Jan Williams and Lennart Fessel playing percussion during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
Foss, Lukas, 1922-2009. Concertos, percussion, orchestra -- Performances
A black-and-white scene shows two people standing on opposite sides of a xylophone or marimba in a rehearsal or performance space. Both are holding percussion mallets and facing each other across the instrument. A music stand with open sheet music is positioned behind the person on the left, while several additional percussion mallets rest on the edge of the instrument in the foreground. The image is closely framed, focusing on the musicians and the keyboard percussion instrument.
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State University of New York at Buffalo. Music Library
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Jan Williams and Luis De Pablo discussing De Pablo's Le Prie dieu sur le terrasse in old Baird Room 100
Pablo, Luis de. Prie dieu sur le terrasse -- Performances
A black-and-white scene shows two people standing indoors in a rehearsal or workshop space. The person on the left has a beard and glasses, is wearing a jacket over a hooded sweatshirt, and gestures with one hand while facing the other person. The person on the right is wearing glasses and a dark sweater, holding a sheet of paper while touching their forehead. Cabinets, chairs, and storage containers are visible in the background, suggesting a backstage or practice room.
Frank Burkett Baird Music Building (State University of New York at Buffalo)
A black-and-white scene shows two people standing at a percussion setup in a rehearsal or performance space. Both are holding percussion mallets while facing each other across several drums or timpani in the foreground. A music stand with open sheet music is positioned behind the person on the left, and additional percussion instruments and stands are visible around the space. The dimly lit scene focuses on the musicians and their percussion equipment.
Jan Williams setting up on stage for a rehearsal of Lukas Foss' Concerto for percussion and orchestra
A black-and-white scene shows a person standing on a stage in a rehearsal or performance space beside a large gong and an extensive percussion setup. The person has both hands raised near their head while facing the instruments. Additional percussion instruments, stands, and music equipment are arranged across the stage, with the stage edge visible in the foreground and a dark curtain forming the background.
A black-and-white scene shows two people standing at a percussion setup in a rehearsal or performance space. Both are holding percussion mallets while facing each other across several drums or timpani in the foreground. A music stand with open sheet music is positioned behind the person on the left, while additional percussion instruments and stands are visible around the space. The image is closely framed, emphasizing the musicians and the percussion setup.
Jan Williams and Fuzzy on stage during a rehearsal of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows a person leaning over a xylophone or marimba, holding mallets while playing or demonstrating the instrument. Several seated musicians are visible beyond the instrument, including one with a beard in the foreground, watching the performance. The keyboard percussion instrument occupies much of the lower half of the frame, with sheet music visible at the right edge. The dimly lit setting appears to be a rehearsal or performance space.
Jan Williams (barely visible) on stage with percussion set up for a performance of Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows an extensive percussion setup arranged on a stage without any people present. A large gong is centered in the display, surrounded by drums, cymbals, tubular bells, and numerous percussion stands and instruments. A bass drum is visible on the right side, while additional percussion equipment fills the stage. The dark curtain in the background emphasizes the organized instrument setup.
A black-and-white scene shows four people seated side by side in a rehearsal or performance space. Two people in the center are wearing glasses, while the person on the right is holding a clarinet across their lap and the others have woodwind instruments resting in front of them or across their laps. Music stands and a stage curtain are visible in the background. The image is closely framed, focusing on the seated group and their instruments.
Jan Williams rehearsing Lukas Foss' Concerto for percussion and orchestra for performance with the Sjelland Symphony Orchestra (conductor Richard Dufallo in background)
A black-and-white scene shows a person leaning over a xylophone or marimba while holding two mallets above the instrument. A large gong and additional percussion equipment are positioned behind the performer, with music stands and sheet music visible in the foreground. Another person is partially visible in the background with an arm raised. The image is closely framed, emphasizing the keyboard percussion instrument and surrounding percussion setup.
Jan Williams and Fuzzy performing Lukas Foss' Concerto for percussion and orchestra with the Sjelland Symphony Orchestra
A black-and-white scene shows a person leaning over a xylophone or marimba while holding two mallets above the instrument. Another person with glasses and a beard is seated nearby, looking toward the performer from beside a music stand with open sheet music. Additional music stands and percussion equipment are visible in the dimly lit rehearsal space. The image is closely framed, emphasizing the interaction between the performer, observer, and keyboard percussion instrument.
Nils Vigeland, Morton Feldman, Jan Williams, and Eberhard Blum outside a door in London
A color photograph shows four people standing on a sidewalk in front of the entrance to a building. One person in the center is holding an object while speaking, and the others are turned toward them as if listening. The doorway features decorative trim and a dark interior beyond the open door. Brick walls, windows, and the building's facade frame the group, suggesting an informal gathering outside the entrance.
