primarily responsible for making the resource Jonathan Williams, Thomas Meyer. Table Of Contents A list of subunits of the resource. Disc 1.O for a muse of fire --Finger exercises --Gaius Valerius Catullus --Sir Edward Elgar --Charles Ives --Leos Janacek --Bunk Johnson --Carl Nielson --Charlie Parker --Francis Poulenc --Erik Satie --Jean Sibelius --Jack Spicer. --reading from Blues and roots/rue and bluets:Bea Hensley hammers an iron Chinquapin leaf on his anvil near spruce pine --Daddy Bostain, the Moses of the Wing Community Moonshiners laments from his deathbed the spiritual estate --A ride in a blue Chevy from Alum Cave Trail to Newfound Gap --The ancient of days --Three sayings from Highlands, North Carolina --Dear Reverend Carl C. McIntires --The flower-hunter in the fields --The familiars. --reads from Imaginary postcards:1 --4 --5 --9 --26 --35 --40. --from Adventures with a twelve inch pianist beyond the blue horizon:March 22, who is little Enis?. --from A celestial centennial reverie for Charles Edward Ives:Hawthorne --The Alcotts --Thoreau. --reads from Untinears & antennae for Maurice Revel:A valediction for my father --The photographer looks at the prints and turns poet --Resolution --Shotgun Shuba thinks middle-aged Slovakian thoughts about the Dodgers one evning in Ohio along the Mahoning River --My quaker-atheist friend. --Disc 2.reads form The umbrella of Aesculapius:Lusty sparrows --Kive in clear light --Anna versus --Rock and root cunning --Calends --Mountain peaks, ravino, sleep --Solstice hymn, loom song --A Valentine --In Kel's book --Simple meeting --That I admire --If I offered you --The rabbit in the orchard through the gap --In an old new mode --Cocaine --The garden again --So little accuracy avails. Description An account of the resource Recorded on a 7 inch Scotch reel-to-reel tape. The place and date of the recording are unknown, but it is possibly from the 1970s at Kent State University. It was recorded by Robert Bertholf. Poetry reading by Jonathan Williams and Thomas Meyer. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR045 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:48:47 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR045.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading and discussion] / Allen De Loach. Creator An entity primarily responsible for making the resource Allen De Loach. Description An account of the resource Recorded in the 1960s by Allen De Loach on an 7 inch reel-to-reel tape. Recording of Allen De Loach reading poetry and discussing contemporary poetry. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context INT117 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT117.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Reading and interview in Peekskill, N.Y. on December 15, 1971] / Walter Lowenfels, Allen De Loach. Creator An entity primarily responsible for making the resource Walter Lowenfels, Allen De Loach. Description An account of the resource Recorded Peekskill, N.Y. on December 15, 1971 by Allen De Loach on a two sound cassettes. Interview with Walter Lowenfels on his poetry and a recording of various readings of his poetry with Allen De Loach. Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context INT069 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT069.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture at the University at Buffalo, summer course 1968, English 603S. / Robert Duncan. Creator An entity primarily responsible for making the resource Robert Duncan. Description An account of the resource Recorded at the University at Buffalo on July 26, 1968 by Allen De Loach for the Poetry Collection on a 7 inch Scotch reel-to-reel tapes. Recording of Robert Duncan lecturing at the University at Buffalo during the summer of 1968. Date A point or period of time associated with an event in the lifecycle of the resource 1968 Identifier An unambiguous reference to the resource within a given context INT162 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-INT162.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, CEPA, Hallwalls] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Table Of Contents A list of subunits of the resource. Joy Walsh reading:Locating positions --Ohio River --Catechism --Invisible empire --Two lives to bear --Andre Watt, piano player. --unidentified man reading:Sketches of Spain --Unumployment --I yawn --A sane poem --People know too much --Dear anonymous --Shadow --Saturday night. Description An account of the resource Recorded by Joy Walsh on a 60 minute sound cassette in the 1980s. Recording of Joy Walsh and an unnamed man's poetry reading. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC015 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC015.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Lorna C. Hill Creator An entity primarily responsible for making the resource Lorna C. Hill interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on February 7 and 9, 1989 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Lorna C. Hill on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context JUS051 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS051.