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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>On verso in Lucia Joyce's handwriting "I am not wearing the | latest fashion hat as you | may think but simply | a "sac à papier"! | Lucia"</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>Lucia Joyce stands outdoors, leaning casually against a wooden railing. They wear a cloche-style hat, a striped V-neck sweater with a plaid coat draped over it, and a pleated skirt secured with a belt. The background includes a mechanical or nautical element, possibly indicating the setting is on a ship or dock. Joyce is smiling slightly, and the photograph is sepia-toned.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>Sylvia Beach and James Joyce seated at a desk in a book-filled room. Sylvia Beach, seated on the left wears a collared shirt with a tie and a jacket, facing James Joyce, who is dressed in a dark suit with a polka-dot bow tie and wears a black eye patch over the right eye. Stacks of paper and an old-fashioned telephone occupy the desk in front of them. Behind them, books fill shelves, and two posters are prominently displayed. One poster includes the headline “The Scandal of Ulysses,” and the other features the name “Arnold Bennett.” The image has visible creases and damage. On verso in SB's handwriting "Photo by New York Times of James Joyce &amp; Sylvia Beach | at Shakespeare and Company bookshop 12 rue de l'Odéon Paris 1922 | Behind Joyce: 2 posters from London 1) announcing |write-up of Ulysses in 'Sporting Times' (Feb. 1922) and 2) | Arnold Bennett's article in the "Outlook" Feb 1922 | Behind Joyce on the right: 4 photos by New York Times | of 1) James Joyce and Sylvia Beach at Shakespeare and | Company 8 rue Dupuytren Paris (former premises) 1920 | 2) same in doorway 3) interior with James Joyce: | Sylvia and Cyprian Beach annd John Rodker | In right upper corner: 2 photos of Wilde framed | with autograph letters of Wilde- gifts to |Shakespeare and Company of Byron Kuhn "Count | Prorok" Shakespeare and Company stamp. Photograph torn and taped.</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href="https://rightsstatements.org/page/NoC-US/1.0/"&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>See individual items for detailed information.</text>
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                <text>John Quinn, inscribed to James Joyce</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>Quinn, John, 1870-1924</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>Joyce, James, 1882-1941</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>A sepia-toned street scene shows James Joyce and Sylvia Beach standing at the entrance of Shakespeare and Company, a historic bookshop in Paris. James Joyce leans casually against the doorframe holding a cane, while the Sylvia Beach stands with hands in coat pockets, facing Joyce. Above the storefront, a third person looks down from a wrought iron balcony. The shop windows display books, and signage identifies the establishment as a bookstore and lending library. The cobblestone street and aged building façade contribute to the early 20th-century atmosphere.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>Lucia and Giorgio Joyce with kitten standing at window of their flat in Trieste</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>Signed by JJ "James Joyce | Paris | 25 · xi · 27", negative (10.0 x 12.5)</text>
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                <text>Four individuals pose in an indoor setting with ornate furniture and a patterned backdrop. James Joyce's mother is seated, center, in a striped dress holds a printed page while James, a child, is dressed in a light-colored sailor suit and leans on her knee, pointing at the page. James Joyce's father, dressed in a suit sits next to them on the right, while James Joyce's grandfather stands behind them with a hand resting on a carved wooden armrest. Handwritten text is visible in the lower right corner. Signed by JJ "James Joyce | Paris | 25 · xi · 27", negative (10.0 x 12.5).</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>Joyce, James, 1882-1941</text>
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              <elementText elementTextId="1875507">
                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>James Joyce graduation from University College Dublin with group of students</text>
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                <text>On verso, names of students, folder includes seating diagram on Shakespeare and Company lending library card (14.1 x 10.6), note from Sylvia Beach (14.9 x 11.9), photocopy of seating diagram</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>Joyce, James, 1882-1941</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                    <text>Collage of nine black-and-white and sepia photographs showing James Joyce at various stages of life, from childhood to adulthood.</text>
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                  <text>James Joyce Collection</text>
