Guests at the reception for the JACK Quartet at the 2013 June in Buffalo Performance Institute
Several people are gathered in a large interior space, with some holding glassware. Large arched windows reveal a view of multi-story buildings and a flagpole in an urban environment. The interior lighting is low, creating silhouettes of the individuals against the bright exterior light.
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State University of New York at Buffalo. Music Library
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Violinists Christopher Otto and Ari Streisfeld talk with pianist Eric Huebner at the 2013 June in Buffalo Performance Institute
A person in a black suit and purple tie stands in the center of the room with their mouth open. Two people sit nearby holding violins and bows behind music stands with sheet music. The background features a high-ceilinged room with tall windows, elevator entrances, and a long wooden counter.
JACK Quartet performing at the 2013 June in Buffalo Performance Institute
Four musicians in formal attire play string instruments while facing a seated audience. The audience fills the foreground, viewed from behind, in an indoor space with large windows in the background. Music stands with sheet music are positioned in front of the performers.
JACK Quartet at the 2013 June in Buffalo Performance Institute
Four individuals in suits stand on a stage behind music stands, holding string instruments including a violin and a viola. Large windows in the background show a view of green trees and building exteriors. The back of a seated audience is visible in the foreground facing the performers.
Pianist Eric Huebner speaking before a concert by the JACK Quartet at the 2013 June in Buffalo Performance Institute
A person stands at the front of a room, holding papers and facing a seated audience. Large floor-to-ceiling windows line one wall, revealing green trees outside. A boom microphone is suspended over the crowd, and a small potted plant sits on a wooden ledge in the background.
JACK Quartet rehearses at the 2013 June in Buffalo Performance Institute
A quartet of musicians plays violins, a viola, and a cello while seated in front of several large window panes. Each musician has a black music stand with sheet music in front of them. The background through the glass reveals green trees and a building under a bright sky.
Pianist Eric Huebner and John Ganshaw, Vice President Manager Brand Integration at M & T Bank, at the 2013 June in Buffalo Performance Institute
The person on the left wears a black suit, white shirt, and light purple tie. The person on the right wears a pinstriped navy suit, a light blue striped shirt, a polka-dot tie, and an orange pocket square. They are positioned indoors in front of a textured wall and several dark archways.
Student performers Matthew Geiger, Nicholas Emmanuel,T.J. Borden, Ross Aftel, Hangyu Bai, Michiko Saiki, and Jade Conlee, talk at the 2013 June in Buffalo Performance Institute
A group of individuals is gathered in front of a black curtain, many holding flyers or booklets. They are dressed in various casual attire including button-down shirts, a sweater, and a patterned skirt. To the far left, a stack of white plates sits on a table.
Pianist Eric Huebner talks with violist John Pickford Richards at the 2013 June in Buffalo Performance Institute
Two individuals in suits and ties stand in the foreground, with one person holding a violin and bow. Seated musicians with a cello and sheet music on stands are visible behind them. Large windows in the background reveal green trees outside.
Esin Gündüz, student composer and singer, at the 2013 June in Buffalo Performance Institute
A person with long dark hair and bangs stands against a dark, vertically textured background. They wear a blue patterned top with lace sleeves and a mustard-yellow scarf tied around the neck. A small silver butterfly brooch is pinned to the center of the scarf.
Composer Robert Beaser and Guitarist Elliot Fisk after a performance of Beaser's Guitar Concerto with conductor JoAnn Falletta and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
Buffalo Philharmonic Orchestra - Ensemble
Two people stand in the center of a stage with a wooden paneled background, one wearing a tan blazer and the other in a dark suit holding a guitar. Behind them, an orchestra is seated with violins and music stands. The foreground contains the dark silhouettes of an audience viewed from behind.
Frederick C. and Alice Slee Chamber Hall (State University of New York at Buffalo)
Two individuals stand at the center of a stage while a seated orchestra is positioned behind them. One person wears a grey blazer, while the other wears a dark suit and holds an acoustic guitar. Members of the orchestra sit with instruments and music stands, and an audience is visible in the foreground from the back.
Composers Robert Beaser and David Felder introducing a performance of Beaser's Guitar Concerto by guitarist Elliot Fisk and the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person in a suit and glasses stands on a wooden stage and holds a microphone while another person in a brown jacket stands nearby. Behind them, an orchestra sits with string instruments including violins and a guitar in a concert hall with wood-paneled walls. Red auditorium seats and audience members are visible in the foreground.