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Roberto Bedoya, Gordon Weaver, Sherry Robbins Creator An entity primarily responsible for making the resource Roberto Bedoya, Gordon Weaver, Sherry Robbins interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on July 18, 25, and August 1, 1989 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Roberto Bedoya, Gordon Weaver, Sherry Robbins on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context JUS079 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS079.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Francine Witte, Doug Carlson, Celeste Tisdale Creator An entity primarily responsible for making the resource Francine Witte, Doug Carlson, Celeste Tisdale interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on December 12 and 19, 1989 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Francine Witte, Doug Carlson, Celeste Tisdale on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context JUS052 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS052.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Molly Peacock, Holly Beye Creator An entity primarily responsible for making the resource Molly Peacock, Holly Beye interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on January 1, 8, 15, 1990 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Molly Peacock and Holly Bye on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context JUS053 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS053.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Dick Higgins, Mary Ryan, Iren Klepfisz Creator An entity primarily responsible for making the resource Dick Higgins, Mary Ryan, Iren Klepfisz interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on May 7, 14 and 28, 1990 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Dick Higgins, Mary Ryan, Irene Klepfisz on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1990 Identifier An unambiguous reference to the resource within a given context JUS069 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS069.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry readings] / Janet Cooper and Allen Ginsberg. Creator An entity primarily responsible for making the resource Janet Cooper and Allen Ginsberg. Table Of Contents A list of subunits of the resource. Disc 1.Janet Cooper reading:Big spring --To FFC --Made the bed today --On the United Church of Christ girls retreat --Fire is peculiar --If you were taking a nap --Calming influence --When the wind brushes --To PM --Imagine the sun shining for the last time --I don't love your anymore --Would you could've spent the fall nearby --To a friend whose work might come to nothing --Not to apprehend --Imagine if primitive people's abstract designs --Rain drops hard --Being irritable --When I first receive a hurt --Let the old wind go crazy --To B. West Canton Street, Boston. --Disc 2.Question and answer period. --Allen Ginsberg reading (almost inaudiable) Description An account of the resource Recorded at Kent State University by Robert Bertholf in the 1970s on a 7 inch reel-to-reel tape. Poetry readings by Janet Cooper on disc 1. Disc 2 features Cooper's question and answer session. Disc 3 features a poetry reading by Allen Ginsberg which is inaudible due to poor recording at the event. Date A point or period of time associated with an event in the lifecycle of the resource 197-? Identifier An unambiguous reference to the resource within a given context CUR063 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 03:12:52 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR063.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Ron Emhke, Ann Asel-Wagner, Brian Dunnigan Creator An entity primarily responsible for making the resource Ron Emhke, Ann Asel-Wagner, Brian Dunnigan interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on August 29, September 5 and 12, 1989 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Ron Emhke, Ann Asel-Wagner, Brian Dunnigan on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context JUS080 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS080.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Jim Santella, Jimmie Canfield and Mary Elsie Robertson Creator An entity primarily responsible for making the resource Jim Santella, Jimmie Canfield and Mary Elsie Robertson interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette on August 8, 15 and 22, 1989 for WBFO's Spoken Arts Program. Recording of Mary Van Vorst's interview with Jim Santella, Jimmie Canfield and Mary Elsie Robertson on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context JUS081 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS081.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 60 minute sound cassette in the 1980s. Recording of an unidentified person discussing Jack Kerouac and the voice of Jack Kerouac. The end of the recording is of a child and mother, possibly Joy Walsh or Ann Charters. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC046 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC046.