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                    <text>An exhibition poster for Hallwalls Contemporary Arts Center featuring works by Lee Boroson, Katarina Wong, and Pat McDermott.</text>
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                    <text>Promotional flyer for "Drawing Attention: Cartoon Art" with a black and white comic illustration of a person in sunglasses.</text>
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                  <text>University at Buffalo. Poetry Collection.</text>
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              <text>Posters; Broadsides</text>
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                <text>Drawing Attention: Cartoon Art from the Upstate New York Chapter of the National Cartoonists Society</text>
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                <text>Front: three panels with images in blue, white, lavender, and black, text in blue and in white on a blue background. Back: Black text and drawing on white background. "on the barwalls: April 6 to May 10, 2002. Opening reception: Saturday, april 6, 9pm" </text>
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                <text>Promotional flyer for "Drawing Attention: Cartoon Art" with a black and white comic illustration of a person in sunglasses.</text>
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                <text>The poster displays three abstract art pieces alongside event details for a 2002 exhibition. The top section shows a billowy blue and white structure, while bottom panels feature close-up textures of small black and white marks and raised white forms. Text at the bottom lists the dates, location at Hallwalls Contemporary Arts Center in Buffalo, and gallery hours.</text>
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                <text>Hallwalls (Museum)</text>
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                <text>State University of New York at Buffalo. University Libraries. Poetry Collection</text>
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                <text>&lt;a href="http://www.hallwalls.org/visual/4072.html"&gt;http://www.hallwalls.org/visual/4072.html&lt;/a&gt;</text>
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                <text>2015-12-17</text>
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                <text>Hallwalls Collection</text>
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                <text>Hallwalls, 2495 Main St., Suite 425, Buffalo, NY 14214</text>
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text> All That You Can (and Did) Leave Behind</text>
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                <text> deForest, Kevin Ei-Ichi</text>
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                <text> Back: White background with two red boxes containing white text. "Deaf Art: Culture, Communication, Connection. Invisible Archives Volume 1: All that you can (and did) leave behind."</text>
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                <text>Hallwalls (Museum)</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text> Buffalo Public Access Cable T.V. TCI Channel 32</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text>LIB-PC003_0157</text>
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                <text> Hallwalls Poster Collection</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text>Tattoo me 3: The hideous debris of a Hellbent Culture</text>
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                <text> Tattoos (Body markings)</text>
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                <text>Hallwalls (Museum)</text>
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                <text>State University of New York at Buffalo. University Libraries. Poetry Collection</text>
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            <name>Date</name>
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                <text>&lt;a href="http://www.hallwalls.org/perflit/2837.html"&gt;http://www.hallwalls.org/perflit/2837.html&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>LIB-PC003_0156</text>
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            <name>Spatial Coverage</name>
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            <description>Temporal characteristics of the resource.</description>
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            <name>Date Created</name>
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                <text>Hallwalls Collection</text>
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                <text> LIB-PC003</text>
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            <name>Medium</name>
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              <elementText elementTextId="1913266">
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text> Cano Blanco, Laura</text>
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                <text> Garza, Hedda</text>
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                <text> Yamagata, Susan</text>
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                <text> "From July 17 through August 19, Hallwalls Contemporary Arts Center will sponsor a Western New York residency by the Border Art Workshop/Tallér de Arte Fronterízo (BAW/TAF), a San Diego/Tijuana-based artist collective."</text>
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            <name>Date</name>
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            <name>Identifier</name>
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                <text>LIB-PC003_0155</text>
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                <text> East Bloomfield Tutorial and Health Outreach program, Penn Yan, NY</text>
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                <text> Lockport Summer School of the Brockport Migrant Program, 28 Harding Ave., Lockport, NY</text>
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                <text> Kenan Center, 433 Locust St., Lockport, NY</text>
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                <text> Hispanics United of Buffalo, 251 Virginia, Buffalo, NY</text>
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                <text> Squeaky Wheel, 372 Connecticut, Buffalo, NY</text>
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                <text> West Side Pavillion, Buffalo, NY</text>
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                <text> Father Belle Community Center, Buffalo, NY</text>
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                <text> The Golden Palm, 381 Busti Ave., Buffalo, NY</text>
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                <text> Olivencia Center, 261 Swan St., Buffalo, NY</text>
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            <name>Date Created</name>
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                <text>Hallwalls Collection</text>
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                <text> LIB-PC003</text>
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                <text> Hallwalls Poster Collection</text>
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              <elementText elementTextId="1913267">
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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              <text>Posters</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lotto as metaphor</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Performance art</text>
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                <text> Alexander, Victoria</text>
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                <text>Poster has dark blue and yellow text on a glossy off-white background. The poster can be folded and mailed. The verso has the Hallwalls return address.</text>
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                <text>Hallwalls (Museum)</text>
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            <name>Date</name>
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                <text>1987-09-18 to 1987-10-30</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Hallwalls (Museum)</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a href="http://www.hallwalls.org/visual/1476.html"&gt;http://www.hallwalls.org/visual/1476.html&lt;/a&gt;</text>
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                <text>&lt;a href="http://digital.lib.buffalo.edu/items/show/6924"&gt;http://digital.lib.buffalo.edu/items/show/6924&lt;/a&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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            <name>Identifier</name>
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                <text>LIB-PC003_0154</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Buffalo, NY</text>
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                <text> Hallwalls, 700 Main Street, Buffalo, NY</text>
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            <description>Temporal characteristics of the resource.</description>
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                <text>1980-1989</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>2/8/2016</text>
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                <text>Hallwalls Collection</text>
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                <text> LIB-PC003</text>
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                <text> Hallwalls Poster Collection</text>
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              <elementText elementTextId="1913268">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text>Poster on heavy photographic paper shows a person wearing a large feathered hat with pink satin fabric in their mouth. Black text, blue background. "The Cremaster cycle by Matthew Barney. Presented by Hallwalls and the Albright-Knox Art Gallery at the Market Arcade Film &amp; Arts Centre."</text>
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              <elementText elementTextId="1913288">
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                <text>Black text in white boxes superimposed on top of a section of a magazine. "reproduced in full from Variety November 16, 1977"</text>
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            <description>Temporal characteristics of the resource.</description>
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              <elementText elementTextId="1913317">
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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- Media Arts - The Big Read: Fahrenheit 451; Occupation: Dreamland by Garrett Scott &amp; Ian Olds; 100% Human by Jan Dalchow and Trond Winterkjaer; the barest threads: a series of short videos by Robin Brasington&#13;
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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Ghosts Before Breakfast (9min.) Hans Richter&#13;
Entr'Acte (20 min.) Rene Clair&#13;
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9:00pm Live Performance&#13;
Performers; Sally Rubin, Eberhard Blum, Donald Knaack and Jan Williams, will perform works by Hugo Ball, Raoul Hausmann, Marcel Duchamp, and Kurt Schwitters.&#13;
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10:00pm Destruction of Artworks!&#13;
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                    <text>JUDY!

I

HI, THI

WOMEN MAKING AND BECOMING ART
October 2-18
"Hi, thts ts Judy!" ts a phrase used by the female employees of a large, successful ,
national Amencan corporation . It ts not used by choice, but is a condttton of employment Even tf your name is Sarah , you must answer the phone as Judy (most
females in thts corporation are htred as salespeople who work expressly over the
phone) . Why Judy? The corporatiOn dtd a nattonwide survey and found that the
name Judy conjured up images m peoples' mmds of a woman who was bubbly,
but competent ; extremely fnendly, but sincere ; buxom , but modest ; white and conservative, but open-minded. Judy ts the perfect recepttonist. She ts the quintessential
secretary. She is sharp, but she is not threatening to her male or female assoctates
or superiors. It is thts arttficial , cultural constructton of woman that this 2-weeklong, city-wide festival of feminist cultural arts wtll attempt to cntique, co-opt, and
redefine. This festival was coordinated and concetved by the Graduate Group for
Feminist Studtes at SUNY/Buffalo. Listed below are the events whtch will take place
at Hallwalls; for informatton about the full schedule of events, please call 636-2546
or 636-2108 and, if you dare, ask for Judy.
This festival was organized by the Graduate Group for Femtn1st Stud1es, and IS co-sponsored
by Hallwalls, Just Buffalo, Squeaky Wheel , EMMA, Niagara Ene Writers, Common Ground,
Bethune Art Gallery, Artists Gallery, and SUNY at Buffalo Women's Studies.