Conductor Brad Lubman with Signal, vocalist Jamie Jordan, and violinist Courtney Orlando after a performance of Louis Andriessen's work La Passione at June in Buffalo 2012
Signal (Musical group : 2008-) - Ensemble
A group of musicians stands on a wooden stage holding various instruments as a person on a podium raises their arms. The background features a large pipe organ and wood-paneled walls, while an audience sits in red chairs in the foreground. Microphones on tall stands and music stands are distributed across the performance area.
Conductor Brad Lubman directs Signal in a performance of Louis Andriessen's work La Passione with vocalist Jamie Jordan and violinist Courtney Orlando at June in Buffalo 2012
A conductor stands on a podium with arms raised while directing a group of seated and standing musicians. A grand piano and various instruments, including violins and wind instruments, are positioned across the wooden stage. Music stands and microphones are placed throughout the performance space in front of wood-paneled walls.
A conductor stands on a platform in the center of a wooden stage, leading an ensemble of musicians and soloists. To the left, a person plays the violin near a grand piano, while another person stands on the right side of the stage. The orchestra consists of string and wind instrumentalists seated behind music stands.
A group of musicians plays various instruments, including violins and brass, on a stage with wood-paneled walls and a large organ. A conductor stands on a central podium facing the ensemble, while several tall microphone stands are placed around the performers. Red theater seats are visible in the foreground of the performance space.
Student composer Eun Young Lee with pianist Steven Beck in a rehearsal of Lee's work Mool at June in Buffalo 2012
A person with red hair sits at a grand piano while a person with dark curly hair stands and holds a piece of sheet music. Both individuals look down at the musical score positioned on the piano's music stand. The background features wood-paneled walls and the inner mechanism of the piano is visible beneath the open lid.
Frank B. and Cameron Baird Music Hall (State University of New York at Buffalo)
Student composer Andres Carrizo with guitarist Zane Merritt and percussionist Tom Kolor in a rehearsal of Carrizo's work We Guide the Birth of Waves at June in Buffalo 2012
A person on the left uses mallets to play a vibraphone near several cymbals and a hanging gong. On the right, a person with long hair plays a red electric guitar while reading from sheet music. A third person sits in the background behind the vibraphone with arms crossed.
Trombonist Jonathan Lombardo, violinist Lazara Nelson, percussionist Tom Kolor, and trumpet player Jon Nelson of the Genkin Philharmonic performing at June in Buffalo 2012
Four people are positioned on a stage with various musical instruments and black music stands. On the left, one person plays a trombone while another person in the center plays a violin. To the right, a person plays a trumpet with an arm raised, and a fourth person stands by percussion instruments in the background.
Saxophonist Steve Baczkowski, guitarist Jeff McLeod, trombonist Jonathan Lombardo, and drummer Matthew Felski of the Genkin Philharmonic performing at June in Buffalo 2012
Four people perform on a stage with a black background using a variety of instruments. One person holds a long, black tube-like instrument upwards, while others play a trombone, a six-string bass guitar, and a drum set. Music stands and a saxophone on a stand are also visible on the stage.
Saxophonist Steve Baczkowski, trombonist Jonathan Lombardo, and drummer Matthew Felski of the Genkin Philharmonic performing at June in Buffalo 2012
Several musicians perform on a stage against a black background. One person holds and plays a long, dark wind instrument while another person plays a brass trombone. Musical equipment, including stands, a saxophone, and a drum set, are arranged around the performers.
Guitarist Jeff McLeod, saxophonist Steve Baczkowski, and trombonist Jonathan Lombardo of the Genkin Philharmonic performing at June in Buffalo 2012
Three performers are on a stage with music stands and a drum set in the background. One individual plays a wide-necked bass instrument, another plays a saxophone, and the third plays a trombone. The scene is lit with stage lights against a dark backdrop.
Conductor James Baker directing a performance by the New York New Music Ensemble at June in Buffalo 2012. Performers left to right: pianist Stephen Gosling, violinist Curtis Macomber, violoncellist Chris Finckel, clarinetist Jean Kopperud, and flutist Jayn Rosenfeld
Musicians play instruments including a grand piano, violin, cello, and flute on a wooden stage in front of a wood-paneled wall. A person in a grey suit stands with their back to the camera, positioned between the musicians and the audience. Audience members are seated in rows of red chairs in the foreground.