Jan Williams, Joan La Barbara, and Nora Post at a rehearsal at Albright-Knox Art Gallery Auditorium
A black-and-white scene shows three people on a stage in a rehearsal or performance space. Three microphone stands are positioned across the front, with two people standing at the microphones and a third person seated to the left playing a percussion instrument. A large gong and additional percussion equipment are visible in the background, along with stage curtains and music stands. The image is framed to show the performers and their stage setup.
Members of the Center of the Creative and Performing Arts at the Albright-Knox Art Gallery front steps
Scoville, Margaret, 1944-1978 - Composer
A black-and-white scene shows a group of people gathered on the steps of a large building with tall columns in the background. Some are seated on the lower steps while others stand behind them, creating several rows. The group is dressed in coats, hats, scarves, and winter clothing, with a few people smiling toward the camera. The image is centered on the group, with the building's entrance and architectural details framing the scene.
Jan Williams and Luis De Pablo rehearsing Luis De Pablo's Le Prie dieu sur le terrasse in Baird Room 100
A black-and-white scene shows a person leaning closely over a xylophone or marimba while holding two percussion mallets above the instrument. Another person wearing glasses is visible through an opening in the background, watching from behind a structural frame. The keyboard percussion instrument fills the foreground, with additional equipment partially visible at the edges of the frame. The image is tightly cropped, emphasizing the performer's focused posture and the instrument.
A color photograph shows a group of people gathered in a living room, with some seated on chairs and the floor while others stand behind them. A coffee table in the center holds plates, cups, and refreshments. Windows with wooden trim, framed wall decorations, and household furnishings are visible in the background. The group is dressed in casual clothing and faces the camera in an informal group portrait.
UB Percussion Ensemble with Mark Sokol performing Lou Harrison's Concerto for violin and percussion
Harrison, Lou, 1917-2003. Concertos, violin, percussion ensemble -- Performances
A color photograph shows a conductor standing at the front of an ensemble on a stage, facing the musicians with raised arms. Musicians are seated behind music stands, with percussion instruments including a large gong, drums, and keyboard percussion arranged across the back of the stage. Tall stage curtains form the backdrop, and the image is taken from the audience perspective, capturing the full ensemble and stage setup.
A color photograph shows six people standing in a row indoors against a plain wall. They are dressed in a mix of casual and semi-formal clothing, including jackets, sweaters, vests, and patterned shirts. Several people have facial hair, and some are smiling while facing the camera. The image is closely framed, focusing on the group without showing much of the surrounding room.
A black-and-white scene shows several people gathered around an extensive percussion setup on a stage. Timpani, drums, a xylophone or marimba, a large gong, and other percussion instruments are arranged across the stage, with people standing or seated at different stations. Music stands and additional equipment are distributed throughout the space. The image is taken from a distance, showing the full percussion area and the people preparing or rehearsing.
A black-and-white scene shows two people standing indoors against a plain background. The person on the left is facing slightly toward the camera with shoulder-length dark hair and a dark top. The person on the right is wearing glasses, a suit jacket, shirt, and tie, turned toward the other person as if speaking. The image is closely framed, focusing on the two people and their interaction.
Jan Williams, in hat, playing double bass at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person wearing a light-colored hat, dark sunglasses, and a mustache while playing an upright bass with a bow. One hand holds the bow against the strings while the other steadies the neck of the instrument. The upright bass fills much of the right side of the frame, and the image is closely cropped, focusing on the musician and the instrument.
Jan Williams playing a musical saw at theNuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person bending forward while using a long-handled floor tool on a tiled floor indoors. The person is wearing a light-colored shirt and striped pants, with both hands gripping the handle. A large column stands to the right, and another person is visible in the background near a railing. The image is closely framed, focusing on the person and the floor-cleaning activity.
Jan Williams at the piano at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing behind a grand piano on a stage. Microphone stands are positioned around the piano, and audio equipment, including amplifiers and speakers, is arranged nearby. Additional stage equipment is visible at the edges of the frame, while the high ceiling and open stage create a spacious performance setting. The image is taken from a distance, showing the full stage arrangement.
Jan Williams conducting at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing behind a music stand indoors, holding a percussion mallet in each hand with both arms raised. The person is wearing a light-colored shirt and is positioned in front of a large geometric wall artwork. Part of another seated person is visible at the left edge of the frame, and chairs are arranged around the room. The image is centered on the standing person and the music stand.
A black-and-white scene shows a person wearing glasses and a light-colored T-shirt with both arms raised. The person is holding a baton in one hand and a small object in the other while looking upward. The background is dark, and the image is closely cropped, focusing on the person's upper body and expressive gesture.