FILM

Monday, October 5
7:00 p.m.

SOFT FICTION
(1979, B&amp;W, 54 min.)

Directed by
Chick Strand

8:15p.m.

A FILM ABOUT A
WOMAN WHO ...
(1974, B&amp;W, 105 min.)

Directed by
Yvonne Rainer
$3.00/$1 .00 Hallwalls
members

FICTION

Wednesday,
October 7
8:00p.m.

JANE BRAKHAGE
$3.00/$1 .00 Hallwalls
members

PERFORMANCE

Saturday, October 10
9:00p.m.
$4.00/$3.00 students
and Hallwalls members

WOW CAFE COMES
TO BUFFALO
with
Carmelita Tropicana

"Chick Stand's Soft Fiction is a personal
documentary that brilliantly portrays the survival
power of female sensuality. It combines the
documentary approach with a senuous lyncal expressionism . Strand focuses her camera on people talking about their own experiences,
capturing subtle nuances in facial expression
and gestures that are rarely seen in cinema. The
title Soft Fiction works on several levels. It evokes
the soft line between truth and fictton that
characterize Strand's own approach to documentary, and suggests the idea of softcore fiction ,
which is appropriate to the film's erotic content
and style." - Marsha Kidner, Film Quarterly
Yvonne Rainer's second feature film grew out of
the live performance "This is the Story of a
Woman Who . . ." (1973), and incorporates complicated layerings and JUXtapositions of narrattve
elements- slides of images and of typewritten
texts, spoken or written texts (as opposed to
dialogue) , music, stills from films, performances
of earlier works, recollections of previous performances, etc. Rainer combines autobiographical
materials with those of fiction and documentary,
in order to avoid being self-indulgently personal,
as well as to handle " ideas of passton , of love
and ambivalence" in ways which are novel and
viable.
Jane Brakhage spent many years in Lump Gulch,
high in the Colorado Rockies. She is now driving around America , living and writing in her car.
Her work can currently be found in nearly any
issue of Rolling Stock, Motion Picture, and Peak
to Peak, and in many wonderful but obscure
periodicals now out of print , as well as in Blatant Artifice, Hallwalls' most recent anthology of
contemporary fiction . Jane Brakhage will read
stories from Lump Gulch and the road .
Best described as "a force more than a place,"
New York's WOW CAFE has been presenting
alternative and experimental theater. performance, and music since 1980. Although there
is no single vision or perspective behind the
works of th is collectively-run organizat ion, th e
hallmarks of what might be called the ·-wow
aesthet ic" are a strident , femm ist investigation
of th e med ia-generated myth s surroundmg
gender and sexuality in contemporary Amenca,
coupled with an anarchic. often outrageous
sense of humor WOW has brought the world
such beloved creations as country singer Tammy Whynot, Stster Theresa and the Jew-Gtrl
Band, and Holly Hughes' acclatmed lesb•an
soap opera, The Well of Hom mess The acts appeanng as part ot Hallwalls' cabaret presenta
t1on offer the Buffalo community a r:ue
opportuntty to sample the best m pohttcally
motivated East Village performance
Cnrrneltta Troptcana. the rude, wacky and
politically INcorrect Lattna lesbtan corntc who~ til
se1ve as the fe&lt;\lured pertormer ot the v nmg,
says she uses her worlo.. to 'explore. the reahttes
of people who stng, people who .:11e 111 the ll1lit'l1
people who h&lt;wtllong hau nlld people '&lt;\hl) ll'St
1 V cooktng shows "

~----~------------~

--------~--~--~--~

�Ofrected

Sept· rnber 18 - October 30
Guest-curator Robert Longo
~.r

1 hl show 1::&gt; 1 r.mdPrn ~.tmrlmy l)f w•Hk~ tt1.11
1a"f' l)lllt'flll'd &lt;'Ul of the t'unlenuf &lt;.• ut't'n:;rn and
&lt;' 11llnlf'rl&lt;,lism m tht' ,lrt world f or most of IIH'
H11SIS Ill tll1' &lt;;flOW th1S 15 IIWif lust fHJhlic ShOW
i t1\l l'hlJUqh 11 1s ltlPtt first show I l&gt;t•hi'V&lt;' th;tl
nMnv nut nt lh1s yroup w1ll SLHVlvt'. ~~ow, and
contlllllt' to conlnlwtc 1mportant works in tho l&gt;igll~'' pit lure

Lou

t\~vtn

CMter.
J
ohen.
Amber
Laura Emrick
R1c:. Franklin Akt Fu. osht. Stacv Godles ~ y.
~ 1 hael Horvath. David
Gold ~m,th. Kirsten Mo her.
Mi&lt;':hael Mmelh. J am es
Schm dt. David Nyzio.
Cath rme Owens. Michael
M "~rrts. Jim Sheppa rd .
Anne Suprenau t , Rirkri t
Tiravanija. Seth To boc·
man. Clift Wang. and Oal
Wilhelm. Ktmneth Goldsmith.

H.ltht'r th;mlumpmg them .111 to~wttwr or pr~ckag
inn them under onP stmple .wsthellc. a crPnltv'
t11ver!'flH1 m the workS repr(lsents a d1vers1on 111
contt,rnporal y VISIO!l and lrf£&gt;. If Slf11ilarrt1os ex 1st
tlPIWC'f'n .uttsts' works. 11 is not necessanly selfC'tlf1SI'It1USnoss t11 trend but the demand of t1me.

The 5pi11t t1et11nd thiS show is to grve c-~n opportunrty to v1t:w works that are aggresstve,
thoughtful and generally have no outlet"
- Robert Longo
Guest-curator Robert Longo founded Hallwalls
tn 1974 w1tt1 Charles Clough. Since that t1me he
has establrst1ed himself as one of the most
significant art1sts working today. He has had
numerous exhtbltions in the U.S. and Europe, as
he has simultaneously produced multt-medta
performances and films. Hts newest performance. Kil/mg Angels, wtll premiere at the Burchfield Center on October 16-17. 1987.

Gallery Hours - Tuesday: 12: 00-6:00 p.m.: Saturday: 1:00-5:00 p.m.

Stx fflnnrls sptmd thf' day m c~ hotlso no&lt;tr Arnster c1nrn They l&lt;llk, drtnk too much, rtnd f1Uarwl.
T11ougtl structurally remtniscont of Tho OocltrJA of
the Anwriam Ernptre, a pensrve and lntolltgf:nl
scnpt, a cornplotn absencfl of mtsogy~y even
while masculinity comes under scrutmy. 1m
agtnattve camerawork. and sorne of Hollnnd l&gt;
lead1ng nctors make Second Wind a far more profou nd and provocattve expenonce. There a~e peo
pie wtth more tt1an sex on then· mmds. Former
mthtants of the sixtres and sevenltes now at the
peak of therr careers, these artists and rntellectuals worry as much about nuclear war as they
do about their relationships. They suppress the1r
emotions and bury thetr passions wtth cyntcrsm
Unable to cry out tor help, they contam therr cnses
with a complex array of psychological defenses,
creating a se lf-exammation of the highest order.
This is Gerrard Verhage's first feature f1lm,
although he has made numerous shorts and
documentanes. and directed several plays.

as es of
ge Publishing
Tu esday. October 27
8:00 p.m.
$3.00 I

$1.00 Hallwalls Members and Students

M Kasper s a ftctlon wnter. graphtc art1st. and book art maker and collector from Western Massachusetts.
r&lt; s p ... o 1shed :&gt;oaks of Illu strated short prose mclude Border Crossing, Chinese English Sentence Cards,
E . Tum Down That TV.' and A/1 Cotton Briefs.

Ron Kolm s a w r1ter. editor. veteran bookmonger, small press maven, and book art aficionado from
or;. C1ty H;s own wntmg and ·'text w1th graphics" can be found in many New York magazines,
nc .':: ng Ra·tl. Sem10text(e), Zone, New Observations and Benzene. He is editor and publisher of LowTee"' P·ess. assoc1 ate editor of Appearances, a magazine of the visual arts and writing, and a con•• :L ng ea:tor of the NYC arts monthly Cover.
8-::.·~

w• ters N •ead from the1r sh ort prose and come laden with chose selections from their vast colect o:; s of an sts books and ltterary arcana to show and tell.