Conductor Scott Voyles with Ensemble Interface after a performance of student composer Onur Yildirim's work Mus-I zaman at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, percussionist Michael Compitello, flutist Bettina Danielle Berger, and harpist Kristen Moss Theriault.
A group of musicians stands on a stage in a concert hall, holding instruments such as a cello, flute, and harp. A grand piano is positioned on the left, and a large pipe organ is built into the wood-paneled wall behind the performers. Several individuals on stage are clapping toward an audience seated in red chairs in the foreground.
Ten people stand in a line on a wooden stage in front of a large pipe organ. The group is positioned with instruments including a violin, cello, clarinet, and flute, while a grand piano and harp are also on stage. Several people on stage and in the audience seats in the foreground are clapping.
Conductor Scott Voyles directing Ensemble Interface in a performance of student composer Onur Yildirim's work Mus-I zaman at June in Buffalo 2012. Performers left to right: violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, percussionist Michael Compitello, flutist Bettina Danielle Berger, and harpist Kristen Moss Theriault.
A small ensemble is arranged on a light-colored wooden stage in a concert hall. Several musicians sit while playing instruments such as the violin, cello, flute, and harp, while a conductor stands in front of them with their back to the audience. In the background, a grand piano and percussion instruments are visible, while rows of red seats occupy the foreground.
Violoncellist Christophe Mathias of Ensemble Interface with student composer Onur Yildirim in a rehearsal for Yildirim's work Mus-I zaman at June in Buffalo 2012
A person in a black shirt and glasses leans over a music stand to look at sheet music. Beside them, another person in a white shirt sits holding a cello. A grand piano with its lid propped open is positioned behind the two people in a room with wood-paneled walls.
Guitarist Elliot Fisk with conductor JoAnn Falletta after a performance of Robert Beaser's Guitar Concerto with the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person wearing a suit and a bright floral tie stands on a stage holding an acoustic guitar and gesturing with one arm toward another person in a black suit. In the background, an orchestra is seated with string instruments and music stands. The silhouettes of audience members are visible in the foreground facing the stage.
Guitarist Elliot Fisk performing Robert Beaser's Guitar Concerto with JoAnn Falletta conducting the Buffalo Philharmonic Orchestra at June in Buffalo 2012
An orchestra sits on a stage with various string instruments while a conductor on a podium directs them with a baton. A solo guitarist sits in the center of the ensemble playing an acoustic guitar. The background features wood-paneled walls and the top of an organ.
Guitarist Elliot Fisk performing Robert Beaser's Guitar Concerto with the Buffalo Philharmonic Orchestra at June in Buffalo 2012
A person wearing a suit and glasses plays a light-wood acoustic guitar in the foreground. Several other musicians sit behind music stands, holding violins and bows while wearing dark clothing. The background features vertical wooden panels and clear acoustic shields.
Conductor Brad Lubman directing Signal in a performance of composer Julia Wolfe's work Impatience at June in Buffalo 2012
A large screen displays a blue-tinted close-up of a person's eyes and forehead with the text "Nederlands Filmmuseum" at the bottom. Below the screen, an orchestra is positioned on a stage, with a conductor standing on a podium facing away from the viewer. Several musicians are visible playing instruments, including stringed instruments and percussion, under spotlights in a darkened hall.
Composers Fred Lerdahl, Steven Stucky, and Robert Beaser at June in Buffalo 2012
Three individuals stand side-by-side against a background of dark wood panels. Each person wears glasses and has facial hair. They are dressed in jackets, including tweed, black, and brown blazers worn over button-down or polo shirts.
Conductor Brad Lubman with Signal after a performance of composer Julia Wolfe's work Impatience at June in Buffalo 2012
Musicians dressed in black stand on a wooden stage with various instruments, including a harp, double bass, cello, and accordion. A person in a black suit stands on a small platform at the front-center of the group. A large white screen hangs behind the performers and red seating is visible in the foreground.
A musical group dressed in black stands on a stage playing instruments such as a harp, double bass, and cello. A conductor stands on a podium in the center with arms raised towards the performers. A large projection screen hangs above the ensemble, and rows of empty auditorium seating are in the foreground.
A conductor leads a group of musicians playing string, brass, and percussion instruments on a dimly lit stage. Behind the performers, a large screen displays a monochromatic close-up of a person's face wearing goggles with the words "Nederlands Filmmuseum" at the bottom. Individual spotlights illuminate the music stands and some of the performers against the dark background.