Jan Williams painting at Nuits de la Foundation Maeght at St. Paul de Vence
A black-and-white scene shows a person standing beside a large suspended metal panel or percussion instrument on a stage. The person is holding a mallet raised near the instrument while facing it. A microphone stand is positioned to the left, and additional stage structures and equipment are visible around the performance area. The image is taken from a low angle, emphasizing the person and the large instrument.
Images from performance of Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Williams, Jan, 1939- Dream lesson -- Performances
A black-and-white abstract image shows a mostly dark background with a cluster of thin, curved light trails sweeping diagonally across the lower left toward the upper right. The trails vary in length and brightness, creating the appearance of motion, while the rest of the frame remains largely empty and dark.
Jan Williams and Ed Yadzinski performing Jan Williams' Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows a person standing at the front of a stage with one arm raised, gesturing while facing the audience area. Behind them, another person is seated at a grand piano. Microphone stands and audio equipment are arranged around the piano, with additional stage equipment visible nearby. The high ceiling and open stage create a spacious performance setting, and the image is taken from a distance to include both people and the stage setup.
Jan Williams bowing at a performance of his Dream Lesson at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
A black-and-white scene shows two people on a large stage separated by several meters of open space. One person stands on the left beside a large suspended gong, while the other stands on the right beside a keyboard percussion instrument such as a xylophone or marimba. The stage is otherwise mostly empty, emphasizing the wide performance area and the placement of the instruments against a plain backdrop.
Jan Williams and others practicing before a performance of Lukas Foss' MAP at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Foss, Lukas, 1922-2009. MAP -- Performances
A black-and-white scene shows four people gathered indoors in a rehearsal or performance space. One person is seated in the foreground holding an accordion, while three others stand nearby, talking and smiling. Music stands with sheet music are positioned in front of the group, and large curved wall panels or acoustic structures form the background. The image is closely framed, focusing on the interaction among the musicians.
Jan Williams bowing with Lukas Foss after a performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Foss, Lukas, 1922-2009. Paradigm -- Performances
A black-and-white scene shows two people standing on a stage in a rehearsal or performance space. One person is leaning forward while using a cane, and the other stands beside them with one hand extended in a gesturing motion. A large gong and additional percussion equipment are visible in the background, along with stage equipment and stands. The image is closely framed, focusing on the interaction between the two people.
Performance of Lukas Foss' Paradigm at the Nuits de la Fondation Maeght, 1970: L'Art vivant aux États-Unis
Yadzinski, Edward, 1940- - Saxophone (Tenor)
A black-and-white scene shows a person standing at the front of a rehearsal space with both arms raised in a conducting or directing gesture. Several musicians are seated behind music stands, facing the person, with instruments partially visible. Large windows, acoustic panels, and abstract wall art are visible in the room, creating a spacious rehearsal environment. The image is framed to show both the conductor and the ensemble.
Jan Williams and Ed Burnham performing Stockhausen's Plus-Minus during Evenings for New Music with Cornelius Cardew at the piano
Stockhausen, Karlheinz, 1928-2007. Plus Minus -- Performances
A black-and-white scene shows a person standing behind a marimba on a stage in a performance venue. The marimba is positioned in front of the performer, with microphones and additional percussion instruments visible nearby. Stage curtains and wall panels form the backdrop, while silhouettes of audience members appear along the bottom edge of the frame. The image is taken from the audience perspective, showing the performer and the stage setup.
A black-and-white scene shows two people on a stage in a performance venue. One person stands behind a marimba on the right side of the stage, while another is positioned at a keyboard instrument or piano toward the left. Microphones, music stands, and additional percussion equipment are arranged around the performers. Stage curtains and wall panels form the backdrop, and silhouettes of audience members appear along the bottom edge of the frame, indicating the view is from the audience.
Jan Williams and Ed Burnham performing William Albright's composition for 2 drummers, film, and tape at Hallwalls, Essex St.
A color photograph shows two people seated at separate drum kits in an indoor gallery or studio space. Both are wearing light-colored clothing and are positioned on opposite sides of the room with their drum sets facing forward. A large abstract relief sculpture spans the wall behind them, and additional artwork is visible along the right wall. The image is framed to show both performers and the surrounding exhibition space.
Creative Associates at performance of Klaus von Wrochem's Stücke
Wrochem, Klaus von. Stücke -- Performances
A black-and-white scene shows a group of musicians standing together on a stage in a performance venue. Several people are gathered near the center behind music stands, while percussion instruments, including a marimba and other equipment, are arranged on the right side of the stage. Additional instruments and microphones are visible across the stage, with tall curtains forming the backdrop. The image is viewed from the audience, with silhouettes of audience members visible along the bottom edge of the frame.