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 60 minute sound cassette in the 1980s. Recording of an unidentified person discussing Jack Kerouac. Walsh may have been given this recording by Ann Charters. Date A point or period of time associated with an event in the lifecycle of the resource 198-? Identifier An unambiguous reference to the resource within a given context MSC047 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC047.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Lamont Library, Harvard University, April 7 and 10, 1967] / Robert Kelly. Creator An entity primarily responsible for making the resource Robert Kelly. Table Of Contents A list of subunits of the resource. The boat --Sun of the center --Spiritum --Coherence --The boar --Exchanges (5th section) --The alchemist, for Robert Duncan --Dr. Sunyata's poem --The process --Up on autumn --Round dances --Oracle 2 --The animal --Knee lunes --Paris Artis --Weeks (22, 24, 150). --Disc 2.Devotions (1, 7, 18) --What I didn't see --The changes happen where we are --The state of siege (11, 14, 17) --Louie Morrow Guatshock in honor --Axon dendrontree --Song 12 --Song 24. --Disc 3.Poems for Harvey Bialy:Lamas and Gloucester --Brave and bit --Light on it a girl --Mamer Parium --Poem for Garrett --Dutchess County fair poem --Poem for Steve Jonas --The vessels, part 4 --That the visible world is Kabala and tradition --Torch song --Punctuations for an unvolumed text --The shape of her bent over --And sealight maintain the color --Song (I-III, IX, X, XII, XIV, XXI, XXV) --The common shore. Description An account of the resource Recorded at the Lamont Library at Harvard University in April 7 and 10, 1967 on two 90 minute Maxell sound cassette. Poetry reading by Robert Kelly. Date A point or period of time associated with an event in the lifecycle of the resource 1967 Identifier An unambiguous reference to the resource within a given context PCR399 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-PCR399.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Jack Kerouac ... [et al.] Creator An entity primarily responsible for making the resource Jack Kerouac ... [et al.] Table Of Contents A list of subunits of the resource. Disc 1.Ferlinghetti reading:I am waiting --Gregory Corso reading:Mutation of the spirit --Failight reading:A cavern full of wicked sisters --Fresh wilderness resurrected. --Kerouac reading:Mexico City blues. Description An account of the resource Recorded on a 60 minute Compact sound cassette in the 1960s and donated to the Poetry Collection by Joy Walsh. Poetry readings by Jack Kerouac, Lawrence Ferlinghetti, Harry Fainlight, Gerald Nicosia, Gregory Corso from commercial recordings. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context MSC027 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC027.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Jack Kerouac, Allen Ginsberg, Henry Miller. Creator An entity primarily responsible for making the resource Jack Kerouac, Allen Ginsberg, Henry Miller. Table Of Contents A list of subunits of the resource. Disc 1.WBAI introduction and interview with Barry Gifford. --Disc 2.Interview continued --Jack Kerouac reading from commercial recordin : Jack Kerouac on the Beat Generation:Visions of Cody, The Three Stooges. --Allen Ginsberg reading:Plutonian ode --Henry Miller speaking, Description An account of the resource Recorded on a 90 minute Sony sound cassette in the 1960s and donated to the Poetry Collection by Joy Walsh. Poetry reading by Jack Kerouac from a commercial recording and interview with Barry Gifford on WBAI. Also included is a recording of Ginsberg reading Plutonian odes and a discussion by Henry Miller. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context MSC026 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC026.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading] / Jack Kerouac. Creator An entity primarily responsible for making the resource Jack Kerouac. Table Of Contents A list of subunits of the resource. Disc 1.Desolation angels excerpts:San Francisco blues, 27th-30th choruses --Mexico City blues, 228-229th choruses --Old angel midnight --The beginning of bop --The subterraneans --Visions of Cody, the Three Stooges. --Disc 2.Audio of the film Pull my daisy --Neal Cassady speaking. Description An account of the resource Recorded on a 90 minute TDK sound cassette in the 1960s and donated to the Poetry Collection by Joy Walsh. Recording of Jack Kerouac reading poetry. Disc 1 is a commericial recording "Readings by Jack Kerouac on the Beat Generation" Verve LP 15005, recorded May 13, 1959, released January 1960. Disc 2 features the audio of Pull my daisy, Kerouac's film. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Identifier An unambiguous reference to the resource within a given context MSC025 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC025.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Jack Kerouac singing] / Description An account of the resource Recorded on a 60 minute PMC sound cassette in the 1960s and donated to the Poetry Collection by Joy Walsh. Recording of Jack Kerouac singing. There is also jazz and Spanish music and Tony Sampas talking. Date A point or period of time associated with an event in the lifecycle of the resource 196-? Identifier An unambiguous reference to the resource within a given context MSC033 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC033.