~U
TING
EDGE
.JEVv FILMS FROM INTERNATIONAL FILMMAKERS
September 25 - October 9
Cuttrng EdgE:
r ' vnal tuunny r1rograrn of contemporary films from Curope, As1a, and Latm
• ca n• r ar&amp; rl-(;r,qr•IL&amp;r, by lt1e 1ntf:rnat1rmal cnltcal cornrnuntty to t&gt;e of the h1ghe 8 t art 1st 1c quality,
wh
o &lt;f: r;?,
llw ~enos wa~ organtLed by Wrmdy
1 -'rJ ed trYJ r1~ry for c.omrnerctal d1stnbut10r1
d - oft f e ·tr {t;rr Ct I b '; IJd lntflrfli:lll()rtal Flim CirCUit ' cHI organw:JIIOrl founded to fo~ter a viabln
c r Jil fr; fore qn f1lrw .,.,l11d1 ""''IJid not ott1erw1se lie .':&gt;IJim "' tht! 1Jr11tod Stalt~s 1ht~ pro
po • vr .d locally mtr JU/'.B F lim Progr trn/SIJIJ Y rst RuffallJ I 1trns ~crHHJtod o~ t SUNYAL!
f r
r_reem:d ;jt Hnilwall', drt· 16rnrn pnnh All flirt I'&gt; lic~ve r nqltsh ~.ul&gt;tttles

Thursday OclOIJer 7
7 J and -J.J; J.m
/!J r n--· r,
'H:~ater/~:.Jf

rA E~

IJO

l

tl

(India 1l~f:s6 1Ot. r 111r 1 J

d by tin 1

I

:&gt; t;r

A Wl~d·ll·r drHI ;, latrllt!r llvt· 011 tlu ~&gt;dqu ot tlio
d1 ,fJII
I tll.~lt orily r.oni:H :I With 1 IVIIilil!iOil 1:.,
hroll•Jit l lrrHit:! '"'"'" 11o.t11Jy vdlww 0111 day,
;t IV! 111.111 W;tfld£:1• lfii!J tllf! 111\!tl' WIHirl, .tll d IHJI
pwt :11u slowly ril'oliJpt: IIH•If "1utl11t oxlstt: 11 ctJ,
fir ,t by briljlllf:llllltj 11 dlld tlit:ll IIIHVIJf alJiy lrllfl
lilltj 1! With Jf!.tlou 1 d , lHJ!h 1111111 ldll 111 lovu Willi
Itt r Wl1•~11 llu wutlldll becwnu• prtHJildlll tfu
1r f1 fHJhl 11 &gt; tlu dt 'dtli I ht WIJflldll lint:• dl 11 1 lht&gt;
1ridt &lt;~IIIJUt r th• l·llldWitlttu: ,unty 11 11 -,1., 110w
1 ' 1 1• r.ll1lu cJliUIJ1 tllf; m, .t111J filii ol IHHnt:Jruty
"l&lt;J 1 '
ttl t Jl 11 llllill!Jit 1111 P•HH t 111 try to
biJI Id II f ( )'/ I 1 1
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!VII
II lir 1d .j
ly 11 1

(The Netherlands, 1985. color. T7 mm)

Directed by Gerrard Verhage

entirely with ethnic Ttbetans. and replete Nth
panoramas of the rugged Tibetan landscape Buadhtst rrtuals, and local customs: and part auti..ier:sr
narrative. or at least impressively so ;n • e context of contemporary Chtnese c1 nema. The story
such as it is, revolves around a m an named Ror.
bu. who once stole a horse. and IS therefore dn;e"
out of the tribe by the local headman to ve N•tn
his family in harsh tsolatron. Rorbu repents after
the death of hts son. but the tough T1beta11 wmter
drives htm to steal aga1n after the b1rth of "';ssecond son.

HORSE THIEF
(People's Republic of Ch ina,
1985, color, 98 min .)

Directed by
Tian Zhuangzhuang

. Kasper and Ron Kolm present

SECOND WIND

Hors e Th ief 1s part ethnographiC spectacle cast

Friday, October 9
8:00p.m.
Woldman Theater/SUNYAB
Adm1ssion: $3.00/$1 .00

FICTION DICTION

Tuesday, October 6
7:00 and 8 30 p.m
Hallwalls
Mrr "'' n

FILMS BY THE
BROTHERS Q fi.
October 30 - November 5
The Brothers Quay are 39-year-old identical twins, who dress alike. and keep their first names to
t h emselve~. They also make fluid, hypnotic puppet films rife with unsettling 1mages. ana uttli:mg a
canon of h.tgh ly personal. symbols. Flapping butterfly wings, lengths of material pulled trom th1r a .
floatmg sctssors, palpttatmg meat. boys with the tops of their heads sliced off. maps and map ;:o ns .
dandelion down, and oddball mechanical contraptions constttute some of the more prominent mot ts.
American born, residi~g i~ England, they cling to Eastern Europe: the Bros. Quay bury tile sense of
play endemtc to an1mat1on m~tde thetr serious fascination with the ghosts of creattvttv lt l&lt;.e 6rur0 Schut:.
Jan SvankmaJ~r and t~e tnttmate hobgoblins of work and the imaginatton . The1r mottled-gray \IStvn
IS alive wtth mlcroscoptc entgmas. as tf they were making documentanes of the psyche. The Quavs
vtsuals are so strrktng, they not only bring to mind Bunuel, but al so every ot her Su rrealist ..1rtrst. f•om
M~~c Chagall to Hans Bellme:. the German photographer of the 1930s \.. h.o shut a. km \ ser BS uf pn&lt;Jt-:'S
WI a nude life-stze dolL The1r ftlms have a c urious affinity with the organtc ot ot o.~\ 1j L, nch's f'l10\.tes
especially Eraserhead. Whtle the Quays' films may not be everyone's fur-lined cup ot tea. tnev ,ve wltf"'QI..
a doubt some of the most accomplished a nti inspired animatton betng done todd\'
Four short films, together running 75 m·
tn ..

WI

11 b

,
e screened w1 thout mtt.&gt;rmtssi&lt;.)n eden n1ght

THE CABINET OF
JAN SV N MAJER ~ 1984)
The Cabinet o f JJn Slldllllma,er oS .l!1 h.' P,l!;.lt'
to tht' Surrt'dlist C ec" .Hllmetk" .. an Shm n.1
JHr.• 1 qte,lt lllllut'llt't ,,n tht&gt; vud\~ \\ ttl K'
nart -tll\t' ltl S~k',lK ,,, Cabinet s ,\ ' •s ,1
d rtMrnli"e t~I1\~L~Ur1tt'rs tlt'l\\t't' 1 Sv.l 11\0 ,t,t
\Pit:!St'f11t''i ,\S ,\ bt'l11\.ll1 lldd Sl &gt;t'flt st1 Ill •
PLll cekltn ht',IL1e\ bl'\ -S..,,t 1io-r
&lt;' ,\ ttl ,, st-.
h"t' fd\'t' clfld ,\1) ''Pt llt&gt;.._,l., h.l
lltl\ tn tht' .11 I ,Jt t'l'll
1
n,"lt•::.
''Pt•ns tht• ,,,~,, ,
st&gt;,tls Ius 1 r 1111ll 11 "1tt1 .1 ,, 'l'h. ,
tilt• lln'r w1th ttw ' 1 " 1 lth.1 1t "' ,
llt~f·d~ "' )1,\f..t• h t$ h\111 PI 't , ,

s •. u1"'"'''t'r

H
(I ~lBb)

�stREET Of CROCODt ES
(1~~ .. ·
.. .

.

·"

'

Curlew 15 a Nt?W York-based quintet wf'\ich with
its ~loctic. electnt: and energettc fvs*Of!S of rt:x;lo: ,
funk. jan and new music, has ooen comparf)Q
to Omette Coleman's Prime T;me Phtltp Wtlson's
Deadline, and the De&lt;:oding Soc1&amp;ty. Their in·
flt.Iences swell from a who's-whO of pop culture
to the avaot-garde ledge mcluding Captain
Beelheart M!les Davis. Ornette Coteman,
Metenals and Fred Fnth

NOCTURNA ARTJ.FfCI Al A
{1979)

Noctuma Artlficiala tThote Who Desire
WithQut End , lht? Quays· ftrst f!lm . proposes a
dehb~rate retum to the " heroic'' themes and

.