Members of Signal in a rehearsal at June in Buffalo 2012
A group of musicians plays various instruments including violins and a clarinet while seated in a rehearsal space. Multiple microphones on stands are positioned throughout the ensemble near sheet music stands. Two large gongs hang in the background against a wooden wall.
Brad Lubman, conductor of Signal, at June in Buffalo 2012
A person with short hair and a beard stands on a wooden stage wearing a grey long-sleeved shirt and a watch. Their face is turned to the side with an open mouth while they stand over a spiral-bound music score. The background features musical equipment, including music stands and instruments.
Composer Yeung-Ping Chen with violinist Yuki Numata in a rehearsal of Chen's work Light and Tear at June in Buffalo 2012
An individual wearing a black t-shirt and glasses stands next to another individual who holds a violin in a playing position. Both people look toward a music stand containing multiple pages of sheet music. The setting is an indoor space with dark, wood-paneled walls.
Clarinetist Jean Kopperud performing composer David Felder's work Rare Air at June in Buffalo 2012
A musician wearing an orange shirt, black trousers, and glasses performs on a bass clarinet. They sit on a chair behind a music stand, and a microphone is positioned in front of the instrument. The performance takes place on a wooden floor with dark chairs in the background.
Clarinetist Jean Kopperud playing a tube instrument built for the performance of composer David Felder's work Rare Air: Blews at June in Buffalo 2012
A person with long, light-colored hair and glasses holds a long, snake-like musical instrument that coils around their torso. The instrument features a head with an open mouth and teeth, while its body has a scaly pattern. The person holds a mouthpiece to their lips with one hand and supports the head of the instrument with the other.
Conductor Scott Voyles with percussionist Michael Compitello, flutist Bettina Danielle Berger, and violoncellist Christophe Mathias in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in a suit stands center stage with raised hands, facing several performers. In the foreground, one individual strikes a percussion instrument with mallets while another sits with a cello. Sheet music rests on multiple stands across the stage under focused lighting and overhead microphones.
Conductor Scott Voyles with percussionist Michael Compitello in a rehearsal with Ensemble Interface at June in Buffalo 2012
A person in the foreground plays a percussion instrument with mallets, positioned near music stands and a collection of small cymbals. In the center, a person wearing a suit and glasses stands behind a music stand, gesturing toward the group. To the right, another person sits and plays a cello while looking at sheet music.
Percussionist Michael Compitello of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person wearing black stands behind a Yamaha vibraphone, using a bow on one of the metal bars. The surrounding area is filled with percussion equipment including cymbals, gongs, and mallets, with a large harp positioned in the background.
Conductor Scott Voyles with student composer Jonghee Kang in a rehearsal of Kang's work Drawing at June in Buffalo 2012
Two individuals stand in a dimly lit room, looking at pages of music on a stand. The person on the left wears a dark suit jacket and glasses, using their hands to turn the pages. The person on the right wears a light blazer and holds a folder of sheet music.
Harpist Kristen Moss Theriault and flutist Bettina Danielle Berger of Ensemble Interface performing student composer Nathan Kelly's work Harbor Music at June in Buffalo 2012
Two musicians perform in a room with wood-paneled walls and a wooden floor. In the foreground, one person sits behind a large harp with their hand positioned over the strings. In the background, a second person stands while playing a silver flute next to a music stand.
Student composer Nissim Schaul with violoncellist Christophe Mathias, violinist Veronique Mathieu, and percussionist Michael Compitello of Ensemble Interface in a rehearsal of Schaul's work Trio at June in Buffalo 2012
Four people are positioned around a music stand in a room with vertical wood-paneled walls. One person holds a cello and a bow, while another sits in the center holding a violin. Two other individuals stand and lean toward the music stand in the foreground. Items such as mallets and instrument cases are positioned behind the group.
Composer Fred Lerdahl in a masterclass with student composers Colin Labadie, Juan V. Colon Hernandez, and Tyler Capp at June in Buffalo 2012
Four people are seated in desk chairs arranged in a circle, with one person reading aloud from a spiral-bound manuscript. A black music stand is positioned in front of the group, and a whiteboard with a diagram is mounted on the wall behind them. The room also contains a wooden lectern and additional empty chairs.