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at Kent State University, 1975] / William Bronk. Creator An entity primarily responsible for making the resource William Bronk. Table Of Contents A list of subunits of the resource. Disc 1.The absent present --Succoth --Dramatis personae --Paul, prisoner of the Lord and courses run --The lack of information --Here is the silence --The unbecoming of wanted and water --The signification --L'etre --Assuming reason --Why not? --On the death of Cardinal Tisserant --The prejudice of good order --The apartness --Leaving us out --The limits of knowledge --Missing --The unsaid --The abjuration avowed --The defence of poesie --Put --The duration of this world --The lover as not the loved --The new marine on the bus --Concessions cessations --What to do in our helplessness --Asking --The revelation --What way the weather goes --Misspoken --Wanting to come back --Looking at it --Where it ends --The pretext --The full strength of nothing --The slightness of unbelief --Telling us --Smart cookies: are you it? --Sovereign value --The meaning --The preference --Hypotheses --Gist and gism --The what and where --The con --The elusions of desire. --Disc 2.Virgin and child with music and numbers --The fragile, endurance of the world --I am joy which is. Description An account of the resource Recorded at Kent State University by Robert Bertholf in 1975 on a 7 inch reel-to-reel tape. Recording of poetry reading by William Bronk while the poet was at Kent State University. Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context CUR067 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Extent The size or duration of the resource. 01:32:59 Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR067.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Charles Brady. Creator An entity primarily responsible for making the resource Charles Brady. Description An account of the resource Recorded on a 90 minute TDK sound cassette May 16, 1982 at Brady's house. Recording of Charles Brady discussing his work and poetry. His interviewew is not named. Date A point or period of time associated with an event in the lifecycle of the resource 1982 Identifier An unambiguous reference to the resource within a given context JUS060 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS060.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, Buffalo, N.Y., May 11, 1986] / Michael Boughn, William McIlvanney. Creator An entity primarily responsible for making the resource Michael Boughn, William McIlvanney. Description An account of the resource Recorded on August 9, 1987 and August 16, 1987 on a 60 minute BASF sound cassette. Interview of Michael Boughn and William McIlvanney by Paul Hogan for Spoken Arts radio program on WBFO. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Identifier An unambiguous reference to the resource within a given context JUS050 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS050.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Discussion, November 11, 1995] / Robert Creeley, Kimiko Hahn. Creator An entity primarily responsible for making the resource Robert Creeley, Kimiko Hahn. Description An account of the resource Recorded on November 11, 1995 on a 90 minute TDK sound cassette. Recording on Robert Creeley and Kimiko Hahn discussing poetry in Buffalo, N.Y. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS007 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS007.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Robert Hass. Creator An entity primarily responsible for making the resource Robert Hass. Description An account of the resource Recorded on a 60 minute 3M sound cassette April 1, 1996. Recording of Ray Suarez interview with Robert Hass on NPR's Talk of the Nation. Date A point or period of time associated with an event in the lifecycle of the resource 1996 Identifier An unambiguous reference to the resource within a given context JUS039 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS039.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Maxine Kumin, Robert Bertholf Creator An entity primarily responsible for making the resource Maxine Kumin, Robert Bertholf interviewed by Paul T. Hogan. Description An account of the resource Recorded on a 60 minute 3M sound cassette on January 10 and January 17, 1988. Recording of Paul T. Hogan's interview with Maxine Kumin. Following this is an interview with Robert J. Bertholf on the topic of Lorine Niedecker on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1988 Identifier An unambiguous reference to the resource within a given context JUS038 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS038.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Joan Murray Creator An entity primarily responsible for making the resource Joan Murray interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette September 15, 1995. Recording of Mary Van Vorst's interview with Joan Murray on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS016 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS016.