'

Saturday, October 24
8:30p.m..

Curlew foatures George Cartwright (alto sa&gt;i·
ophorte), Davey Williams (guitar), wayne Horvitz
(synthesizer). P1ppm Barnett (percussion). and
Tom Cora (cello)

mot1fs ot Surr{)ahst acllv1ty m tho twenties

· friday and Satutday. s ~oo and 9;3() p.m.
Adfn'issJon : S3.00/S1.00 Haffwalts members

featuring

PERFORMANCE

Sunday - Thursday: 7:30 p .m .

OCITY
TION
ichard Kern

THE LAB:

ow

No Way

A11 open-ended. ongoing experment 1n participatory mus1c, movement. .and media improvisation . Newcomers are welcome. and are
invited to bnng art- {and/or f'IOIS€-} mak:mg
devices of any kind.

Sunday, October 4
5 :00 p.m .
Free

Saturday, October 31
11 p.m.
The J am, 729 Main St.

VIDEO

S4.00 General Admission
Richard Kern's Super-8 films are like nasty little
n1ghtmares in which our dingiest, most repressed
fantasies are realized . Kern will present his most
recent work , including You Killed Me First (with
Karen Finley), Death Valley '69 (music video for
Son ic Youth ). The Right Side of My Brain and
Fingered (both with Lydia Lunch) .
In addition will be featured Kern's most recent
foray into the music sc€ne. the Western New York
premiere of his new band Black Snakes.
This Halloween extravaganza will also feature the
prem iere of a new local band. The Jack Lords.
as well as multi-media installations by How to
Have Fun Productions.
Casa11&lt;1ra S ark. m Submit To Me Now

A night of fear. not to be missed!

MUSIC

THE STATE UNIVERSITY
OF SAO PAULO
PERCUSSION ENSEMBLE
Saturday, October 17
9·.no
p.m. S3 i f..•'S 1 00 members
- v
-r-&gt;B State Un:·Jers 1ty o! Sao Pauio Percussion Ensemble, a contemporary group from Brazi l. is led by
k-err"* &amp;..,t:a~c. perc .. ;:.:;,.ucul:&gt;l John Boulder Thts performance w1il be augmented by members of tile
S EM Ens.em.ble perlormHIQ a ne.v work by Pet r Kotik.

GURALN ICK
HE MOBILE
HONE UNIT
.it

arion Brandis

The Amazing Voyage of Gustave
Flaubert and Raymond Roussel
A feature-length video work presented in-person by Steve Fagin
Premised on the fictitious association of two
historical literary figures, The Amazing Voyage
of Gustave Flaubert and Raymond Roussel
allows the spectator to journey through a phantasmagoric land scape of Western European
culture as sifted through the libidinal net of the
uncon scious. This feature-length video
essay/narrative is "organized around the writings
and lives of two solipsistic, indulgent. maternally obsessed personalities who, as it has been
said of Balzac. 'saw nothing but remembered
everything.' The mood of the tap€ fluctuates from
vaudeville to opera and the narrative unfolds in
the form of letters, diary entries and postcardsall fictitious ." (Steve Fag in)

' 00/ '

:H ~·

S3.001S1.00

me , bers

The post-modern treatment of the biog raphical
genre has developed as a veh icle to exam ine
"concerns about the ill usory notion of pe rsonal
identity, an identity that was constructed by
bourgeois culture of emergent capita li sm and
seems to be undergomg a sch izoph ren ic
disinteg ration in our era." (-from an essay by
Christine Tamblyn , Afterimage. Summer, 1987).
The Amazin g Voyage becomes a meditation on
the video apparatus as a fantastic image of death
that recycles. recombines, resu rrects . and
resonates the dead artifacts and past discourses
of collect ive memory-he re, an eclect ic arrav of
received ideas and images: famous paintings.
avant-gard e and Hollywood ftlms. portraitu re
photography, vaudeville. historica l costume.
opera, rock 'n roll , as well as the acadern i '
discourses of structural linguistics. anthropology.
and psychoanalysis.

VIDEO VIEWING ROOM
AUDIENCE AS PROT.
I T:
Getting Into the Pictu r
T h1s ex hibition wt11ch cont111Ues through Oct0ber 3L1 ft~atures \ ,de~..'tapes th ...'H "step
back" to tn clude th e auc1 1e nce in tt1 t~ tramt~ of reference. ,Jr \\ hict1 toregrouni.1 aud tencH expectation dnti engd9t1rnent dS ,-l pertllrr1latiVt?. selh.onsl'lous r01e

Dai ly. dunng regul ar 9alle ry
Free

Fnday, Octo ber 23
r.;. ~,;0 p m.

Thursday, October 8
8 p.m.

h L1U rS.

lt&gt;diUI~&gt;d VlllH()!clpes ·

I Rtd e

•i Pon y NamtKI
l'~· Mill ~}&lt;It t'l Aflwl'sh

f lame 11\Hll\ ll)

m1n ,

J tMII (h'}es D~ ll.Js ty \ WHt&gt;l ..'d mm ..

V1deo V1ewing Room/4th t1o"1r

~t~C'&lt;I LJS~ 1 1\ lll~W .• 4thl h)U
:.-. mtn . ov Paul land,'n

1h t' Tot~c n 1 W~6' .~

&lt;11:n

0..lllt

t'~ L ~w· ,,n,&gt;Rv~:;.::

t1y Jl\an Br ddtH n1.1n

$1.ste1 S!.ille CmtHll.i 1 l~kb\ -~' m ,,
l1 \ ,!l'IH\ Sd'1lh\H)

Fac t) Ft.uu and fa sc utation 11~)84. 3.! mm .
llv lony c~.,kus .

llfl{!tlt'd \ldt~(\ \l.cli;,',j 18."~l.\

Dv \\ullla•n \\l'~}Ol;in

1 1~l~4)

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38VJ.SOd ·s·n
·ue6JQ JI}OJd·UON

LECTURES AND
WORKSHOPS
CRITICAL ISSUES

Wednesday, October 14
8:00p.m.

Ma•gte Strosser in 1 Ride A Pony Named Flame by Margaret Ahwesh . See " Video Viewing Room" for details.

HALLWALLS STAFF

''NO
THEORY''
a gallery talk about art and ideology by

Executive Director
Artistic Director
Technical Director and
Associate Video Curator
Diane Wiedenbeck Office Manager/Publicist
Exhibitions Curator
Catherine Howe
Fiction Diction Curator
Edmund Cardoni
Film Curator
Steve Gallagher
Music Curator
Don Metz
Performance Curator
Ronald Ehmke
Video Curator
Chris Hill
Video Editing Coordinator
Armin Heurich
Video Editing Coordinator
Donna Kapa
Education Coordinator &amp;
Cheryl Jackson
Technical Assistant

Christine Tebes
Alan Sondheim
Barbara Lattanzi

1
2

Thursday
Fnday

Film: Genesis
(Waldman Theater)

7:00, 9:30 p.m.

Film: Suburban Angels
(Waldman Theater)

7:00, 9:30 p.m.

4

Sunday

Performance: The Lab

5:00 p.m.

5

Monday

Film: Soft Fiction
A Film About A Woman
Who ...

7:00 p.m.
8:15 p.m.

Video Editing Workshop

6:00 p.m.

6 Tuesday

Film: Second Wind

7:00, 8:30 p.m.

7 Wedr1esday

Fiction Diction : Jane Brakhage

8:00 p.m.

8 Thursday

Video: The Amazing Voyage of
Gustave Flaubert &amp;
Raymond Roussel

8:00 p.m .

9

Film: Horse Thief
fWoldman Theater)

8 :00 p.m.
9:00 p.m.

Fnday

10

Saturday

Performance : WOW Cafe

14

Wednesday

Crttical Issues: "No Theory," talk
by Alan Sondheim

8:00 p.m.

17

Saturaay

Music· State University of Sao Paulo
Percussion Ensemble
9:00 p.m.

22
23

Thursday

VtdecJ Ed1tmg Workshop

Fnday

Mu5tc Tom Guralmck &amp; the Mobtle
Saxophone Untt
8:30 p.m.

24
27

Saturday

Mus1c.;: Curlew

Tutsdaf

Ftct1on Dictton : " Treasures of Fringe
Publishtng" wtth M Kasper
&amp; Ron Kolrn
8 00 p.m.