New Percussion Quartet performing William Kraft's Concerto for Percussion and Orchestra with the Buffalo Philharmonic Orchestra
Kraft, William. Concertos, percussion, orchestra -- Performances
A black-and-white scene shows a conductor standing at the right side of the frame, facing a small ensemble of seated musicians behind music stands. Several musicians are wearing formal attire, and percussion instruments, including keyboard percussion, are arranged across the front of the ensemble. Tall wall panels form the background, and the image is framed to show both the conductor and the performers in the performance space.
A black-and-white scene shows a conductor standing at the right side of the frame, facing a small ensemble of seated musicians behind music stands. Several musicians are wearing formal attire, and a percussion section with timpani, keyboard percussion, and other instruments occupies the foreground. Tall wall panels form the background, and the image is framed to emphasize the interaction between the conductor and the ensemble.
A black-and-white scene shows a conductor standing near the percussion section at the front of a small ensemble in a performance space. Several musicians in formal attire are seated behind music stands, while percussion instruments including timpani, keyboard percussion, and other equipment occupy the foreground and right side of the stage. Tall wall panels form the backdrop, and the image is framed to show both the conductor and the ensemble during a rehearsal or performance.
Buffalo Philharmonic Orchestra - Ensemble
A black-and-white scene shows a full orchestra seated on a concert stage in a large performance hall. Musicians are arranged in sections behind music stands, with a conductor's podium positioned near the front center of the ensemble. The hall features tall wall panels and a high ceiling with broad, curved architectural elements. The image is taken from a distance, capturing the full orchestra and the spacious concert venue.
A black-and-white scene shows a large orchestra seated across a concert stage in a spacious performance hall. Musicians are arranged in sections behind music stands, with percussion instruments visible toward the right side of the stage. The conductor's podium is positioned near the front center, and tall wall panels with a high, curved ceiling frame the performance space. The image is taken from a distance, emphasizing the scale of the ensemble and the architecture of the hall.
A black-and-white scene shows a large orchestra seated on a concert stage in a spacious performance hall. Musicians are arranged in sections behind music stands, with string, wind, brass, and percussion sections visible across the stage. A conductor stands near the front center of the ensemble, facing the musicians. Tall wall panels and a high ceiling with broad, curved architectural elements frame the performance space. The image is taken from a distance, capturing both the full orchestra and the hall's distinctive architecture.
David Rosenboom with the New Percussion Quartet at an Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
A black-and-white scene shows four people standing side by side on a concert stage in front of stage curtains. They are dressed in formal attire, with three wearing suits and one wearing a dark outfit. Each has their hands extended forward in a gesture of acknowledgment, and several are smiling. Percussion instruments and music stands are visible behind them, while the arm of another person is partially visible at the left edge of the frame.
John Cage and unidentified girl performing his She Is Asleep at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
Cage, John. She is asleep -- Performances
A black-and-white scene shows two people performing on a stage. In the foreground, one person is playing percussion instruments, with drums and cymbals partially visible. Behind them, another person is seated at a grand piano, leaning toward the keyboard. The raised lid of the piano dominates the upper part of the frame, while stage curtains are visible in the background. The image is closely framed, focusing on the two performers and their instruments.
John Cage with toy gun during performance of David Rosenboom's To That Predestined Dancing Place at Albright-Knox Art Gallery performance for the 2nd Festival of the Arts
Rosenboom, David. To that predestined dancing place -- Performances
A black-and-white scene shows a person crouching near the edge of a stage, holding and aiming a long tube-shaped object toward the left side of the frame. Behind the person, a set of timpani, drums, cymbals, and other percussion instruments are arranged on the stage, with a music stand and tall stage curtains in the background. The image is taken from a low angle, emphasizing the crouching figure and the performance setup.
John Cage performing his A Room, She Is Asleep with the New Percussion Quartet at the Albright-Knox Art Gallery for the 2nd Festival of the Arts
A black-and-white scene shows a conductor standing at the front of an ensemble on a concert stage, facing the musicians. A grand piano is positioned on the left side of the stage, while music stands, percussion instruments, and additional performers are arranged across the center and right. Tall draped curtains form the backdrop, and audience silhouettes are visible along the bottom edge of the frame, indicating the view is from the audience.
New Percussion Quartet performing Lou Harrison's Fugue at old Baird Hall for 2nd Festival of the Arts
Harrison, Lou, 1917-2003. Fugue, percussion -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. A grand piano is positioned on the left beside timpani and other percussion instruments, while additional percussion and keyboard instruments are arranged across the stage. Several musicians are seated or standing behind music stands, with one person standing near the right side of the stage. Large folding acoustic panels form the backdrop, and microphone stands are visible among the performance setup.