Clarinetist Yevgeny Dokshansky and flutist Bettina Danielle Berger of Ensemble Interface in a rehearsal at June in Buffalo 2012
One person with reddish-blonde hair tied back plays a silver flute while wearing a black long-sleeved shirt. Another person with short dark hair wears a plaid shirt and plays a clarinet in the background. Sheet music sits on a stand to the left against a backdrop of vertical wood panels.
Conductor Scott Voyles directs Ensemble Interface in a performance of Louis Andriessen's work Zilver at June in Buffalo 2012. Performers: pianist Anna D'Errico, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias, and percussionists Bill Solomon and Michael Compitello.
A group of musicians dressed in black perform on a wooden stage within a concert hall. The ensemble includes a pianist, flutist, clarinetist, violinist, and cellist, with percussionists and a conductor also present. Rows of red audience seats are positioned in the foreground of the room.
Members of Ensemble Interface: violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, clarinetist Yevgeny Dokshansky, flutist Bettina Danielle Berger, harpist Kristen Moss Theriault, and percussionist Michael Compitello in a rehearsal at June in Buffalo 2012
A musical ensemble performs on a stage featuring light wood floors and vertical wooden wall panels. The group includes individuals playing violins, a cello, a clarinet, and a large golden harp situated in the foreground. Sheet music on stands is placed before the seated and standing performers near a black grand piano.
Flutist Jayn Rosenfeld and pianist Stephen Gosling of the New York New Music Ensemble with composer Robert Beaser at June in Buffalo 2012
Three people are gathered around a piano looking at sheet music. One person wearing a purple shirt sits at the instrument, while two others stand behind the music stand. A wood-paneled wall and a black speaker are visible in the background.
Conductor Scott Voyles with members of Ensemble Interface after a performance at June in Buffalo 2012. Performers left to right: percussionists Bill Solomon and Michael Compitello, clarinetist Yevgeny Dokshansky, violoncellist Christophe Mathias, violinist Veronique Mathieu, flutist Bettina Danielle Berger, and pianist Anna D'Errico.
Eight individuals dressed in dark clothing stand in a line on a wooden stage in front of wood-paneled walls. Some hold instruments including a flute, violin, cello, and clarinet while a grand piano and percussion instruments are positioned behind them. Rows of red auditorium seats and the heads of audience members are visible in the foreground.
Conductor Scott Voyles with members of Ensemble Interface after a performance at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias
back row: percussionists Bill Solomon and Michael Compitello
Eight musicians in dark clothing are positioned on a light wood stage in a concert hall with wood-paneled walls. One individual on the left gestures toward seven other musicians holding instruments such as a flute, violin, and cello. A grand piano, percussion instruments, and music stands are arranged around the group, while rows of red theater seating are visible in the foreground.
Conductor Scott Voyles directs Ensemble Interface in a performance of Beat fürer's work Gaspra at June in Buffalo 2012. Performers left to right: pianist Anna D'Errico, violinist Veronique Mathieu, violist Anne Lanzilotti, violoncellist Christophe Mathias, percussionist Bill Solomon, clarinetist Yevgeny Dokshansky, and flutist Bettina Danielle Berger.
A group of musicians in dark attire plays instruments including a grand piano, violins, a cello, and percussion. A conductor stands with their back to the camera, gesturing toward the ensemble. The performance takes place on a large stage with wood-paneled walls and organ pipes in the background.
Eight people in black attire perform on a stage while a person in a suit conducts the ensemble. The musicians play a variety of instruments including a grand piano, violins, a cello, percussion, and woodwinds. A large pipe organ is visible in the background above the wood-paneled wall.
Conductor Scott Voyles directs a performance of Morton Feldman's work For Frank O'Hara with pianist Anna D'Errico, violinist Veronique Mathieu, flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violoncellist Christophe Mathias, and percussionist Michael Compitello of Ensemble Interface at June in Buffalo 2012
Seven musicians play instruments including a piano, violin, flute, clarinet, cello, and percussion on a light-colored wooden stage. A conductor stands facing the ensemble with their back to rows of red audience seats in the foreground. The background features wood-paneled walls and a pipe organ, while all performers are dressed in black.
Conductor James Baker directs a performance of student composer Davide Ianni's work Transients with flutist Jayn Rosenfeld, violoncellist Chris Finckel, and clarinetist Jean Kopperud of the New York New Music Ensemble at June in Buffalo 2012
Four people are on a stage performing music with a flute, cello, and clarinet. One person in a suit stands with their back to the camera, gesturing with their arms. Percussion instruments, music stands, and a piano are arranged in the background.