:SO

31

r11Jay
tnrougrt
t Ov "'1

turday

Ftlm by the Brother5 Quay

6:00 p.m.

8:30 p.nt.

t- n . &amp; Sat.
8 00 , 9 .30 p.m
Mon . to Thurs.:
1:30 p .lfl .

111m

(l r

by kit.hatd Kem
Jam 729 M1.1m)

11 00

p.n .

Alan Sondheim, Hallwalls' new Artistic Director.
will discuss the relationship of theory to the work
of art, focusing on its implicit political agenda. Mr.
Sondheim will construct a multi-media gallery
presentation incorporating sal ient examples of
contemporary art .

VIDEO EDITING
WORKSHOPS
Hallwalls' Video Editing Suite is up and running
again this Fall. Daily access to the basic 3/4"
system is available for independent artists' and
non-profit institutional projects. Access is by proposal and dependent upon prior knowledge of the
editmg system.

PROGRAM ASSISTANTS
Patrick Mills
Dawn Dumpert

Exhibitions
House Manager

Hallwalls' programs of contemporary art are made
possible by grants from the National Endowment
for the Arts, Washington , D.C., a federal agency;
the New York Council on the Arts; the New York
State Council for the Humanities; Erie County,
N.Y.; the City of Buffalo ; Film/Video Arts, NYC;
and by contributions from corporations and foundations including: Action Data Systems, Cameron
Baird Foundation, Buffalo Foundation, Graphic
Controls Corporation , Greater Buffalo Press, Half
n' Half Tradmg Co., The Seymour H. Knox Foundation, Eckel Florist, M &amp; T Bank, Metropolitan
Life Foundation, Rockefeller Foundation, Tops
Friendly Markets, and the Margaret L. Wendt
Foundation .

Hallwalls' Editing Suite Coordinators continue to
offer Basic Editing Workshops twice monthly as
an orientation to the equipment and basic editing.
This month's workshop dates are:
TUESDAY, OCTOBER 6
AND THURSDAY, OCTOBER 22
Work~hops run three hours (6-9 p.m.). Capac1ty

IS limtted , so advanced registration is required .
Workshop fee is $15.00.
Hallwalls is a member of the National Association of Art1sts' Organization and Media Alliance.

·-----------------------

1

1

: SUPPORT HALLWALL

-

-----------------------

COME

1 Catego.rl~s o! ~embers_hlps: $15 Participating (two days of volunteer work/year) ;
$25 IndiVIdual ; $35 Farmly; $50 Supporting; $100 Associate. $300 L11e

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CATl:GOHY

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SIGNAl UHf.

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H«Jllowetm party featunng

Alan Sondheim

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                    <text>LOU ACIERNO

KEVIN CARTER

RIRKRIT TIRAVANIJA

JEM COHEN

SETH TOBOCftiAIY

AMBER DENKER

CLIFF WANG

AS METAPHOR
SEPTEMBER 18 - OCTOBER 30, 1987
GUEST CURATOR:
ROBERT LONGO

•

This show is a random sampling of works that
have emerged out of the burden of careerism and
commercialism in the art world. For most of the artists in the show, I believe that many of this group
will survive, grow, and continue to contribute important works in the bigger picture.

AUDIENCE AS PROTAGONIST:
GETTING INTO THE PICTURE

Rather than lumping them all together or
packaging them under one simple aesthetic, a
creative diversion in the works represents a diversion in contemporary vision and life. If similarities
exist between artists' works, it is not necessarily selfconsciousness or trend but the demand of time.
The spirit behind this show is to give an opportunity to view works that are aggressive, thoughtful
and generally have no outlet.
-

Robert Longo

CONTEMPORARY ARTS CENTER

�Exhibitions

LOTTO AS
METAPHOR

The B's have subsequently separated, but each continues to produce new wor~ . Smce 1983
Beth B has produced a number of music videos, mcluding the stea~y Dommatr/~ Sleeps
Tonight. She recently completed her first 35mm feature frlm , Salvat1on (1987), whrch concerns the meteoric rise and fall of a TV evangelist. Scott B Billingsley returned to Super-8
to produce The Specialist (1984), featuring Eric Bogosian as an rnterrogat~on instructor at
an arr force base somewhere rn Latin America, and Last Rights (1985), rnsprred by the case
of Velma Barfield (the grandmoth er who was executed for poisoning her husbands). He
rs currently at work on two feature films: tho 16mm film A Hard ~man Is Good To Find.
and hrs ftrst 35mm project, Fires.

An Exhibition of the Newest Art
Guest Curator: Robert Longo
September 18 - October 30

Opening reception: September 18
Free to the general public
Gallery hours: Tuesday through Friday
and Saturday

9:00p. m.
12:00 - 6:00 p.m.
1:00 - 5:00 p.m.

Fiction Diction

:-·,\ ..

8:00p.m.

with

and GREGORY KOLOVAKOS
(reading his English translations)
A Bilingual Fiction Reading
Tuesday, September 22
8:00
$3/$1 members
at La Palma de Oro, 381 Busti Avenue (corner of Hudson)

This

~nt

is co-sponSOfed by El Museo Francisco Oiler y Diego Rivera.

Film

B MOVIES
A retrospective of films by Beth B &amp; Scott B
September 4 - 19
The B's, young art-school dropouts from the Midwest, met and married in New York in 19n.
In 1978 they began an unprecedented career, creating a series of thought-provoking,
sophistjcated and technically-polished films in Super-S, a format generally reserved for home
movies.
Starting with a silent " Point and Shoot" Kodak Super-8 camera, within three years they
had completed two short, and three feature-length , Super-S films which merged vivid imagery with intensely visceral soundtracks. Their films emerged alongside the burgeoning
''New Wave" music scene; starring their friends and fellow musicians Lydia Lunch, John
Lurie, Adel Bertei and Arto Lindsay (as well as artists Bill Rice, John Ahearn, Jack Smith,
and others), the films were screened in NYC clubs such as CBGB's. Hurrah, Club 57, and
Max's Kansas City, where they found a large and enthusiastic audience. What the B's Super-B
films and punk rock share, Beth B noted, was the attitude that "anyone can do it." They
also shared a bold street toughness, combined with a rabid post-60's paranoia about power.
control, and the manipulation of the average (passive) citizen.
Their first film, G-Man (1978), delved into art trendies and terrorism. Black Box {1978) , their
unforgettable second efforts, features a ten-minute mind scrambling sequence in which the
protagonist is shut up in a box of light and sound that is based on an actual instrument
of political torture. l..Btters to Dad (1979) features actors reciting letters to Jim Jones from
his obsequious followers. The Offenders (1979) followed, a tribute to the ''tough guy" films
of the 50's and a true " B" movie, it was screened m a serial format at Max's Kansas City
over 8 consecutive weeks (as rt was still being shot). The Trap Door (1980), described by
critic J. Hoberman as a " bleak comedy with a menancing bacl&lt;beat," was the first of their
Super-B features to premiere as such, and enjoyed a successful run at the Bleeker Street
Cinem a.
The B's first 16mm film, the feature-length Vortex (1982), stars Lydia Lunch as a private detective hired to investigate a series of unsolved murders and acts of sabotage related to the
death of a congressman knee-deep rn a defense department bribery scam. The film
premiered at the Nev; York Film Festival and has been screened Internationally.

~

~)

. ~ ...
~;··-&gt;...,, :~..

FndB.y,eSeptember 4 'artd Saturday, Septemf?er 5:

MANUEL
RAMOS OTERO
ALBERTO 0.
CAP PAS
Man uel Ramos Otero is, according to k nowledgable accounts, on the verge of emerging
as a major figure of contemporary Spanish-language literature, having published five books
of fiction and poetry in his native San Juan and in Madrid, and dozens of short stories,
articles, and poems in magazines in New York City and San Juan. His award-winning short
stories and poems have been anthologized in Puerto Rico. and collected in his books Pagina
en blanco y staccato {1987), Ellibro de Ia muerte (1985), /a novelabin,go (1976), Concierto
de metal para un recuerdo y otras orgias de soledad (1971), and El cuento de Ia Mujer del
Mar (1979), of which an English translation is currently being prepared, the first of Ramos
Otero's books to be so, under the title The Story of ~men from the Sea. The author is currently a lecturer on Puerto Rican literature at lehman College in the Bronx. Reading with
Ramos Otero will be well-known former BuHalo writer and poet Alberto 0. Cappas, currently living in New York City where he serves in the Hispanic AHairs OHice of the New
York State Division of Youth.