New Percussion Quartet performing John Bergamo's Interactions for Vibe and Percussion Ensemble at old Baird Hall for 2nd Festival of the Arts
Bergamo, John. Interactions for Vibe and Percussion Ensemble -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. Percussion instruments, including a marimba, drums, and suspended percussion, are arranged across the stage, with several musicians seated or standing behind music stands. One person stands near the percussion section while others are positioned throughout the performance area. Large folding acoustic panels form the backdrop, and microphone stands and chairs are visible among the stage equipment.
New Percussion Quartet performing Bill Russell's Three Dance Movements at old Baird Hall for 2nd Festival of the Arts
Russell, Bill, 1905-1992. Three Dance Movements -- Performances
A black-and-white scene shows a small ensemble on a concert stage viewed from an elevated angle. A drum set is positioned near the center of the stage, with a grand piano on the left and additional percussion instruments, music stands, and chairs arranged across the performance area. Several musicians are seated or standing behind the music stands. Large folding acoustic panels form the backdrop, and microphone stands are visible among the stage equipment.
New Percussion Quartet performing Michael Colgrass' Inventions on a Motive at old Baird Hall for 2nd Festival of the Arts, Melvin Strauss conducting
Colgrass, Michael. Inventions on a motive -- Performances
A black-and-white scene shows a conductor standing with their back to the camera, facing a percussion ensemble on a concert stage. Several musicians are positioned among timpani, drums, keyboard percussion instruments, and music stands, with additional percussion equipment arranged across the stage. A keyboard instrument is visible on the right side, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the conductor, performers, and the full percussion setup.
New Percussion Quartet performing David Rosenboom's To That Predestined Dancing Place at old Baird Hall
A black-and-white scene shows three percussionists seated on a concert stage among timpani, drums, keyboard percussion instruments, and music stands. One person is seated behind a drum near the center, while the others are positioned to the left and right with percussion instruments in front of them. Additional percussion equipment is arranged around the stage, and tall wall panels form the background. The image is taken from an elevated audience perspective, focusing on the percussion section and surrounding instruments.
New Percussion Quartet performing John Cage's She Is Asleep at old Baird Hall
A black-and-white scene shows four percussionists performing on a concert stage. The musicians are positioned around timpani, drums, and other percussion instruments, with music stands placed in front of them. Additional percussion equipment and microphone stands are arranged throughout the stage, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the performers and the percussion setup.
A black-and-white scene shows a conductor standing with their back to the camera, facing a percussion ensemble on a concert stage. Several musicians are positioned among timpani, drums, keyboard percussion instruments, and music stands, with additional percussion equipment arranged across the stage. Microphone stands and other stage equipment are visible throughout the performance area, and tall wall panels form the background. The image is taken from an elevated audience perspective, showing the conductor, performers, and the full percussion setup.
New Percussion Quartet performing at a grade school with student playing bass drum
A black-and-white scene shows five people gathered around a large concert bass drum on a stage. Four people stand behind the drum, while one person stands to the right with a hand resting on the drumhead. A microphone stand is positioned to the left, and stage curtains form the background. The image is centered on the group and the prominently displayed bass drum.
A black-and-white scene shows a wide view of a concert stage with percussion instruments arranged across it. A group of people stands near a large concert bass drum on the right side of the stage, while another person stands facing them nearby. Additional drums, keyboard percussion instruments, music stands, and microphone stands are distributed across the stage. Tall stage curtains form the backdrop, and the image emphasizes the full stage setting as well as the group gathered around the bass drum.
New Percussion Quartet performing at a grade school in Buffalo
A black-and-white scene shows three people on a concert stage beside an extensive percussion setup. One person stands on the right holding a percussion mallet near a group of drums, while two others stand to the left beside additional percussion instruments. Microphone stands are positioned across the front of the stage, with rows of empty audience seats visible in the background. The image is taken from the stage area, showing the performers and the surrounding percussion equipment.
A black-and-white scene shows three percussionists performing on a concert stage. One person is seated at a drum set on the left, while the two others stand behind keyboard percussion instruments with music stands in front of them. Microphone stands are positioned across the front of the stage, and additional percussion instruments, including timpani, are visible behind the performers. A stage curtain forms the background, and the image is framed to show the ensemble and their instruments.
A black-and-white scene shows four percussionists spread across a concert stage. One person is seated at a drum set on the left, while others stand behind keyboard percussion instruments and additional percussion equipment. Music stands and microphone stands are arranged across the front of the stage, with timpani and other percussion instruments visible throughout. A stage curtain spans the background, and the image is taken from the audience, showing the full width of the performance setup.