Pianist Stephen Gosling, violinist Curtis Macomber, and clarinetist Jean Kopperud of the New York New Music Ensemble performing student composer Matthew Schreibeis's work In Search of Planet X at June in Buffalo 2012
A musical trio performs on a wooden stage in front of a dark audience. One person sits at a black grand piano, another plays a violin, and a third person plays a clarinet. Sheet music stands are positioned in front of the violin and clarinet players.
Conductor James Baker with violinist Curtis Macomber, violoncellist Chris Finkel, percussionist Tom Kolor, and pianist Stephen Gosling of the New York New Music Ensemble performing student composer Colin Labadie's work Quartet at June in Buffalo 2012
A group of musicians performs on a wooden stage in front of a seated audience. From left to right, individuals are seated playing a grand piano, a violin, and a cello, while another person stands at a percussion instrument in the background. A conductor stands facing the group with their back to the viewer, directing the performance.
Flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshanksy, violoncellist Christophe Mathias, violinist Veronique Mathieu, and pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
Five individuals perform on a stage with a grand piano in the background. Sheet music stands are positioned in front of a violinist, a cellist, a bass clarinetist, and a flutist. The musicians wear casual clothing while seated in chairs during the performance.
Pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person with dark hair tied back leans over a black Steinway grand piano and reaches an arm inside to touch the internal components. Sheet music for "gaspra" by Beat Furrer is propped on a stand, and the piano's black and white keys are visible in the foreground. The individual is wearing a white t-shirt and looks toward the area they are touching.
Conductor Scott Voyles of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person with short light hair wears a dark suit jacket and a black turtleneck with their hands raised. Black-rimmed glasses are positioned on the bridge of their nose. The background is dark.
A person stands center stage with their arms raised in a conducting gesture over sheet music. In the foreground, the back of a musician's head and a portion of a harp are visible. Sheet music is open on stands, and the background shows the dim interior of a performance hall.
Conductor Scott Voyles with violoncellist Christophe Mathias and violinist Veronique Mathieu of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person in a dark suit and glasses stands at a music stand with their arms raised. In the foreground, portions of two people holding musical instruments and bows are visible behind sheet music. The background shows a dimly lit hall with dark walls and structural pillars.
A person wearing a dark suit and glasses stands behind a music stand, gesturing with a raised hand. In the foreground, two musicians are seen from behind as they play string instruments over sheet music. The background consists of a dark, dimly lit stage area.
A person stands behind a music stand with their arms outstretched and hands blurred by motion. They are wearing a dark blazer over a black shirt and rectangular glasses. In the lower foreground, a hand holds a stringed instrument bow over sheet music.
A person in a dark suit and glasses stands on a stage behind a music stand with their right arm extended. Two individuals are partially visible in the foreground, with one holding a violin and another holding a bow. The background shows a dark wall and rows of empty seats.
Conductor Scott Voyles in a rehearsal with violoncellist Christophe Mathias, violinist Veronique Mathieu, and clarinetist Yevgeny Dokshansky of Ensemble Interface at June in Buffalo 2012
A person wearing a dark suit stands on a stage and gestures toward several musicians seated with their backs to the camera. The musicians play stringed instruments and percussion while following sheet music on stands. The background shows an empty, dimly lit concert hall.
Conductor Scott Voyles with composer Fred Lerdahl at June in Buffalo 2012
Two people stand in profile, facing one another against a background of vertical curtains. The person on the left wears black glasses and a black jacket, with their right hand raised in a gesture. The person on the right has grey hair and wears a grey blazer while holding papers that feature a grid pattern.
Conductor Scott Voyles and pianist Anna D'Errico of Ensemble Interface in a rehearsal at June in Buffalo 2012
A person sits at a Steinway grand piano with the lid open and multiple pages of sheet music displayed. In the background, a person in a dark suit stands with arms raised facing the musicians on a stage with red seating. A tall microphone stand is positioned near the back of the stage.
Composer David Felder with UB faculty members Bruce Jackson and Diane Christian at June in Buffalo 2012
One person in profile wears a dark patterned sweater and large earrings. A second person in a black graphic t-shirt and full beard stands in the middle. A third person on the right wears a light blue striped shirt and a brown blazer.