..

...

THE
and

�Film

THE CUTTING
EDGE
New International Filmmakers
The Cuttmg Edge is a national tounng program of contemporary films from Europe, As1a,
and Latin America, which have been cnt1cally accla1med at mternat1onal lllm festivals, but
deemed too nsky for d1stnbut1on m the U.S. by commerctal d1stnbutors

MUTATIONS
(F***ING)
with Vicky Alexander and Kevin Carter
Guest curator: Robert Longo
Friday, September 18
11:00 p.m.
$4/$2 members
Mutations (F• • •1ng) employs film, video, music, sculpture, and live performers in Its inVestigation of the ways in which the media presents us with false information about each other.
The barrage of messages (about gender, tdenttty, sexuality) prevents any real, unmedtated
contact between people, and leads ultimately to a breakdown in the functioning of the system.
Mutaltons presents not only the collapse of this structure, but also an attempt to escape it. .
Vicky Alexander and Kevm Carter are Canadian vtsual and performance art1sts who live
and work in New York City.
·

Organtzed t&gt;y 'v'Vttndy Lrdell an Amencan represantattw at ma,or •nternatronat film tesllvals and launder ot the lnternallonal F1tm CJrcurt, Tile Currrns Edge IS made possrbte through the sponsorshrp ot me New York Foundation tor
the Arts, and grants trom the Nallonal EndOYtment tor the Arts the New York Stste Counc11 on the Arts and the
Aocl&lt;eft&gt;ller Foundation
These programs ara sponsored locally by Hallwdlls and UUAB Film Program/SUNY "' Buffalo Screenmgs w111 ta~c
place at Hallwa.lls and at Weidman Theater. Norton HatVSUNYAB Amherst Campus

A MAN WHEN HE
IS A MAN

Video Viewing Room

A TIME TO LIVE AND
A TIME TO DIE

GETTING INTO THE PICTURE

(Costa Rica. 1982, 66 min.)
Directed by Valeria Sarmiento
Friday, September 25
8:00 and 9:30 p.m.
Hallwalls, 2nd Floor, " Vault"

(Taiwan, 1986, 137 min)
Directed by Hou Hsiao-hsien
Saturday, September 26
7:00 and 10:00 p.m.
Waldman Theater/SUNYAB

LIFE IS A DREAM

(Memoire des apparences, France, 1986, 100 min .)
Directed by Raoul Ruiz
Tuesday, September 29
7:00 and 9:00 p.m.
Hallwalls, 2nd Floor "Vault"
The Cutting Edge continues in October: 10/1 Genesis (Mnnal Sen. India, 1986); 10/2 Suburban Angels (Carlos Reichenbach, Brazil, 1986); 10/6 Second Wind (Gerrard Verhage, The
Netherlands, 1985); 10/8 My Case (Manoel De Oliviera, Portugal, 1986); and 10/9 Horse
Thief (Tian Zhuangzhvang, People's Republic of China, 1985).
Admission to all films: SJ.D0/ $1.00 Hallwalls' m em bers, unless otherwise noted.

Performance

THE LAB

Back-to-School Sale

AUDIENCE AS
PROTAGONIST

September 18- October 30
Opening reception: September 18
9:00 p.m.
Videotapes can also be accessed daily, free of charge,
during regular gallery hours
Audience As Protagonist: Getting Into The Picture features videotapes that step back to include the audience in their frame of reference, or wh1ch foreground audience expectation
and engagement as a performative, selkonscious role. This exhibition includes the premiere
of a new work by Margaret Ahwesh , I Ride a Pony Named Flame (1987), which examines
behavioral codes imposed by the media ; and tapes by Joan Braderman, Tony Cokes, Paul
Landon, Ligorano/Reese, John Sanborn, Brian Springer and William Wegman .
In Joan Does Dynasty (1986), Joan Braderman extends her readings of the media from Paper
Tiger Television and, with the assistance of co-director Manuel Delanda, electronically mattes
herself into a television episode of " Dynasty." Tony Cokes' Face Fear and Fascination (1984},
challenges the viewer to take a .non-neutral critical position in relation to the appropriated
mass-media images included in the tape. A meglomaniac character in Because I Kn(MI . . .
And You Don't (1984), by Paul Landon, directs his audience in its 'role' of subm issive spectatorship. The Touch (1986) by Ligorano/Reese documents the margins of an event (the wedding of Caroline Kennedy to edwin Schlossberg). The tape examines "the preoccupation
of the public with participating in media events and with touching them the only way possible - by the act of sight."
The 'doo-wop' acapella group " Fourteen Karat Soul" (with Ben Halley Jr.) perform in the
literal role of 'cinema audience' in this adaptation of a poem by lee Breuer, set to music
by Bob Telson , in a Mabou Mines production called Sister Suzie Cinema. The videotape
of this production by John Sanborn seems to embrace the relationship to the media critiqued in some of the other tapes included in this exhibition . In Sister Suzte Cinema (1985)
the ·audience' resounds together in a chorus of desire projected onto the cinematic 'star'
of Sister Suzie.
In Brian Springer's H(MI To Get Rich While Sleeping (1985) you recognize a sales pitch when
you hear one; and this one comes with Kuleshovian juxtapositions of a smiltng family and
cold cash images, a voiceover concluding ''From the look on hts face. he must be dreaming of being rich." Thus rudely dtsplaced from our original attention we enter into an allegoncal
transaction of values on the real (e)state of our unconscious desires.
In a short untitled tape by William Wegman (circa 1972), the dreamy dtsplacement of desire
is obviated in the eager attentive gaze of the dog/performer Man Ray.

Sunday, September 6
5:00p.m.
Free
The Lab is an ongo1ng open forum for Buffalo-based artists and performers of all kinds.
This monthly experiment in participatory music and improvisation began in the Spring_ '87
season and contmues to evolve according to the suggestions of those who attend. Firsttime participants are welcome. and are invited to bring mus1cal instruments, media equipment, and any other art-making matenals.

NOT A DOOR
A Spectacle by Scott B. Billingsley
and Joseph Nechvatal
Saturday, September 12
10:00 p.m.
$4/$2 members
.
.
(includes admission to the ftlm screenmg at 9:00p.m.)
Based on the poetry of St. John of the Cross, Flaube~'s Temptations of St. Ant~ony, the
wrrttngs of Jean Genet, and Bata.ille, Not A Door ts hallucmated. lt IS, to use Flaubert s ~rds,
a " metaphysical and mythological howl'' Image after 1mage emerges.from the background,
each successM; impression supplanting the previous one m our consc1ousness Not A Door's
form isn't linear, as 10 conventional theater, it's closer to the shape and structure of a symPhony: assertions of. and variations on, a theme.
Seen B Billingsley is the subject of a retrospective by the Film Program this month. Joseph
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1

Tuesday

4 Friday

.,,y,_,,YH

8 3l..N 30 S.ll:fV A8V80dV'J3l..NOO

Video Editing Workshop

6:00p.m.

Film screening: Black Box

8:00p.m.
8:30p.m.

The Offenders

5

Saturday

6 Sunday
Tuesday

Film screening: Letters to Dad

8:00p.m.

The Trap Door

8:30p.m.

Thursday

Repeat of program from 9/8

12

Saturday

Film screening: Scott B, in person
10:00 p.m.

Performance: Not A Door
Film screening: G-Man

7:30p.m.

Vortex

8:30p.m.

17

Thursday

Video Editing Workshop

6:00p.m.

18

Friday

Hallwalls' Benefit: Buffet Dinner

7:00p.m.
9:00 p.m .

Opening Reception

Exhibition: "Lotto As Metaphor"
Video Viewing Room : Audience As
Protagonist: Getting Into The Picture
Performance: Mutations (F* • •ing)

11:00 p.m.

19

Saturday

Film screening: Beth B, in person
8:30 p.m.
2nd show: Salvation!

