Jan Williams and Eberhard Blum with bicycles in Berlin outside building
State University of New York at Buffalo. Music Library
Copyright Statement for Digitized Materials from the Music Library
Jan Williams and Eberhard Blum with bicycles in Berlin
Joel Chadabe with computer in Copenhagen
Jan Williams teaching percussion in São Paulo with student on stage
Jan Williams teaching percussion in São Paulo
Nils Vigeland reading and Jan Williams drinking in Berlin
Yvar Mikhashoff, Malcolm Goldstein, Joseph Celli, David Moss, Jan Williams, Steven B. Sample, William Ortiz, and Frank Cipolla at the opening concert of the North American New Music Festival
Sample, Steven B., 1940- - Administrator
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Jan Williams, Nils Vigeland, and Eberhard Blum at Westdeutscher Rundfunk, Cologne
Jan Williams rehearsing Morton Feldman's Why Patterns? for Westdeutscher Rundfunk
Feldman, Morton, 1926-1987. Why patterns? -- Performances
Orlando García, Ann Holyoke Lehmann and Eberhard Blum together after a North American New Music Festival concert
Jan Williams and Orlando García together after a North American New Music Festival concert
Joel Chadabe and Jan Williams rehearsing Chadabe's Another Approach to Rhythms
Chadabe, Joel. Another approach to rhythms -- Performances
Jan Williams conducting at a school in São Paulo
Nils Vigeland, Madeline Burke-Vigeland, Eberhard Blum, Diane Williams, Ann Holyoke Lehmann, and Hibbard Williams in Miami
Nils Vigeland, Madeline Burke-Vigeland, Eberhard Blum, Jan Williams, Diane Williams, Ann Holyoke Lehmann, and Hibbard Williams in Miami
John Cage and audience members at New Music America Festival in Miami
John Cage and Jan Williams' father, Hibbard Williams, at New Music America Festival in Miami
John Cage, Jan Williams and Jan Williams' father, Hibbard Williams, at New Music America Festival in Miami
Jan Williams, Eberhard Blum, and Bunita Marcus in Slee Hall
Nils Vigeland, Eberhard Blum, Jan Williams, and friends at a table, eating in Berlin
Nils Vigeland, Eberhard Blum, and Jan Williams at a restaurant in Frankfurt
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt
Nils Vigeland, Eberhard Blum, and Jan Williams in Frankfurt with poster of concert
David Del Tredici, Susan Narucki, Lukas Foss, Carol Wincenc, Jan Williams, and unidentified male at the Ojai Festival, May 1987
Bunita Marcus massaging the chest of Jan Williams
Jan Williams and James Hutchinson, a U.S. Cultural Attache, in Warsaw
Jan Williams and Lejaren Hiller in Warsaw
Jan Williams and Charles Boone in Slee Hall
Conlon Nancarrow, Lou Harrison, and Virgil Thomson at the Almeida Festival
Jan Williams performing Nils Vigeland's Progress at the Almeida Festival
Vigeland, Nils. Progress -- Performances
Jan Williams rehearsing Rzewski's To the Earth at the Almeida Festival
Rzewski, Frederic. To the earth -- Performances
Eberhard Blum, Nils Vigeland, and Jan Williams rehearsing Morton Feldman's Crippled Symmetry at the Almeida Festival
Double exposure of Jan Williams, Martin Riches, Ann Holyoke Lehmann, and Eberhard Blum in Berlin, with picture of Jan Williams on stage superimposed
Jan Williams and members of the UB Percussion Ensemble at the Charles Ives Center for American Music at the Canterbury School
Ed Folger playing percussion at the Charles Ives Center for American Music at the Canterbury School
Richard Moryl, Jan Williams, Joan Moryl, and Lukas Foss outside the Charles Ives Center at the Canterbury School
Guy Klusevec, Chester Mais, and Jan Williams
Equipment for John Cage's Atlas Eclipticalis
Cage, John. Atlas Eclipticalis -- Performances
Jan Williams playing percussion at the Akademie der Künste in Berlin
Leo Smit, Jan Williams, and Diane Williams
Jan Williams playing a berimbau in Hiller's An Apotheosis of Archaeopteryx
Hiller, Lejaren, 1924-1994. Apotheosis of archaeopterix -- Performances
Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Carter, Elliott 1908- Double concerto -- Performances
B&W contact-sheet of 35mm images of Jan Williams conducting Elliott Carter's Double Concerto at the Pfeiffer (Center) Theater
Jan Williams, Elliott Carter, Ursula Oppens, and Paul Jacobs
Jan Williams, Ursula Oppens, and Paul Jacobs
Jan Williams conducting Elliott Carter's Double Concerto at the Center Theater
Jan Williams with Bent Lylloff and Brett Dietz at Niagara Falls
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Pablo, Luis de. Prie dieu sur le terrasse -- Performances
Frank Burkett Baird Music Building (State University of New York at Buffalo)
Gideon Steiner, Bent Lylloff, and Jan Williams in Copenhagen
Richard Dufallo conducting the Sjelland Symphony Orchestra in rehearsal of Lukas Foss' Concerto for percussion and orchestra
Foss, Lukas, 1922-2009. Concertos, percussion, orchestra -- Performances
Jan Williams and Fuzzy on stage during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra n rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Jan Williams and Lennart Fessel setting up percussion instruments on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
Jan Williams setting up percussion instruments on stage for a performance of Lukas Foss' Concerto for percussion and orchestra
Richard Dufallo conducting the Sjelland Symphony Orchestra performing Lukas Foss' Concerto for percussion and orchestra