Jan Williams and Edward Burnham performing Ben Johnston's Knocking Piece at the Albright-Knox Art Gallery
Johnston, Ben. Knocking Piece -- Performances
A black-and-white scene shows two people standing beside a grand piano on a concert stage. One person stands with their back to the camera at the center, while the other leans over the piano from the left, looking down toward the music or keyboard. A large projection screen or panel is visible on the right, and stage curtains form the backdrop. The image is closely framed, focusing on the two people and the grand piano.
Black and white contact-sheet of 35 mm images of New Percussion Quartet rehearsing in old Baird Hall
A black-and-white contact sheet shows multiple rows of small photographic frames arranged in a grid. The sequential images depict people, musical instruments, and rehearsal or performance scenes from different angles. Film frame borders and spacing are visible between the images, emphasizing the contact sheet format rather than any single photograph. The overall image focuses on the collection of frames as an archival record.
New Percussion Quartet at Albright-Knox Art Gallery with percussion instruments
A black-and-white scene shows four percussionists positioned across a concert stage, each at a different percussion station. A large concert bass drum stands near the left, with drums, cymbals, timpani, and a keyboard percussion instrument arranged across the stage. Music stands and microphone stands are placed in front of the performers. The image is taken from the audience perspective, with the stage and percussion setup framed against a plain wall.
A black-and-white scene shows four people on a concert stage arranged around a percussion setup. One person stands beside a large concert bass drum on the left, while another stands near a keyboard percussion instrument on the right. Two people are seated on the floor in the foreground between the instruments. Drums, cymbals, music stands, and additional percussion equipment are arranged across the stage, with a plain wall forming the background.
New Percussion Quartet at Albright-Knox Art Gallery with drums
A black-and-white scene shows four people gathered on a concert stage among percussion instruments. Three people are seated or kneeling in the foreground, facing one another, while a fourth person stands behind them holding a pair of percussion mallets. A drum set, cymbals, and other percussion equipment are visible in the background against a plain wall. The image is closely framed, focusing on the group and the surrounding instruments.
New Percussion Quartet on stairs of Albright-Knox Art Gallery with snare drums
A black-and-white scene shows four people standing on a staircase inside a building, arranged at different heights along the steps. Each person is holding a percussion instrument or piece of percussion equipment, including drums and metal percussion instruments. The staircase has a simple railing and leads upward toward a wall with vertical architectural details. The image is framed from the bottom of the stairs, emphasizing the diagonal arrangement of the group.
New Percussion Quartet posing in front of Toccata and Fugue by Jan Arman at the Albright-Knox Art Gallery
A black-and-white scene shows four people posing indoors in front of a decorative wall installation made of hanging metal elements. Three people stand in a row while a fourth person kneels in front, and each is holding one or more percussion mallets. The group is dressed in suits or formal attire, and the image is closely framed, emphasizing the people and the sculptural backdrop.
New Percussion Quartet posing with sculpture by Jean Arp at the Albright-Knox Art Gallery
A black-and-white scene shows two people standing behind a tall, abstract sculpture that occupies the center of the frame and obscures much of their bodies. Both people are dressed in dark formal clothing, and one is holding percussion mallets at their side. The plain background and minimalist composition draw attention to the sculpture and the partially hidden figures.
New Percussion Quartet posing outdoors at Albright-Knox Art Gallery, with sculpture
A black-and-white scene shows four people gathered around a geometric sculpture made of stacked rectangular blocks arranged in an abstract form. The people are dressed in suits or formal clothing and are leaning in to examine or touch different parts of the sculpture. The sculpture is displayed on a low pedestal in an indoor gallery or exhibition space, with a plain background that keeps the focus on the artwork and the group.
New Percussion Quartet posing outdoors at Albright-Knox Art Gallery, with sculpture and snare drum
A black-and-white scene shows four people standing around a classical-style statue displayed on a pedestal in an indoor space. One person reaches up to adjust or position an object against the statue, while the other three watch from nearby. The group is dressed in suits or formal clothing. Curtains and low planters line the background, and the image focuses on the interaction between the people and the sculpture.
A black-and-white scene shows four people gathered around a classical-style statue mounted on a pedestal in an outdoor setting. Two people stand on either side of the statue with their hands resting on it, while another person stands behind the pedestal with only their head visible below the sculpture. Three of the standing people are holding percussion mallets. A curtain or temporary backdrop and trees are visible behind the group, and the image is composed as a posed group portrait.