22

Tuesday

24 Thursday
25 Friday

26

Saturday

29 Tuesday

In celebration of the first exhibition of the new
season, Hallwalls will host a benefit dinner tn the
gallery prior to the public reception on September
18. The evening's guest of honor will be Robert
Longo. Mr. Longo has generously donated one
of his new artworks to be given away at this
special event.
$50/person

Hallwalls' Video Editing Suite is up and running
again this Fall. Daily access to the basic 314"
system is available for independent artists' and
non·profit institutional projects. Access is by proposal and is dependent upon prior knowledge of
the editing system.

Cocktails will be served from 5:30 to 6:30 with
dinner following at 7 p.m. For reservations please
contact Diane Wiedenbeck at 854-5828.
The Robert Longo artwork will be available for
viewing one week prior to this event.

The Board of Hallwalls is pleased to announce
the appointment of Christine Tebes as Hatlwalls'
Executive Director. Acting on the recommendation of the Search Committee, the Board also
recommended that the new position of Artistic
Director be established and that it be initially fill·
ed by Alan Sondhelm of Dallas, Texas.
Ms. Tebes has served as Hallwalls' Acting Director since December 1986.

9:00 p.m.

Tuesday

VIDEO EDITING WORKSHOPS

Hallwalls' Editing Suite Coordinators continue to
offer Basic Editing Workshops twice monthly as
an orientation to th.e equipment and basic editing.
This month's workshop dates are,
TUESDAY, SEPTEMBER 1
AND THURSDAY, SEPTEMBER 17
Workshops run three hours (6-9 p.m.). Capacity
IS limited, so advanced registration is required.
Workshop fee is $15.00.

ANNOUNCEMENT
Performance: The Lab (workshop)

10

15

BENEFIT

Repeat of program from 9/4

5:00p.m.

8

AN 'o1euns 'JOOJ~ 4lv 'J99JlS U!e~ OOL

11:00 p.m.

Fiction Diction: Manuel Otero &amp;
Alberto Cappas, in person
8:00 p.m.
(at La Palma de Oro, 381 Busti Ave.)
8:00 p.m.
Video screening: Audience As
Protagonist: Getting Into The Picture
Film screening: A Man When He 8:00 p.m.
Is A Man
9:30 p.m .

Instrumental in Hallwalls' continuing growth and
maturation as an organization, Ms. Tebes coauthored Hallwalls' Multi·year Plan in conjunction
with the organization's selection to receive a 1986
Inter-Arts Advancement Grant from the National
Endowment for the Arts.
Chris Tebes currently serves as a Panelist on the
Arts Service Organizations and Decentralization
Program of the New York State Council on the
Arts, and is a Site Evaluator for the Inter-Arts Program of the National Endowment for the Arts.
Mr. Alan Sondheim is currently Assistant Professof of Arts and Humanities at the University
of Texas, Dallas. As an artist, film and videomaker,
musician and writer, Mr. Sondheim has established international credentials.
Curator of the Nexus Contemporary Art Center
in Atlanta from 1983 to 1985, Mr. Sondheim

HALLWALLS STAFF
Executive Director
Artistic Director
Technical Director and
Associate Video Curator
Diane Wiedenbeck Office Manager/Publicist
Exhibitions Curator
Catherine Howe
Edmund Cardoni
Fiction Diction Curator
Film Curator
Steve Gallagher
Don Metz
Music Curator
Ronald Ehmke
Performance Curator
Chris Hill
Video Curator
Armin Heurich
Video Ed1ting Coordinator
Video Editing Coordinator
Donna Kapa

Christine Tebes
Alan Sondheim
Barbara Lattanzi

Hallwalls' programs of contemporary art are maoe
possible by grants from the National Endowment
for the Arts, Washington, D.C., a federal agency;
the New York State Council on the Arts; the New
York State Council for the Humanities; Erie County, N.Y.; the City of Buffalo; FilmNideo Arts, NYC;
and by contributions from corporations and foundations including: Action Data Systems, Cameron

presently is a contributing Regional Editor of the

Baird Foundation. Buffalo Foundation, Graphic

Atlanta-based contemporary arts journal, ART
PAPERS. Mr. Sondheim introduced and edited,
INDIVIDUALS: POST-MOVEMENT ART IN
AMERICA (Dutton 1977), which examines the in·
fluence of post-modernism on contemporary
American art and culture. Mr. Sondheim's appointment takes effect in mid September.

Controls Corporation, Greater Buffalo Press, Half
n' Half Trading Co., The Seymour H. Knox Foundation, M &amp; T Bank, Metropolitan Lrte Foundation, Rockefeller Foundation, Tops Friendly
Markets, Margaret L. Wendt Foundation
Hallwalts is a member of the National Association of Artists' Organization and Media Alliance.

---------------------------------------------·
SUPPORT HALLWALLS -

BECOME A MEMBER!

Categories of Memberships: $15 Participating (two days of volunteer work/year);
$25 Individual; $35 Family; $50 Supporting; $100 Associate; $300 Life

10:00 p.m .

Film screening: Ufe is a Dream

7:00 p.m.

Payment may also be made by MasterCard.

9:00p.m.

ACCOUNT NUMBER ____________~-------

7:00 p.m .

J

NAME

Film screening: A nme to Uve
And A Time to Die
(at Woldman Theater/SUNYAB)

ADDRESS
ZIP _ - ._ _ __
CITY, STATE - - - - - - - - - - - - - - - - - - - TELEPHONE ______________ CATEGORY _______________

SIGNATURE

I
I
I
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EXP. DATE ---...,.--

I
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                  <text>&lt;p&gt;Dedicated to supporting artists in the creation of new work in the visual, media, performing and literary arts, and to making these works available to various audiences, Hallwalls Contemporary Arts Center was founded in Buffalo, New York in 1974 by a group of artists including Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Cindy Sherman and Michael Zwack. The organization continues to celebrate innovation by supporting local artists and by introducing Buffalo audiences to wider artistic communities. Over its history, Hallwalls’s exhibitions and residencies have spanned the genres of painting, sculpture, conceptual art, installations, experimental and documentary film, video art, performance, fiction, jazz and new music.&lt;/p&gt;
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                    <text>�Wilson Arts Festival
May 24, 1915
Seven HALLWALLS artists exhibited and executed work including photography, film, painting, and sculpture in Wilson, N.Y.
Buffalo Books: Visual Ideas in Book Form
135 books made or found by area artists.

June 3-30, 1975

Nancy Holt
June 16-17, 1915
Screened her film Pine Barrens, video-tapes Underscan, East Coast-West
Coast, Round in Circles, and showed slides of her work.
Evenings with HALLWALLS Artists
June 18, 1975
A multimedia event showing slides, films, and video-tapes of past shows
and work by HALLWALLS artists.
Open Space: A Summer Project
Space was made available for local artists to exhibit their work.
The following shows were presented:
Jeff Catalano and Bob Shroeck
Work by two painters.
Howard Friedman
Screening of films.

July 6-August 10, 1915
July 24, 1975

David Hays and Douglas Sloan
August 18-September 10, 1975
Hay's photographs and Sloan's paintings.
All of the above events have been documented with photos, audio and
video-tapes. Contact HALLWALLS for further information about individual shows or artists.

Willoughby Sharp· Installation

Gallery in construction

HALLWALLS
A semi-annual publication of the HALLWALLS Project
Charles Clough; Robert Longo
Project Directors:
Publications Staff: Ken Davis - Layout &amp; Design; George
Howell - Copy Editor; Larry Lundy - Coordinating Editor
Vol. 1, No. 1
Copyright- September, 1975
HALLWALLS Project
30 Essex Street
Buffalo, N.Y. 14213
716-883- 1041
Funds provided by New York State Council on the Arts

ChM'Ies Clough, Robert Longo, Michael Zwack, and Cindy Sherman

Michael Snow, Paul Sharits, Hal Walls, Joe Hryvniak, Jeff Catalano, Hollis Frampton, and Peter Gadol