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Lucille Clifton Creator An entity primarily responsible for making the resource Lucille Clifton interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette October 28, 1995. Recording of Mary Van Vorst's interview with Lucille Clifton on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS017 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS017.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Robert Creeley Creator An entity primarily responsible for making the resource Robert Creeley interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette October 28, 1995. Recording of Mary Van Vorst's interview with Gale Jackson on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS001 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS001.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Diane Glancy Creator An entity primarily responsible for making the resource Diane Glancy interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette September 16, 1995. Recording of Mary Van Vorst's interview with Diane Glancy on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS004 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS004.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Interview] / Victor Hernandez Cruz, Jayne Cortez Creator An entity primarily responsible for making the resource Victor Hernandez Cruz, Jayne Cortez interviewed by Mary Van Vorst. Description An account of the resource Recorded on a 90 minute TDK sound cassette June 3, 1995 and May 20, 1995. Recording of Mary Van Vorst's interview on WBFO's Spoken Arts Radio Program. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS003 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS003.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Lecture and workshop, Buffalo, N.Y., June 3, 1995] / Victor Hernandez Cruz, Simon Ortiz. Creator An entity primarily responsible for making the resource Victor Hernandez Cruz, Simon Ortiz. Description An account of the resource Recorded on a 90 minute TDK sound cassette June 3, 1995. Recording of a poetry workshop by Victor Hernandez Cruz and Simon Ortiz. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Identifier An unambiguous reference to the resource within a given context JUS005 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-JUS005.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading, September 2, 1989] / Joy Walsh. Creator An entity primarily responsible for making the resource Joy Walsh. Description An account of the resource Recorded by Joy Walsh on a 60 Supertape minute sound cassette on September 2, 1989. Recording of Joy Walsh reading poetry from her Driver poem series. Date A point or period of time associated with an event in the lifecycle of the resource 1989 Identifier An unambiguous reference to the resource within a given context MSC039 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-MSC039.mp3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hear@Buffalo - The Poetry Collection’s Audio Archive Subject The topic of the resource Poetry Poetry Readings Description An account of the resource In 2009 the Poetry Collection received a Preservation and Access grant from the National Endowment for the Humanities to reformat, catalog and make accessible over 1,300 endangered cassette and reel-to-reel audio recordings of poetry materials. Dating between 1962 and 2000, the recordings fall into three categories: <ul> <li>an archive of tapes from poetry readings, lectures and other unique events that took place in the Poetry Collection and on the University at Buffalo campus or elsewhere in Western New York</li> <li>personal recordings that poets made of their own readings over a period of time</li> <li>and libraries of tapes collected by various individuals and groups.</li> </ul> Capturing poetry readings, lectures, interviews, conferences and other literary events, these tapes document the development of innovative and avant-garde poetries and their communities throughout the second half of the twentieth century as well as Buffalo’s role within that history. Readings by both canonical and non-canonical poets are featured in the collection, including such prominent American and international figures as John Ashbery, Robert Bly, Basil Bunting, Robert Creeley, Diane Di Prima, Ed Dorn, Robert Duncan, Allen Ginsberg, Robert Graves, Denise Levertov, Robert Lowell, Frank O’Hara, Charles Olson, George Oppen, Kenneth Rexroth, Gary Snyder, Diane Wakoski and Louis Zukofsky. Occurring as they do in a particular place and time and before a particular audience, poetry readings by their nature are spontaneous events that can differ drastically from one place and location to another, and the recordings of these events offer literary scholars and students in the humanities a host of highly significant resources for research and education. Audio recordings: <ul> <li>promote the study of poetry’s performance</li> <li>provide a wide range of extra-textual information that is nonetheless crucial to understanding a poem’s larger contexts of meaning</li> <li>function as audible manuscripts testifying to the composition and revision habits of poets</li> <li>document the social contexts and literary communities in which poetry takes place</li> <li>and offer an effective resource personalizing the experience of poetry for students of all levels.