Flutist Bettina Danielle Berger, clarinetist Yevgeny Dokshansky, violinist Veronique Mathieu, violoncellist Christophe Mathias, and percussionists Michael Compitello and Bill Solomon of Ensemble Interface in a rehearsal at June in Buffalo 2012
Six musicians are positioned on a stage with wood-paneled walls, playing instruments including the flute, clarinet, violin, and cello. Two individuals stand in the background behind percussion instruments, one holding mallets over a marimba. Sheet music rests on black metal stands in front of the seated performers.
Composer David Felder with student composers Jonathan Kolm and Jonghee Kang at June in Buffalo 2012
Three people wearing glasses stand against a black curtain background. On the left, a person in a brown blazer holds papers and raises one hand. In the center, a person wearing a grey and black shirt clasps their hands together while looking toward the left. A third person stands on the right in profile, wearing a grey hoodie.
Percussionist Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
University at Buffalo Percussion Ensemble - Ensemble
A person wearing a vest and glasses stands behind a large timpani, striking it with a mallet. They simultaneously hold a small brass instrument in their mouth, with other drums and a music stand positioned nearby. The setting includes a black curtain backdrop and large pillars in the background.
A person wearing a dark vest holds mallets over multiple drums while standing behind a large timpani. A music stand with sheet music is positioned in front of them, framed by large gongs on either side. The background shows rows of red chairs in a hall and other individuals in the distance.
A person wearing a light-colored shirt and dark vest is positioned behind a set of drums, holding mallets over the surfaces. A large gong, cymbals, and sheet music are arranged around the musician on a stage. Black curtains and white pillars form the background where other individuals and instruments are also present.
Conductor Tom Kolor directing the UB Percussion Ensemble in a performance of Iannis Xenakis's work Persephassa at June in Buffalo 2012
An audience sits in rows of red theater seats within a large hall featuring wood-paneled walls and tall white pillars. A person stands in the center aisle with one hand raised, facing the seated group. In the foreground, another person stands behind a set of percussion instruments including timpani, cymbals, and a gong.
Percussionist Jason Bauers of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
A person with short dark hair and glasses holds drumsticks while positioned behind various percussion instruments. Large gongs are mounted on circular frames near a music stand and a set of small drums. The background features vertical panels and bright overhead lighting.
Percussionists Melanie Voytovich and C.W. Dunbar of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Two performers are positioned behind large sets of percussion instruments on a wide wooden stage. An audience sits in rows of red chairs in the foreground, facing the performance area. The wood-paneled auditorium includes a pipe organ mounted on the wall above the stage.
Percussionists Robert Fullex, Liz Holland, and Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Holland, Liz, percussionist - Percussion
Rows of individuals occupy red seating in a theater, oriented toward a performance space. In the background, several people are positioned near drums, microphones, and a gong behind a black curtain. The interior features high ceilings with white pillars and a balcony level.
Percussionists Liz Holland and Michelle Purdy of the UB Percussion Ensemble performing Iannis Xenakis's work Persephassa at June in Buffalo 2012
Rows of red theater chairs are occupied by several people looking toward a stage area. Behind the seating, more individuals stand and sit amongst various musical instruments and electronic equipment. A large gong and drum set are visible in front of a backdrop of black curtains.
Trumpet players Jon Nelson and Tim Leopold, horn player Adam Unsworth, trombonist Benjamin Herrington, and tubist Raymond Stewart of Slee Sinfonietta performing David Felder's work Canzone XXXI at June in Buffalo 2012
Five people sit on a wooden stage playing instruments including a tuba, a trombone, and trumpets. Music stands are positioned in front of each musician. The background is a vertical wood-paneled wall.
Percussionists Robert Fullex, Jason Bauers, Liz Holland, and C.W. Dunbar of the UB Percussion Ensemble performing Julia Wolfe's work Dark Full Ride at June in Buffalo 2012
Four performers are seated on a wooden stage with percussion instruments and music stands. Each person holds drumsticks and faces their respective setup under stage lighting. The background is a dark wood-paneled wall, while the silhouettes of audience members appear in the foreground.
Composer David Felder with flutist Barry Crawford after a performance of Felder's work November Sky at June in Buffalo 2012
A person on the left in a black shirt and glasses gestures toward a person on the right wearing a black suit. The person on the right holds a large vertical silver wind instrument while extending their other hand. A piano and a cymbal stand are visible in the background against dark wood paneling.