New Percussion Quartet posing outdoors at Albright-Knox Art Gallery, each with snare drums
A black-and-white scene shows three people seated on the ground outdoors beneath a leafy tree. Each person is holding or resting a drum on their lap, and they are dressed in suits or formal clothing. The tree branches partially frame the group, while a curtain or temporary backdrop is visible behind them. The image is composed as a posed group portrait in an outdoor setting.
New Percussion Quartet posing outdoors at Albright-Knox Art Gallery, with snare drum
A black-and-white scene shows several people positioned around an outdoor courtyard with percussion instruments and music stands. One person stands at the center facing the others, while additional people are seated or standing near drums and other percussion equipment. A leafy tree occupies the middle of the courtyard, and a large abstract sculpture stands on the right side of the frame. A curtain or temporary backdrop lines the rear of the space, and the image is composed to show the full outdoor performance setting.
New Percussion Quartet posing by windows in the auditorium of the Albright-Knox Art Gallery
A black-and-white scene shows four people outdoors in a wooded setting. Three people in suits stand together while a fourth person sits or kneels in front of them. The standing group is looking in different directions rather than toward the camera, and trees fill the background. The image is closely framed, emphasizing the group against the natural setting.
New Percussion Quartet looking at a score of Paul Zonn's Tock
Zonn, Paul Martin, 1938-2000. Tock -- Performances
A black-and-white scene shows four people seated around a large table covered with papers and documents. Each person is writing, reading, or reviewing the materials in front of them. Pens, folders, and stacks of papers are spread across the tabletop, suggesting a meeting or collaborative work session. The image is taken from above, emphasizing the group and the documents on the table.
New Percussion Quartet posing by windows in the auditorium of the Albright-Knox Art Gallery, with drum
A black-and-white scene shows four people in suits posing together indoors. Three are seated in the foreground while a fourth stands behind them. Large floor-to-ceiling windows fill the background, revealing trees outside and creating reflections across the glass. The image is closely framed, focusing on the group in a formal portrait setting.
A black-and-white scene shows three people seated around a large table covered with papers and documents. One person points to a page while the others write notes or review the documents in front of them. Pens, folders, and stacks of papers are spread across the tabletop, suggesting a collaborative meeting or planning session. A brick wall, music stands, and percussion instruments are visible in the background, placing the meeting in a rehearsal or performance space.
A black-and-white scene shows four people in suits standing indoors beside large floor-to-ceiling windows. One person stands in the foreground with an arm resting against the window frame, while three others are spaced farther back along the windows. Trees are visible outside through the glass, and strong natural light creates long shadows across the floor. The image emphasizes the architectural setting and the staggered arrangement of the group.
New Percussion Quartet posing outside of old Baird Hall
A black-and-white scene shows four people in suits standing together outside a building entrance. One person stands in the center with folded arms, while the others are turned toward one another or looking in different directions. The doorway and building facade frame the group, and the image is closely cropped to emphasize the informal arrangement and interaction among the four people.
A black-and-white scene shows four people in suits standing together in the recessed entrance of a building. One person stands in the center with folded arms, while the others are turned toward one another or looking in different directions. The doorway and surrounding glass panels frame the group, and the image is closely composed to emphasize their informal arrangement outside the entrance.
New Percussion Quartet posing outside of old Baird Hall with umbrellas
A black-and-white scene shows four people in suits standing outside a building in front of large windows. Two people are holding open umbrellas, while the others stand nearby facing different directions as if in conversation. Reflections are visible in the window panes behind them, and the wet pavement suggests recent or ongoing rain. The image is composed as an informal group portrait in an outdoor setting.
A black-and-white contact sheet shows multiple rows of small photographic frames arranged in vertical strips. The sequential images depict musicians, music stands, and rehearsal or performance scenes from different angles. Some frames are overexposed or partially blank, while the film borders and spacing remain visible, emphasizing the contact sheet format rather than any single photograph. The image focuses on the collection of frames as an archival record.
A black-and-white contact sheet shows multiple rows of small photographic frames arranged in horizontal strips. The sequential images depict musicians, conductors, music stands, percussion instruments, and rehearsal or performance scenes from different angles. Film frame borders and spacing are clearly visible, with a bright curved area at the lower right edge where part of the sheet is overexposed or cropped. The image emphasizes the contact sheet as an archival record rather than any individual photograph.
Black and white contact-sheet of 35 mm images of New Percussion Quartet looking at a score of Paul Zonn's Tock
A black-and-white contact sheet shows multiple rows of small photographic frames arranged in vertical strips. The sequential images depict people gathered around tables, standing in groups, and posing for formal portraits in indoor settings. Film frame borders and spacing are clearly visible, with some frames partially cropped at the edges. The image emphasizes the contact sheet format as an archival record rather than any individual photograph.