�THE ASHFORD-HOLLOW FOUNDATION
. ~he A~hford Hollo~ Foundation was established in 1966 by Larry
Gnffts. lt. mcludes an mdustrial space of about 30,000 sq. ft. and 400
acres of htlly woods and meadows 35 miles south of Buffalo
At ~h.e factory, 37 artists and crafts people occupy studios and anumber of ltvmg spaces. The facilities includ.e a bronze and aluminum foundry,
dark-roo~s, pottery .workshops and ktlns, sky-lit painting studios, wood
and machtne s~ops, ftlm and vi?eo studios, and HALLWALLS, the gallery.
Ab.out a thtrd of the _factones population participate in HALLWALLS'
op~ratton. Th? Foundatton provides the gallery with 2400 sq. ft. of exhibttton and offtce space.
APPRECIATIONS EXTENDED
. In July, HALLWALLS was awarded a grant for the majority of operatmg expenses by t~e _New York State Council on the Arts.
. HALLWALLS ~s mdepted to the following people and organizations,
wtthout whose advtse and assistance these programs would not ha b
' bl
ve een
posst e:
Albright Knox Art Gallery
Arts Development Services
Ant Farm
Ashford Hollow Foundation
T~ny Bannon
Liza Bear
John Burris
Linda Cathcart
Committee for the Visual Arts
Edit De Ak
Walter De Maria
Arnold Dreyblatt
Trudy Grace
Jack Griffis
Larry Griffis
Willoughby Sharp

Art Attacks (Wilson) -Charlie Clough

Terry Gross
Alanna Heiss
Nancy Holt
J&amp;J Prods
Les Krims
Mary Laub
Richard Link
Media Studies, Inc.
Joan Mulus
Dr. Gerald O'Grady
Joe Piccillo
Jean Reeves
James Reinish
Barbara Jo Revelle
Paul Sharits
Nancy Willig

Art Attacks (Wilson) - Robert Longo
ART ATTACKS

0ME01A STUDY

775 MAIN ST. 847-2558

@GALLERY 219

NORTON UNION SU.NYo

a

G)GALLERY 229 UPTON HALL S.UC.NYa B

(j)HALLWAUS GAllERY 30 ESSEX ST 883-1041
@C.EPA (PHOTO) GALLERY

13n MAIN 882·2487

@LANGSTON tiUGHES CENTER 25HIGH ST
r.'IAtaRIGHT·KNOX ART GALLERY

1..:.1

EL!.IWOOO AVE.

sa:HI700

THE NETWORK
One of HALLWALLS main objectives is the establishment and maintainence of effective lines of communications between art centers. This
will inform artists of recent developments outside those covered by the
Arts journals, allow for coordination and possible co-sponsorship of visiting artists and critics, and provide assistance for organizational problems
that develop.
While living in Toronto in 1971, Charlie Clough observed the establishment of Aspace, an exhibition space, video library, and offset press which
provided a model for this type of project. Communication is maintained
with Aspace through Ellee Hayden.
' On numerous visits to New York, Clough and Robert Longo talked to
Jeffery Lew of 112 Greene St., Liza Bear, and Willoughby Sharp of Center for New Art Activities {publishers of Avalanche), and Trudy Grace and
Edit de Ak of Artist's Space. Subsequent links were established this summer by Longo and Mike Zwack with Rae Tyson of Artpark in Lewiston,
N.Y., with Alanna Heiss of the Institute of Art and Urban Resources, and
with the artists working at Artpark.
Throughout HALLWALLS' planning, Robert Buck, James Wood,
Doug Schultz and especially Linda Cathcart of the Albright Knox Art Gallery have provided valuable assistance and suggestions. Gerald O'Grady,
Paul Sharits, and assistants Arnold Dreyblatt and John Burris of Media
Study, Inc. of Buffalo have provided HALLWALLS with organizational assistance as well as film and video equipment for various functions.
Communications are also maintained with the Visual Studies Workshop
in Rochester, Vehicule Art in Montreal (through Suzy Lake), the Herter
Art Gallery in Amherst, Mass. (through Laura Holden) , The Western
Front in Vancouver (through Mister Peanut), and groups of artists in New
York City, Albany, and Artist Co-op in Talahasee, Florida.
Locally, Arts Development Services (ADS) provides technical assistance
and a link with the business and government community. The Center for
~xploratory and Perceptual Arts (CEPA), Gallery 219 at the State Unive~­
stty of New York at Buffalo and the Visual Arts Board of the State Untversity College at Buffalo all work with HALLWALLS on exhibits and
publicity.

Last May, eight HALLWALLS artists initiated Art Attacks (a term
originally suggested by Larry Lundy) by participating in the Wilson Art
Festival, in Wilson, N.Y. on an invitation from Joan Mutus Director of
the Wilson Arts Festival. The Art Attacks involved creation' of works or
circumstances for a particular situation by a number of HALLWALLS
artists.
In Wilson, for example: Cindy Sherman created the illusion of a child's
dollhouse by the simple draping of a sheet over a table, and the inclusion
of ."dol.ls". usi~g photographic cutout images of herself and her clothing;
Usmg ftshmg lme connected to roots and twigs along the banks of a creek
Rick Zucker suspended a sheet of plastic above the creek echoing it~
movements; Robert Longo placed logs at varying heights and widths over
the same creek, at measured intervals referring to his own anatomy; Longo
also created another piece relating to the contour of his body by digging
the grass and earth from within a chalked outline of his body, seeding the
recessed area, and placing the removed sod at a stagnent point in the stream
(the outline and subsequent removal of the surface content was repeated 2
further times to create an imposed isoceles triangle with the out lined
heads pointing to the center); Joe Hryvniak and Philip Malkin collaborated
on a rear screen projection performance in a dark hallway; Pierce Kamke
presented 3X4' blow-ups of a dog running, mounted on display boards in
a circle; Charlie Clough rolled out 50 yards of drawing paper on a fence to
allow the spectators to become directly involved by creating personal attachments through their use of spray paint to create designs, graffitti, etc.
This method of dealing with an exhibition has become a model for
future endeavors. HALLWALLS participants are arranging with the city-.
and local schools for exhibition dates and locations in the near future.
HALLWALLS artists are seeking the opportunity to work in variable .
situations for up to a week at a time. Contact HALLWALLS for further
information.

~-.
'·

Ashford Hollow Foundation facilities

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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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&lt;p&gt;Opened in 2006 to coincide with the organization’s 30th anniversary celebration, the Hallwalls Collection contains the Hallwalls Video Collection Preservation Project, featuring recorded performances by national and international artists including Laurie Anderson, Tony Conrad, Ethyl Eichelberger and hundreds more; as well as thousands of items of publications, photographs, artist files, grant applications, business records, calendars, publicity materials and other ephemera and realia documenting the history of the Contemporary Arts Center.&lt;/p&gt;
&lt;p&gt;The Hallwalls digital collection contains a selection of exhibition and installation slides, event posters and publications. It can be searched above by artist/creator and by subcollection.&lt;/p&gt;
&lt;p&gt;For more information about the Arts Center’s history see &lt;em&gt;Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls&lt;/em&gt; (1996) and hallwalls.org.&lt;/p&gt;</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102683">
                <text>100 Years Adolph Hitler: The Last Hour in the F??hrerbunker</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="102684">
                <text>State University of New York at Buffalo</text>
              </elementText>
              <elementText elementTextId="102685">
                <text>Poetry Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="102686">
                <text>LIB-PC003_0081</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102687">
                <text>Schlingensief, Christoph, 1960-2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102688">
                <text>10-Jun-89</text>
              </elementText>
              <elementText elementTextId="102694">
                <text>1980-1989</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102689">
                <text>Hallwalls Poster Collection</text>
              </elementText>
              <elementText elementTextId="102690">
                <text>Motion pictures</text>
              </elementText>
              <elementText elementTextId="102691">
                <text> Film installations (Art)</text>
              </elementText>
              <elementText elementTextId="102692">
                <text>Schlingensief, Christoph, 1960-2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102693">
                <text>The Vault</text>
              </elementText>
              <elementText elementTextId="102700">
                <text>Hallwalls (Museum)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102695">
                <text>Posters</text>
              </elementText>
              <elementText elementTextId="102696">
                <text> Broadsides</text>
              </elementText>
              <elementText elementTextId="102697">
                <text>Image</text>
              </elementText>
              <elementText elementTextId="102698">
                <text> Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102699">
                <text>36x61cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="91">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="102702">
                <text>8/23/2013</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="96">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="102703">
                <text>8/23/2013</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="881048">
                <text>en-US</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1913355">
                <text>&lt;a href="https://rightsstatements.org/vocab/InC/1.0/"&gt;IN COPYRIGHT&lt;/a&gt;. This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). Contact the &lt;a href="http://library.buffalo.edu/pl/"&gt;Poetry Collection&lt;/a&gt; for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="799">
        <name>Hallwalls Poster Collection</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