</li> </ul> Consequently, these tapes are potentially significant for all sorts of historical, biographical and genetic scholarship, and can serve an important pedagogical use in the classroom. For research purposes, where possible the description of these items includes not just the titles of the poems read but information about the conversations that take place around them. Recordings have been grouped accordingly based on their source in a number of the Poetry Collection’s literary archives, each of which can be searched as a sub collection above: <ul> <li>Anthony Ostroff Collection</li> <li>Carolyn Stoloff Collection</li> <li>Curators’ Collection</li> <li>George F. Butterick Collection</li> <li>Hand and Flower Press Collection</li> <li>Helen Adam Collection</li> <li>Intrepid Collection</li> <li>Jargon Society Collection</li> <li>John Logan Collection</li> <li>Just Buffalo Collection</li> <li>Kenneth Rexroth Collection</li> <li>McGraw-Hill Sound Seminar Collection</li> <li>Moody Street Irregulars Collection</li> <li>Paul Hogan Collection</li> <li>Poetry Collection Festivals Collection</li> <li>Poetry Collection Recordings Collection</li> <li>Radio Program Collection</li> <li>Tenth Muse Collection</li> </ul> More collections will be digitized and added in the future as funding allows. Streaming audio and copyright Streaming versions of these audio recordings have been incorporated directly into their vufind catalog records. All recordings are accessible to individuals with a University at Buffalo user name and password. Unrestricted access is available for those recordings for which permission has been granted by the relevant copyright holders or for those designated as orphan works. If you are the copyright holder for any material included in this audio archive please contact the Poetry Collection at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. All of our audio is made available for educational purposes only and permission for any subsequent use of these recordings must be directed to the authors or their estates. Help us improve the catalog records If you have any suggestions for correcting or improving these catalog records please contact <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a> and we will do our best to update the records in a timely manner. Additional audio donations The Poetry Collection is always interested in adding to our audio collection. Although we feature readings from around the country, we are especially interested in continuing to collect recordings of local poetry events in Buffalo and Western New York. If you would like to discuss such a gift of materials, please contact one of the curators at (716) 645-2917 or write to us at <a href="mailto:lpo-poetry@buffalo.edu">lpo-poetry@buffalo.edu</a>. Contributor An entity responsible for making contributions to the resource State University of New York at Buffalo. Poetry Collection. Identifier An unambiguous reference to the resource within a given context LIB-PC002 Sound A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Poetry reading at the Central Park Grill, Buffalo, N.Y., January 17, 1992] / Michael Basinski ... [et al.]. Creator An entity primarily responsible for making the resource Michael Basinski ... [et al.]. Table Of Contents A list of subunits of the resource. Mark Hammer reading:Quattrain --The distant hills --The wild elephant. --Michael Basinski reading:3 Policular odes --Ode to the West Wind --Ode to the new year. --Marten Clibbens reading: Which. --Loren Keller reading:Chekhov --I walked out into the snow --Some nights are stranger than others. --Michael Boughn reading:Far out the real --Just kidding --Wisdom --A form of --An observation --The big hamburger conclusion --Of simplicity --Before the ice age --Give and take camera work. --Ron Lee reading:The remains of plants. Description An account of the resource Recorded on a 90 minute Maxell sound cassette by Basinski at the Central Park Grill, Buffalo, N.Y. on January 17, 1992. Performance of sound poetry pieces by Michael Basinski, Michael Boughn, Mark Hammer, Ron Lee, Loren Keller on Chekhov's birthday. Date A point or period of time associated with an event in the lifecycle of the resource 1992 Identifier An unambiguous reference to the resource within a given context CUR109 Type The nature or genre of the resource Sound recording Publisher An entity responsible for making the resource available The Poetry Collection of the University Libraries. Digital conversion was made possible through a 2009 National Endowment for the Humanities grant. Is Part Of A related resource in which the described resource is physically or logically included. Hear@Buffalo: The Poetry Collection’s Audio Archive Audience A class of entity for whom the resource is intended or useful. UB Only Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/InC/1.0/">IN COPYRIGHT</a>. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the <a href="http://library.buffalo.edu/pl/">Poetry Collection</a> for more information. Streaming Video Elements needed for streaming video for the VideoStream Plugin Video Filename Actual filename of the video on the video source server lib-pc002-CUR109.mp3