Flutist Barry Crawford performing David Felder's work November Sky at June in Buffalo 2012
A person in a dark suit holds a large silver flute with a curved headjoint and presses their fingers onto the keys. They are positioned against a plain black background. The instrument is held horizontally with the mouthpiece near the person's lips.
A person with short dark hair and a dark suit jacket plays a silver transverse flute. Their gaze is directed toward a music stand in the bottom right corner of the frame. The background consists of a dark, solid surface.
Composer David Felder leads a master class with student composers Jacob Gotlib and Matthew Schreibeis at June in Buffalo 2012
Several people are seated around wooden tables in a room equipped with a large Sony television and audio gear. One person holds a document titled "Noticing" while facing others who sit in the foreground. The room features a green board on the wall and various pieces of electronic equipment on stands and shelves.
A person with short hair and facial hair wears a dark blazer and shirt while playing a piccolo. Their fingers are positioned on the instrument's keys, and their head is tilted downward. The background is a solid dark color.
Senior faculty composers David Felder, Robert Beaser, Fred Lerdahl, and Steven Stucky at June in Buffalo 2012
Four people are positioned in a row in front of a large white column and vertical blinds. They all wear eyeglasses and dark-toned clothing, including a grey blazer, a textured black shirt, and a black jacket over a graphic t-shirt. Some of the individuals are turned slightly toward each other.
Composer Steven Stucky in a master class with student composers at June in Buffalo 2012
Four people are visible sitting around a conference table covered with notebooks, a laptop, and a coffee cup. A person at the head of the table wears a dark blazer and glasses while sitting in front of a television. Behind them, a whiteboard with musical staff lines and a window with vertical blinds are visible.
Composer Robert Beaser at June in Buffalo 2012
A person with short, salt-and-pepper hair, glasses, and facial hair is shown in profile wearing a black jacket. To their right is a blackboard with musical staff lines, and behind them is a dark blue curtain.
Composers Fred Lerdahl and Steven Stucky at June in Buffalo 2012
One person with gray hair and a mustache stands next to another person with dark hair and a beard. Both individuals wear glasses and look down at a document. They are positioned in front of a white wall and a gray curtain.
Percussionists Jason Bauers and Robert Fullex UB Percussion Ensemble in a performance at June in Buffalo 2012
Two people wearing glasses stand behind a large set of black tubular bells in a room with wood-paneled walls. The person in the foreground wears a checkered shirt and holds a mallet as if to strike the instrument. A music stand with sheet music is attached to the chime frame, and other percussion instruments are visible in the background.
Conductor Tom Kolor directs percussionists Michelle Purdy, John Bacon, Jason Bauers, and Liz Holland of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Five people occupy a wooden stage in a large concert hall with wood-paneled walls and organ pipes in the background. Four performers are positioned behind various percussion instruments, including drums, congas, and mallet percussion. A fifth person stands with their back to the viewer, facing the group with arms raised.
Five people are on a stage with wood-paneled walls and a light-colored wooden floor. One person stands with their back to the viewer near a music stand, while the other four people are positioned behind various percussion setups. These instruments include a large bass drum, congas, and several cymbals mounted on stands.
Conductor Dan Bassin directs percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance of student composer David Rappenecker's work Emergence at June in Buffalo 2012
A conductor stands on a podium facing four musicians playing a variety of percussion instruments. The ensemble is spread across a large wooden stage with music stands positioned in front of each person. Rows of empty red theater seats are visible in the foreground.
Conductor Dan Bassin directs percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
A conductor stands on a podium facing four people playing various percussion instruments on a wooden concert stage. The background features tall wood-paneled walls and a large pipe organ in the upper right corner. Empty red theater seats face the stage in the foreground.
Conductor Dan Bassin with percussionists Jason Bauers, Robert Fullex, C.W. Dunbar, and Michelle Purdy of the UB Percussion Ensemble in a performance at June in Buffalo 2012
Five individuals stand on a wide wooden stage with several percussion setups, including drums and music stands. In the background, a large pipe organ is built into the wood-paneled wall, and rows of red theater seats occupy the foreground. One person is positioned near a low podium on the left, while others stand behind collections of instruments across the stage.
Percussionists Robert Fullex and Jason Bauers of the UB Percussion Ensemble in a performance at June in Buffalo 2012
One person on the left plays a marimba using four mallets. A set of tubular bells stands in the center foreground. On the right, another person plays a vibraphone with two mallets.