Black and white contact-sheet of 35 mm images of New Percussion Quartet rehearsing in old Baird Hall and outdoors
A black-and-white contact sheet shows multiple rows of small photographic frames arranged in vertical strips. The sequential images depict musicians performing, people posing in groups, and individuals gathered around tables in meeting or rehearsal settings. Film frame borders and spacing are clearly visible, with some frames rotated or partially cropped. The image emphasizes the contact sheet format as an archival record rather than any individual photograph.
New Percussion Quartet posing with large frame
A color photograph shows four people posing around a large, ornate empty picture frame indoors. Three people lean in from the top and sides of the frame, while a fourth sits below within the lower opening. They are dressed in suits, ties, and jackets, with several wearing glasses or sporting mustaches. The carved wooden frame dominates the composition, creating a staged group portrait against a plain green wall.
A black-and-white scene shows four people seated around a large table covered with papers and documents. One person is writing while the others look at or discuss the materials spread across the table. Folders, loose pages, and pens are arranged across the tabletop. Percussion instruments, including a large bass drum, and music stands are visible in the background, suggesting the meeting is taking place in a rehearsal or performance space.
New Percussion Quartet rehearsing in old Baird Hall
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person is playing a hand drum while facing a music stand with sheet music. Three other people stand behind nearby, looking toward the music stand or the instruments. Brick walls, additional percussion instruments, and music stands are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person is playing a hand drum while facing music stands with sheet music. The other three people stand behind nearby, looking toward the music stands or percussion instruments, with one appearing to play a drum. Brick walls, additional percussion instruments, and music stands are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person is playing a hand drum while facing music stands with sheet music. The other three people stand nearby around drums and additional percussion instruments, looking toward the music stands or instruments. A brick wall, a clock, and more percussion equipment are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person is playing a hand drum while facing music stands with sheet music. The other three people stand nearby around drums and additional percussion instruments, looking toward the music stands or instruments. A brick wall, large windows, and more percussion equipment are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person is playing a hand drum while facing music stands with sheet music. The other three people stand nearby around drums and additional percussion instruments, looking toward the music stands or instruments. A brick wall, large windows, and overhead fluorescent lights are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. One person in the foreground is holding a hand drum beside a snare drum, while the other three stand near additional drums and music stands with sheet music. The group appears to be focused on the music stands and instruments. A brick wall, large windows, and overhead fluorescent lights are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. One person in the foreground is playing a hand drum beside a snare drum, while the other three stand near timpani, additional drums, and music stands with sheet music. A brick wall, a clock, and overhead fluorescent lights are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. In the foreground, one person stands beside a snare drum holding a pair of drumsticks, while the other three stand near additional drums, timpani, and music stands with sheet music. A brick wall, large windows, and overhead fluorescent lights are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people in a rehearsal or performance space gathered around percussion instruments. One person in the foreground stands beside a snare drum holding a pair of drumsticks, while the other three stand near additional drums, timpani, and music stands with sheet music. A brick wall, a clock, and overhead fluorescent lights are visible in the background, emphasizing the rehearsal setting.
A black-and-white scene shows four people standing indoors in a rehearsal room with percussion instruments. Two people hold drumsticks beside snare drums, another stands behind a pair of timpani, and music stands are positioned in front of them. A cinder block wall, a clock, and a doorway are visible in the background.
A black-and-white scene shows four people standing indoors in a rehearsal room playing percussion instruments. One person plays a snare drum, another plays a xylophone or similar keyboard percussion instrument, a third stands behind timpani, and a fourth stands near a large bass drum. Music stands are positioned in front of the performers, with a cinder block wall, a clock, and fluorescent ceiling lights visible in the background.
A black-and-white scene shows several people standing in a rehearsal room around percussion instruments. A person in the foreground is positioned at a keyboard percussion instrument, while another stands behind a music stand at the center. Additional people are visible near a suspended cymbal, a snare drum, and another keyboard percussion instrument. Music stands are arranged throughout the room, with fluorescent lights and percussion equipment visible in the background.
A black-and-white scene shows a person leaning over a keyboard percussion instrument in a rehearsal room, appearing to adjust or examine something on the instrument. Another person stands in the background near additional percussion equipment, while a partially visible person stands at the right edge of the frame. Music stands, open storage cubbies, and various percussion instruments are visible throughout the room.
A black-and-white scene shows two people standing in a rehearsal room surrounded by percussion instruments and music stands. One person is seen from behind at the center of the room, while another stands near a large keyboard percussion instrument on the right. Additional percussion instruments, including keyboard percussion instruments and timpani, are arranged around the room. A cinder block wall, a clock, and suspended tubular bells are visible in the background.