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                  <text>&lt;p&gt;The James Joyce Collection came to UB in six installments, the first in 1950 by virtue of a gift from Margaretta F. Wickser made in memory of her husband Philip J. Wickser. The Wickser gift consisted of the Librairie La Hune’s (Paris) Joyce exposition, which featured a substantial body of his manuscripts, the family portraits of Joyce’s great-grandparents and grandparents, Patrick Tuohy’s portraits of Joyce and his father and other items of memorabilia. Another extraordinary part of this gift was Joyce’s private library, received in the same condition as it was when packed for storage after Joyce left Paris to flee the Nazi occupation.&lt;/p&gt;
&lt;p&gt;Subsequent installments were given in 1951 and 1959 by B. W. Huebsch, publisher and an associate of Joyce. A second major installment in 1959 was realized thanks to Constance and Walter Stafford’s hands-on negotiations in Paris, as well as their financial commitment which funded the purchase of Joyce materials from Sylvia Beach, the proprietor of the bookstore Shakespeare and Company and the publisher of the first edition of Ulysses. Another arrived after the death of Sylvia Beach in 1962, again through the support of the Staffords and the generosity of Mrs. Spencer Kittinger and the Friends of the Lockwood Memorial Library of the University at Buffalo. The final installment arrived in 1968 with an acquisition from Maria Jolas.&lt;/p&gt;
&lt;p&gt;Covering the entire span of his artistic life, the James Joyce Collection is the largest Joyce collection in the world and contains his private library; holograph drafts, typescript pages and corrected galleys and page proofs for Ulysses; 66 notebooks, transcriptions, typescripts, galleys, page proofs and the author’s copy with corrections of Finnegans Wake; documents for A Portrait of the Artist as a Young Man and Joyce’s lecture on Daniel Defoe; the notebook for Exiles; hundreds of letters between Sylvia Beach and Joyce; Beach’s printing records for the publication of Ulysses; John Quinn’s letters to Beach and Joyce regarding the trial over Ulysses and The Little Review as well as other Joyce and Beach correspondence; Joyce’s presentation copies to Beach; portraits and over 150 photographs of Joyce and his family; numerous personal artifacts owned by Joyce; thousands of his newspaper clippings; and notebooks, sketchbooks and letters by Joyce’s daughter Lucia Joyce. Supplementing the archive is a complete set of first editions, including all issues and states of every book published by Joyce, translations, a large number of his magazine appearances and virtually all the literary criticism in book form on Joyce.&lt;/p&gt;
&lt;p&gt;Complete details about the Poetry Collection’s James Joyce Collection can be found in the collection’s &lt;a href="http://library.buffalo.edu/pl/collections/jamesjoyce/catalog/"&gt;online catalog&lt;/a&gt;. For now, the digital collections site only includes select photographs from the James Joyce Collection.&lt;/p&gt;</text>
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                  <text>See individual items for detailed information.</text>
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                  <text>LIB-PC004</text>
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                <text>Composite of nine early photographs of James Joyce belonging to Sylvia Beach</text>
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                <text>1.1</text>
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                <text>25.4cm x 20.3cm</text>
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                <text>For information about obtaining a digital copy or licensing this image for publication, please contact the Poetry Collection. &lt;a href="https://library.buffalo.edu/pl/use/james-joyce.html"&gt;https://library.buffalo.edu/pl/use/james-joyce.html&lt;/a&gt;</text>
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                <text>A montage of nine individual portrait photographs arranged in two rows. The top row shows four photographs of James Joyce as a young adult to middle-aged, including formal and casual portraits. The bottom row includes five images: a toddler in a dark dress with lace collar, a child in a sailor suit, a group portrait with two other individuals, a formal studio portrait in a heavy overcoat, and a full-length portrait in a long coat and hat. The photographs span different time periods and styles, collectively illustrating a visual biography.</text>
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                <text>State University of New York at Buffalo. University Libraries</text>
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                <text>State University of New York at Buffalo. Poetry Collection</text>
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                <text>James Joyce Collection. LIB-PC004</text>
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                <text>2011-12-27</text>
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                <text>Joyce, James, 1882-1941</text>
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                <text>&lt;a href=""&gt;NO COPYRIGHT – UNITED STATES&lt;/a&gt;. The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.</text>
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